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{{Infobox Film
{{Infobox Film
| name = Lage Raho Munna Bhai
| name = Lag Raho Munna Bhai
| image = Lage raho munna bhai.JPG
| image = Lage raho munna bhai.JPG
| caption = Film poster for ''Lage Raho Munna Bhai''
| caption = Film poster for ''Lage Raho Munna Bhai''

Revision as of 19:59, 1 September 2007

Lag Raho Munna Bhai
Film poster for Lage Raho Munna Bhai
Directed byRajkumar Hirani
Written byRajkumar Hirani (screenplay)
Abhijat Joshi (screenplay)
Vidhu Vinod Chopra (screenplay associate)
Produced byVidhu Vinod Chopra
StarringSanjay Dutt
Arshad Warsi
Vidya Balan
Boman Irani
Dilip Prabhavalkar
Dia Mirza
Jimmy Shergill
Kulbhushan Kharbanda
Saurabh Shukla
CinematographyC.K. Muralidharan
Edited byRajkumar Hirani
Music byShantanu Moitra
Distributed byVinod Chopra Productions
Release dates
September 1, 2006[1]
Running time
146 minutes
CountryIndia India
LanguageHindi
BudgetRs 12 crores[2] (120 million) (estimated)
Box officeRs 69.97 crores[3] (69.97 million) (estimated)

Lage Raho Munna Bhai (Hindi: लगे रहो मुन्नाभाईⓘ, IPA: /ləgeː ɾəhoː mʊnːaːbɦaːɪ/ English: Carry on Munna Bhai) is a 2006 Indian musical comedy film directed by Rajkumar Hirani and produced by Vidhu Vinod Chopra. It is the second film in the popular Munna Bhai series of Bollywood. Sanjay Dutt stars in this film as Munna Bhai, a Mumbai (Bombay) underworld don, who begins to see the spirit of Mahatma Gandhi. Through his interactions with the image of Gandhi, Munna Bhai begins to practice what he calls Gandhigiri (Satyagraha, non-violence, and truth) to help ordinary people solve their problems. His sidekick, Circuit, is portrayed by Arshad Warsi.

Lage Raho Munna Bhai has had a strong cultural impact in India, popularising Gandhism under Munna Bhai's notion of Gandhigiri.[4][5] As noted by critics,[5][6] the film has "stirred the popular imagination", leading to a number of Gandhigiri protests in India and in the United States: "For generations born after Gandhi’s assassination, Munnabhai, the eponymous hero of the film, has rendered “Gandhism” passé and “Gandhian” arcane. The new buzzword is “Gandhigiri”, a value, and valuable, addition to the lexicon of a culture suffused with every abominable kind of “Dadagiri” and “Goondagiri”.[6]

It was praised by the Prime Minister of India, Manmohan Singh, who stated (using Gandhi's nickname, "Bapu" or father) that the film "captures Bapu's message about the power of truth and humanism."[7] The film was generally well received by critics and at the 2007 Cannes Film Festival,[8][9] declared a "blockbuster",[10] and was the recipient of a number of awards. It is the first Hindi film to be shown in the United Nations.[11]

Plot

The central protagonist, Munna Bhai (Sanjay Dutt), interacts with an image of Mahatma Gandhi and learns the principles of Gandhian philosophy in Lage Raho Munna Bhai. He is helped by his sidekick, Circuit (Arshad Warsi). They both speak in Bambaiya Hindi, a dialect specific to the Indian city of Mumbai.

Munna is in love with the voice of Jhanvi (Vidya Balan), a radio jockey. He devises a plan to meet her when she announces a contest on the life and beliefs of Mahatma Gandhi set for 2 October—Gandhi Jayanti, a national holiday celebrating the birth of Gandhi. Circuit helps Munna win the contest by kidnapping and then bribing a group of professors. As the winner, Munna is granted an interview with Jhanvi where he lies to her, presenting himself as a professor of history and a Gandhi specialist. Jhanvi subsequently asks Munna to present a lecture on Gandhi to a community of senior citizens who live in her home, called the "Second Innings House". In order to prepare for this event, Munna engages in a period of intense study of the life and works of Gandhi.

File:Gandhi studio 1931.jpg
Mahatma Gandhi in 1931.

