Köchel catalogue
- This is a complete list of the works of Wolfgang Amadeus Mozart, listed chronologically. For a selective list of his works, grouped by genre, see List of compositions by Wolfgang Amadeus Mozart.
The Köchel-Verzeichnis is a complete, chronological catalogue of compositions by Wolfgang Amadeus Mozart (1756–91), which was originally created by Ludwig von Köchel. It is abbreviated K. or KV. For example, Mozart's Requiem in D minor was, according to Köchel's counting, the 626th piece Mozart composed. Thus, the piece is designated K. 626 or KV 626. Köchel catalogue numbers are not only an attempt to establish a chronology of Mozart's works, but also provide a helpful shorthand to refer to them.
History
In the decades after Mozart's death there were several attempts to catalogue his compositions, but it was not until 1862 that Ludwig von Köchel succeeded. Köchel's 551-page catalogue was titled Chronologisch-thematisches Verzeichnis sämmtlicher Tonwerke W. A. Mozart's (Chronological-thematic Catalogue of the Complete Musical Works of W. A. Mozart).[1] The catalogue included the opening bars of each piece, known as an incipit.
Köchel attempted to arrange the works in chronological order, but the compositions written before 1784 could only be estimated. Since Köchel's work, many more pieces have been found, re-attributed, and re-dated, requiring three catalogue revisions. These revisions, especially the third edition by Alfred Einstein (1937), and the sixth edition by Franz Giegling, Gerd Sievers, and Alexander Weinmann (1964), incorporated many corrections.
Edition | Year | Editors | Note |
---|---|---|---|
1 | 1862 | Ludwig von Köchel | Original |
2 | 1905 | Paul von Waldersee | |
3 | 1937 | Alfred Einstein | |
4 | 1958 | unchanged reprint | |
5 | 1961 | ||
6 | 1964 | Franz Giegling, Gerd Sievers, Alexander Weinmann | |
7 | 1965 | unchanged reprint | |
8 | 1983 |
Complete chronological list of existing Mozart compositions
To maintain as much of the original K-numbering of the list as possible, while re-ordering in the revised, chronological sequence, letters were added to the new numbers. The following list shows Köchel's original designation (K1) and the sixth edition (K6). Other addenda and supplements to the catalogue are marked Anhang. (This has been abbreviated to 'Anh.' in the list below.)
K1 | K6 | Composition | Date | Age | Place |
---|---|---|---|---|---|
1a | Andante in C for Keyboard | Early 1761 | 5 | Salzburg | |
1b | Allegro in C for Keyboard | Early 1761 | 5 | Salzburg | |
1c | Allegro in F for Keyboard | 11 December 1761 | 5 | Salzburg | |
1d | Minuet in F for Keyboard | 16 December 1761 | 5 | Salzburg | |
1 | 1e | Minuet in G for Keyboard | December 1761 – January 1762 | 5–6 | Salzburg |
1 | 1f | Minuet in C for Keyboard | December 1761 – January 1762 | 5–6 | Salzburg |
6 | 6 | Violin Sonata No. 1 in C | 1762–64 | 6–8 | Salzburg or Paris |
7 | 7 | Violin Sonata No. 2 in D | 1762–64 | 6–8 | Salzburg or Paris |
2 | 2 | Minuet in F for Keyboard | January 1762 | 6 | Salzburg |
3 | 3 | Allegro in B-flat for Keyboard | 4 March 1762 | 6 | Salzburg |
4 | 4 | Minuet in F for Keyboard | 11 May 1762 | 6 | Salzburg |
5 | 5 | Minuet in F for Keyboard | 5 July 1762 | 6 | Salzburg |
9a | 5a | Allegro in C for Keyboard | 1764 | 8 | Salzburg |
9b | 5b | Piece in B-flat for Keyboard | 1764 | 8 | Salzburg |
8 | 8 | Violin Sonata No. 3 in B-flat | January 1764 | 8 | Paris |
9 | 9 | Violin Sonata No. 4 in G | January 1764 | 8 | Paris |
10 | 10 | Sonata in B-flat for Harpsichord, Violin, (Flute), and Cello | 1764 | 8 | London |
11 | 11 | Sonata in G for Harpsichord, Violin, (Flute), and Cello | 1764 | 8 | London |
12 | 12 | Sonata in A for Harpsichord, Violin, (Flute), and Cello | 1764 | 8 | London |
13 | 13 | Sonata in F for Harpsichord, Violin, (Flute), and Cello | 1764 | 8 | London |
14 | 14 | Sonata in C for Harpsichord, Violin, (Flute), and Cello | 1764 | 8 | London |
15 | 15 | Sonata in B-flat for Harpsichord, Violin, (Flute), and Cello | 1764 | 8 | London |
16 | 16 | Symphony in E-flat, No. 1 | August/September 1764 | 8 | London |
19 | 19 | Symphony in D, No. 4 | 1765 | 9 | London |
Anh. 223 | 19a | Symphony in F | Early 1765 | 9 | London |
Anh. 222 | 19b | Symphony in C (fragment) | 13 May 1765 | 9 | London |
21 | 19c | Aria for Tenor, "Va, dal furor portata" | 1765 | 9 | London |
19d | Keyboard Sonata in C for Four-hands | 13 May 1765 | 9 | London | |
15a – 15ss | 44 Untitled Pieces, "London Sketchbook" | 1765 | 9 | London | |
20 | 20 | Motet in G minor, "God is Our Refuge" | July 1765 | 9 | London |
23 | 23 | Aria for soprano and orchestra "Conservati fedele" | October 1765 and January 1766 | 9–10 | The Hague |
22 | 22 | Symphony in B-flat, No. 5 | December 1765 | 9 | The Hague |
Anh. 220 | 16a | Symphony in A minor, Odense | 1765 | 8 | London |
Anh. C11.01 | 16b | Symphony in C (Leopold Mozart) | 1765 | 8 | London |
78 | 73b | Aria for Soprano, "Per pietà, bell'idol mio" | 1766 | 10 | Milan |
79 | 73d | Recitative and Aria for Soprano, "O temerario Arbace" | 1766 | 10 | Milan |
24 | 24 | 8 Variations in G on "Laat ons Juichen" | 7 March 1766 | 10 | The Hague |
Anh. 221 | 45a | Symphony in G, "Alte Lambach" | 1766 and 1777 | 10–11 | The Hague |
25 | 25 | 7 Variations in D on "Willem van Nassau" | 7 March 1766 | 10 | Amsterdam |
26 | 26 | Violin Sonata No. 11 in E-flat | February 1766 | 10 | The Hague |
27 | 27 | Violin Sonata No. 12 in G | February 1766 | 10 | The Hague |
28 | 28 | Violin Sonata No. 13 in C | February 1766 | 10 | The Hague |
29 | 29 | Violin Sonata No. 14 in D | February 1766 | 10 | The Hague |
30 | 30 | Violin Sonata No. 15 in F | February 1766 | 10 | The Hague |
31 | 31 | Violin Sonata No. 16 in B-flat | February 1766 | 10 | The Hague |
32 | 32 | Gallimathias Musicum (Quodlibet) | Early March 1766 | 10 | The Hague |
33 | 33 | Kyrie in F | 12 June 1766 | 10 | Paris |
33a | Solos for Flute (lost) | 1766 | 10 | Lausanne | |
33b | Solos for Cello (lost) | 1766 | 10 | Donaueschingen | |
33B | Piece in F for Keyboard | Early October 1766 | 10 | Zurich | |
33c | "'Stabat mater'" for 4 voices in G | 1766 | 10 | Paris or Salzburg | |
Anh. 199 | 33d | Keyboard Sonata in G | 1766 | 10 | Salzburg |
Anh. 200 | 33e | Keyboard Sonata in B (fragment) | 1766 | 10 | Salzburg |
Anh. 201 | 33f | Keyboard Sonata in C (fragment) | 1766 | 10 | Salzburg |
Anh. 202 | 33g | Keyboard Sonata in F (fragment) | 1766 | 10 | Salzburg |
33h | Piece for French Horn (lost) | 1766 | 10 | Salzburg | |
36 | 33i | Recitative and aria for tenor and orchestra, "Or che il dover – Tali e cotanti sono" | December 1766 | 10 | Salzburg |
70 | 61c | Recitative and Aria for Soprano, "A Berenice" | 28 February 1767 and 1769 | 11–13 | Salzburg |
76 | 42a | Symphony in F, "No. 43" | 1767 | 11 | Vienna |
43 | 43 | Symphony in F, No. 6 | Late 1767 | 11 | Olomouc and Vienna |
62 | 62 | March in D | Summer 1769 | 11 | Salzburg |
34 | 34 | Offertory in C, "Scande coeli limina" | Early 1767 | 10–11 | Bavaria |
35 | 35 | Die Schuldigkeit des ersten Gebots | 1767 | 11 | Salzburg |
