Original theatrical release poster
|Based on||The Rescuers and Miss Bianca
by Margery Sharp
|Edited by||James Koford
|Distributed by||Buena Vista Distribution|
|Box office||$71.2 million|
The Rescuers is a 1977 American animated adventure film produced by Walt Disney Productions and first released on June 22, 1977 by Buena Vista Distribution. The 23rd film in the Walt Disney Animated Classics series, the film is about the Rescue Aid Society, an international mouse organization headquartered in New York and shadowing the United Nations, dedicated to helping abduction victims around the world at large. Two of these mice, jittery janitor Bernard (Bob Newhart) and his co-agent, the elegant Miss Bianca (Eva Gabor), set out to rescue Penny (Michelle Stacy), an orphan girl being held prisoner in the Devil's Bayou by treasure huntress Madame Medusa (Geraldine Page).
The film is based on a series of books by Margery Sharp, most notably The Rescuers and Miss Bianca. Due to the film's success, a sequel entitled The Rescuers Down Under was released in 1990, which made this film the first Disney animated film to have a sequel.
In an abandoned river boat in Devil's Bayou, a young orphan named Penny drops a message in a bottle containing a plea for help into the river. The bottle washes up in New York City, where it is recovered by the Rescue Aid Society, an international mouse organization inside the United Nations. The Hungarian representative, Miss Bianca, volunteers to accept the case and chooses Bernard, a stammering janitor, as her co-agent. The two visit Morningside Orphanage, where Penny lived, and meet an old cat named Rufus. He tells them about a woman named Madame Medusa who once tried to lure Penny into her car and may have succeeded in abducting Penny this time.
The mice travel to Medusa's pawn shop, where they discover that she and her partner, Mr. Snoops, are on a quest to find the world's largest diamond, the Devil's Eye. They also discover that Medusa and Mr. Snoops are at the Devil's Bayou with Penny, whom they have indeed kidnapped, and whom they guard with two trained crocodiles called Brutus and Nero. With the help of an albatross named Orville, and a dragonfly named Evinrude, the mice follow Medusa to the bayou. There, they learn that Penny was captured to enter a hole that leads down into the pirates' cave where the Devil's Eye is located.
Bernard and Miss Bianca find Penny and devise a plan of escape and send Evinrude to alert the local animals, who loathe Medusa, but Evinrude is delayed when he is forced to take shelter from a flock of bats. The following morning, Medusa and Mr. Snoops send Penny down into a pirate's cave to find the gem, with Miss Bianca and Bernard hiding in her skirt pocket. The three soon find the Devil's Eye within a pirate skull; as Penny pries the mouth open with a sword, the mice push it out from within, but soon the oceanic tide rises and floods the cave. Miss Bianca, Penny, and Bernard barely manage to retrieve the diamond and escape.
Medusa plans to keep the diamond for herself, hiding it in Penny's teddy bear while holding Penny and Snoops at gunpoint. When she trips over a cable set as a trap by Bernard and Bianca, Medusa loses the bear to Penny, who runs away with it. The local animals arrive at the riverboat and aid Bernard and Bianca by trapping Brutus and Nero, then setting off Snoops's fireworks to create more chaos. Meanwhile, Penny and the mice commandeer Medusa's swamp-mobile, a makeshift airboat. Medusa unsuccessfully pursues them, using Brutus and Nero as water-skis, and is left clinging to the boat's smoke stacks as the irritated Brutus and Nero circle below while Snoops escapes.
Back in New York, the Rescue Aid Society watch a news report of how Penny found the Devil’s Eye, which has been given to the Smithsonian Institution, and how she has been adopted. The meeting is interrupted when Evinrude arrives with a call for help, sending Bernard and Bianca on a new adventure.
- Bob Newhart as Bernard, Rescue Aid Society's timid janitor, who reluctantly tags along with Miss Bianca. He is highly superstitious about the number 13 and dislikes flying (the latter being a personality trait of Newhart).
- Eva Gabor as Miss Bianca, the Hungarian representative of the Rescue Aid Society. She is sophisticated and adventurous. Her Hungarian nationality was derived from that of her voice actress, Eva Gabor.
- Geraldine Page as Madame Medusa, a greedy, redheaded, wicked pawnshop owner.
- Michelle Stacy as Penny, a lonely six-year-old orphan girl, residing at Morningside Orphanage in New York City.
- Joe Flynn as Mr. Snoops, Medusa's clumsy business partner. This was Flynn's final role before his death in 1974.
