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'''''Grand Theft Auto III''''' is an [[open world]] [[Action-adventure game|action-adventure]] video game developed by [[DMA Design]] and published by [[Rockstar Games]]. It was released on 22 October 2001 for the [[PlayStation 2]], on 20 May 2002 for [[Microsoft Windows]], and on 31 October 2003 for the [[Xbox (console)|Xbox]]. It is the fifth title in the [[Grand Theft Auto (series)|''Grand Theft Auto'' series]], and the first main entry since 1999's ''[[Grand Theft Auto 2]]''. Set within the fictional Liberty City, based on [[New York City]], the game follows [[Claude (Grand Theft Auto)|Claude]] after he is left for dead and quickly becomes entangled in a world of gangs, crime and corruption.
'''''Grand Theft Auto III''''' is an [[open world]] [[Action-adventure game|action-adventure]] video game developed by [[DMA Design]] and published by [[Rockstar Games]]. It was released on 22 October 2001 for the [[PlayStation 2]], on 20 May 2002 for [[Microsoft Windows]], and on 31 October 2003 for the [[Xbox (console)|Xbox]]. It is the fifth title in the [[Grand Theft Auto (series)|''Grand Theft Auto'' series]], and the first main entry since 1999's ''[[Grand Theft Auto 2]]''. Set within the fictional Liberty City, based on [[New York City]], the game follows [[Claude (Grand Theft Auto)|Claude]] after he is left for dead and quickly becomes entangled in a world of gangs, crime and corruption.


The game is played from a [[Third-person view|third-person perspective]] and its world is navigated on foot or by vehicle. The open world design lets players freely roam Liberty City, consisting of three main islands. Development was shared between DMA Design in Edinburgh and Rockstar in New York. Much of the development work constituted transforming popular series elements into a 3D world. The game was delayed following the [[September 11 attacks]], to allow the team to change references and gameplay deemed inappropriate.
The game is played from a [[Third-person view|third-person perspective]] and its world is navigated on foot or by vehicle. The open world design lets players freely roam Liberty City, consisting of three main islands. Development was shared between DMA Design in [[Edinburgh]] and Rockstar in New York. Much of the development work constituted transforming popular series elements into a 3D world. The game was delayed following the [[September 11 attacks]], to allow the team to change references and gameplay deemed inappropriate.


Upon release, the game received universal critical acclaim, with praise particularly directed at its concept and gameplay. However, the game also generated controversy, with criticism directed at the game's depiction of violence and sexual content. ''Grand Theft Auto III'' became the best-selling video game of 2001, and has sold over 17 million copies. Considered one of the most significant titles of the [[Sixth generation of video game consoles|sixth generation]] of video games, and by many critics as one of the [[List of video games considered the best|greatest video games of all time]], it won year-end accolades, including [[Game of the Year]] awards from several [[Video game journalism|gaming publications]]. Since its release, it has received numerous ports to many gaming platforms. Its successor, ''[[Grand Theft Auto: Vice City]]'', was released in October 2002.
Upon release, the game received universal critical acclaim, with praise particularly directed at its concept and gameplay. However, the game also generated controversy, with criticism directed at the depiction of violence and sexual content. ''Grand Theft Auto III'' became the best-selling video game of 2001, and has sold over 17 million copies. Considered one of the most significant titles of the [[Sixth generation of video game consoles|sixth generation]] of video games, and by many critics as one of the [[List of video games considered the best|greatest video games of all time]], it won year-end accolades, including [[Game of the Year]] awards from several [[Video game journalism|gaming publications]]. Since its release, it has received numerous ports to many gaming platforms. Its successor, ''[[Grand Theft Auto: Vice City]]'', was released in October 2002.


== Gameplay ==
== Gameplay ==
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[[File:Gta3-pc-walking.jpeg|left|thumb|Players can freely roam the game's world, and have the ability to use weapons]]
[[File:Gta3-pc-walking.jpeg|left|thumb|Players can freely roam the game's world, and have the ability to use weapons]]


Players may run, jump or use vehicles to navigate the game's world.<ref name="IGN Cars"/> In combat, [[auto-aim]] can be used as assistance against enemies.<ref name="GameSpot Hands-On"/> Should players take damage, their health meter can be fully regenerated through the use of health pickups. [[Personal armor|Body armour]] can be used to absorb gunshots and explosive damage, but is used up in the process.<ref name="p12"/> When health is entirely depleted, gameplay stops, and players [[Spawning (video game)|respawn]] at the nearest hospital, at the expense of losing all weapons and armour, and an amount of money.<ref name="GameRev Review"/>
Players may run, jump or use vehicles to navigate the game's world.<ref name="IGN Cars"/> In combat, [[auto-aim]] can be used as assistance against enemies.<ref name="GameSpot Hands-On"/> Should players take damage, their health meter can be fully regenerated through the use of health pick-ups. [[Personal armor|Body armour]] can be used to absorb gunshots and explosive damage, but is used up in the process.<ref name="p12"/> When health is entirely depleted, gameplay stops, and players [[Spawning (video game)|respawn]] at the nearest hospital, at the expense of losing all weapons and armour, and an amount of money.<ref name="GameRev Review"/>


If players commit crimes while playing, the game's law enforcement agencies may respond as indicated by a "[[Fugitive|wanted]]" meter in the [[HUD (video gaming)|head-up display]] (HUD). On the meter, the displayed stars indicate the current wanted level<ref name="AllGame Review"/> (for example, at the maximum six-star level, efforts by law enforcement to incapacitate players become very aggressive).<ref>{{harvnb|DMA Design|2001|p=11}}</ref> Law enforcement officers will search for players who leave the wanted vicinity. The wanted meter enters a cooldown mode and eventually recedes when players are hidden from the officers' line of sight.<ref name="AllGame Review"/>
If players commit crimes while playing, the game's law enforcement agencies may respond as indicated by a "[[Fugitive|wanted]]" meter in the [[HUD (video gaming)|head-up display]] (HUD). On the meter, the displayed stars indicate the current wanted level<ref name="AllGame Review"/> (for example, at the maximum six-star level, efforts by law enforcement to incapacitate players become very aggressive).<ref>{{harvnb|DMA Design|2001|p=11}}</ref> Law enforcement officers will search for players who leave the wanted vicinity. The wanted meter enters a cooldown mode and eventually recedes when players are hidden from the officers' line of sight.<ref name="AllGame Review"/>


The game lets players control the mute criminal [[Claude (Grand Theft Auto)|Claude]].<ref name="Q-A"/> During the story, Claude meets various new characters from gangs. As players completes missions for different gangs, fellow gang members will often defend players, while rival gang members will recognise players and subsequently shoot on sight.<ref name="IGN Gangs"/> While free roaming the game world, players may engage in activities such as a [[vigilante]] minigame, a [[fire fighting]] activity, and a [[taxi cab]] service.<ref name="AllGame Review"/><ref name="IGN Hood"/> Completion of these activities grants players with context-specific rewards; for example, completing the vigilante mission allows players to [[bribe]] police after committing a crime.<ref name="1UP Essential"/>
The game lets players control the [[Muteness|mute]] criminal [[Claude (Grand Theft Auto)|Claude]].<ref name="Q-A"/> During the story, Claude meets various new characters from gangs. As players completes missions for different gangs, fellow gang members will often defend players, while rival gang members will recognise players and subsequently shoot on sight.<ref name="IGN Gangs"/> While free roaming the game world, players may engage in activities such as a [[vigilante]] minigame, a [[fire fighting]] activity, and a [[taxi cab]] service.<ref name="AllGame Review"/><ref name="IGN Hood"/> Completion of these activities grants players with context-specific rewards; for example, completing the vigilante mission allows players to [[bribe]] police after committing a crime.<ref name="1UP Essential"/>


