Mamet at the premiere of Redbelt at the Tribeca Film Festival, April 25, 2008
|Born||David Alan Mamet
November 30, 1947
Chicago, Illinois, United States
|Occupation||Author, playwright, screenwriter, film director|
|Notable work(s)||Duck Variations (1971)
Sexual Perversity in Chicago (1974)
American Buffalo (1975)
Glengarry Glen Ross (1984)
The Postman Always Rings Twice (1981)
House of Games (1987)
The Untouchables (1987)
The Unit (2006)
|Spouse(s)||Lindsay Crouse (1977–1990; divorced; 2 children, including Zosia)
Rebecca Pidgeon (1991–present; 2 children)
As a playwright, Mamet won a Pulitzer Prize and received Tony nominations for Glengarry Glen Ross (1984) and Speed-the-Plow (1988). As a screenwriter, he received Oscar nominations for The Verdict (1982) and Wag the Dog (1997). Mamet's books include: The Old Religion (1997), a novel about the lynching of Leo Frank; Five Cities of Refuge: Weekly Reflections on Genesis, Exodus, Leviticus, Numbers and Deuteronomy (2004), a Torah commentary with Rabbi Lawrence Kushner; The Wicked Son (2006), a study of Jewish self-hatred and antisemitism; Bambi vs. Godzilla, a commentary on the movie business; and The Secret Knowledge: On the Dismantling of American Culture (2011), a commentary on cultural and political issues.
Mamet's feature films, which he both wrote and directed, include Redbelt (2008), The Spanish Prisoner (1997), House of Games (1987) (which won Best Film and Best Screenplay awards at the 1987 Venice Film Festival and "Film of the Year" for the 1989 London Critics Circle Film Awards), Spartan (2004), Heist (2001), State and Main (2000) (Winner of a Best Acting - Ensemble award from the National Board of Review), The Winslow Boy (1999), Oleanna (1994), Homicide (1991) (nominated for the Palme d'Or at 1991 Cannes Film Festival and won a "Screenwriter of the Year" award for Mamet from the London Critics Circle Film Awards and Best Cinematography for Roger Deakins from the Los Angeles Film Critics Association Awards), Things Change (1988) (which won the Volpi Cup for Best Actor at 1988 Venice Film Festival for Don Ameche and Joe Mantegna), and most recently the 2013 HBO film Phil Spector, starring Al Pacino as Spector with Helen Mirren and Jeffrey Tambor.
Mamet has also written the screenplays for such films as The Verdict (1982), directed by Sidney Lumet, The Postman Always Rings Twice (1981), The Untouchables (1987) directed by Brian De Palma, Hoffa (1992), Ronin (1998), Wag The Dog (1997), The Edge (1997), and Hannibal (2001).
Mamet was also the creator, executive producer, and frequent writer for the TV show, The Unit.
Early life 
Mamet was born in 1947 in Chicago to Jewish parents, Lenore June (née Silver), a teacher, and Bernard Morris Mamet, an attorney. One of his first jobs was as a busboy at Chicago's The Second City. He was educated at the progressive Francis W. Parker School and at Goddard College in Plainfield, Vermont.
Mamet is a founding member of the Atlantic Theater Company; he first gained acclaim for a trio of off-Broadway plays in 1976, The Duck Variations, Sexual Perversity in Chicago, and American Buffalo. He was awarded the Pulitzer Prize in 1984 for Glengarry Glen Ross, which received its first Broadway revival in the summer of 2005. His play Race, which opened on Broadway on December 6, 2009 and featured James Spader, David Alan Grier, Kerry Washington, and Richard Thomas in the cast, received mixed reviews. His play The Anarchist, starring Patti LuPone and Debra Winger, in her Broadway debut, opened on Broadway on November 13, 2012 in previews and is scheduled to close on December 16, 2012.
Mamet received the PEN/Laura Pels International Foundation for Theater Award for Grand Master of American Theater in 2010.
