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For other uses, see Damayanti (given name).
Damayanti and the swan-messenger (Painting by Raja Ravi Varma)
Spouse(s) Nala

Damayanti(दमयंती), a character in Hindu mythology, was the princess of Vidarbha Kingdom, who married king Nala of Nishadha Kingdom and their story is told in the Mahabharata. Her other lesser known name is Bhaimi.

The Story[edit]

Damayanti and the swan
Damayanti Choosing Husband by Warwick Goble

Damayanti was a princess of Vidarbha Kingdom. She was of such beauty and grace that even the gods could not stop from admiring her. She fell in love with Nala simply by hearing of his virtues and accomplishments from a golden swan. When it was time for her to choose her husband at a swayamvara, gods, princes and kings came to seek her hand. The Gods Indra, Agni, Varuna and Yama were on their way to the swayamvara, when they met Nala. They ordered him to be their messenger and to go inform Damayanti that she must choose one of them as her husband. Nala at first refused, saying he was himself interested in her, but he finally accepted the mission. On seeing him, Damayanti agreed to pay her respect to the gods, but she insisted on choosing only Nala for her husband. The Gods then each disguised themselves as Nala and asked Damayanti to choose amongst them. Damayanti saw through them each time, as she was aware that her true beloved one was a human being and couldn't be perfect, which set him apart from the gods. The demon Kali, the personification of Kali yuga, also wanted to marry Damayanti. On his arrival, he was unaware and was late for the swayamvara. He ran into the gods and was told how she chose Nala in their place. Kali then angrily vows to cause the fall of Nala's kingdom through his propensity for gambling.

Nala-Damayanti. Painting by Raja Ravi Varma.

Damayanti and Nala are happily married and have two children. Kali enters the palace as a servant and for twelve long years keeps watch for any little imperfection by which he can strike against Nala. One day, Nala, in a rush to make his prayer defiles himself by not washing his feet, thereby allowing Kali to bewitch his soul. In game of dice with his brother Pushkara, he loses his kingdom, forcing Nala and Damayanti to live in poverty in the forest. Birds fly away with the only garment Nala possessed. After all these misadventure, Nala starts worrying for Damayanti and obscured by Kali, resolves to abandon her in order to protect her from his bad luck. Damayanti finds herself alone in the forest and invokes a curse on those who have caused the downfall of her husband. Nala, meanwhile, rescues the Snake King Nāga Karkotaka from a fire. As a result, Nāga Karkotaka bites him in rewards. As Nala seeks an explanation, Nāga Karkotaka says that the poison will only take effect when it is perfect. Nala survives the bite, but the venom turns him into an unrecognizable dwarf named Bahuka, who serves as a charioteer to the Ayodhya King Rituparna.

Damayanti takes refuge in the palace of the Princess of Chedi, offering to serve her, only not as a servant; to which the Princess of Chedi replies that she can be her host. Damayanti is finally discovered and taken back to her father's house where she is reunited with her children. They search for Nala, but cannot find him. Damayanti starts thinking that the only way Nala will come back would be for fear that she would not be his wife anymore. Thus she requests a fake second swayamvara. She is still of such irresistible beauty that many kings attend it. Nala's master also wants to go to the swayamvara and Nala accompanies him. On their journey to the swayamvara, the king instructs the dwarf in the techniques of gambling. When King Rituparna reveals to him the supreme skill of controlling the dice, finally the poison take effect and Bahuka vomits Kali from his body and imprisons him temporarily in a tree. Damayanti is persuaded that the dwarf is Nala because of the flavour of a dish that he cooked for her. The pair are reunited and Nala is transformed from a dwarf into his familiar form. He uses the knowledge of gambling he has learned to regain everything he had lost. She forgives him for having abandoned her in the forest and he forgives her for having organised another swayamvara.

Nalacharitham attakatha, written by Unnayivaryar, is the structured story of Nala and Damayanti, played in the more dramatic and action-filled style of Kathakali. The story is divided into four parts as to be played in four days.


Norman Mosley Penzer translated the tale of Nala and Damayanti in 1926.[1]

See also[edit]


  1. ^ S. M. E. (April 1927). "Nala and Damayanti by Norman M. Penzer". The Journal of the Royal Asiatic Society of Great Britain and Ireland (2): 363–364. JSTOR 25221149. 

Further reading[edit]

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