[[File:GTAIII PS2 Beta Drive-by.jpg|thumb|right|Combat in ''Grand Theft Auto III'' was reworked to allow players to commit [[drive-by shooting]]s by viewing sideways in a car.]]
[[File:GTAIII PS2 Beta Drive-by.jpg|thumb|right|Combat in ''Grand Theft Auto III'' was reworked to allow players to commit [[drive-by shooting]]s by viewing sideways in a car.]]
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The team developed the story and design simultaneously. "We use the story to expose the mechanics, and we use the mechanics to tell the story," said Dan Houser.<ref name="GameSpot Dan"/> Houser found it difficult to create the narrative, as the game is so strongly focused on player freedom. He wanted the story to be more nuanced and interesting than the generic "rise and fall and rise again of a superhero bad guy".<ref name="EW Dan"/> The game's script was also focused on mission objectives, attempting to implement high amounts of interactivity.<ref name="IGN How2"/> Houser felt that each mission is "its own short story", and part of an "overarching story".<ref name="GameSpot Dan"/> Houser and co-writer James Worrall drew influence from mob films, and the mafiosi featured in films by [[Martin Scorsese]]. When writing the story, Houser and Worrall regularly met with the designers, and filled a room with [[post-it note]]s to reconstruct the story components to shape the game.<ref name="IGN How2"/>
The team developed the story and design simultaneously. "We use the story to expose the mechanics, and we use the mechanics to tell the story," said Dan Houser.<ref name="GameSpot Dan"/> Houser found it difficult to create the narrative, as the game is so strongly focused on player freedom. He wanted the story to be more nuanced and interesting than the generic "rise and fall and rise again of a superhero bad guy".<ref name="EW Dan"/> The game's script was also focused on mission objectives, attempting to implement high amounts of interactivity.<ref name="IGN How2"/> Houser felt that each mission is "its own short story", and part of an "overarching story".<ref name="GameSpot Dan"/> Houser and co-writer James Worrall drew influence from mob films, and the mafiosi featured in films by [[Martin Scorsese]]. When writing the story, Houser and Worrall regularly met with the designers, and filled a room with [[post-it note]]s to reconstruct the story components to shape the game.<ref name="IGN How2"/>


Many of the game characters were animated using [[motion capture]], though this was limited by technical restraints. The character movement was also treated as being cinematic, though limited [[Polygon (computer graphics)|polygons]] heavily inhibited this.<ref name="IGN How3"/> The team used varying camera angles when animated the game's cutscenes, in order to evoke different emotions.<ref name="IGN Cinematic"/> For the voice acting, the team wanted "natural, subtle performances", which proved difficult as many of the actors "had in their head the idea that because video games are animated their performances needed to be animated", explained motion capture director [[Navid Khonsari]].<ref name="IGN How3"/> The game's playable protagonist is unnamed in the game,<ref name="IGN Characters"/> and his name is not officially revealed as [[Claude (Grand Theft Auto)|Claude]] until his appearance in ''[[Grand Theft Auto: San Andreas]]'' (2004). He is a [[silent protagonist]], never uttering a word throughout his appearances. The team decided to make Claude silent primarily because it "did not seem like a major issue", due to the other challenges faced during development, and also partly to allow players to identify with the character.<ref name="Q-A"/>
Many of the game characters were animated using [[motion capture]], though this was limited by technical restraints. The character movement was also treated as being cinematic, though limited [[Polygon (computer graphics)|polygons]] heavily inhibited this.<ref name="IGN How3"/> The team used varying camera angles when animated the game's cutscenes, in order to evoke different emotions.<ref name="IGN Cinematic"/> For the voice acting, the team wanted "natural, subtle performances", which proved difficult as many of the actors "had in their head the idea that because video games are animated their performances needed to be animated", explained motion capture director [[Navid Khonsari]].<ref name="IGN How3"/> The game's playable protagonist is unnamed in the game,<ref name="IGN Characters"/> and his name is not officially revealed as [[Claude (Grand Theft Auto)|Claude]] until his appearance in ''[[Grand Theft Auto: San Andreas]]'' (2004). He is a [[silent protagonist]], never speaking throughout his appearances. The team decided to make Claude silent primarily because it "did not seem like a major issue", due to the other challenges faced during development, and also partly to allow players to identify with the character.<ref name="Q-A"/>


=== Sound design ===
=== Sound design ===
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Reviewers considered the style of the game's missions to be a welcoming departure from those in previous games.<ref name="Eurogamer Review"/><ref name="GameSpot Review"/> 1UP.com described the missions as "wonderfully creative",<ref name="1UP Review"/> while ''[[GamesMaster (magazine)|GamesMaster]]'' appreciated the diversity.<ref name="GamesMaster Review"/> IGN's Perry similarly appreciated the variety and scale of the missions, and praised the amount of available side missions.<ref name="IGN Review"/> GameSpy's Alupului described the game's story as "well-paced" and "coherent", featuring plot elements akin to a [[mob film]].<ref name="GameSpy Review"/> GameSpot's Gerstmann found the missions entertaining and challenging, but noted that exploring the game world also offers "a great deal of fun" to players.<ref name="GameSpot Review"/>
Reviewers considered the style of the game's missions to be a welcoming departure from those in previous games.<ref name="Eurogamer Review"/><ref name="GameSpot Review"/> 1UP.com described the missions as "wonderfully creative",<ref name="1UP Review"/> while ''[[GamesMaster (magazine)|GamesMaster]]'' appreciated the diversity.<ref name="GamesMaster Review"/> IGN's Perry similarly appreciated the variety and scale of the missions, and praised the amount of available side missions.<ref name="IGN Review"/> GameSpy's Alupului described the game's story as "well-paced" and "coherent", featuring plot elements akin to a [[mob film]].<ref name="GameSpy Review"/> GameSpot's Gerstmann found the missions entertaining and challenging, but noted that exploring the game world also offers "a great deal of fun" to players.<ref name="GameSpot Review"/>


Reactions to the game's controls were mixed. Alupului of GameSpy found the game "controls beautifully", both while driving and on-foot.<ref name="GameSpy Review"/> Game Revolution's Silverman identified the control issues as the game's only flaw, although praised the responsiveness of the driving mechanics.<ref name="GameRev Review"/> Matt Helgeson of ''Game Informer'' similarly described the driving as "great", but noted "clunky" combat.<ref name="Game Informer Review"/> [[GamePro]]'s Four-Eyed Dragon found the cars simple to maneuver.<ref name="GamePro Review"/> ''[[Edge (magazine)|Edge]]'' described the game's combat as "an awkward system that stymies play.<ref name="Edge Review"/> 1UP.com noted particular flaws in the targeting system, explaining that it "often focuses on the wrong guy".<ref name="1UP Review"/>
Reactions to the game's controls were mixed. Alupului of GameSpy found the game "controls beautifully", both while driving and on-foot.<ref name="GameSpy Review"/> Game Revolution's Silverman identified the control issues as the game's only flaw, although praised the responsiveness of the driving mechanics.<ref name="GameRev Review"/> Matt Helgeson of ''Game Informer'' similarly described the driving as "great", but noted "clunky" combat.<ref name="Game Informer Review"/> [[GamePro]]'s Four-Eyed Dragon found the cars simple to manoeuvre.<ref name="GamePro Review"/> ''[[Edge (magazine)|Edge]]'' described the game's combat as "an awkward system that stymies play.<ref name="Edge Review"/> 1UP.com noted particular flaws in the targeting system, explaining that it "often focuses on the wrong guy".<ref name="1UP Review"/>