Mamet's feature films, which he both wrote and directed, include in chronological order: his feature directorial debut House of Games (1987) (which won Best Film and Best Screenplay awards at the 1987 Venice Film Festival and "Film of the Year" for the 1989 London Critics Circle Film Awards), Things Change (1988), Homicide (1991) (nominated for the Palme d'Or at 1991 Cannes Film Festival and won a "Screenwriter of the Year" award for Mamet from the London Critics Circle Film Awards and Best Cinematography from Roger Deakins from the Los Angeles Film Critics Association Awards), Oleanna (1994), The Spanish Prisoner (1997), The Winslow Boy (1999), State and Main (2000), Heist (2001), Spartan (2004), Redbelt (2008), and in 2012 a bio-pic TV movie Phil Spector about the American record producer and songwriter Phil Spector starring Al Pacino as Spector, as well as Helen Mirren and Jeffrey Tambor.
Mamet has also written the screenplays for such classic films as The Verdict (1982), directed by Sidney Lumet, The Postman Always Rings Twice (1981), The Untouchables (1987) directed by Brian De Palma, Hoffa (1992), Ronin (1998), Wag The Dog (1997), The Edge (1997), and Hannibal (2001).
Mamet's first produced screenplay was the 1981 production of The Postman Always Rings Twice (directed by Bob Rafelson), based upon James M. Cain's novel. He received an Academy Award nomination one year later for his first script, The Verdict, written in the late 1970s. He also wrote the screenplay for The Untouchables.
In 1987, Mamet made his film directing debut with House of Games, starring his then-wife, Lindsay Crouse, and a host of longtime stage associates. He uses friends as actors, especially in one early scene in the movie, which featured Vermont poker playing friends. He is quoted as saying, "It was my first film as a director and I needed support, so I stacked the deck." Two of the four poker friends included in the film were fellow Goddard College graduates Allen Soule and Bob Silverstein. Three of Mamet's own films, House of Games, The Spanish Prisoner, and Heist, have involved the world of con artists.
Mamet remains a writer and director, and has assembled an informal repertory company for his films, including Crouse, William H. Macy, Joe Mantegna, Rebecca Pidgeon, and Ricky Jay, as well as some of the aforementioned poker associates. Mamet has funded his own films with payments he receives for credited and uncredited rewrites of typically big-budget films. For instance, Mamet did a rewrite of the script for Ronin under the pseudonym "Richard Weisz" and turned in an early version of a script for Malcolm X that director Spike Lee rejected. In 2000, Mamet directed a film version of Catastrophe, a one-act play by Samuel Beckett featuring Harold Pinter and John Gielgud (in his final screen performance). In 2008, he directed and wrote the mixed martial arts movie Redbelt, about a martial arts instructor tricked into fighting in a professional bout. Mamet teamed up with his wife Rebecca Pidgeon to adapt the novel Come Back to Sorrento as a screenplay. The film was in development during 2010. He is also director of the TV film Phil Spector.
In On Directing Film, Mamet asserts that directors should focus on getting the point of a scene across, rather than simply following a protagonist, or adding visually beautiful or intriguing shots. Films should create order from disorder in search of the objective.
In 1990 Mamet published The Hero Pony, a 55-page collection of poetry. He has also published a series of short plays, monologues and three novels, The Village (1994), The Old Religion (1997), and Wilson: A Consideration of the Sources (2000). He has written several non-fiction texts, and children's stories. In 2004 he published a lauded version of the classical Faust story, Faustus, however, the play, when staged in San Francisco during the spring of 2004, was not well received by critics. On May 1, 2010, Mamet released a graphic novel The Trials of Roderick Spode (The Human Ant).
On June 2, 2011, The Secret Knowledge: On the Dismantling of American Culture, Mamet's book detailing his conversion from modern liberalism to "a reformed liberal" was released.