It is during this period that the image of Mahatma Gandhi (portrayed by Dilip Prabhavalkar), referred to by his nickname, "Bapu", or "father", appears offering help and advice to Munna. He also encourages Munna to tell the truth about himself to Jhanvi. Indeed, Gandhi continues to appear each time Munna sings Raghupathi Raghava Rajaram (a song often sung in Gandhi's memory). With Gandhi's help, Munna succeeds in impressing Jhanvi and cultivates a new life based upon Gandhism (particularly non-violence and truth) which transforms everyone with whom he comes into contact. Indeed, Munna starts to co-host a radio-show with Jhanvi and Gandhi's spirit, guiding his audience to use Gandhigiri (a neologism for Gandhism) to solve everyday problems.

Several subplots in the film highlight the power of Gandhigiri. One of the most prominent of these details the story of Lucky Singh (Boman Irani) and his daughter Simran (Dia Mirza). Lucky is an unscrupulous businessman who employs Circuit and Munna Bhai to conduct "underworld" activities for him. His daughter, Simran, is engaged to marry Sunny (Abhishek Bachchan), the son of a powerful businessman, Kkhurana (Kulbhushan Kharbanda). Kkhurana, however, is superstitious and his activities are controlled by his astrologer, Batuk Maharaj (Saurabh Shukla). Maharaj's particular use of numerology led Kkhurana to add an extra "K" to his real name (Khurana) as well as to the conclusion that the "Second Innings House" would be the most auspicious place for Sunny and Simran to live. Maharaj also convinces Kkhurana to reject the marriage between Simran and Sunny when it is revealed that Simran is considered to be a manglik (an individual whose Vedic astrological makeup is believed by some to be devastating for marriage).

After Lucky appropriates "Second Innings House" through unethical means, Munna launches a "non-violent" protest called "Get Well Soon, Lucky" in which he asks his radio-show audience to send Lucky flowers to help him recover from the "disease of dishonesty". Munna, along with Circuit, Jhanvi and the senior citizens of "Second Innings House", begin a peaceful satyagraha in front of Lucky's house. It is during this time that Munna decides to tell Jhanvi the truth (via a letter he gives to her). Heartbroken, Jhanvi leaves Munna. Munna receives another setback when he is tricked by Lucky into revealing his conversations with Gandhi before a public audience (which serves as proof for a psychiatrist in the audience that Munna is delusional; Gandhi's monologue at the end of the film, however, questions this conclusion). Munna, unperturbed by the setbacks in his life, however, continues to use Gandhigiri, a decision which transforms Lucky, brings Jhanvi back to him, and resolves Simran's marriage.

Additional subplots include the story of Victor D'Souza (Jimmy Shergill) who, having lost his father's (Parikshat Sahni) money in stock market, promises to earn back the money as a taxi driver. Another includes the story of a retired teacher who, having been denied his pension, offers everything he owns to the corrupt official in the pension office.

In this manner, the application of Gandhi's concept of satyagraha (non-violence) to day-to-day modern life (and thus the revival of Gandhi's "spirit") becomes the central thematic issue of the film. The film also tackles issues related to social justice such as the impact of astrology and numerology on daily life.

Production

File:Lage Raho poster2.jpg
The two main characters — Munna Bhai (left) and Circuit
Vidya Balan as featured in the film

The Munna Bhai series began after Vidhu Vinod Chopra agreed to produce Rajkumar Hirani's film Munna Bhai M.B.B.S. when no one else would (Hirani had worked as an editor on Chopra's Mission Kashmir). They also collaborated on the script for the film.[12] Munna Bhai M.B.B.S. was a runaway success that prompted the duo to contemplate a sequel. The sequel was initially known as Munnabhai Meets Mahatma Gandhi and was later retitled Munnabhai 2nd Innings before being given its current name.[13][14]

Film Director and screenwriter Rajkumar Hirani admitted in an interview that he felt the burden of expectation while writing the screenplay for Lage Raho Munna Bhai as he had to create "something to match" the first film.[15] Initially there was some effort to incorporate scenes or particulars of the first film into the sequel (such as the idiosyncratic laugh of Dr. Asthana, portrayed by Boman Irani), but the risks of repetition were then consciously averted.[15]