=== Microsoft Windows version ===
=== Microsoft Windows version ===
Line 154: Line 154:


== Controversies ==
== Controversies ==
Prior to and since the release of ''Grand Theft Auto III'', the game had been subject to a great deal of controversy. [[GameSpy]] awarded ''Grand Theft Auto III'' with Most Offensive Game of the Year, calling it "absolutely reprehensible".<ref name="GameSpy Offensive"/> They wrote that the game rewards players for "causing mayhem" and "killing innocent people by the dozen", ultimately questioning its appropriateness within the industry.<ref name="GameSpy Offensive"/> The notoriety of ''Grand Theft Auto III'' resulted in [[Wal-Mart]]'s decision to check the identification of purchasers who appeared to be under the age of 17, when purchasing mature titles.<ref name="IGN History2"/> When speaking about the game's depiction of violence, producer Leslie Benzies claims that is intended as comedic, and that the game is "not meant to be taken seriously".<ref name="IGN Benzies"/> Producer Dan Houser stated that the team was conscious of the offense that the game would attract, but "never marketed it in a way that exploited that".<ref name="IGN Dan"/>
Prior to and since the release of ''Grand Theft Auto III'', the game has generated several controversies. [[GameSpy]] awarded ''Grand Theft Auto III'' with Most Offensive Game of the Year, calling it "absolutely reprehensible".<ref name="GameSpy Offensive"/> They wrote that the game rewards players for "causing mayhem" and "killing innocent people by the dozen", ultimately questioning its appropriateness within the industry.<ref name="GameSpy Offensive"/> The notoriety of ''Grand Theft Auto III'' resulted in [[Wal-Mart]]'s decision to check the identification of purchasers who appeared to be under the age of 17, when purchasing mature titles.<ref name="IGN History2"/> When speaking about the game's depiction of violence, producer Leslie Benzies claims that is intended as comedic, and that the game is "not meant to be taken seriously".<ref name="IGN Benzies"/> Producer Dan Houser stated that the team was conscious of the offence that the game would attract, but "never marketed it in a way that exploited that".<ref name="IGN Dan"/>


The game allows players to commit sexual activities with prostitutes, and murder them to reclaim the payment. This was met with widespread controversy.<ref name="Telegraph Memorable"/> The game also received controversy for its depiction of crime, and allowing violence against police officers. Psychologist [[David Walsh (psychologist)|David Walsh]] of the [[National Institute on Media and the Family]] stated that the game "glamorizes antisocial and criminal activity",<ref name="USAToday Glorifies"/> and that "the purpose of the game is to perpetrate crime".<ref name="Kotaku Scapegoat"/> In response, ''[[Kotaku]]'' writer Owen Good wrote that the game does not reward players for "proficiency at crime, no matter how much it is accused of doing so".<ref name="Kotaku Scapegoat"/> Joanna Weiss of ''[[The Boston Globe]]'' noted the "adrenaline" that players feel when committing crimes in the game, excusing the game's violence due to its mature classification.<ref name="Boston Globe"/> The [[National Organization for Women]] spoke out against the game in January 2002, asking Rockstar and Take-Two to withdraw the game from sale as it "encourages violence and the degradation of women".<ref name="Morality"/> Matt Richtel of ''[[The New York Times]]'' wrote that the activities within the game "crossed the line into bad taste".<ref name="NYT"/>
The game allows players to commit sexual activities with prostitutes, and murder them to reclaim the payment. This was met with widespread controversy.<ref name="Telegraph Memorable"/> The game also received controversy for its depiction of crime, and allowing violence against police officers. Psychologist [[David Walsh (psychologist)|David Walsh]] of the [[National Institute on Media and the Family]] stated that the game "glamorizes antisocial and criminal activity",<ref name="USAToday Glorifies"/> and that "the purpose of the game is to perpetrate crime".<ref name="Kotaku Scapegoat"/> In response, ''[[Kotaku]]'' writer Owen Good wrote that the game does not reward players for "proficiency at crime, no matter how much it is accused of doing so".<ref name="Kotaku Scapegoat"/> Joanna Weiss of ''[[The Boston Globe]]'' noted the "adrenaline" that players feel when committing crimes in the game, excusing the game's violence due to its mature classification.<ref name="Boston Globe"/> The [[National Organization for Women]] spoke out against the game in January 2002, asking Rockstar and Take-Two to withdraw the game from sale as it "encourages violence and the degradation of women".<ref name="Morality"/> Matt Richtel of ''[[The New York Times]]'' wrote that the activities within the game "crossed the line into bad taste".<ref name="NYT"/>


''Grand Theft Auto III'' was initially released in Australia with an MA15+ classification. After re-reviewing the game, the [[Australian Classification Board|Office of Film and Literature Classification]] (OFLC) [[List of banned video games in Australia|banned the game]], due to its depiction of sexual content and violence to prostitutes.<ref name="GameSpot Aus Ban"/> This prompted distributor [[Take-Two Interactive]] to appeal to the OFLC, who reaffirmed the banned status on December 11, 2001, after reanalysing the game and seeking the professional opinion of a forensic psychologist. This prompted Take-Two to recall the game in Australia, and Rockstar to make appropriate changes to the game; a modified version was re-released with an MA15+ classification in January 2015, removing all instances of sexual acts with prostitutes.<ref name="GameSpot Aus"/>
''Grand Theft Auto III'' was initially released in Australia with an MA15+ classification. After re-reviewing the game, the [[Australian Classification Board|Office of Film and Literature Classification]] (OFLC) [[List of banned video games in Australia|banned it]], due to its depiction of sexual content and violence to prostitutes.<ref name="GameSpot Aus Ban"/> This prompted distributor [[Take-Two Interactive]] to appeal to the OFLC, who reaffirmed the banned status on December 11, 2001, after reanalysing the game and seeking the professional opinion of a forensic psychologist. This prompted Take-Two to recall the game in Australia, and Rockstar to make appropriate changes to the game; a modified version was re-released with an MA15+ classification in January 2002, removing all instances of sexual acts with prostitutes.<ref name="GameSpot Aus"/>


On 25 June 2003, teenage stepbrothers William and Josh Buckner shot and killed Aaron Hamel and Kimberly Bede. In statements to investigators, the perpretators claimed their actions were inspired by ''Grand Theft Auto III''. In response, on 20 October 2003, the families of Hamel and Bede filed a US$246 million lawsuit against Rockstar Games, Take-Two Interactive, [[Sony Computer Entertainment]] and [[Wal-Mart]].<ref name="CNN Lawsuit"/> Rockstar and Take-Two filed for dismissal of the lawsuit, stating in [[United States district court]] on 29 October 2003 that the "ideas and concepts", and the "purported psychological effects" of the perpetrators, are protected by the [[First Amendment to the United States Constitution|First Amendment]]'s free-speech clause.<ref name="GameSpot dismiss"/> [[Jack Thompson (activist)|Jack Thompson]], the lawyer representing the victims, denied Rockstar's claims, and attempted to move the lawsuit into a state court for consideration under Tennessee's consumer protection act.<ref name="GameSpot dismiss"/>
On 25 June 2003, teenage stepbrothers William and Josh Buckner shot and killed Aaron Hamel and Kimberly Bede. In statements to investigators, the perpretators claimed their actions were inspired by ''Grand Theft Auto III''. In response, on 20 October 2003, the families of Hamel and Bede filed a US$246 million lawsuit against Rockstar Games, Take-Two Interactive, [[Sony Computer Entertainment]] and [[Wal-Mart]].<ref name="CNN Lawsuit"/> Rockstar and Take-Two filed for dismissal of the lawsuit, stating in [[United States district court]] on 29 October 2003 that the "ideas and concepts", and the "purported psychological effects" of the perpetrators, are protected by the [[First Amendment to the United States Constitution|First Amendment]]'s free-speech clause.<ref name="GameSpot dismiss"/> [[Jack Thompson (activist)|Jack Thompson]], the lawyer representing the victims, denied Rockstar's claims, and attempted to move the lawsuit into a state court for consideration under Tennessee's consumer protection act.<ref name="GameSpot dismiss"/>