- Jim Jordan as Orville (named after Orville Wright of the Wright brothers, the inventors of the aeroplane), an albatross who gives Bernard and Bianca a ride to Devil's Bayou. The role was the last for Jordan, who retired after the film's release. Several of Orville's screams were recycled from Pinto Colvig's performances as Goofy.
- John McIntire as Rufus, the elderly cat who resides at Morningside Orphanage and comforts Penny when she is sad. He was designed by animator Ollie Johnston, who retired after this film following a 40-year career with Disney.
- Jeanette Nolan as Ellie Mae and Pat Buttram as Luke, two muskrats who reside in a Southern-style home on a patch of land in Devil's Bayou. Luke drinks very strong, homemade liquor.
- James MacDonald as Evinrude, a dragonfly who mans a leaf boat across Devil's Bayou, giving Bernard and Miss Bianca a ride across the swamp waters.
- Candy Candido as Brutus and Nero, Medusa's two aggressive pet crocodiles.
- Bernard Fox as Mr. Chairman, the chairman to the Rescue Aid Society.
- George Lindsey as Deadeye, a fisher rabbit who is one of Luke and Ellie Mae's friends.
- Larry Clemmons as Gramps, a grumpy old turtle who carries a brown cane.
- Dub Taylor as Digger, a mole.
- John Fiedler as Deacon Owl
- Shelby Flint as Singer, Bottle
- Bill McMillian as T.V. Announcer
In 1962, the film began development with its initial treatment developed from the first book centering on a poet held captive by a totalitarian government in the Siberia-like stronghold. However, as the story grew overtly involved with international intrigue, Walt Disney shelved the project as he was disinterested in the political overtones. The project was revived in the early 1970s as a project for the young animators, led by Don Bluth, as the studio would alternate between full-scale "A pictures" and smaller, scaled-back "B pictures" with simpler animation. The animators had selected the most recent book, Miss Bianca in the Antarctic, with its story focusing on a captured polar bear forced into performing in shows causing the unsatisfied bear to place a bottle that would reach the mice. Jazz singer Louis Prima was to voice the character named Louis the Bear, and this version was to feature six songs sung by Prima written by Floyd Huddleston. Unfortunately in 1975, following headaches and episodes of memory loss, Prima discovered he had a stem brain tumor, and the project was scrapped.
Meanwhile, the "A" crew had finished work on Robin Hood, and was set to begin production on an adaptation of Paul Gallico's book titled Scruffy under the direction of Ken Anderson. Its story concerned the monkeys of Gibraltar under World War II, which also involved Nazis. When the time had come to greenlight one of the two projects, the studio leaders eventually decided to go for The Rescuers. When Scruffy was shelved, the veteran team turned the project into a more traditional, full-scale production ultimately dropping the Arctic setting of the story with veteran Disney writer Fred Lucky stating, "It was too stark a background for the animators." Cruella de Vil, the villainess from One Hundred and One Dalmatians, was originally considered to be the main antagonist of the film, but Disney animator Ollie Johnston stated it felt wrong to attempt a sequel and the idea was dropped. Instead, she was replaced by a retouched version of the Diamond Duchess in Miss Bianca. The two characters share surprisingly few similarities, other than perhaps the tendency to drive recklessly. The motive to steal a diamond originated in Margery Sharp's 1959 novel, Miss Bianca. Her appearance was based on animator Milt Kahl's ex-wife, whom he did not particularly like. This was Kahl's last film for the studio, and he wanted his final character to be his best; he was so insistent on perfecting Madame Medusa that he ended up doing almost all the animation for the character himself. Penny was inspired by Patience, the orphan in the novel. For the accomplices, the filmmakers adapted the character, Mandrake, into Mr. Snoops and his appearance was caricatured from animation historian John Culhane. Culhane claims he was practically tricked into posing for various reactions, and his movements were imitated on Mr. Snoops's model sheet. However, he stated, "Becoming a Disney character was beyond my wildest dreams of glory." Brutus and Nero are based on the two bloodhounds, Tyrant and Torment in the novels.
The writers had considered developing Bernard and Bianca into married professional detectives, though they decided that leaving the characters as unmarried novices was more romantic. For the supporting characters, a pint-sized swampmobile for the mice – a leaf powered by a dragonfly – was created. As they developed the comedic potential of displaying his exhaustion through buzzing, the dragonfly grew from an incidental into a major character. Veteran sound effects artist and voice talent Jimmy MacDonald came out of retirement to provide the effects. Also, the local swamp creatures were organized into a dedicated home guard that drilled and marched incessantly. However, the writers evolved them into a volunteer group of helpful little bayou creatures. Their leader, a singing bullfrog voiced by Phil Harris, was deleted from the film. A pigeon was originally proposed to be the transportation for Bernard and Bianca, until Ollie Johnston remembered a True Life Adventures episode that showed albatrosses and their clumsy take-offs and landings, and suggested the ungainly bird instead.
