|Proper name||Arulmigu Kanchi Ekambaranathar Thirukoil|
|Primary deity||Ekambaranathar (Shiva)|
|Architectural styles||Dravidian architecture|
|History and governance|
|Creator||Pallava, Chola kings|
Ekambaranathar Temple (Ekambareswarar Temple) is a Hindu temple dedicated to the deity Shiva, located in the town of Kanchipuram in Tamil Nadu, India. It is significant to the Hindu sect of Saivism as one of the temples associated with the five elements, the Pancha Bhoota Stalas, and specifically the element of earth, or Prithvi. Shiva is worshiped as Ekambareswarar or Ekambaranathar, and is represented by the lingam, with his idol referred to as Prithvi lingam. His consort Parvati is depicted as Gowridevi Amman. The presiding deity is revered in the 7th century Tamil Saiva canonical work, the Tevaram, written by Tamil saint poets known as the nayanars and classified as Paadal Petra Sthalam. The temple also houses Nilathingal Thundam Perumal temple, a Divyadesam, the 108 temples revered in the Vaishnava canon Nalayira Divya Prabhandam.
The temple complex covers 25 acres, and is one of the largest in India. It houses four gateway towers known as gopurams. The tallest is the southern tower, with 11 stories and a height of 55 metres (180 ft), making it one of the tallest temple towers in India. The temple has numerous shrines, with those of Ekambareswarar and Nilathingal Thundam Perumal being the most prominent. The temple complex houses many halls; the most notable is the thousand-pillared hall built during the Vijayanagar period.
The temple has six daily rituals at various times from 5:30 a.m. to 10 p.m., and twelve yearly festivals on its calendar. Panguni Uthiram festival celebrated for ten days during the Tamil month of Panguni (March - April) is the most prominent festival of the temple and the town.
The present masonry structure was built during the Chola dynasty in the 9th century, while later expansions are attributed to Vijayanagar rulers. The temple is maintained and administered by the Hindu Religious and Charitable Endowments Department of the Government of Tamil Nadu. The temple is the largest and one of the most prominent tourist attractions in the city.
Legend has it that once Parvati, the consort of Shiva was cursed to become dark like Kali. She wanted to expatiate herself from the sin by doing penance under the temple's ancient Mango tree near Vegavathi river. In order to test her devotion Shiva sent fire on her. Goddess Parvati prayed to her brother, Vishnu, for help. In order to save her, he took the Moon from Shiva's head and showed the rays which then cooled down the tree as well as Parvati. Shiva again sent the river Ganga (Ganges) to disrupt Parvati's penance. Parvati prayed to Ganga and convinced her that both of them were sisters and so should not harm her. Subsequently, Ganga did not disturb her penance and Parvati made a Shiva Linga out of sand to get united with Shiva. The God here came to be known as Ekambareswarar or "Lord of Mango Tree".
According to another legend, it is believed that Parvati worshipped Shiva in the form of a Prithivi Lingam (or a Lingam improvised out of sand), under a mango tree. Legend has it that the neighboring Vegavati river overflowed and threatened to engulf the Shiva Lingam and that Parvati or Kamakshi embraced the Lingam. Shiva touched by the gesture materialized in person and married her. In this context he is referred to as Tazhuva kuzhainthaar ("He who melted in Her embrace") in Tamil.
Tiurkuripputhonda Nayanar, one of the 63 saivite saints, called nayanars was a washerman in near the temple and he washed the clothes of all the Saivities. He was divinely tricked by God Shiva appearing as an aged brahmin and asked him to wash before dawn. At the same time Shiva made a cloudly evening. On observing the approach of the evening, the washerman banged his head in a stone in disappointment. God appeared in his true form and graced his devotee.
This vast temple is one of the most ancient in India having been in existence since at least 600 AD. Second century AD Tamil poetry speaks of Kama kottam, and the Kumara kottam (currently the Kamakashi Amman temple and the Subramanya temple).Initially temple was built by Pallavas. The Vedantist Kachiyapper served as a priest at the temple. The existing structure then, was pulled down and rebuilt by the later Chola Kings. Adi Sankara, the 10th-century saint got Kanchipuram remodelled along with expansion of this temple along with Kamakshi Amman temple and Varadaraja Perumal Temple with the help of local rulers.
There are inscriptions dated 1532 CE (record 544 of 1919) indicating the gift of number of villages made by Achutaraya. Vira Narasingaraya Saluva Nayaka who was directed by Achutaraya broke the royal order by giving more lands to Ekambaranathar temple than the Varadaraja Swamy temple against the instruction of an equal gift to either of the temples. Achutaraya on hearing this equally distributed the lands to both the temples.
The Vijayanagar kings, during the 15th century, also made lot of contributions to the temple and later developed by Vallal Pachiyappa Mudaliar used to go regularly from Chennai to Kanchipuram to worship in this temple, he spent significant money he amazed during British rule on the temple renovation, Pachiyappa Mudaliar seated at horse back can be seen in the temple pillar. At the later stage a similar temple with same name Ekambareswarar was constructed in Chennai by Pachiappa Mudaliar in order to avoid travelling time to Kanchipuram. The Archaeological Survey of India report of 1905–06 indicates widespread renovation activities carried out in the temple by Nattukottai Chettiar.
