At the 2010 Alternative Press Expo
|Born||Linda Jean Barry
January 2, 1956
Richland Center, Wisconsin, U.S.
|Ernie Pook's Comeek
The Good Times Are Killing Me
One! Hundred! Demons!
Barry is best known for her weekly comic strip Ernie Pook's Comeek. She garnered attention with her 1988 illustrated novel The Good Times are Killing Me, about an interracial friendship between two young girls, which was made into a play. Her second illustrated novel, Cruddy, first appeared in 1999. Three years later she published One! Hundred! Demons!, a graphic novel she terms "autobiofictionalography". What It Is (2008) is a graphic novel that is part memoir, part collage and part workbook, in which Barry instructs her readers in methods to open up their own creativity; it won the comics industry's 2009 Eisner Award for Best Reality-Based Work.
In recognition of her contributions to the comic art form, Comics Alliance listed Barry as one of twelve women cartoonists deserving of lifetime achievement recognition, and she received the Wisconsin Visual Art Lifetime Achievement Award in 2013. In July 2016, she was inducted into the Eisner Hall of Fame. She is currently an Assistant Professor of Interdisciplinary Creativity at the University of Wisconsin-Madison.
Early life and education
Her father was a meat-cutter of Irish and Norwegian descent, and her mother, a hospital housekeeper, was of Irish and Filipino descent. Barry grew up in Seattle, Washington in an African-American neighborhood, and recalled her childhood as difficult and awkward. Her parents divorced when she was 12. By age 16, she was working nights as a janitor at a Seattle hospital while still attending high school, where her classmates included artist Charles Burns. Neither of Barry's parents attended her graduation.[why?]
At The The Evergreen State College in Olympia, Washington, Barry met fellow cartoonist Matt Groening. Her career began in 1977 when Groening and University of Washington Daily student editor John Keister each published her work without her knowledge in their respective student newspapers, titling it Ernie Pook's Comeek.
Barry was known as the class cartoonist in her grade school. While studying fine arts at The Evergreen State College, she began drawing comic strips compulsively when her boyfriend left her for another girl: “I couldn’t sleep after that, and I started making comic strips about men and women. The men were cactuses and the women were women, and the cactuses were trying to convince the women to go to bed with them, and the women were constantly thinking it over but finally deciding it wouldn’t be a good idea.” These were the cartoons Groening and Keister published as Ernie Pook's Comeek. Barry also credits her start in comics to Evergreen State College professor Marilyn Frasca, saying, "The lessons I learned from her when I was 19 and 20, I still use every day and have never been able to wear out."
After graduating from Evergreen, Barry moved to Seattle. When she was 23, the Chicago Reader picked up her comic strip, enabling her to make a living from her comics alone. She later moved to Chicago, Illinois. As she described her career start:
[Editor] Bob Roth called me from the Chicago Reader as the result of an article [her college classmate] Matt [Groening] wrote about hip West Coast artists — he threw me in just because he was a buddy, right? And then Bob Roth ... called and wanted to see my comic strips, and I didn't have any originals. I didn’t know anything about originals, that you don’t give them to newspapers because newspapers lose them. So I had to draw a whole set that night and Federal Express them. So I did, and he started printing them, and he paid $80 a week, and I could live off of that. And because he’s with this newspaper association, the other papers started picking it up. So it was luck. Sheer luck. [Matt] got into the Los Angeles Reader. For a long time the Los Angeles Reader wouldn't print me, and the Chicago Reader wouldn’t print Matt even though they’re sister publications. So we both worked on the publishers and the editors to get each other in. It was really funny: when we got into each others’ papers, everything sort of took off for both of us.
Collections of her work include Girls & Boys (1981), Big Ideas (1983), Everything in the World (1986), The Fun House (1987), Down the Street (1989), and The Greatest of Marlys (2000). In 1984, she released a coloring book with brief text called Naked Ladies! Naked Ladies! Naked Ladies! She also wrote and drew a full-page color strip examining the everyday pathology of relationships for Esquire magazine. In 1989 Barry's strip appeared weekly in more than 50 publications, mostly alternative newspapers in large cities.
Collections of Barry's comics began appearing in 1981. She has written two illustrated novels, The Good Times are Killing Me (1988) and Cruddy, also known as Cruddy: An Illustrated Novel (1999). Barry adapted the former as an Off-Broadway play (see below).
One! Hundred! Demons! first appeared as a serialized comic on Salon.com; according to the book's introduction, it was produced in emulation of an old Zen painting exercise called "one hundred demons." In this exercise, the practitioner awaits the arrival of demons and then paints them as they arise in the mind. The demons Barry wrestles with in this book include regret, abusive relationships, self-consciousness, the prohibition against feeling hate, and her response to the results of the 2000 U.S. presidential election. The book contains an instructional section that encourages readers to take up the brush and follow her example. According to Time magazine, the book uses "acutely-observed humor to explore the pain of growing up."