Ever since One Hundred and One Dalmatians, animation for theatrical Disney animated films was done by xerography, which had been only been able to produce black outlines, had been improved for the cel artists to use a medium-grey toner in order to create a softer-looking line. At the end of production, it marked the last joint effort by veterans Milt Kahl, Ollie Johnston, and Frank Thomas, and the first Disney film worked on by Don Bluth as an animator, instead of an assistant animator. Other animators who stepped up during production were Glen Keane, Ron Clements, and Andy Gaskill, who would all play an important role in the Disney Renaissance.
|Film score Vinyl LP by Various Artists|
The songs were written by Sammy Fain, Carol Connors, and Ayn Robbins, and performed by Shelby Flint. For the first time since Bambi, all the most significant songs were sung as part of a narrative, as opposed to by the film's characters as in most Disney animated films.
- "The Journey" (also known as "Who Will Rescue Me?") – Sung during the film's opening credits, the song follows Penny's bottle as it floats out of the Devil's Bayou and into the Atlantic Ocean.
- "Rescue Aid Society" – Sung by the Chairman (Bernard Fox), Bernard (Bob Newhart), and Miss Bianca (Robie Lester, filling in for Eva Gabor), as well as the various international mouse delegates (the Disney Studio Chorus) during the R.A.S. meeting. A reprise of the song plays when Bernard and Bianca begin to lose their faith, and are reminded of the song and its meaning.
- "Faith is a Bluebird" – Although not an actual song, it is a poem recited by Rufus and partially by Penny in a flashback the old cat has to when he last saw the small orphan girl, and comforted her through the poem, about having faith. The titular bluebird that appears in this sequence originally appeared in Alice in Wonderland (1951).
- "Tomorrow is Another Day" – Sung as Bernard and Bianca travel to Devil's Bayou upon Orville's back. The song plays again at the film's closure, as Bernard and Bianca, assisted by Evinrude and Orville, set out on a new rescue mission.
- "Someone's Waiting For You" – Sung as Penny begins to lose her faith, after Medusa cruelly speaks to her. During this segment, the star of faith, that Rufus mentioned earlier lights up the night sky. Bambi and his mother appear during this segment. The song was originally entitled "The Need to Be Loved" and featured different lyrics, with recorded versions by Jennifer Paz and Paul Francis Webster.
- "For Penny's a Jolly Good Fellow" – Sung by the orphan children at the end of the film, as a variation of the song "For He's a Jolly Good Fellow".
01. "The Journey" – Shelby Flint
02. "Rescue Aid Society" – Bernard Fox, Bob Newhart, and Robie Lester
03. "Tomorrow Is Another Day" – Shelby Flint
04. "Someone's Waiting For You" – Shelby Flint
05. "Tomorrow Is Another Day (Reprise)" – Shelby Flint
The Rescuers was re-released to theaters on December 16, 1983 along with a new Mickey Mouse featurette, Mickey's Christmas Carol, Mickey's first theatrical appearance after a 30-year absence. In anticipation of its upcoming theatrically released sequel in 1990, The Rescuers Down Under, The Rescuers saw another successful theatrical run on March 17, 1989.
To tie in with the film's 25th Anniversary, The Rescuers debuted in the Walt Disney Classics Collection line in 2002, with three different figures featuring three of the film's biggest stars, as well as the opening title scroll. The three figures were sculpted by Dusty Horner and they were: Brave Bianca, featuring Miss Bianca the heroine and priced at $75, Bold Bernard, featuring hero Bernard, priced also at $75 and Evinrude Base, featuring Evinrude the dragonfly and priced at $85. The title scroll featuring the film's name, The Rescuers and from the opening song sequence "The Journey," was priced at $30. All figures were retired in March 2005, except for the opening title scroll which was suspended in December 2012.
The Rescuers was the inspiration for another Walt Disney Classics Collection figure in 2003. Ken Melton was the sculptor of Teddy Goes With Me, My Dear, a limited edition, 8-inch sculpture featuring the evil Madame Medusa, the orphan girl Penny, her teddy bear "Teddy" and the Devil's Eye diamond. 1,977 of these sculptures were made, in reference to the film's release year, 1977. The sculpture was priced at $299 and instantly declared retired in 2003.
In November 2008, a sixth sculpture inspired by the film was released. Made with pewter and resin, Cleared For Take Off introduced the character of Orville into the collection and featured Bernard and Bianca a second time. The piece, inspired by Orville's take-off scene in the film, was sculpted by Ruben Procopio.
