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==Characteristics==
==Characteristics==
G-funk (which uses [[funk]] with an artificially altered [[tempo]]) incorporates multi-layered and melodic [[synthesizers]], slow hypnotic grooves, a deep bass, background female vocals, the extensive sampling of [[P-Funk]] tunes, and a high-pitched [[portamento]] saw wave synthesizer lead. The lyrical content depended on the artist and could consist of sex, drugs, violence, and women, but also of love for a city, love for friends and relaxing words. There was also a slurred “lazy” way of [[rapping]] in order to clarify words and stay in [[rhythmic cadence]].
G-funk (which uses [[funk]] with an artificially altered [[tempo]]) incorporates multi-layered and melodic [[synthesizers]], slow hypnotic grooves, a deep bass, background female vocals, the extensive sampling of [[P-Funk]] tunes, and a high-pitched [[portamento]] saw wave synthesizer lead. The lyrical content depended on the artist and could consist of sex, drugs, violence, vandalism and women, but also of love for a city, love for friends and relaxing words. There was also a slurred “lazy” way of [[rapping]] in order to clarify words and stay in [[rhythmic cadence]].


Unlike other earlier rap acts that also utilized funk samples (such as [[EPMD]] and [[The Bomb Squad]]), G-funk often utilized fewer, unaltered samples per song.<ref>{{cite book|last=Brown|first=Ethan|title=Queens Reigns Supreme: Fat Cat, 50 Cent, and the Rise of the Hip Hop Hustler|date = November 22nd, 2005 |publisher = Anchor|isbn = 1-4000-9523-9|quote=[Unlike] popular hip-hop producers like the Bomb Squad, Dre instead utilized a single sample to drive a song.|chapter = Straight Outta Hollis}}</ref> Music theorist Adam Krims has described G-funk as "a style of generally West Coast rap whose musical tracks tend to deploy live instrumentation, heavy on bass and keyboards, with minimal (sometimes no) sampling and often highly conventional harmonic progressions and harmonies".<ref>{{cite book |last=Krims |first=Adam |title=Rap Music and the Poetics of Meaning |url=http://books.google.com/books?id=Gg8UiSodjz8C&pg=PA75&dq=%22g-funk%22&sig=ACfU3U0SGQ2bjz1RT8pnQ_Cu0oCVBkvpfQ#PPA74,M1 |accessdate=2008-08-02 |year=2000 |publisher=Cambridge University Press |location=Cambridge |isbn=0-521-63447-4 |page=74}}</ref> [[Dr. Dre]], a pioneer for the G-funk genre, normally uses live musicians to replay the original music of sampled records. This enabled him to produce music that had his own sounds, rather than a direct copy of the sample.<ref>{{cite news| url=http://articles.latimes.com/2007/sep/23/entertainment/ca-dre23?pg=3 | work=The Los Angeles Times | title=The Dr.'s Always In | first=Robert | last=Hilburn | date=September 23, 2007}}</ref>'
Unlike other earlier rap acts that also utilized funk samples (such as [[EPMD]] and [[The Bomb Squad]]), G-funk often utilized fewer, unaltered samples per song.<ref>{{cite book|last=Brown|first=Ethan|title=Queens Reigns Supreme: Fat Cat, 50 Cent, and the Rise of the Hip Hop Hustler|date = November 22nd, 2005 |publisher = Anchor|isbn = 1-4000-9523-9|quote=[Unlike] popular hip-hop producers like the Bomb Squad, Dre instead utilized a single sample to drive a song.|chapter = Straight Outta Hollis}}</ref> Music theorist Adam Krims has described G-funk as "a style of generally West Coast rap whose musical tracks tend to deploy live instrumentation, heavy on bass and keyboards, with minimal (sometimes no) sampling and often highly conventional harmonic progressions and harmonies".<ref>{{cite book |last=Krims |first=Adam |title=Rap Music and the Poetics of Meaning |url=http://books.google.com/books?id=Gg8UiSodjz8C&pg=PA75&dq=%22g-funk%22&sig=ACfU3U0SGQ2bjz1RT8pnQ_Cu0oCVBkvpfQ#PPA74,M1 |accessdate=2008-08-02 |year=2000 |publisher=Cambridge University Press |location=Cambridge |isbn=0-521-63447-4 |page=74}}</ref> [[Dr. Dre]], a pioneer for the G-funk genre, normally uses live musicians to replay the original music of sampled records. This enabled him to produce music that had his own sounds, rather than a direct copy of the sample.<ref>{{cite news| url=http://articles.latimes.com/2007/sep/23/entertainment/ca-dre23?pg=3 | work=The Los Angeles Times | title=The Dr.'s Always In | first=Robert | last=Hilburn | date=September 23, 2007}}</ref>'

Revision as of 05:57, 30 March 2013

For the record label, see G-Funk Entertainment.
Gangsta-funk
Stylistic originsFunk, gangsta rap, p-funk, contemporary R&B, west coast hip hop
Cultural originsEarly 1990s, Los Angeles, California, United States
Typical instrumentsTurntables, synthesizer, keyboard, drum machine, strings, rapping, background vocals, talkbox
Other topics

G-funk, or gangsta-funk, is a sub-genre of hip hop music that emerged from West Coast gangsta rap in the early 1990s.