Revision as of 07:30, 11 April 2016

Grand Theft Auto III
North American cover art design for Grand Theft Auto III, which features a style that became the standard for all regions in future games.
Developer(s)DMA Design[a]
Publisher(s)Rockstar Games
Producer(s)Leslie Benzies
Programmer(s)Obbe Vermeij
Adam Fowler
Artist(s)Aaron Garbut
Writer(s)James Worrall
Paul Kurowski
Dan Houser
SeriesGrand Theft Auto
EngineRenderWare
Platform(s)
Release
22 October 2001
  • 'PlayStation 2'Microsoft Windows'Xbox'OS X'iOS, Android'Fire OS
Genre(s)Action-adventure
Mode(s)Single-player

Grand Theft Auto III is an open world action-adventure video game developed by DMA Design and published by Rockstar Games. It was released on 22 October 2001 for the PlayStation 2, on 20 May 2002 for Microsoft Windows, and on 31 October 2003 for the Xbox. It is the fifth title in the Grand Theft Auto series, and the first main entry since 1999's Grand Theft Auto 2. Set within the fictional Liberty City, based on New York City, the game follows Claude after he is left for dead and quickly becomes entangled in a world of gangs, crime and corruption.

The game is played from a third-person perspective and its world is navigated on foot or by vehicle. The open world design lets players freely roam Liberty City, consisting of three main islands. Development was shared between DMA Design in Edinburgh and Rockstar in New York. Much of the development work constituted transforming popular series elements into a 3D world. The game was delayed following the September 11 attacks, to allow the team to change references and gameplay deemed inappropriate.

Upon release, the game received universal critical acclaim, with praise particularly directed at its concept and gameplay. However, the game also generated controversy, with criticism directed at the depiction of violence and sexual content. Grand Theft Auto III became the best-selling video game of 2001, and has sold over 17 million copies. Considered one of the most significant titles of the sixth generation of video games, and by many critics as one of the greatest video games of all time, it won year-end accolades, including Game of the Year awards from several gaming publications. Since its release, it has received numerous ports to many gaming platforms. Its successor, Grand Theft Auto: Vice City, was released in October 2002.

Gameplay

Grand Theft Auto III is an action-adventure game played from a third-person view. Players complete missions—linear scenarios with set objectives—to progress through the story.[4] It is possible to have several active missions running at one time, as some missions require players to wait for further instructions or events.[5] Outside of missions, players can freely roam the game's open world, and have the ability to complete option side missions. Liberty City is composed of three boroughs: Portland, Stauton Island, and Shoreside Vale; the islands are unlocked to players as the story progresses.[6]

Players can freely roam the game's world, and have the ability to use weapons

Players may run, jump or use vehicles to navigate the game's world.[7] In combat, auto-aim can be used as assistance against enemies.[8] Should players take damage, their health meter can be fully regenerated through the use of health pick-ups. Body armour can be used to absorb gunshots and explosive damage, but is used up in the process.[9] When health is entirely depleted, gameplay stops, and players respawn at the nearest hospital, at the expense of losing all weapons and armour, and an amount of money.[10]

If players commit crimes while playing, the game's law enforcement agencies may respond as indicated by a "wanted" meter in the head-up display (HUD). On the meter, the displayed stars indicate the current wanted level[11] (for example, at the maximum six-star level, efforts by law enforcement to incapacitate players become very aggressive).[12] Law enforcement officers will search for players who leave the wanted vicinity. The wanted meter enters a cooldown mode and eventually recedes when players are hidden from the officers' line of sight.[11]

The game lets players control the mute criminal Claude.[13] During the story, Claude meets various new characters from gangs. As players completes missions for different gangs, fellow gang members will often defend players, while rival gang members will recognise players and subsequently shoot on sight.[14] While free roaming the game world, players may engage in activities such as a vigilante minigame, a fire fighting activity, and a taxi cab service.[11][15] Completion of these activities grants players with context-specific rewards; for example, completing the vigilante mission allows players to bribe police after committing a crime.[16]

Combat in Grand Theft Auto III was reworked to allow players to commit drive-by shootings by viewing sideways in a car.

Players use melee attacks, firearms and explosives to fight enemies. The firearms include weapons such as the Micro Uzi, an M16 rifle and a flamethrower.[6] The game's three-dimension environment allows a first-person view while aiming with the sniper rifle and rocket launcher. In addition, the game's combat was reworked to allow players to commit drive-by shootings by facing sideways in a vehicle.[4] The game gives players a wide variety of weapon options—they can be purchased from local firearms dealers, found on the ground, retrieved from dead enemies, or found around the city.[9]

Plot

While robbing a bank in Liberty City, ambitious criminal Claude is shot and betrayed by his girlfriend and accomplice Catalina (Cynthia Farrell).[17] Although he survives the wound, Claude is arrested and sentenced to ten years in prison. While being transported in a prison van, Claude and fellow prisoner 8-Ball (Guru) are inadvertently freed after an attack on the police convoy, and escape to a safehouse.[18] 8-Ball later introduces Claude to the Leone Mafia crime family; Sex Club 7 owner Luigi Goterelli (Joe Pantoliano), Don Salvatore Leone (Frank Vincent), his Capo Toni Cipriani (Michael Madsen), and the Don's son Joey Leone (Michael Rapaport).[17] During work for the family, Claude finds himself fighting the Colombians,[19] who are being led by Catalina in proliferating a new drug.[20] Meanwhile, Salvatore's trophy wife Maria (Debi Mazar) begins to take a liking to Claude. Salvatore grows suspicious and betrays Claude into luring him to a death trap, but Maria saves him just in time and they both flee.[21]

Claude then begins working for the city's Yakuza and its leader Asuka Kasen (Lianna Pai), Maria's close friend, who has Claude assassinate Salvatore and get his revenge. This cuts off all of Claude's ties with the Leone family, who are now against him.[22] Claude's work leads him to allying himself with other criminal sources, such as corrupt police detective Ray Machowski (Robert Loggia), an enemy of the Cartel.[23] Claude later saves him from Internal Affairs and the CIA by helping him flee to Vice City.[24] Claude also meets charismatic media mogul Donald Love (Kyle MacLachlan), who maintains a huge media front.[25] In an effort to start a war between the Yakuza and Cartel, Claude and Love organise the death of Asuka's brother Kenji Kasen (Les Mau) and blame the Cartel.[26] Later, Love asks Claude to rescue a man who was kidnapped by the Cartel in the prison truck that Claude was in.[27] While on an errand, Claude finally confronts Catalina, who narrowly escapes. Asuka abducts Catalina's partner Miguel (Al Espinosa), believing him to have knowledge of her brother's death.[28]

