Porcupine Tree

Porcupine Tree
Porcupine Tree live at Arena, Poznań, Poland (28 November 2007).
Background information
Origin	Hemel Hempstead, Hertfordshire, England.
Genres	Progressive rock, britpop, progressive metal, psychedelic rock, alternative rock, space rock
Years active	1987–present
Labels	Delerium, Snapper, Lava, Transmission, Roadrunner, Atlantic, WHD, Peaceville, Kscope
Members	Steven Wilson Richard Barbieri Colin Edwin Gavin Harrison
Past members	Chris Maitland
Website	www.porcupinetree.com

Porcupine Tree are a rock band formed by Steven Wilson in 1987 in Hemel Hempstead, Hertfordshire, England. Their music is associated with both psychedelic rock and progressive rock, yet having been influenced by trance, krautrock and ambient due to Steven Wilson and Richard Barbieri's penchant for the Kosmische Musik scene of the early 1970s, led by bands such as Tangerine Dream, Neu! and Can. Since the early 2000s, their music has been leaning towards progressive metal and alternative rock.

The band is noted for its multimedia approach, with its live performances including screens displaying a different film projection to each song. This visual element was introduced during the tour for the In Absentia album, when the band started to work with Danish photographer and filmmaker Lasse Hoile. This involvement created a distinctive image for the band.

Despite being signed to both Roadrunner and Atlantic labels, the band has their own record label, Transmission, which they use to launch some independent releases and special editions of their albums. In 2007 the band was nominated for a Grammy Award for Best Surround Sound Album with their album Fear of a Blank Planet and then again in 2010 with The Incident.

Music Radar website placed them amongst "The 30 greatest live acts in the world today" (as of 2010), coming at number 4.

History

Origins (1987–1990)

Porcupine Tree originated in 1987 as a collaborative hoax project by Steven Wilson and Malcolm Stocks. Partially inspired by the psychedelic/progressive bands of the 1970s (such as Pink Floyd) that had dominated the music scene during their youth, the two decided to form a fictional legendary rock band named The Porcupine Tree. The two fabricated a detailed back-story including information on alleged band members and album titles, as well as a "colourful" history which purportedly included events such as a meeting at a 1970s rock festival and several trips in and out of prison. As soon as he had put aside enough money to buy his own studio equipment, Wilson obliged this creation with several hours of music to provide "evidence" of its existence. Although Stocks provided a few passages of treated vocals and experimental guitar playing, his role in the project was mostly as occasional ideas man, with the bulk of the material being written, recorded, played and sung by Wilson.

At this point, Porcupine Tree was little more than a joke and a private amusement, as Wilson was concentrating on his other project, No-Man (an endeavour with UK based singer and songwriter Tim Bowness). However, by 1989 he began to consider some of the Porcupine Tree music as potentially marketable. Wilson created an 80-minute-long cassette titled Tarquin's Seaweed Farm under the name of Porcupine Tree. Still showing the spirit of his joke, Wilson included an 8-page inlay which further revealed the hoaxed Porcupine Tree backstory, including references to fictitious band members such as Sir Tarquin Underspoon and Timothy Tadpole-Jones.

Wilson sent out copies of Tarquin's Seaweed Farm to several people he felt would be interested in the recordings. Nick Saloman (the cult UK guitarist better known as The Bevis Frond) had suggested that he send one to Richard Allen, a writer for the UK counter-cultural magazine Encyclopaedia Psychedelica and co-editor (with Ivor Trueman) of the UK psychedelic garage rock magazine Freakbeat. Allen reviewed the tape in both magazines. Whilst he disliked some of the material he gave much of it a positive review. Several months later Allen invited Wilson to contribute a track to the double LP A Psychedelic Psauna – In Four Parts that was being put together to launch the new Delerium label. Allen would also become the band's manager, press agent and promoter up until 2004, his role in marketing the band's image decreasing after The Sky Moves Sideways album. In the meantime Wilson had continued to work on new material. In 1990 he released The Love, Death & Mussolini E.P., issued in a very limited run of 10 copies. The EP remains an extremely rare, collectible piece. It was composed of nine at-the-time-unreleased tracks, as a preview for the upcoming second album. Later in 1990, Wilson released a second full-length Porcupine Tree cassette called The Nostalgia Factory, which further expanded Porcupine Tree's underground fanbase, although at this point the band was still carrying on the charade of being 1970s rock legends. By this point, Porcupine Tree was entirely a solo project, with Stocks having amicably moved on to other activities.

