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In April 2008, King spoke out against HB 1423, a bill pending in the Massachusetts state legislature that would restrict or ban the sale of violent video games to anyone under the age of 18. Although King stated that he had no personal interest in video games as a hobby, he criticized the proposed law, which he sees as an attempt by politicians to scapegoat pop culture, and to act as surrogate parents to others' children, which he asserted is usually "disastrous" and "undemocratic". He also saw the law as inconsistent, as it would forbid a 17-year-old, legally able to see ''[[Hostel: Part II]]'', from buying or renting ''[[Grand Theft Auto: San Andreas]]'', which is violent but less graphic. While conceding that he saw no artistic merit in some violent video games, King also opined that such games reflect the violence that already exists in society, which would not be lessened by such a law, which would be redundant in light of the ratings system that already exists for video games. King argued that such laws allow legislators to ignore the economic divide between the rich and poor, and the easy availability of guns, which he felt were the more legitimate causes of violence.<ref>King, Stephen; "Videogame Lunacy"; "The Pop of KIng" ''[[Entertainment Weekly]]''; April 11, 2008.</ref> King's website states that the novelist is a supporter of the [[Democratic Party (United States)|Democratic Party]].
In April 2008, King spoke out against HB 1423, a bill pending in the Massachusetts state legislature that would restrict or ban the sale of violent video games to anyone under the age of 18. Although King stated that he had no personal interest in video games as a hobby, he criticized the proposed law, which he sees as an attempt by politicians to scapegoat pop culture, and to act as surrogate parents to others' children, which he asserted is usually "disastrous" and "undemocratic". He also saw the law as inconsistent, as it would forbid a 17-year-old, legally able to see ''[[Hostel: Part II]]'', from buying or renting ''[[Grand Theft Auto: San Andreas]]'', which is violent but less graphic. While conceding that he saw no artistic merit in some violent video games, King also opined that such games reflect the violence that already exists in society, which would not be lessened by such a law, which would be redundant in light of the ratings system that already exists for video games. King argued that such laws allow legislators to ignore the economic divide between the rich and poor, and the easy availability of guns, which he felt were the more legitimate causes of violence.<ref>King, Stephen; "Videogame Lunacy"; "The Pop of KIng" ''[[Entertainment Weekly]]''; April 11, 2008.</ref> King's website states that the novelist is a supporter of the [[Democratic Party (United States)|Democratic Party]].


== Work ==
{|width="100%"
|valign="top" width="50%"|
* [[:Category:Novels by Stephen King|Novels by Stephen King]]
* [[:Category:Novels by Richard Bachman|Novels by Richard Bachman]]
* [[:Category:Short stories by Stephen King|Short stories by Stephen King]]
* [[:Category:Short story collections by Stephen King|Short story collections by Stephen King]]
|valign="top" width="50%" |
* [[Short fiction by Stephen King]]
* [[:Category:Stephen King characters|Stephen King characters]]
* [[:Category:The Dark Tower|The Dark Tower index]]
* [[Stephen King bibliography|Complete bibliography]] (ordered chronologically)
|}


=== Writing style ===
<!-- Image with inadequate rationale removed: [[Image:Onwriting.jpg|thumb|240px|''On Writing'']] -->
In his nonfiction book ''[[On Writing|On Writing: A Memoir of the Craft]]'', King discusses his writing style at great length. King believes that, generally speaking, good stories cannot be called consciously and should not be plotted out beforehand; they are better served by focusing on a single "seed" of a story and letting the story grow itself. King often begins a story with no idea how it will end. He mentions in the ''Dark Tower'' series that halfway through its nearly 30-year writing period a terminally ill woman asked how it would end, certain she would die before the series' completion. He told her he did not know. King believes strongly in this style, stating that his best writing comes from "freewriting." In ''On Writing,'' King stated that he believed stories to exist fully formed, like fossils, and that his role as a writer was to excavate the fossil as well as he could. When asked for the source of his story ideas in interviews, however, he has several times, including the appearance on Amazon.com's ''Fishbowl,'' answered, "I have the heart of a small boy……and I keep it in a jar on my desk." (This quote is most often attributed to Robert Bloch, author of ''[[Psycho (novel)|Psycho]].)

He is known for his great eye for detail, for continuity and for inside references; many stories that may seem unrelated are often linked by secondary characters, fictional towns, or off-hand references to events in previous books. Many of the settings for King's books are in [[Maine]], though often fictional locations, especially the town of Castle Rock. (Castle Rock was the setting for ''The Body''; when the novella was adapted for the screen by [[Rob Reiner]], Reiner formed a production company, [[Castle Rock Entertainment]], which has since gone on to produce other King adaptations including ''[[Dolores Claiborne (film)|Dolores Claiborne]]'', ''[[Hearts in Atlantis (film)|Hearts in Atlantis]]'', ''[[The Shawshank Redemption]]'' and ''[[The Green Mile (film)|The Green Mile]]''.)

King's books are filled with references to American history and American culture, particularly the darker, more fearful side of these. These references are generally spun into the stories of characters, often explaining their fears. Recurrent references include crime, war (especially the [[Vietnam War]]), violence, the supernatural and racism.

King is also known for his folksy, informal narration, often referring to his fans as "Constant Readers" or "friends and neighbors." This familiar style contrasts with the horrific content of many of his stories.

King has a very simple formula for learning to write well: "Read and write four to six hours a day. If you cannot find the time for that, you can't expect to become a good writer." He sets out each day with a quota of 2000 words and will not stop writing until it is met. He also has a simple definition for talent in writing: "If you wrote something for which someone sent you a check, if you cashed the check and it didn't bounce, and if you then paid the light bill with the money, I consider you talented."<ref>''Everything You Need to Know About Writing Successfully—in Ten Minutes''</ref>

Shortly after his accident, King wrote the first draft of the book ''[[Dreamcatcher (novel)|Dreamcatcher]]'' with a notebook and a [[Waterman pens|Waterman]] [[fountain pen]], which he called "the world's finest word processor."<ref>{{cite book | last =King | first =Stephen | authorlink = | title =Dreamcatcher | publisher =Scribner | year =2001 | location = | pages = | isbn = 0743211383}}</ref>

King's writing style throughout his novels alternates from future to past, character development (including character illumination, dynamics and revelation), and setting in each chapter—leaving a cliffhanger at the end. He then continues this process until the novel is finished.

When asked why he writes, King responds: "The answer to that is fairly simple–there was nothing else I was made to do. I was made to write stories and I love to write stories. That's why I do it. I really can't imagine doing anything else and I can't imagine not doing what I do."<ref>{{cite web|url=http://www.stephenking.com/pages/FAQ/Stephen_King/whywriter.php | title = Stephen King's official site | accessdate = 2007-05-14}}</ref>

King often uses authors as characters, or includes mention of [[fictional books]] in his stories, novellas and novels, such as Paul Sheldon who is the main character in ''[[Misery (novel)|Misery]]'' and Jack Torrance in ''[[The Shining]]''. See also [[List of fictional books in the works of Stephen King]] for a complete list.

=== Influences ===
King has called [[Richard Matheson]] "the author who influenced me most as a writer."<ref name=KingOnWriting>{{cite book | last =King | first =Stephen | authorlink = | title =On Writing | publisher =Scribner | year =2000 | location = | pages = | isbn = 0684853523}}</ref> Both authors casually integrate characters' thoughts into the third person narration, just one of several parallels between their writing styles. In a current edition of Matheson's ''[[The Incredible Shrinking Man]]'', King is quoted: "A horror story if there ever was one…a great adventure story—it is certainly one of that select handful that I have given to people, envying them the experience of the first reading."