The temple covers an area of over 23 acres (93,000 m2). Reaching a height of 59 m (194 ft), the temple's Raja gopuram (the entrance tower to the temple) is one of the tallest in South India. The bottom half of the gateway tower has the shrines of Vinayaka and Murugan on either sides. From the entrance, there are two halls namely Vahana Mandapam (vehicle hall) and Sarabesa Mandapam (also called Navaratri hall). The Aayiram Kaal Mandapam, or the "hallway with a thousand pillars", which was built by the Vijayanagar Kings, is found on precinct after the gateway tower. yo yove been an underground holy river. The fourth courtyard contains a small Ganesha temple and a pond. The third courtyard contains lot of smaller shrines. The flag staff of the temple is axial to the sanctum and diagonally located to the main entrance and the temple tank on either directions. There is a shrine called Thirukachi Mayanam and Kalayana Mandapa, named after Pachayappa Mudaliar, both of which are located close to the flag staff. Thirukachi Mayanam, Valeesam, Rishabesam and Satyanadeesam are located in four corners of the temple. The hall of the flagstaff has pillars sculpted with intricate figures indicating various legends and avatars of Shiva.
The sanctum sanctorum contains the lingam along with the image of Shiva. There are granite image of the 63 Nayanmars around the first precinct. The temple's inner most precinct are decorated with an array of Shivalingam, one of which is a Sahasra Lingam with 1,008 Siva lingams sculpted on it. There is no separate shrine for Parvati within the complex as with other Shiva temples in Kanchipuram. A local belief is that Kamakshi Amman Temple is the consort for Ekambaranathar. There is a small shrine for Vishnu named Nilathingal Thundam Perumal temple inside the temple complex. Vishnu is prayed as Vamana Murthy and the shrine is hailed by the Alvar saints as one of the 108 Divya Desams. The sthala-virutcham or temple tree is believed to be a 3,500-year-old mango tree whose branches are said to yield four different types of mangoes from its four branches. There is a separate shrine for Nataraja on the second precinct.
Religious significance of the temple
Pancha Bhoota Stalam (Sanskrit: पन्च भूत स्थल) refers to the five Shiva temples, each representing the manifestation of the five prime elements of nature - land, water, air, sky, fire. Pancha indicates five, Bhoota means elements and Stala means place. All these temples are located in South India with four of these temples at Tamil Nadu and one at Andhra Pradesh. The five elements are believed to be enshrined in the five lingams and each of the lingams representing Shiva in the temple have five different names based on the elements they represent. In the temple, Shiva is said to have manifested himself in the form of Prithvi Lingam. The other four manifestations are Appu Lingam (representing water) at Jambukeswarar Temple, Thiruvanaikaval, Akaya Lingam (representing sky) at Thillai Nataraja Temple, Chidambaram, Agni Lingam (representing fire) at Annamalaiyar Temple and Vayu Lingam (representing air) at Srikalahasti Temple.
Saints and literary mention
Tirugnana Sambandar, a 7th-century Tamil Saivite poet, venerated Ekambareswarar in ten verses in Tevaram, compiled as the First Tirumurai. Appar and Sundarar, contemporaries of Sambandar, also venerated Ekambareswarar in 10 verses in Tevaram, compiled as the Fifth Tirumurai and Ninth Tirumurai respectively. As the temple is revered in Tevaram, it is classified as Paadal Petra Sthalam, one of the 276 temples that find mention in the Saiva canon. Manickavasagar, a 9th-century Tamil saint and poet, revered Ekambareswarar in his writing. Thus the temple is revered by all four Saiva Kuravars. The presiding deity is also revered in the verses of famous folk singer Kanchi Kotayappa Nayak, one of the trinities of Carnatic music Muthuswami Dikshitar and Pattinathar.
Worship and festivals
The temple priests perform the pooja (rituals) during festivals and on a daily basis. Like other Shiva temples of Tamil Nadu, the priests belong to the Shaivaite community, a Brahmin sub-caste. The temple rituals are performed six times a day; Ushathkalam at 5:30 a.m., Kalasanthi at 8:00 a.m., Uchikalam at 10:00 a.m., Sayarakshai at 6:00 p.m., Irandamkalam at 8:00 p.m. and Ardha Jamam at 10:00 p.m. Each ritual comprises four steps: abhisheka (sacred bath), alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for the pedestal of Ekambareswarar. Since it is a Lingam made of sand mound, all the ablution is done only to the pedestal. The worship is held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like somavaram and sukravaram, fortnightly rituals like pradosham and monthly festivals like amavasai (new moon day), kiruthigai, pournami (full moon day) and sathurthi.
