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Laurence Harvey

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For other people named Laurence Harvey, see Laurence Harvey (disambiguation).

Laurence Harvey
Harvey in 1973,
photograph by Allan Warren
Born
Zvi Mosheh Skikne [1]

(1928-10-01)1 October 1928
Joniškis, Lithuania
Died25 November 1973(1973-11-25) (aged 45)
Hampstead, London, U.K.
Resting placeSanta Barbara Cemetery, Santa Barbara, California, U.S.
Other namesZvi Mosheh Skikne
Hirsh Skikne
Larry Skikne
Occupation(s)Actor, film director
Years active1948–1973
Spouse(s)
​
​
(m. 1957; div. 1961)​

​
​
(m. 1968; div. 1972)​

​
(m. 1972)​
(1 Child)
Children2, including Domino Harvey

Laurence Harvey (born Laruschka Mischa Skikne;[2] 1 October 1928[3] – 25 November 1973) was a Lithuanian-born British actor and film director. He was born to Lithuanian Jewish parents and emigrated to South Africa at an early age, before later settling in the United Kingdom after World War II. In a career that spanned a quarter of a century, Harvey appeared in stage, film and television productions primarily in the United Kingdom and the United States.

Known for his clipped, posh accent and cool, debonair screen persona; his performance in Room at the Top (1959)[4] resulted in an Academy Award nomination.[5] That success was followed by the roles of William Barret Travis in The Alamo and Weston Liggett in BUtterfield 8, both films released in the autumn of 1960. He also appeared as the brainwashed Raymond Shaw in The Manchurian Candidate (1962). He made his directorial debut with The Ceremony (1963). He continued acting well into the 1970s, until his death in 1973 of cancer.

Early life

Harvey's civil birth name was Laruschka Mischa Skikne. His Hebrew name was Zvi Mosheh. He was born in Joniškis, Lithuania, the youngest of three sons of Ella (née Zotnickaita) and Ber Skikne, Lithuanian Jewish parents.[6][7] When he was five years old, his family travelled with the family of Riva Segal and her two sons, Louis and Charles Segal on the SS Adolph Woermann to South Africa, where he was known as Harry Skikne. Harvey grew up in Johannesburg, and was in his teens when he served with the entertainment unit of the South African Army during the Second World War.[8][better source needed] As the Mystery Guest on USA TV show What's My Line screened May 1, 1960, he states he arrived in South Africa in 1934 and moved to the UK in 1946.[9]

Career

Early years

Harvey and Diane Cilento in the television play The Small Servant. Both made their U.S. television debuts in this production for The Alcoa Hour (1955).

After moving to London, he enrolled in the Royal Academy of Dramatic Art,[10] but left RADA after three months,[11] and began to perform on stage and film.

Harvey made his cinema debut in the British film House of Darkness (1948), but its distributor British Lion thought someone named Larry Skikne (as he was then known) was not commercially viable. Accounts vary as to how the actor acquired his stage name of Laurence Harvey. One version has it that it was the idea of talent agent Gordon Harbord who decided Laurence would be an appropriate first name. In choosing a British-sounding last name, Harbord thought of two British retail institutions, Harvey Nichols and Harrods.[12] Another is that Skikne was travelling on a London bus with Sid James who exclaimed during their journey: "It's either Laurence Nichols or Laurence Harvey." Harvey's own account differed over time.[13]

Associated British Picture Corporation

Associated British Picture Corporation quickly offered him a two-year contract, which Harvey accepted. He appeared in supporting roles in several of their lower-budget films such as Man on the Run (1949), Landfall (1949) and The Dancing Years (1950). For International Motion Pictures he was in The Man from Yesterday (1949). He had a small role in the Hollywood financed The Black Rose (1950), starring Tyrone Power and Orson Welles, then Associated British gave him his first lead, appearing alongside Eric Portman in the Egypt-set police film Cairo Road (1950).[11]

Harvey starred in leading roles for two movies with Lewis Gilbert, Scarlet Thread (1951) and There Is Another Sun (1951). For Ealing, he made I Believe in You (1952), then he starred in the low-budget thriller A Killer Walks (1952).

