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Ringo Starr

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Ringo Starr

Richard Starkey, MBE (born 7 July 1940), better known by his stage name Ringo Starr, is an English musician, singer-songwriter, and actor who gained worldwide fame as the drummer for the rock group The Beatles. When the band formed in 1960, Starr belonged to another Liverpool band, Rory Storm and the Hurricanes. He became The Beatles' drummer in 1962, taking over from Pete Best. In addition to his contribution as drummer, Starr featured as lead singer on a number of successful Beatles songs (in particular, "With a Little Help from My Friends" , "Yellow Submarine","Good Night") and as songwriter with the songs "Don't Pass Me By", "Octopus's Garden", and in collaboration with the other members, the songs "What Goes On", "Flying", and "Dig It".

As drummer for The Beatles, Starr was musically creative, and his contribution to the band's music has received high praise from notable drummers in more recent times. Starr described himself as "your basic offbeat drummer with funny fills", technically limited by being a left-handed person playing a right-handed kit.[1] Drummer Steve Smith said that Starr's popularity "brought forth a new paradigm" where "we started to see the drummer as an equal participant in the compositional aspect" and that Starr "composed unique, stylistic drum parts for The Beatles songs".[2]

Starr is the most documented and critically acclaimed actor of The Beatles, playing the central character in several Beatles films, and has appeared in numerous other films both during and after his time with The Beatles. After The Beatles' break-up in 1970, Starr achieved commercial success with a number of solo singles and albums, and continued occasional work with each of his fellow ex-Beatles as they too developed their post-Beatles musical careers. He has also featured in a number of TV documentaries, hosted TV shows, and acted as the narrator for the children's TV series Thomas the Tank Engine & Friends. He now tours with Ringo Starr & His All-Starr Band.

Early years

Ringo Starr was born Richard Starkey to Richard and Elsie Starkey (née Gleave),[3] at 9 Madryn Street, Dingle, Liverpool, England[4][5][6] His parents split up when he was three years old,[7] and his mother subsequently married Harry Graves,[8] who encouraged his interest in music.[7][8][9] Starr was afflicted by illness for much of his childhood. When aged six, he contracted appendicitis, which developed complications, causing him to fall into a coma.[10] At thirteen, he developed chronic pleurisy and was admitted to a sanatorium for two years.[11] After this extended hospital visit he did not return to school.[8][12] The periods of hospitalization left him behind scholastically, and as a result he was ineligible to attend grammar school or even sit its Eleven plus qualifying examination.[13] Starr went to Dingle Vale Secondary Modern School, leaving in 1955. Whilst there, he showed an aptitude for art and drama as well as practical subjects including mechanics.[13] Starr's health problems had another enduring effect in the form of allergies and sensitivities to food, and when The Beatles travelled to India in 1968, he took his own food with him.[14]

Like John Lennon, Paul McCartney and George Harrison, Starr became caught up in Liverpool's skiffle craze.[15] In 1957, he and his friend Eddie Miles formed The Eddie Clayton Skiffle Group.[16] In 1959, he joined the Raving Texans,[17] now adopting the stage name "Ringo Starr" because of the rings he wore[18] and because it sounded "cowboyish", and his drum solos were billed as "Starr Time".[19] By October 1960 the band was renamed Rory Storm and the Hurricanes, and while they were performing in Hamburg, Starr met The Beatles.[20][21] After returning to the UK, he sat in for Pete Best as The Beatles' drummer on several occasions,[22] and when The Beatles removed Best as their drummer on 16 August 1962, Starr was their choice to replace him.[23] Best's fans were upset, holding vigils outside Best's house and fighting at The Cavern Club, shouting 'Pete forever! Ringo never!'[24]

The Beatles: 1962–1970

Four greyscale images of young men with "mop-top" haircuts, separated by a white border. John Lennon (top left) is looking towards the left of the frame (his right), with exposed teeth. Paul McCartney (top right) is facing forward with an opened mouth. George Harrison (bottom left) has his right arm raised and his tongue stuck out slightly as if licking his lips. Ringo Starr's teeth are visible, and his left eye is closed as if winking. All four are dressed in white shirts, black ties, and dark coats.
Ringo Starr (bottom right) with John Lennon (top left), Paul McCartney (top right) and George Harrison (bottom left), arriving in New York City in 1964