With the war with the Cartel intensifying, Asuka and Maria learn of Claude's history with Catalina and order him to attack many Cartel operations.[29][30][31] Eventually, his exploits attract the attention of Catalina. As a result, the Cartel abduct Maria, murder Asuka and Miguel, and demand Claude to pay $500,000 in exchange for Maria's release.[32] When Claude confronts Catalina, she attempts to have him killed, but he escapes. In the resulting firefight, Catalina attempts to flee in a helicopter and makes a final attempt on Claude's life. After killing the remaining Cartel members and rescuing Maria, Claude shoots down the helicopter, effectively killing Catalina.[33] As they are leaving the scene, Maria complains to Claude about the kidnapping, particularly the state of her clothes and nails. During the credits, a gunshot is heard, and Maria's voice is silenced.[b]

Development

The core development team of Grand Theft Auto III consisted of about 23 people at DMA Design in Edinburgh, who worked closely with publisher Rockstar Games in New York.[6] By early 2001, the team had designed the city, cars, and some weapons.[34] Producer Leslie Benzies describes Grand Theft Auto III as a "crime simulation game".[6] When porting the game to Microsoft Windows, the team delayed it from the PlayStation 2 release in order to ensure quality, citing issues with the simultaneous platform release of previous Grand Theft Auto games.[35]

Open world design

Grand Theft Auto III is the first game in the series to use a 3D game engine, positioning the camera closer to the player character

Grand Theft Auto III uses the RenderWare game engine, designed by Criterion Games.[36] When designing the game, the development team expanded upon concepts introduced in the previous Grand Theft Auto games. Benzies stated that the intention was to recreate the "freedom and diversity" of the previous games in a "living, breathing 3D world", using the power of the PlayStation 2 to do so.[6] One of the major difficulties was fitting the game into 32 megabytes, due to the scale of the game. The game's size also created difficulties for the testers, due to the variety of options.[5] Benzies felt that creating a living city was the "underlying principle" of the game's concept during development.[6] Executive producer Sam Houser felt that the game's 3D element allowed the "chemistry of the team [to come] together perfectly for the first time".[37]

A major difficulty the team encountered was converting all game elements into a 3D world, including the sound and radio stations, as well as designing and voicing the non-player characters, due to the amount that existed within the open world;[38] producer Dan Houser said that there was about 8,000 lines of recorded dialogue in the game,[38] while audio programmer Raymond Usher estimated about 18,000.[39] The basic technical elements of the game began to work together in mid-2000, with a carjacking mechanic prototype and stable streaming model.[40] Streaming was initially intended to be reserved for music and map geometry, but other elements were eventually included when it became apparent to the team as more data was entered.[5]

When designing the game world, the team initially created a "hybrid city", which producer Dan Houser describes as "a post industrial Midwest slash east coast generic" city.[41] Upon developing within this game world, the team realised that basing the design on a real location meant "you have a lot of things you can say about it".[41] As a result, the team created Liberty City, based loosely on New York City.[41] Dan Houser describes Liberty City as a "hybrid of a generic American city", including Chicago, Pittsburgh, Detroit, New York, and Philadelphia.[42] In the game, the islands unlock as the story progresses; the team wanted players to "start out feeling poor and work to being richer".[42]

Story and characters

The team developed the story and design simultaneously. "We use the story to expose the mechanics, and we use the mechanics to tell the story," said Dan Houser.[34] Houser found it difficult to create the narrative, as the game is so strongly focused on player freedom. He wanted the story to be more nuanced and interesting than the generic "rise and fall and rise again of a superhero bad guy".[42] The game's script was also focused on mission objectives, attempting to implement high amounts of interactivity.[40] Houser felt that each mission is "its own short story", and part of an "overarching story".[34] Houser and co-writer James Worrall drew influence from mob films, and the mafiosi featured in films by Martin Scorsese. When writing the story, Houser and Worrall regularly met with the designers, and filled a room with post-it notes to reconstruct the story components to shape the game.[40]

Many of the game characters were animated using motion capture, though this was limited by technical restraints. The character movement was also treated as being cinematic, though limited polygons heavily inhibited this.[43] The team used varying camera angles when animated the game's cutscenes, in order to evoke different emotions.[44] For the voice acting, the team wanted "natural, subtle performances", which proved difficult as many of the actors "had in their head the idea that because video games are animated their performances needed to be animated", explained motion capture director Navid Khonsari.[43] The game's playable protagonist is unnamed in the game,[17] and his name is not officially revealed as Claude until his appearance in Grand Theft Auto: San Andreas (2004). He is a silent protagonist, never speaking throughout his appearances. The team decided to make Claude silent primarily because it "did not seem like a major issue", due to the other challenges faced during development, and also partly to allow players to identify with the character.[13]

Sound design

Grand Theft Auto III features about three-and-a-half hours of in-game radio material. For the music, the team sought a broad diversity, to recreate the real sensation of skipping through radio stations, reflecting the gangster movie culture invoked by the game. The team used the talk radio stations to add character to the city, and provide a "unique take on American life";[45] Sam Houser described it as "a very iconoclastic look at America".[46] The team used real DJs to portray those on the radio. In doing so, the team wrote unusual dialogue for the DJs, seeking the effect of "high production values and absurd content". Music director Craig Conner assembled the assets of the radio station—music, advertisements, DJ dialogue, station imaging.[45]

Cuts, changes, and the 9/11 effect

[W]e felt that a full content review of all our titles and the marketing materials we use to represent them was absolutely necessary for us ... we have come across certain small contextual references that we were no longer comfortable with, as well as a couple of very rare gameplay instances that no longer felt appropriate to us.

Terry Donovan, Rockstar managing director, IGN, 19 September 2001[47]

Prior to the initial release, several modifications were made to the game. While changes are frequent during game development, the changes in Grand Theft Auto III were noted to be around the time of the September 11, 2001 attacks, which led to speculation that some changes were motivated by the attacks. On September 19, 2001, Rockstar delayed the game's release by three weeks, citing the attacks as an influencing factor in the delay.[47]

After the events of 9/11, the original colour scheme of the police cars in the game (top), which resembled the NYPD, was changed to a generic black-and-white design common in the United States.
The original artwork for the game, which was changed after the events of 9/11.[48] The artwork was used as the cover in Europe.[49]

One of the changes made shortly after 9/11 was the colour scheme of the police cars; the original colour scheme of blue with white stripes specifically resembled that of the New York City Police Department. It was changed to a generic black-and-white design common among several police departments in the United States, such as Los Angeles and San Francisco. Other changes include altering the flight path of a plane to avoid appearing to fly into or behind a skyscraper, removing a mission referencing terrorists, as well as some changes to pedestrian dialogue and talk radio.[50]

Another cut to the game is the character of Darkel, a revolutionary urchin who vowed to bring down the city's economy. When references to Darkel were found in the game's code, speculation arose that the character was related to 9/11, however Dan Houser explained that the character had been cut "months before [release]".[50] There are also reports and previews stating that the game featured school children as pedestrians prior to release,[51] although Rockstar has dismissed such rumours as "nonsense".[48]

Rockstar stated that the game was "about 1% different" after 9/11, and that the biggest change was the cover art. They felt that the original cover, which was ultimately released as the cover in Europe, felt "too raw" after 9/11, and was changed into what became the "signature style" of the series.[48] Sam Houser claims that the cover was designed in an evening, and was instantly preferred over the original cover.[49] The cover was inspired by the movie posters for 1960s films, such as The Thomas Crown Affair (1968).[48]