42 | 35a | Grabmusik | 1767 | 11 | Salzburg |
37 | 37 | Piano Concerto No. 1 in F | April 1767 | 11 | Salzburg |
38 | 38 | Apollo et Hyacinthus | 13 May 1767 | 11 | Salzburg |
39 | 39 | Piano Concerto No. 2 in B-flat | June 1767 | 11 | Salzburg |
40 | 40 | Piano Concerto No. 3 in D | July 1767 | 11 | Salzburg |
41 | 41 | Piano Concerto No. 4 in G | July 1767 | 11 | Salzburg |
Anh. 11b | 41a | 6 Divertimento (lost) | 1767 | 11 | Salzburg |
41b | "Bläserstücke verschiedener Besetzung" (lost) | 1767 | 11 | Salzburg | |
41c | Various Marches (lost) | 1767 | 11 | Salzburg | |
41d | Various Minuets (lost) | 1767 | 11 | Salzburg | |
41e | Fugue (lost) | 1767 | 11 | Salzburg | |
41f | Four-part Fugue (lost) | 1767 | 11 | Salzburg | |
41g | Serenade for 2 Violins, Cello, and Organ (lost) | 1767 | 11 | Salzburg | |
67 | 41h | Church Sonata in E-flat | 1772? | 16? | Salzburg |
68 | 41i | Church Sonata in B-flat | 1772? | 16? | Salzburg |
69 | 41k | Church Sonata in D | 1772? | 16? | Salzburg |
Anh. 214 | 45b | Symphony in B-flat, "No. 55" | Early 1768 | 12 | Vienna |
45 | 45 | Symphony in D, No. 7 | 16 January 1768 | 12 | Vienna |
46d | Violin Sonata in C | 1 September 1768 | 12 | Vienna | |
46e | Violin Sonata F | 1 September 1768 | 12 | Vienna | |
47 | 47 | Veni Sancte Spiritus in C | Autumn 1768 | 12 | Vienna |
139 | 47a | Missa solemnis in C minor, "Waisenhaus" | 1768 – mid-1769 | 12–13 | Vienna |
47c | Trumpet Concerto (lost) | Autumn 1768 | 12 | Vienna | |
53 | 47e | Song, "An die Freude" | November 1768 | 12 | Vienna |
49 | 47d | Missa brevis in G | October – November 1768 | 12 | Vienna |
50 | 46b | Bastien und Bastienne | September – October 1768 | 12 | Vienna |
48 | 48 | Symphony in D, No. 8 | 13 December 1768 | 12 | Vienna |
100 | 62a | Cassation in D | Summer 1769 | 13 | Salzburg |
63 | 63 | Cassation in G | Summer 1769 | 13 | Salzburg |
99 | 63a | Cassation in B-flat | Summer 1769 | 13 | Salzburg |
117 | 66a | Offertory in C, "Benedictus sit Deus" | October/November 1768 | 12 | Salzburg |
Anh. 215 | 66c | Symphony in D | 1769? | 13? | Salzburg? |
Anh. 217 | 66d | Symphony in B-flat | 1769? | 13? | Salzburg? |
Anh. 218 | 66e | Symphony in B-flat | 1769? | 13? | Salzburg? |
71 | Aria for Tenor "Ah più tremar non voglio" in F (fragment) | 1769 or early 1770 | 13–14 | Salzburg | |
94 | 73h | Minuet in D | 1769/1770 | 13–14 | Bologna or Rome |
65 | 61a | Missa brevis in D minor | 14 January 1769 | 13 | Salzburg |
61b | 7 Minuets | 26 January 1769 | 13 | Salzburg | |
51 | 46a | La finta semplice | 1 May 1769 | 13 | Vienna |
66 | 66 | Missa in C, "Dominicus" | October 1769 | 13 | Salzburg |
141 | 66b | Te Deum in C | End of 1769 | 13 | Salzburg |
72a | 72a | Molto Allegro in G (fragment) | 6 January 1770 | 14 | Milan or Bologna |
84 | 73q | Symphony in D, No. 11 | 1770 | 14 | Milan or Bologna |
74 | 74 | Symphony in G, No. 10 | 1770 | 14 | Milan |
61g | 2 Minuets | Early 1770 | 13–14 | Salzburg | |
88 | 73c | Aria for Soprano, "Fra cento affanni" | February – March 1770 | 14 | Milan |
77 | 73e | Recitative and Aria for Soprano, "Misero me" | March 1770 | 14 | Milan |
80 | 73f | String Quartet No.1 in G | 15 March 1770 | 14 | Lodi |
81 | 73l | Symphony in D, "No. 44" | April 1770 | 14 | Rome |
97 | 73m | Symphony in D, "No. 47" | April 1770 | 14 | Rome |
95 | 73n | Symphony in D, "No. 45" | April 1770 | 14 | Rome |
123 | 73g | Contredanse in B-flat | 13–14 April 1770 | 14 | Rome |
82 | 73o | Aria for Soprano, "Se ardire, e speranza" | 25 April 1770 | 14 | Rome |
83 | 73p | Aria for Soprano, "Se tutti i mali miei" | April – May 1770 | 14 | Rome |
85 | 73s | Miserere in A minor | July – August 1770 | 14 | Bologna |
122 | 73t | Minuet in E-flat | Early August 1770 | 14 | Bologna |
44 | 73u | "Cibavit eos" | Early August 1770 | 14 | Bologna |
86 | 73v | Antiphon in D minor, "Quaerite primum regnum Dei" | 9 October 1770 | 14 | Bologna |
87 | 74a | Mitridate, re di Ponto | 26 December 1770 | 14 | Bologna and Milan |
104 | 61e | 6 Minuets | 1771/1772 | 15–16 | Salzburg |
74b | Aria for Soprano, "Non curo l'affetto" | Early 1771 | 14–15 | Milan or Pavia | |
75 | 75 | Symphony in F, "No. 42" | Spring 1771 | 15 | Salzburg |
108 | 74d | Regina Coeli in C | May 1771 | 15 | Salzburg |
109 | 74e | Litaniae Lauretanae B.M.V. in B-flat | May 1771 | 15 | Salzburg |
72 | 74f | Offertory in G, "Inter natos mulierum" | May or June 1771 | 15 | Salzburg |
118 | 74c | Betulia liberata | March – July 1771 | 15 | Italy and Salzburg |
110 | 75b | Symphony in G, No. 12 | July 1771 | 15 | Salzburg |
96 | 111b | Symphony in C, "No. 46" | October/November 1771 | 15 | Milan |
111 | 111 | Ascanio in Alba | 17 October 1771 | 15 | Milan |
120 | 111a | Finale of a Symphony in D (Ascanio in Alba) | August 1771 | 15 | Milan |
113 | 113 | Divertimento in E-flat | November 1771 | 15 | Milan |
112 | 112 | Symphony in F, No. 13 | 2 November 1771 | 15 | Milan |
114 | 114 | Symphony in A, No. 14 | 30 December 1771 | 15 | Salzburg |
73i | Canon in A for 4 or 5 voices in 1 | 1772 | 16 | ||
89 | 73k | Kyrie in G for 5 voices in 1 | 1772 | 16 | Rome |
89a | 73r | 4 Riddle Cannons | Summer 1772 | 16 | Bologna |
Anh. 109d | 73x | 14 Canonic Studies | 1772 | 16 | |
21b;107 | 107 | 3 Concertos for Piano after J.C. Bach | Winter 1770-1772 | 14–16 | Salzburg |
90 | 90 | Kyrie in D minor (doubtful) | 1771–1772 | 15-16 | Salzburg |
136 | 125a | Divertimento in D, also known as Salzburg Symphony No. 1 | Early 1772 | 15–16 | Salzburg |
137 | 125b | Divertimento in B-flat, also known as Salzburg Symphony No. 2 | Early 1772 | 15–16 | Salzburg |
138 | 125c | Divertimento in F, also known as Salzburg Symphony No. 3 | Early 1772 | 15–16 | Salzburg |
124 | 124 | Symphony in G, No. 15 | 21 February 1772 | 16 | Salzburg |
125 | 125 | Litaniae de venerabili altaris sacramento in B-flat | March 1772 | 16 | Salzburg |
103 | 61d | 19 Minuets | 1771/1772 | 16 | Salzburg |
126 | 126 | Il sogno di Scipione | May 1772 | 16 | Salzburg |
127 | 127 | Regina coeli in B-flat | May 1772 | 16 | Salzburg |
128 | 128 | Symphony in C, No. 16 | May 1772 | 16 | Salzburg |
129 | 129 | Symphony in G, No. 17 | May 1772 | 16 | Salzburg |
130 | 130 | Symphony in F, No. 18 | May 1772 | 16 | Salzburg |
73 | 75a | Symphony in C, No. 9 | 1769 or Spring 1770 | 13–14 | Salzburg |
381 | 123a | Sonata in D for Keyboard Four-Hands | Early 1772 | 16 | Salzburg |
164 | 130a | 6 Minuets | June 1772 | 16 | Salzburg |
131 | 131 | Divertimento in D | June 1772 | 16 | Salzburg |
290 | 167AB | March in D | Summer 1772 | 16 | Salzburg |
132 | 132 | Symphony in E-flat, No. 19 | July 1772 | 16 | Salzburg |
133 | 133 | Symphony in D, No. 20 | July 1772 | 16 | Salzburg |
134 | 134 | Symphony in A, No. 21 | August 1772 | 16 | Salzburg |
149 | 125d | "Ich hab es längst gesagt", song | 1772 | 16 | Salzburg |
150 | 125e | "Was ich in Gedanken küsse", song | 1772 | 16 | Salzburg |
151 | 125f | "Ich trachte nicht nach solchen Dingen", song | 1772 | 16 | Salzburg |
152 | 210a | "Ridente la calma", aria (canzonetta) for voice and Piano | 1772 and 1775 | 16–18 | Salzburg? |
153 | 375f | Two fragments of a fugue in E-flat | Vienna | ||