King is a fan of [[H. P. Lovecraft]] and refers to him several times in ''[[Danse Macabre (book)|Danse Macabre]]''. Lovecraft's influence shows in King's invention of bizarre, ancient deities, subtle connections among all of his tales and the integration of fabricated newspaper clippings, trial transcripts and documents as narrative devices. King's invented trio of afflicted New England towns—[[Jerusalem's Lot]], [[Castle Rock (Stephen King)|Castle Rock]] and [[Derry (Stephen King)|Derry]]—are reminiscent of Lovecraft's [[Arkham]], [[Dunwich (H. P. Lovecraft)|Dunwich]] and [[Innsmouth]]. King's short story "[[Crouch End (Stephen King)|Crouch End]]" is an explicit homage to, and part of, Lovecraft's [[Cthulhu Mythos]] story cycle. "[[Gramma]]," a short story made into a film in the 1980s anthology horror show ''[[The New Twilight Zone]]'', mentions Lovecraft's notorious fictional creation ''[[Necronomicon]]'', also borrowing the names of a number of the fictional monsters mentioned therein. "[[I Know What You Need]]" from the 1976 collection ''[[Night Shift]]'', and ''[['Salem's Lot]]'' also mention the tome. Another tribute to Lovecraft is in King's short story "[[Jerusalem's Lot]]," which opens ''Night Shift''. King differs markedly from Lovecraft in his focus on extensive characterization and naturalistic dialogue, both notably absent in Lovecraft's writing. In ''[[On Writing]]'', King is critical of Lovecraft's dialogue-writing skills, using passages from ''[[The Colour Out of Space]]'' as particularly poor examples. There are also several examples of King referring to [[Lovecraftian]] characters in his work, such as [[Nyarlathotep]] and [[Yog-Sothoth]].
[[Image:Alexandre Dumas.jpg|thumb|left|[[Alexandre Dumas, père]], an influence on King.]]
[[Edgar Allan Poe]] exerts a noticeable influence over King's writing as well. In ''[[The Shining (novel)|The Shining]]'', the phrase "And the red death held sway over all" hearkens back to Poe's "And Darkness and Decay and the Red Death held illimitable dominion over all" from "[[The Masque of the Red Death]]." The novella "[[Dolan's Cadillac]]" has a theme almost identical to Poe's "[[The Cask of Amontillado]]," including a paraphrase of Fortunato's famous plea, "For the love of God, Montresor!" In ''The Shining'', King refers to Poe as "The Great American Hack".

King acknowledges the influence of [[Bram Stoker]], particularly on his novel '''Salem's Lot'', which he envisioned as a retelling of ''[[Dracula]]''.<ref>[http://www.stephenking.com/pages/works/salems_lot/ StephenKing.com: 'Salems Lot<!-- Bot generated title -->]</ref> Its related short story "Jerusalem's Lot", is reminiscent of Stoker's ''[[The Lair of the White Worm]]''.

King has also openly declared his admiration for another, less prolific author: [[Shirley Jackson]]. '''Salem's Lot'' opens with a quotation from Jackson's ''[[The Haunting of Hill House]]''. Tony, an imaginary playmate from ''The Shining'', bears a striking resemblance to another imaginary playmate with the same name from Jackson's ''Hangsaman''. A pivotal scene in ''[[Storm of the Century]]'' is based on Jackson's ''[[The Lottery]]''. A character in ''[[Wolves of the Calla]]'' references the Jackson book ''[[We Have Always Lived in the Castle]]''.

King is a big fan of [[John D. MacDonald]] and dedicated the novella "Sun Dog" to MacDonald, saying "I miss you, old friend." For his part, MacDonald wrote an admiring preface to ''Night Shift'', and even had his famous character, [[Travis McGee]], reading ''Cujo'' in one of the last McGee novels.

In 1987 King's [[Philtrum Press]] published [[Don Robertson (author)|Don Robertson]]'s novel, ''The Ideal, Genuine Man''. In his forenote to the novel, King wrote, "Don Robertson was and is one of the three writers who influenced me as a young man who was trying to 'become' a novelist (the other two being Richard Matheson and John D. MacDonald)."<ref>{{cite book | last = Robertson | first = Don | authorlink = Don Robertson (author) | coauthors = | title = The Ideal, Genuine Man | publisher = Philtrum Press | year = 1987 | location = Bangor, ME | pages = viiI | url = | doi = | id = | isbn = | nopp = true }}</ref>

In an [[Amazon.com]] interview, King said the one book he wishes he'd written is [[William Golding]]'s ''[[Lord of the Flies]]''.

King makes references in several of his books to characters and events in [[J. R. R. Tolkien]]'s ''[[The Hobbit]]'' and ''[[The Lord of the Rings]]''.

[[Robert A. Heinlein]]'s book ''[[The Door into Summer]]'' is repeatedly mentioned in King's ''[[Wolves of the Calla]]''.

=== Collaborations ===
[[Image:Peterstraub.png|thumb|right|200px|Peter Straub at the [[University of South Florida]] on February 15, 2007]]
King has written two novels with acclaimed horror novelist [[Peter Straub]]: ''[[The Talisman (1983)|The Talisman]]'' and a sequel, ''[[Black House (novel)|Black House]]''. King has indicated that he and Straub will likely write the third and concluding book in this series, the tale of Jack Sawyer, but has set no time line for its completion.

King also wrote the nonfiction book, ''[[Faithful: Two Diehard Boston Red Sox Fans Chronicle the Historic 2004 Season|Faithful]]'' with novelist and fellow Red Sox fanatic [[Stewart O'Nan]].

In 1996 King collaborated with [[Michael Jackson]] to create ''[[Ghosts (1997 film)|Ghosts]]'', a long and expensive musical video.

"Throttle", a novella written in collaboration with his son [[Joe Hill (writer)|Joe Hill]], will be included in the anthology ''He Is Legend: Celebrating Richard Matheson'', forthcoming from Gauntlet Press in February 2009.<ref>Gauntlet Press website, forth coming titles[http://www.gauntletpress.com/cgi-bin/gauntletpress/perlshop.cgi?ACTION=template&thispage=HeisLegend&ORDER_ID=251390396]</ref>

''[[The Diary of Ellen Rimbauer: My Life at Rose Red]]'', was a paperback tie-in for the King-penned miniseries ''[[Rose Red (film)|Rose Red]]''. The book was published under anonymous authorship, and written by Ridley Pearson. This spin-off is a rare occasion of another author being granted permission to write commercial work using characters and story elements invented by King.

Speculation that King wrote the novel ''[[Bad Twin]]'', a tie-in to the series ''[[Lost (TV series)|Lost]]'', under the [[pseudonym]] [[Gary Troup (Lost)|Gary Troup]] has been discredited. This theory was fueled by King being an avid and self-declared Lost fan, having mentioned it and praised it several times in his Entertainment Weekly articles.