Vocals

Starr had his first gig with The Beatles on 13 March 1961 and became their drummer in 1962.[25] He generally sang at least one song on each studio album as part of an attempt to establish the vocal personality of all four members. In some cases, Lennon or McCartney wrote the lyrics and melody especially for him, as they did for "Yellow Submarine" from Revolver (1966)[citation needed] and "With a Little Help from My Friends" on Sgt. Pepper.[26] These melodies were tailored to Starr's baritone vocal range. Starr's backing vocals are heard on songs such as "All Together Now",[citation needed] "Carry That Weight",[27] and "The Continuing Story of Bungalow Bill".[28]

Composition

The Beatles used Starr's unusual turns of phrase, or "Ringoisms" as they became known, such as "a hard day's night" and "tomorrow never knows", and turned them into songs.[29] Recalling this, McCartney said, "Ringo would do these little malapropisms, he would say things slightly wrong, like people do, but his were always wonderful, very lyrical... they were sort of magic...".[30] As well as inspiring his bandmates' creativity in this way, Starr occasionally contributed his own lyrics to unfinished Lennon and McCartney songs, such as the line "darning his socks in the night when there's nobody there" in "Eleanor Rigby".[31] Frustrated at times of being the odd man out in the group in regard to songwriting, Starr commented in The Beatles Anthology that when he presented a song to The Beatles, it would often sound to the other three Beatles like a popular song of the day. Starr did eventually begin composing, and is credited with "Don't Pass Me By" (on The White Album)[32][33] and "Octopus's Garden" (on Abbey Road)[34][35] as sole songwriter.

His disgust with the band's tensions and boredom at waiting around to contribute during the sessions for the White Album caused him to quit the group temporarily. He spent two weeks with actor Peter Sellers on the latter's yacht, Amelfis, in Piraeus, where he wrote "Octopus's Garden".[36][37] He did not return for two weeks, even though the other Beatles urged him to come back: Lennon sent telegrams, and Harrison set up flowers all over the studio for Starr's return saying "Welcome home".[38] Starr's name also appears as a co-writer for the Rubber Soul track "What Goes On" along with Lennon and McCartney,[39] while the songs "Flying" (on the Magical Mystery Tour album)[40] and "Dig It" (on Let It Be)[41] are listed as being written by the entire group. On issued material after the break-up, Starr wrote "Taking a Trip to Carolina" from the second "bonus" disc of Let It Be... Naked, and received joint songwriting credits with the other three Beatles for "12-Bar Original", "Los Paranoias", "Christmas Time (Is Here Again)", "Suzy Parker" (heard in the Let It Be film), "Jessie's Dream" (heard in the Magical Mystery Tour film) and The Beatles' version of "Free as a Bird."

Drumming ability and appreciation

While Starr himself has been the first to acknowledge the technical limitations of his drumming for The Beatles, the overall effect of his contribution has received high praise from notable drummers. Starr said, "Whenever I hear another drummer I know I'm no good. I'm no good on the technical things [...] I'm your basic offbeat drummer with funny fills. The fills were funny because I'm really left-handed playing a right-handed kit. I can't roll around the drums because of that."[1] George Martin's version was, "Ringo hit good and hard and used the tom-tom well, even though he couldn't do a roll to save his life", although Martin later added, "He's got tremendous feel. He always helped us to hit the right tempo for a song, and gave it that support—that rock-solid back-beat—that made the recording of all The Beatles' songs that much easier."[1] Lennon, asked if Starr was the best drummer in the world, jokingly replied, "He's not even the best drummer in The Beatles!",[42] but also said, "Ringo's a damn good drummer. He always was a good drummer. He's not technically good, but I think Ringo's drumming is underrated the same way as Paul's bass playing is underrated."[1] McCartney sent Starr a postcard on 31 January 1969 (the day after the band's performance on the roof of Apple Studios) stating: 'You are the greatest drummer in the world. Really.' This postcard is included in Starr's book Postcards From The Boys.[43]

Drummer Steve Smith extolled Starr's qualities beyond the technical, in terms of his musical contribution as drummer:

Before Ringo, drum stars were measured by their soloing ability and virtuosity. Ringo's popularity brought forth a new paradigm in how the public saw drummers. We started to see the drummer as an equal participant in the compositional aspect. One of Ringo's great qualities was that he composed unique, stylistic drum parts for The Beatles songs. His parts are so signature to the songs that you can listen to a Ringo drum part without the rest of the music and still identify the song.[2]