Romulus Films

Harvey's career gained a boost when he appeared in Women of Twilight (1952); this was made by Romulus Films run by John and James Woolf, who signed Harvey to a long-term contract. James Woolf in particular was a big admirer of Harvey.[14]

He had an uncredited role in the comedy Innocents in Paris (1953) and in Knights of the Round Table (1953). He received top billing the following year in The Good Die Young, a thriller directed by Gilbert. He was given the romantic male lead in the Hollywood spectacular King Richard and the Crusaders (1954), supporting Rex Harrison and George Sanders. It was a box-office disappointment. That year, he played Romeo in Renato Castellani's adaptation of Shakespeare's Romeo and Juliet, narrated by John Gielgud. He became established as an emerging British star. According to a contemporary interview, he turned down an offer to appear in Helen of Troy (1955) to act at Stratford-upon-Avon.[15]

Romulus came to the rescue again when Harvey was cast as the writer Christopher Isherwood in I Am A Camera (1955), with Julie Harris as Sally Bowles.

He appeared on American television and on Broadway, making his Broadway debut in 1955 in the play Island of Goats, a flop that closed after one week, though his performance won him a 1956 Theatre World Award.[16] Harvey appeared twice on Broadway: in 1957 with Julie Harris, Pamela Brown and Colleen Dewhurst in William Wycherley's The Country Wife (a production he had originally starred in at London's Royal Court Theatre), and in 1959, as Shakespeare's Henry V, as part of the Old Vic company, which featured a young Judi Dench as Katherine, the daughter of the king of France.[17]

Zoltan Korda used him as one of the soldiers in Storm Over the Nile (1956), a remake of The Four Feathers (1939), playing the part taken by Ralph Richardson in the 1939 version. It was popular in Britain as was the comedy Three Men in a Boat (1956). After the Ball (1957) was a biopic of Vesta Tilley, in which Harvey played Walter de Frece. The Truth About Women (1958) was a comedy.[citation needed]

International stardom

Harvey (left) with Frank Sinatra, during filming of The Manchurian Candidate

Harvey's breakthrough to international stardom came after he was cast by director Jack Clayton as the social climber Joe Lampton in Room at the Top (1959), produced by British film producer brothers John and James Woolf of Romulus Films. For his performance, Harvey received a BAFTA Award[18] nomination and a nomination for the Academy Award for Best Actor.[10] Simone Signoret and Heather Sears co-starred as Lampton's married lover and eventual wife respectively. It was the third most popular movie at the British box office in 1959 and a hit in the U.S. Harvey followed it with the musical Expresso Bongo (1959), a film best remembered for introducing Cliff Richard.[citation needed]

Room at the Top led to Hollywood offers starting with John Wayne's epic The Alamo (1960). Harvey was John Wayne's personal choice to play Alamo commandant William Barret Travis. He had been impressed by Harvey's talent and ability to project the aristocratic demeanor Wayne believed Travis possessed. Harvey and Wayne later expressed their mutual admiration and satisfaction at having worked together.[19] The Alamo was a hit (although the enormous cost meant the film lost money).[citation needed] Even more successful was MGM's BUtterfield 8 (1960), which won Elizabeth Taylor her first Oscar.

Back in Britain, Harvey was cast in the film version of The Long and the Short and the Tall (1961) in a role originally performed by Peter O'Toole during the play's West End run. In the U.S., he supported Shirley MacLaine in MGM's Two Loves (1961) and co-starred with Geraldine Page in the film adaptation of Tennessee Williams's Summer and Smoke (1961).[10]

In Walk on the Wild Side (also 1962), he was cast with Barbara Stanwyck, Jane Fonda and Capucine. Fonda was not positive about the experience of working with him: "There are actors and actors – and then there are the Laurence Harveys. With them, it's like acting by yourself."[20] The same year, he recorded an album of spoken excerpts from the book This Is My Beloved by Walter Benton, accompanied by original music by Herbie Mann. It was released on the Atlantic label.[citation needed]

Harvey's portrayal of Wilhelm Grimm in the MGM film The Wonderful World of the Brothers Grimm (1962) earned him a nomination for Golden Globe Award for Best Actor – Motion Picture Drama.[21] The movie was a box office disappointment.