Television and radio 
Mamet wrote the "Wasted Weekend" episode of Hill Street Blues that aired in 1987. His then-wife, Lindsay Crouse, appeared in numerous episodes (including that one) as Officer McBride. Mamet is also the creator, producer and frequent writer of the television series The Unit, and he directed a third season episode of The Shield with Shawn Ryan. In 2007, Mamet directed two television commercials for Ford Motor Company. The two 30-second ads featured the Ford Edge and were filmed in Mamet's signature style of fast-paced dialogue and clear, simple imagery. Mamet's sister, Lynn, is a producer and writer for television shows, such as The Unit and Law & Order.
Mamet has contributed several dramas to BBC Radio through Jarvis & Ayres Productions, including an adaptation of Glengarry Glen Ross for BBC Radio 3 and new dramas for BBC Radio 4. The comedy Keep Your Pantheon, (or On the Whole I'd Rather Be in Mesopotamia) was aired in 2007.
Other media / political views 
Since May 2005 he has been a contributing blogger at The Huffington Post, drawing satirical cartoons with themes including political strife in Israel. A conservative, Mamet has spoken in interviews of changes in his political positions, highlighting his belief in free market theorists such as Friedrich Hayek the historian Paul Johnson, and economist Thomas Sowell, whom Mamet called "one of our greatest minds."
During promotion of a book, Mamet was criticised for claiming that the British people had "a taint of anti-semitism", claiming they "want to give [Israel] away". In the same interview, Mamet goes on to say that "there are famous dramatists and novelists [in the UK] whose works are full of anti-Semitic filth", but that he could not specify to whom he was referring for fear of litigation. Known for his pro-Israel positions, in his book The Secret Knowledge he states that "Israelis would like to live in peace within their borders; the Arabs would like to kill them all".
January 29, 2013 Mamet wrote an essay for Newsweek in which he argued against gun control laws, writing that the Second Amendment was intended "to guard us against this inevitable decay of government that the Constitution was written. Its purpose was and is not to enthrone a Government superior to an imperfect and confused electorate, but to protect us from such a government." Liberal critics accused Mamet of perpetuating myths and factual inaccuracies about gun control in writing the article.
"Mamet speak" 
Mamet's style of writing dialogue, marked by a cynical, street-smart edge, precisely crafted for effect, is so distinctive that it has come to be called Mamet speak. He often uses italics and quotation marks to highlight particular words and to draw attention to his characters' frequent manipulation and deceitful use of language. His characters frequently interrupt one another, their sentences trail off unfinished, and their dialogue overlaps. Moreover, certain expressions and figures of speech are deliberately misrepresented to show that the character is not paying close attention to every detail of his dialogue (e.g., or so forth instead of and so forth). Mamet himself has criticized his (and other writers') tendency to write "pretty" at the expense of sound, logical plots.
When asked how he developed his style for writing dialogue, Mamet said, "In my family, in the days prior to television, we liked to while away the evenings by making ourselves miserable, based solely on our ability to speak the language viciously. That's probably where my ability was honed."
One classic instance of Mamet's dialogue style can be found in Glengarry Glen Ross, in which two down-on-their-luck real estate salesmen are considering stealing from their employer's office. George Aaronow and Dave Moss equivocate on the meaning of "talk" and "speak", turning language and meaning to deceptive purposes:
- Moss No. What do you mean? Have I talked to him about this [Pause]
- Aaronow Yes. I mean are you actually talking about this, or are we just...
- Moss No, we're just...
- Aaronow We're just "talking" about it.
- Moss We're just speaking about it. [Pause] As an idea.
- Aaronow As an idea.
- Moss Yes.
- Aaronow We're not actually talking about it.
- Moss No.
- Aaronow Talking about it as a...
- Moss No.
- Aaronow As a robbery.
- Moss As a "robbery?" No.
Mamet dedicated Glengarry Glen Ross to Harold Pinter, who was instrumental in its being first staged at the Royal National Theatre, (London) in 1983, and whom Mamet has acknowledged as an influence on its success, and on his other work. The terse dialogue in many of Pinter's plays seems to have influenced parts of Mamet speak.