154 | 385k | Fragment of a fugue in G minor | Vienna | ||
155 | 134a | String Quartet No. 2 in D | October – November 1772 | 16 | Bozen and Verona |
156 | 134b | String Quartet No. 3 in G | End of 1772 | 16 | Milan |
135 | 135 | Lucio Silla | 26 December 1772 | 16 | Salzburg and Milan |
140 | Anh. C1.12 | Missa brevis in G | 1773 | 17 | Salzburg |
205 | 167A | Divertimento in D | Summer 1772 | 17 | Salzburg |
246b | 320B | Divertimento in D (fragment) | 1772/1773 | 16–17 | |
246c | 288 | Divertimento in F (fragment) | Summer 1776 | 20 | Salzburg |
157 | 157 | String Quartet No. 4 in C | End of 1772 – early 1773 | 16–17 | Milan |
158 | 158 | String Quartet No. 5 in F | End of 1772 – early 1773 | 16–17 | Milan |
165 | 158a | Motet in F for Soprano, "Exsultate, jubilate" | January 1773 | 16–17 | Milan |
159 | 159 | String Quartet No. 6 in B-flat | Early 1773 | 16–17 | Milan |
160 | 159a | String Quartet No. 7 in E-flat | Early 1773 | 16–17 | Milan |
186 | 159b | Divertimento in B-flat | March 1773 | 17 | Milan or Salzburg |
166 | 159d | Divertimento in E-flat | 24 March 1773 | 17 | Salzburg |
184 | 161a | Symphony in E-flat, No. 26 | 30 March 1773 | 17 | Salzburg |
199 | 161b | Symphony in G, No. 27 | 10? April 1773 | 17 | Salzburg |
162 | 162 | Symphony in C, No. 22 | 19 April 1773 | 17 | Salzburg |
181 | 162b | Symphony in D, No. 23 | 19 May 1773 | 17 | Salzburg |
167 | 167 | Missa in C, "Trinitatis" | June 1773 | 17 | Salzburg |
188 | 240b | Divertimento in C | Mid 1773 | 17 | Salzburg |
Anh. 18 | 166f | Kyrie in C (fragment) | 1772 | 16 | Salzburg |
Anh. 19 | 166g | Kyrie in D (fragment) | 1772 | 16 | Salzburg |
Anh. 23 | 166h | In te Domine in C (fragment) | 1772 | 16 | Salzburg |
185 | 167a | Serenade in D, "Andretter" | July and August 1773 | 17 | Vienna |
189 | 167b | March in D | July and August 1773 | 17 | Vienna |
189i/590d | 312 | Sonata movement for Keyboard in G minor (fragment) | 1790/1791 | 34–35 | Vienna |
168 | 168 | String Quartet No. 8 in F | August 1773 | 17 | Vienna |
169 | 169 | String Quartet No. 9 in A | August 1773 | 17 | Vienna |
170 | 170 | String Quartet No. 10 in C | August 1773 | 17 | Vienna |
171 | 171 | String Quartet No. 11 in E-flat | August 1773 | 17 | Vienna |
172 | 172 | String Quartet No. 12 in B-flat | September 1773 | 17 | Vienna |
173 | 173 | String Quartet No. 13 in D minor | September 1773 | 17 | Vienna |
180 | 173c | 6 Variations in G on "Mio caro Adone" from La fiera di Venezia by Antonio Salieri | Autumn 1773 | 17 | Vienna |
182 | 173dA | Symphony in B-flat, No. 24 | 3 October 1773 | 17 | Salzburg |
183 | 173dB | Symphony in G minor, No. 25 | 5 October 1773 | 17 | Salzburg |
143 | 73a | Motet for Soprano in G, "Ergo interest" | Early February 1773 | 17 | Salzburg |
174 | 174 | String Quintet No. 1 in B-flat | December 1773 | 17 | Salzburg |
175 | 175 | Piano Concerto No. 5 in D | December 1773 | 17 | Salzburg |
176 | 176 | 16 Minuets | December 1773 | 17 | Salzburg |
315a | 315g | 8 Minuets | Early 1779 | 23 | Salzburg |
144 | 124a | Church Sonata in D | 1774 | 18 | Salzburg |
145 | 124b | Church Sonata in F | 1774 | 18 | Salzburg |
161/163 | 141a | Symphony in D, "No. 50" | March 1772 – late 1772 | 16 | Salzburg |
358 | 186c | Sonata in B-flat for Keyboard Four-Hands | Spring 1774 | 18 | Salzburg |
201 | 186a | Symphony in A, No. 29 | 6 April 1774 | 18 | Salzburg |
195 | 186d | Litaniae Lauretanae BVM in D | May 1774 | 18 | Salzburg |
202 | 186b | Symphony in D, No. 30 | 5 May 1774 | 18 | Salzburg |
190 | 186E | Concertone for 2 Violins and Orchestra in C | 31 May 1774 | 18 | Salzburg |
179 | 189a | 12 Variations in C on a Minuet by Fischer | 6 December 1774 | 18 | Salzburg |
191 | 186e | Bassoon Concerto in B-flat | 4 June 1774 | 18 | Salzburg |
192 | 186f | Missa Brevis in F | 24 June 1774 | 18 | Salzburg |
193 | 186g | Dixit Dominus, Magnificat in C | July 1774 | 18 | Salzburg |
203 | 189b | Serenade in D, "Colloredo" | Summer 1774 | 18 | Salzburg |
237 | 189c | March in D | Summer 1774 | 18 | Salzburg |
194 | 186h | Missa brevis in D | 8 August 1774 | 18 | Salzburg |
200 | 189k | Symphony in C, No. 28 | 17? November 1773 or 1774 | 17–18 | Salzburg |
121 | 207a | Finale of a Symphony (La finta giardiniera) | End of 1774 – early 1775 | 18–19 | Salzburg |
Anh. 16 | 196a | Kyrie in G (fragment) | 1787–1789 | 31–33 | Munich |
220 | 196b | Missa brevis in C, "Spatzen" | 1775 or 1776 | 19–20 | Munich |
279 | 189d | Piano Sonata No. 1 in C | Early 1775 | 19 | Munich |
280 | 189e | Piano Sonata No. 2 in F | Early 1775 | 18–19 | Munich |
281 | 189f | Piano Sonata No. 3 in B-flat | Early 1775 | 18–19 | Munich |
282 | 189g | Piano Sonata No. 4 in E-flat | Early 1775 | 18–19 | Munich |
283 | 189h | Piano Sonata No. 5 in G | Early 1775 | 18–19 | Munich |
292 | 196c | Duo in B-flat for Bassoon and Cello | Early 1775 | 18–19 | Munich |
222 | 205a | Offertory in D minor, "Misericordias Domini" | January or February 1775 | 18–19 | Munich |
196 | 196 | La finta giardiniera | 13 January 1775 | 18 | Salzburg |
284 | 205b | Piano Sonata No. 6 in D, "Dürnitz" | Early 1775 | 18–19 | Munich |
207 | 207 | Violin Concerto No. 1 in B-flat | Spring 1773 | 17 | Salzburg |
208 | 208 | Il re pastore | 23 April 1775 | 19 | Salzburg |
210 | 210 | Aria for Tenor, "Con ossequio, con rispetto" | May 1775 | 19 | Salzburg |
209 | 209 | Aria for Tenor, "Si mostra la sorte" | 19 May 1775 | 19 | Salzburg |
209a | Aria for Bass, "Un dente guasto e gelato" in D (fragment) | 1775 | 19 | Salzburg | |
262 | 246a | Missa longa in C | 1776 | 19 | Salzburg |
211 | 211 | Violin Concerto No. 2 in D | 14 June 1775 | 19 | Salzburg |
212 | 212 | Church Sonata in B-flat | July 1775 | 19 | Salzburg |
213 | 213 | Divertimento in F | July 1775 | 19 | Salzburg |
215 | 213b | March in D | August 1775 | 19 | Salzburg |
102 | 213c | Finale of a Symphony in C (Il re pastore) | 23 April 1775 – end of 1775 | 19 | Salzburg |
204 | 213a | Serenade in D | 5 August 1775 | 19 | Salzburg |
214 | 214 | March in C | 20 August 1775 | 19 | Salzburg |
216 | 216 | Violin Concerto No. 3 in G, "Straßburg" | 12 September 1775 | 19 | Salzburg |
218 | 218 | Violin Concerto No. 4 in D | October 1775 | 19 | Salzburg |
217 | 217 | Aria for Soprano, "Voi avete un cor fedele" | 26 October 1775 | 19 | Salzburg |
258 | 258 | Missa brevis in C, "Piccolomini", formerly misidentified as "Spaur"[2] | 1775–1777 | 19–21 | Salzburg |
Anh. 13 | 258a | Kyrie in C (fragment) | 1787–1791 | 31–25 | Vienna? |
259 | 259 | Missa brevis in C, "Organ Solo" | 1775–1777 | 19–21 | Salzburg |
219 | 219 | Violin Concerto No. 5 in A, "Turkish" | 20 December 1775 | 19 | Salzburg |
147 | 125g | Song, "Wie unglücklich bin ich nit" | 1772 | 16 | Salzburg |
148 | 125h | Song, "Lobegesang auf die feierliche Johannisloge" | 1772 | 16 | Salzburg |
261 | 261 | Adagio in E for Violin | 1776 | 20 | Salzburg |
269 | 261a | Rondo in B-flat for Violin | 1775–1777 | 19–21 | Salzburg |
238 | 238 | Piano Concerto No. 6 in B-flat | January 1776 | 19–20 | Salzburg |
239 | 239 | Serenata notturna in D | January 1776 | 19–20 | Salzburg |