Harvey appeared as the brainwashed Raymond Shaw in the Cold War thriller The Manchurian Candidate (1962).[10] Film critic David Shipman wrote: "Harvey's role required him to act like a zombie and several critics cited it as his first convincing performance".[11] The movie was a hit and is one of Harvey's better remembered films. Less successful was A Girl Named Tamiko (1962) and The Running Man (1963). Harvey made his directorial debut with The Ceremony (1963), in which he also starred.

Harvey played King Arthur in the 1964 London production of the Alan Jay Lerner and Frederick Loewe musical Camelot at Drury Lane.[22]

Later years

Harvey and Kim Novak took an almost instant dislike to each other when they first met to work on a remake of W. Somerset Maugham's Of Human Bondage (1964). Their acting styles were found to be incompatible, which caused problems for director Henry Hathaway.[23] During filming, kidnap threats were made against both Harvey and Novak.[24][25]

The Outrage (1964) was director Martin Ritt's remake of Akira Kurosawa's Japanese film Rashomon (1950). Besides Harvey, the film starred Paul Newman and Claire Bloom, but was unsuccessful critically and commercially.[26] He reprised his role as Joe Lampton in Life at the Top (1965), then he enjoyed a big hit with Darling (1965), co-starring Julie Christie and Dirk Bogarde.[27] While his role in the film is short, his involvement enabled director John Schlesinger to gain financial backing for the project.[11]

Harvey co-starred with Israeli actress Daliah Lavi in the comedy The Spy with a Cold Nose (1966), a parody of the James Bond films.[28]

Harvey owned the rights to the book on which John Osborne's early script for the film The Charge of the Light Brigade (1968) partially was based, Cecil Woodham-Smith's book The Reason Why (1953). He intended to make his own version.[29]

A lawsuit was filed against director Tony Richardson's company Woodfall Film Productions on behalf of the book's author. There was a monetary settlement, and Harvey insisted on being cast in a cameo role (being cast as Prince Radziwell) as part of the agreement for which he was paid £60,000.[30] Charles Wood was brought in to re-write the script. Harvey's scenes were cut from the movie at Richardson's insistence except for a brief glimpse as an anonymous member of a theatre audience which, technically, still met the requirements of the legal settlement.[31] John Osborne asserted in his autobiography that Richardson shot the scenes with Harvey "French", which is film jargon for a director going-through-the-motions because of some obligation, but with no film in the camera.[32]

Harvey completed direction of the spy thriller A Dandy in Aspic (1968) after director Anthony Mann died during production. The film co-stars Mia Farrow.[33] Harvey provided the narration for the Soviet film Tchaikovsky (1969), directed by Igor Talankin.[34]

He co-starred with Ann-Margret in Rebus (1969) then appeared in Kampf um Rom (1970), a film set in Ancient Rome. The latter starred Orson Welles who directed Harvey in The Deep, a thriller that was abandoned.[citation needed]

Harvey had a cameo role as himself in The Magic Christian (also 1969), a film based on the Terry Southern novel of the same name. He gives a rendition of Hamlet's soliloquy that develops unexpectedly into a campy striptease routine. He had a small role in WUSA (1970) and was guest murderer on Columbo: The Most Dangerous Match in 1973, portraying a chess champion who kills his opponent.[citation needed]

Joanna Pettet appeared with Harvey in an episode of Rod Serling's Night Gallery ("The Caterpillar", 1972), in which Harvey's character attempts to assassinate a romantic rival by having a burrowing insect dropped in the man's ear.[35]

Harvey starred in Escape to the Sun and was reunited with Taylor in Night Watch (1973).[36]

Harvey directed and starred in his final film Welcome to Arrow Beach, which co-starred his friend Pettet, John Ireland and Stuart Whitman. The film deals with a type of war-related post-traumatic stress disorder that turns a military veteran to cannibalism.[25]

Just before Harvey died, in 1973, he was planning to star in and direct two films: one on Kitty Genovese, the other a Wolf Mankowitz comedy titled Cockatrice.[37] His death ultimately put an end to any hope that Orson Welles's The Deep would be completed. With Harvey and Jeanne Moreau in the leading roles, Welles worked on the film between his other projects, although the production was hampered by financial problems.[38]