The Delerium years (1991–1997)

On the Sunday of Life...

Along with the A Psychedelic Psauna compilation, which featured the Porcupine Tree track "Linton Samuel Dawson" the newly formed Delerium label, formed by Freakbeat editors Richard Allen and Ivor Trueman offered to reissue the cassettes Tarquin's Seaweed Farm and The Nostalgia Factory. Two hundred copies of each cassette were sold through Freakbeat Magazine's mail order, The Freak Emporium, to the same audience that was buying the very popular tapes by Ozric Tentacles and soon Porcupine Tree became known as a mysterious new psychedelic/space rock act amongst fans of the then UK underground psychedelic music scene.

Shortly thereafter, Delerium invited Wilson to sign with as one of the label's founder artists and a double vinyl album and single CD compiling the best material from his two cassettes, was released in mid 1991 as On the Sunday of Life... a title that was chosen from a long list of possible nonsense titles compiled by Richard Allen. The rest of the music from the initial tapes was released on the limited edition, compilation album Yellow Hedgerow Dreamscape.

In 1992, Delerium released On the Sunday of Life... as an edition of 1,000 copies, complete with a deluxe gatefold sleeve. The album sold very well particularly in Italy and pressure from public and press alike ensured that it was briefly repressed on vinyl and has remained in print on CD ever since its release. The album featured future concert favourite and frequent encore song "Radioactive Toy". By 2000, On the Sunday of Life... had racked up sales of more than 20,000 copies.

Up the Downstair

In the midst of Porcupine Tree's rising success Wilson's other band, No-Man, had been getting excellent UK press, which led to the band being signed to One Little Indian Records, Hit & Run publishing in the UK and Epic 440/Sony in the US. No-Man's success gave Wilson the opportunity to leave his regular job and devote his time solely to music.

In May 1993 the second Porcupine Tree album, Up the Downstair, was released, another prospective double album that was finally slimmed down to a single record. "Voyage 34" was actually going to take up the second disc, but it was last decided to be released alone as a single.

The album was greeted with rapture, Melody Maker describing it as "a psychedelic masterpiece... one of the albums of the year." The album continued the fusion of dance and rock and also featured guest appearances from two future full-time Porcupine Tree members, Richard Barbieri (ex-1980s art rock band Japan) and Colin Edwin.

In November 1993, Voyage 34 was reissued alongside an additional 12 inch remix by Astralasia. The album managed to enter the NME indie chart for six weeks and became an underground chill-out classic, even without radio play.

The Sky Moves Sideways

The profile of Porcupine Tree had now grown to the extent that the question of live performances could no longer be ignored. Thus, in December 1993, Porcupine Tree became a live unit featuring Steven Wilson on lead vocals/guitar, Colin Edwin on bass guitar, Chris Maitland on drums and Richard Barbieri on keyboards.

All three new members of the group had worked with Steven on various projects over the preceding years (Richard Barbieri and Chris Maitland had been part of No-Man's touring band) and all were excellent musicians sympathetic to the sound and direction of Porcupine Tree. The new line up had immediate chemistry as illustrated by the Spiral Circus album (issued on vinyl in 1997) that contained recordings from their first three performances, including a BBC Radio One session for Mark Radcliffe, an early champion of the group and the bands very first performance at the Nags Head pub in High Wycombe (a legendary venue that saw performances by The Rolling Stones in the 1960s).

Porcupine Tree’s next album would not emerge until early 1995, but was preceded by the Moonloop E.P., the last two tracks of which were recorded during the album sessions and were the first to feature the new band. Released in 1995, the band's third studio album, The Sky Moves Sideways became a success among progressive rock fans and Porcupine Tree were hailed as the Pink Floyd of the nineties. Wilson would later lament this, stating, "I can't help that. It's true that during the period of The Sky Moves Sideways, I had done a little too much of it in the sense of satisfying, in a way, the fans of Pink Floyd who were listening to us because that group doesn't make albums any more. Moreover, I regret it."

