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Raiders of the Lost Ark

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For other uses, see Raiders of the Lost Ark (disambiguation).
Raiders of the Lost Ark
File:Raiders of the lost ark poster B.jpg
theatrical reissue poster
Directed bySteven Spielberg
Written byStory:
George Lucas
Philip Kaufman
Screenplay:
Lawrence Kasdan
Produced byFrank Marshall
George Lucas
Howard Kazanjian
StarringHarrison Ford
Karen Allen
Paul Freeman
Ronald Lacey
John Rhys-Davies
Denholm Elliot
CinematographyDouglas Slocombe
Edited byMichael Kahn
Music byJohn Williams
Production
company
Distributed byParamount Pictures
Release date
June 12, 1981 (US)
Running time
115 min.
CountryTemplate:FilmUS
LanguageTransclusion error: {{En}} is only for use in File namespace. Use {{langx|en}} or {{in lang|en}} instead.
Budget$20 million (est.)
Box office$384,140,454[1]

Raiders of the Lost Ark (also known as Indiana Jones and the Raiders of the Lost Ark) is a Template:Fy action-adventure film directed by Steven Spielberg, produced by George Lucas, and starring Harrison Ford. It is the first film in the Indiana Jones franchise, and pits Indiana Jones (played by Ford) against the Nazis, who search for the Ark of the Covenant, in an attempt to make their army invincible. The film co-starred Karen Allen as Indiana's former lover Marion Ravenwood; Paul Freeman as Indiana's nemesis, French archaeologist René Belloq; John Rhys-Davies as Indiana's sidekick, Sallah; and Denholm Elliott as Indiana's colleague, Marcus Brody.

The film originated with Lucas' desire to create a modern version of the serials of the 1930s and 1940s. Production was based at Elstree Studios, England, and filming also took place in La Rochelle, Tunisia, Hawaii, and California from June to September 1980.

Released on June 12, 1981, Raiders of the Lost Ark became the top grossing film of 1981;[2] it remains one of the highest-grossing films ever made.[2] It was nominated for nine Academy Awards, including Best Picture, in 1982 and won five (Art Direction, Film Editing, Sound, Visual Effects, and Sound Effects Editing). The film's critical and popular success led to three additional films, Indiana Jones and the Temple of Doom (1984), Indiana Jones and the Last Crusade (1989), and Indiana Jones and the Kingdom of the Crystal Skull (2008), as well as a television series: The Young Indiana Jones Chronicles (1992-1996).

Plot

In South America, 1936, treasure hunter/archaeologist Indiana Jones braves an ancient temple filled with booby traps in the Peruvian jungle to retrieve a Golden Idol. Upon escaping the temple, Indiana is confronted by rival archaeologist René Belloq and the indigenous Hovitos people. Surrounded and outnumbered, Indiana is forced to surrender the idol to Belloq, and flees from a jungle chase onboard a waiting seaplane.

Shortly after returning to America to the college where he teaches archeology, Indiana is informed by two Army intelligence agents that the Nazis, in their quest for occult power, are searching for his old mentor, Abner Ravenwood. Ravenwood is in possession of the headpiece of an artifact called the Staff of Ra and is the leading expert on the ancient Egyptian city of Tanis. Indiana deduces that the Nazis are searching for the Ark of the Covenant, the biblical chest built by the Israelites to contain the fragments of the Ten Commandments, and is said to grant the power of God to whoever holds it. The Staff of Ra, meanwhile, is the key to finding the Well of Souls in Tanis, which is where the Ark is buried. The agents subsequently authorize Indiana to recover the Ark with the promise of displaying it in a museum. Indiana travels to Ravenwood's tavern in Nepal for the headpiece, only to find that he had died and that the headpiece is in the possession of his daughter and Indiana's embittered former lover, Marion. The tavern is suddenly raided by a group of thugs commanded by Nazi agent Major Toht. The tavern is burned down in the ensuing fight, during which Toht burns his hand on the searing hot headpiece as he tries to grab it. Indiana and Marion escape with the headpiece, with Marion declaring she will accompany Indiana in his search for the Ark so he can repay his debt.