Personal life

Early in his career, Harvey had a live-in relationship with actress Hermione Baddeley[39] (who appeared in a supporting role in Room at the Top, for which she was nominated for an Academy Award for Best Supporting Actress).[40] He left Baddeley in 1951 for actress Margaret Leighton, who was then married to publisher Max Reinhardt. Leighton and Reinhardt divorced in 1955, and she married Harvey in 1957 off the Rock of Gibraltar. The couple divorced in 1961.[41]

In 1968 he married Joan Perry, the widow of film mogul Harry Cohn.[42] Her marriage to Harvey lasted until 1972. His third marriage was to British fashion model Paulene Stone. She gave birth to their daughter Domino in 1969 while he was still married to Perry. Harvey and Stone married in 1972 and soon after, he adopted her child from her previous marriage, Sophie Norris (now Sophie Harvey). The wedding took place at the home of Harold Robbins.[10][43]

In his account of being Frank Sinatra's valet, Mr. S: My Life with Frank Sinatra (2003), George Jacobs writes that Harvey often made passes at him while visiting Sinatra. According to Jacobs, Sinatra was aware of Harvey's sexuality. In his autobiography Close Up (2004), British actor John Fraser claimed Harvey was gay and that his long-term lover was Harvey's manager James Woolf, who had cast Harvey in several of the films he produced in the 1950s.[44]

After working in two films with her, Harvey remained friends with Elizabeth Taylor for the rest of his life. She visited him three weeks before he died. Upon his death, Taylor issued the statement: "He was one of the people I really loved in this world. He was part of the sun. For everyone who loved him, the sun is a bit dimmer." She and Peter Lawford held a memorial service for Harvey in California.[45]

Harvey once responded to an assertion about himself: "Someone once asked me, 'Why is it so many people hate you?' and I said, 'Do they? How super! I'm really quite pleased about it.'"[20]

Death

A heavy smoker and drinker, Harvey died at the age of 45 from stomach cancer in Hampstead, London, on Sunday, 25 November 1973.[46] His daughter Domino, who later became a bounty hunter, was only four years old at the time. She died at the age of 35, in 2005, after overdosing on painkillers. They are buried together in Santa Barbara Cemetery in Santa Barbara, California.[47][48]

Appraisal

According to his obituary in the New York Times:

With his clipped speech, cool smile and a cigarette dangling impudently from his lips, Laurence Harvey established himself as the screen's perfect pin-striped cad. He could project such utter boredom that willowy debutantes would shrivel in his presence. He could also exude such charm that the same young ladies would gladly lend him their hearts, which were usually returned utterly broken... The image Mr Harvey carefully fostered for himself off screen was not far removed from some of the roles he played. "I'm a flamboyant character, an extrovert who doesn't want to reveal his feelings", he once said. "To bare your soul to the world, I find unutterably boring. I think part of our profession is to have a quixotic personality."[20]

Awards and nominations

Acting credits

Stage

Opening date Closing date Title Role Theatre Notes Refs
16 Nov 1947 Uprooted Nicky Horroway Comedy Theatre Billed as Larry Skikne [49]
9 May 1951 Hassan Cambridge Theatre [50]
1954 Romeo and Juliet Romeo Royal Shakespeare Theatre [51]
4 Oct 1955 8 Oct 1955 Island of Goats Angelo Fulton Theatre 1956 Theatre World Award [52]
27 Nov 1957 4 Jan 1958 The Country Wife Mr. Horner Adelphi Theatre (11/27/1957 – 12/21/1957)
Henry Miller's Theatre (12/23/1957 – 1/04/1958) 		[53]
25 Dec 1958 10 Jan 1959 Henry V Henry V Broadway Theatre [54]
19 Aug 1964 Camelot King Arthur Theatre Royal, Drury Lane [55]

Film

Note: Where British Film Institute (BFI) and American Film Institute (AFI) differed on release year, or if the Wikipedia article title had a different release year, whichever source is the country of production is the year used.