The Sky Moves Sideways was an expansive soundscape of melody and ambient rock experimentation, but would prove to be a transitional work with half recorded before the formation of the band and half recorded after. Most of the album was taken up with the 35-minute title track, which at one point Steven had intended to be long enough to occupy the whole album (an alternate version of the track, containing some of the excised music, was included on the 2004 remastered version of the album). It also entered the NME, Melody Maker and Music Week charts. Together with the Moonloop EP, this album was the first Porcupine Tree music issued in America in the autumn of 1995, and attracted favourable press on both sides of the Atlantic. The band supported the album with numerous concerts throughout the year at major music venues in the UK, the Netherlands, Italy and Greece.

Signify

Partly unsatisfied with the half band/half solo nature of The Sky Moves Sideways, Porcupine Tree promptly got down to the task of recording the first proper band record. Wilson admitted he was always "in love with the idea of the rock band" because "bands have a kind of glamour, and appeal, and a romance about them the solo projects just don't have." The band worked sporadically over the next year on developing a tighter and more ambitious rock sound.

After the release of the first real Porcupine Tree single, "Waiting", which entered all UK indie charts and the UK National chart attracting airplay all over Europe, Signify finally saw the light in September 1996. The album was a mixture of instrumental tracks and more song-oriented tunes, blending numerous rock and avant-garde styles, whilst absorbing many diverse influences but relying on none and still providing a mixture of dreamy melodies and raw power or dark moods. The musicians received writing credits for some tracks, most notably for "Intermediate Jesus," which evolved from a jam session (parts of which would be released on the limited edition double 10 inch LP, Metanoia, at the end of 1998). A large amount of major European media interest accompanied the album's release, as Porcupine Tree had now become a highly respected force in the musical underground.

Steven Wilson at the Strawberry Fair, Cambridge, 1997. Wilson: "For me, tracks like "Every Home Is Wired" and "Dark Matter" totally transcend both genre and comparison. Finally, I think we are making a completely original and 1990s form of music, but which still has its root in progressive music."

Meanwhile the fanbase of the band kept on growing, especially in Italy where airplay on a popular radio show had turned the band into a teenagers' favourite, a remarkable crowd compared to the more progressive rock-oriented listeners elsewhere. In March 1997, they played three nights in Rome to an audience that surpassed 5,000 people. All three dates were recorded for use in the 1997 live album Coma Divine – Recorded Live in Rome that was released as a goodbye to Delerium Records, which felt it could no longer offer the kind of resources the band needed in order to continue to build its profile worldwide. In late 1997 Porcupine Tree's first three albums were remastered and reissued. Signify also saw a release in the US on Miles Copeland's Ark 21 label.

The Snapper years (1998–2001)

Stupid Dream

Wilson, Barbieri, Edwin, and Maitland spent all of 1998 recording their fifth studio album, a release that reflected the band's move towards a more song-oriented writing. Wilson acknowledged this time he was "much more interested in songwriting as an art form, as opposed to soundscape development" and commented he took influence from The Beach Boys' Pet Sounds, Todd Rundgren, Crosby, Stills, Nash & Young and "anything with really good ensemble singing." He also indicated that he was "interested in the idea of the pop song as a kind of experimental symphony."

The band recorded the album without a label, but signed with Snapper/K-Scope before releasing Stupid Dream, in March 1999. The album was supported by a tour of the United Kingdom, Italy, Greece, the Netherlands, Belgium, Switzerland, Germany, France, Poland, and the United States. The three singles taken from the album, "Piano Lessons", "Stranger by the Minute" and "Pure Narcotic", all achieved mainstream exposure in the US and in Europe and placed well in the UK independent charts and on radio station playlists. Although the album was a departure from their earlier sound, it brought the band new found popularity and went on to become the band's best-selling and most acclaimed release up to that time.

Lightbulb Sun

Completed for February 2000, with string arrangements provided by Dave Gregory of XTC, Porcupine Tree's sixth studio album Lightbulb Sun built on the mix of songwriting, soundscaping, and rock dynamics of Stupid Dream. The album was released in May 2000, preceded by the single "Four Chords That Made a Million." A sold out show at the Scala in London began a short run of UK shows, that were followed later in the year by European festival dates and a major tour supporting Dream Theater.