Critical reception

Initial release

Grand Theft Auto III was released to critical acclaim. Metacritic calculated an average score of 97 of out 100, indicating "universal acclaim", based on 56 reviews. It is the sixth-highest rated game on Metacritic, tied with a number of others.[c] Reviewers liked the game's sound,[4][55][58] gameplay,[53][55][61] and open world design,[4][10][57] though some criticism was directed at the controls.[11][56][59] Tom Bramwell of Eurogamer called Grand Theft Auto III "a luscious, sprawling epic",[55] and Official PlayStation Magazine named it "the most innovative, outlandish, brilliant video game".[62] GameSpot's Jeff Gerstmann described the game as "an incredible experience that shouldn't be missed by anyone";[58] IGN's Doug Perry named it "one of the best titles of the year, on PlayStation 2, or on any system".[4]

Many reviewers found the 3D graphics a welcoming change from the 2D of the previous games.[4][61] GameSpot's Gerstmann particularly praised the character and vehicle models, and the overall texture quality of the city.[58] GameSpy's Andrei Alupului found the graphics "really rather impressive", describing the car models as "greatly improved" over those in Midnight Club.[59] Eurogamer's Bramwell considered the graphics "generally pleasant to look at", but considered it inferior to games like Gran Turismo 3 and Ico.[55] Justin Leeper of Game Informer described game world as "stunning in scope and detail",[57] and Perry of IGN found it to be "on a scale that's truly epic".[4] Game Revolution's Ben Silverman called the city a "technological marvel ... that captures the essence of gritty city life in amazing detail".[10]

IGN's Perry considered the game's sound "unbelievably and meticulously delivered", particularly praising the soundtrack, voice acting and sound design, stating that it was "really approached as if it were done for a movie".[4] Eurogamer's Bramwell echoed similar remarks, describing the city sounds as "perfect" and the soundtrack as "monstrous".[55] The sound was described as "terrific" by GameSpot's Gerstmann and Game Revolution's Silverman,[10][58] and 1UP.com appreciated the subtlety of the in-game radio stations.[53] AllGame's Scott Alan Marriott named the music "the true star" of the game.[11]

Reviewers considered the style of the game's missions to be a welcoming departure from those in previous games.[55][58] 1UP.com described the missions as "wonderfully creative",[53] while GamesMaster appreciated the diversity.[61] IGN's Perry similarly appreciated the variety and scale of the missions, and praised the amount of available side missions.[4] GameSpy's Alupului described the game's story as "well-paced" and "coherent", featuring plot elements akin to a mob film.[59] GameSpot's Gerstmann found the missions entertaining and challenging, but noted that exploring the game world also offers "a great deal of fun" to players.[58]

Reactions to the game's controls were mixed. Alupului of GameSpy found the game "controls beautifully", both while driving and on-foot.[59] Game Revolution's Silverman identified the control issues as the game's only flaw, although praised the responsiveness of the driving mechanics.[10] Matt Helgeson of Game Informer similarly described the driving as "great", but noted "clunky" combat.[57] GamePro's Four-Eyed Dragon found the cars simple to manoeuvre.[56] Edge described the game's combat as "an awkward system that stymies play.[54] 1UP.com noted particular flaws in the targeting system, explaining that it "often focuses on the wrong guy".[53]

Microsoft Windows version

When Grand Theft Auto III was released to Microsoft Windows in May 2002, it received similar critical acclaim. Metacritic calculated an average score of 93 out of 100, indicating "universal acclaim", based on 20 reviews.[63] It was the highest-rated Windows game on Metacritic in 2002.[70] Reviewers liked the visual enhancements[65][66][67] and control improvements,[64][68][69] but criticised the port for its demanding system requirements.[65][67][69]

The in-game features and controls in the port were generally well-received. IGN's Tal Blevins praised the higher precision of the mouse controls, finding the aiming mechanic more precise.[67] GameSpot's Erik Wolpaw also commended the mouse controls, but disapproved the replay system, particularly due to the lack of options with timing and camera controls.[65] Extended Play's Andrew Bub appreciated the addition of a custom radio station, as well as the availability of custom skins.[69] Daniel Morris of PC Gamer praised the gameplay tweaks provided by the port, but criticised the lack of major additional features, such as an overhead map of the in-game city.[68]

The port's visuals received a positive response from reviewers. GameSpot's Wolpaw praised the port's reworked textures, but criticised the frequent popup, and the advanced system requirements.[65] IGN's Blevins similarly criticised the necessity of an advanced system for stable play, but ultimately felt that the port looks "a bit nicer" than the original game.[67] GameSpy's Sal Accardo felt that the port "looks much sharper" than the PlayStation 2 version, though noted some "choppy" animations.[66] Extended Play's Bub mentioned that the advanced settings resulted in slowdown and crashes.[69] Game Informer's Matt Helgeson noticed little difference between the visuals of the original and the port.[64]

Mobile version

When Grand Theft Auto III was released to Microsoft Windows in May 2002, it received generally positive reviews. Metacritic calculated an average score of 80 out of 100, based on 26 reviews.[71] Reviewers liked the enhanced visuals,[3][74] but criticism was directed at the touchscreen controls.[72][73]

The port's visuals were well-received. IGN's Peter Eykemans commended the smoother textures, especially condensed on a mobile screen,[74] while Destructoid's Jim Sterling noted improvements in the character and vehicle models.[3] Mark Walton of GameSpot wrote that the game runs well on high-end devices like the Motorola Xoom and Samsung Galaxy S II, but noticed significant frame rate and texture issues on the Xperia Play.[73] Pocket Gamer's Mark Brown identified the game's short draw distance leading to sudden popup, although still found that the models and textures "have been given a tune-up" in the port.[75]

The touchscreen controls received a mixed response. Eurogamer's Dan Whitehead appreciated the driving mechanics, but felt that moving on-foot is "a flaky way of navigating" the world, and criticised the "clumsy" shooting mechanics.[72] IGN's Eykemans felt that the controls "make half the experience frustrating",[74] and Destructoid's Sterling described them as "by far the biggest barrier toward enjoying" the port.[3] Brown of Pocket Gamer found that the touchscreen "hasn't hindered [the game] too drastically", commending simple movement and "effortless" driving mechanics.[75] Some critics identified better controls upon the use of external gamepads, but felt that they hinder the game's portability.[73][76]

Commercial performance

Sales

Grand Theft Auto III was the highest-selling game of 2001 in the United States, selling over two million units by February 2002.[77] The game was also the second best-selling game of 2002, behind only its sequel.[78] In the United States, the game had sold 5.35 million units by June 2004,[79] and 6.55 million units in the United States by December 2007.[80] In Japan, Grand Theft Auto III sold about 120,000 copies in its first week, and over 350,000 by January 2008.[81] The game earned a "Diamond" award in the United Kingdom, indicating over one million sales.[82] By March 2008, the game had sold 14.5 million units worldwide.[83]

Accolades

Grand Theft Auto III received multiple nominations and awards from gaming publications. It was awarded Game of the Year from GameSpot[84] and GameSpy.[85] It was named the Best PlayStation 2 Game by Game Revolution,[86] GameSpot,[87] GameSpy[88] and IGN.[89] It also won Best Action Game from Game Revolution,[86] GameSpot,[90] and IGN,[91] and Most Innovative from GameSpot.[92] GameSpy also awarded the game Most Offensive,[93] Best Use of Radio,[94] and tied for Best Artificial Intelligence.[95]