Barry has also published three books about the creative processes of writing and drawing. What It Is, Picture This, and Syllabus: Notes From an Accidental Professor focus on opening pathways to personal creativity. Publishers Weekly gave Syllabus a starred review, calling it "an excellent guide for those seeking to break out of whatever writing and drawing styles they have been stuck in, allowing them to reopen their brains to the possibility of new creativity." The AV Club named Syllabus one of the best comics of 2014.
In other media
Barry adapted her illustrated novel The Good Times are Killing Me (1988) as an Off-Broadway play that had 106 performances from March 26 to June 23, 1991, at the McGinn-Cazale Theatre at 2162 Broadway, then 136 performances from July 30 to November 24, 1991, after transferring to the Minetta Lane Theatre. It was produced by Second Stage Theatre, with the Minetta Lane portion produced by Concert Productions International, and directed by Mark Brokaw. Angela Goethals won a 1990–91 Obie Award for her lead role as Edna Arkins. Chandra Wilson as Bonna Willis won a 1991 Theatre World Award. Barry was nominated for the 1992 Outer Critics Circle's John Gassner Award.
Workshop and teaching
Barry offers a workshop titled "Writing the Unthinkable" through the Omega Institute in Rhinebeck, New York, and The Crossings in Austin, Texas, in which she teaches the process she uses to create all of her work. Barry conducts approximately 15 writing workshops around the country each year. She credits her teacher, Marilyn Frasca at The Evergreen State College, with teaching her these creativity and writing techniques. Many of these techniques appear in her book What It Is. A New York Times article about her writing workshops summed up her technique: "Barry isn't particularly interested in the writer’s craft. She's more interested in where ideas come from — and her goal is to help people tap into what she considers to be an innate creativity."
In the spring term of 2012, Barry was artist in residence at the University of Wisconsin-Madison Arts Institute and Department of Art. She taught a class, What It Is: Manually Shifting the Image.
She joined the faculty of University of Wisconsin-Madison in 2013 as an assistant professor in the art department and through the Wisconsin Institute for Discovery. During September 24–28, 2012, Barry was the artist in residence at Capilano University in North Vancouver, British Columbia.
Barry is married to Kevin Kawula, a prairie restoration expert. They met while she was an artist in residence at the Ragdale Foundation and he was land manager of the Lake Forest Open Lands project in Lake Forest, Illinois. In 2002 they moved to a dairy farm near Footville, Wisconsin.
Barry is an outspoken critic of wind turbines and has lobbied the Wisconsin government for clearer zoning regulations for turbines being built in residential areas. She has also spoken out about wind power's problems with noise pollution, human health, and efficiency as related to variability.
- Girls and Boys (Real Comet Press 1981) ISBN 0-941104-00-1
- Big Ideas (Real Comet Press, 1983) ISBN 0-941104-07-9)
- Everything in the World (HarperCollins 1986) ISBN 978-0060961077
- Down the Street (HarperCollins 1988) ISBN 978-0060963040
- The Fun House (HarperCollins 1988) ISBN 0-06-096228-3
- The Good Times Are Killing Me (Perennial/HarperCollins, 1988) ISBN 0-941104-22-2
- Come Over, Come Over (HarperCollins 1990) ISBN 0-06-096504-5
- My Perfect Life (Perennial/HarperCollins 1992) ISBN 978-0060965051
- The Lynda Barry Experience (spoken word cassette tape/CD 1993) ISBN 1-882543-17-3
- It's So Magic (Perennial/HarperCollins 1994) ISBN 978-0060950460
- The Freddie Stories (Sasquatch Books 1999) ISBN 978-1570611063
- Cruddy (Simon & Schuster hardcover 1999) ISBN 978-0684865300 (paperback 2000) ISBN 978-0684838465
- The Greatest of Marlys (Sasquatch Books 2000) ISBN 1-57061-260-9
- One! Hundred! Demons! (Sasquatch Books 2002) ISBN 9781570613371
- What It Is (Drawn and Quarterly 2008) ISBN 978-1897299357
- Picture This: The Near-Sighted Monkey Book (Drawn and Quarterly 2010) ISBN 1-897299-64-8
- Blabber Blabber Blabber: Volume 1 of Everything (Drawn and Quarterly 2011) ISBN 978-1770460522
- Syllabus: Notes from an Accidental Professor (Drawn and Quarterly 2014) ISBN 978-1770461611
- The Greatest of Marlys (Drawn and Quarterly hardcover 2016) ISBN 978-1770462649
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When Robert Roth at The Chicago Reader called me in Seattle and picked up my comic strip ... The Reader paid $80 per week. My rent was $99 a month. Lordy! I was rich. This was when I was 23, so around 1979-ish.
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Barry: “I went out with him. It was the worst thing I ever did. When we broke up he gave me a watch and said I was boring and shallow, and I wasn't enough in the moment for him, and it was over.”
Glass: “Anything bad she says about me I can confirm.”
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