Year Title Role Director Producer Studio/Distributor Other cast members Notes Refs.
1948 House of Darkness Francis Merryman Oswald Mitchell Gordon Myers International Motion Pictures Lesley Brook, John Stuart [56]
1949 Man on the Run Detective Sergeant Lawson Lawrence Huntington Associated British Picture Corporation Derek Farr, Joan Hopkins [57]
The Man from Yesterday John Matthews Oswald Mitchell International Motion Pictures John Stuart, Henry Oscar, Marie Burke [58]
Landfall P/O Hooper Ken Annakin Victor Skutezky Associated British Picture Corporation Michael Denison, Patricia Plunkett, Maurice Denham [59]
1950 Cairo Road Lt. Mourad David MacDonald Mayflower Pictures Corporation Eric Portman [60]
The Dancing Years Minor Role Harold French Warwick Ward Dennis Price Uncredited [61]
The Black Rose Edmond Henry Hathaway Louis D. Lighton 20th Century Fox Tyrone Power, Orson Welles, Cécile Aubry, Jack Hawkins, Michael Rennie, Herbert Lom [62][63]
Seven Days to Noon Soldier John Boulting, Roy Boulting John Boulting, Roy Boulting Associated British Picture Corporation Barry Jones Uncredited
1951 Scarlet Thread Freddie Lewis Gilbert Ernest G. Roy Nettlefold Studios Kathleen Byron, Sydney Tafler [64]
There Is Another Sun Mag Maguire Lewis Gilbert Ernest G. Roy Nettlefold Studios Maxwell Reed, Susan Shaw [65]
1952 I Believe in You Jordie Bennett Michael Relph Michael Balcon Ealing Studios Cecil Parker, Celia Johnson [66]
A Killer Walks Ned Ronald Drake Ronald Drake Leontine Entertainments Susan Shaw, Trader Faulkner [67]
Women of Twilight Jerry Nolan Gordon Parry John Bremer Romulus Films Freda Jackson, Rene Ray, Countess of Midleton, Lois Maxwell [68]
1953 Innocents in Paris François Gordon Parry Anatole de Grunwald Romulus films Alastair Sim, Claire Bloom, Ronald Shiner Uncredited [69]
1954 The Good Die Young Miles Ravenscourt Lewis Gilbert Remus Films Margaret Leighton, Richard Basehart, Joan Collins, Gloria Grahame [70]
King Richard and the Crusaders Sir Kenneth of Huntington David Butler Henry Blanke Warner Bros. Rex Harrison, Virginia Mayo, George Sanders [71][72]
Romeo and Juliet Romeo Renato Castellani Verona Productions Susan Shentall [73]
1955 I Am a Camera Christopher Isherwood Henry Cornelius Remus Films Julie Harris, Shelley Winters, Ron Randell [74]
Storm Over the Nile John Durrance Terence Young London Film Productions Anthony Steel [75]
1956 Three Men in a Boat George Ken Annakin Romulus Films Jimmy Edwards, David Tomlinson [76]
1957 After the Ball Walter de Frece Compton Bennett Romulus Films Pat Kirkwood [77]
The Truth About Women Sir Humphrey Tavistock Muriel Box Sydney Box Beaconsfield Films Ltd Diane Cilento, Julie Harris [78]
1958 The Silent Enemy Lt Crabb William Fairchild Romulus Films Dawn Addams [79]
1959 Room at the Top Joe Lampton Jack Clayton John Woolf Remus Films Simone Signoret, Donald Houston [80]
Power Among Men Narrator Alexander Hackenschmied United Nations Film Services Documentary [81][82]
Expresso Bongo Johnny Jackson Val Guest Val Guest Val Guest Productions Sylvia Syms [83]
1960 The Alamo William Barret Travis John Wayne John Wayne Batjac Productions John Wayne, Richard Boone, Richard Widmark [84][85]
BUtterfield 8 Weston Ligget Daniel Mann Pandro S. Berman Metro Goldwyn Mayer Elizabeth Taylor, Eddie Fisher, Dina Merrill [86][87]