Indiana and Marion travel to Cairo where they learn from Sallah, Indiana's friend and a skilled digger, that the Nazis are currently digging for the Well of Souls with the aid of Belloq and a replica of the headpiece modeled after the scar on Toht's hand. In a bazaar, Nazi operatives kidnap Marion and fake her death in front of Indiana, who strengthens his resolve to find the Ark. That evening, while deciphering the markings on the headpiece, Indiana and Sallah realize that the Nazis have miscalculated where to dig for the Well of Souls. Using this to their advantage, Indiana and Sallah infiltrate the Nazi dig and use the Staff of Ra to correctly determine the location of the Well of Souls. Shortly afterward, Indiana discovers that Marion is captured but alive, but does not free her out of fear that it will draw the Nazis' attention to him. Indiana gathers a small group of diggers and uncovers the Well of Souls, which is filled with venomous snakes (of which Indiana is deathly afraid). Upon obtaining the Ark, Belloq and the Nazis arrive to take it for themselves. They proceed to toss Marion, who had refused to reveal any information to the Nazis despite Indiana's perceived betrayal, down into the well with Indiana and seal them both in. However, Indiana and Marion manage to navigate the underground temple and escape. After blowing up a flying wing ready for shipping the treasure to Germany and chasing down a convoy of trucks holding the Ark, Indiana manages to take it back before it can be shipped to Berlin.

Indiana and Marion leave Cairo to escort the Ark to England on board a tramp steamer. The next morning, their boat is boarded by the Nazis who once again steal the Ark and kidnap Marion. Indiana stows away on the Nazis' U-boat and follows them to an isolated island where Belloq and the Nazis plan to test the power of the Ark before presenting it to Adolf Hitler. Indiana reveals himself and threatens to destroy the Ark with a rocket launcher, but Belloq calls his bluff for, as archaeologists, they both want to see it opened. Indiana surrenders and is tied to a post with Marion as Belloq performs a ceremonial opening of the Ark, which appears to contain nothing but a pile of dust, the ruined remains of the Ten Commandments. Suddenly, spirits emerge from the Ark; aware of the supernatural danger of looking at the opened Ark, Indiana warns Marion to close her eyes. Belloq, Toht, and the Nazis, who do not look away, are all killed by the Ark's divine powers, and the Ark closes itself with a crack of thunder. Back in Washington, D.C., the Army intelligence agents tell a suspicious Indiana that they are sending the Ark away to be studied by "top men." In reality, the Ark is sealed in a wooden crate and stored in a giant government warehouse in Nevada filled with countless similar crates.