The Rescuers premiered on VHS and Laserdisc on September 18, 1992 as part of the Walt Disney Classics series. It was re-released on VHS as part of the Walt Disney Masterpiece Collection on January 5, 1999, but was recalled three days later and reissued on March 23, 1999 (see "Controversy").
The Rescuers was released on DVD on May 20, 2003 as a standard edition, which was discontinued in November 2011.
On January 8, 1999, three days after the film's second release on home video, The Walt Disney Company announced a recall of about 3.4 million copies of the videotapes because there was an objectionable image in one of the film's background cels.
The image in question is a blurry image of a topless woman that appears in two out of the film's more than 110,000 frames. The image appears twice in non-consecutive frames during the scene in which Miss Bianca and Bernard are flying on Orville's back through New York City. The two images could not be seen in ordinary viewing because the film runs too fast — at 30 frames per second on video.
On January 10, 1999, two days after the recall was announced, the London press site The Independent reported:
A Disney spokeswoman said that the images in The Rescuers were placed in the film during production, but she declined to say what they were or who placed them... The company said the aim of the recall was to keep its promise to families that they can trust and rely on the Disney brand to provide the best in family entertainment.
The Rescuers video was reissued March 23, 1999 with the offending image edited out.
The Rescuers was successful upon its original theatrical release earning $48 million at the box office and becoming Disney's most successful film to that date. During its initial release in France, it out-grossed Star Wars and became the highest grossing film in West Germany at the time. The distributor rentals accumulated $19 million while its international rentals grossed $41 million. The film broke a record for the largest financial amount made for an animated film on opening weekend, a record it kept until 1986, when An American Tail broke the record. The Rescuers was Disney's first significant success since The Jungle Book (1967) and the last until The Little Mermaid (1989). The Rescuers was re-issued in theaters in 1983 and 1989. The Rescuers has had a lifetime gross of $71.2 million across its original release and several reissues.
The Rescuers was said to be Disney's greatest film since Mary Poppins (1964), and seemed to signal a new golden age for Disney animation. The review aggregator website Rotten Tomatoes reported that the film received a 83% approval rating with an average rating of 6.6/10 based on 26 reviews. The website's consensus states that "Featuring superlative animation, off-kilter characters, and affectionate voice work by Bob Newhart and Eva Gabor, The Rescuers represents a bright spot in Disney's post-golden age." TV Guide gave the film three stars out of five, saying that "Four years in the making, costing nearly $8 million, THE RESCUERS is a beautifully animated film that showed Disney still knew a lot about making quality children's fare even as their track record was weakening. [...] Comic relief is provided by a bird named Orville, who transports the mice as they search for the girl. The voices are all well suited to the characters, and the film is a delight for children as well as adults who appreciate good animation and brisk storytelling." Ellen MacKay of Common Sense Media gave the film four out of five stars, writing, "Great adventure, but too dark for preschoolers".
In his book, The Disney Films, film historian Leonard Maltin refers to The Rescuers as "a breath of fresh air for everyone who had been concerned about the future of animation at Walt Disney's," praises its "humor and imagination and [it is] expertly woven into a solid story structure [...] with a delightful cast of characters." Finally, he declares the film "the most satisfying animated feature to come from the studio since 101 Dalmatians." He also briefly mentions the ease with which the film surpassed other animated films of its time.
The Rescuers was nominated in 1978 for an Academy Award for the song "Someone's Waiting for You" at the 50th Academy Awards. The song lost to "You Light Up My Life" from the film of the same name.
The Rescuers was the first Disney animated film to have a sequel. After three successful theatrical releases of the original film, The Rescuers Down Under was released theatrically on November 16, 1990.
The Rescuers Down Under takes place in the Australian Outback, and involves Bernard and Bianca trying to rescue a boy named Cody and a giant golden eagle called Marahute from a greedy poacher named Percival C. McLeach. Both Bob Newhart and Eva Gabor reprised their lead roles. Jim Jordan, the voice of Orville, had since died, so a new albatross character, Wilbur, was voiced by John Candy.
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- Beck, Jerry (October 28, 2005). The Animated Movie Guide. Chicago Review Press. p. 225. ISBN 978-1556525919. Retrieved February 28, 2015.
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- "Photographic images of a topless woman can be spotted in The Rescuers". Urban Legends Reference Pages. Retrieved April 12, 2007.
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- Maltin, Leornard (2000). The Disney Films, p.265. JessieFilm Ltd., New York. ISBN 0-7868-8527-0. Quotations from this same source were used in the 1998 home video promotional trailer for the film found in the VHS release of Lady and the Tramp (1955) of the same year.
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