1961 The Long and the Short and the Tall Pte. 'Bammo' Bamforth Leslie Norman Michael Balcon Associated British Picture Corporation Richard Todd, Richard Harris, David McCallum [88][89]
Two Loves Paul Lathrope Charles Walters Julian Blaustein Metro Goldwyn Mayer Shirley MacLaine, Jack Hawkins [90][91]
Summer and Smoke John Buchanan Jr Peter Glenville Hal Wallis Paramount Pictures Geraldine Page, Rita Moreno, John McIntire, Earl Holliman [92][93]
1962 Walk on the Wild Side Dove Linkhorn Edward Dmytryk Charles K. Feldman Columbia Pictures Jane Fonda, Barbara Stanwyck, Anne Baxter, Capucine [94][95]
The Wonderful World of the Brothers Grimm Wilhelm Grimm Henry Levin George Pal Metro Goldwyn Mayer Claire Bloom, Barbara Eden ('The Cobbler and the Elves') [96][97]
The Manchurian Candidate Raymond Shaw John Frankenheimer George Axelrod United Artists Frank Sinatra, Angela Lansbury, Janet Leigh, James Gregory [98][99]
A Girl Named Tamiko Ivan Kalin John Sturges Hal Wallis Paramount Pictures France Nguyen, Martha Hyer [100][101]
1963 The Running Man Rex Black Carol Reed Carol Reed Columbia Pictures Lee Remick, Alan Bates [102][103]
The Ceremony Sean McKenna Laurence Harvey Laurence Harvey (also wrote) United Artists Sarah Miles, Robert Walker Jr. [104][105]
1964 Of Human Bondage Phillip Carey Ken Hughes James Woolf Metro Goldwyn Mayer Kim Novak [106][107]
The Outrage Husband Martin Ritt A. Ronald Lubin Metro Goldwyn Mayer Paul Newman, Claire Bloom [108][109]
1965 Darling Miles Brand John Schlesinger Joseph E. Levine Embassy Pictures Julie Christie, Dirk Bogarde [110][111]
Life at the Top Joe Lampton Ted Kotcheff James Woolf Romulus Films Jean Simmons, Honor Blackman [112][113]
The Doctor and the Devil Nicholas Ray Raymond Brandt
1966 The Spy with a Cold Nose Dr. Francis Trevelyan Daniel Petrie Joseph E. Levine Embassy Pictures Corp. Daliah Lavi, Lionel Jeffries [114][115]
1967 The Winter's Tale King Leonites Frank Dunlop (director) Cressida Film Productions Jane Asher, Diana Churchill [116]
1968 A Dandy in Aspic Eberlin Laurence Harvey, Anthony Mann Anthony Mann Columbia Pictures Mia Farrow, Tom Courtenay [117][118]
The Charge of the Light Brigade Russian Prince Uncredited [119]
The Last Roman Cethegus Robert Siodmak CCC Filmkunst Sylva Koscina, Orson Welles [120]
1969 Rebus Jeff Miller Nino Zanchin Ann-Margret [121]
L'assoluto naturale He – Producer and co-star Mauro Bolognini Laurence Harvey Laurence Harvey Productions Sylvia Koscina [122]
The Magic Christian Hamlet Joseph McGrath (film director) Denis O'Dell Commonwealth United Entertainment Group Inc. Peter Sellers, Ringo Starr [123][124]
1970 WUSA Farley Stuart Rosenberg John Foreman (producer) Paramount Pictures Paul Newman, Joanne Woodward, Anthony Perkins [125][126]
Tchaikovsky Narrator Igor Talankin Innokenti Smoktunovsky Mosfilm [127]
The Deep Hughie Warriner Orson Welles Orson Welles Orson Welles [128]
1972 Escape to the Sun (Habricha El Hashemesh) Major Kirsanov Menahem Golan Noah Films Josephine Chaplin, Lila Kedrova, John Ireland, Jack Hawkins [129]
1973 Night Watch John Wheeler Brian G. Hutton Joseph E. Levine Avco Embassy Pictures Elizabeth Taylor [130][131]
F for Fake Himself Orson Welles Les Films de l'Astrophore Orson Welles, Joseph Cotten [132]
1974 Welcome to Arrow Beach Jason Henry Laurence Harvey John Cushingham Warner Bros. Joanna Pettet, Stuart Whitman, John Ireland [133][134]
Yellow-Headed Summer Laurence Harvey, Walter Pidgeon (final film role)