240 | 240 | Divertimento in B-flat | January 1776 | 19–20 | Salzburg |
252 | 240a | Divertimento in E-flat | January and August 1776 | 19–20 | Salzburg |
241 | 241 | Church Sonata in G | January 1776 | 19–20 | Salzburg |
101 | 250a | 4 Contredanses, "Serenade" | 1776 | 20 | Salzburg |
269b | 4 Contredanses | January 1777 | 20–21 | Salzburg | |
242 | 242 | Concerto in F for three (or two) Pianos, No. 7, "Lodron" | February 1776 | 20 | Salzburg |
243 | 243 | Litaniae de venerabili altaris sacramento in E-flat | March 1776 | 20 | Salzburg |
244 | 244 | Church Sonata in F | April 1776 | 20 | Salzburg |
245 | 245 | Church Sonata in D | April 1776 | 20 | Salzburg |
246 | 246 | Piano Concerto No. 8 in C, "Lützow" | April 1776 | 20 | Salzburg |
247 | 247 | Divertimento in F, "Lodronische Nachtmusik" | June 1776 | 20 | Salzburg |
248 | 248 | March in F | June 1776 | 20 | Salzburg |
260 | 248a | Offertory in D, "Venite populi" | June 1776 | 20 | Salzburg |
250 | 248b | Serenade in D, "Haffner" | 21 July 1776 | 20 | Salzburg |
251 | 251 | Divertimento in D (No. 11) | July 1776 | 20 | Salzburg |
249 | 249 | March in D, "Haffner" | 20 July 1776 | 20 | Salzburg |
253 | 253 | Divertimento in F | August 1776 | 20 | Salzburg |
254 | 254 | Divertimento (Trio) in B-flat | August 1776 | 20 | Salzburg |
255 | 255 | Recitative and Aria for Alto, "Ombra felice" | September 1776 | 20 | Salzburg |
256 | 256 | Aria for Tenor, "Clarice cara mia sposa" | September 1776 | 20 | Salzburg |
257 | 257 | Missa in C, "Credo" or "Spaur"[2] | 1775 and 1777 | 19–21 | Salzburg |
263 | 263 | Church Sonata in C | December 1776 | 20 | Salzburg |
274 | 271d | Church Sonata in G | 1777 | 21 | Salzburg |
289 | 271g | Divertimento in E-flat | 1777 | 21 | Salzburg |
271i | Violin Concerto No. 7 in D (possibly authentic) | 16 July 1777 | 21-22 | Salzburg or Paris? | |
277 | 272a | Offertory in F, "Alma Dei creatoris" | Summer or Autumn 1777 | 21 | Salzburg |
286 | 269a | Notturno in D for Four Orchestras (Serenade No. 8) | December 1776 or January 1777 | 20 | Salzburg |
270 | 270 | Divertimento in B-flat | January 1777 | 20–21 | Salzburg |
271 | 271 | Piano Concerto No. 9 in E-flat, "Jeunehomme" | January 1777 | 20–21 | Salzburg |
267 | 271c | 4 Contredanses | 1777 | 20–21 | Salzburg |
266 | 271f | Trio in B-flat | Spring 1777 | 20–21 | Salzburg |
278 | 271e | Church Sonata in C | March – April 1777 | 21 | Salzburg |
287 | 271H | Divertimento in B-flat, "Lodron" | June 1777 | 21 | Salzburg |
272 | 272 | Recitative and Aria for Soprano, "Ah, lo previdi" | August 1777 | 21 | Salzburg |
273 | 273 | Gradual in F, "Sancta Maria, mater Dei" | 9 September 1777 | 21 | Salzburg |
275 | 272b | Missa brevis in B-flat | 23 September 1777 | 21 | Salzburg |
395 | 300g | Capriccio in C for Keyboard | 1778 | 21 | Munich |
309 | 284b | Piano Sonata No. 7 in C | October – November 1777 | 21 | Mannheim |
311 | 284c | Piano Sonata No. 9 in D | October – November 1777 | 21 | Mannheim |
285 | 285 | Flute Quartet No. 1 in D | 25 December 1777 | 21 | Mannheim |
307 | 284d | Arietta in C, "Oiseaux, si tous les ans" | 30 October 1777 and 13 March 1778 | 21 | Mannheim |
313 | 285c | Flute Concerto No. 1 in G | January or February 1778 | 21–22 | Mannheim |
314 | 285d | Oboe Concerto in C / Flute Concerto No. 2 in D | January or February 1778 | 21–22 | Mannheim |
301 | 293a | Violin Sonata No. 18 in G | February 1778 | 22 | Mannheim |
302 | 293b | Violin Sonata No. 19 in E-flat | February 1778 | 22 | Mannheim |
303 | 293c | Violin Sonata No. 20 in C | February 1778 | 22 | Mannheim |
305 | 293d | Violin Sonata No. 22 in A | Spring 1778 | 22 | Mannheim |
308 | 295b | Arietta, "Dans un bois solitaire" | 30 October 1777 and 13 March 1778 | 21–22 | Mannheim |
285a | Flute Quartet No. 2 in G | 25 December 1777 and 14 February 1778 | 21–22 | Mannheim | |
294 | 294 | Recitative and Aria for Soprano, "Alcandro, lo confesso" | 24 February 1778 | 22 | Mannheim |
295 | 295 | Aria for Tenor, "Se al labbro mio non credi" | 27 February 1778 | 22 | Mannheim |
486a | 295a | Recitative and Aria for Soprano, "Basta, vincesti" | 27 February 1778 | 22 | Mannheim |
296 | 296 | Violin Sonata No. 17 in C | 11 March 1778 | 22 | Mannheim |
354 | 299a | 12 Variations for Piano on "Je suis Lindor" | 1778 | 22 | Paris |
300 | 300 | Gavotte | 1778 | 22 | Paris |
Anh. 9 | 297b; Anh. C14.01 | Sinfonia Concertante for Four Winds in E-flat (doubtful) | April 1778 | 22 | Paris |
299 | 297c | Concerto for Flute and Harp in C | April 1778 | 22 | Paris |
Anh. 10 | 299b | Ballet, Les petits riens | 11 July 1778 | 22 | Paris |
297 | 300a | Symphony in D, No. 31, "Paris" | late May/early June 1778 | 22 | Paris |
304 | 300c | Violin Sonata No. 21 in E minor | Early summer 1778 | 22 | Paris |
310 | 300d | Piano Sonata No. 8 in A | Summer 1778 | 22 | Paris |
306 | 300l | Violin Sonata No. 23 in D | Summer 1778 | 22 | Paris |
316 | 300b | Recitative and Aria for Soprano, "Popoli di Tessaglia" | 8 January 1779 | 23 | Munich |
264 | 315d | 9 Variations in C on "Lison dormait" | late August or September 1778 | 22 | Paris |
365 | 316a | Concerto in E-flat for Two Pianos, No. 10 | Early 1779 | 23 | Salzburg |
364 | 320d | Sinfonia Concertante for Violin, Viola and Orchestra in E-flat | 1779 | 23 | Salzburg |
321 | 321 | Vesperae de Dominica in C | 1779 | 23 | Salzburg |
321a | Magnificat in C (fragment) | 1779 | 23 | Salzburg | |
276 | 321b | Regina Coeli in C | 1779 | 23 | Salzburg |
345 | 336a | Choruses and Entr'actes for Thamos, König in Ägypten | 1779 | 23 | Salzburg |
378 | 317d | Violin Sonata No. 26 in B-flat | Early 1779 | 22–23 | Salzburg |
329 | 317a | Church Sonata in C | March 1779? | 23 | Salzburg |
328 | 317c | Church Sonata in C | early 1779? | 23 | Salzburg |
317 | 317 | "Coronation Mass" in C | 23 March 1779 | 23 | Salzburg |
146 | 317b | Aria for Soprano in B-flat, "Kommet her, ihr frechen Sünder" | March or April 1779 | 23 | Salzburg |
318 | 318 | Symphony in G, No. 32 | 26 April 1779 | 23 | Salzburg |
319 | 319 | Symphony in B-flat, No. 33 | 9 July 1779 | 23 | Salzburg |
335 | 320a | Two marches in D | early August 1779 | 23 | Salzburg |
320 | 320 | Serenade in D, "Posthorn" | 3 August 1779 | 23 | Salzburg |
315 | 285e | Andante in C for Flute and Orchestra | January or February 1778 | 21–22 | Mannheim |
334 | 320b | Divertimento in D | Summer 1780 | 24 | Salzburg |
344 | 336b | Zaide | 1779 | 23 | Salzburg |
339 | 339 | Vesperae solennes de confessore in C | 1780 | 24 | Salzburg |
340 | Anh. C3.06 | Kyrie (lost; doubtful) | 1780 | 24 | |
368 | 368 | Recitative and Aria for Soprano, "Ma che vi fece" | January 1781 | 23–24 | Munich |
224 | 241a | Church Sonata in F | Early 1776? | 19–20 | Salzburg |
225 | 241b | Church Sonata in A | Early 1776? | 19–20 | Salzburg |
336 | 336d | Church Sonata in C | March 1780 | 24 | Salzburg |
337 | 337 | Missa solemnis in C | March 1780 | 24 | Salzburg |
445 | 320c | March in D | Summer 1780 | 24 | Salzburg |
338 | 338 | Symphony in C, No. 34 | 29 August 1780 | 24 | Salzburg |
349 | 367a | Song, "Die Zufriedenheit" | 8 November 1780 and mid-March 1781 | 24 | Munich |
