Annie Get Your Gun (film)
Annie Get Your Gun | |
---|---|
Directed by | George Sidney Busby Berkeley (uncredited) Charles Walters (uncredited) |
Screenplay by | Sidney Sheldon |
Produced by | Arthur Freed Roger Edens |
Starring | Betty Hutton Howard Keel Benay Venuta |
Cinematography | Charles Rosher |
Edited by | James E. Newcom |
Music by | Irving Berlin originally Jerome Kern |
Distributed by | Metro Goldwyn Mayer |
Release date |
|
Running time | 107 minutes |
Country | United States |
Language | English |
Budget | $3,734,000[1] |
Box office | $7,756,000[1] |
Annie Get Your Gun is a 1950 American musical Technicolor comedy film loosely based on the life of sharpshooter Annie Oakley. The Metro Goldwyn Mayer release, with music and lyrics by Irving Berlin and a screenplay by Sidney Sheldon based on the 1946 stage musical of the same name, was directed by George Sidney. Despite some production and casting problems (Judy Garland was fired from the lead role after a month of filming in which she clashed with the director and repeatedly showed up late or not at all), the film won the Academy Award for best score and received three other nominations. Star Betty Hutton was recognized with a Golden Globe nomination for Best Actress.
Cast
- Betty Hutton as Annie Oakley
- Howard Keel as Frank Butler
- Benay Venuta as Dolly Tate
- Louis Calhern as Col. William F. Cody (Buffalo Bill)
- J. Carrol Naish as Chief Sitting Bull
- Edward Arnold as Pawnee Bill
- Keenan Wynn as Charlie Davenport
- Clinton Sundberg as Foster Wilson
- Evelyn Beresford as Queen Victoria (uncredited)
- John War Eagle as Indian Brave (uncredited)
- Chief Yowlachie as Little Horse (uncredited)
Musical numbers
- "Colonel Buffalo Bill" — Charlie, Dolly, Ensemble
- "Doin' What Comes Natur'lly" — Annie, Siblings
- "The Girl That I Marry" — Frank
- "You Can't Get a Man with a Gun" — Annie
- "There's No Business Like Show Business" — Frank, Buffalo Bill, Charlie Davenport, Annie with ensemble
- "They Say It's Wonderful" — Annie, Frank
- "Moonshine Lullaby" — Annie, Porters, Siblings
- "There's No Business Like Show Business (Reprise)" — Annie
- "My Defenses Are Down" — Frank, Ensemble
- "I'm an Indian, Too" — Annie
- "I Got Lost in His Arms" — Annie
- "I Got the Sun in the Morning" — Annie
- "Anything You Can Do" - Annie, Frank
The film adaptation cut the following numbers from the original score: "I'm a Bad, Bad Man", "Moonshine Lullaby", and "I Got Lost in His Arms", ("An Old Fashioned Wedding" was written for the 1966 revival). The 2000 compact disc release of the soundtrack includes all of the film's numbers and, "Let's Go West Again" (a Hutton number deleted before the film's release), an alternate take of Wynn's "Colonel Buffalo Bill", and Garland's renditions of Annie's pieces.