Controversies

Prior to and since the release of Grand Theft Auto III, the game has generated several controversies. GameSpy awarded Grand Theft Auto III with Most Offensive Game of the Year, calling it "absolutely reprehensible".[93] They wrote that the game rewards players for "causing mayhem" and "killing innocent people by the dozen", ultimately questioning its appropriateness within the industry.[93] The notoriety of Grand Theft Auto III resulted in Wal-Mart's decision to check the identification of purchasers who appeared to be under the age of 17, when purchasing mature titles.[96] When speaking about the game's depiction of violence, producer Leslie Benzies claims that is intended as comedic, and that the game is "not meant to be taken seriously".[6] Producer Dan Houser stated that the team was conscious of the offence that the game would attract, but "never marketed it in a way that exploited that".[38]

The game allows players to commit sexual activities with prostitutes, and murder them to reclaim the payment. This was met with widespread controversy.[97] The game also received controversy for its depiction of crime, and allowing violence against police officers. Psychologist David Walsh of the National Institute on Media and the Family stated that the game "glamorizes antisocial and criminal activity",[98] and that "the purpose of the game is to perpetrate crime".[99] In response, Kotaku writer Owen Good wrote that the game does not reward players for "proficiency at crime, no matter how much it is accused of doing so".[99] Joanna Weiss of The Boston Globe noted the "adrenaline" that players feel when committing crimes in the game, excusing the game's violence due to its mature classification.[100] The National Organization for Women spoke out against the game in January 2002, asking Rockstar and Take-Two to withdraw the game from sale as it "encourages violence and the degradation of women".[101] Matt Richtel of The New York Times wrote that the activities within the game "crossed the line into bad taste".[102]

Grand Theft Auto III was initially released in Australia with an MA15+ classification. After re-reviewing the game, the Office of Film and Literature Classification (OFLC) banned it, due to its depiction of sexual content and violence to prostitutes.[103] This prompted distributor Take-Two Interactive to appeal to the OFLC, who reaffirmed the banned status on December 11, 2001, after reanalysing the game and seeking the professional opinion of a forensic psychologist. This prompted Take-Two to recall the game in Australia, and Rockstar to make appropriate changes to the game; a modified version was re-released with an MA15+ classification in January 2002, removing all instances of sexual acts with prostitutes.[104]

On 25 June 2003, teenage stepbrothers William and Josh Buckner shot and killed Aaron Hamel and Kimberly Bede. In statements to investigators, the perpretators claimed their actions were inspired by Grand Theft Auto III. In response, on 20 October 2003, the families of Hamel and Bede filed a US$246 million lawsuit against Rockstar Games, Take-Two Interactive, Sony Computer Entertainment and Wal-Mart.[105] Rockstar and Take-Two filed for dismissal of the lawsuit, stating in United States district court on 29 October 2003 that the "ideas and concepts", and the "purported psychological effects" of the perpetrators, are protected by the First Amendment's free-speech clause.[106] Jack Thompson, the lawyer representing the victims, denied Rockstar's claims, and attempted to move the lawsuit into a state court for consideration under Tennessee's consumer protection act.[106]

Legacy

Grand Theft Auto III has been frequently included among the greatest video games of all time.[107] In 2007, GamePro called Grand Theft Auto III the most important video game of all-time, explaining that the "game's open-ended gameplay elements have revolutionized the way all video games are made".[108] Similarly, IGN ranked the game among the Top 10 Most Influential Games,[109] and GameSpot listed among the greatest games of all time.[110] In 2009, Game Informer wrote that Grand Theft Auto III "changed the gaming landscape forever with its immersive open world sandbox",[111] and in 2016 GamesRadar named it "the most important game of the decade".[112] In November 2012, Time named it one of the 100 greatest video games of all time.[113] Due to its success, video game critics and players have used the term "Grand Theft Auto clone" to describe subsequent video games released with similar mechanics and gameplay as Grand Theft Auto III.[114]

Following the game's success, Rockstar developed further titles in the series. Vice City and San Andreas are set in their titular locations in 1986 and 1992, respectively.[115][116] Grand Theft Auto Advance (2004) is set in Liberty City roughly one year before the events of Grand Theft Auto III.[117] Grand Theft Auto: Liberty City Stories (2005) takes place three years before the events of Grand Theft Auto III in the same rendition of Liberty City.[118] A completely redesigned version of the city was later used in Grand Theft Auto IV (2008),[119] The Lost and Damned (2009),[120] The Ballad of Gay Tony (2009)[121] and Chinatown Wars (2009).[122]

Ports and remakes

Grand Theft Auto III was released on 21 May 2002 for Microsoft Windows, supporting higher screen resolutions and draw distance, and featuring more detailed textures.[123] The game was planned to release on the Nintendo GameCube and Xbox, but the former was later cancelled.[124] For its release on the Xbox in December 2003, Grand Theft Auto III was bundled with its sequel Vice City in a compilation titled Grand Theft Auto: Double Pack. The Xbox port features custom soundtrack support as well as improved audio, polygon models, and reflections over the previous ports.[125] Double Pack was later bundled with San Andreas in a compilation titled Grand Theft Auto: The Trilogy, released in October 2005.[118] The Trilogy was also released for OS X on 12 November 2010.[126] For the game's tenth anniversary in December 2011, War Drum Studios ported Grand Theft Auto III to several iOS and Android devices. The port is almost identical to the Windows version of the game, in addition to enhanced textures and models and touchscreen controls.[127][128] A PlayStation 3 version of Grand Theft Auto III was released on 25 September 2012 via the PlayStation Network.[129] The original PlayStation 2 version of the game was released for the PlayStation 4 on 4 December 2015.[130]