Television

Year Title Role Other cast members Notes Refs.
1950 Othello Cassio André Morell (BBC TV) [135]
1953 As You Like It Orlando Margaret Leighton (BBC TV) [136]
1955 ITV Play of the Week Beljajew Margaret Leighton A Month in the Country [137]
The Alcoa Hour Dick Swiveller The Small Servant
1956 The Bet
1957 Holiday Night Reunion
1959 Alfred Hitchcock Presents Arthur Williams Hazel Court, Patrick Macnee Arthur [138]
ITV Play of the Week Chris/Misha Hildegard Knef The Violent Years [139]
1960 Pontiac Star Parade Self Entire cast and crew of The Alamo The Spirit of the Alamo, wrap party in Brackettville, Texas [140]
What's My Line? Self Guest panelist 6 March; mystery guest 1 May
Here's Hollywood Self Episode 1.19
1962 The Milton Berle Show Self 9 March episode [141]
The Flood (Stravinsky) Narrator [142]
1964 Password Self Georgia Brown v. Laurence Harvey
The Ed Sullivan Show Self Episode 18.5
The Eamonn Andrews Show Self Episode 1.2
1965 The Eamonn Andrews Show Self Episode 2.15
The Danny Kaye Show Self Episode 3.14 [143]
1966 Hollywood Talent Scouts Self 31 January episode
Late Night Line-Up Self Michael Dean, Denis Tuohy, Joan Bakewell 5 February episode, BBC [144]
1967 The Merv Griffin Show Self 27 April episode
Dial M for Murder Tony Wendice Diane Cilento, Hugh O'Brian, Cyril Cusack, Nigel Davenport TV movie [145]
The Jerry Lewis Show Self Joey Heatherton 17 October 1967 episode [146]
1968 The Joey Bishop Show Self Episodes 2.245 and 3.40
Marvelous Party! Host A 70th birthday tribute to Noël Coward
1969 Rowan and Martin's Laugh-In Self Episode 2.25
Joker's Wild Self American TV game show
1970 The David Frost Show Self Episode 2.184
1971 ITV Saturday Night Theatre Major Sergius Saranoff John Standing Arms and the Man [147]
The Dick Cavett Show Self 11 May episode
The Tonight Show Starring Johnny Carson Self 19 November episode
Celebrity Bowling Self Unknown episode
1972 Night Gallery Steven Macy Caterpillar [148]
1973 Columbo Emmett Clayton The Most Dangerous Match
45th Academy Awards Self Co-Presenter: Best Art Direction – Set Decoration
The Tonight Show Starring Johnny Carson Self 24 August episode

