Thelma Schoonmaker
Thelma Schoonmaker | |
---|---|
Born | Thelma Colbert Schoonmaker January 3, 1940 |
Nationality | American |
Alma mater | Cornell University |
Occupation | Film editor |
Years active | 1966–present |
Spouse |
Thelma Schoonmaker (/ˈskuːnmeɪkər/;[1] born January 3, 1940) is an American film editor. She is best known for her collaboration over five decades with film director Martin Scorsese. She is the recipient of numerous accolades, including three Academy Awards, two BAFTA Film Awards, and four ACE Eddie Awards. She has been honored with the British Film Institute Fellowship in 1997, the Golden Lion for Lifetime Achievement in 2014, and the BAFTA Fellowship in 2019.
Schoonmaker started working with Scorsese on his debut feature film, Who's That Knocking at My Door (1967), and has edited all of his films since Raging Bull (1980). She has received eight nominations for the Academy Award for Best Film Editing, winning three—for Raging Bull, The Aviator (2004), and The Departed (2006), both records.
Early life
Schoonmaker was born on January 3, 1940, in Algiers (then part of French Algeria), the daughter of American parents, Thelma and Bertram Schoonmaker.[2][3] Bertram, descended from the New York Dutch Schoonmaker political family,[3] was employed as an agent of the Standard Oil Company and worked extensively abroad.[4] The Schoonmakers were evacuated to the United States shortly after the Fall of France during the Second World War.[2] In 1941, the family moved to the Dutch-Caribbean island of Aruba,[2][4] where Schoonmaker's father continued to work for Standard Oil and her mother ran nursery schools.[5] Schoonmaker was primarily raised in Aruba, in a community she described as "a colony of expatriates from over the world";[5] she also spent part of her childhood in Portugal.[6]
Schoonmaker did not live in the United States until she was an adolescent in 1955, and was initially alienated and dumbfounded by American culture.[4] Schoonmaker was interested in a career in international diplomacy and began attending Cornell University in 1957, where she studied political science and the Russian language. When she graduated from Cornell in 1961, she began taking State Department tests in order to apply for positions within the U.S. government.[4][7]
Politically inclined and opinionated, Schoonmaker was opposed to the Vietnam War and supported the Civil rights movement.[5] She passed the State Department exams but failed the final "stress test" when she expressed distaste for the South African policy of apartheid, a stance which did not sit well with those administering the tests.[4][8]
Career
You get to contribute so significantly in the editing room because you shape the movie and the performances. You help the director bring all the hard work of those who made the film to fruition. You give their work rhythm and pace and sometimes adjust the structure to make the film work – to make it start to flow up there on the screen. And then it's very rewarding after a year's work to see people react to what you've done in the theater.
—Thelma Schoonmaker, on editing[9]
While taking a graduate course in primitive art at Columbia University, Schoonmaker saw an advertisement in The New York Times that offered training as an assistant film editor.[10][11] She responded to the advertisement and got the job. The job entailed assisting an "editor" who was randomly cutting frames from classic European films (such as those by François Truffaut, Jean-Luc Godard and Federico Fellini), so that their length would conform to the running times of U.S. television broadcasts.[4]
She signed up for a brief six-week course in filmmaking at New York University, where she came into contact with young Martin Scorsese, who was struggling to complete his film What's a Nice Girl Like You Doing in a Place Like This? A negative cutter had butchered his film, not leaving enough negative frames to allow for hot splicing, so a film professor asked her to help Scorsese.[4] Schoonmaker went on to edit Scorsese's directorial film debut, Who's That Knocking at My Door (1967).[12]
At NYU, Schoonmaker also met filmmaker Michael Wadleigh and later did her first major editing work on his influential music festival documentary, Woodstock, on which Scorsese also worked. She received her first Oscar nomination for that film.[13] Her use of superimpositions and freeze frames brought the performances in the film to life, and added to the movie's broad appeal, thus helping to raise the artistry and visibility of documentary film-making to a new level.[11]