King played guitar for the rock band [[Rock Bottom Remainders]], several of whose members are authors. Other members include [[Dave Barry]], [[Ridley Pearson]], [[Scott Turow]], [[Amy Tan]], [[James McBride (musician)|James McBride]], [[Mitch Albom]], [[Roy Blount Jr.]], [[Matt Groening]], Kathi Kamen Goldmark and [[Greg Iles]]. None of them claim to have any musical talent. King is a fan of the rock band [[AC/DC]], who did the soundtrack for his 1986 film, ''[[Maximum Overdrive]]''. He is also a fan of [[The Ramones]], who wrote the title song for ''[[Pet Sematary (film)|Pet Sematary]]'' and appeared in the music video. They are referred to several times in various novels and stories. In addition he wrote the liner notes for their tribute album ''[[We're a Happy Family]].'' They, in return, name checked him on the song "It's Not My Place (In the 9 to 5 World)", which is on 1981's ''[[Pleasant Dreams]]''.<ref>[http://www.azlyrics.com/lyrics/ramones/itsnotmyplace.html RAMONES LYRICS - It's Not My Place<!-- Bot generated title -->]</ref> In 1988, the band [[Blue Öyster Cult]] recorded an updated version of their 1974 song [[Astronomy (song)|"Astronomy"]]. The single released for radio play featured a narrative intro spoken by King.<ref name = "BOC">{{cite web | title = Complete Blue Oyster Cult Discography | url = http://www.blueoystercult.com/Studio/BOC_Discography.pdf | author = Bolle Gregmar | publisher = Blue Oyster Cult | accessdate = 2008-07-14|format=PDF}}</ref>

=== Films and TV ===
{{main|Media based on Stephen King works}}
Many of King's novels and short stories have been made into major motion pictures or TV movies and miniseries.<ref name="IMDb">{{cite web
| url = http://www.imdb.com/name/nm0000175/
| title = Internet Movie Database: Stephen King
| accessdate = 2007-04-10
}}</ref> Unlike some authors, King is untroubled by movies based on his works differing from the original work. He has contrasted his books and its film adaptations as "[[apples and oranges]]; both delicious, but very different." The exception to this is ''[[The Shining (film)|The Shining]]'', which King criticized when it was released in 1980; and ''[[The Lawnmower Man (1992 film)|The Lawnmower Man]]'' (he sued to have his name removed from the credits). King seems to have gained greater appreciation for Kubrick's ''The Shining'' over the years. Kubrick had described the original novel in an interview as not "literary," having its merits exclusively in the plot. This understandably may have upset King. As a film, ''The Lawnmower Man'' bore no resemblance whatsoever to King's original short story. King's name was used solely as a faux-[[brand]].

King's first film appearance was in George Romero's "Knightriders" as a buffoonish audience member. His first featured role was in ''Creepshow'', playing Jordy Verrill, a backwoods redneck who, after touching a fallen meteor in hopes of selling it, grows moss all over his body.
He has since made cameos in several adaptations of his works. He appeared in ''[[Pet Sematary]]'' as a minister at a funeral, in ''[[Rose Red (film)|Rose Red]]'' as a pizza deliveryman, as a news reporter in The Storm of the Century, in ''[[The Stand (TV miniseries)|The Stand]]'' as "Teddy Wieszack," in the ''[[The Shining (TV miniseries)|Shining]]'' miniseries as band member Gage Creed and in ''[[The Langoliers]]'' as Tom Holby. He has also appeared in ''The Golden Years'', in [[Chappelle's Show]] and, along with fellow author [[Amy Tan]], on ''[[Insane Clown Poppy|The Simpsons]]'' as himself. In addition to acting, King tried his hand at directing with ''[[Maximum Overdrive]]'', in which he also made a cameo appearance as a man using an ATM that is on the fritz.

King produced and acted in a miniseries, ''[[Kingdom Hospital]]'', which is based on the Danish miniseries ''[[Riget]]'' by [[Lars von Trier]]. He also co-wrote The ''[[X-Files]]'' season 5 episode "[[Chinga]]" with the creator of the series [[Chris Carter (screenwriter)|Chris Carter]].

King is friends with [[film director]] [[George Romero]], to whom he partly dedicated his book ''[[Cell (novel)|Cell]]'', and wrote a tribute about the filmmaker in ''[[Entertainment Weekly]]'' for his [[pop culture]] column, as well as an essay for the Elite [[DVD]] version of ''[[Night of the Living Dead]]''.

King has also made an appearance as a contestant on Celebrity ''[[Jeopardy!]]'' in 1995.


== Reception ==
== Reception ==

Revision as of 22:46, 27 December 2008

Stephen King
Stephen King, February 2007
Stephen King, February 2007
Pen nameRichard Bachman, John Swithen
OccupationNovelist, Short story writer, Screenwriter, Columnist, Actor, Producer, Director
GenreHorror fiction, Fantasy, Science fiction, Drama
SpouseTabitha King
ChildrenNaomi Rachel King
Joe King
Owen King
Website
http://www.stephenking.com

Stephen Edwin King (born September 21, 1947) is an American author of contemporary horror, fantasy and science fiction.

Having sold an estimated 300–350 million copies of his books, King is best known for his work in horror fiction, in which he demonstrates a thorough knowledge of the genre's history. Many of his stories have been adapted for other media, including movies, television series and comic books. King has written a number of books using the pen name "Richard Bachman" and one short story where he was credited as "John Swithen." In 2003 he received The National Book Foundation's Medal for Distinguished Contribution to American Letters.

Biography

Early life

Stephen King was born in Portland, Maine on September 21, 1947 to Donald Edwin and Nellie Ruth Pillsbury King. When King was two years old, his father left the family under the pretense of going to buy a pack of cigarettes, leaving his mother to raise King and his adopted older brother David by herself, sometimes under great financial strain. Nevertheless, King has described his childhood as an innocent time.[2] The family moved to De Pere, Wisconsin, Fort Wayne, Indiana, and Stratford, Connecticut. When King was eleven years old, the family returned to Durham, Maine, where Ruth King cared for her parents until their deaths. She then became a caterer in a local residential facility for the mentally challenged.[3]

As a child, King apparently witnessed one of his friends being struck and killed by a train, though he has no memory of the event. His family told him that after leaving home to play with the boy, King returned, speechless and seemingly in shock. Only later did the family learn of the friend's death. Some commentators have suggested that this event may have psychologically inspired King's dark, disturbing creations,[4] but King himself has dismissed the idea.[5]

King's primary inspiration for writing horror fiction was related in detail in his 1981 non-fiction Danse Macabre, in a chapter titled "An Annoying Autobiographical Pause". King makes a comparison of his grandfather successfully dowsing for water using the bough of an apple branch with the sudden realization of what he wanted to do for a living. While browsing through an attic with his elder brother, King uncovered a paperback version of an H.P. Lovecraft collection of short stories that had belonged to his father. The cover art—an illustration of a monster hiding within the recesses of a hell-like cavern beneath a tombstone—was, he writes,

“the moment of my life when the dowsing rod suddenly went down hard . . . as far as I was concerned, I was on my way.”

Education and early creativity

King attended Durham Elementary School. He displayed an early interest in horror as an avid reader of EC's horror comics, including Tales from the Crypt (he later paid tribute to the comics in his screenplay for Creepshow). He began writing for fun while still in school, contributing articles to Dave's Rag, the newspaper that his brother published with a mimeograph machine and later began selling stories to his friends which were based on movies he had seen (though when discovered by his teachers, he was forced to return the profits). The first of his stories to be independently published was "I Was a Teenage Grave Robber", serialized over three published and one unpublished issues of a fanzine, Comics Review, in 1965.[6] That story was published the following year in a revised form as "In a Half-World of Terror" in another fanzine, Stories of Suspense, edited by Marv Wolfman.[7]

From 1966, King studied English at the University of Maine, where he graduated in 1970 with a Bachelor of Science in English. He wrote a column for the student newspaper, The Maine Campus, titled "Steve King's Garbage Truck", took part in a writing workshop organized by Burton Hatlen,[1] and took odd jobs to pay for his studies, including one at an industrial laundry. He sold his first professional short story, "The Glass Floor", to Startling Mystery Stories in 1967.[3] The Fogler Library at UMaine now holds many of King's papers.