References

Notes
  1. ^ Following the game's initial release, DMA Design was reformed into Rockstar North.[1] Rockstar Vienna ported the game to Xbox,[2] and War Drum Studios ported the 10th Anniversary Edition to mobile devices.[3]
  2. ^ The sound of a gunshot, and the silencing of Maria's voice, has led to speculation that Claude killed Maria. Rockstar has refused to confirm this.[13]
  3. ^ Grand Theft Auto III shares its status as fifth-highest rated game on Metacritic with Super Mario Galaxy, Super Mario Galaxy 2, Tony Hawk's Pro Skater 2, Tony Hawk's Pro Skater 3, Perfect Dark, Metroid Prime, Grand Theft Auto V, Halo: Combat Evolved and NFL 2K1. The games that are rated higher than Grand Theft Auto III are The Legend of Zelda: Ocarina of Time, Grand Theft Auto IV, Tony Hawk's Pro Skater 2 and Soulcalibur.[60]
Footnotes
  1. ^ "Good Game Stories - Backwards Compatible - Rockstar North". Good Game. Australian Broadcasting Corporation. 28 April 2008. Archived from the original on 21 December 2015. Retrieved 21 December 2015.
  2. ^ Sinclair, Brendan (11 May 2006). "Take-Two closes Rockstar Vienna?". GameSpot. CBS Interactive. Archived from the original on 21 December 2015. Retrieved 21 December 2015. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  3. ^ a b c d e Sterling, Jim (27 December 2011). "Review: Grand Theft Auto III: 10 Year Anniversary". Destructoid. ModernMethod. Archived from the original on 8 April 2016. Retrieved 9 April 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  4. ^ a b c d e f g h i j Perry, Doug (22 October 2001). "Grand Theft Auto III". IGN. Ziff Davis. Archived from the original on 9 April 2016. Retrieved 21 December 2015. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  5. ^ a b c Perry, Douglass C. (3 October 2001). "An Interview With DMA's Les Benzies". Archived from the original on 8 April 2016. Retrieved 9 April 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  6. ^ a b c d e f g Perry, Douglass (22 February 2001). "Grand Theft Auto 3: Interview with DMA". IGN. Ziff Davis. Archived from the original on 19 March 2016. Retrieved 19 March 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  7. ^ Perry, Douglass C. (13 May 2002). "The Cars of Grand Theft Auto III". IGN. Ziff Davis. Archived from the original on 19 March 2016. Retrieved 19 March 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  8. ^ Gerstmann, Jeff (19 May 2001). "E3 2001 Hands-on: Grand Theft Auto 3". GameSpot. CBS Interactive. Archived from the original on 9 April 2016. Retrieved 9 April 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  9. ^ a b DMA Design 2001, p. 12
  10. ^ a b c d e f Silverman, Ben (1 November 2001). "Grand Theft Auto 3 Review". Game Revolution. CraveOnline. Archived from the original on 8 April 2016. Retrieved 9 April 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  11. ^ a b c d e f Marriott, Scott Alan. "Grand Theft Auto III - Review". AllGame. All Media Network. Archived from the original on 10 December 2014. Retrieved 9 April 2016.
  12. ^ DMA Design 2001, p. 11
  13. ^ a b c R* Q (15 December 2011). "Grand Theft Auto III: Your Questions Answered – Part One (Claude, Darkel & Other Characters)". Rockstar Games. Archived from the original on 9 April 2016. Retrieved 16 April 2013. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  14. ^ Perry, Douglass C. (1 October 2001). "The Gangs and Weapons in Grand Theft Auto III". IGN. Ziff Davis. Archived from the original on 8 April 2016. Retrieved 9 April 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  15. ^ Perry, Douglass C. (25 September 2001). "Beneath the Hood of Grand Theft Auto III". IGN. Ziff Davis. Archived from the original on 8 April 2016. Retrieved 9 April 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  16. ^ Parish, Jeremy. "The Essential 50 Part 49: Grand Theft Auto III". 1UP.com. Ziff Davis. Archived from the original on 9 April 2016. Retrieved 9 April 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  17. ^ a b c Perry, Douglass C. (29 August 2001). "The Characters of Grand Theft Auto III". Archived from the original on 9 April 2016. Retrieved 9 April 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  18. ^ DMA Design (22 October 2001). Grand Theft Auto III (PlayStation 2) (1.0 ed.). Rockstar Games. Level/area: "Give Me Liberty".
  19. ^ DMA Design (22 October 2001). Grand Theft Auto III (PlayStation 2) (1.0 ed.). Rockstar Games. Level/area: "Bomb Da Base".
  20. ^ DMA Design (22 October 2001). Grand Theft Auto III (PlayStation 2) (1.0 ed.). Rockstar Games. Level/area: "Cutting the Grass".
  21. ^ DMA Design (22 October 2001). Grand Theft Auto III (PlayStation 2) (1.0 ed.). Rockstar Games. Level/area: "Last Requests".
  22. ^ DMA Design (22 October 2001). Grand Theft Auto III (PlayStation 2) (1.0 ed.). Rockstar Games. Level/area: "Sayonara Salvatore".
  23. ^ DMA Design (22 October 2001). Grand Theft Auto III (PlayStation 2) (1.0 ed.). Rockstar Games. Level/area: "Arms Shortage".
  24. ^ DMA Design (22 October 2001). Grand Theft Auto III (PlayStation 2) (1.0 ed.). Rockstar Games. Level/area: "Marked Man".
  25. ^ DMA Design (22 October 2001). Grand Theft Auto III (PlayStation 2) (1.0 ed.). Rockstar Games. Level/area: "Liberator".
  26. ^ DMA Design (22 October 2001). Grand Theft Auto III (PlayStation 2) (1.0 ed.). Rockstar Games. Level/area: "Waka-Gashira Wipeout".
  27. ^ DMA Design (22 October 2001). Grand Theft Auto III (PlayStation 2) (1.0 ed.). Rockstar Games. Level/area: "Escort Service".
  28. ^ DMA Design (22 October 2001). Grand Theft Auto III (PlayStation 2) (1.0 ed.). Rockstar Games. Level/area: "Grand Theft Aero".
  29. ^ DMA Design (22 October 2001). Grand Theft Auto III (PlayStation 2) (1.0 ed.). Rockstar Games. Level/area: "Bait".
  30. ^ DMA Design (22 October 2001). Grand Theft Auto III (PlayStation 2) (1.0 ed.). Rockstar Games. Level/area: "Espresso-2-Go!".
  31. ^ DMA Design (22 October 2001). Grand Theft Auto III (PlayStation 2) (1.0 ed.). Rockstar Games. Level/area: "S.A.M.".
  32. ^ DMA Design (22 October 2001). Grand Theft Auto III (PlayStation 2) (1.0 ed.). Rockstar Games. Level/area: "Ransom".
  33. ^ DMA Design (22 October 2001). Grand Theft Auto III (PlayStation 2) (1.0 ed.). Rockstar Games. Level/area: "The Exchange".
  34. ^ a b c McInnis, Shaun (21 October 2011). "Dan Houser Opens Up About Grand Theft Auto III". GameSpot. CBS Interactive. Archived from the original on 19 March 2016. Retrieved 20 March 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  35. ^ Adams, Dan (21 April 2002). "Grand Theft Auto III Interview". IGN. Ziff Davis. p. 1. Archived from the original on 20 March 2016. Retrieved 20 March 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  36. ^ Walton, Steven (19 April 2015). "Grand Theft Auto V Benchmarked: Pushing PC Graphics To The Limit". Kotaku. Gawker Media. Archived from the original on 20 March 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  37. ^ GMR. "Sam Houser Interview". 1UP.com. Ziff Davis. Archived from the original on 19 March 2016. Retrieved 20 March 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  38. ^ a b c Miller, Greg (18 October 2011). "Dan Houser Talks Grand Theft Auto III". IGN. Ziff Davis. p. 1. Archived from the original on 19 March 2016. Retrieved 20 March 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  39. ^ Cullen, Neil (30 September 2013). "Interview with Raymond Usher". Designing Sound. Archived from the original on 19 March 2016. Retrieved 20 March 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  40. ^ a b c Thomsen, Michael (22 October 2011). "How Grand Theft Auto III Was Made". IGN. Ziff Davis. p. 2. Archived from the original on 24 October 2011. Retrieved 9 April 2016.
  41. ^ a b c Miller, Greg (18 October 2011). "Dan Houser Talks Grand Theft Auto III". IGN. Ziff Davis. p. 2. Archived from the original on 19 March 2016. Retrieved 20 March 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  42. ^ a b c Franich, Darren (21 October 2011). "'Grand Theft Auto III' turns 10 years old: Rockstar Games' Dan Houser discusses the 'GTA' decade". Entertainment Weekly. Time Inc. Archived from the original on 19 March 2016. Retrieved 20 March 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  43. ^ a b Thomsen, Michael (22 October 2011). "How Grand Theft Auto III Was Made". IGN. Ziff Davis. p. 3. Archived from the original on 24 October 2011. Retrieved 9 April 2016.
  44. ^ Perry, Douglass C. (9 October 2001). "The Cinematic Touch of Grand Theft Auto III". IGN. Ziff Davis. Archived from the original on 8 April 2016. Retrieved 9 April 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  45. ^ a b Perry, Douglass C. (2 October 2001). "The Pet Sounds of Grand Theft Auto III, Part 3". Archived from the original on 8 April 2016. Retrieved 9 April 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
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Sources

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