This article needs to be updated. Please help update this article to reflect recent events or newly available information.(September 2018)
This is a timeline of music in the United States from 1970 to the present.
1970
Diana Ross leaves the Supremes, considered to be the most successful and influential girl group of all time, to embark upon a solo career after her final performance with the group on January 14, 1970 in Las Vegas, Nevada.
Charlie Gillett's The Sound of the City is the first comprehensive history of R&B and rock.[4]
Growing Latino "political unrest and cultural awakening" manifests in musical expression, especially in the formation of a group called El Chicano, who had a major hit with "Viva Tirado". "Viva Tirado" becomes the "first single to attain positions in all popular music categories except country and western".[5]
Francis Grasso opens the Sanctuary, the first "notoriously gay discothèque" in the country in the New York club scene; he innovates a technique called disco blending, which allows for uninterrupted dancing, laying the groundwork for disco music.[6]
Haitian performers with mini-djaz bands touring the United States begin deserting to settle in Miami and other cities, establishing a number of local Haitian music scenes.[8]
Nosotros, a Hollywood trade association for Latino entertainers, inaugurates what will become known as the Golden Eagle Awards, for Latino musicians.[5]
Jamaican musician U-Roy becomes the first to record rhythmic speech over dubs, which is the direct ancestor of rapping, one of the elements of hip hop culture.[12]
The Stooges begin performing, becoming known for making physical contact with the crowd, one of the reasons they are considered an important predecessor of punk rock and hardcore.[14]
The New Mexican Hispano trio of Al Hurricane, Tiny Morrie and Baby Gaby become the unofficial leaders of Onda Chicana, the Chicano Wave movement of social and cultural activism in the arts.[16]
The term rock changes from a "stylistic term into an umbrella, incorporating a myriad of musical styles, with only the audience as a common denominator.[17]
The word salsa enters wide usage in a musical context after it is used in Latin New York magazine.[19]
Segments of the music industry begin to express alarm at the spread of home taping, the practice of making recordings using a cassette recorder without purchasing a copy of the recorded music. Cassette manufacturers and consumers rights organizations maintain that the practice does not reduce sales of recorded music.[20]
Musicians begin installing multitrack recording facilities in their homes, the beginning of home recording.[21]
Marvin Gaye's What's Going On is released to great commercial and critical acclaim. It is a "bold musical experiment filled with stream-of-consciousness social commentary". The result is the best-selling album in Motown's history.[27]
The film Shaft and the following year's Super Fly innovate the style known as blaxploitation, which had profound effects on the aesthetic of black popular music over the next several decades.[30]
Wendy Carlos releases Timesteps, an important work that explores a "combination of imaginative programming and recording techniques", demonstrating "how the electronic medium could serve a composer who wanted to explore electronic sounds within the context of a more accessible concert music".[31]
British singer David Bowie brings his Ziggy Stardust tour to the United States. Despite his popularity in the British counterculture, he is greeted with skepticism and indifference, indicating that the "global youth culture created by the Beatles, and ratified at the Monterey Pop Festival, was already beginning to fall apart".[37]
Jimmy Cliff, one of the earliest Jamaican reggae singers to find success in the United States, reaches mainstream audiences with the movie The Harder They Come. The music from the movie spread awareness of Jamaican rock and reggae.[39]Bob Marley's Catch a Fire also establishes his international career and sets the stage for becoming a major American rock icon.[40]
Elmhurst College inaugurates a nearly unique academic program, specializing in the music business.[43]
The Keystone Korner, one of the most important and longest-lasting jazz clubs in San Francisco, opens.[44]
1973
The film American Graffiti is released. It is the "first Hollywood blockbuster about rock and roll".[45]
Augusto Pinochet's coup in Chile inspires musicians both in South America and the United States to form pan-Andean ensembles consisting of bombo drums, the quirqincho and charango guitars, the quena flute and the zampoña panpipes.[46]
One of the most successful groups to come out of the mid-20th century East Los Angeles music scene, Tierra, forms and records their first album, Tierra, an innovative work that fused elements of both Mexican and American popular music.[5]