Phil Collins, the drummer for Genesis, who was himself influenced by Starr, said:

Starr is vastly underrated. The drum fills on the song "A Day in the Life" are very complex things. You could take a great drummer today and say, 'I want it like that.' He wouldn't know what to do."[44][45]

Many drummers acknowledge Starr as an influence, including Dave Grohl of Nirvana/Foo Fighters, Orri Páll Dýrason of Sigur Rós,[46] Max Weinberg of the E Street Band, Danny Carey of Tool, Liberty DeVitto of Billy Joel's band, Nicko McBrain of Iron Maiden, Eric Carr of Kiss, Phil Rudd of AC/DC, Phil Collins, Mike Portnoy from Dream Theater, Pedro Andreu of Heroes del Silencio and others.[45]

In his extensive survey of The Beatles' recording sessions, Mark Lewisohn confirmed that Starr was both proficient and remarkably reliable and consistent. According to Lewisohn, there were fewer than a dozen occasions in The Beatles' eight-year recording career where session 'breakdowns' were caused by Starr making a mistake, while the vast majority of takes were stopped owing to mistakes by the other three members.[45] Starr is considered to have influenced various modern drumming techniques, such as the matched grip, placing the drums on high risers for visibility as part of the band, tuning the drums lower, and using muffling devices on tonal rings.[2]

Starr drummed on all but five of the band's released tracks that feature drumming. For the band's second recording session with Starr as a member on 11 September 1962, producer George Martin replaced the studio-inexperienced Starr with session drummer Andy White to record takes for what would be the two sides of The Beatles' first single, "Love Me Do" backed with "P.S. I Love You".[47] Starr played tambourine on "Love Me Do" and maracas on "P.S. I Love You" for this session.[48] McCartney took over the drums on "Back in the U.S.S.R." and "Dear Prudence" from the White Album (1968) after Starr had walked out,[49] and also played the drums on "Ballad of John and Yoko", recorded on 14 April 1969, since only he and Lennon were immediately available to record the song.[50] Starr commented that he was lucky in being "surrounded by three frustrated drummers" who could only drum in one style.[51]

After The Beatles: 1970 to present

1970s

After the announcement of the breakup of The Beatles on 10 April 1970, Starr released two albums before the end of that year. Sentimental Journey featured Starr's renditions of many pre-rock standards and included the arranger talents of Quincy Jones, Maurice Gibb, George Martin and McCartney, among others. His next album, Beaucoups of Blues, put Starr in a country context, and included renowned Nashville session musician Pete Drake. He scored hit singles with "It Don't Come Easy" (1971) and "Back Off Boogaloo" (1972), the latter of which was his biggest UK hit, peaking at #2. He achieved two #1 hits in the US, with "Photograph" (co-written with Harrison) and "You're Sixteen" (written by the Sherman Brothers of Mary Poppins fame).

He participated in The Concert for Bangladesh organized by Harrison in 1971, as well as drumming on Harrison's All Things Must Pass and Living in the Material World, Lennon's John Lennon/Plastic Ono Band, and Yoko Ono's early solo work. Starr then made his debut as a film director with the T. Rex documentary Born to Boogie. Starr became firm friends with T. Rex frontman Marc Bolan and during the period of filming the documentary, Starr released the single "Back Off Boogaloo".[52]

In 1971, he started a furniture company with designer Robin Cruikshank. Starr's own avant-garde designs included a flower-shaped table with adjustable petal seats and a donut-shaped fireplace.[53]

The 1973 album Ringo, produced by Richard Perry, with participation by the other three former Beatles on different tracks, was commercially successful. The album Goodnight Vienna followed the next year and was also successful. Hits and notable tracks from these two albums included "Photograph" and "You're Sixteen" both reaching number one on the US charts, and "I'm The Greatest" (written by Lennon) from Ringo, and "Only You (And You Alone)" and "No No Song" from Goodnight Vienna. In late 1975 these singles and others were collected for Starr's first greatest hits compilation, Blast from Your Past, which was the last album to be released on Apple Records.[54] During this period he became romantically involved with Lynsey de Paul.[55] He played tambourine on a song she wrote and produced for Vera Lynn, "Don't You Remember When", and he inspired another De Paul song, "If I Don't Get You The Next One Will", which she described as being about revenge after he missed a dinner appointment with her because he was asleep in his office.[55]