Personal life 
Mamet and actress Lindsay Crouse were married in 1977 and divorced in 1990. He and Crouse have two children together, Willa and Zosia. Willa is a professional photographer and Zosia is an actress. Mamet has been married to actress and singer-songwriter Rebecca Pidgeon since 1991. They have two children, Clara and Noah.
Mamet is credited as writer of these works except where noted.
See also 
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- David Mamet Biography (1947-)
- "David Mamet Biography". FilmMakers Magazine. Retrieved 2007-01-18.
- "David Mamet's 'Race' on Broadway: What did the critics think?". Los Angeles Times. 2009-12-07. Retrieved 2009-12-09.
- Hetrick, Adam."David Mamet's 'The Anarchist', With Patti LuPone and Debra Winger, Will End Broadway Run Dec. 16" playbill.com, December 4, 2012
- Life magazine (Oct. 1987, V. 10 No. 11)
- Simpson, Janet (1992-03-16). "The Battle To Film Malcolm X". Time. Retrieved 2007-03-20.
- von Buchau, Stephanie. "Dr. Faustus". TheaterMania. Retrieved 2004-03-13.
- "CSPAN Video: The Secret Knowledge: On the Dismantling of American Culture".
- David Mamet – Politics on The Huffington Post
- "David Mamet: Why I Am No Longer a 'Brain-Dead Liberal'". 2008-03-11. Retrieved 2008-03-14.
- "David Mamet," Freedom Watch with Judge Andrew Napolitano, Fox Business Network, June 8, 2011.
- "David Mamet launches tirade against 'antisemitism' of British writers", Vanessa Thorpe. The Guardian. June 12, 2011. Accessed June 12, 2011
- "A liberal recants". The Economist. June 16, 2011.
- Gun Laws and the Fools of Chelm. Mamet, David. Newsweek / The Daily Beast. 29 January 2013.
- A Response to David Mamet on Gun Control. Tomasky, Michael. The Daily Beast. 28 January 2013.
- 3 Major Flaws In Newsweek's Red-Baiting Gun Rant. Media Matters for America. 28 January 2013.
- A Companion to Twentieth-century American Drama, David Krasner, Blackwell Publishing, 2005, p. 410
- Mamet, David. Writing in Restaurants.
- Stephen Randall, ed. (2006). "David Mamet: April 1996, interviewed by Geoffrey Norman and John Rezek". The Playboy Interviews: The Directors. M Press. p. 276.
- "Landmarks," on Night Waves BBC Radio, March 3, 2005, accessed January 17, 2007.
Further reading 
- David Mamet: Bambi vs. Godzilla. Interview with Leonard Lopate. 2007-02-12. The Leonard Lopate Show. WNYC. New York. http://www.wnyc.org/shows/lopate/episodes/2007/02/12/segments/73505. Retrieved 2008-12-23.
|Wikimedia Commons has media related to: David Mamet|
|Wikiquote has a collection of quotations related to: David Mamet|
- David Mamet at the Internet Broadway Database
- David Mamet at the Internet Movie Database
- David Mamet at the Internet Off-Broadway Database
- Works by or about David Mamet in libraries (WorldCat catalog)
- Works by David Mamet on Open Library at the Internet Archive
- David Mamet on Charlie Rose
- John Lahr (Spring 1997). "David Mamet, The Art of Theater No. 11". The Paris Review.
- Mamet: Why I Am No Longer a 'Brain-Dead Liberal' (Village Voice)
- David Mamet Bio at CBS – The Unit
- David Mamet's writings and cartoons on the Huffington Post
- Interview at salon.com
- "Prickly Ideals: encountering David Mamet’s new book", ArtsEditor.com, 2010
- Interview by Cathy Pryor in the London 'Independent on Sunday'
- Book Review of The Wicked Son
- Book Review of The Wicked Son from the Toronto Star
- David Mamet on the Playbill Vault