One of Hirani's goals in making the film was to revive an interest in Mahatma Gandhi, a figure whom he felt had been forgotten in contemporary India. To highlight this fact, Hirani recounted (during an interview) an incident with a chai-wallah boy (a boy who brings tea to the crew) during production:

The boy was curious, he was a big Munnabhai fan and kept asking the name of the film. The first working title was 'Munnabhai Meets Mahatma Gandhi,' and Shantanu (Moitra, the music director) told him. So he said, 'Munnabhai to theek hai, yeh Mahatma Gandhi kaun hai?' ('Munnabhai is fine, but who is this Mahatma Gandhi?') So this is the sad state of affairs today. I was shocked. And it's not just the chai-wallah. A few days ago on TV a lot of politicians were asked India-related questions on the news channels, and I can't believe a lot of them don't know October 2 is Gandhiji's birthday! Many didn't know his first name. They kept saying, 'what's in a name, we respect his ideals,' but come on! How can you not know his name?[16]

The other screenwriter, Abhijat Joshi (who teaches in the department of English at Otterbein College in Westerville, Ohio) stated that he had been conducting extensive research on Gandhi for some time,[17] a fact which inspired producer Chopra to involve Joshi in the creation of the second Munna Bhai screenplay.[17]

While writing the screenplay, Hirani and Joshi stayed together for more than four months. They developed scenes by going out for a walk and discussing the scene. They would not return home until they had created a scene that would make them laugh, or cry, or had some provocative thought.[17] While there was a shortage of resources during the shooting of Munna Bhai M.B.B.S., the crew did not encounter a financial crisis during the filming of Lage Raho Munna Bhai, as the team managed to receive whatever was deemed necessary (including a Jimmy Jib, a specific kind of camera crane, just for a single crane shot).[15] The film was shot on location in and around Mumbai, with Goa as a backdrop for the filming of a song.[15]

Only two characters—those of Munna Bhai (portrayed by Sanjay Dutt) and Circuit (portrayed by Arshad Warsi)—were retained from Munna Bhai M.B.B.S. Several actors, also from Munna Bhai M.B.B.S., appeared in Lage Raho Munna Bhai but as different characters.[18] Vidya Balan was chosen to play the leading lady in the film as her voice was thought to be appropriate for that of a radio jockey.[19]

The actors used several techniques to develop their characters. Arshad Warsi ("Circuit") encountered some initial problems reviving his character from the first film. On the first day of the shoot when Arshad, "said his first line, he didn't sound like Circuit at all. He sounded like Arshad Warsi speaking with an accent".[18] Warsi admits that he had "forgotten" the character of Circuit and had to watch the DVD of Munna Bhai M.B.B.S. three times before being able to film the scene in the correct way.[18] Sanjay Dutt ("Munna Bhai") also confessed that he had to watch the first film eight to nine times in order to recapture the "persona" of Munna Bhai.[18] In addition, Dutt stated in an interview that he did not read Gandhi's autobiography My Experiments with Truth as a preparation for Lage Raho Munna Bhai. Rather, he comments, both his father, Sunil Dutt (who portrays Munna Bhai's father in the first film, Munna Bhai M.B.B.S.) and his mother (the late actress Nargis) were his role models as they "were basically Gandhians. We were brought up with those values".[20] Dilip Prabhavalkar, who portrays Gandhi in the film, did read Gandhi "once again" in order to prepare for his role.[21] Boman Irani prepared for the role of Lucky Singh by spending time with Sardarjis (male Sikhs) in auto spare parts shops to research his role.[22] Vidya Balan ("Jhanvi") also met with a couple of radio jockeys and watched them at work.[23]

Influences and allusions

File:Munnaradio.jpg
Jhanvi (with Munna Bhai) delivering her trademark "Gooooooood Moooooooorninnnng Mumbai!"