Starr's recording career subsequently diminished in commercial impact, although he continued to record and remained a familiar celebrity presence. Starr signed with Atlantic Records in the mid-1970s, and in 1976 the album Ringo's Rotogravure was released. Although yielding a minor hit single, the album achieved only moderate sales. This caused the label to revamp Starr's formula; the results were a curious blend of disco and '70s pop. The album Ringo the 4th (1977) was a commercial disaster, and Starr soon signed with Portrait Records. His stint with Portrait began on a promising note: 1978 saw the release of Bad Boy, as well as a network TV special. Neither were very popular, and Starr did not release another album with Portrait.[56]

In 1975, Starr founded his own record label called Ring O'Records, and four albums were released on the label between 1975 and 1978 (Startling Music by David Hentschel, Graham Bonnet by Graham Bonnet, Restless by Rab Noakes and a re-release of an Apple Records album, The Whale by John Tavener) as well as 16 singles by artists such as: Bobby Keys, Carl Grossman, Colonel Doug Bogie, David Hentschel, Graham Bonnet, Suzanne, Johnny Warman, Stormer, Rab Noakes and Dirk & Stig (the last being names of characters from The Beatles pastiche band "the Rutles", created by Eric Idle and Neil Innes).[57]

1980s

In 1980, Harrison wrote "All Those Years Ago" for Starr to sing on his album Can't Fight Lightning which was later released as Stop and Smell the Roses. Harrison sang a rewritten version himself, including it on his 1981 album Somewhere in England following Lennon's murder. Starr, along with Paul and Linda McCartney, played on Harrison's version. Ronnie Wood from The Rolling Stones also collaborated with Starr while recording Stop and Smell the Roses, at Cherokee Studios, adding guitar, bass, saxophone, keyboards, and back-up vocals. Starr was interviewed by Rolling Stone and Musician around this time. Stop and Smell the Roses was a well regarded album, but again did not sell particularly well. During recording of "Stop and Smell the Roses", Lennon had offered Starr a pair of songs to use on Roses: "Nobody Told Me" and "Life Begins at 40". However, following the murder, Starr did not feel comfortable recording them; the former was released posthumously under Lennon's name on the album Milk and Honey, while the latter's painfully ironic lyrics kept it unissued until 1998's John Lennon Anthology.

After Lennon was murdered in 1980, Starr and his girlfriend Barbara Bach flew to New York City to comfort Lennon's widow Yoko Ono.[58]

In 1984 and 1986, Starr narrated the children's series Thomas the Tank Engine & Friends, a Britt Allcroft production, which was first shown on Central Television and subsequently across the ITV network. He was unsure about taking the role at first, having never previously read the books by Reverend Awdry, and at the time he felt that children would be more interested in "dinosaurs with lasers." Nevertheless, he had a change of heart and took the role, narrating the first two series. Starr also portrayed the character Mr. Conductor in the program's American spin-off Shining Time Station, which debuted in 1989 on PBS. Starr left after the first season.

In 1985, he performed, with his son Zak Starkey, as part of Artists United Against Apartheid on the recording Sun City.

In 1987, Starr drummed on the George Harrison song "When We Was Fab" from his album Cloud Nine. The song, co-written by Harrison and Jeff Lynne, charted in the Top 30 in both the UK and the USA.

In October 1988, Starr and Bach attended a detox clinic in Tucson, Arizona, each receiving a six-week treatment for alcoholism.[59] Starr later complained that it had been difficult to recover with the "press flying overhead" on a constant basis.[60] In July 1989, 'Ringo Starr & His All-Starr Band' gave their first performance, to an audience of ten thousand, in Dallas, Texas.[61] The band consisted of Starr and a varying assortment of musicians who had been successful in their own right with popular songs at different times.[62] The concerts interchanged Starr's singing, including selections of his Beatles and solo songs, with performances of each of the other artists' well-known material, the latter incorporating either Starr or another musician as drummer.[62] The eighth All-Starr Band tour took place in 2003.[63]

1990s

In 1990, Starr recorded a version of the song "I Call Your Name" for a television special marking the 10th anniversary of John Lennon's death and the 50th anniversary of his birth. The track, produced by Jeff Lynne, features a supergroup composed of Lynne, Tom Petty, Joe Walsh & Jim Keltner.[64]

The success of the initial All-Starr tour[65] led to Starr releasing his first album in nine years, 1992's Time Takes Time. The album was produced by four of the top producers in music: Phil Ramone, Don Was, Jeff Lynne and Peter Asher, and featured guest appearances by various stars including Brian Wilson and Harry Nilsson.