The early period of Schoonmaker's career was difficult. Despite being an Oscar nominee, Schoonmaker could not work on feature films unless she became a member of the Motion Picture Editors Guild.[5] The union's entry requirements included spending five years as an apprentice and three as an assistant, which Schoonmaker was unwilling to meet.[5][9][13] Schoonmaker remarked, "And I just couldn't see why I, who had been a full editor and had been nominated for an Academy Award, should suddenly have to become an apprentice. ...And of course, they couldn't see the sense of why I, who had never been in the union all those years and had never paid dues all those years and had never served my time in their sense, should be allowed as a full editor. So it was quite understandable on both sides. It was just insane."[5]
Consequently, Schoonmaker did not work with Scorsese in a formal capacity in the 1970s;[13] however, she did make an uncredited contribution to Taxi Driver. Scorsese had decided not to edit the picture during principal photography, but to save all the editing until shooting had wrapped. Unfortunately, this left him very little time to cut the picture, as Columbia's contract stipulated that a finished cut had to be supplied by the middle of February. Scorsese brought in Schoonmaker to help. At one point, Steven Spielberg visited Scorsese and chipped in with some contributions toward the final edit.[14][15]
In the 1980s, with Scorsese's help, Schoonmaker was finally admitted to the union. The two collaborated on Raging Bull, which garnered Schoonmaker an Academy Award for Best Film Editing.[16]
Personal life
She was introduced to Michael Powell by Scorsese and London-based film producer Frixos Constantine.[13] The couple were married from May 19, 1984, until his death in 1990. The couple had no children.[17]
Since Powell's death, Schoonmaker has dedicated herself to preserving the films and honoring the legacy of her husband, who directed many classic films, including The Red Shoes.[7]
Selected film credits
Selected television credits
Year | Title | Notes |
---|---|---|
1979 | Wings Over the World | Television documentary Co-edited with Robin Clarke and Paul Stein |
2003 | AFI Life Achievement Award: A Tribute to Robert De Niro | Television special Co-edited with Debra Light, Adam "Chip" Pauken, Mike Polito, Ryan Polito, Martin Scorsese, and Yoram Inon Tal |
2010 | Boardwalk Empire | Consultant (Episode: "Boardwalk Empire") |
2020 | The Right Stuff | Consulting producer only (2 episodes) |
Music videos
Year | Title | Artist | Notes |
---|---|---|---|
1987 | "Bad" | Michael Jackson | Directed by Martin Scorsese |
Recognition
Schoonmaker holds the record for the most Oscar wins (three) in the Best Film Editing category, shared with Ralph Dawson, Daniel Mandell, and Michael Kahn. Furthermore, she equaled Kahn for the most nominations in that category with eight.[18] In addition, she is the first female editor to win multiple Oscars.[19]
In 2012, on the 75th anniversary of its founding, the Motion Picture Editors Guild issued a list of the 75 best-edited films of all time based on a survey of its membership. Three films edited by Schoonmaker made the list—all Scorsese's directed and from three different decades—including Raging Bull (1980), which is ranked first; Goodfellas (1990), ranked fifteenth; and Hugo (2011), ranked sixty-ninth.[20] Only George Tomasini, the editor of Alfred Hitchcock's films in the 1950s and 1960s, has more appearances on this list, with four; and only Dede Allen also edited three pictures that spanned separate decades each, hers from the 1960s through the 1980s.[21]
Awards and nominations
Major associations
Year | Category | Title | Result | Ref. |
---|---|---|---|---|
1970 | Best Film Editing | Woodstock | Nominated | [22] |
1980 | Raging Bull | Won | [23] | |
1990 | Goodfellas | Nominated | [24] | |
2002 | Gangs of New York | Nominated | [25] | |
2004 | The Aviator | Won | [26] | |
2006 | The Departed | Won | [27] | |
2011 | Hugo | Nominated | [28] | |
2019 | The Irishman | Nominated | [29] |
Year | Category | Title | Result | Ref. |
---|---|---|---|---|
1981 | Best Editing | Raging Bull | Won | [30] |
1983 | The King of Comedy | Nominated | [31] | |
1990 | Goodfellas | Won | [32] | |
1992 | Cape Fear | Nominated | [33] | |
2002 | Gangs of New York | Nominated | [34] | |
2004 | The Aviator | Nominated | [35] | |
2006 | The Departed | Nominated | [36] | |
2011 | Hugo | Nominated | [37] | |
2013 | The Wolf of Wall Street | Nominated | [38] | |
2019 | The Irishman | Nominated | [39] |
Year | Category | Title | Result | Ref. |
---|---|---|---|---|
2004 | Outstanding Multi-Camera Picture Editing for a Miniseries, Movie or a Special | AFI Life Achievement Award: A Tribute to Robert De Niro | Nominated | [40] |
Other awards and nominations
Award | Year | Category | Title | Result |
---|---|---|---|---|
Alliance of Women Film Journalists | 2010 | Best Editing | Shutter Island | Nominated |
2011 | Hugo | Won | ||
Outstanding Achievement by a Woman in the Film Industry | Nominated | |||
2019 | Best Editing | The Irishman | Won | |