Cast

See also: List of characters in the Indiana Jones series
  • Harrison Ford stars as Indiana Jones, an archeology professor who often embarks on perilous adventures to obtain rare artifacts. Jones initially claims he has no belief in the supernatural, only to have his skepticism challenged when he discovers the Ark. Spielberg suggested casting Harrison Ford as Jones, but Lucas objected, stating that he did not want Ford to become his "Bobby De Niro" or "that guy I put in all my movies", a reference to Martin Scorsese, who often worked with Robert De Niro.[3] Desiring a lesser known actor, Lucas persuaded Spielberg to help him search for a new talent. Among the actors who auditioned were Tim Matheson, Peter Coyote, John Shea, and Tom Selleck. Selleck was originally cast in the role, but he was unavailable for the part because of his commitment to the television series Magnum, P.I.[3] In June 1980, three weeks away from filming,[4] Spielberg persuaded Lucas to cast Ford after producers Marshall and Kathleen Kennedy were impressed by his performance as Han Solo in The Empire Strikes Back.[5]
  • Paul Freeman as Dr. René Belloq. Jones' arch nemesis, Belloq is also an archaeologist after the Ark, but he is working for the Nazis. He intends to harness the power of the Ark himself before Hitler could, but he is killed by the supernatural powers of the Ark.
  • Ronald Lacey as Major Arnold Toht. Toht is an interrogator for the Gestapo, who tries to torture Marion Ravenwood for the headpiece of the Staff of Ra. He is killed by the supernatural powers of the Ark when his face melts. Lacey was cast as he reminded Spielberg of Peter Lorre.[3] Klaus Kinski was offered the role, but he hated the script.[7]
  • John Rhys-Davies as Sallah. Sallah is "the best digger in Cairo", and has been hired by the Nazis to help them excavate Tanis. Although he fears disturbing the Ark, he is an old friend of Indiana Jones, and agrees to help him obtain it. Initially, Spielberg approached Danny DeVito to play Sallah, but could not play the part due to scheduling conflicts. Spielberg cast Rhys-Davies after seeing his performance in Shogun.[3]
  • Denholm Elliott as Dr. Marcus Brody. Marcus is a museum curator, and buys whatever artifacts Indiana obtains for display in his museum. The U.S. government agents approach him in regards to recovering the Ark, and he sets up a meeting between them and Indiana Jones. Spielberg hired Elliott as he was a big fan of the actor.[3]
  • Wolf Kahler as Colonel Dietrich. Dietrich is a ruthless Nazi officer leading the operation to secure the Ark. He is killed by the supernatural powers of the Ark when his head implodes.
  • Alfred Molina, in his film debut, as Satipo. Satipo is one of Jones' guides through the South American jungle. He betrays Jones and steals the golden idol, but is killed by one of the traps in the temple.

Vic Tablian plays Barranca and the Monkey man. Producer Frank Marshall played a pilot in the airplane fight sequence. The stunt team was ill, so he took the role instead. The result was three days in a hot cockpit, which he joked was over "140 degrees".[3] Pat Roach plays the large mechanic with whom Jones brawls in this sequence, as well as Toht's Sherpa henchman in Marion's bar. He had the rare opportunity to be killed twice in one film.[8] Special-effects supervisor Dennis Muren made a cameo as a Nazi spy on the seaplane Indiana Jones takes to Nepal.[9]

Production

Development

File:IndySallahArk.jpg
Indiana and Sallah lift the Ark of the Covenant from its resting place in The Well of the Souls. George Lucas and Philip Kaufman both collaborated on working the Ark into the film's plot.

In 1973, George Lucas wrote The Adventures of Indiana Smith.[10] Like Star Wars, which he also wrote, it was an opportunity to create a modern version of the film serials of the 1930s and 1940s.[3] Lucas discussed the concept with Philip Kaufman, who worked with him for several weeks and came up with the Ark of the Covenant as the plot device.[11] Kaufman was told about the Ark by his dentist when he was a child.[12] The project stalled when Clint Eastwood hired Kaufman to direct The Outlaw Josey Wales.[11] Lucas eventually shelved the idea, deciding to concentrate on his outer space adventure which would become Star Wars. In late May 1977, Lucas was in Maui, trying to escape the enormous success of the first Star Wars film. Friend and colleague Steven Spielberg was also there, on vacation from work on Close Encounters of the Third Kind. While building a sand castle at Mauna Kea,[13] Spielberg expressed an interest in directing a James Bond film. Lucas convinced his friend Spielberg that he had conceived a character "better than James Bond" and explained the concept of Raiders of the Lost Ark. Spielberg loved it, calling it "a James Bond film without the hardware",[14] although Spielberg told Lucas that the surname Smith was not right for the character, Lucas replied "OK. What about Jones?". Indiana was the name of Lucas' Alaskan Malamute.[3]

File:Indianagrabsidol.jpg
Indiana Jones attempting to take the Golden Idol in the opening of the film. Traps from the scene were based on several Uncle Scrooge comics.