In 1997, Starr guested on drums on two songs on the McCartney album Flaming Pie. McCartney had written a song about Starr's ex-wife Maureen Starkey ("Little Willow")[66] and asked Starr if he'd play on another ("Beautiful Night"). The day after the "Beautiful Night" session, the two recorded a jam session which developed into another Flaming Pie song, "Really Love You", notable for being the first song ever credited to McCartney/Starkey and officially released on an album.[67]

In 1998, he released two albums on the Mercury label. The studio album Vertical Man marked the beginning of a nine-year "partnership" with Mark Hudson, who produced the album and, with his band The Roundheads, formed the core of the backing group for the album. In addition, many "famous guests" joined on various tracks, including Martin, McCartney, and—in his final appearance on a Starr album before his death—Harrison. Most of the songs were written by Starr and the band. The Roundheads and Joe Walsh joined Starr for his appearance on VH1 Storytellers, which was released as an album under the same name. On the show, he performed greatest hits and new songs, and told anecdotes relating to them.[68]

2000s

Starr is on stage with two guitarists and two microphones. He is wearing sunglasses and a black and silver t-shirt, and both of his arms are raised. His right arm forms a V-shaped peace symbol.
Starr on stage in New York City in 2005

In 2002 Starr was inducted into the Percussive Arts Society Hall of Fame joining the elite group of percussive inductees, which includes Buddy Rich and William F. Ludwig, Sr. and his son.

On 29 November 2002, Starr performed "Photograph" and a cover of Carl Perkins' "Honey Don't" at the Concert for George held in the Royal Albert Hall, London, on the first anniversary of Harrison's death. According to the official Concert for George website, "Ringo Starr caught everyone with a tear in their eye with a rendition of 'Photograph', a composition he wrote with George, which seemed to sum up how everyone felt." The song includes the lines, "Every time I see your face / it reminds me of the places we used to go / But all I've got is a photograph / and I realize you're not coming back anymore".

In 2003, Starr formed Pumkinhead Records with All-Starr Band member Mark Hudson.[69] The label was not prolific, but their first signing was Liam Lynch, who produced a 2003 LP entitled Fake Songs.

In September 2005, Liverpool City Council decided they would bulldoze 9 Madryn Street, Starr's birthplace, as it had 'no historical significance',[70] despite a previous reprieve back in July.[71] The LCC later announced that the building would be taken apart brick by brick and preserved after all.[72] As of November 2007 the LCC did not yet have planning permission for their demolition plans.[73]

In 2006, Starr featured on the Jerry Lee Lewis duet album, Last Man Standing; he performed a cover, with Lewis, of Chuck Berry's "Sweet Little Sixteen".[74]

In the 24 December 2007 issue of Time (European edition), Starr was profiled in a three-page article focusing on his happiness in life and his music. The article mentioned the Liverpool 8 album, but only briefly. It also stated that Starr and Dave Stewart are collaborating on writing a musical, to be called The Hole in the Fence, and discussed Starr's then-upcoming performance in Liverpool on 11 January 2008.[75]

In January 2008, the studio album Liverpool 8, produced by Dave Stewart, Mark Hudson and Starr himself, was released. Mark Hudson was the initial producer of the record but was replaced by Stewart after a falling out with Starr. (The album's production credits read, "Produced by Ringo Starr and Mark Hudson; Re-Produced by Ringo Starr and David Stewart." All of the songs but one were written with members of the Roundheads, although Stewart also has several co-writing credits). Starr's attorney Bruce Grakal told journalist Peter Palmiere that the partnership between Hudson and Starr was over and they would never work together again. This happened after Hudson dropped out of the 2006 tour as musical director to do the TV show "The One: Making A Music Star". According to Palmiere, Hudson now claims that the split was over Starr's insistence on using synthesized sounds, for which Stewart is known, whereas Hudson wanted real guitars, pianos, strings etc.[76]

In October 2008, Starr posted a video on his website stating that he will not be signing autographs after 20 October 2008. He stated that he is too busy and that anything after that date sent to any address will not be signed.[77]