American Cinema Editors Awards | 1980 | Best Edited Feature Film | Raging Bull | Won |
1990 | Goodfellas | Nominated | ||
1995 | Casino | Nominated | ||
2002 | Best Edited Feature Film – Dramatic | Gangs of New York | Won | |
2004 | The Aviator | Won | ||
2006 | The Departed | Won | ||
2011 | Hugo | Nominated | ||
2013 | Best Edited Feature Film – Comedy or Musical | The Wolf of Wall Street | Nominated | |
2019 | Best Edited Feature Film – Dramatic | The Irishman | Nominated | |
Austin Film Critics Association | 2019 | Best Film Editing | The Irishman | Nominated |
Boston Online Film Critics Association | 2019 | Best Editing | The Irishman | Won |
Boston Society of Film Critics | 2011 | Best Editing | Hugo | Nominated |
2013 | The Wolf of Wall Street | Nominated | ||
2019 | The Irishman | Won | ||
Chicago Film Critics Association | 2013 | Best Editing | The Wolf of Wall Street | Nominated |
2019 | The Irishman | Won | ||
Clio Awards | 2007 | Gold Clio Award (Beverages/Alcohol) |
The Key to Reserva | Won |
Critics' Choice Movie Awards | 2011 | Best Editing | Hugo | Nominated |
2013 | The Wolf of Wall Street | Nominated | ||
2019 | The Irishman | Nominated | ||
DiscussingFilm Critic Awards | 2019 | Best Film Editing | The Irishman | Won |
Greater Western New York Film Critics Association | 2019 | Best Editing | The Irishman | Nominated |
Hawaii Film Critics Society | 2019 | Best Editing | The Irishman | Nominated |
Hollywood Critics Association | 2019 | Best Film Editing | The Irishman | Nominated |
Hollywood Professional Association | 2012 | Outstanding Editing – Feature Film | Hugo | Won |
International Cinephile Society | 2013 | Best Editing | The Wolf of Wall Street | Nominated |
2016 | Silence | Nominated | ||
2019 | The Irishman | Nominated | ||
International Online Film Critics' Poll | 2014 | Best Editing | The Wolf of Wall Street | Nominated |
Las Vegas Film Critics Society | 2004 | Best Film Editing | The Aviator | Won |
2006 | The Departed | Won | ||
2010 | Shutter Island | Nominated | ||
Latino Entertainment Journalists Association | 2019 | Best Editing | The Irishman | Nominated |
Music City Film Critics Association | 2019 | Best Editing | The Irishman | Nominated |
New Mexico Film Critics | 2019 | Best Editing | The Irishman | Won |
North Dakota Film Society | 2019 | Best Editing | The Irishman | Nominated |
Online Film & Television Association | 2002 | Best Film Editing | Gangs of New York | Nominated |
2004 | The Aviator | Nominated | ||
2006 | The Departed | Nominated | ||
2011 | Hugo | Nominated | ||
2013 | The Wolf of Wall Street | Nominated | ||
2019 | The Irishman | Nominated | ||
Online Film Critics Society | 2004 | Best Editing | The Aviator | Nominated |
2006 | The Departed | Nominated | ||
2019 | The Irishman | Nominated | ||
Phoenix Film Critics Society | 2006 | Best Film Editing | The Departed | Won |
2010 | Shutter Island | Nominated | ||
San Diego Film Critics Society | 2011 | Best Editing | Hugo | Nominated |
2019 | The Irishman | Nominated | ||
San Francisco Bay Area Film Critics Circle | 2013 | Best Film Editing | The Wolf of Wall Street | Nominated |
2019 | The Irishman | Nominated | ||
Satellite Awards | 2002 | Best Editing | Gangs of New York | Won |
2004 | The Aviator | Nominated | ||
2010 | Shutter Island | Nominated | ||
2013 | The Wolf of Wall Street | Nominated | ||
2019 | The Irishman | Nominated | ||
Saturn Awards | 2011 | Best Editing | Hugo | Nominated |
Seattle Film Critics Society | 2019 | Best Editing | The Irishman | Nominated |
St. Louis Film Critics Association | 2019 | Best Editing | The Irishman | Nominated |
Washington D.C. Area Film Critics Association Awards | 2013 | Best Editing | The Wolf of Wall Street | Nominated |
2019 | The Irishman | Nominated |
Honorary awards
Organization | Year | Category | Result |
---|---|---|---|
American Cinema Editors | 2016 | American Cinema Editors Career Achievement Award | Won |
British Academy of Film and Television Arts | 2018 | BAFTA Fellowship | Won |
British Film Institute | 1997 | British Film Institute Fellowship | Won |
Camerimage | 2009 | Editor with Unique Visual Sensitivity | Won |
Gotham Awards | 1992 | Below the Line Award | Won |
Hollywood Film Awards | 2000 | Outstanding Achievement in Editing | Won |
New York Film Critics Circle | 2016 | Special Award | Won |
New York Women in Film & Television | 1995 | Muse Award | Won |
Venice Film Festival | 2014 | Golden Lion for Lifetime Achievement | Won |
State and academic honours
Country or organization | Year | Award or Honor | Ref(s) |
---|---|---|---|
Canterbury Christ Church University | 2007 | Honorary Fellow | [41] |
See also
References
- ^ Colby, Matthew (January 15, 2015). "Thelma Schoonmaker's Favorite Scorsese Moments". YouTube. Archived from the original on December 21, 2021. Retrieved January 13, 2020.