Rather than follow the traditional sequel format, each film in the Munna Bhai series features Munna and Circuit in a story which is comprehensive unto itself and is not continued or referred to in another film in the series. Indeed, director Rajkumar Hirani has compared this format to the films of Charlie Chaplin and Laurel and Hardy, as well as to the James Bond series.[15] Others have also likened the series to the work of Laurel and Hardy.[24] Some, however, have negated this comparison, stating that the series is more akin to the Road to... "buddy films" of Bob Hope and Bing Crosby.[25] Director Rajkumar Hirani admitted that his work was deeply inspired by the films of Hrishikesh Mukherjee.[16]

Cinematic works by Vidhu Vinod Chopra (such as Parineeta) often contain allusions to other important films and works of music or literature. In Lage Raho Munna Bhai, Jhanvi's opening line for her radio show, "Gooooooood Moooooooorninnnng Mumbai!", resembles Robin Williams' opening for his radio show ("Gooooooooood morning, Vietnaaaaaaaaammm!") in the 1987 film, Good Morning, Vietnam.[26][27] Critics have also noted similarity with the 1977 film Oh, God! where God appears as a kindly old man to the protagonist.[27] In addition, parts of the melody of the song "Pal Pal...Har Pal" are reminiscent of the Cliff Richard song "Theme for a Dream".[28]

Reception

Box office and ratings

Template:Infobox movie certificates

Lage Raho Munna Bhai is the third top grossing Bollywood film of the 21st century, according to boxofficeindia.com, earning Rs 69.97 crores (699 million) net gross in India alone (and has also been rated a "Blockbuster").[10] It has also been financially successful overseas,[29] earning Rs 7 crores (70 million) gross in the United Kingdom, Rs 10.25 crores (102 million) gross in North America, and Rs 4.25 crores (42 million) gross for the rest of the overseas proceeds.[30]

The film was rated as "U" (Universal: Suitable for all ages) by the Central Board of Film Certification of India,[31] and PG–13 by Motion Picture Association of America.[31] Similar ratings were awarded in other countries such as Australia and the UK.[32][33]

Reviews and critiques

Lage Raho Munna Bhai has received high praise from many critics[16] particularly Poonam Joshi of the BBC who notes that "everything about this film works [...] It's rare to see a film that bounces between humour and sentiment so seamlessly. And it is rarer still to see characters become etched in the memory so enduringly that audiences become almost protective of them. It's testimony both to the quality of the writing and the performances, that Munna and Circuit have taken on a life of their own."[34] Phelim O'Neill of the The Guardian supports this view stating, "as western romantic comedies become more vapid and even stalkerish, this delivers a credible message of peace, while never forgetting to be magnificent entertainment."[35] Nikhat Kazmi of The Times of India also observes that "Vidhu Vinod Chopra gives the great Indian family one more let's-go-goodwill-hunting entertainer, even as director Raju Hirani proves that sequels needn't have the been there-done that feel..."[36] Furthermore Sparn Verma of Rediff.com adds that "we live in a cynical world, but even in such times, sometimes a person, book or film comes along and shows you a tiny crack in the wall behind which there is a lot of light, and suddenly your heart is full of happiness. Lage Raho Munnabhai is one such film that makes you laugh, makes you cry, and also makes you feel good to be a human being."[37] Taran Adarsh in "IndiaFM.com" (via Yahoo! India) cites Lage Raho Munna Bhai as "a sparkling example of qualitative cinema" arguing that it "not only entertains, it also enlightens."[38] Sarita Tanwar states in a review for Mid-Day, " Lage Raho… is just what this generation needs, a revival of values and ideals without being preachy. The film’s impact is far greater than all the textbooks you’ve read (and forgotten) in school. Mahatma Gandhi is back — and well, what a comeback."[39] Shastri Ramachandaran further notes, "True, there have been memorable films on Mahatma Gandhi by distinguished directors, namely Richard Attenborough and Shyam Benegal; one offering a respectful cinematic acquaintance and the other being didactic but inspiring. For all their earnestness, neither film stirred the popular imagination like LRM has done now."[6]

Others disagree. Ajit Duara argues in The Hindu that "the accomplished cultural sophistication and political genius of Mohandas Karamchand Gandhi has to be dumbed down to the astoundingly moronic levels of 'Lage Raho Munnabhai' "[40] and S. Ganesh in The Economic and Political Weekly adds that the film "trivialises Gandhi: history as farce".[41] A blurb in the LA Weekly film review section by David Chute notes a preference for Munna Bhai M.B.B.S. over Lage Raho Munna Bhai stating that "this odd-duck sequel to one of Bollywood’s smartest recent crowd pleasers edges perilously close to repudiating the beloved original"[42] while filmmaker Jahnu Barua notes, "Gandhian philosophy is serious business and Lage Raho Munna Bhai is not the right way to show it."[43]

Awards

Main article: List of Lage Raho Munna Bhai awards

Lage Raho Munna Bhai is the recipient of many awards including four for Best Film/Critics Best Film (Filmfare Critics Award for Best Movie, Bollywood Movie Award - Best Film, GIFA Best Film, Star Screen Award Best Film). Rajkumar Hirani won Best Director award in Broadcast India 2006 Awards for Excellence in Film & Television,[44] and in 2007 IIFA Awards.[45] The film also won other awards including best story and best dialogue in several award ceremonies.