The following year, Lucas focused on developing Raiders and the Star Wars sequel The Empire Strikes Back, during which Lawrence Kasdan and Frank Marshall joined the project as screenwriter and producer respectively. Between January 23-January 27, 1978 for nine hours a day, Lucas, Kasdan, and Spielberg discussed the story and visual ideas. Spielberg came up with Jones being chased by a boulder,[3] which was inspired by The Seven Cities of Cibola at Inducks, an Uncle Scrooge comic by Carl Barks. Lucas later acknowledged that the idea for the idol mechanism in the opening scene, and deadly traps later in the film were inspired by several Uncle Scrooge comics.[15] Lucas came up with a submarine, a monkey giving the Nazi salute, and Marion punching Jones in Nepal.[14] Kasdan used a 100-page transcript of their conversations for his first script draft,[16] which he worked on for six months.[3] Ultimately some of their ideas were too grand and had to be cut: a mine chase,[17] an escape in Shanghai using a rolling gong as a shield,[18] and a jump from an airplane in a raft, all of which made it into the prequel, Temple of Doom.[3]

Spielberg and Lucas disagreed on the character: although Lucas saw him as a Bondian playboy, Spielberg and Kasdan felt the professor and adventurer elements of the character made him complex enough. Spielberg had darker visions of Jones, interpreting him as an alcoholic similar to Humphrey Bogart's character Fred C. Dobbs in The Treasure of the Sierra Madre. This characterization fell away during the later drafts.[14] Spielberg also initially conceived of Toht as having a robotic arm, which Lucas rejected as falling into science-fiction. Comic book artist Jim Steranko was also commissioned to produce original illustrations for pre-production, which heavily influenced Spielberg's decisions in both the look of the film and the character of Indiana Jones himself.[19]

Initially, the film was rejected by every major studio in Hollywood, as most executives thought that the story was too over the top and would be exceedingly expensive to produce. Eventually Paramount agreed to finance the film, with Lucas negotiating a five picture deal. By April 1980, Kasdan's fifth draft was produced, and production was getting ready to shoot at Elstree Studios, with Lucas trying to keep costs down.[5] With four illustrators, Raiders of the Lost Ark was Spielberg's most storyboarded film of his career to date, further helping the film economically. He and Lucas agreed on a tight schedule to keep costs down, and to stylistically follow the "quick and dirty" feel of the old Saturday matinée serials. Special effects were done using puppets, miniature models, animation, and camera trickery.[3] "We didn't do 30 or 40 takes — production; usually only four. It was like silent film — shoot only what you need, no waste," Spielberg said. "Had I had more time and money, it would have turned out a pretentious movie." Lucas also directed some of the second unit.[20]

Filming

Filming began on June 23, 1980 at La Rochelle, France, for scenes involving the Nazi submarine,[5] which was rented from the production of Das Boot. The U-boat pen was a genuine one that had survived from World War II.[3] The crew moved to Elstree Studios[5] for scenes involving the Well of Souls, the interiors of the temple in the opening sequence and Marion Ravenwood's bar.[21] The Well of Souls required 7,000 snakes, though the only poisonous snakes on set were the cobras. However, one crew member was bitten by a python on set.[3] To shoot the scene where Indiana comes face-to-face with the cobra, a glass sheet was put between Ford and the animal, which is partially visible in the film when the light hits it at a certain angle.[3] Unlike the character he portrayed, Ford does not actually have a fear of snakes; Spielberg was not afraid either, but seeing all the snakes on the set writhing around made him "want to puke".[3] The opening sequence featured live tarantulas: Alfred Molina had to have many put on him, but they did not move until a female tarantula was introduced. A fibreglass boulder 22 feet (7 m) in diameter was made for the scene where Indiana escapes the temple; Spielberg was so impressed by production designer Norman Reynolds' realization of his idea that he told Reynolds to increase the length of the boulder run by 50 feet (15 m).[22]

