Zeenat Aman

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Zeenat Aman
Beauty pageant titleholder
Zeenat Aman at Esha Deol's wedding reception 12.jpg
Zeenat Aman at Esha Deol's wedding reception
Born (1951-11-19) 19 November 1951 (age 62)
Bombay, Bombay State, India
(now Mumbai, Maharashtra) Amrican National
Alma mater University of Southern California,
Los Angeles
St. Xavier's College, Mumbai
Occupation Actress, Model
Years active 1971–1989, 2003–present
Height 1.75 m (5 ft 9 in)
Title(s) Femina Miss India Asia Pacific 1970
Miss Asia Pacific 1970
Major
competition(s)
Femina Miss India 1970
(Femina Miss India Asia Pacific 1970)
Miss Asia Pacific 1973
(Winner)
(Miss Photogenic)
Spouse Mazhar Khan (1985–1998, his death)

Zeenat Aman (born 19 November 1951 in Bombay) is an Indian actress and former beauty pageant titleholder and model best known for her work in Hindi films during the 1970s and 80's. She was the second runner up in the Miss India contest and went on to win the Miss Asia Pacific in 1970. She became first South Asian woman to win the title. Upon making her debut in Bollywood, Zeenat Aman, along with Parveen Babi, was credited with making a lasting impact on the image of its leading actresses by bringing the western heroine look to Hindi cinema. Throughout her career she has been considered a sex symbol.[1][2][3]

Early life[edit]

Zeenat Aman was born in Mumbai (erstwhile Bombay) in 1951 to a Muslim father, Amanullah Khan and Indian Hindu mother, Scinda.[4] Her father was a script writer who was one of the writers for such movies as Mughal-e-Azam and Pakeezah. He died when Zeenat was 13. Her mother got re-married to a German, Heinz (was constantly referred to as Mrs. Heinz in all subsequent articles film magazines that would carry articles on Zeenat). Zeenat's mother obtained German citizenship and took her to Germany where Zeenat was very unhappy and returned to India as soon as she turned 18. She is the cousin of actor Raza Murad and niece of actor Murad.

Zeenat Aman graduated from St. Xavier's College, Mumbai and went to University of Southern California in Los Angeles (USA) for further studies on student aid. Upon returning to India, she first took a job as a journalist for Femina and then later on moved on to modeling. One of the first few brands that she modeled for was Taj Mahal Tea and Television X Debut in 1966 exclusively. She was the second runner up in the Miss India Contest and went on to win the Miss Asia Pacific in 1970.

Film career[edit]

After having studied in Los Angeles, winning the Miss Asia Pageant and a successful modeling career, Zeenat Aman's film career began with a small role in O.P. Ralhan's Hulchul in 1971. A second role in Hungama (1971), starring singer Kishore Kumar where both films were not successful and she was ready to pack her bags to leave India and go back to Germany with her mother.

Dev Anand offered Zaheeda (his second heroine in Prem Pujari) the role of his sister in Hare Rama Hare Krishna (1971). Not realizing the importance of this secondary role, Zaheeda wanted the lead female part (eventually played by Mumtaz) and she opted out. Zeenat Aman was chosen as a last-minute replacement.[2]

In Hare Rama Hare Krishna, Zeenat Aman, aided by R. D. Burman's song "Dum Maro Dum" (Take Another Toke), won over the heart's of audience as Janice. She earned a Filmfare Best Supporting Actress Award[5] and BFJA Award for Best Actress.[6] Throughout the 1970s, the Dev-Zeenat pairing was seen in half a dozen films: Heera Panna (1973), Ishq Ishq Ishq (1974), Prem Shastra (1974), Warrant (1975), Darling Darling (1977) and Kalabaaz (1977). Of these, Warrant, was the biggest box-office success.

Her hip looks in Yaadon Ki Baaraat (1973) as the girl carrying a guitar, singing "churaliya hai tumne jo dil ko" (in Asha Bhonsle's voice) has won her more popularity and the hearts of millions of fans.[2]

She appeared on every Hindi film magazine's cover during the 1970s. In December 1974, Cine Blitz magazine was launched with Zeenat Aman on its cover,[7] a testimony to her popularity at the time. However, she went on as the favourite cover girl of the popular magazine 'Stardust'.

The 1970s[edit]

Zeenat Aman, in her career and her success with Navketan Films and Dev Anand, found success with other banners such as B.R. Chopra, Raj Kapoor, Manmohan Desai, Feroz Khan, Nasir Hussain, Manoj Kumar, Prakash Mehra, Raj Khosla and Shakti Samanta.