After leaving the university, King gained a certificate to teach high school but, being unable to find a teaching post immediately, initially supplemented his laboring wage by selling short stories to men's magazines such as Cavalier. Many of these early stories have been published in the collection "Night Shift". In 1971, King married Tabitha Spruce, a fellow student at the University of Maine whom he had met at the University's Fogler Library. That fall, King was hired as a teacher at Hampden Academy in Hampden, Maine. He continued to contribute short stories to magazines and worked on ideas for novels.[3] It was during this time that King developed a drinking problem, which stayed with him for more than a decade.

Success with Carrie

On Mother's Day, 1973, King's novel Carrie was accepted by publishing house Doubleday. King has written how he became so discouraged when trying to develop the idea of a girl with psychic powers into a novel that he threw an early draft in the trash, but his wife, Tabitha, rescued it and encouraged him to finish it.[8] He received a $2,500 advance (not large for a novel, even at that time) but the paperback rights eventually earned $400,000, with half going to the publisher. King and his family relocated to Southern Maine because of his mother's failing health. At this time, he began writing a book titled Second Coming, later titled Jerusalem's Lot, before finally changing the title to 'Salem's Lot (published 1975). Soon after the release of Carrie in 1974, his mother died of uterine cancer. His Aunt Emrine read the novel to her before she died. King has written of his severe drinking problem at this time, stating that he was drunk while delivering the eulogy at his mother's funeral.[5]

After his mother's death, King and his family moved to Boulder, Colorado, where King wrote The Shining (published 1977). The family returned to western Maine in 1975, where King completed his fourth novel, The Stand (published 1978). In 1977, the family traveled briefly to England, returning to Maine that fall where King began teaching creative writing at the University of Maine. King has kept his primary residence in Maine ever since.

The Dark Tower books

In the late 1970's, King began a series of interconnected stories about a lone gunslinger, Roland, who pursues the "Man in Black" in an alternate-reality universe that is a cross between J.R.R. Tolkein's Middle-Earth and the American wild west as depicted by Clint Eastwood and Sergio Leone in the so-called "spaghetti westerns". They were first published in five installments by the Magazine of Fantasy and Science Fiction under the editorship of Edward L. Ferman , beginning in 1977 and the last in 1981. It would be continued as a large 7-book epic called The Dark Tower which would be written and published infrequently in four decades, from the 1970's to the 2000's.

In 1982, the fantasy small-press Donald M. Grant (known for publishing the entire canon of Robert E. Howard) printed these stories for the first time together in hardcover form with color and B&W illustrations by then up-and-coming fantasy artist Michael Whelan, entitled The Dark Tower: The Gunslinger. Each chapter was named for the story previously published in magazine form. King dedicated the hardcover edition to his editor at F&SF, Ed Ferman, who "took a chance on these stories." The original print-run was only 10,000 copies, which was, even by this time, a comparatively low run for a first printing of a King novel in hardcover. His 1980 novel, Firestarter, had an initial print-run in trade hardcover at 100,000 copies, and his 1983 novel, Christine, had a trade hardcover print-run of 250,000 copies, both by the much larger publisher Viking. The Dark Tower: The Gunslinger's initial release was not highly publicized, and only specialty Science Fiction and related bookstores carried it on their shelves. The book was generally not available in the larger chain stores, except by special order. Rumors spread among avid fans that there was a King book out that few readers knew about, let alone had actually read. When the initial 10,000 copies sold out, Grant printed another 10,000 copies in 1984, but these runs were still far short of the growing demand among fans for this book. The Dark Tower: The Gunslinger was the beginning of his magnum opus fantasy epic. Both the first and second printings of The Gunslinger garner premium prices on the collectible book market, notably among avid readers and collectors of Stephen King, horror literature, fantasy literature, and even American western literature. And it is also desirable among avid fans of the artwork of Michael Whelan.

In 1987, King released the second installment, The Dark Tower II: The Drawing of the Three, in which Roland "draws" three people from 20th-century United States into his world through some floating doors. Again, Donald M. Grant published The Drawing of the Three with illustrations by Phil Hale in a slightly larger run of 30,000 copies, which was still well below King's typical initial hardcover print-run of a new book. (IT, published in 1986, had an initial print-run of 1,000,000 copies, his largest to-date.) King had believed that The Dark Tower books would only be of interest to a select group of his fans, and he had resisted releasing it on a larger scale. Finally, in the late 1980's, bowing to pressure from his publishers and fans who were hungry for the books (at this point less than 50,000 of his millions of readers would have been able to own any of the Dark Tower books), King agreed to release The Dark Tower: The Gunslinger and all subsequent Dark Tower books in trade paperback and mass market formats. The series reached seven books, with the final installment called The Dark Tower VII: The Dark Tower published in 2004.

In the early 2000's King revised the original book, The Dark Tower: The Gunslinger, because he felt the voice and imagery of the original stories of the late 1970's did not seem to fit the voice of the final installment of 2004. King felt the style of the work had markedly changed during the intervening 27 years. The revised version was published in 2003 by his former hardcover publisher Viking. Donald M. Grant will print its hardcover edition of the revised version of The Gunslinger along with a story set in the Dark Tower world called The Little Sisters of Eluria (first published in an anthology in 1998) in late 2008, early 2009.

Richard Bachman

In the late 1970s-early 1980s, King published a handful of short novels—Rage (1977), The Long Walk (1979), Road Work (1981), The Running Man (1982) and Thinner (1984)—under the pseudonym Richard Bachman. The idea behind this was largely an experiment to measure for himself whether or not he could replicate his own success again, and allay at least part of the notion inside his own head that popularity might all be just an accident of fate. An alternate (or additional) explanation was because of publishing standards at the time allowing only a single book a year.[9]

The Bachman novels contained hints to the author's actual identity that were picked up on by fans, leading to King's admission of authorship in 1985. King dedicated his 1989 book The Dark Half, about a pseudonym turning on a writer, to "the deceased Richard Bachman", and in 1996, when the Stephen King novel Desperation was released, the companion novel The Regulators carried the "Bachman" byline.

In 2006, during a press conference in London, King declared that he had discovered another Bachman novel, titled Blaze. It was published on June 12, 2007. In fact, the manuscript had been held at King's alma mater, the University of Maine in Orono, for many years and had been covered by numerous King experts. King completely rewrote the 1973 manuscript for its publication.

Confronting addiction

Shortly after The Tommyknockers publication in 1987, King's family and friends staged an intervention, dumping evidence of his addiction taken from the trash including beer cans, cigarette butts, grams of cocaine, Xanax, Valium, NyQuil, dextromethorphan (cough medicine) and marijuana, on the rug in front of him. As King related in his memoir, he then sought help and quit all forms of drugs and alcohol in the late 1980s, and has remained sober since.[5]

Car accident and thoughts of retirement

In the summer of 1999, King had finished the memoir section of On Writing: A Memoir of the Craft, but had abandoned the book for nearly eighteen months, unsure of how or whether to proceed.

On June 19, at about 4:30 p.m., he was walking on the shoulder of Route 5, in Center Lovell, Maine. Driver Bryan Smith, distracted by an unrestrained dog moving in the back of his minivan,[10] struck King, who landed in a depression in the ground about 14 feet from the pavement of Route 5.[5] According to Oxford County Sheriff deputy Matt Baker, King was struck from behind and some witnesses said the driver was not speeding or reckless.[11] King's website, however, says King was walking facing traffic.

King was conscious enough to give the deputy phone numbers to contact his family but was in considerable pain. The author was first transported to Northern Cumberland Hospital, in Bridgton, and then flown by helicopter to Central Maine Medical Center, in Lewiston. His injuries—a collapsed right lung, multiple fractures of his right leg, scalp laceration and a broken hip—kept him at CMMC until July 9, almost three weeks.

Earlier that year, King had finished most of From a Buick 8, a novel in which a character dies after getting struck by a car. Of the similarities, King says that he tries "not to make too much of it."

After five operations in ten days and physical therapy, King resumed work on On Writing in July, though his hip was still shattered and he could only sit for about forty minutes before the pain became intolerable.

King's lawyer and two others purchased Smith's van for $1,500, reportedly to prevent it from appearing on eBay. The van was later crushed at a junkyard after King had severely beaten it with a baseball bat. King later mentioned during an interview with Fresh Air's Terry Gross that he wanted to completely destroy the vehicle himself with a sledgehammer.[12]

A fictionalized account of the accident was written into the last novel of the "Dark Tower" series. Parts of the conversation between Smith and King, as he awaited medical attention, were used in the book, as well as an accurate description of the injuries sustained.

Two years later, King suffered severe pneumonia as a direct result of his lung being punctured in the accident. During this time, Tabitha King was inspired to redesign his studio. Stephen visited the space while his books and belongings were packed away. What he saw was an image of what his studio would look like if he died, providing a seed for his novel Lisey's Story.

In 2002, King announced he would stop writing, apparently motivated in part by frustration with his injuries, which had made sitting uncomfortable and reduced his stamina. He has since resumed writing, but states on his website that:

"I'm writing but I'm writing at a much slower pace than previously and I think that if I come up with something really, really good, I would be perfectly willing to publish it because that still feels like the final act of the creative process, publishing it so people can read it and you can get feedback and people can talk about it with each other and with you, the writer, but the force of my invention has slowed down a lot over the years and that's as it should be."[13]

Family life

King's home in Bangor

King owns two houses, one in Bangor and one in Center, Lovell, Maine, while he and his wife regularly spend winter in their waterfront mansion located off the Gulf of Mexico, in Sarasota, Florida. He and Tabitha have three children and three grandchildren.[3] Tabitha King has published nine of her own novels. Both King's sons are published authors: Owen King published his first collection of stories, We're All in This Together: A Novella and Stories, in 2005; Joseph Hillstrom published an award-winning collection of short stories, 20th Century Ghosts, in 2005, and his first novel, Heart-Shaped Box will be adapted by Irish director Neil Jordan for a 2008 Warner Bros. release. King's daughter Naomi spent two years as a minister in the Unitarian Universalist Church, in Utica, New York, where she lived with her partner, Rev. Dr. Thandeka. Naomi now ministers for the Unitarian Universalist Church of River of Grass, in Plantation, Florida.[14]

Since 2000

  • In 2000, King published a serialized novel, The Plant, over the Internet, bypassing print publication. At first it was thought that sales were unsuccessful and he abandoned the project, but King later revealed that he simply ran out of stories.[15]
  • Since August 2003, King has provided his take on pop culture in a column appearing on the back page of Entertainment Weekly, usually every third week. The column is called "The Pop of King", a reference to "The King of Pop", Michael Jackson. [16]
  • On February 14, 2007, Joblo.com announced[20] that plans were underway for Lost co-creator J.J. Abrams to do an adaptation of King's epic Dark Tower series.
  • On August 15, 2007, King was mistaken for a vandal in an Alice Springs bookstore. King was signing books authored by himself when a customer reported there was a vandal scribbling in volumes in the fiction section.[22]
  • During the 2008 presidential election, King voiced his support of Democratic candidate Barack Obama.[23]
  • A controversy emerged on May 5, 2008, when a conservative blogger posted a clip of King at a Library of Congress reading event. King, talking to high-school students, had said: "If you can read, you can walk into a job later on. If you don't, then you've got the Army, Iraq, I don't know, something like that."[24] The comment was described by the blog as "another in a long line of liberal media members bashing the military," and likened to John Kerry's similar remark from 2006.[25] King responded later that day, saying, "That a right-wing-blog would impugn my patriotism because I said children should learn to read, and could get better jobs by doing so, is beneath contempt...I live in a national guard town, and I support our troops, but I don’t support either the war or educational policies that limit the options of young men and women to any one career—military or otherwise."[26] King again defended his comment in an interview with the Bangor Daily News on May 8, saying, "I’m not going to apologize for promoting that kids get better education in high school, so they have more options. Those that don’t agree with what I’m saying, I’m not going to change their minds."[27]
  • King's latest short stories collection titled Just After Sunset was released on November 11, 2008. It features 13 short stories.
  • King is currently working on a new novel entitled Under the Dome, a reworking of an unfinished novel he tried writing twice in the 1980s, to be published in 2009.[28]
  • King recently released N., a novella that is featured in Just After Sunset, as a serialised animated series that can be seen for free, or, for a small payment, can be downloaded in a higher quality.
  • There are rumors, but as yet unconfirmed, that King's future project will be the third Talisman book. This would follow The Talisman and Black House, and would likely be co-written again with Peter Straub.

Interests

Philanthropy

Since becoming commercially successful, King and his wife have donated money to causes around their home state of Maine.

The Kings' early '90s donation to the University of Maine Swim Team saved the program from elimination from the school's athletics department. Donations to local YMCA and YWCA programs have allowed renovations and improvements that would otherwise have been impossible. Additionally, King annually sponsors a number of scholarships for high school and college students.

The Kings do not desire recognition for their funding of Bangor-area facilities: they named the Shawn T. Mansfield Stadium for a prominent local little league coach's son who had cerebral palsy, while the Beth Pancoe Aquatic Park memorializes an accomplished area swimmer who died of cancer.

On November 6, 2008 King appeared with friend and fellow author Richard Russo to raise money for the Western Massachusetts food bank. The event held by the Odyssey Bookshop in South Hadley at Mount Holyoke College raised over $18,000 and helped to promote his new book of stories Just After Sunset, and Russo's Bridge of Sighs.

Baseball

Stephen King is a fan of the Boston Red Sox and frequently attends home and away baseball games. He helped coach his son Owen's Bangor West team to the Maine Little League Championship in 1989. He recounts this experience in the New Yorker essay "Head Down," which also appears in the collection Nightmares and Dreamscapes. In 1999, King wrote The Girl Who Loved Tom Gordon, which featured former Red Sox pitcher Tom Gordon as the protagonist's imaginary companion. King recently co-wrote a book titled Faithful: Two Diehard Boston Red Sox Fans Chronicle the Historic 2004 Season with Stewart O'Nan, recounting the authors' roller coaster reaction to the Red Sox's 2004 season, a season culminating in the Sox winning the 2004 American League Championship Series and World Series. In the 2005 film Fever Pitch, about an obsessive Boston Red Sox fan, King tosses out the first pitch of the Sox's opening day game. He also participates in neighborhood softball games around his Maine estate. He has also devoted one of his recent columns for Entertainment Weekly on the subject of commercialism in Major League Baseball. More recently, King has starred in an ESPN Sportscenter advertisement referencing both his allegiance to the Red Sox and his preferred writing genre (horror fiction).

