|Owned by||Nimax Theatres|
|Capacity||775, on 4 levels|
|Type||West End theatre|
|Opened||21 February 1901|
|Production||The Curious Incident of the Dog in the Night-Time|
The Apollo Theatre is a Grade II listed West End theatre, on Shaftesbury Avenue in the City of Westminster. Designed by architect Lewin Sharp for owner Henry Lowenfield, and the fourth legitimate theatre to be constructed on the street, its doors opened on 21 February 1901 with the American musical comedy The Belle of Bohemia. The production was followed by John Martin-Harvey's season, including A Cigarette Maker's Romance and The Only Way, an adaptation of Charles Dickens' A Tale of Two Cities.
The first London theatre built in the Edwardian period, the Apollo was renovated by Schaufelberg in 1932, and a private foyer and anteroom was installed to the Royal Box. The sculpted work on the stone fascia is by T. Simpson, the building is of plain brick to the neighbouring streets. The theatre has a first floor central loggia. Inside there is a three galleried auditorium with elaborate plasterwork. The theatre seats 796, and the balcony on the 3rd tier is considered the steepest in London.
The Stoll Moss Group purchased the Apollo Theatre in 1975 and sold it to Andrew Lloyd Webber's Really Useful Group and Bridgepoint Capital in 2000. Nica Burns and Max Weitzenhoffer purchased the theatre and several others in 2005, creating Nimax Theatres, which still owns the theatre.
George Edwards produced a series of successful Edwardian musical comedies, including Kitty Grey (1901), Three Little Maids and The Girl from Kays (1902). An English version of André Messager's light opera Véronique became a hit in 1904, starring with Ruth Vincent, who also starred in Edward German's Tom Jones in 1907. Between 1908 and 1912, the theatre hosted H. G. Pelissier's The Follies. After this, the theatre hosted a variety of works, including seasons of plays by Charles Hawtrey in 1913, 1914 and 1924, and Harold Brighouse's Hobson's Choice in 1916. Gilbert Dayle's What Would a Gentleman Do? played in 1918.
George Grossmith, Jr. and Edward Laurillard managed the theatre from 1920 to 1923, presenting a series of plays and revivals, including Such a Nice Young Man by H.F. Maltby (1920) and the stage version of George Du Maurier's novel Trilby (1922). They had produced The Only Girl here in 1916 and Tilly of Bloomsbury in 1919. The Fake was produced in 1924, starring Godfrey Tearle. 1927 saw Abie's Irish Rose and Whispering Wires, with Henry Daniel. The next year, Laurence Olivier starred in R. C. Sherriff's Journey's End. Sean O'Casey's The Silver Tassie and Ivor Novello's A Symphony in Two Flats both played in 1929. Diana Wynyard starred as Charlotte Brontë in Clemence Dane's Wild Decembers in 1932, and Raymond Massey starred in Robert Sherwood's Pulitzer Prize-winning Idiot's Delight in 1938. Patrick Hamilton's play Gas Light held the stage in 1939, and Terence Rattigan's Flare Path played in 1942.
Control of the theatre transferred to Prince Littler in 1944. John Clements and Kay Hammond starred in Noël Coward's Private Lives, and Margaret Rutherford starred in The Happiest Days of Your Life in 1948, followed by Sybil Thorndike and Lewis Casson in Treasure Hunt, directed by John Gielgud in 1949. After this, Seagulls Over Sorrento ran for over three years beginning in 1950. The theatre's longest run was the comedy Boeing Boeing, starring Patrick Cargill and David Tomlinson, which opened in 1962 and transferred to the Duchess Theatre in 1965. In 1968, Gielgud starred in Alan Bennett's Forty Years On and in 1969, he returned in David Storey's Home, with Ralph Richardson. He returned to the theatre in 1988, at the age of 83, in Best of Friends by Hugh Whitemore.
A number of hit comedies transferred to or from the theatre in the 1970s and 1980s, and other important plays here during the period included Rattigan's Separate Tables, with John Mills in 1976, Lyle Kessler's Orphans in 1986 with Albert Finney, I'm Not Rappaport the same year, with Paul Scofield, and Dorothy Tutin, Eileen Atkins and Siân Phillips in Thursday's Ladies in 1987. Driving Miss Daisy played in 1988, starring Wendy Hiller, and 1989 saw Zoe Wanamaker in Mrs Klein, Vanessa Redgrave in A Mad house in Goa, and Peter O'Toole in Jeffrey Bernard Is Unwell. Penelope Wilton starred in Rattigan's The Deep Blue Sea in 1993, and In Praise of Love played in 1995, with Peter Bowles. Mark Little starred in the Laurence Olivier Award-winning one-man show, Defending the Caveman in 1999.
Selected recent productions
- Side Man (2000) with Jason Priestley
- Fallen Angels (2000) with Felicity Kendal and Frances de la Tour
- A female version of The Odd Couple (2001)
- Noël Coward's Star Quality (2001) with Penelope Keith and Una Stubbs
- Arthur Miller's The Price (2003) with Warren Mitchell
- The Goat or Who is Sylvia? (2004) with Jonathan Pryce
- David Mamet's A Life in the Theatre (2005) with Patrick Stewart and Joshua Jackson
- Mary Stuart (2005) with Harriet Walter
- Edward Albee's Who's Afraid of Virginia Woolf (2006) with Kathleen Turner
- Tennessee Williams' Summer and Smoke (2006) with Rosamund Pike
- The Glass Menagerie (2007) with Jessica Lange
- The Last Five Years (2007)
- Glengarry Glen Ross (2007) with Jonathan Pryce
- An Audience with the Mafia (2008)
- The Vortex (2008) with Felicity Kendal
- Divas (2008)
- Rain Man (2008) with Josh Hartnett and Adam Godley
- Three Days of Rain (2009) with James McAvoy and Nigel Harman
- Carrie's War (2009) with Prunella Scales
- Jerusalem (2010)
- All My Sons (2010) with David Suchet and Zoë Wanamaker
- Blithe Spirit (2011) with Alison Steadman
- Yes Prime Minister (2011)
- Jerusalem (2011–2012)
- The Madness of George III (2012)
- Long Day's Journey Into Night (2012) with David Suchet
- Richard III and Twelfth Night (2012) with Mark Rylance and Stephen Fry
- The Curious Incident of the Dog in the Night-Time (2013)
- Guide to British Theatres 1750-1950, John Earl and Michael Sell pp. 98–9 (Theatres Trust, 2000) ISBN 0-7136-5688-3
- Who's Who in the Theatre, edited by John Parker, tenth edition, revised, London, 1947, pps: 477-478.
|Wikimedia Commons has media related to Apollo Theatre, London.|