大勢至菩薩 or 得大勢菩薩
大势至菩萨 or 得大势菩萨
(Pinyin: Dàshìzhì Púsa or Dédàshì Púsà)
(romaji: Daiseishi Bosatsu)
(RR: Daeseji Bosal)
Wylie: mthu chen thob
THL: Tuchen tob
|Vietnamese||Đại Thế Chí Bồ tát|
|Venerated by||Mahāyāna, Vajrayāna|
Mahāsthāmaprāpta is a bodhisattva mahāsattva that represents the power of wisdom, often depicted in a trinity with Amitābha and Avalokiteśvara (Guanyin), especially in Pure Land Buddhism. His name literally means "arrival of the great strength".
In Chinese Buddhism, he is usually portrayed as a woman, with a likeness similar to Avalokiteśvara. He is also one of the Japanese Thirteen Buddhas in Shingon Buddhism. In Tibetan Buddhism, Mahāsthāmaprāpta is equated with Vajrapani, who is one of his incarnations and was known as the Protector of Gautama Buddha.
Mahāsthāmaprāpta is one of the oldest bodhisattvas and is regarded as powerful, especially in the Pure Land school, where he takes an important role in the Longer Sukhāvatīvyūha Sūtra.
In the Śūraṅgama Sūtra, Mahāsthāmaprāpta tells of how he gained enlightenment through the practice of nianfo, or continuous pure mindfulness of Amitābha, to obtain samādhi. In the Amitayurdhyana Sutra, Mahāsthāmaprāpta is symbolized by the moon while Avalokiteśvara is represented by the sun.
Yìnguāng (Chinese: 印光), a teacher of Pure Land Buddhism, was widely considered to be a manifestation of Mahāsthāmaprāpta based on the accounts of two people:
1. Huìchāo (Chinese: 慧超), a former Christian who had never heard of him before
2. Běnkōng (Chinese: 本空), a Buddhist monk and former student
Both of these figures had independent dreams regarding the situation.
He is recognized as one of the Thirteen Buddhas.
(Shingon) on san zan saku sowaka (オン・サン・ザン・サク・ソワカ)
(Tendai) on sanzen zensaku sowaka (オン・サンゼン・ゼンサク・ソワカ)
- 净土的见证(一） Archived 2015-01-04 at the Wayback Machine
- Josephine Baroni, Helen. The Illustrated Encyclopedia of Zen Buddhism. p. 240.
- The Vairocanābhisaṃbodhi Sūtra (PDF). BDK America, Inc. 2005.
- Getty, Alice (1914). The gods of northern Buddhism, their history, iconography, and progressive evolution through the northern Buddhist countries, Oxford: The Clarendon press, p.100.
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