The band continued touring through the end of 2000 and start of 2001, including their first major tour of Germany. A special double CD edition of the Lightbulb Sun album was issued in Israel and Germany, and in May, Recordings, a limited edition collection of EP tracks and out-takes from the previous two albums, was released as the band's final release under their Snapper/K-Scope contract. In May 2001, Porcupine Tree did three consecutive dates as a support band to Marillion, in France, Germany and The Netherlands respectively. In June the band played a short US tour, starting with an appearance in the famous NEARfest of Pennsylvania to culminate in a sold out show at the Bottom Line in New York City. Shortly afterwards Porcupine Tree announced that they had signed a new international record deal with Lava/Atlantic Records.

The Lava years (2002–2005)

In Absentia

In February 2002 Porcupine Tree's first line-up change occurred when drummer Chris Maitland departed after eight years with the band. The band welcomed drummer and longtime acquaintance Gavin Harrison to the line-up. In March 2002 a box set of the band's early work was released, Stars Die: The Delerium Years 1991-1997, and the band commenced recording their first major label album, drawing from a pool of 30 new songs written by Wilson in the previous two years. Recording sessions took place at Avatar Studios in New York and London, with veteran audio engineer Paul Northfield and string arranger Dave Gregory also playing major roles in the making of the record. The album was mixed in Los Angeles in May with Tim Palmer.

The eagerly awaited new album, In Absentia, was released by Lava Records in September 2002. The band also released a 5.1 surround sound version of the album, mixed by Grammy Award winning producer Elliot Scheiner. The surround sound version of the album won the award for best 5.1 mix at the 2004 Surround Sound Music awards in Los Angeles.

To promote the album the band undertook four tours of Europe and North America, including one with acclaimed Swedish metal band Opeth. On tour, the new line up of the band was further augmented by additional touring vocalist/guitarist John Wesley. During these tours the visual element of the band's performance was taken to new heights with the involvement of filmmaker and photographer Lasse Hoile, who had created the cover art for In Absentia and now went on to create a dark and surreal visual counterpoint to Porcupine Tree's music. The long promotional campaign for In Absentia ended on 30 November 2003, as the band played a homecoming show to a sold out London Astoria.

During 2003 Porcupine Tree set up their own label, Transmission, with an online store hosted by Burning Shed record label. The first release on the Transmission label was a studio session recorded for XM Radio, Washington, D.C., followed in 2004 by a recording from Polish radio in 2001. The band plan to use the label to issue a series of well-recorded and packaged live and exclusive studio recordings. A reissue/remaster campaign also began in 2003, with many of the early albums expanded to double CDs. These reissues included re-recorded/remixed double CD versions of the Up the Downstair, The Sky Moves Sideways and Signify albums, and the reissue of Stupid Dream and Lightbulb Sun, both comprising a CD with a new stereo mix of the album plus a DVD-Audio with a 5.1 surround mix.

Deadwing

In early 2004 the band embarked on the recording sessions for an ambitious new record, Deadwing, their second for Lava/Atlantic. The album takes its inspiration from a film script written by Wilson with his filmmaker friend Mike Bennion. With the album sessions completed in November 2004, and the band's total worldwide sales now approaching half a million units, increasing media coverage spurred demand for new music from the band was to an all-time high.

Deadwing was released in Europe and the US during the spring of 2005 as both a stereo and 5.1 surround sound album, preceded by the release of two singles, "Shallow" in the US and "Lazarus" in Europe. The album benefited from guest appearances by Adrian Belew from King Crimson and Opeth's Mikael Åkerfeldt and was a commercial success, due in part to "Shallow" receiving airplay, peaking at number 26 in the Billboard's Hot Mainstream Rock Tracks. "Lazarus" entered the German singles Top 100 at number 91. The song "Shallow" was also featured in the soundtrack for the film Four Brothers.

The album won the Surround Music Awards for "Best Made-For-Surround Title" the same year of its release and was voted number two album of 2005 in Sound & Vision, the most widely distributed US magazine in the field of home electronics and entertainment. Porcupine Tree released Deadwing in Japan on 22 March 2006, making it the first album by the band to be released in that country.

The tour to promote the album commenced in the UK at the end of March and continued throughout the year. Mike Bennion created a Myspace page dedicated to the prospective Deadwing film, in which he posted the first fifteen pages of the script and included a trailer. However, whilst the scripts are finished, the project is still on hiatus due to lack of budget.