The National Endowment for the Arts creates a subcategory within its music program for "Jazz/Folk/Ethnic Music"; though jazz had previously been supported by the NEA, this is the first support for folk music.[32][51]
The military establishes the Bicentennial Band, which will tour across the United States over the next few years in celebration of the country's bicentennial anniversary.[52]
The case Schroeder v. Macaulay is a key ruling on the enforceability of music publishing agreements. Among the consequences of the case is the reversion of unused material to the ownership of the author.[11]
1975
Mid-1970s music trends
Asian-American composers of Western classical music, jazz and other styles begin developing a loose community, based in San Francisco. This is the basis of the avant-garde Asian American jazz scene, which incorporates Jeanne Aiko Mercer, Paul Yamazaki and Russel Baba.[3]
A revival of interest in the button box accordion begins among Slovenian Americans.[53]
A revival in New England-style contra dance spreads across the country.[54]
Alex Haley's Roots is broadcast as a television miniseries, inspiring a rekindling of interest among African Americans of their traditional music and culture. It also helps to inspire similar roots revivals, a trend which will be intensified with the Bicentennial celebration the following year.[60]
The exclusively female 14th Army Band begins integrating male members.[62]
John Williams' score for Jaws helps "revitalize the symphonic score, using existing practices and vocabularies".[63]
The rise of the Khmer Rouge in Cambodia leads to a wave of immigration to the United States, clustering in Lowell, Massachusetts and Long Beach, California, thus marking the beginning of a large Cambodian American musical tradition.[64]
Parliament's Mothership Connection is a funk milestone, introducing "new approaches to varying moods, textures and timbres that symbolize... concepts of heterogeneity and spontaneity in black cultural expression".[30]
Pearl Williams-Jones begins her groundbreaking research on the "performance aesthetic" of Pentecostal Christian music.[25]
Punk is the first documented fanzine devoted to punk rock in the United States. Fanzines will soon become an integral part of the field of punk rock.[67]
Thomas F. Johnston begins a series of publication over this and the next year, which are among the most extensive ethnomusicological research done in Alaska.[70]
Deejay Tom Moulton begins selling disco records in twelve-inch singles. The format is a "deejay-friendly medium that establish(es) the deejay" as a remixer who would rearrange, edit and then record dance music version for play in clubs.[6]
Vietnamese immigration to the United States decreases, and most Vietnamese American music into the 21st century draws entirely on the music of Vietnam as it was before this year, which marks the end of the Vietnam War. Many of the upland Vietnamese people, however, begin moving to the United States in this period, bringing with them a unique musical culture as they settled throughout the country, though especially in North Carolina.[71] The end of the Vietnam War also leads to increased Thai, Cham, Lao and Hmong immigration to the United States.[72][73]
Walter Hawkins and his choir record Love Alive, a massively successful gospel record that will remain on the charts for three years.[74]
The Wiz, a retelling of The Wizard of Oz as musical theater with an all-black cast, is a groundbreaking, award-winning "smash hit" that presages a "resurgence of musical shows by blacks".[75]
The Bicentennial celebration helps inspire a resurgence of interest in traditional ethnic music, beginning with the Smithsonian's sponsorship of the Bicentennial Festival of American Folklife. Irish American groups at the festival are the first to be formally received by the Irish Embassy in the United States. The festival is a pivotal point in Irish American music history, offering the field what is viewed as its first official recognition and approval.[60]
Bill Conti's score for Rocky helps "revitalize the symphonic score, using existing practices and vocabularies".[63]
Afrika Bambaataa emerges as a major competitor to DJ Kool Herc, who had long been by far the single most prominent individual in hip hop culture.[12]
The Mexican American farmworker movement, which had long used music as a tool of communication, expression and organization, is buoyed by the release of ¡Huelga en general!, a collection of farmworker songs that had originally been produced by El Teatro Campesino. This year's ¡Si se puede!, with performances from a number of musicians, also inspires the Latino farmworkers in their struggles.[5]
The first woman begins serving as cantor in a Reform synagogue.[56]
The first modern American klezmer band forms, and Irving Howe publishes World of Our Fathers an enormously successful and influential exploration of Eastern European Jewish culture.[87]