Radio stations

Stephen and his wife Tabitha own The Zone Corporation, a central Maine radio station group consisting of WDME, WZON, and WKIT. The last of the three stations features a caricature of King as a Frankenstein-esque character as part of the logo and the tagline "Stephen King's Rock 'n' Roll Station."

Society and politics

In April 2008, King spoke out against HB 1423, a bill pending in the Massachusetts state legislature that would restrict or ban the sale of violent video games to anyone under the age of 18. Although King stated that he had no personal interest in video games as a hobby, he criticized the proposed law, which he sees as an attempt by politicians to scapegoat pop culture, and to act as surrogate parents to others' children, which he asserted is usually "disastrous" and "undemocratic". He also saw the law as inconsistent, as it would forbid a 17-year-old, legally able to see Hostel: Part II, from buying or renting Grand Theft Auto: San Andreas, which is violent but less graphic. While conceding that he saw no artistic merit in some violent video games, King also opined that such games reflect the violence that already exists in society, which would not be lessened by such a law, which would be redundant in light of the ratings system that already exists for video games. King argued that such laws allow legislators to ignore the economic divide between the rich and poor, and the easy availability of guns, which he felt were the more legitimate causes of violence.[29] King's website states that the novelist is a supporter of the Democratic Party.

Work

Writing style

In his nonfiction book On Writing: A Memoir of the Craft, King discusses his writing style at great length. King believes that, generally speaking, good stories cannot be called consciously and should not be plotted out beforehand; they are better served by focusing on a single "seed" of a story and letting the story grow itself. King often begins a story with no idea how it will end. He mentions in the Dark Tower series that halfway through its nearly 30-year writing period a terminally ill woman asked how it would end, certain she would die before the series' completion. He told her he did not know. King believes strongly in this style, stating that his best writing comes from "freewriting." In On Writing, King stated that he believed stories to exist fully formed, like fossils, and that his role as a writer was to excavate the fossil as well as he could. When asked for the source of his story ideas in interviews, however, he has several times, including the appearance on Amazon.com's Fishbowl, answered, "I have the heart of a small boy……and I keep it in a jar on my desk." (This quote is most often attributed to Robert Bloch, author of Psycho.)

He is known for his great eye for detail, for continuity and for inside references; many stories that may seem unrelated are often linked by secondary characters, fictional towns, or off-hand references to events in previous books. Many of the settings for King's books are in Maine, though often fictional locations, especially the town of Castle Rock. (Castle Rock was the setting for The Body; when the novella was adapted for the screen by Rob Reiner, Reiner formed a production company, Castle Rock Entertainment, which has since gone on to produce other King adaptations including Dolores Claiborne, Hearts in Atlantis, The Shawshank Redemption and The Green Mile.)

King's books are filled with references to American history and American culture, particularly the darker, more fearful side of these. These references are generally spun into the stories of characters, often explaining their fears. Recurrent references include crime, war (especially the Vietnam War), violence, the supernatural and racism.

King is also known for his folksy, informal narration, often referring to his fans as "Constant Readers" or "friends and neighbors." This familiar style contrasts with the horrific content of many of his stories.

King has a very simple formula for learning to write well: "Read and write four to six hours a day. If you cannot find the time for that, you can't expect to become a good writer." He sets out each day with a quota of 2000 words and will not stop writing until it is met. He also has a simple definition for talent in writing: "If you wrote something for which someone sent you a check, if you cashed the check and it didn't bounce, and if you then paid the light bill with the money, I consider you talented."[30]

Shortly after his accident, King wrote the first draft of the book Dreamcatcher with a notebook and a Waterman fountain pen, which he called "the world's finest word processor."[31]

King's writing style throughout his novels alternates from future to past, character development (including character illumination, dynamics and revelation), and setting in each chapter—leaving a cliffhanger at the end. He then continues this process until the novel is finished.

When asked why he writes, King responds: "The answer to that is fairly simple–there was nothing else I was made to do. I was made to write stories and I love to write stories. That's why I do it. I really can't imagine doing anything else and I can't imagine not doing what I do."[32]

King often uses authors as characters, or includes mention of fictional books in his stories, novellas and novels, such as Paul Sheldon who is the main character in Misery and Jack Torrance in The Shining. See also List of fictional books in the works of Stephen King for a complete list.

Influences

King has called Richard Matheson "the author who influenced me most as a writer."[5] Both authors casually integrate characters' thoughts into the third person narration, just one of several parallels between their writing styles. In a current edition of Matheson's The Incredible Shrinking Man, King is quoted: "A horror story if there ever was one…a great adventure story—it is certainly one of that select handful that I have given to people, envying them the experience of the first reading."

King is a fan of H. P. Lovecraft and refers to him several times in Danse Macabre. Lovecraft's influence shows in King's invention of bizarre, ancient deities, subtle connections among all of his tales and the integration of fabricated newspaper clippings, trial transcripts and documents as narrative devices. King's invented trio of afflicted New England towns—Jerusalem's Lot, Castle Rock and Derry—are reminiscent of Lovecraft's Arkham, Dunwich and Innsmouth. King's short story "Crouch End" is an explicit homage to, and part of, Lovecraft's Cthulhu Mythos story cycle. "Gramma," a short story made into a film in the 1980s anthology horror show The New Twilight Zone, mentions Lovecraft's notorious fictional creation Necronomicon, also borrowing the names of a number of the fictional monsters mentioned therein. "I Know What You Need" from the 1976 collection Night Shift, and 'Salem's Lot also mention the tome. Another tribute to Lovecraft is in King's short story "Jerusalem's Lot," which opens Night Shift. King differs markedly from Lovecraft in his focus on extensive characterization and naturalistic dialogue, both notably absent in Lovecraft's writing. In On Writing, King is critical of Lovecraft's dialogue-writing skills, using passages from The Colour Out of Space as particularly poor examples. There are also several examples of King referring to Lovecraftian characters in his work, such as Nyarlathotep and Yog-Sothoth.

Alexandre Dumas, père, an influence on King.

Edgar Allan Poe exerts a noticeable influence over King's writing as well. In The Shining, the phrase "And the red death held sway over all" hearkens back to Poe's "And Darkness and Decay and the Red Death held illimitable dominion over all" from "The Masque of the Red Death." The novella "Dolan's Cadillac" has a theme almost identical to Poe's "The Cask of Amontillado," including a paraphrase of Fortunato's famous plea, "For the love of God, Montresor!" In The Shining, King refers to Poe as "The Great American Hack".

King acknowledges the influence of Bram Stoker, particularly on his novel 'Salem's Lot, which he envisioned as a retelling of Dracula.[33] Its related short story "Jerusalem's Lot", is reminiscent of Stoker's The Lair of the White Worm.

King has also openly declared his admiration for another, less prolific author: Shirley Jackson. 'Salem's Lot opens with a quotation from Jackson's The Haunting of Hill House. Tony, an imaginary playmate from The Shining, bears a striking resemblance to another imaginary playmate with the same name from Jackson's Hangsaman. A pivotal scene in Storm of the Century is based on Jackson's The Lottery. A character in Wolves of the Calla references the Jackson book We Have Always Lived in the Castle.

King is a big fan of John D. MacDonald and dedicated the novella "Sun Dog" to MacDonald, saying "I miss you, old friend." For his part, MacDonald wrote an admiring preface to Night Shift, and even had his famous character, Travis McGee, reading Cujo in one of the last McGee novels.