In 1978, she starred in Raj Kapoor's massively publicised Satyam Shivam Sundaram (1978), however, the film was heavily criticized. The subject ironically dealt with the notion of the soul being more attractive than the body but Kapoor chose to showcase Aman's sex-appeal. The actress was highly criticized for her exposure but somehow at later stage, the film had a great deal to do with Zeenat's fame and the movie itself was distinguished as a work of art. She also earned a Filmfare nomination as Best Actress for this film.[2]

Zeenat Aman's entry into Hollywood also backfired when Krishna Shah's Shalimar (1978), co-starring Dharmendra and international names like Rex Harrison and Sylvia Miles, proved to be a failure in the USA and in India.[2] Zeenat possessed a convent schoolgirl accent and a penchant for revealing dresses. She matched Gina Lollobrigida in the battle of oomph at Shalimar's launch. 1978 could have been a disaster year for her, because of the diminishing box office returns of "Shalimar" and discouraging critics riviews of Satyam Shivam Sundaram but Zeenat had other successful commercial films during that year such as "Heeralal Pannalal" and Chor Ke Ghar Chor, yet it was Don that came to the rescue with its huge success. Ironically, her reasons for accepting the role in Don were altruistic and she didn't even take any remuneration for it because she wanted to help the producer Nariman Irani who died midway filming.[8] Her role of a Westernized revenge-seeking action heroine contributed to the film's huge success and her fans reconnected with her again. Westernized heroines like Parveen Babi and Tina Munim now followed in her footsteps by the late 1970s. Zeenat continued to act in hits like Dharam Veer, Chhaila Babu and The Great Gambler.

The 1980s[edit]

By the beginning of the 1980s, multi-starrer films became a trend and Zeenat Aman was increasingly asked to just provide sex appeal in hero-oriented films, despite success in so many films. In contrast to this trend was her performance as a rape victim seeking justice in B. R. Chopra's Insaaf Ka Tarazu (1980) for which she received a Filmfare Best Actress nomination. This film was followed by success in the love triangle Qurbani, Ali Baba aur 40 Chor, Dostana (1980) and Lawaaris (1981).[2]

Zeenat's popularity in Russia was so great after Alibaba Aur 40 Chor that she felt pressured into doing a supporting role in Sohni Mahiwal. The film was moderately successful but no credit went to Zeenat.[citation needed]

Her last role as the female lead was in the movie Gawahi, a court room drama in 1989.

The 1990s and 2000s[edit]

Zeenat came back to the silver screen after a decade doing a cameo role in the film Bhopal Express (1999).

The 2000s[edit]

Zeenat went on to do roles in Boom (2003), Jaana... Let's Fall in Love (2006), Chaurahen (2007), Ugly Aur Pagli (2008), Geeta in Paradise (2009),Dunno Y... Na Jaane Kyon (2010) and "Strings of Passion" (2012).

In 2004, she appeared as Mrs. Robinson in the play The Graduate staged at St Andrew's auditorium in Mumbai.

Zeenat Aman had a TV show called In Conversation with Zeenat made by B4U TV and also made an appearance along with Hema Malini in the popular show Koffee with Karan hosted by Karan Johar.

She received a Lifetime Achievement Award during the Zee Cine Awards function in 2008 as a recognition of her contribution to Hindi Cinema.

She also received An Outstanding Contribution to Indian Cinema award at IIFA awards 2010 held at Colombo, Sri Lanka. She dedicated this award to her mother.

Image[edit]

Zeenat Aman's sultry persona was a contrast to many of the more conservative stars of the era.[2] At a time when heroines were obedient wives and lovers on the screens of Hindi Cinema, Zeenat was drawn to more unconventional roles—she was cast as the opportunist who deserts her jobless lover for a millionaire (Roti Kapda Aur Makaan), the ambitious girl who considers having an abortion in order to pursue a career (Ajnabee), the happy hooker (Manoranjan), the disenchanted hippie (Hare Rama Hare Krishna), the girl who falls in love with her mother's one-time lover (Prem Shastra) and a woman married to a caustic cripple but involved in an extramarital relationship (Dhund). She managed to balance these roles with acting in more conventional films such as Chori Mera Kaam, Chhaila Babu, Dostana and Lawaaris, which is considered by many to be a landmark in Indian Cinema. Encyclopædia Britannica's "Encyclopedia of Hindi Cinema" wrote, "Zeenat Aman had a definite impact on the characterization of the heroine in Hindi films. With films such as Hare Rama Hare Krishna and Yaadon Ki Baraat, she fashioned the image of the youthful and westernized woman in Hindi cinema."[1]

Zeenat Aman's persona was such that newcomers were and still are compared to her. Parveen Babi was called "The poor man's Zeenat Aman", Sarika was christened "Zeenat Aman 2", Padmini Kolhapure was named "Baby Zeenat", and more recently, Bipasha Basu was referred to as the "new age Zeenat".

Personal life[edit]

She had a long relationship with Sanjay Khan. He physically assaulted her in a public party so violently that she lost vision.[9] In 1985, she married Mazhar Khan and had two sons Azaan and Zahaan. Her husband Mazhar used to beat her up often which ultimately led to their filing for divorce.[10] Mazhar Khan died in September 1998 (renal failure).

Today, Zeenat Aman lives with her two sons and makes many social appearances and film awards functions and she is rarely seen on screen. She is more keen in going behind the camera while Zahaan is interested in acting.[11]

Awards and recognitions[edit]

Filmography[edit]

References[edit]

Further reading[edit]

External links[edit]