The film and soundtrack Saturday Night Fever with songs by The Bee Gees helps fuel the popularity of disco and inspires a string of similar energetic, dance-focused films.[6][22][30][94] The success of the album also re-establishes the soundtrack as a tool in promoting both music and films.[95]
John Williams' score for Star Wars helps "revitalize the symphonic score, using existing practices and vocabularies".[63]
The Smithsonian Institution creates the Office of Folklife Programs, later the Center for Folklife Programs and Cultural Studies, to conduct and publish research.[32]
Leanne Hinton's dissertation, on Havasupai songs, contains an extensive description of that tribe's use of vocables, and is a notable early study of their use in Native American music.[98]
The International Academy of Jazz Hall of Fame, hosted at the William Pitt Student Union in the University of Pittsburgh, opens. It is the oldest jazz hall of fame.[99]
Though British punk bands would receive international attention first, American punk rock begins, with groups like The Ramones and Dead Kennedys.[3]
A new style of Irish American music is popularized by the Clancy Brothers and Tommy Makem, characterized by a single lead vocalist with a widely varying instrumental backing band, often with elements of traditional Irish sean nos vocal ornamentation.[106]
Irish American rock bands create a new style called Celtic rock, based on rock music with the addition of the fiddle or other Irish instruments and with strong influences from Irish folk music.[106]
The field of popular music studies – the academic study of popular music – begins to achieve mainstream scholarly acceptance as a valid area of research.[107]
The emcee begins to replace the DJ as the most prominent performer in hip hop.[12]
Simon Frith and Angela McRobbie are the first academic researchers to study the perceived inherent masculinity of rock music, concluding that it is a product of socialization early in life, in which females are encouraged to be passive and submissive, qualities antithetical to much rock music.[109]
Sony introduces the Walkman, a portable cassette player that contributes greatly to the success of that format for recorded music.[110]
Martin Scorsese' documentary of The Band, Last Waltz, pioneers a new style of concert film, presenting a more naturalistic image than the larger-than-life atmosphere of most earlier concert films.[111]
The North American Basque Organization begins sponsoring a summer camp to help keep alive the musical and other cultural traditions of Basque Americans.[113]
The Federal Cylinder Project is created to rescue ethnographic records,[117] most of them made under the Bureau of Ethnology and repatriate the recordings to their peoples of origin.[32] It will be the "largest repatriation project undertaken by any world archive".[82]
"Rappers Delight" by the Sugarhill Gang becomes the first commercially released hip hop recording, coming quickly after the Fatback Band's "King Tim III", which contains a hip hop-style rapping section.[12] It is released by Sugar Hill Records, which sold over 500,000 copies.[118] Later that year, Joe Bataan's "Rap-O, Clap-O" is a minor in the United States but is the first international hip hop hit.[77]
The complex traditions of Cambodian court music, long exclusive to the royalty in that country, are democratized both in Cambodia and among Cambodian Americans, who come to see court music as a fundamental part of their cultural identity.[64]
The Iranian Revolution leads to an influx of immigrants from Iran, many of them trained in classical Persian music; their concentration in Los Angeles leads to that city becoming a center for Iranian music in the United States.[119]
The band Blondie's "The Rapture" is a major hip hop-influenced hit. For many white audiences, it is their first exposure to hip hop,[126] and Deborah Harry's vocal work constitutes the first white person to rap on record.[127]
After the Mariel boatlift, Afro-Cubans begin arriving in the United States in larger numbers, bringing with them distinctive musical, especially religious, styles, techniques and instrumentation.[46]
John Lennon is murdered in New York, and his death is taken by many fans as a symbol of the end of the 1960s countercultural movement.[92]
Ruben Bladés' Siembra sets sales records for American salsa, and makes him one of the most enduring figures in the field.[59]
The first usage of the word hardcore to describe what will later be known as hardcore punk may come from an article in the San Francisco magazine Damaged.[128]
Alison Geldard conducts one of the first major studies of Indian American music.[129]
Music education curricula in the United States begin incorporating musical elements from diverse areas of both the country and the world.[105]