High profile screenings

United Nations

Screened on 10 November 2006 in the United Nations auditorium, Lage Raho Munna Bhai was the first Hindi film to be shown at the United Nations. The film was introduced by Shashi Tharoor, United Nations Under-Secretary General for Communications and Public Information. Rajkumar Hirani, Abhijat Joshi and actor Boman Irani (Lucky Singh) entertained questions afterwards. Lage Raho Munna Bhai was well received by the audience of diplomats and journalists as it was "an evening that had started with massive security arrangements in the sombre UN setting, [and] concluded in a festive atmosphere in the lounge of the UN with diplomats from other tables joining in raising a toast for the film."[11] On 15 June 2007, it was announced that the United Nations General Assembly had "unanimously adopted" a resolution which has declared 2 October (Gandhi's birthday, a national holiday in India) to be "the International Day of Non-Violence".[46]

2007 Cannes film festival

Lage Raho Munna Bhai was well received at the 2007 Cannes Film Festival (where it was shown with six other films from India as part of the Tous Les Cinemas Du Monde or World Cinema program[47] on 19 May 2007). It was screened with French subtitles to an audience who had lined "up in long queues to catch the film that had been strongly recommended in festival reviews [...] not one person who entered the screening left before the end of the two-hours-thirty-minutes film."[48] In addition, "the screening of the movie at the festival saw people sitting on the aisles as the theatre was completely packed [...] there was also a big group of French students that clapped till the credits were finished."[49]

Indian Prime Minister and Gandhi's descendants

The Prime Minister of India, Manmohan Singh was given a private screening of Lage Raho Munna Bhai. After viewing the film, he stated that the film "captures Bapu's message about the power of truth and humanism."[7] In a speech during his visit to South Africa, Singh said, "I was heartened to see recently that back home in India the most popular movie this festival season is a film about a young man's discovery of the universal and timeless relevance of the Mahatma's message."[50]

Tushar Gandhi, Gandhi's great-grandson, stated in an interview that Lage Raho Munna Bhai has introduced the philosophies of Gandhi to a new generation.[51] Gandhi's grandson, Rajmohan Gandhi, also stated in an article that Gandhi would have enjoyed Lage Raho Munna Bhai.[52]

Global summit and university screenings

Lage Raho Munna Bhai also screened at a global judiciary summit in Lucknow in December 2006. After viewing the film Justice Kenneth Mithyane from South Africa commented, "The movie has re-enlivened the non-violence philosophy practiced by Mahatma Gandhi who continues to remain close to the hearts of the South Africans." Fatima Chouhan, a young member of the South African parliament noted that, "'Munnabhai' will be widely appreciated in South Africa. I'm carrying a couple of video discs for my family and friends."[53]

Several universities have also held screenings of the film. It was shown as part of the 27 October 2006 film festival Melodramas Of Change: USC's First Indian Film Festival, organised by the University of Southern California School of Cinematic Arts. The screening was followed by a question and answer session with Vidhu Vinod Chopra, Rajkumar Hirani, and Abhijat Joshi. Filmmaker Gurinder Chadha also attended and spoke at the conclusion of the question and answer session.[54][55] The film was also screened by Concordia University on 26 January 2007,[56] Old Dominion University on 20 March 2007 (as a part of Old Dominion University and City of Norfolk ONFilm Festival),[57] the Massachusetts Institute of Technology Lecture Series Committee on 23 March & 24 March 2007,[58] and Harvard Law School on 3 April 2007 (as part of a series on nonviolence).[59]

Social and cultural impact

See also: Gandhigiri

Overview

The decision to include Mahatma Gandhi as a central character in the film introduces, through his interactions with Munna Bhai, important thematic concepts and ideas that draw upon the period of Colonial India and the Indian independence movement. Gandhi was a leader in this movement, challenging the occupation of India by the British Empire through the use of Satyagraha (non-violence). In this context, Jhanvi and Munna Bhai's non-violent protest against Lucky Singh serves as a metaphor for the Indian Independence movement and the battle against the British Raj.

