Jump to content

Vagadheeswari

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Kailash29792 (talk | contribs) at 14:11, 28 May 2023 (link M. G. Vallabhan using Find link). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Vagadheeswari
ArohanamS R₃ G₃ M₁ P D₂ N₂ 
Avarohanam N₂ D₂ P M₁ G₃ R₃ S

Vagadheeswari (pronounced vāgadheeśwari) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 34th melakarta rāgam (parent scale) in the 72 melakarta rāgam system of Carnatic music. It is called Bhogachhāyānāţa in Muthuswami Dikshitar school of Carnatic music.[1][2]

Structure and Lakshana

Vagadheeshwari scale with shadjam at C

It is the 4th rāgam in the 6th chakra Rutu. The mnemonic name is Rutu-Bhu. The mnemonic phrase is sa ru gu ma pa dhi ni.[1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):

The swaras shatsruthi rishabham, antara gandharam, shuddha madhyamam, chathusruthi dhaivatham and kaisiki nishadham are used in this scale. As Vagadheeshwari is a melakarta rāgam, by definition it is a sampoorna rāgam (has all seven notes in ascending and descending scale). It is the shuddha madhyamam equivalent of Nasikabhooshani, which is the 70th melakarta scale.

Janya rāgams

Vagadheeshwari has a few minor janya rāgams (derived scales) associated with it, of which Magadhi and Mohanāngi are occasionally heard. See List of janya rāgams for full list of rāgams associated with Vagadheeswari.

Compositions

Here are a few common compositions sung in concerts, set to Vagadheeshwari.

Tamil Film Songs

Song Movie Lyricist Composer Singer
Narumana Malargalin Urangatha Ninaivugal M. G. Vallabhan Ilaiyaraaja S. Janaki

This section covers the theoretical and scientific aspect of this rāgam.

Vagadheeshwari's notes when shifted using Graha bhedam, yields 2 other minor melakarta rāgams, namely, Naganandini and Bhavapriya. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For further details and an illustration refer Graha bhedam on Naganandini.

Notes

  1. ^ Alternate notations:
    • Hindustani: S  G M P D  
    • Western: C D E F G A B C
  2. ^ Alternate notations:
    • Hindustani:   D P M G  S
    • Western: C B A G F E D C

References

  1. ^ a b Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
  2. ^ Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras