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Seinfeld
Created byLarry David
Jerry Seinfeld
StarringJerry Seinfeld
Jason Alexander
Julia Louis-Dreyfus
Michael Richards
Country of originUSA
No. of episodes180
Production
Running time21 Minutes (syndication),
22 Minutes (original)
Original release
NetworkNBC
ReleaseJuly 5, 1989 –
May 14, 1998
For the actor, see Jerry Seinfeld.

Seinfeld is an American television situation comedy set in New York City that ran from July 5, 1989, to May 14, 1998.

The sitcom was one of the most popular TV programs of the 1990s, and many of its catchphrases have entered into the pop culture lexicon. The show was created by Larry David and Jerry Seinfeld, who stars as the eponymous character based largely on himself. (See Jerry Seinfeld (character).) Set predominantly in an apartment block on Manhattan's Upper West Side, the show features a host of Jerry's friends and acquaintances, including George Costanza (Jason Alexander), Elaine Benes (Julia Louis-Dreyfus) and Cosmo Kramer (Michael Richards).

Seinfeld was produced by Castle-Rock Entertainment, then helmed by director-actor-producer Rob Reiner, and distributed by Columbia Pictures Television and Columbia TriStar Television (now Sony Pictures Television). Seinfeld was written largely by Larry David, with input from several script writers in later years, including Gregg Kavet, Andy Robin, David Mandel, Jeff Schaffer, Steve Koren, Jennifer Crittenden, Tom Gamill, Alec Berg and Spike Feresten, most of whom had been nominated for best writing awards such as the Emmys. The show topped TV Guide's list of the top 50 greatest shows of all time[1] in 2002, and was so influential in the '90s popular culture, it came in first in E!'s 2004 countdown of 101 Reasons the 90s Ruled. For its impact, the show won countless awards throughout the decade, including winning 10 Emmy awards and being nominated in every year of its run.

Overview

While most television sit-coms to date had been mostly family or co-worker driven, none of the Seinfeld characters are related by blood or employed by the same organization; in fact, many characters were not employed at all. Like the self-parodying "show within a show" episodes of year four, Seinfeld was a "show about nothing."

Tom's Restaurant, a diner at 112th St. and Broadway in Manhattan, referred to as Monk's Cafe in the show.

According to Bruce Fretts' 1993 The "Entertainment Weekly" "Seinfeld" Companion, Seinfeld's audience was, "TV-literate, demographically desirable urbanites, for the most part-who look forward to each weekly episode in the Life of Jerry with a baby-boomer generation's self-involved eagerness." In the original concept, the show featured clips of Seinfeld himself delivering a standup routine, the theme of which relates to the events depicted in the plot, at the beginning and end of each episode. This device deliberately blurred the distinction between the actor Jerry Seinfeld and the character whom he portrays. In later seasons, these standup clips became less frequent and were ultimately discontinued. The show's main characters were modeled after Seinfeld's or Larry David's real-life acquaintances. Many of the plot devices too are based on real-life counterparts - such as the Soup Nazi (based on Al Yeganeh), J. Peterman of the J. Peterman catalogue, and New York Yankees owner George Steinbrenner.

No hugging, no learning

Seinfeld was unique in that it violated several conventions of mainstream television. The show "about nothing"[2] became the first television series widely described as postmodern,[3] being described as: "thirty-something singles ... with no roots, vague identities, and conscious indifference to morals".[4] The "no hugging, no learning" convention held that the characters should not develop or improve throughout the series.

Other convention includes the isolating of characters from the actors playing them, and separating the characters' world from that of the actors and audience. The story arc that took on this convention concerned the characters' roles in promoting a television sitcom series named Jerry. Jerry was much like Seinfeld in that Seinfeld played himself, and that the show was "about nothing". Jerry was launched in the 1993 season finale, in an episode titled "The Pilot."