On 4 April 2009, Starr reunited with McCartney at the David Lynch "Change Begins Within" Benefit Concert at Radio City Music Hall. After separate performances from Starr and other artists, McCartney's set came last, and towards the end he announced "Billy Shears", whereupon Starr joined him to perform With a Little Help From My Friends and, with all performers, I Saw Her Standing There and "Cosmically Conscious".[78] In late May of 2009, it was announced that Ringo will collaberate with Bob Dylan and Paul McCartney to record some new tracks to record an enitre album. [79][80][81] Starr appeared on-stage at Microsoft's 1 June 2009 E3 press conference with Yoko Ono, McCartney and Olivia Harrison to promote the upcoming The Beatles: Rock Band video game.[82]

Starr remains the only Beatle not to top the UK singles charts as a solo artist, although he did chart two number one singles in the US. He is also the only Beatle not to top the UK album listings, his highest position being #7, achieved in the UK with both Sentimental Journey and Ringo; the latter reached #2 in the US charts, giving Starr his highest album position there.

Personal life

Starr married Maureen Cox in February 1965,[83] and they had three children Zak (b. 13 September 1965), Jason (b. 19 August 1967), and Lee (b. 17 November 1970); the couple divorced in 1975,[84] and Cox died in 1994.[85] In 1980, on the set of the film Caveman, he met actress Barbara Bach,[86] who played the role of Major Anya Amasova (female lead and main 'Bond girl') in The Spy Who Loved Me. They were married on 27 April 1981, just a few weeks after the release of Caveman.[87]

His son, Zak Starkey, is a prolific drummer, who until August 2008 was a semi-official member and drummer in Oasis—one of the many bands influenced by The Beatles. Starr arranged for Zak to receive drumming instruction from Zak's idol, The Who's late drummer Keith Moon, who was Zak's godfather and a close friend of Starr's.[88] Zak also performs with The Who live and sometimes in studio. In 1985, Starr was the first of The Beatles to become a grandfather upon the birth of Zak's daughter, Tatia Jayne Starkey.[89] Zak has performed with his father during All-Starr tours.[90]

Like fellow ex-Beatle McCartney, Starr is a vegetarian,[91][92] and was left-handed until he became ambidextrous when, during his childhood, his grandmother helped him learn to write with his right hand, as Starr mentioned in the 24 December 2007 issue of Time. Unlike McCartney, who is vegetarian for ethical reasons, Starr is vegetarian because of stomach problems he had in the past.[92]

Films

Aside from The Beatles films (A Hard Day's Night (1964), Help! (1965), Magical Mystery Tour (1967), Let It Be (1970)), Starr has acted in several films such as Candy (1968), The Magic Christian (1969) (alongside Peter Sellers), Blindman (1971), Son of Dracula (1974) and Caveman (1981). For the 1979 documentary film on the Who, The Kids Are Alright, Starr appeared in interview segments with fellow drummer Keith Moon. He starred as Larry the Dwarf in Frank Zappa's 200 Motels (1971). His voice is also featured in Harry Nilsson's animated film The Point! (1971). He appeared in The Last Waltz, the Martin Scorsese film about the 1976 farewell concert of The Band, a favourite of The Beatles. He co-starred in That'll Be the Day (1973) as a Teddy Boy.[93] He played 'The Pope' in Ken Russell's Lisztomania (1975),[94] and a fictionalized version of himself in the Paul McCartney penned Give My Regards to Broad Street in 1984.[95]

Possibility of knighthood

In December 2006, Times columnist Daniel Finkelstein campaigned for Starr to receive the same honour as his fellow ex-Beatle Paul McCartney by being knighted.[96] Finkelstein's petition to the Prime Minister, given press coverage by The Sun[97] newspaper and the Canadian National Post,[98] attracted 1,887 signatures before its deadline of 13 February 2007.[99] Starr himself has clearly stated both that he does not particularly support the Royal Family ("I think it should end with this queen. I think we can have the pageant without...them. I think they should have built a hospital in the name of the Queen Mum, but they didn’t, they just decided not to pay taxes and keep their money."[100]), and that he is not personally interested in being knighted:

Interviewer: At the end of the song Elizabeth Reigns—which is a balanced view of the queen and company—you say, “Well, there goes me knighthood”.
Starr: There goes me knighthood—yes, I think it has gone, well and truly...
Interviewer: Does that bother you at all?
Starr: No, I don’t want to be a Sir. I want to be a duke or a prince. If they come through with that, I’ll consider it.[101]

Awards and recognition

In the Queen's Birthday Honours of 12 June 1965, Starr and the three other Beatles were appointed Members of the Order of the British Empire (MBE);[102] they received their insignia from Queen Elizabeth II at an investiture at Buckingham Palace on 26 October. He and the other Beatles were cumulatively nominated for a BAFTA Award for Best Newcomer for their performances in the 1964 film A Hard Day's Night. The Beatles won the Academy Award for 'Best Original Song Score' for the 1970 film Let It Be. Each Beatle received an Oscar statuette.

