List of post-1950 jazz standards

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Miles Davis played in Charlie Parker's band during the bebop era and personally influenced the birth of cool jazz, modal jazz and jazz fusion. Standards composed by him include "Donna Lee" (1947), "Solar" (1954), "Milestones" (1958) and "So What" (1959).

Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes tunes written in or after the 1950s that are considered standards by at least one major fake book publication or reference work.

Modal jazz recordings, such as Miles Davis's Kind of Blue, became popular in the late 1950s. Popular modal standards include Davis's "All Blues" and "So What" (both 1959), John Coltrane's "Impressions" (1963) and Herbie Hancock's "Maiden Voyage" (1965). Later, Davis's "second great quintet", which included saxophonist Wayne Shorter and pianist Herbie Hancock, recorded a series of highly acclaimed albums in the mid-to-late 1960s. Standards from these sessions include Shorter's "Footprints" (1966) and Eddie Harris's "Freedom Jazz Dance" (1966).

In Brazil, a new style of music called bossa nova evolved in the late 1950s. Based on Brazilian samba as well as jazz, bossa nova was championed by João Gilberto, Antonio Carlos Jobim and Luiz Bonfá. Gilberto and Stan Getz started a bossa nova craze in the United States with their 1963 album Getz/Gilberto. Among the genre's songs that are now considered standards are Bonfá's "Manhã de Carnaval" (1959), Marcos Valle's "Summer Samba" (1966), and numerous Jobim songs, including "Desafinado" (1959), "The Girl from Ipanema" (1962) and "Corcovado" (1962).

The jazz fusion movement fused jazz with other musical styles, most famously funk and rock. Its golden age was from the late 1960s to the mid-1970s. Top fusion artists, such as Weather Report, Return to Forever, Herbie Hancock and the Mahavishnu Orchestra, achieved cross-over popularity, although public interest in the genre faded at the turn of the 1980s. Fusion's biggest hits, Hancock's "Chameleon" (1973) and Joe Zawinul's "Birdland" (1977), have been covered numerous times thereafter and are sometimes considered modern jazz standards.

1950–1954[edit]

Sonny Rollins played in Thelonious Monk's and Miles Davis's bands in the 1950s before starting a successful solo career. With Davis, he composed the standards "Airegin", "Doxy" and "Oleo".

1955–1959[edit]

1960–1964[edit]

Herbie Hancock emerged as an influential pianist in the 1960s both as a leader and as part of Miles Davis's "second great quintet". Later he became one of the most popular jazz fusion artists. Standards composed by him include "Watermelon Man" (1963), "Cantaloupe Island" (1964), "Maiden Voyage" (1965) and "Chameleon" (1973).

1965–1969[edit]

Wayne Shorter's compositions that have become standards include "Mahjong" (1964), "Speak No Evil" (1965) and "Footprints" (1966).

1970s[edit]

Notes[edit]

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  38. ^ Fly Me to the Moon (in Other Words) at jazzstandards.com - retrieved on February 20, 2009
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  51. ^ Canadian Sunset at jazzstandards.com - retrieved on February 20, 2009
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  54. ^ Nica's Dream at jazzstandards.com - retrieved on April 29, 2009
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  64. ^ Ratliff, Ben (December 06, 2002) "Mal Waldron, 77, Composer Of the Jazz Ballad 'Soul Eyes'" New York Times
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  66. ^ The Real Book, Volume II, p. 30
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  68. ^ Milestones at jazzstandards.com - retrieved on February 20, 2009
  69. ^ The Real Book, Volume III, p. 277
  70. ^ Morrison, Nick (October 13, 2009) "Art Blakey: Jazz Messenger, Jazz Mentor" npr music. Accessed July 31, 2013.
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  78. ^ See page 20 of the Fall 1993 issue of Letter from Evans (http://www2.selu.edu/orgs/34skid/html/23.pdf) where Earl Zindars says "I know that it is [100-percent Bill's] because he wrote it over at my pad where I was staying in East Harlem, 5th floor walkup, and he stayed until 3 o'clock in the morning playing these six bars over and over."
  79. ^ http://www.npr.org/templates/story/story.php?storyId=92185496 35m30s - On being asked about the issue by the interviewer (Marian McPartland), Evans said "The truth is I did [write the music]... I don't want to make a federal case out of it, the music exists, and Miles is getting the royalties"
  80. ^ Desafinado at jazzstandards.com - retrieved on February 20, 2009
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  83. ^ Giant Steps at jazzstandards.com - retrieved on February 20, 2009
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  87. ^ A Felicidade at jazzstandards.com - retrieved on February 20, 2009
  88. ^ Killer Joe at jazzstandards.com - retrieved on April 29, 2009
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  105. ^ At the Half Note Cafe
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Bibliography[edit]

Reference works[edit]

  • Rosenthal, David H. (1993). Hard Bop: Jazz and black music 1955–1965. Oxford University Press US. ISBN 0-19-508556-6. 

Fake books[edit]