- ^ a b c "The Thelma & Bertram Schoonmaker Story" (PDF). Lago-colony.com. p. 563.
- ^ a b Meuel, David (2016). Women Film Editors: Unseen Artists of American Cinema. McFarland. p. 157. ISBN 9781476662947.
- ^ a b c d e f g Marlow, Jonathan (October 6, 2006). "Thelma Schoonmaker: A Personal Journey with Scorsese and Powell". GreenCine.com. Archived from the original on December 13, 2013.
- ^ a b c d e f Rafferty, Terrence (November 30, 1982). "His Girl Friday: Thelma Schoonmaker Cuts Things Down to Size". The Village Voice.
- ^ Anderson, Hamish (November 22, 2011). "The Woman Behind Martin Scorsese". Elle.
- ^ a b Daniel Aloi, "Thelma Schoonmaker '61 to talk movies Nov. 19 at Cornell", cornell.edu; accessed February 26, 2018.
- ^ Shoard, Catherine (August 1, 2005). "Long-lasting love through a lens". The Daily Telegraph.
- ^ a b Nguyen, Lan N. (March 15, 2005). "The Last Temptation of Thelma". iVillage Entertainment. Archived from the original on October 22, 2006.
- ^ Thelma Schoonmaker Profile, Turner Classic Movies Film Article; retrieved February 5, 2013.
- ^ a b "Hollywood Outstanding Achievement in Editing Award Honoree – THELMA SCHOONMAKER". Hollywood Film Festival. August 2000. Archived from the original on October 31, 2006.
- ^ Tapley, Kristopher (December 21, 2013). "Thelma Schoonmaker remembers her first Scorsese collaboration: 'Who's That Knocking At My Door'". Uproxx. Retrieved February 12, 2020.
- ^ a b c d Robson, Leo (May 9, 2014). "Thelma Schoonmaker: the queen of the cutting room". FT Magazine. Retrieved May 10, 2014.
- ^ Sangster, Jim (2002). Scorsese. Virgin Film.
- ^ Kowalski, Eileen (November 14, 2001). "Tina Hirsch". Variety.
- ^ Talty, Stephan (September–October 1991). "Invisible Woman". American Film.
- ^ Chris Tilly, "Thelma Schoonmaker Q&A" Archived January 7, 2006, at the Wayback Machine, TimeOut.com, September 26, 2005.
- ^ "Film Editing Facts - Most Nominations and Awards". Academy of Motion Picture Arts and Sciences. April 2023.
- ^ Eiseman, Selise (January 1, 2012). "Oscar's Women". Cinemontage. Archived from the original on January 20, 2021.
- ^ "The 75 Best Edited Films". Cinemontage. May 1, 2012. Archived from the original on March 24, 2023.
- ^ "75 Best Edited Films: By the Numbers". Cinemontage. May 1, 2012. Archived from the original on June 10, 2023.
- ^ "The 43rd Academy Awards (1971) Nominees and Winners". Academy of Motion Picture Arts and Sciences (AMPAS). Archived from the original on April 2, 2015. Retrieved August 27, 2013.
- ^ "The 53rd Academy Awards (1980) Nominees and Winners". Academy of Motion Picture Arts and Sciences (AMPAS). Archived from the original on April 2, 2015. Retrieved August 27, 2013.
- ^ "The 63rd Academy Awards (1991) Nominees and Winners". Academy of Motion Picture Arts and Sciences (AMPAS). Archived from the original on April 2, 2015. Retrieved August 27, 2013.
- ^ "The 75th Academy Awards (2003) Nominees and Winners". Academy of Motion Picture Arts and Sciences (AMPAS). Archived from the original on April 2, 2015. Retrieved August 27, 2013.
- ^ "The 77th Academy Awards (2005) Nominees and Winners". Academy of Motion Picture Arts and Sciences (AMPAS). Archived from the original on June 1, 2017. Retrieved August 27, 2013.