351 | 367b | Song, "Komm, liebe Zither" | 8 November 1780 and mid-March 1781 | 24 | Munich |
562a | Canon in B-flat for 4 voices in 1 | 1788? | 24–33 | Vienna? | |
Anh. 191 | 562c | Canon in C for 4 voices in 1 | 1788? | 24–33 | Vienna? |
330 | 300h | Piano Sonata No. 10 in C | 1783 | 27 | Vienna or Salzburg |
331 | 300i | Piano Sonata No. 11 in A, "Alla Turca" | 1783 | 27 | Vienna or Salzburg |
332 | 300k | Piano Sonata No. 12 in F | 1783 | 27 | Vienna or Salzburg |
361 | 370a | Serenade No. 10 for Winds in B-flat, "Gran Partita" | 1783–1784 | 27–28 | Vienna |
Anh. 97 | 370b | Horn Concerto movement in E-flat | 21 March 1781 | 25 | Vienna |
366 | 366 | Idomeneo, re di Creta | 29 January 1781 | 25 | Salzburg and Munich |
367 | 367 | Ballet for Idomeneo | 29 January 1781 | 25 | Salzburg and Munich |
341 | 368a | Kyrie in D minor | 1787–1791 | 31–35 | Vienna |
370 | 368b | Oboe Quartet in F | Early 1781 | 24–25 | Munich |
369 | 369 | Recitative and Aria for Soprano, "Misera, dove son!" | 8 March 1781 | 25 | Munich |
371 | 371 | Rondo in E-flat for Horn | 21 March 1781 | 25 | Vienna |
372 | 372 | Allegro in B-flat for Violin and Keyboard | 24 March 1781 | 25 | Vienna |
400 | 372a | Allegro in B-flat for Keyboard (incomplete; completed by M. Stadler) | 1781 | 25 | Vienna |
Anh. 45 | 375d | Fugue in G for Two Pianos (fragment) | 1782 | 26 | Vienna |
401 | 375e | Fugue in G minor for Keyboard (fragment) | 1783 | 27 | Salzburg |
379 | 373a | Sonata in G for Violin and Keyboard | April 1781 | 25 | Vienna |
374 | 374 | Recitative and Aria for Soprano, "A questo seno deh vieni" | April 1781 | 25 | Vienna |
373 | 373 | Rondo in C for Violin and Orchestra | 2 April 1781 | 25 | Vienna |
359 | 374a | 12 Variations in G on "La Bergère Célimène" (by Antoine Albanèse 1729/31–1800) | June 1781 | 25 | Vienna |
360 | 374b | 6 Variations in G on "Hélas, j'ai perdu mon amant" (recte "Au bord d'une fontaine" by Antoine Albanèse)[3] |
June 1781 | 25 | Vienna |
352 | 374c | 8 Variations in F on "Dieu d'amour" from Les mariages samnites by André Grétry | June 1781 | 25 | Vienna |
376 | 374d | Sonata in F for Violin and Keyboard | Summer 1781 | 25 | Vienna |
377 | 374e | Sonata in F for Violin and Keyboard | Summer 1781 | 25 | Vienna |
380 | 374f | Sonata in E-flat for Violin and Keyboard | Summer 1781 | 25 | Vienna |
Anh. 46 | 374g | Andantion in B-flat for Cello and Piano (fragment) | 1782 | 25 | Vienna |
375 | 375 | Serenade in E-flat for Winds | 15 October 1781 | 25 | Vienna |
448 | 375a | Sonata in D for Two Keyboards | November 1781 | 25 | Vienna |
Anh. 171 | 285b | Flute Quartet No. 3 in C | 25 December 1777 and 14 February 1778 | 21–22 | Mannheim |
265 | 300e | Twelve Variations on "Ah vous dirai-je, Maman" | 1778 | 22 | Paris |
353 | 300f | 12 Variations in E-flat on "La belle Françoise" | 1778 | 22 | Vienna |
392 | 340a | Song, "Verdankt sei es dem Glanz" | August 1781 and May 1782 | 25–26 | Vienna |
391 | 340b | Song, "An die Einsamkeit" | August 1781 and May 1782 | 25–26 | Vienna |
390 | 340c | Song, "An die Hoffnung" | August 1781 and May 1782 | 25–26 | Vienna |
363 | 363 | 3 Minuets | 1780 | 24 | Salzburg |
Anh. 11a | 365a | Scene for Schikanender's "Peter der Grausame" (fragment) | 1780 | 24 | Munich |
386 | 386 | Rondo for Piano and Orchestra in A | 1782–1783 | 26–27 | Vienna |
413 | 387a | Piano Concerto No. 11 in F | 1782–1783 | 26–27 | Vienna |
415 | 387b | Piano Concerto No. 13 in C | 1782–1783 | 26–27 | Vienna |
229 | 382a | Canon in C minor for 3 voices in 1 | 1782 | 26 | Vienna |
230 | 382b | Canon in C minor for 2 voices in 1 | 1782 | 26 | Vienna |
231 | 382c | Canon in B-flat for 6 voices in 1, "Leck mich im Arsch" | 1782 | 26 | Vienna |
233 | 382d | Canon in B-flat for 3 voices in 1, "Leck mir den Arsch fein recht schön sauber" | 1782 | 26 | Vienna |
234 | 382e | Canon in G for 3 voices in 1, "Bei der Hitz im Sommer eß ich" | 1782 | 26 | Vienna |
347 | 382f | Canon in D for 6 voices in 1 | 1782 | 26 | Vienna |
348 | 382g | Canon in G for 12 voices in 3, "V'amo di core teneramente" | 1782 | 26 | Vienna |
119 | 382h | Aria for Soprano, "Der Liebe himmlisches Gefühl" | 1782 | 26 | Vienna |
397 | 385g | Fantasia in D minor (fragment) | 1782 | 26 | Vienna |
402 | 383e | March in C | September 1782 | 26 | Vienna |
Anh. 33 & Anh. 40 | 383b | Fugue for Keyboard in F | Spring 1782 | 26 | Vienna |
Anh. 32 | 383C | Fantasia in F minor for Keyboard (fragment) | 1789 | 33 | Vienna |
Anh. 38 | 383d | Theme for Variations in C | Spring 1782 | 26 | Vienna |
408c | 383F | March in C | 1782 | 26 | Vienna |
408b | 385a | March in D | 1782 | 26 | Vienna |
404 | 385d | Andante and Allegretto in C | 1782 | 26 | Vienna |
Anh. 34 | 385h | Adagio in D for Piano or Organ | 1782 | 26 | Vienna |
Anh. 34 | 576a | Minuet in D (fragment) | 1782 | 26 | Vienna |
414 | 385p | Piano Concerto No. 12 in A | 1782 | 26 | Vienna |
404a | Arrangements of 6 Preludes and Fugues by J.S. and W.F. Bach | 1782 | 26 | Vienna | |
405 | 405 | Arrangements of 5 Fugues by J.S. Bach | 1782 | 26 | Vienna |
Anh. 76 | 417c | Fugue for String Quartet in D minor (fragment) | 1782–1784 | 26–28 | Vienna |
417d | Allegro for String Quartet in E minor (fragment) | June 1784 | 26 | Vienna | |
Anh. 77 | 405a | Fugue for String Quartet in C minor (fragment) | 1782–1784 | 26–28 | Vienna |
394 | 383a | Prelude and Fugue in C for Keyboard | Early 1782 | 25–26 | Vienna |
399 | 385i | Suite in C for Keyboard (Overture, Allemande, Courante, & incomplete Sarabande) | Early 1782 | 25–26 | Vienna |
382 | 382 | Rondo for Piano and Orchestra in D | March 1782 | 26 | Vienna |
383 | 383 | Aria for Soprano, "Nehmt meinen Dank, ihr holden Gönner!" | 10 April 1782 | 26 | Vienna |
409 | 383f | Symphonic Minuet in C | May 1782 | 26 | Vienna? |
388 | 384a | Serenade in C minor for Winds (later arranged as K. 406/516b) | July 1782 or late 1783 | 26–27 | Vienna |
385 | 385 | Symphony in D, No. 35, "Haffner" | July 1782 | 26 | Vienna |
384 | 384 | Die Entführung aus dem Serail | 16 July 1782 | 26 | Vienna |
393 | 385b | Solfeggios for Voice | August 1782? | 26 | Vienna |
Anh.48/480a | 385E | Allegro for Keyboard and Violin (fragment) | 1782 | 26 | Vienna |
396 | 385f | Fantasia in for Keyboard & Violin C minor (fragment) | August or September 1782 | 26 | Vienna |
407 | 386c | Horn Quintet in E-flat | End of 1782 | 26 | Vienna |
Anh. 25 | 386d | O Calpe! Dir donnert's am Fuße (Gibraltar) | December 1782 | 26 | Vienna |
387 | 387 | String Quartet No. 14 in G, "Spring" | 31 December 1782 | 26 | Vienna |
435 | 416b | Aria for Tenor, "Mußt' ich auch durch tausend Drachen" | 1783 | 27 | Vienna |
432 | 421a | Recitative and Aria for Bass, "Così dunque tradisci" | 1783 | 27 | Vienna |
433 | 416c | Aria for bass and orchestra (sketch), "Männer suchen stets zu naschen" | 1783 | 27 | Vienna |
333 | 315c | Piano Sonata No. 13 in B-flat, "Linz" | 1783–1784 | 27–28 | Linz and Vienna |
436 | 436 | Notturno for Two Sopranos and Bass, "Ecco quel fiero" | 1783 | 27 | Vienna |
437 | 437 | Notturno for Two Sopranos and Bass, "Mi lagnerò tacendo" | 1783 | 27 | Vienna |