Americans become more interested in the music education of their children, especially after news of the "Mozart effect", in which children exposed to Western classical music are said to become more intelligent later in life, spreads across the country.[105]
The breakthrough release for the gospel dynasty the Winan family, Introducing the Winans, is released.[133]
MTV premiers, showing the first of its music videos, The Buggles' "Video Killed the Radio Star". The channel is intended both to appeal to a young demographic poorly served by existing channels as well as market and expose new acts to popular music audiences.[134] MTV will go on to expose audiences to new music to the present, but will also be criticized for adversely affecting the quality of both recorded and live music.[12] It will become the largest international media company presenting popular music through cable and satellite.[135]
Harsh restrictions on dissenters in Haiti leads to another wave of migration to the United States, especially artists in a field known as angaje, including Ti-Manno, Manno Charlemagne and Les Frères Parent.[8]
Lilian Esop organizes the first Kannel Days festival to celebrate the Estonian American kannel. This same year also sees Gottlieb Peets begin manufacturing kannels, soon becoming one of the premier manufacturers in the country.[141]
The United Methodist Church publishes Songs of Zion, a "pioneering collection of hymns, spirituals, and gospel songs" as a supplement to the official church hymnal.[146]
The Army sets rules for when military band members are to abandon their musical missions for more important purposes.[147]
The compact disc (CD) is introduced jointly by Sony and Philips; the format will soon become the dominant medium for popular music sale.[153]
1983
The movie Flashdance features a massively popular soundtrack that used unfamiliar, synthesized sounds.[22][63]Paramount's music trailers for the film are the first such advertisements for a movie.[95]
The movie The Big Chill establishes a trend of using preexisting songs that give a sense of time, identity and place for the movie; this becomes standard practice.[63]
The success of Michael Jackson's Thriller signifies an end to the first major recession for the music industry since the late 1940s.[50] It is the "best-selling album in pop-music history" at the time.[118]
The Grammy Awards expands its Latin awards to include Tropical, Latin Pop and Mexican American.[5]
Run-D.M.C.'s "It's Like That" launches their career as the leading hip hop group of the decade. They will be the first rappers on MTV and American Bandstand.[150]
Yamaha introduces the DX7, the most successful synthesizer in the United States.[90]
Soft drink corporation Pepsi-Cola sponsors a Michael Jackson tour. The sponsorship is reported to have increased sales of Pepsi products by ten percent in cities where Jackson performed, and the success of the plan accelerates the corporate sponsorship of rock tours.[155]
A number of Chinese composers in the xin chao (new tide) tradition come to the United States, establishing newfound interest in Chinese music among American composers; these immigrants include Tan Dun, Bright Sheng, Chen Yi and Zhou Long.[142]
An audience for the soundtracks to pornographic films develops, and nightclubs built around this music appear, most famously Leigh Bowery's Taboo.[162]
Tipper Gore forms the Parents Music Resource Center to combat misogyny in heavy metal and other undesirable traits in popular music.[3] The Center is said to have been formed in direct response to a mother's concern over her daughter listening to Prince's "Darling Nikki", which is about female masturbation.[163]
The Federal Cylinder Project begins repatriating many of the recordings catalogued and preserved since its inception in 1979, presenting them to their communities of origin.[82]
FinnFestUSA is first held; the festival, which promotes Finnish-American music and culture, will become a "primary vehicle for the rejuvenation of Finnish American identity", particularly among second generation and beyond communities.[158]
The Revolution Summer transforms the Washington, D.C. hardcore punk scene into a more melodic, mid-tempo and less aggressive style, an important part of the origin of emo.[166] The New York hardcore community begins changing as well, evolving into a more aggressive style, associated with right-wing politics.[167]
People v. Manning results in the New York Transit Authority lifting its ban on musical performances in New York's subway system. Music-makers, buskers, continue to be ticketed, however, for "soliciting donations without permission".[97]
Fintan Vallely publishes the first instruction book for the traditional flute, Timber – The Flute Tutor.[171]
Paul Simon's Graceland features African performers, instrumentation and musical techniques, "almost singlehandedly (carving) out a space for African musicians in the European American mainstream", and inspiring "countless other musicians" in the emerging world music field. Simon was criticized for recording the album in violation of an international boycott of apartheid South Africa.[3][172]