In 1987 King's Philtrum Press published Don Robertson's novel, The Ideal, Genuine Man. In his forenote to the novel, King wrote, "Don Robertson was and is one of the three writers who influenced me as a young man who was trying to 'become' a novelist (the other two being Richard Matheson and John D. MacDonald)."[34]

In an Amazon.com interview, King said the one book he wishes he'd written is William Golding's Lord of the Flies.

King makes references in several of his books to characters and events in J. R. R. Tolkien's The Hobbit and The Lord of the Rings.

Robert A. Heinlein's book The Door into Summer is repeatedly mentioned in King's Wolves of the Calla.

Collaborations

File:Peterstraub.png
Peter Straub at the University of South Florida on February 15, 2007

King has written two novels with acclaimed horror novelist Peter Straub: The Talisman and a sequel, Black House. King has indicated that he and Straub will likely write the third and concluding book in this series, the tale of Jack Sawyer, but has set no time line for its completion.

King also wrote the nonfiction book, Faithful with novelist and fellow Red Sox fanatic Stewart O'Nan.

In 1996 King collaborated with Michael Jackson to create Ghosts, a long and expensive musical video.

"Throttle", a novella written in collaboration with his son Joe Hill, will be included in the anthology He Is Legend: Celebrating Richard Matheson, forthcoming from Gauntlet Press in February 2009.[35]

The Diary of Ellen Rimbauer: My Life at Rose Red, was a paperback tie-in for the King-penned miniseries Rose Red. The book was published under anonymous authorship, and written by Ridley Pearson. This spin-off is a rare occasion of another author being granted permission to write commercial work using characters and story elements invented by King.

Speculation that King wrote the novel Bad Twin, a tie-in to the series Lost, under the pseudonym Gary Troup has been discredited. This theory was fueled by King being an avid and self-declared Lost fan, having mentioned it and praised it several times in his Entertainment Weekly articles.

King played guitar for the rock band Rock Bottom Remainders, several of whose members are authors. Other members include Dave Barry, Ridley Pearson, Scott Turow, Amy Tan, James McBride, Mitch Albom, Roy Blount Jr., Matt Groening, Kathi Kamen Goldmark and Greg Iles. None of them claim to have any musical talent. King is a fan of the rock band AC/DC, who did the soundtrack for his 1986 film, Maximum Overdrive. He is also a fan of The Ramones, who wrote the title song for Pet Sematary and appeared in the music video. They are referred to several times in various novels and stories. In addition he wrote the liner notes for their tribute album We're a Happy Family. They, in return, name checked him on the song "It's Not My Place (In the 9 to 5 World)", which is on 1981's Pleasant Dreams.[36] In 1988, the band Blue Öyster Cult recorded an updated version of their 1974 song "Astronomy". The single released for radio play featured a narrative intro spoken by King.[37]

Films and TV

Many of King's novels and short stories have been made into major motion pictures or TV movies and miniseries.[38] Unlike some authors, King is untroubled by movies based on his works differing from the original work. He has contrasted his books and its film adaptations as "apples and oranges; both delicious, but very different." The exception to this is The Shining, which King criticized when it was released in 1980; and The Lawnmower Man (he sued to have his name removed from the credits). King seems to have gained greater appreciation for Kubrick's The Shining over the years. Kubrick had described the original novel in an interview as not "literary," having its merits exclusively in the plot. This understandably may have upset King. As a film, The Lawnmower Man bore no resemblance whatsoever to King's original short story. King's name was used solely as a faux-brand.

King's first film appearance was in George Romero's "Knightriders" as a buffoonish audience member. His first featured role was in Creepshow, playing Jordy Verrill, a backwoods redneck who, after touching a fallen meteor in hopes of selling it, grows moss all over his body. He has since made cameos in several adaptations of his works. He appeared in Pet Sematary as a minister at a funeral, in Rose Red as a pizza deliveryman, as a news reporter in The Storm of the Century, in The Stand as "Teddy Wieszack," in the Shining miniseries as band member Gage Creed and in The Langoliers as Tom Holby. He has also appeared in The Golden Years, in Chappelle's Show and, along with fellow author Amy Tan, on The Simpsons as himself. In addition to acting, King tried his hand at directing with Maximum Overdrive, in which he also made a cameo appearance as a man using an ATM that is on the fritz.

King produced and acted in a miniseries, Kingdom Hospital, which is based on the Danish miniseries Riget by Lars von Trier. He also co-wrote The X-Files season 5 episode "Chinga" with the creator of the series Chris Carter.

King is friends with film director George Romero, to whom he partly dedicated his book Cell, and wrote a tribute about the filmmaker in Entertainment Weekly for his pop culture column, as well as an essay for the Elite DVD version of Night of the Living Dead.

King has also made an appearance as a contestant on Celebrity Jeopardy! in 1995.

Reception

Critical response

Although critical reaction to King's work has been mostly very positive, he has come under fire from several academic writers.

In his analysis of post-World War II horror fiction, The Modern Weird Tale (2001), critic S. T. Joshi[39] devotes a chapter to King's work. Joshi argues that King's best-known works (his supernatural novels), are his worst, describing them as mostly bloated, illogical, maudlin and prone to deus ex machina endings. Despite these criticisms, Joshi argues that since Gerald's Game (1993), King has been tempering the worst of his writing faults, producing books that are leaner, more believable and generally better written. Joshi also stresses that, despite his flaws, King almost unfailingly writes insightfully about the pains and joys of adolescence, and has produced a few outstanding books and stories. Joshi cites two early non-supernatural novels -– Rage (1977) and The Running Man (1982) -– as King's best, suggesting both are riveting and well-constructed suspense thrillers, with believable characters.

In 1996, King won an O. Henry Award for his short story "The Man in the Black Suit."

In 2003, King was honored by the National Book Awards with a lifetime achievement award, the Medal of Distinguished Contribution to American Letters, with his work being described thus:

Stephen King’s writing is securely rooted in the great American tradition that glorifies spirit-of-place and the abiding power of narrative. He crafts stylish, mind-bending page-turners that contain profound moral truths–some beautiful, some harrowing–about our inner lives. This Award commemorates Mr. King’s well-earned place of distinction in the wide world of readers and book lovers of all ages.

Some in the literary community expressed disapproval of the award: Richard Snyder, the former CEO of Simon & Schuster, described King's work as "non-literature", and critic Harold Bloom denounced the choice:

The decision to give the National Book Foundation's annual award for "distinguished contribution" to Stephen King is extraordinary, another low in the shocking process of dumbing down our cultural life. I've described King in the past as a writer of penny dreadfuls, but perhaps even that is too kind. He shares nothing with Edgar Allan Poe. What he is is an immensely inadequate writer on a sentence-by-sentence, paragraph-by-paragraph, book-by-book basis.[40]

However, others came to King's defense, such as writer Orson Scott Card, who responded:

Let me assure you that King's work most definitely is literature, because it was written to be published and is read with admiration. What Snyder really means is that it is not the literature preferred by the academic-literary elite."[41]

In Roger Ebert's review of the 2004 movie Secret Window, he states "A lot of people were outraged that [King] was honored at the National Book Awards, as if a popular writer could not be taken seriously. But after finding that his book On Writing had more useful and observant things to say about the craft than any book since Strunk and White's The Elements of Style, I have gotten over my own snobbery."[42]

Since the publication of Carrie, public awareness of King and his works has saturated at a high level,[43] and his works have become as popular as The Twilight Zone or the films of Alfred Hitchcock[44]. As one of the best-selling novelists in the world, and the most financially successful horror writer in history, King is an American horror icon of the highest order. King's books and characters encompass primary fears in such an iconic manner that his works have become synonymous with certain key genre ideas.

