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Girl power is a slogan that encourages and celebrates women's empowerment, independence, confidence and strength. The slogan's invention is credited to the US punk band Bikini Kill, who published a zine called Bikini Kill #2: Girl Power in 1991. It was then popularized in the mainstream by the British girl group Spice Girls in the mid-1990s.
Early usage and origins
In 1990, US punk band Bikini Kill started to make their own self-titled feminist zine, with the first issue having the subtitle A color and activity book. A year later the band published the second issue of their Bikini Kill zine, which now came with the new subtitle of Girl Power. The band's lead singer, Kathleen Hanna, said was inspired by the Black Power slogan. The term became popular in the early and mid 90s punk culture. The Rolling Stone Encyclopedia of Rock & Roll credits the zine with coining the slogan: "In their feminist fanzine Bikini Kill they articulated an agenda for young women in and outside of music; the band put those ideas to practice. Bikini Kill earned a reputation in the punk underground for confronting certain standards of that genre; for example, asking people to slam at the side of the stage, so that women would not get pushed out of the front, and inviting women to take the mic and talk about sexual abuse.
Some other musical artists who have used the slogan in their music are Welsh band Helen Love, with it appearing in the chorus of their 1992 song “Formula One Racing Girls”, and pop-punk duo Shampoo, who released an album and single titled Girl Power in 1995.
British pop quintet Spice Girls brought the mantra into the mainstream consciousness in the mid-1990s. The Spice Girls' version of "girl power" focused on the importance of strong and loyal friendship among females, with a message of empowerment that appealed to young girls, adolescents and adult women. According to Billboard magazine, they demonstrated real, noncompetitive female friendship, singing: "If you wannabe my lover, you gotta get with my friends. Make it last forever; friendship never ends."
In all, the focused, consistent presentation of "girl power" formed the centrepiece of their appeal as a band. Some commentators credit the Spice Girls with reinvigorating mainstream feminism in the 1990s, with the "girl power" mantra serving as a gateway to feminism for their young fans. On the other hand, some critics dismissed "girl power" as no more than a shallow marketing tactic, while others took issue with the emphasis on physical appearance, concerned about the potential impact on self-conscious and/or impressionable youngsters. Regardless, the phrase became a cultural phenomenon, adopted as the mantra for millions of girls and even making it into the Oxford English Dictionary. In summation of the concept, author Ryan Dawson said, "The Spice Girls changed British culture enough for Girl Power to now seem completely unremarkable."
In 2018, Rolling Stone named the Spice Girls' brand of "girl power" on The Millennial 100, a list of 100 people, music, cultural touchstones and movements that have shaped the Millennial generation.
In her 2002 book Girl Heroes: The New Force in Popular Culture, Professor Susan Hopkins suggests a correlation between "girl power", Spice Girls, and female action heroes at the end of the 20th century.
The slogan has also been examined within the context of the academic field, for example Buffy studies. Media theorist Kathleen Rowe Karlyn in her article "Scream, Popular Culture, and Feminism's Third Wave: I'm Not My Mother" and Irene Karras in "The Third Wave's Final Girl: Buffy the Vampire Slayer" suggest a link with third-wave feminism. Frances Early and Kathleen Kennedy in the introduction to Athena’s Daughters: Television’s New Women Warriors, discuss what they describe as a link between girl power and a "new" image of women warriors in popular culture.
Oxford English Dictionary
A 2001 update to the Oxford English Dictionary defined "girl power" as:
Power exercised girls; spec. a self-reliant attitude among girls and young women manifested in ambition, assertiveness, and individualism. Although also used more widely (esp. as a slogan), the term has been particularly and repeatedly associated with popular music; most notably in the early 1990s with the briefly prominent "riot grrrl" movement in the United States (cf. RIOT GIRL n.); then, in the late 1990s, with the British all-female group The Spice Girls.
The dictionary further offers an example of this term by quoting from "Angel Delight", an article in the March 24, 2001 issue of Dreamwatch about the television series Dark Angel:
After the Sarah Connors and Ellen Ripleys of the 1980s, the 1990s weren't so kind to the superwoman format—Xena Warrior Princess excepted. But it's a new 2000 millennium now, and while Charlie's Angels and Crouching Tiger, Hidden Dragon are kicking up a storm on movie screens, it's been down to James Cameron to bring empowered female warriors back to television screens. And tellingly, Cameron has done it by mixing the sober feminism of his Terminator and Aliens characters with the sexed-up girl power of a Britney Spears concert. The result is Dark Angel.
Dr. Debbie Ging, Chair of the BA in Communications Studies in Dublin City University, was critical of the "Girl power" ideals, and linked it to the sexualisation of younger children, girls in particular. Amy McClure of North Carolina State University warns against placing too much hope on girl power as an empowering concept. She says, “An ideology based on consumerism can never be a revolutionary social movement. The fact that it appears to be a revolutionary movement is a dangerous lie that not only marketers sell to us but that we often happily sell to ourselves.” Media can sometimes present a narrow definition of what it means to be a girl today. One common example being popular toys such Mattel's Barbie. The recent “I can be” Barbie embodies this concept of “girl power”: that little girls can be anything they want when they grow up. Arguably, Barbie's image may also present narrowed options with which girls can identify. Hannah Jane Parkinson of The Guardian criticized the term as something "young women [that] are feeling more confident about calling themselves feminists and standing up for principles of equality" hide behind and denounced it for including the word "girl", claiming it promoted the calling of adult women as girls.
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