- ^ "The 79th Academy Awards (2007) Nominees and Winners". Academy of Motion Picture Arts and Sciences (AMPAS). Archived from the original on April 2, 2015. Retrieved August 27, 2013.
- ^ "The 84th Academy Awards (2012) Nominees and Winners". Academy of Motion Picture Arts and Sciences (AMPAS). Archived from the original on October 15, 2014. Retrieved August 27, 2013.
- ^ "The 92nd Academy Awards (2020) Nominees and Winners". Academy of Motion Picture Arts and Sciences (AMPAS). Archived from the original on February 9, 2021. Retrieved January 31, 2020.
- ^ "The 35th British Academy Film Awards (1982) Nominees and Winners". British Academy of Film and Television Arts (BAFTA). Archived from the original on April 2, 2015. Retrieved January 31, 2020.
- ^ "The 37th British Academy Film Awards (1984) Nominees and Winners". British Academy of Film and Television Arts (BAFTA). Archived from the original on August 8, 2014. Retrieved January 31, 2020.
- ^ "The 44th British Academy Film Awards (1991) Nominees and Winners". British Academy of Film and Television Arts (BAFTA). Archived from the original on July 14, 2014. Retrieved January 31, 2020.
- ^ "The 46th British Academy Film Awards (1993) Nominees and Winners". British Academy of Film and Television Arts (BAFTA). Archived from the original on April 29, 2014. Retrieved January 31, 2020.
- ^ "56th British Academy Film Awards". British Academy of Film and Television Arts (BAFTA). Archived from the original on March 14, 2014. Retrieved August 15, 2023.
- ^ "58th British Academy Film Awards". British Academy of Film and Television Arts (BAFTA). Archived from the original on October 5, 2013. Retrieved August 15, 2023.
- ^ "60th British Academy Film Awards". British Academy of Film and Television Arts (BAFTA). Archived from the original on April 7, 2014. Retrieved August 15, 2023.
- ^ "65th British Academy Film Awards". British Academy of Film and Television Arts (BAFTA). Archived from the original on October 4, 2013. Retrieved August 15, 2023.
- ^ "67th British Academy Film Awards". British Academy of Film and Television Arts (BAFTA). Archived from the original on February 17, 2014. Retrieved August 15, 2023.
- ^ "73rd British Academy Film Awards". British Academy of Film and Television Arts (BAFTA). Archived from the original on February 4, 2020. Retrieved August 15, 2023.
- ^ "Thelma Schoonmaker - Emmy Awards, Nominations, and Wins". Academy of Television Arts & Sciences (ATAS). Archived from the original on March 3, 2021. Retrieved August 15, 2023.
- ^ "Honoraries". Canterbury Christ Church University. Retrieved August 15, 2023.
Further reading
- Aloi, Daniel. "Scorsese's film editor, Thelma Schoonmaker '61, talks of 'Raging Bull' and Michael Powell". Cornell University.
- Schoonmaker, Thelma (December 26, 2005). "Oscar-Winning Scorsese Editor Thelma Schoonmaker". Fresh Air (Interview). Interviewed by Terry Gross. National Public Radio. No transcript available.
- Hynes, Daniel (January 17, 2014). "Cut Here, Cut There, but It's Still 3 Hours: Thelma Schoonmaker on the Art of Editing Long Movies". The New York Times.
- Kallay, William (March 3, 2005). "American Cinema Editors – 2004 Oscar Nominees Discuss their Craft".
- Morgan, David (1991). "Interview with Thelma Schoonmaker". Wide Angle/Closeup.
- Schoonmaker, Thelma (September 26, 2005). "Thelma Schoonmaker Q&A: The Oscar-winning editor discusses Martin Scorsese, Michael Powell and her new film, 'The Departed'". Time Out (Interview). Interviewed by Chris Tilly. Archived from the original on January 7, 2006.
- 2007 Coolidge Award Thelma Schoonmaker – The Coolidge Corner Theatre
External links
- Thelma Schoonmaker at IMDb
- Schoonmaker, Thelma at Encyclopedia.com
- "Thelma Schoonmaker: From 'Raging Bull' to 'Silence'"—January 26, 2017 interview on Studio 360
- 1940 births
- Living people
- Algerian people of American descent
- American Cinema Editors
- American film editors
- American people of Dutch descent
- American women film editors
- Artists from New York City
- BAFTA fellows
- Best Editing BAFTA Award winners
- Best Film Editing Academy Award winners
- Columbia University alumni
- Cornell University alumni
- French people of American descent
- French people of Dutch descent
- Golden Lion for Lifetime Achievement recipients
- People from Algiers