All of the scenes set in Egypt were filmed in Tunisia, and the canyon where Indiana threatens to blow up the Ark was shot in Sidi Bouhlel, just outside of Tozeur.[23] The location was previously used in the Tatooine scenes from 1977's Star Wars Episode IV: A New Hope, since many people in the location crew were the same for both films.[3] Notably, that canyon was the exact same location wherein R2-D2 was attacked by Jawas.[3] The Tanis scenes were filmed in nearby Sedala and it was a harsh experience due to the heat and disease. Several members of the cast and crew fell ill; Rhys-Davies in particular defecated in his costume during one shot.[3] Spielberg was never ill, as he only ate tinned foods from England.[3] Spielberg did not like the area and quickly pushed forward a scheduled six-week shoot to four-and-a-half weeks. Much was improvised there: the scene wherein Marion puts on her dress and attempts to leave Belloq's tent was improvised, as was the entire plane fight. During shooting of that scene, Ford tore his cruciate ligament in his left leg as a wheel went over his knee, but he did not accept local medical help and simply put ice over it.[3] The fight scenes in the town were filmed in Kairouan; by then Ford was suffering from dysentery and did not want to shoot a fight scene between Indiana and a swordsman. He said to Spielberg "Why don't we just shoot the sucker?" Spielberg agreed, scrapped the rest of the fight scene, and filmed the gag of Indiana quickly gunning down the swordsman.[24] The truck chase was shot entirely by the second-unit who mostly followed Spielberg's storyboards, though they decided to add Indiana being dragged by the truck. Spielberg shot all the close-ups with Ford afterwards.[3]

The interior staircase set in Washington, D.C. was filmed inside of San Francisco's City Hall. The University of the Pacific, located in Stockton, California, stands in for the exterior of the college where Jones works, while his classroom and the hall where he meets the American intelligence men was filmed at the Royal Masonic School for Girls in Hertfordshire, England. His home exteriors were filmed in the city of San Rafael, California.[21] The opening exteriors were filmed in Kauai, Hawaii, with Spielberg wrapping in September, finishing under schedule in 73 days, in contrast to his previous film, 1941.[5][14] The Washington, D.C. coda not included in early edits and, although it appeared in early drafts of the script, was added later when it was realized that there was no resolution to Jones's relationship with Marion.[25] Shots of the Douglas DC-3 Jones flies on to Nepal were taken from Lost Horizon, while a street scene was cut from a shot in The Hindenburg.[20]

Visual Effects & Sound Design

The special visual effects for Raiders were provided by Industrial Light & Magic and include: a matte shot to establish the Pan Am flying boat in the water[26] and minature work to show the plane taking off and flying, superimposed over a map; animation effects for the beam in the Tanis map room; a miniature car and passengers[27] superimposed over a matte painting for a shot of a Nazi car being forced off a cliff. The bulk of effects shots were featured in the climactic sequence wherein the Ark of the Covenant is opened and the wrath of God is unleashed. This sequence featured animation, a woman to portray a beautiful spirit's face, rod puppet spirits moved through water to convey a sense of floating[28], a matte painting of the island, and cloud tank effects to portray clouds. The melting of Toht's head was done by exposing a gelatine and plaster model of Ronald Lacey's head to a heat lamp with an under cranked camera, while Dietrich's crushed head was a hollow model from which air was withdrawn. The spirits were shot underwater for a ghostly look.[9] The firestorm that cleanses the canyon at the finish was a miniature canyon filmed upside down.[29]

Ben Burtt, the sound effects supervisor, made extensive use of traditional foley work in yet another of the production's throwbacks to days of the Republic serials. He selected a 30-30 Winchester rifle for the sound of Jones' pistol. Sound effects artists struck leather jackets and baseball gloves with a baseball bat to create a variety of punching noises and body blows. For the snakes in the Well of Souls sequence, fingers running through cheese casserole and sponges sliding over cement were used for the slithering noises. The sliding lid on a toilet cistern provided the sound for the opening of the Ark. In addition to his use of such time-honored foley work, Burtt also demonstrated the modern expertise honed during his award-winning work on Star Wars Episode IV: A New Hope. He employed a synthesizer for the sounds of the Ark, and mixed dolphins' and sea lions' screams for those of the spirits within.[30]