438 | 438 | Notturno for Two Sopranos and Bass, "Se lontan" | c. 1783–1786 | 27–30 | Vienna? |
439 | 439 | Notturno for Two Sopranos and Bass, "Due pupille" | c. 1783–1786 | 27–30 | Vienna? |
346 | 439a | Notturno for Two Sopranos and Bass, "Luci care, luci belle" | c. 1783–1786 | 27–30 | Vienna? |
439b | 5 Divertimenti in B-flat | 1783–1788 | 27–32 | Vienna | |
441 | 441 | Trio for Soprano, Tenor and Bass, "Liebes Mandel, wo is's Bandel?" | 1783 | 27 | Vienna |
441b | Anh. C9.03 | Canon for two voices, "Beym Arsch ist’s finster" | 1783 | 27 | Vienna |
416 | 416 | Scena and Rondo for Soprano, "Mia speranza adorata" | 8 January 1783 | 26 | Vienna |
398 | 416e | 6 Variations on "Salve tu, Domine" | March 1783 | 27 | Vienna |
417 | 417 | Horn Concerto No. 2 in E-flat | 27 May 1783 | 27 | Vienna |
421 | 417b | String Quartet No. 15 in D minor | June 1783 | 27 | Vienna |
178 | 417e | Aria for Soprano, "Ah, spiegarti, oh Dio" | c. June 1783 | 27 | Vienna? |
419 | 419 | Aria for Soprano, "No, no, che non sei capace" | June 1783 | 27 | Vienna |
423 | 423 | Duo in G for Violin and Viola | c. summer 1783 | 27 | Salzburg? |
424 | 424 | Duo in B-flat for Violin and Viola | c. summer 1783 | 27 | Salzburg? |
418 | 418 | Aria for Soprano, "Vorrei spiegarvi, oh Dio!" | 20 June 1783 | 27 | Vienna |
420 | 420 | Aria for Tenor, "Per pietà, non ricercate" | 21 June 1783 | 27 | Vienna |
428 | 421b | String Quartet No. 16 in E-flat | June – July 1783 | 27 | Vienna |
427 | 417a | Great Mass in C minor | July 1782 – October 1783 | 27 | Vienna |
429 | 468a | Cantata, "Dir, Seele des Weltalls" (fragment) | 1783 | 27 | Vienna |
422 | 422 | L'oca del Cairo | Late 1783 | 27 | Salzburg and Vienna |
Anh. 14 | 422a | Kyrie in D | 1787–1789 | 31–33 | Salzburg |
430 | 424a | Lo sposo deluso | Late 1783 | 27 | Salzburg and Vienna |
425 | 425 | Symphony in C, No. 36, "Linz" | October – November 1783 | 27 | Linz |
431 | 425b | Recitative and Aria for Tenor, "Misero! O sogno!" | December 1783 | 27 | Vienna? |
426 | 426 | Fugue in C minor for Two Keyboards | 29 December 1783 | 27 | Vienna |
Anh. 44 | 426a | Allegro in C minor for Two Keyboards (fragment) | December 1783 | 27 | Vienna |
444 | 425a | Introduction in G to Symphony No. 25 by Michael Haydn | Late 1783 or 1784 | 27–28 | Vienna |
447 | 447 | Horn Concerto No. 3 in E-flat | c. 1784–1787 | 28–31 | Vienna |
453a | Funeral March in C minor for Keyboard | 1784 | 28 | Vienna | |
461 | 448a | 6 Minuets | Early 1784 | 27–28 | Vienna |
462 | 448b | 6 Contredanses | January 1784 | 27–28 | Vienna |
463 | 448c | 2 Minuets with Contredanses | Early 1784 | 27–28 | Vienna |
449 | 449 | Piano Concerto No. 14 in E-flat, "First Ployer" | 9 February 1784 | 28 | Vienna |
450 | 450 | Piano Concerto No. 15 in B-flat | 15 March 1784 | 28 | Vienna |
451 | 451 | Piano Concerto No. 16 in B-flat | 22 March 1784 | 28 | Vienna |
452 | 452 | Quintet for Piano and Winds in E-flat | 30 March 1784 | 28 | Vienna |
453 | 453 | Piano Concerto No. 17 in G, "Second Ployer" | 12 April 1784 | 28 | Vienna |
453b | Exercise Book for Barbara Ployer | ||||
454 | 454 | Sonata in B-flat for Violin and Keyboard, for Regina Strinasacchi | 21 April 1784 | 28 | Vienna |
460 | 454a | 8 Variations on "Come un agnello" | c. June 1784 | 28 | Vienna |
455 | 455 | 10 Variations in G on "Unser dummer Pöbel meint" | 25 August 1784 | 28 | Vienna |
456 | 456 | Piano Concerto No. 18 in B-flat, "Paradis" | 30 September 1784 | 28 | Vienna |
457 | 457 | Piano Sonata No. 14 in C minor | 14 October 1784 | 28 | Vienna |
458 | 458 | String Quartet No. 17 in B-flat, "The Hunt" | 9 November 1784 | 28 | Vienna |
Anh. 75 | 458a | Minuet for String Quartet in B-flat (fragment) | November 1784 | 28 | Vienna |
Anh. 71 | 458b | Rondo for String Quartet in B-flat | November 1784 | 28 | Vienna |
459 | 459 | Piano Concerto No. 19 in F | 11 December 1784 | 28 | Vienna |
Anh. 95 (440b;484b) | 484b | Allegro assai for Winds in B-flat (fragment) | end 1785 | 29 | Vienna |
Anh. 93; 440c | 484c | Adagio for Winds in F (fragment) | end 1785 | 29 | Vienna |
410 | 484d | Adagio in F for Two Basset Horns and Bassoon | end 1785 | 29 | Vienna? |
484e | Allegro for Basset Horn in F (fragment) | end 1785 | 29 | Vienna | |
506a | Studies for Thomas Attwood | 1785–1786 | 29–30 | Vienna | |
464 | 464 | String quartet in A | 10 January 1785 | 28 | Vienna |
Anh. 72 | 464a | Rondo for String Quartet in A (fragment) | 10 January 1785 | 28 | Vienna |
465 | 465 | String Quartet No. 19 in C, "Dissonance" | 14 January 1785 | 28 | Vienna |
466 | 466 | Piano Concerto No. 20 in D minor | 10 February 1785 | 29 | Vienna |
469 | 469 | Davide penitente | 13 March 1785 | 29 | Vienna |
467 | 467 | Piano Concerto No. 21 in C | 9 March 1785 | 29 | Vienna |
468 | 468 | Song, "Lied zur Gesellenreise" | 26 March 1785 | 29 | Vienna |
470 | Andante to a Violin Concerto of Viotti (lost) | 1785 | 29 | Vienna | |
470a | Instrumentation for a Concerto for Violin by G.B. Viotti | April 1785 | 29 | Vienna | |
471 | 471 | Cantata, Die Mauererfreude | 20 April 1785 | 29 | Vienna |
472 | 472 | Song, "Der Zauberer" | 7 May 1785 | 29 | Vienna |
473 | 473 | Song, "Die Zufriedenheit" | 7 May 1785 | 29 | Vienna |
474 | 474 | Song, "Die betrogene Welt" | 7 May 1785 | 29 | Vienna |
475 | 475 | Fantasia for Piano in C minor | 20 May 1785 | 29 | Vienna |
Anh. 26 | 475a | Song, "Einsam bin ich, meine Liebe" in D minor (fragment) | 1785? | 29 | Vienna |
476 | 476 | Song, "Das Veilchen" | 8 June 1785 | 29 | Vienna |
478 | 478 | Piano Quartet No. 1 in G minor | 16 October 1785 | 29 | Vienna |
477 | 479a | Maurerische Trauermusik (Masonic Funeral Music) | November 1785 | 29 | Vienna |
479 | 479 | Quartet for Soprano, Tenor and Two Basses, "Dite almeno" | 5 November 1785 | 29 | Vienna |
480 | 480 | Trio for Soprano, Tenor and Bass, "Mandina amabile" | 21 November 1785 | 29 | Vienna |
434 | 480b | Aria for tenor, 2 basses and orchestra, "Del gran regno delle amazzone" | End of 1785 | 29 | Vienna |
483 | 483 | Song with chorus, "Zerfließet heut" | End of 1785 | 29 | Vienna |
484 | 484 | Song with chorus, "Ihr unsre neuen Leiter" | End of 1785 | 29 | Vienna |
411 | 484a | Adagio in B-flat for Two Clarinets and Three Basset Horns | c. end of 1785 | 29 | Vienna? |
506 | 506 | Song, "Lied der Freiheit" | c. end of 1785 | 29 | Vienna |
481 | 481 | Sonata in E-flat for Violin and Keyboard | 12 December 1785 | 29 | Vienna |
482 | 482 | Piano Concerto No. 22 in E-flat | 16 December 1785 | 29 | Vienna |
442 | 442 | Unrelated fragments of 3 Trios for Violin, Cello, and Piano; completed by Stadler | 1783–1788 | 27–32 | Vienna |
355 | 576b | Minuet in D for Keyboard | c. 1786–1787 | 30–31 | Vienna |
485 | 485 | Rondo in D for Keyboard | 10 January 1786 | 29 | Vienna |
486 | 486 | Der Schauspieldirektor | 7 February 1786 | 30 | Vienna |
488 | 488 | Piano Concerto No. 23 in A | 2 March 1786 | 30 | Vienna |
489 | 489 | Duet for Soprano and Tenor, "Spiegarti no poss'io" | 10 March 1786 | 30 | Vienna |
490 | 490 | Scena and Rondo for Soprano and Tenor, "Non più. Tutto ascoltai...Non temer, amato bene" | 10 March 1786 | 30 | Vienna |