File:OddGandhigiriAdvChennai.jpg
"Do Gandhigiri" advertisement

The thematic attention to Gandhi's theories in Lage Raho Munna Bhai has both revived an interest in Gandhism under the new term, Gandhigiri in India[4] and has likewise "made Gandhi suddenly hip. Inspired by the hit movie, Indians are increasingly embracing his philosophy, staging nonviolent protests, starting Web sites, handing out roses to enemies and putting on peaked white caps from the Gandhi era."[60] Indeed, according to reports, Gandhi is now a "new pop icon" in India[61] and as Arunabha Ghosh notes, "Gandhi, the man, was once the message. In the India of the post-liberalisation brand, gandhigiri is the message."[62] Several websites and internet forums were created, encouraging people to return to the Gandhian philosophy.[63] As chronicled by the International Herald Tribune article, "Does urbanized India have room for Gandhi?" (20 September 2006):

The real excitement was a Bollywood film [...] which has rapidly become the unexpected box-office hit of the year [...] With its big Bollywood soundtrack and dance routines, the movie brings Gandhi firmly into the mainstream and theaters have been packed for the past three weeks. The Congress Party recommended that all party members see the film. The Delhi authorities declared that tickets to the film would be sold tax free because of its assiduous promotion of Gandhian values."[64]

Theories for this sudden revival vary. Some have suggested that this phenomenon could be attributed to the film simplifying Gandhi's "lofty ideals" and conveying them "in contemporary, colloquial language.[61] Others, according to The Christian Science Monitor, have noted that the appeal of the film lies in the fact that "Gandhi gets his hands dirty. He appears as an apparition only visible to the wayward gangster, counselling him on how to help others deal with everyday problems."[65] Whatever the reason, a 13 October 2006 article in The Boston Globe, suggests that the revival has had a positive impact in India and states, "What America needs is a film that encourages people to take up Gandhigiri, Kinggiri, or Kennedygiri. If it worked for Bollywood, it could work for Hollywood."[5]

Gandhigiri-style protests

Gandhi leading Salt Satyagraha, a notable example of Satyagraha

Since the release of the film, there have been a number of Gandhigiri - style protests. In the United States during July 2007, piles of flowers were sent to the United States Citizenship and Immigration Services office by individuals who were legally in the U.S. but caught in a green card backlog. This was an act of Gandhigiri (or nonviolent protest) copied from Lage Raho Munna Bhai. [66] There have been positive reactions to this event. The USCIS shipped the flowers to the Walter Reed Army Medical Center and Bethesda Naval hospitals. A 15 July 2007 editorial in The Baltimore Sun argued, "let's hope their protest gets results – because Americans are fortunate to have living among them people who are this ingenious, and this thoughtful of others, and this capable of channeling anger into beauty." [67]

The filmmakers also issued responses to this event. Producer Vidhu Vinod Chopra stated that, "Mahatma Gandhi has influenced several personalities, including American Civil Rights Leader Martin Luther King, Jr. These young, law-abiding professionals have set out to strive for reform the right way – the Gandhigiri way." In addition, Director Rajkumar Hirani also noted that "when you feel you have been wronged, you feel angry. The best way to overcome what you think is unjust, is to protest peacefully. Be nice to your opponent and let him see your point of view. My well-wishes go out to these educated, highly-skilled professionals who have abided by the law and have been eagerly waiting in line for their green cards for nearly ten years."[68], [69]

On 17 July, the USCIS announced that "it will accept applications from foreign professionals seeking permanent residency through an expedited process, reversing its earlier decision." USCIS Director, Emilio T. Gonzalez noted of the Gandhigiri protest, "The public reaction to the July 2 announcement made it clear that the federal government's management of this process needs further review [...] I am committed to working with Congress and the State Department to implement a more efficient system in line with public expectations." [70]

Excerpt from The Story of My Experiments with Truth - by Mahatma Gandhi in its original Gujarati script