Production history
The film was originally budgeted at $1.5 million, with $600,000 paying for the score and the book.[2]
Betty Hutton played Annie with Howard Keel (making his American film debut) as Frank Butler and Benay Venuta as Dolly Tate. Frank Morgan, cast as Buffalo Bill Cody, died suddenly of a heart attack shortly after shooting the film's opening production number, "Colonel Buffalo Bill." Morgan was replaced by Louis Calhern. Judy Garland, originally cast in the title role, recorded songs for the soundtrack and worked for two months under the direction of Busby Berkeley, who was in charge of all the musical numbers. In the late 1930s, the teaming of Garland and fellow juvenile star Mickey Rooney in the "Andy Hardy" film series featured musical productions staged and directed by Berkeley. He was severe with Garland insisting she perform at her best effort. She resented the hard driving Berkeley primarily from her past experience working on these films with him. Berkeley felt the twenty-eight year old's attitude on the "Annie" set lacked any effort or enthusiasm. She continually complained about Busby to studio head Louis B. Mayer, attempting to have him fired from the feature. Garland's revenge was to arrive late or simply not show up at all for each day's filming schedule. MGM suspended Garland for delinquency and for not appearing daily at scheduled call times. Garland claimed she was forced to leave the production (according to press releases) because of poor health and other personal problems This would eventually bring an end to her career at MGM. Garland's dismissal from this film (from which some footage and recordings have survived) figures stoic in the show-biz legend of the Garland fall from grace, her alleged unreliability, and the view of her as a victim of the studio system. Betty Garrett was considered as a replacement but the role of Annie eventually went to Hutton. Shooting resumed after five months, with George Sidney replacing Charles Walters (who in turn replaced Berkeley) as director.[3]
According to Betty Hutton, she was treated coldly by most of the cast and crew because of her replacing Garland. During an interview with Robert Osborne (first telecast on Turner Classic Movies "Private Screenings" on July 18, 2000), she recalled the other cast members being hostile and the MGM management as so unappreciative they neglected to invite her to the New York premiere. Louis Calhern was reportedly the only major cast member who treated Betty with any kindness and respect. Betty also stated one day Judy Garland was visiting the set and Betty greeted her with a bouncy "Hiya', Judy!" only to be answered by a string of profanities. Only two production numbers were completed with Garland: "Doin' What Comes Naturally" and "I'm an Indian Too" and these were released to the public for the first time in the 1990s in That's Entertainment III. Additional studio recordings of Garland also exist and have been released by Rhino Records.
Release
Despite the production problems, the film became popular in its own right. During its initial release, MGM recorded it as earning $4,708,000 in the US and Canada and $3,048,000 overseas, resulting in a profit of $1,061,000.[1][4]
In 1973 it was withdrawn from distribution, owing to a dispute between Irving Berlin and MGM over music rights, which prevented the public from viewing this film for almost 30 years. It was not until the film's 50th Anniversary in 2000 that it was finally seen again in its entirety.
One of Hutton's costumes, the very first "Wild West Show" costume seen in the film for the reprise of "There's No Business Like Show Business" is on permanent display at the Costume World Broadway Collection Museum in Pompano Beach, Florida.
Awards and nominations
- Academy Award for Best Music Scoring of a Musical Picture (WON)[5]
- Academy Award for Best Art Direction-Set Decoration, Color (Cedric Gibbons, Paul Groesse, Edwin B. Willis, Richard A. Pefferle) (nominee)
- Academy Award for Best Cinematography, Color (nominee)
- Academy Award for Best Film Editing (nominee)
- Golden Globe Award for Best Motion Picture Actress - Musical or Comedy - Betty Hutton (nominee)
- Photoplay Award for Most Popular Female Star - Betty Hutton (WON)
- Writers Guild of America Award for Best Written American Musical - Sidney Sheldon (WON)
References
- ^ a b c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
- ^ Variety April 1949 p 3
- ^ Green, Stanley; revised and updated by Elaine Schmidt. Hollywood Musicals Year By Year, Second Edition (1999) Hal Leonard Corporation, p. 159 ISBN 0-634-00765-3
- ^ Background information from the Judy Garland Database
- ^ "NY Times: Annie Get Your Gun". NY Times. Retrieved 2008-12-20.
Further reading
- Monder, Eric (1994). George Sidney:a Bio-Bibliography. Greenwood Press. ISBN 9780313284571.
External links
- 1950 films
- 1950s musical comedy films
- American films
- American musical comedy films
- Circus films
- English-language films
- Films that won the Best Original Score Academy Award
- Films directed by George Sidney
- Films directed by Charles Walters
- Metro-Goldwyn-Mayer films
- Films based on musicals
- Films produced by Arthur Freed
- Screenplays by Sidney Sheldon
- Film scores by Irving Berlin