The Roadrunner years (2006–present)

Fear of a Blank Planet

Porcupine Tree announced in August 2006, the band had signed with Roadrunner Records UK. Wilson commented, "Roadrunner has established itself as one of the world's premier independent labels for rock music, and we couldn't be more enthusiastic about working with them to expand our audience and elevate Porcupine Tree to the next level."

The first Porcupine Tree concert DVD, Arriving Somewhere..., was released on 10 October 2006. It was accompanied by a brief tour in which the group performed 50 minutes of new material from the forthcoming studio album for the first half of the shows. Supporting acts included Swedish band Paatos in Europe and ProjeKCt Six in the United States.

The band announced the album’s title would be Fear of a Blank Planet in January 2007 and the album was released on 16 April 2007. The album charted in almost all European countries, peaking at number 59 on the Billboard 200. A 92-date tour for 2007 took the band to countries they had never performed in, such as Finland and Mexico. The tour included appearances in multiple music festivals such as the Voodoo Experience in New Orleans, the German twin-festivals, Hurricane and Southside, and the Download Festival of Donington Park. The band performed their first ever shows in Australia in 2008.

The lyrics of the album deal with some common behaviour tendencies concerning society (especially youth) in the beginning of the 21st century such as bipolar disorder, attention deficit disorder, drug abuse, alienation and depravation caused by mass media. The concept of the album was inspired by Bret Easton Ellis novel Lunar Park and the title alludes to Public Enemy's album, Fear of a Black Planet, both sharing the particularity of reflecting notorious conflicts affecting society in the world at some time. Wilson notes that whilst race relationship was the main issue among young people when Public Enemy's album was released, it was replaced in the 21st century by a general superficiality, boredom, and introversion. The album features contributions from Rush's Alex Lifeson and King Crimson's Robert Fripp.

Wilson: "My fear is that the current generation of kids who're being born into this information revolution, growing up with the Internet, cell phones, iPods, this download culture, 'American Idol,' reality TV, prescription drugs, PlayStations—all of these things kind of distract people from what's important about life, which is to develop a sense of curiosity about what's out there."

Richard Barbieri during a Porcupine Tree performance in Kraków, Poland, in 2007

On 5 November 2007, Fear of a Blank Planet won the "Album of the Year" award for the 2007 Classic Rock magazine awards. In December 2007, it was nominated for a Grammy Award for "Best Surround Sound Album" though Love by The Beatles won the award. In January 2008, the album was voted "Best Album of 2007" by readers of the Dutch Progressive Rock Page.

A new EP called Nil Recurring was released on 17 September 2007, featuring four unreleased tracks from the Fear of a Blank Planet sessions and including another contribution from Robert Fripp. The second leg of the tour started on 3 October 2007, now promoting new music from the EP. Nil Recurring entered the UK Top 30 Independent Label Albums at number 8. The EP was reissued in 18 February 2008 through Peaceville Records.

A recording from an 4 October 2007 in-store, mostly acoustic, performance at Park Avenue CDs in Orlando, Florida was released on 18 February 2008 on CD under the name of We Lost The Skyline. The title is a reference to the lyrics of "The Sky Moves Sideways (Phase One)," which was the opening song on the live set. The album was released on vinyl of 21 March 2008. While intended to be a full-band show, the lack of space in the store only allowed the two guitarists, Wilson and John Wesley, to play. On 17 June, the band announced on their website that a new live album titled Atlanta, recorded during the tour of Fear Of A Blank Planet at the Roxy theatre, Atlanta, on 29 October 2007, would be released in the near future. This album was released via online distribution only, without any class of physical format; all the sale proceeds were donated to Mick Karn for his treatment against cancer.

The Incident

The band played a short European tour in October 2008 to shoot their second live concert film, Anesthetize. The filming took place on 15 and 16 October in the Netherlands at the 013 Tilburg venue. During one of these shows, Wilson mentioned that Porcupine Tree had started work on material for their next album, with an eye toward a release in 2009. The live concert film on DVD and Blu-Ray were released on 20 May 2010.

