Costello's (also known as Tim's) was a bar and restaurant in Midtown Manhattan, New York City, from 1929 to 1992. The bar operated at several locations near the intersection of East 44th Street and Third Avenue. Costello's was known as a drinking spot for journalists with the New York Daily News, writers with The New Yorker, novelists, and cartoonists, including the author Ernest Hemingway, the cartoonist James Thurber, the journalist John McNulty, the poet Brendan Behan, the short-story writer John O'Hara, and the writers Maeve Brennan and A. J. Liebling. The bar is also known for having been home to a wall where Thurber drew a cartoon depiction of the "Battle of the Sexes" at some point between 1934 and 1935; the cartoon was destroyed, illustrated again, and then lost in the 1990s. A wall illustrated in 1976 by several cartoonists, including Bill Gallo, Stan Lee, Mort Walker, Al Jaffee, Sergio Aragonés, and Dik Browne, is still on display at the bar's final location. (Full article...)
... that the Xinwen Bao was first published during the Lunar New Year to take advantage of its competitors being on hiatus?
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... that the FCC canceled a permit to build a Florida TV station, finding that "the most prominent facility completed within the studio building appears to be a toilet"?
... that a renovation of 240 Centre Street was delayed by several months because a street map was incorrect?
Percy Grainger (1882–1961) was an Australian-born composer, arranger and pianist who played a prominent role in the revival of interest in British folk music in the early 20th century. Grainger left Australia in 1895 to study at the Hoch Conservatory in Frankfurt. Between 1901 and 1914 he was based in London, where he established himself first as a society pianist and later as a concert performer, composer and collector of original folk melodies. He met many of the significant figures in European music, forming friendships with Frederick Delius and Edvard Grieg, and became a champion of Nordic music and culture. In 1914, Grainger moved to the United States, where he took citizenship in 1918. He experimented with music machines that he hoped would supersede human interpretation. Although much of his work was experimental and unusual, the piece with which he is most generally associated is his piano arrangement of the folk-dance tune "Country Gardens". This glass negative of Grainger was taken at some point around 1915–1920.
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