The temple celebrates dozens of festivals throughout the year. The most important of these is the Panguni Brahmotsavam that lasts ten days during the Tamil month of Panguni, between March and April, concluding with the celebration of Kalayana Utsavam. The festival is the most popular of all the temple festivals in Kanchipuram. There are various processions during the ten days with the festive images of presiding deities of the temple carried in various mounts around the streets of the temple. During the fifth day, Ekambareswarar is carried silver mount Nandi during the morning and Ravaneswara Vahanam during the evening. The 63 Nayanmars are taken in procession the sixth day morning, while Ekambareswarar is carried on Silver car festival in the evening. Silver Mavadi seva is performed on the ninth day. On the concluding day, Kalayna Utsavam (marriage festival) is held when the marriage of Ekambareswarar is enacted. During the day, many unmarried people get married irrespective of their caste along with the deity. The event is witnessed by thousands of people every year.
- Let's Go India and Nepal, 8th Ed. Let's Go Publications. p. 585.
- Sajnani 2001, pp. 305
- Gopal 1990, p. 177
- V., Meena (1974). Temples in South India (1st ed.). Kanniyakumari: Harikumar Arts. p. 44.
- Ayyar 1991, pp. 71-72
- For derivation of Ekambareswarar, see: Rajaiah, section A King for Kings
- Rao 2008, p. 43
- V. 1995, p. 19
- Bhargava 2007, p. 402
- Hancock 2008, p. 220
- T.V.R, Chari (1982). The Glorious temples of Kanchi. Big Kancheepuram: Sri Kanchi Kamakshi Ambal Devasthanam and Sarada Navaratri Kalai Nigazhchi Trust. pp. 50–56.
- Schreitmüller, p. 545
- Harshananda, Swami (2012). Hindu Pilgrimage Centres (second ed.). Bangalore: Ramakrishna Math. p. 61. ISBN 81-7907-053-0.
- Alexander 2009, p. 91
- Ramaswamy 2007, pp. 301-302
- A dictionary, Canarese and EnglishWilliam Reeve, Daniel Sanderson
- Knapp 2005, p. 121
- M.K.V 2007, p. 37
- Bajwa 2007, p. 271
- "Pandava Thoothar Temple". Dinamalar. 2014. Retrieved 31 May 2014.
- Bradnock 2004, p. 812
- Rao 2008, p. 133
- Alexander, Jane (2009), The Body, Mind, Spirit Miscellany: The Ultimate Collection of Fascinations, NY: Duncain Baird Publishers, ISBN 978-1-84483-837-0
- Ayyar, P. V. Jagadisa (1991), South Indian shrines: illustrated, New Delhi: Asian Educational Services, ISBN 81-206-0151-3.
- Bajwa, Jagir Singh; Kaur, Ravinder (2007), Tourism Management, New Delhi: S.B. Nangia, ISBN 81-313-0047-1.
- Bhargava, Gopal K.; Bhatt, Shankarlal C. (2007), Land and people of Indian states and union territories. 25. Tamil Nadu, Delhi: Kalpaz Publications, ISBN 81-7835-381-4.
- Bradnock, Roma; Bradnock, Robert (2009), Footprint India, USA: Patrick Dawson, ISBN 1-904777-00-7.
- Gopal, Madan (1990). K.S. Gautam, ed. India through the ages. Publication Division, Ministry of Information and Broadcasting, Government of India. p. 177.
- Hancock, Mary Elizabeth (2008), The politics of heritage from Madras to Chennai, IN, USA: Indiana University Press, ISBN 978-0-253-35223-1.
- Knapp, Stephen (2005), The Heart of Hinduism: The Eastern Path to Freedom, Empowerment and Illumination, NE: iUniverse, ISBN 978-0-595-35075-9.
- Let's Go (2004), Let's Go India & Nepal 8th Edition, NY: Let's Go Publications, ISBN 0-312-32006-X
- M.K.V., Narayan (2007), Flipside of Hindu Symbolism: Sociological and Scientific Linkages in Hinduism, California: Fultus Corporation, ISBN 1-59682-117-5.
- Ramaswamy, Vijaya (2007), Historical dictionary of the Tamils, United States: Scarecrow Press, INC., ISBN 978-0-470-82958-5
- Rajaiah, Ratna (2010), How the Banana Goes to Heaven, Chennai: Manipal Press Limited, ISBN 978-93-8065-860-5
- Rao, P.V.L. Narasimha (2008), Kanchipuram - Land of Legends, Saints & Temples, New Delhi: Readworthy Publications (P) Ltd., ISBN 978-93-5018-104-1
- Sajnani, Dr. Manohar (2001), Encyclopedia of tourism resources in India, Volume 2, Delhi: Kalpaz Publications, ISBN 81-7835-014-9.
- Schreitmüller, Karen (2009), India, Germany: Karl Baedeker Verlag.
- V., Vriddhagirisan (1995), Nayaks of Tanjore, New Delhi: Asian Educational Services, ISBN 81-206-0996-4.
|Wikimedia Commons has media related to Ekambareswarar Temple.|