The band started recording their tenth studio album—The Incident—in February 2009. This was confirmed by the band, posting this message on their official website: "Writing for the next PT studio record is well underway, with the band recently spending two weeks scheduled in the English countryside working on new tracks. Recording of these pieces and a new 35 minute SW song cycle were due to start in February..." Months later, Wilson commented the 35-minute song kept evolving and now it has become a 55-minute song, occupying the entire disc.

On 12 June 2009, details were revealed on the Porcupine Tree website, "the record is set to be released via Roadrunner Records worldwide on 21 September, as a double CD. The centre-piece is the title track, which takes up the whole of the first disc. The 55-minute work is described as a slightly surreal song cycle about beginnings and endings and the sense that ‘after this, things will never be the same again.’ The self-produced album is completed by four standalone compositions that developed out of band writing sessions last December – Flicker, Bonnie The Cat, Black Dahlia, and Remember Me Lover feature on a separate EP length disc to stress their independence from the song cycle."

Future plans

Wilson initially mentioned the possibility of the band getting back together to start work on a new album in early 2012, but later said that he would instead concentrate on a second leg of the tour for his second solo album, Grace for Drowning, followed by starting work on a third solo album.

Wilson said of the band's future, "I have no plans to make records with any of these projects at the moment. That goes for No-Man, Porcupine Tree, Blackfield, etcetera. That is not to say that it will not happen though, not at all." Wilson also expanded on this particularly about Porcupine Tree, stating "Obviously Porcupine Tree will get back together but I don’t know when. I think if we do a record together now we always try and raise the bar and sort of aim high and do something bigger and better than we’ve ever done before. So I couldn’t put a time scale on it. I don’t like working like, 'Oh, we’ve got to have an album on the market by September'...we’ll start making a record and eventually it will come out." Drummer Gavin Harrison agreed, stating a new album would eventually happen, but he wasn't sure of a timetable other than guessing they may start sometime in 2012, and release it some time in 2013.

In June 2012, Wilson re-emphasized his continued focus on his solo career, with his answer to the question "...is (there) a danger that Porcupine Tree might fall by the wayside?" being "The honest answer is I don’t know. The solo career for me now is probably the most important. I think about it more than anything else, I’m more focused on it than anything else, I enjoy it more than anything else..." While he still said that he still "want(s) to get Porcupine Tree back together at some point", he conceded that he isn't sure what direction he wants to take the band, only that he's tired of metal music."

On 3 August 2012, Kscope announced the release of a new Porcupine Tree live DVD titled Octane Twisted, recorded in a concert at the Riviera Theater, Chicago, on April 30, 2010. Its release date is scheduled for November 5, 2012.

Musical style

Influences

Much of the inherent musical background of Porcupine Tree goes back to Wilson's childhood, when his parents gave Christmas presents to each other. His father received Pink Floyd's The Dark Side of the Moon whilst his mother got Donna Summer's Love to Love You Baby, which Wilson assures, both played "in a continuous way". These albums would heavily influence his further songwriting (especially the Pink Floyd one). Other known influences are Karlheinz Stockhausen and Abba.

Later in his teens, Wilson briefly became a fan of the New Wave of British Heavy Metal, but as soon as he discovered Seventies music and progressive rock, his interest in metal diminished in favour of experimental music. He later (in the 2000s decade) discovered bands in the likes of Gojira, Sunn O))), Neurosis and Meshuggah, which restored his faith in metal music. "For a long time I couldn't find where all these creative musicians were going...", said Wilson, "and I found them, they were working in extreme metal." Shortly thereafter he went to produce three consecutive albums by Swedish progressive death metal band Opeth which had a considerable influence in his further songwriting.

There is also some noticeable influence from krautrock and electronic music since Wilson likes bands such as Can, Neu!, Tangerine Dream, Squarepusher, Aphex Twin and artists like Klaus Schulze and Conrad Schnitzler among others. More contemporary influences cited include: Muse, The Mars Volta, Radiohead and Sigur Rós. Wilson has also mentioned on multiple occasions that he also admires the work of American musician Trent Reznor, the sole official member of Nine Inch Nails.

Steven Wilson at Arena, Poznań, Poland, on 28 November 2007.