Notes

Citations

  1. ^ https://www.imdb.com/name/nm0002131/bio?ref_=nm_ov_bio_sm
  2. ^ Joseph F. Clarke (1977). Pseudonyms. BCA. p. 80.
  3. ^ Harvey altered his birth year to 1927 to gain entry to the South African Navy when he was aged only 14, and 1927 now appears in many sources.
  4. ^ Obituary Variety, 28 November 1973, p. 62.
  5. ^ a b "1959 Best Actor in a Leading Role nomination". Academy Awards. Archived from the original on 29 October 2013. Retrieved 9 January 2012.
  6. ^ Special to The New York Times (27 November 1973). "Laurence Harvey, Screen Actor, Is Dead at 45 – Attained Stardom With Role in 'Room at the Top' The Screen's Perfect Cad Enigmatic Flamboyance Was Also in 'Butterfield 8' and 'Manchurian Candidate' An Arrogant Manner". The New York Times. Retrieved 4 January 2013.
  7. ^ Parker, John (1972). Who's who in the Theatre. Retrieved 4 January 2013 – via Books.google.ca.
  8. ^ Bowman, John S. (2014). Pergolesi in the Pentagon: Life at the Front Lines of the Cultural Cold War. Xlibris Corp. ISBN 9781499038750. Retrieved 15 July 2018.[page needed][self-published source]
  9. ^ https://www.youtube.com/watch?v=4hsDA2TZOPE
  10. ^ a b c d e Wise, James E; Baron, Scott (2002). International Stars at War. Naval Institute Press. pp. 79–82. ISBN 978-1-55750-965-9.
  11. ^ a b c d David Shipman The Great Movie Stars: 2. The International Years, London: Macdonald, 1989, pp. 246-28
  12. ^ Room, Adrian (2010). Dictionary of Pseudonyms: 13,000 Assumed Names and Their Origins. McFarland. p. 222. ISBN 978-0-7864-4373-4.
  13. ^ Anne Sinai, Reach for the Top, p. 97
  14. ^ John Ezard "Sexy self-image that revved up Dirk Bogarde", The Guardian 2 October 2004, accessed 30 November 2012
  15. ^ "AUSTRALIANS PLAY AT STRATFORD". The Australian Women's Weekly. National Library of Australia. 8 September 1954. p. 16. Retrieved 12 July 2012.
  16. ^ a b Willis, John; Hodges, Ben (2009). Theatre World, 2006–2007, Volume 63; Volumes 2006–2007. Applause Books. p. 367. ISBN 978-1-55783-728-8.
  17. ^ "Laurence Harvey". IBDB. Retrieved 6 January 2012.
  18. ^ a b c "Best British Actor". BAFTA. Retrieved 23 September 2014.
  19. ^ Munn, Michael (2005). John Wayne: The Man Behind The Myth. NAL Trade. pp. 205–212. ISBN 978-0-451-21414-0.
  20. ^ a b c "Laurence Harvey, Screen Actor, Is Dead at 45: Attained Stardom With Role in 'Room at the Top' The Screen's Perfect Cad Enigmatic Flamboyance Was Also in 'Butterfield 8' and 'Manchurian Candidate' An Arrogant Manner Special to The New York Times". The New York Times, 27 November 1973: 47.
  21. ^ a b "1963 Laurence Harvey Golden Globe Nomination". HFPA. Archived from the original on 23 May 2013. Retrieved 9 January 2012.
  22. ^ Green, Stanley (1980). Encyclopedia of the musical theatre: an updated reference guide to over 2000 performers, writers, directors, productions, and songs of the musical stage, both in New York and London. Da Capo Press. pp. 56–58. ISBN 978-0-306-80113-6. camelot laurence harvey.
  23. ^ Anne Sinai, Reach for the Top: The Turbulent Life of Laurence Harvey, Lanham, Maryland, US/Plymouth, UK: Scarecrow Press, 2003 [2007], pg. 285
  24. ^ Mann, William J (2012). Hello, Gorgeous: Becoming Barbra Streisand. Houghton Mifflin Harcourt. p. 325. ISBN 978-0-547-36892-4. of human bondage kim novak.
  25. ^ a b Maltin, Leonard (2008). Leonard Maltin's 2009 Movie Guide. Plume. p. 1009. ISBN 978-0-452-28978-9. of human bondage laurence harvey.
  26. ^ Jackson, Carlton (1994). Picking Up the Tab: The Life and Movies of Martin Ritt. Popular Press. p. 79. ISBN 978-0-87972-672-0.
  27. ^ Garrett, George P.; Hardison, OB; Gelfman, Jane R. (1989). Film Scripts 4: Darling; A Hard Day's Night; The Best Man. Irvington Pub. pp. 297–99. ISBN 978-0-8290-2278-0. Retrieved 9 May 2017. darling julie christie.
  28. ^ Lisanti, Tom; Paul, Louis (2002). Film Fatales: Women in Espionage Films and Television, 1962–1973. Mcfarland & Co Inc Pub. p. 175. ISBN 978-0-7864-1194-8.
  29. ^ Connelly, Mark (2003). The Charge of the Light Brigade. I. B. Tauris. pp. 22–24. ISBN 978-1-86064-612-6.
  30. ^ Sinai Reach for the Top, p. 302
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References

  • Kennedy, Dennis (2002). Looking at Shakespeare A Visual History of Twentieth-Century Performance. Cambridge University Press. ISBN 978-0-521-78548-8.
  • Mullin, Michael; Gielgud, John (1996). Design by Motley. University of Delaware Press. ISBN 978-0-87413-569-5.
  • Wearing, J. P. (2014). The London Stage 1940–1949: A Calendar of Productions, Performers, and Personnel. Rowman & Littlefield Publishers. ISBN 978-0-8108-9305-4.
  • Wright, Adrian (2012). West End Broadway: The Golden Age of the American Musical in London. Boydell Press. ISBN 978-1-84383-791-6.

Further reading

  • Hickey, Des and Smith, Gus. The Prince: The Public and Private Life of Laurence Harvey. Leslie Frewin. 1975.
  • Stone, Paulene. One Tear is Enough: My Life with Laurence Harvey. 1975.
  • Sinai, Anne. Reach for the Top: The Turbulent Life of Laurence Harvey. Scarecrow Press. 2003.
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