491 | 491 | Piano Concerto No. 24 in C minor | 24 March 1786 | 30 | Vienna |
492 | 492 | Le nozze di Figaro | 1 May 1786 | 30 | Vienna |
493 | 493 | Piano Quartet No. 2 in E-flat | 3 June 1786 | 30 | Vienna |
507 | 507 | Canon in F for 3 voices in 1 | After 3 June 1786 | 30 | Vienna |
508 | 508 | Canon in F for 3 voices in 1 | After 3 June 1786 | 30 | Vienna |
508A | Canon in C for 3 voices in 1 | After 3 June 1786 | 30 | Vienna | |
508a | 2 Canons in F for 3 voices in 1, 14 Canons in F for 2 voices in 1 | After 3 June 1786 | 30 | Vienna | |
494 | 494 | Rondo in F for Keyboard | 10 June 1786 | 30 | Vienna |
Anh. 98a | 494a | Movement for a Horn Concerto in E (fragment) | Summer 1786 | 30 | Vienna |
495 | 495 | Horn Concerto No. 4 in E-flat | 26 June 1786 | 30 | Vienna |
496 | 496 | Piano Trio in G | 8 July 1786 | 30 | Vienna |
487 | 496a | 12 Duos for Basset Horns | 27 July 1786 | 30 | Vienna |
497 | 497 | Sonata in F for Keyboard Four-Hands | 1 August 1786 | 30 | Vienna |
498 | 498 | Trio in E-flat for Piano, Clarinet and Viola, "Kegelstatt" | 5 August 1786 | 30 | Vienna |
499 | 499 | String Quartet No. 20 in D, "Hoffmeister" | 19 August 1786 | 30 | Vienna |
500 | 500 | 12 Variations in B-flat | 12 September 1786 | 30 | Vienna |
501 | 501 | 5 Variations in G | 4 November 1786 | 30 | Vienna |
Anh. 51 | 501a | Allegro for Piano Trio in B-flat (fragment) | 1786 | 30 | Vienna |
502 | 502 | Piano Trio in B-flat | 18 November 1786 | 30 | Vienna |
503 | 503 | Piano Concerto No. 25 in C | 4 December 1786 | 30 | Vienna |
504 | 504 | Symphony in D, No. 38, "Prague" | 6 December 1786 | 30 | Vienna |
505 | 505 | Scena and Rondo for Soprano, "Ch'io mi scordi di te?" | 26 December 1786 | 30 | Vienna |
298 | 298 | Flute Quartet No. 4 in A | 1786–1787 | 30–31 | Vienna |
516f | Musikalisches Würfelspiel in C | 1787 | 31 | Vienna | |
343 | 336c | 2 German Hymns | c. early 1787 | 30–31 | Prague or Vienna |
509 | 509 | 6 German Dances | 6 February 1787 | 31 | Prague |
511 | 511 | Rondo for Piano in A minor | 11 March 1787 | 31 | Vienna |
512 | 512 | Recitative and Aria for Bass, "Alcandro, lo confesso" | 19 March 1787 | 31 | Vienna |
513 | 513 | Aria for Bass, "Mentre ti lascio" | 23 March 1787 | 31 | Vienna |
515 | 515 | String Quintet No. 3 in C | 19 April 1787 | 31 | Vienna |
228 | 515b | Double Canon in F for 4 voices in 2 | 24 April 1787 | 31 | Vienna |
516 | 516 | String Quintet No. 4 in G minor | 16 May 1787 | 31 | Vienna |
517 | 517 | Song, "Die Alte" | 18 May 1787 | 31 | Vienna |
518 | 518 | Song, "Die Verschweigung" | 20 May 1787 | 31 | Vienna |
519 | 519 | Song, "Das Lied der Trennung" | 23 May 1787 | 31 | Vienna |
520 | 520 | Song, "Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte" | 25 May 1787 | 31 | Vienna |
521 | 521 | Sonata in C for Keyboard Four-Hands | 29 May 1787 | 31 | Vienna |
522 | 522 | Ein musikalischer Spaß | 14 June 1787 | 31 | Vienna |
523 | 523 | Song, "Abendempfindung" | 24 June 1787 | 31 | Vienna |
524 | 524 | Song, "An Chloe" | 24 June 1787 | 31 | Vienna |
232 | 509a | Canon in G for 4 voices in 1, "Lieber Freistadtler, lieber Gaulimauli" | After 4 July 1787 | 31 | Vienna |
525 | 525 | Eine kleine Nachtmusik | 10 August 1787 | 31 | Vienna |
526 | 526 | Sonata in A for Violin and Keyboard | 24 August 1787 | 31 | Vienna |
527 | 527 | Don Giovanni | 28 October 1787 | 31 | Prague |
528 | 528 | Scena for Soprano, "Bella mia fiamma" | 3 November 1787 | 31 | Prague |
529 | 529 | Song, "Des kleinen Friedrichs Geburtstag" | 6 November 1787 | 31 | Prague |
530 | 530 | Song, "Das Traumbild" | 6 November 1787 | 31 | Prague |
531 | 531 | Song, "Die kleine Spinnerin" | 11 December 1787 | 31 | Vienna |
532 | 532 | Grazie agl'inganni tuoi (La Libertà a Nice), Sketch/fragment for a vocal trio and instruments |
1787 | 31 | Vienna |
Anh. 86 | 516a | Rondo for String quintet in G (fragment) | May 1787 | 32 | Vienna |
406 | 516b | String Quintet No. 2 in C minor (arrangement of K. 388/384a) | 1777/1788 | 32 | Vienna |
516c | Allegro for Clarinet Quintet in B-flat (fragment) | 1787 | 31 | Vienna | |
516d | Rondo for Clarinet Quintet in E-flat (fragment) | 1787 | 31 | Vienna | |
535a | 3 Contredanses | early 1788 | 31–32 | Vienna | |
533 | 533 | Piano Sonata No. 15 in F | 3 January 1788 | 31 | Vienna |
534 | 534 | Contredanse, "Das Donnerwetter" | 14 January 1788 | 31 | Vienna |
535 | 535 | Contredanse, "La Bataille" | 23 January 1788 | 32 | Vienna |
536 | 536 | 6 German Dances | 27 January 1788 | 32 | Vienna |
537d | Arrangement of Aria for Tenor by Carl Philipp Emanuel Bach | February 1788 | 32 | Vienna | |
537 | 537 | Piano Concerto No. 26 in D, "Coronation" | 24 February 1788 | 32 | Vienna |
538 | 538 | Aria for Soprano, "Ah se in ciel" | 4 March 1788 | 32 | Vienna |
539 | 539 | Song, "Ein deutsches Kriegslied" | 5 March 1788 | 32 | Vienna |
540 | 540 | Adagio in B minor for Piano | 19 March 1788 | 32 | Vienna |
540a | Aria for Tenor, "Dalla sua pace" | 24 April 1788 | 32 | Vienna | |
540b | Duet for Soprano and Bass, "Per queste tue manine" | 28 April 1788 | 32 | Vienna | |
540c | Recitative and Aria for Soprano, "In quali eccessi … Mi tradì quell'alma ingrata" | 30 April 1788 | 32 | Vienna | |
541 | 541 | Arietta for Bass, "Un bacio di mano" | May 1788 | 32 | Vienna |
545 | 545 | Piano Sonata No. 16 in C, "'facile'" | 26 June 1788 | 32 | Vienna |
542 | 542 | Piano Trio in E | 22 June 1788 | 32 | Vienna |
543 | 543 | Symphony in E-flat, No. 39 | 26 June 1788 | 32 | Vienna |
544 | 544 | Incipit of "March in D 'Ein kleiner Marsch'" (fragment;lost) | 28 June 1788 | 32 | Vienna |
546 | 546 | Adagio and Fugue in C minor | 26 June 1788 | 32 | Vienna |
Anh. 47 | 546a | Allegro for Keyboard & Violin in G (fragment) | Summer 1787 | 31 | Vienna |
547 | 547 | Sonata in F for Violin and Keyboard | 10 July 1788 | 32 | Vienna |
Anh. 135 | 547a | Piano Sonata in F | July 1788 | 32 | Vienna |
54 | Anh. 138a; 547b | 5 Variations in F for Piano | July 1788 | 32 | Vienna |
548 | 548 | Piano Trio in C | 14 July 1788 | 32 | Vienna |
549 | 549 | Canzonetta for two Sopranos and Bass, "Piu non si trovano" | 16 July 1788 | 32 | Vienna? |
550 | 550 | Symphony in G minor, No. 40 | 25 July 1788 | 32 | Vienna |
551 | 551 | Symphony in C, No. 41, "Jupiter" | 10 August 1788 | 32 | Vienna |
552 | 552 | Song, "Beim Auszug in das Feld" | 11 August 1788 | 32 | Vienna |
553 | 553 | Canon in C for 3 voices in 1, "Alleluia" | 2 September 1788 | 32 | Vienna |
554 | 554 | Canon in F for 4 voices in 1, "Ave Maria" | 2 September 1788 | 32 | Vienna |
555 | 555 | Canon in A minor for 4 voices in 1, "Lacrimoso" | 2 September 1788 | 32 | Vienna |
556 | 556 | Canon in G for 4 voices in 1, "G'rechtelt's enk" | 2 September 1788 | 32 | Vienna |
557 | 557 | Canon in F minor or 4 voices in 1, "Nascoso e il mio sol" | 2 September 1788 | 32 | Vienna |
558 | 558 | Canon in B-flat for 4 voices in 1, "Gehen wir im Prater" | 2 September 1788 | 32 | Vienna |
559 | 559 | Canon in F for 3 voices in 1, "Difficile lectu mihi Mars" | 2 September 1788 | 32 | Vienna |