Muriel Thayer Painter completes the most extensive documentation of the music, dance and other ceremonial aspects of culture of the Yaqui Native Americans of Arizona.[173]
Jello Biafra, frontman for the Dead Kennedys, is charged with distributing harmful materials to minors for a poster with interlocked male and female genitalia, a painting by H. R. Giger, included with the album Frankenchrist.[97]
At a meeting of British music industry executives, the term world music is coined, leading to a vast expansion of non-Western music sections in record stores in Europe and North America.[3]
KMET in Los Angeles becomes KTWV, the first all new-age commercial radio station.[3]
The Smithsonian Institution acquires the catalogue of Folkways Records, committing to keeping all the more than two thousand recordings in print. The first director of the project, Anthony Seeger, commits to acquiring additional independent labels for the Institution.[179]
1988
Late 1980s music trends
Worldbeat begins to have major impact on mainstream American popular music.[3]
East Los Angeles becomes home to bands like Los Rock Angels and the Alienz, who incorporate "Mexican and other Latino musical concepts in a basic rock and rhythm and blues format".[5]
David Sanjek begins publishing the first comprehensive history of the American music industry.[4]
Jazz musician Wynton Marsalis becomes the artistic director of the Jazz at Lincoln Center program, later organizing an influential orchestra and series of concerts.[180]
Henry Louis Gates' The Signifyin' Monkey is a seminal work on signifying, an African American verbal folk practice that influenced hip hop.[181]
Tiny Morrie's "No Hay Amor" is the first song recorded by an American in the Spanish language to top the Mexican charts.[16]
Kunqu, a form of Chinese opera, is first established in the United States with the formation of the Kunqu Society in New York.[142]
A number of Buddhist Vietnamese monks, from various temples throughout California, come together for the largest-scale performance of their chanting tradition outside of Vietnam.[71]
A number of Tibetan expatriates form Chaksam-pa, the Tibetan Dance and Opera Company.[80]
The United States-Canada Trade Agreement spurs arguments between the two countries regarding economics of cultural products, with many on both sides fighting for the "exclusion of cultural industries from trade liberalization".[32]
MTV's Yo! MTV Raps debuts; the show will lead to many hip hop artists finding new audiences.[12]
The Pacific Islander Festival is established in Los Angeles, inspiring other music festivals that bring together Hawaiians, Samoans and other Polynesian Americans.[188]
The simultaneous release of an international Pepsi advertising campaign with the "Like a Prayer" single by Madonna is perhaps the most successful and most-hyped tie-in of a popular song in an advertising campaign.[189]
The United States becomes a signatory to the Berne Convention, an international agreement on copyright.[190]
Major record companies, fearing a rise in home taping reducing sales, refuse to license recorded music for the new medium of digital audio tape until the Serial Copy Management System is invented to prevent more than one copy of a recording and additional copies of the single allowed copy.[20][191]
The first compact disc jukebox is introduced.[192]
Milli Vanilli wins the Grammy Award for Best New Artist, even as a Rolling Stone poll of rock critics results in the group being voted the worst new band of the year.[193] After it is revealed that members of the group did not sing on the hit songs, Milli Vanilli becomes the first performers to return their Grammy.[160]
1990
Early 1990s music trends
Led by Nirvana, Seattle's grunge scene becomes a national phenomenon.[3]
A number of films document life in the African American neighborhoods where gangsta rap was evolving; these include New Jack City and Boyz n the Hood, which feature the acting and music of Ice-T and Ice Cube, respectively.[50]
The Mexican tradition of banda, specifically in the style of Sinaloa, becomes a suddenly major part of the Mexican American music industry, as KLAX, a Los Angeles radio station switches to airing banda exclusively and becomes highest rated station in Los Angeles.[5]
Riot grrl, a form of alternative rock performed by all-women bands and closely associated with feminism, spreads, beginning in Olympia, Washington and Washington, D.C.[48]
The Immigration Act of 1990 makes it much more difficult for entertainers and artists to secure visas for entering the United States.[32]
The Tahiti Fete, an annual dance competition, is established in San Jose, the first such event to have actual Tahitian judges.[188]