The minor planet 4150 Starr, discovered on 31 August 1984 by Brian A. Skiff at the Anderson Mesa Station of the Lowell Observatory, was named in his honour.[103] Starr was nominated for a 1989 Daytime Emmy Award for 'Outstanding Performer in a Children's Series' for his role as Mr. Conductor in the television series Shining Time Station.

All four of The Beatles were elected to the Rock and Roll Hall of Fame when the group was inducted in 1988.[104] Since then, Lennon (1994), McCartney (1999), and Harrison (2004) have been inducted for their solo careers as well. Starr remains the only Beatle not to be inducted into the Rock and Roll Hall of Fame for his solo career. However, it was announced on 5 September 2007 that Starr will be on the ballot for membership in the Rock and Roll Hall of Fame as a solo artist.[105]

During the 50th Grammy Awards, Starr, George Martin and Giles Martin accepted the Best Compilation Soundtrack award for Love.

On 9 November 2008, Starr accepted a Diamond Award on behalf of The Beatles during the 2008 World Music Awards ceremony in Monaco.

In 2010 Starr will be honored with a star on the Hollywood Walk of Fame by the Hollywood Chamber of Commerce.[106]

Discography

Studio albums

Filmography

All-Starr Band editions

For a detailed list of bands and members, see: Ringo Starr & His All-Starr Band

To date, Starr has toured with ten versions of his All-Starr Band, where "everybody on stage is a star in their own right."[107] The band has consistently toured for over a decade, and, in similar fashion to Bill Wyman's Rhythm Kings, rotates its lineup depending on the musicians' projects at a given time.

Notes

  1. ^ a b c d Harry (2004) p44
  2. ^ a b c "PAS Hall of Fame, Ringo Starr".
  3. ^ "Ringo Starr". NNDB. Soylent Communications. Retrieved 18 January 2009.
  4. ^ "Ringo Starr". The Beatles Story. Retrieved 18 February 2009.
  5. ^ "icLiverpool — Residents vote to bulldoze Ringo Starr's childhood home". Daily Post. 8 February 2005. Retrieved 8 November 2008.
  6. ^ "Beatle Birthplaces". Music.indiana.edu. Retrieved 8 November 2008.
  7. ^ a b The Beatles (2000) p33
  8. ^ a b c The Beatles (2000) pp33–35
  9. ^ Spitz (2005) pp339–340
  10. ^ "Ringo Starr". The Biography Channel. Retrieved 18 February 2009. {{cite web}}: Check date values in: |date= (help)
  11. ^ "Ringo Starr Biography". Musician Guide. Retrieved 18 February 2009.
  12. ^ Spitz (2005) pp336–339
  13. ^ a b Clayson (2003) p23
  14. ^ The Beatles (2000) p284
  15. ^ Gould (2008) p126
  16. ^ Clayson (2003) p39
  17. ^ Spitz (2005) pp 341–343
  18. ^ The Beatles (2000) p39
  19. ^ Spitz (2005) p324
  20. ^ Spitz (2005) pp 201–202
  21. ^ Spitz (2005) pp215–216
  22. ^ Spitz (2005) p300
  23. ^ Miles (1997)
  24. ^ "Ringo Starr Portfolio". The Beatles Internet Album. Retrieved 2007-03-09.
  25. ^ "Meat the beat of The Beatles". 2004-11-26. Archived from the original on 2007-01-18. {{cite news}}: Unknown parameter |works= ignored (help)
  26. ^ Turner, Steve (1999). "Sgt Pepper's Lonely hearts Club Band". In Nicola Hodge (ed.). A Hard Day's Write: The Stories Behind Every Beatles Song (9 ed.). HarperCollins. p. 122. ISBN 0-06-273698-1.
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  107. ^ Quoted by Ringo on his Tour 2003 CD

References

Preceded by
New creation
Narrator of Thomas the Tank Engine & Friends
1984-1986
Succeeded by

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