Characteristics

The music of Porcupine Tree is often described as melancholic by many people, even though it is not necessarily linked to Steven Wilson's personality. He states music is a way for him to channel all his negative feelings, and "an exorcism of those elements within", finding it "easier to write songs about the negative side of the world than it is about the happy side of the world." In the Warszawa live radio broadcast album, before performing "Stop Swimming", Wilson can be heard saying "the saddest music is often the most beautiful."

Porcupine Tree is notable for being an album-oriented band, making very conceptual records where many songs are related to each other. Even so, each Porcupine Tree song has a distinguishable personality. Wilson explains:

"The important thing with Porcupine Tree is that all our songs have a unique sound world that they inhabit. I don't like the idea of any song sounding like any other song. So most of the time it's a case of finding the sound world first whether it be a texture or a drum rhythm that sets you off on a certain musical path, or particular musical atmosphere, or flavour."

For their recordings the band has included mellotron, banjo, hammered dulcimer and guimbri among other instruments unusual for rock bands.

Above all, Porcupine Tree music has maintained a strong textural and experimental quality, often fusing many genres in a single track. The band's work is noted for its atmospheric nature (strongly helped by Barbieri's keyboard style and sound-processing abilities) and cinematic scope (Wilson is a declared fan of American filmmaker David Lynch, whose films are renowned for their sonic content). "Very layered, very produced, very arranged and [with] complex arrangements" is the way Wilson describes the sound of the band. Apart from their regular edition, the albums Stupid Dream, Lightbulb Sun, In Absentia, Deadwing, Fear of a Blank Planet and The Incident are available in DTS (5.1 Surround Sound) mix; this mixing technique has become a tradition for the band in recent years.

Genre discord

Porcupine Tree are often categorised as a progressive rock band. Although many listeners familiar with the group label them as such, Steven Wilson has been noted in the past to express a certain dislike for the use of the term "progressive" to refer to them. However, more recently, he made note that he has since become more relaxed toward the word considering it is becoming "a much broader term" as time passes. He has frequently stated that he dislikes the press comparing Porcupine Tree with neo prog bands or citing them as 'the New Pink Floyd'. "For me that is so insulting", commented Wilson in an interview with The Dutch Progressive Rock Page, "because it insinuates that you are living in the shadow of some other band. I particularly never wanted to be the new anybody, I just wanted to be the old Porcupine Tree, or the new Porcupine Tree."

Band members

Current members

• Steven Wilson – vocals, lead guitars, piano, synthesisers, hammer dulcimer, banjo, sampler, various instruments (1987–present)
• Richard Barbieri – keyboards, synthesisers, piano and sound processing (1993–present)
• Colin Edwin – bass guitar, double bass (1993–present)
• Gavin Harrison – drums and percussion (2002–present)

Touring members

• John Wesley – rhythm guitar, backing vocals (2002–present)

Former members

• Chris Maitland – drums, backing vocals (1993–2002)

Guest musicians

• Theo Travis – flute, saxophone (1995, 1999)
• Stuart Gordon – violin (2000)
• Nick Parry – cello (2000)
• Aviv Geffen – vocals (2002)
• Mikael Åkerfeldt – guitar, backing vocals (2005)
• Adrian Belew – guitar (2005)
• Alex Lifeson – guitar (2007)
• Robert Fripp – guitar, soundscapes (2007)
• John Wesley – vocals (2002, 2007), additional guitar (2002)
• Ben Coleman – violin (2007)
• Rick Edwards – percussion (1995)
• Suzanne Barbieri – vocals (1993, 1995)

Discography

Main article: Porcupine Tree discography

Studio albums

• On the Sunday of Life... (1991)
• Up the Downstair (1993)
• The Sky Moves Sideways (1995)
• Signify (1996)
• Stupid Dream (1999)
• Lightbulb Sun (2000)
• In Absentia (2002)
• Deadwing (2005)
• Fear of a Blank Planet (2007)
• The Incident (2009)

See also

• Lasse Hoile

External links

• Porcupine Tree official website
• Porcupine Tree Magazine
• Porcupine Tree at last.fm
• "Interview with Steven Wilson," Quiddity International Literay Journal and Public-Radio Program, December 2009
• Live Review: Porcupine Tree w/ Sleep Parade @ The Tivoli, Brisbane Australia at LifeMusicMedia.com
• Porcupine Tree at Curlie
• The Seaweed Farm – Porcupine Tree / Steven Wilson related news