Awards

King has won 6 Bram Stoker awards, 6 Horror Guild awards, 5 Locus Awards, 3 World Fantasy Awards (including a Lifetime Achievement Award in 2004), the 1996 O. Henry award, a Hugo Award in 1982 for the non-fiction Danse Macabre. He was given a Lifetime Achievement Award in 2003 by the Horror Writers' Association and, controversially, a Medal for Distinguished Contribution to American Letters from the National Book Foundation in 2003 (see Critical Response, above).[45] In 2007, King received an award for lifetime achievement from the Canadian Literary Guild, the only non-Canadian to be bestowed this award.

See also

References

  1. ^ a b Anstead, Alicia (2008-01-23). "UM scholar Hatlen, mentor to Stephen King, dies at 71". Bangor Daily News. Retrieved 2008-03-04. Cite error: The named reference "bn" was defined multiple times with different content (see the help page).
  2. ^ More on Stephen King
  3. ^ a b c d King, Tabitha. "Stephen King.com: Biography". Retrieved 2008-03-04. {{cite web}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
  4. ^ Beahm, George The Stephen King Story: A Literary Profile Andrews and McMeel. 1991. ISBN 0-8362-7989-1 : pp.101
  5. ^ a b c d e King, Stephen (2000). On Writing. Scribner. ISBN 0684853523.
  6. ^ Wood, Rocky et al 'Stephen King: Uncollected, Unpublished Abingdon, Maryland 2006 ISBN 1-58767-130-1
  7. ^ Private Research by Rocky Wood confirmed by a copy of the original publication secured in 2008
  8. ^ King, Stephen (2000). On Writing. Scribner. pp. 76–77. ISBN 0684853523.
  9. ^ King, Stephen. "Stephen King FAQ: "Why did you write books as Richard Bachman?"". StephenKing.com. Retrieved December 13. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |accessyear= ignored (|access-date= suggested) (help)
  10. ^ Stephen King cracking jokes following surgery - June 21, 1999
  11. ^ Liljas-library homepage
  12. ^ Novelist Stephen King : NPR
  13. ^ "Stephen King.com: The Official FAQ: Is it true that you have retired?". Retrieved 2008-03-04.
  14. ^ "River of Grass Ministry". Retrieved 2008-07-16.
  15. ^ Slashdot | Stephen King's Net Horror Story
  16. ^ The Pop of King: The Tao of Steve
  17. ^ Peter David discusses the signing on his blog.
  18. ^ Another blog entry of the signing with photos and links to interviews.
  19. ^ Stephen King Ventures Into Comic Books
  20. ^ Abrams on Dark Tower?
  21. ^ Stephen King on Virginia Tech | Violence in the Media | Essays | News + Notes | Entertainment Weekly
  22. ^ ABC News, Stephen King mistaken for vandal in Alice
  23. ^ Stephen King backing Barack Obama : US Entertainment
  24. ^ Discussion on Writing with Stephen King: C-SPAN Video Library
  25. ^ Writer Stephen King: If You Can't Read, You'll End Up in the Army or Iraq
  26. ^ "StephenKing.com". 2008-05-05. Retrieved 2008-05-23.
  27. ^ McGarrigle, Dale (2008-05-08). "Stephen King defends remarks on Army, Iraq". Bangor Daily News. Retrieved 2008-05-23. {{cite news}}: Check date values in: |date= (help); Cite has empty unknown parameter: |coauthors= (help)
  28. ^ Lilja's Library - The World of Stephen King [1996 - 2008]
  29. ^ King, Stephen; "Videogame Lunacy"; "The Pop of KIng" Entertainment Weekly; April 11, 2008.
  30. ^ Everything You Need to Know About Writing Successfully—in Ten Minutes
  31. ^ King, Stephen (2001). Dreamcatcher. Scribner. ISBN 0743211383.
  32. ^ "Stephen King's official site". Retrieved 2007-05-14.
  33. ^ StephenKing.com: 'Salems Lot
  34. ^ Robertson, Don (1987). The Ideal, Genuine Man. Bangor, ME: Philtrum Press. viiI. {{cite book}}: Cite has empty unknown parameter: |coauthors= (help); Unknown parameter |nopp= ignored (|no-pp= suggested) (help)
  35. ^ Gauntlet Press website, forth coming titles[1]
  36. ^ RAMONES LYRICS - It's Not My Place
  37. ^ Bolle Gregmar. "Complete Blue Oyster Cult Discography" (PDF). Blue Oyster Cult. Retrieved 2008-07-14.
  38. ^ "Internet Movie Database: Stephen King". Retrieved 2007-04-10.
  39. ^ Joshi, S.T, The Modern Weird Tale : A Critique of Horror Fiction, McFarland & Company, 2001, ISBN 978-0786409860
  40. ^ Boston.com / News / Boston Globe / Editorial / Opinion / Op-ed / Dumbing down American readers
  41. ^ Yummi Bears, Lions, Boomtown, Mayer, and King - Uncle Orson Reviews Everything
  42. ^ Chicago Sun-Times - Reviews Secret Window (xhtml)
  43. ^ Linda Badley, Writing Horror and the Body: The Fiction of Stephen King, Clive Barker, and Anne Rice (Contributions to the Study of Popular Culture) (Greenwood Press, 1996); Michael R. Collings, Scaring Us to Death: The Impact of Stephen King on Popular Culture (Borngo Press; 2nd Rev edition, 1997, ISBN 0930261372).
  44. ^ Amy Keyshian, Stephen King (Pop Culture Legends) (Chelsea House Publications, 1995).
  45. ^ "Stephen King.com: The Official FAQ: Awards". Retrieved 2008-03-04.

Additional reading

  • The Many Facets of Stephen King, Michael R. Collings, Starmont House, 1985, ISBN 0930261143
  • The Shorter Works of Stephen King, Michael R. Collings with David A. Engebretson, Starmont House, 1985, ISBN 093026102X
  • Stephen King as Richard Bachman, Michael R. Collings, Starmont House, 1985, ISBN 0930261003
  • The Annotated Guide to Stephen King: A Primary and Secondary Bibliography of the Works of America’s Premier Horror Writer, Michael R. Collings, Starmont House, 1986, ISBN 0930261801
  • The Films of Stephen King, Michael R. Collings, Starmont House, 1986, ISBN 0930261100
  • The Stephen King Phenomenon, Michael R. Collings, Starmont House, 1987, ISBN 0930261127
  • Horror Plum'd: An International Stephen King Bibliography and Guide 1960-2000, Michael R. Collings, Overlook Connection Press, 2003, ISBN 1-892950-45-6
  • The Complete Guide to the Works of Stephen King, Rocky Wood, David Rawsthorne and Norma Blackburn, Kanrock Partners, ISBN 0975059335
  • Stephen King: Uncollected, Unpublished, Rocky Wood, Cemetery Dance, 2006, ISBN 1587671301
  • The Stephen King Collector's Guide, Rocky Wood and Justin Brooks, Kanrock Partners, ISBN 978-0-9750593-5-7
  • Stephen King: A Primary Bibliography of the World's Most Popular Author, Justin Brooks, Cemetery Dance, 2008, ISBN 1587671530
  • Stephen King: The Non-Fiction, Rocky Wood and Justin Brooks, Cemetery Dance, 2008, ISBN 1-58767-160-3
  • Stephen King Is Richard Bachman, Michael R. Collings, Overlook Connection Press, March 2008, ISBN 1-892950-74-X

See also Books about Stephen King

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