Soundtrack

"The Raiders' March" (1981)
Raiders of the Lost Ark
Problems playing this file? See media help.
Main article: Raiders of the Lost Ark (soundtrack)

John Williams composed the score for Raiders of the Lost Ark, which was the only score in the series performed by the London Symphony Orchestra. The score most notably features the well-known "Raiders' March." This piece came to symbolize Indiana Jones and was later used in Williams' scores for the other three films. Williams originally wrote two different candidates for Indy's theme, but Spielberg enjoyed them so much that he insisted that both be used together in what became the "Raiders' March".[31] The alternately eerie and apocalyptic theme for the Ark of the Covenant is also heard frequently in the score, with a more romantic melody representing Marion and, more broadly, her relationship with Jones. The score as a whole received an Oscar nomination for Best Original Score, but lost to Vangelis's iconic synth-based score for Chariots of Fire.

Release

Reception

The $20 million budget film grossed $384 million worldwide in its initial theatrical release. It remains one of the top twenty highest-grossing films ever made when adjusted for inflation.[32] The film was subsequently nominated for nine Academy Awards, including Best Picture, in 1982 and won four (Best Sound, Best Film Editing, Best Visual Effects, and Best Art Direction-Set Decoration (Norman Reynolds, Leslie Dilley, and Michael D. Ford)). It also received an additional Special Achievement Award for Sound Effects Editing. It won numerous other awards, including a Grammy and Best Picture at the People's Choice Awards. Spielberg was also nominated for a Golden Globe.[33]

The film received positive reviews from most critics. In his review for The New York Times, Vincent Canby praised the film, calling it, "one of the most deliriously funny, ingenious and stylish American adventure movies ever made."[34] Roger Ebert in his review for the Chicago Sun-Times wrote, "Two things, however, make Raiders of the Lost Ark more than just a technological triumph: its sense of humor and the droll style of its characters [...] We find ourselves laughing in surprise, in relief, in incredulity at the movie's ability to pile one incident upon another in an inexhaustible series of inventions."[35] He later added it to his list of "Great Movies".[36] Rolling Stone said the film was "the ultimate Saturday action matinee–a film so funny and exciting it can be enjoyed any day of the week."[37] Bruce Williamson of Playboy claimed: "There's more excitement in the first ten minutes of Raiders than any movie I have seen all year. By the time the explosive misadventures end, any movie-goer worth his salt ought to be exhausted."[38] Stephen Klain of Variety also praised the film. Yet, making an observation that would revisit the franchise with its next film, he felt that the film was surprisingly violent and bloody for a PG-rated film.[39] New Hollywood champion Pauline Kael, who once contended that she only got "really rough" on large films that were destined to be hits but were nonetheless "atrocious,"[40] found the film to be a "machine-tooled adventure" from a pair of creators who "think just like the marketing division."[41] (Lucas later named a villain, played by Raiders' Nazi strongman Pat Roach, in his 1988 fantasy film Willow after Kael.[40]) Today, the film is considered to be a classic of the action and adventure genres by many contemporary critics and carries a 95% rating on Rotten Tomatoes.[42]

Impact

Following the success of Raiders, a prequel, Temple of Doom, and two sequels, The Last Crusade and Kingdom of the Crystal Skull, were produced. A television series, entitled The Young Indiana Jones Chronicles, was also spun off from this film, and details the early years of the character. Numerous other books, comics, and video games have also been produced.

