Jain sculpture

Image depicting Rishabhanatha

Jain sculptures or Jain idols are the images depicting Tirthankaras (Teaching Gods). These images are worshiped by the followers of Jainism. The sculpture could depict any of the twenty-four tirthankaras with images depicting Parshvanatha, Rishabhanatha, or Mahāvīra being more popular. Jain sculptures are an example of Jain art.

Iconography

Image depicting Chandraprabha, the eight tirthankara of present half cycle of time

The Jain idols are always male, depicted in both sitting and standing postures. The tīrthaṅkaras are represented either seated in yoga posture or standing in the Kayotsarga posture. Parshvanatha statues are usually depicted with a snake crown on head, Bahubali statues are usually depicted covered with creepers. However, there are a few differences in Digambara and Svetambara depiction of idols. Digambara images are naked without any beautification whereas Svetambara ones are clothed and decorated with temporary ornaments.

Examples

Giant rock-cut statues of Jain Tirthankaras are carved in the Gopachal Hill, Gwalior, Madhya Pradesh.

Charans are footprints exclusive to Jain temples. The charan of Tirthankara Rishabhanatha are present at the Badrinath Temple.

In Tamil Nadu

Sculpture depicting Tirthankara Parshvanatha, Thirakoil, Tamil Nadu

Jainism spread here and there all over Tamil Nadu during Sangam Age. One of the Tamil literature, called Paripadal (பரிபாடல்), probably belongs to 3rd century, mentions that there were propelling statues sculptured in stone for different deities in the temple of God Murugan in Thirupparankundram. One among them was Jain statue. Others are Kaaman-Rathi (the deities of Love), Deity Indira (the king of so-called Heavenly people according to Indian mythology), Agaligai (wife of Saint Gaudham), and Buddha.

Jain sculptures in Kalugumalai near Madurai belongs to one century latter is to be compared with Thirpparankunram Jain sculpture. In addition a propelling stone statue of a Jain monk mentioned in Tamil literature is also present. Cave inscriptions in Brahmi script of Chera kings in Pugalur probably one century earlier to that of the literature we have taken to our consideration, names some of the Jain Monks vs Yatrur Senkayapan, Pittan, Kotran. Pittan and Kotran are the chieftains of Tamil Nadu also mentioned in Tamil literature more or less to the same period.

In Museums

Many Jain sculptures are kept in Government Museum, Chennai and Government Museum, Mathura.

The oldest Jain sculpture in the Metropolitan Museum of Art in New York is of the Siddha Bahubali.

Gallery

• 
  Rock cut Tirthankara statues at Gopachal Hill, Gwalior
• 
  Converted image of Parshvanatha
• 
  17.4 m (57 ft) Gommateshwara statue at Shravanabelagola, 10th century
• 33 m (108 ft) Statue of Ahimsa, Mangi-Tungi, Maharashtra, the largest Jain idol in world
  33 m (108 ft) Statue of Ahimsa, Mangi-Tungi, Maharashtra, the largest Jain idol in world
• 26 m (85 ft) Megalithic statue of Lord Rishabhanatha at Bawangaja
  26 m (85 ft) Megalithic statue of Lord Rishabhanatha at Bawangaja
• 
  Rishabhanatha statue at Gopachal Hill, Gwalior Fort, 58.4 feet (17.8 m)
• 
  The 16 m (52 ft) statue of Neminath at Tirumalai, the tallest Jain sculpture in Tamil Nadu
• 
  Shantinatha Statue at 9.8 m (32 ft) Shantinath Jinalaya, Shri Mahavirji
• 
  31 ft statue of Lord Vasupujya at Champapur, Bhagalpur
• 
  Munisuvrata statue at 8.23 m (27.0 ft) Shantinath Jain Teerth
• 
  18 feet idol of Parsvanatha in Parsvanatha Basadi at Shravanabelgola

See also

• Akota Bronzes
• Chausa hoard
• Thirakoil
• Jain architecture
• Jain temple

References

• Pereira, José (1977), Monolithic Jinas, Motilal Banarsidass, ISBN 0-8426-1027-8
• Cort, John E. (2010) [1953], Framing the Jina: Narratives of Icons and Idols in Jain History, Oxford University Press, ISBN 978-0-19-538502-1
• Zimmer, Heinrich (1953), Joseph Campbell (ed.), Philosophies of India, London, E.C. 4: Routledge & Kegan Paul Ltd, ISBN 978-81-208-0739-6{{citation}}: CS1 maint: location (link)