There have also been numerous Gandhigiri protests in India. Farmers staged a protest with flowers in the Vidarbha region,[71] and people who organised a protest in Lucknow claimed to have been inspired by Lage Raho Munna Bhai to use roses to convey their message.[72] In Lucknow students claimed to have been inspired by Lage Raho Munna Bhai to do volunteer work, planting trees "to conserve nature which is bound to benefit public health."[73] Mafia don Babloo Srivastava claimed to have been inspired by Lago Raho Munna Bhai to distribute roses as a "message of love and peace".[74]

Political and social influence

The Gandhigiri movement has also had a political and social impact. In New Delhi, on 29 January and 30 January 2007, a two-day conference (which included about 400 world leaders) to celebrate the 100th anniversary of satyagraha in South Africa was held.[75] Partial inspiration for the conference came from Lage Raho Munna Bhai.[76] The Prime Minister of India, Manmohan Singh, announced the creation of a new Public Services Bill to combat corruption in a press release dated 17 November 2006 and cited Lage Raho Munna Bhai as one of its influences.[77]

Lage Raho Munna Bhai has also inspired a new interest in books about Gandhi,[78] including requests for copies of Gandhi's autobiography, My Experiments with Truth from prison inmates.[79] Management teachers in Indian management institutes have planned to incorporate Gandhian strategies shown in the film as well as the success-story of the film in teaching courses.[80] In addition, due to its influence, the film was made tax-free in Delhi, Chhattisgarh, Mumbai and Uttar Pradesh.[81][82][83][84]

Director Raj Kumar Hirani and his co-writer Abhijat Joshi have decided to create a comics series on the duo of Munna Bhai and Circuit. The comic books and proposed animation films will be marketed by Vinod Chopra Productions.[85]

Soundtrack and DVD

File:Lagerahodvdcover.jpg
The DVD cover

Soundtrack

Main article: Lage Raho Munna Bhai soundtrack

The soundtrack was released in July 2006 and features five compositions: Lage Raho Munna Bhai, Samjho Ho Hi Gaya, Aane Char Aane, Bande Mein The Dum...Vande Mataram and Pal Pal...Har Pal as well as remixes of Lage Raho Munna Bhai and Aane Char Aane and an instrumental version of Bande Mein Tha Dum.

DVD

The DVD of Lage Raho Munna Bhai (distributed by Eros Entertainment) was released on November 13 2006.[86][87] The bonus DVD has a 98-minute 5-part documentary on the making of the film, interviews with members of the cast and crew, and information on the creation of the song and dance numbers. It also has a special feature called "Munna meets Bapu".[86][88] According to the DVD Times, some have criticised the sound and visual quality of the DVD.[88]

See also

References

Notes

  1. ^ Moviefone. "Moviefone: Lage Raho Munna Bhai". movies.aol.com. AOL LLC. Retrieved 2007-05-03.
  2. ^ "Lage Raho Munnabhai". The Numbers. Nash Information Services, LLC. Retrieved 2007-05-03.
  3. ^ "Lage Raho Munnabhai". BoxOffice India. Retrieved 2007-06-22.
  4. ^ a b Chunduri, Mridula (2006-09-29). "Gandhigiri, a cool way to live". timesofindia.com. Times Internet Limited. Retrieved 2006-09-29. {{cite news}}: Check date values in: |date= (help)
  5. ^ a b c Sharma, Swati Gauri (13 October 2006). "How Gandhi got his mojo back". boston.com. The New York Times Company. Retrieved 2006-10-13. {{cite news}}: Check date values in: |date= (help)
  6. ^ a b c Ramachandaran, Shastri (23 September 2006). "Jollygood Bollywood:Munnabhai rescues Mahatma". tribuneindia.com. The Tribune Trust. Retrieved 2007-04-28. {{cite news}}: Check date values in: |date= (help)
  7. ^ a b "Manmohan watches Munnabhai". hinduonnet.com. The Hindu. 2006-10-26. Retrieved 2006-10-26.
  8. ^ Masand, Rajeev (2007-05-20). "Lage Raho ... is hot at Cannes". ibnlive.com. CNN. Retrieved 2007-05-20.
  9. ^ Adarsh, Taran (2007-05-22). "'Lage Raho Munnabhai' stuns Cannes". indiafm.com. IndiaFM. Retrieved 2007-05-22.
  10. ^ a b "Box Office India". boxofficeindia.com. Retrieved 2006-09-29.
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