In 1998, the American Film Institute placed the film at number 60 on its top 100 films of the first century of cinema. In 2007, AFI updated the list and placed it at number 66. They also named it as the 10th most thrilling movie, and named Indiana Jones as the second most thrilling hero. In 1999, the film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in the National Film Registry. Indiana Jones has become an icon, being listed as Entertainment Weekly's third favorite action hero, while noting "some of the greatest action scenes ever filmed are strung together like pearls" in this film.[43]

An amateur, near shot-for-shot remake was made by Chris Strompolos, Eric Zala, and Jayson Lamb, then children in Ocean Springs, Mississippi. It took the boys seven years to finish, from 1982-1989. After production of the film, called Raiders of the Lost Ark: The Adaptation, it was shelved and forgotten until 2003, where it was discovered by Eli Roth[44][45] and acclaimed by Spielberg himself who congratulated the boys on their hard work and said he looked forward to seeing their names on the big screen.[46] Scott Rudin and Paramount Pictures have purchased the trio's life rights and will be producing a film based on their adventures making their remake.[47][48]

Assessing the film's legacy in 1997, Bernard Weinraub, film critic for The New York Times, which had initially reviewed the film as "deliriously funny, ingenious, and stylish",[40] maintained that "the decline in the traditional family G-rated film, for 'general' audiences, probably began" with the appearance of Raiders of the Lost Ark. "Whether by accident or design," found Weinraub, "the filmmakers made a comic nonstop action film intended mostly for adults but also for children."[40] Eight years later, in 2005, viewers of Channel 4 in the UK rated the film as the twentieth best family film of all time, with Spielberg taking best over-all director honors.[49]

Merchandise

The only video game based exclusively on the film is Raiders of the Lost Ark, released in 1982 by Atari for their Atari 2600 console. The first third of the video game Indiana Jones' Greatest Adventures, released in 1994 by JVC for Nintendo's Super Nintendo Entertainment System, is based entirely on the film. Several sequences from the film are reproduced (the boulder run and the showdown with the Cairo Swordsman among them); however, several inconsistencies with the film are present in the game, such as Nazi soldiers and bats being present in the Well of Souls sequence, for example. The game was developed by LucasArts and Factor 5. In Indiana Jones and the Infernal Machine a bonus level brings Jones back to 'Peru, South America' from this film. He can explore the cave and he discovers another hidden idol. LucasArts released Lego Indiana Jones: The Original Adventures on June 3, 2008 in North America and June 6, 2008 in Europe to coincide with the release of Kingdom of the Crystal Skull. Lego also released several building sets based on the film in early 2008.

In 1981, Kenner released a 12-inch (30-cm) doll of Indiana Jones, and the following year they released nine action figures of the characters in the film, three playsets, as well as toys of the Nazi truck and Jones's horse. They also released a board game. In 1984, miniature metal versions of the characters were released for a role playing game, and in 1995 Micro Machines released die-cast toys of the vehicles in the film.[50] Hasbro released action figures based on the film, ranging from 3 to 12 inches (8 to 30 cm), to coincide with Kingdom of the Crystal Skull on May 1, 2008.[51] A novelization by Ryder Windham was released in April 2008 by Scholastic to tie in with the release of Kingdom of the Crystal Skull.

Home video

The film was released on VHS in pan and scan only and on laserdisc in both pan and scan and widescreen. It was also released on Betamax. For its 1999 VHS re-issue, the film was remastered in THX and made available in widescreen. The outer package was retitled Indiana Jones and the Raiders of the Lost Ark to correlate with the film's prequel and sequel. The subsequent DVD release in 2003 features this title as well. The title in the film itself remains unchanged, even in the restored DVD print. In the DVD, the glass partition separating Jones from the cobra in the Well of Souls was digitally removed.[52] The film (along with Temple of Doom and Last Crusade) was re-released on DVD with additional extra features not included on the previous set on May 13, 2008.