560a | 559a | Canon in F for 4 voices in 1, "O du eselhafter Peierl" | 2 September 1788 | 32 | Vienna |
560b | 560 | Canon in F for 4 voices in 1, "O du eselhafter Martin" | 2 September 1788 | 32 | Vienna |
561 | 561 | Canon in A for 4 voices in 1, "Bona nox! bist a rechta Ox" | 2 September 1788 | 32 | Vienna |
562 | 562 | Canon in A for 3 voices in 1, "Caro bell'idol mio" | 2 September 1788 | 32 | Vienna |
563 | 563 | Divertimento in E-flat (Trio in E-flat) | 27 September 1788 | 32 | Vienna |
564 | 564 | Piano Trio in G | 27 October 1788 | 32 | Vienna |
566 | 566 | Arrangement of Handel's Acis und Galathea | November 1788 | 32 | Vienna |
567 | 567 | 6 German Dances | 6 December 1788 | 32 | Vienna |
568 | 568 | 12 Minuets | 24 December 1788 | 32 | Vienna |
569 | 569 | Aria "Ohne Zwang" (lost) | 1789 | 33 | Vienna |
Anh. 31 | 569a | Sonata movement for Piano in B-flat (fragment) | 1787–1789 | 31–33 | Vienna |
Anh. 5 | 571a | Quartet for Soprano, two Tenors and Bass, "Caro mio Druck und Schluck" | c. 1789 | 33 | Vienna? |
570 | 570 | Sonata in B-flat for Keyboard | February 1789 | 33 | Vienna |
571 | 571 | 6 German Dances for Orchestra | 21 February 1789 | 33 | Vienna |
572 | 572 | Arrangement of Handel's Messiah | March 1789 | 33 | Vienna |
Anh. 4 | 572a | Double cannon for six voices | March 1789 | 33 | Leipzig |
573 | 573 | 9 Variations in D | 29 April 1789 | 33 | Potsdam |
574 | 574 | Kleine Gigue in G for Keyboard | 16 May 1789 | 33 | Leipzig |
575 | 575 | String Quartet No. 21 in D, first of the three "Prussian Quartets" | June 1789 | 33 | Vienna |
576 | 576 | Piano Sonata No. 18 in D | July 1789 | 33 | Vienna |
577 | 577 | Rondo for Soprano, "Al desio, di chi t'adora" | July 1789 | 33 | Vienna |
578 | 578 | Aria for Soprano, "Alma grande e nobil core" | August 1789 | 33 | Vienna |
579 | 579 | Aria for Soprano, "Un moto di gioia mi sento" | August 1789 | 33 | Vienna |
580 | 580 | Aria for Soprano, "Schon lacht der holde Frühling" | 17 September 1789 | 33 | Vienna |
581 | 581 | Clarinet Quintet in A | 29 September 1789 | 33 | Vienna |
582 | 582 | Aria for Soprano, "Chi sà, chi sà, qual sia" | October 1789 | 33 | Vienna |
583 | 583 | Aria for Soprano, "Vado, ma dove? -- oh Dei!" | October 1789 | 33 | Vienna |
584 | 584 | Aria for Bass, "Rivolgete a lui lo sguardo" | December 1789 | 33 | Vienna |
585 | 585 | 12 Minuets | December 1789 | 33 | Vienna |
586 | 586 | 12 German Dances | December 1789 | 33 | Vienna |
587 | 587 | Contredanse in C, "Der Sieg vom Helden Koburg" | December 1789 | 33 | Vienna |
Anh. 85 | 587a | Allegro for String Quartet in G minor (fragment) | End 1789 | 33 | Vienna |
588 | 588 | Così fan tutte | 26 January 1790 | 34 | Vienna |
106 | 588a | Overture and 3 Contredanses | January 1790 | 33–34 | Vienna |
236 | 588b/Anh. 36 | Andantino for Keyboard in E-flat | 1790 | 34 | Vienna |
589 | 589 | String Quartet No. 22 in B-flat, second of three "Prussian Quartets" | May 1790 | 34 | Vienna |
590 | 590 | String Quartet No. 23 in F, third of the three "Prussian Quartets" | June 1790 | 34 | Vienna |
Anh. 29 | 590a | Sonata movement for Piano in F (fragment) | 1787–1789 | 31–33 | Vienna |
Anh. 30 | 590b | Rondo for Piano in F (fragment) | 1787–1789 | 31–33 | Vienna |
Anh. 37 | 590c | Rondo for Piano in F (fragment) | 1787–1789 | 31–33 | Vienna |
591 | 591 | Arrangement of Handel's Alexander's Feast | July 1790 | 34 | Vienna |
592 | 592 | Arrangement of Handel's Ode to Saint Cæcelia | July 1790 | 34 | Vienna |
625 | 592a | Comical Duet for Soprano and Bass, "Nun, liebes Weibchen" | August 1790 | 34 | Vienna |
593 | 593 | String Quintet No. 5 in D | December 1790 | 34 | Vienna |
Anh. 35 | 593a | Adagio for Organ in D minor (fragment) | December 1790 | 34 | Vienna |
594 | 594 | Adagio and Allegro in F minor for a Mechanical Organ | October – December 1790 | 34 | Vienna and ? |
412/514 | 386b | Horn Concerto No. 1 in D | 1791 | 35 | Vienna |
609 | 609 | 5 Contredanses | 1791 | 35 | Vienna |
595 | 595 | Piano Concerto No. 27 in B-flat | c. 1787–91 dated: 5 January 1791 | 34 | Vienna |
596 | 596 | Song, "Sehnsucht nach dem Frühling" | 14 January 1791 | 34 | Vienna |
597 | 597 | Song, "Im Frülingsanfang" | 14 January 1791 | 34 | Vienna |
598 | 598 | Song, "Das Kinderspiel" | 14 January 1791 | 34 | Vienna |
599 | 599 | 6 Minuets | 23 January 1791 | 35 | Vienna |
600 | 600 | 6 German Dances | 29 January 1791 | 35 | Vienna |
601 | 601 | 4 Minuets | 5 February 1791 | 35 | Vienna |
602 | 602 | 4 German Dances | 5 February 1791 | 35 | Vienna |
603 | 603 | 2 Contredanses | 5 February 1791 | 35 | Vienna |
604 | 604 | 2 Minuets | 12 February 1791 | 35 | Vienna |
605 | 605 | 3 German Dances | 12 February 1791 | 35 | Vienna |
607 | 605a | Contredanse, "Il Trionfo delle Donne" | 28 February 1791 | 35 | Vienna |
606 | 606 | 6 "Landler" | 28 February 1791 | 35 | Vienna |
613 | 613 | 8 Variations in F on "Ein Weib ist das herrlichste Ding" | March 1791 | 35 | Vienna |
Anh. 81 | 613a | Allegro for String Quintet in E-flat (fragment) | March 1791 | 35 | Vienna |
Anh. 82 | 613b | Allegro for String Quintet in E-flat (fragment) | March 1791 | 35 | Vienna |
608 | 608 | Fantasia in F minor for a Mechanical Organ | 3 March 1791 | 35 | Vienna |
610 | 610 | Contredanse, "Les filles malicieuses" | 6 March 1791 | 35 | Vienna |
611 | 611 | German Dance | 6 March 1791 | 35 | Vienna |
612 | 612 | Aria for Bass, "Per questa bella mano" | 8 March 1791 | 35 | Vienna |
614 | 614 | String Quintet No. 6 in E-flat | 12 April 1791 | 35 | Vienna |
615 | 615 | Chorus "Viviamo felici" (lost) | 1791 | 35 | Vienna |
616 | 616 | Andante in F for a Small Mechanical Organ | 4 May 1791 | 35 | Vienna |
617 | 617 | Adagio and Rondo for Glass Harmonica, Flute, Oboe, Viola and Cello | 23 May 1791 | 35 | Vienna |
356 | 617a | Adagio in C for Glass Harmonica | 1791 | 35 | Vienna |
618 | 618 | Motet in D, "Ave verum Corpus" | 17 June 1791 | 35 | Baden |
619 | 619 | Cantata, "Die ihr des unermeßlichen Weltalls" | July 1791 | 35 | Vienna |
620 | 620 | Die Zauberflöte | 30 September 1791 | 35 | Vienna |
Anh. 78 | 620b | Contrapuntal Study | c. September 1791 | 35 | Vienna |
621 | 621 | La clemenza di Tito | 6 September 1791 | 35 | Prague |
Anh. 245 | 621a | Aria for Bass, "Io ti lascio, o cara, addio" | c. September 1791 | 35 | Prague? |
584b | 621b | Basset-horn Concerto in G (fragment) | October 1791 | 35 | Vienna |
622 | 622 | Clarinet Concerto in A | October 1791 | 35 | Vienna |
623 | 623 | Little Masonic Cantata | 15 November 1791 | 35 | Vienna |
624 | 626a | Cadenzas for Piano Concertos K. 40i, 107/1, 175, 238, 246, 271, 365, 413,414, 415, 449, 450, 451, 453, 456, 459, 466, 488 & 595 |
1768–1791 | 12–35 | Vienna |
626b/48 | Finger Exercises for Keyboard in C | End of 1780 | 24 | Vienna | |
626 | 626 | Requiem in D minor | Late 1791 | 35 | Vienna |
References
- ^ Köchel, Ludwig Ritter von (1862). Chronologisch-thematisches Verzeichniss sämmtlicher Tonwerke Wolfgang Amade Mozart's (in German). Leipzig: Breitkopf & Härtel. OCLC 3309798. Archived from the original on 12 February 2008.
- ^ a b Spaur-Messe[dead link]
- ^ Naxos Direct