Characteristics

G-funk (which uses funk with an artificially altered tempo) incorporates multi-layered and melodic synthesizers, slow hypnotic grooves, a deep bass, background female vocals, the extensive sampling of P-Funk tunes, and a high-pitched portamento saw wave synthesizer lead. The lyrical content depended on the artist and could consist of sex, drugs, violence, vandalism and women, but also of love for a city, love for friends and relaxing words. There was also a slurred “lazy” way of rapping in order to clarify words and stay in rhythmic cadence.

Unlike other earlier rap acts that also utilized funk samples (such as EPMD and The Bomb Squad), G-funk often utilized fewer, unaltered samples per song.[1] Music theorist Adam Krims has described G-funk as "a style of generally West Coast rap whose musical tracks tend to deploy live instrumentation, heavy on bass and keyboards, with minimal (sometimes no) sampling and often highly conventional harmonic progressions and harmonies".[2] Dr. Dre, a pioneer for the G-funk genre, normally uses live musicians to replay the original music of sampled records. This enabled him to produce music that had his own sounds, rather than a direct copy of the sample.[3]'

Origins: Early 1990s

G-funk, given its name by Laylaw from Lawhouse Production, became the most popular genre of hip hop in the early 1990s. Although G-funk originated in Los Angeles, the sub-genre drew a large amount of influence from the earlier Bay Area-based sound known as Mobb music of the mid- to late 1980s, pioneered by Oakland rappers like Too Short. Too Short had experimented with looping sounds from classic P-Funk records over bass-heavy tracks during this period. However, unlike Bay Area Mobb music, Southern California-born G-funk used more portamento synthesizers and less live instrumentation. Too Short's lazy, drawl-heavy delivery was also a major influence on later G-funk rappers like Snoop Dogg.[4]

There has been some debate over who should be considered the "father of G-funk". Dr. Dre is generally believed to have developed the sound,[5] but Cold187um and KMG of Above the Law, Laylaw for Lawhouse Production have claimed that they developed the sound. Cold187um and KMG claim that Dr. Dre did not credit the group for pioneering the style when he released The Chronic, his Death Row debut album.[6] They both released records on Ruthless Records prior to that. Warren G and Snoop Dogg were with Cold187um before joining Dr. Dre and Death Row. On Snoop Dogg's Doggystyle album, Warren G and Daz Dillinger from Tha Dogg Pound claim they produced "Ain't No Fun", even though Dre is credited as the album's sole producer.[7]

The earliest use of sine wave synthesizers and Parliament-Funkadelic-style bass grooves in Dr. Dre's work appeared on N.W.A's single "Alwayz into Somethin'" from their 1991 album Efil4zaggin. Dr. Dre's first true G-funk single, however, was 1992's "Deep Cover", the title song from the movie soundtrack of the same name, which also introduced Snoop Dogg to the world. It was Kokane who appeared on the Deep Cover soundtrack with a song that was produced by Cold 187um and Laylaw called "Nickel Slick Nigga"; there was a video done for and a remix of the song was done by Dr. Dre. When Dre's 1992 Death Row Records debut The Chronic was released, the album was immensely successful, and consequently made G-funk the most popular sub-genre of hip hop.[8]

Another early G-funk pioneer, also from Compton, was rapper and producer DJ Quik, who was already using P-Funk instrumentals as early as 1991 in his debut album Quik Is the Name, though his most recognizable G-funk album would be 1995's Safe & Sound and also Battlecat, whose aesthetic is a progression from the early-'90s G-Funk sound pioneered by the group Above the Law, characterized by fat synth bass lines and soulful keys. Other well known singers that used G-funk were Nate Dogg, the Dove Shack and the Twinz. Warren G's first album was called Regulate...G Funk Era.

See also

References

  1. ^ Brown, Ethan (November 22nd, 2005). "Straight Outta Hollis". Queens Reigns Supreme: Fat Cat, 50 Cent, and the Rise of the Hip Hop Hustler. Anchor. ISBN 1-4000-9523-9. [Unlike] popular hip-hop producers like the Bomb Squad, Dre instead utilized a single sample to drive a song. {{cite book}}: Check date values in: |date= (help)
  2. ^ Krims, Adam (2000). Rap Music and the Poetics of Meaning. Cambridge: Cambridge University Press. p. 74. ISBN 0-521-63447-4. Retrieved 2008-08-02.
  3. ^ Hilburn, Robert (September 23, 2007). "The Dr.'s Always In". The Los Angeles Times.
  4. ^ "Hip Hop in America - Google Boeken". Books.google.com. Retrieved 2012-12-15.
  5. ^ Stephen Thomas Erlewine, "Dr. Dre (Andre Young", in Vladimir Bogdanov et al., All Music Guide to Rock, 3rd ed., Backbeat Books, p. 324. ISBN 0-87930-653-X.
  6. ^ The Friday Night Live Show (Conspiracy Worldwide Radio) January 23, 2010
  7. ^ October 23, 2008 (2008-10-23). "Dr. Dre - Top 11 Hip-Hop Producers of All-Time". UGO.com. Retrieved 2012-12-15.{{cite web}}: CS1 maint: numeric names: authors list (link)
  8. ^ Stephen Thomas Erlewine. "Dr. Dre", allmusic. Retrieved December 2, 2008.
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