References

Notes

  1. ^ "Raiders of the Lost Ark (1981)". Box Office Mojo. Retrieved 2007-07-09.
  2. ^ a b "1981 Domestic Grosses". Box Office Mojo. Retrieved 2008-07-13.
  3. ^ a b c d e f g h i j k l m n o p q r s t u v w Indiana Jones: Making the Trilogy. Paramount Pictures. 2003. {{cite AV media}}: |format= requires |url= (help)
  4. ^ "Facts and trivia of the Lost Ark". Official website. 2003-10-14. Retrieved 2007-03-11.
  5. ^ a b c d e Hearn, p.127-134
  6. ^ Gregory Kirschling, Jeff Labrecque (2008-03-12). "Indiana Jones: 15 Fun Facts". Entertainment Weekly. Retrieved 2008-03-15.
  7. ^ Glenn Whipp (2008-05-22). "Keeping up with Jones". Halifax Chronicle-Herald. Retrieved 2008-05-22.
  8. ^ The Stunts of Indiana Jones. Paramount Pictures. 2003. {{cite AV media}}: |format= requires |url= (help)
  9. ^ a b The Light and Magic of Indiana Jones. Paramount Pictures. 2003. {{cite AV media}}: |format= requires |url= (help)
  10. ^ Marcus Hearn (2005). The Cinema of George Lucas. New York: Harry N. Abrams Inc, Publishers. p. 80. ISBN 0-8109-4968-7.
  11. ^ a b Hearn, p.112–115
  12. ^ "Know Your MacGuffins". Empire Online. 2008-04-23. Retrieved 2008-04-23.
  13. ^ Jim Windolf (2007-12-02). "Q&A: Steven Spielberg". Vanity Fair. Retrieved 2007-12-02.
  14. ^ a b c d McBride, Joseph (1997). "Rehab". Steven Spielberg. New York City: Faber and Faber. pp. 309–322. ISBN 0-571-19177-0.
  15. ^ E. Summer, Walt Disney's Uncle $crooge McDuck: His Life and Times by Carl Barks, Celestial Arts ed., 1981; T. Andrae, Carl Barks and the Art of the Disney Comic Book, Univ. Press of Mississippi, 2006.
  16. ^ Hearn, p.122–123
  17. ^ Script 3rd Draft, scene 45-47
  18. ^ Script 3rd Draft, scene 148-155
  19. ^ "Raiders Of The Lost Ark: An Oral History". Empire Online. 2008-04-24. Retrieved 2008-04-24.
  20. ^ a b Richard Schickel (2008-01-19). "Slam! Bang! A Movie Movie". Time. Retrieved 2008-01-19.
  21. ^ a b Marco Fromter (2006-08-18). "Around the World with Indiana Jones". Official Website. Retrieved 2007-03-11.
  22. ^ Norman Reynolds (Production Designer). Making the Trilogy (DVD). Event occurs at 17:40. Steven said 'Why don't we make it another 50ft longer?' Which of course we did
  23. ^ The Making of Raiders of The Lost Ark by Derek Taylor,1981,Ballantine Books.
  24. ^ "The Urban Legends of Indiana Jones". Official website. 2004-01-13. Retrieved 2007-03-11.
  25. ^ "Twenty-Five Reasons to Watch Raiders Again". Official website. 2006-06-12. Retrieved 2007-03-11.
  26. ^ Industrial Light & Magic: The Art of Special Effects, Smith, Thomas G., p. 140., 1986
  27. ^ Industrial Light & Magic: The Art of Special Effects, Smith, Thomas G., p. 66., 1986
  28. ^ Industrial Light & Magic: The Art of Special Effects, Smith, Thomas G., p. 62., 1986
  29. ^ Industrial Light & Magic: The Art of Special Effects, Smith, Thomas G., p. 62., 1986
  30. ^ The Sound of Indiana Jones. Paramount Pictures. 2003. {{cite AV media}}: |format= requires |url= (help)
  31. ^ John Williams (2003). The Music of Indiana Jones. Paramount Pictures. {{cite AV media}}: |format= requires |url= (help)
  32. ^ ""Box Office Mojo Alltime Adjusted"". Retrieved 2008-07-13.
  33. ^ Tom O'Neil (2008-05-08). "Will 'Indiana Jones,' Steven Spielberg and Harrison Ford come swashbuckling back into the awards fight?". Los Angeles Times. Retrieved 2008-05-08.
  34. ^ Vincent Canby (June 12, 1981). "Raiders of the Lost Ark". The New York Times. Retrieved 2007-05-21. {{cite news}}: Italic or bold markup not allowed in: |publisher= (help)
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