Richard Spottswood publishes a discography of "ethnic music", the first such publication to seek systematic coverage of an area of music.[194]
D. W. Krummel and Stanley Sadie publish Music Printing and Publishing, the definitive academic study on the history of music printing and publishing.[195]
The music television channel VH1 is launched, aimed at older audiences, compared to MTV, and with an album-oriented rock policy.[135]
1991
Amy Grant, the best-selling Christian rock performer of the time, releases her biggest crossover success, "Baby Baby".[196]
Billboard changes its data-gathering techniques used in compiling album charts, to rely on information supplied by research firm SoundScan.[197] The new data reveals that the commercial success of hard rock, hip hop, classic rock and country music had been underestimated.[148]
Philip Glass' Symphony No. 2 "combines the melodic, harmonic, and rhythmic hallmarks of his work in a more comprehensive, symphonic-style discourse than he (had) attempted before".[149]
The song "Cop Killer" by Body Count, fronted by Ice-T, becomes the subject of national controversy and is pulled from the album by Warner Brothers, due to concerns that the song promotes the murder of police.[163]
The Audio Home Recording Act places a levy on digital media, such as CDs, that can be used to make recordings of copyrighted music without the permission of the copyright owner.[20]
Branford Marsalis reaches an African American music milestone when he is appointed bandleader for The Tonight Show, the first black musician to occupy a "major spot on mainstream nighttime television".[199]
Ron Nelson's Passacaglia (Homage on B.A.C.H.) is the most award-winning composition for wind band in American history, winning the Barlow, American Bandmasters Association and NBA awards.[200]
A collection of essays, entitled The Adoring Audience: Fan Culture and Popular Media, is the beginning of serious scholarly research on "fandom", or the phenomenon of people being "fans" of a particular performer, group or genre.[201]
The debate over authorship of the patriotic song "Dixie" continues, with a claim made for the song being plagiarized from an African American family named the Snowdens, from Knox County, Ohio.[205]
Gloria Estefan's Mi Terra becomes an unprecedented success, and establishes a wave of Latin pop in the United States.[46]
Shaquille O'Neal, a well-known basketball player, begins his music career. He will be the most commercially successful athlete to have a long-term musical career.[207]
Kurt Cobain's suicide is taken by many of his fans and media figures as an endpoint to the "slacker" culture that Cobain's band, Nirvana, and style of music, grunge, had symbolized.[92]
Royal Hartigan, who developed a drum set that could be used with Ghanaian rhythmic techniques, publishes West African Rhythms for the Drum Set, which "presents a detailed exposition of cross-cultural performance and a breakthrough method that shows a new way of playing the drum set by incorporating traditional Ghanaian rhythmic forms".[3]
The theatrical show 'Bring in 'da Noise/Bring in 'da Funk is an innovative piece that creates rhythmic counterpoint using "pots, pans, and bucketsm as well as with the usual tap shoes", "electrifying audiences".[75]
Itzhak Perlman begins recording klezmer, bring the genre to new audiences in the United States and abroad.[56]
The University of Iowa returns many Native American objects of cultural importance to their respective tribes, include a number of musical instruments, returned to the Seneca Nations.[82]
Daron Hagen composes Bandanna, a retelling of Othello with a Mexican American setting, the first full opera for wind ensemble.[217]
An attempt at a second Woodstock festival fails, and is perceived as succumbing to greed and poor planning. It ends in a frenzy of rape, theft, arson and looting.[218]
2000
The Grammy Awards designate seven awards for Latin music: Tejano Performance, Latin Pop Performance, Latin Rock/Alternative Performance, Mexican-American Performance, Salse Performance, Merengue Performance and Traditional Tropical Latin Performance.[46] The Latin Grammys are also founded to focus specifically on rewarding Latin music in the United States.[5]
Napster is convicted of violating copyright law for enabling people to trade files without permission from the owner of the copyrights in the file.[219]
2001
The Ken Burns television documentary series Jazz is watched by an estimated 60 million people and is said to have led to a doubling of jazz sales in the United States.[111]
A concert tour featuring Hakim, Khaled and Simon Shaheen is a historic event, signaling new acceptance for Arab music in the United States. Rachid Taha and Cheb Mami had toured earlier—all five performers are popular in the Arab world. The California-based record label Arc 21/Mondo Melodia is at the heart of the Arab music boom.[221]
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