Jerry Seinfeld performing his famous stand-up comedy in the final moments of "The Boyfriend, Part 2"

In virtually every Seinfeld episode, several story threads are presented at the beginning, involving the characters in separate and unrelated situations. The stories eventually interweave in an ironic fashion. Rapid scene shifts between story lines moves the action forward as rapidly as possible. Despite the separate plot strands, the narratives show "consistent efforts to maintain [the] intimacy" between the small cast of characters. "Much of Seinfeld's plot and humor hinge on outside personalities threatening—and ultimately failing—to invade the foursome, ... especially where Jerry and George are concerned." (Gantz 2000)

Gantz maintains that another factor in, or further proof of, spectators' and characters' participation in a larger Seinfeld community is the large amount of in-slang, "a lexicon of Seinfeldian code words and recurring phrases that go unnoticed by the infrequent or 'unknowing' viewer". Only the cognoscenti would understand the concepts of "double dipping" or "close-talking", or appreciate the addition of "not that there's anything wrong with that" by someone trying to take the edge off a politically incorrect remark. The idea that Seinfeld is postmodern has been disputed by postmodern intellectuals including Jacques Derrida.[5]

Response

The show premiered as The Seinfeld Chronicles on Thursday, May 31, 1990 on NBC. The show was not an immediate success. After the pilot was shown, on July 5, 1989, a pickup by the NBC network did not seem likely and the show was actually offered to Fox, which declined to pick up the show. It was only thanks to Rick Ludwin, head of late night and special events for NBC, for diverting money from his budget, that the next four episodes were filmed (to which he admitted in an interview for NBC's special "The Seinfeld Story"). In fact, because the first episode order came from the Late Night and Specials department, Seinfeld is technically not a sitcom, but a very long series of comedy specials.) After nine years on the air and 176 episodes filmed (along with 4 clip shows,) the series finale of Seinfeld aired on Thursday, May 14, 1998. It was watched by a huge audience, estimated at 76 million viewers. Jerry Seinfeld holds both the record for the "most money refused" according to the Guinness Book of World Records by refusing an offer to continue the show for $5 million per episode, and another record for the Highest Ever Annual Earnings For A TV Actor[6], while the show itself held the record for the Highest Television Advertising Rates up until 2004, when the final episode of Friends aired[7].

In 2004 a deal was negotiated to make Seinfeld available on DVD for the first time. Due to legal problems with the cast involving episode commentary and other DVD extras, the release was pushed back. The first 3 seasons were released November 23, 2004, and season 4 was released on May 17, 2005. Season 5 and season 6 were released on November 22, 2005. Season 7 will be released in the U.S on November 21, 2006. The release date(s) for the final two seasons are unknown, but a May, 2007 release appears to be most likely.

Characters

Main characters

Jerry Seinfeld

Main article: Jerry Seinfeld (character)
File:Jseinfeld.jpg
Jerome (Jerry) Seinfeld

Jerome "Jerry" Seinfeld (played by Jerry Seinfeld) — Jerry's observations about circumstances, people, behavior, and life in general are often parallel to the observations he makes in his stand-up comedy. He is typically a passive observer of, and commentator on, others' bizarre behavior. In a DVD commentary for the fifth season episode "The Opposite," Seinfeld described his character's encouraging his friends' strange behavior as "...leading him down the primrose path." On occasion he will reluctantly help his friends, but he seems to take the most pleasure in seeing them fail.

Among other things, he is obsessed with cleanliness, breakfast cereal, cartoons, baseball and superheroes (there are many visual, conversational, and thematic references to Superman in particular throughout the series). Jerry drove a BMW 3 Series early in the show, but had switched to a 5 Series when his car was "infected" by the body odor of a valet attendant in the fourth season. Jerry is more frequently seen in an oft-malfunctioning black Saab 900 convertible. He is the only character to appear in every episode of the series.

George Costanza

Main article: George Costanza
File:Costanza.jpg
Jason Alexander as George Louis Costanza

George Louis Costanza (played by Jason Alexander) — Once succinctly described by Elaine as a "short, stocky, slow-witted, bald man", George is a neurotic, self-loathing, pathological liar domineered by his parents, Frank and Estelle. He has been best friends with Jerry since their middle school years.

George is the center of a number of negative character traits, among them stinginess, dishonesty, insecurity, and neurosis. Many of these traits form the basis for his involvement in various plots, schemes, and awkward social encounters. Episode plots would frequently feature George manufacturing elaborate deceptions at work or in his relationships in order to gain or maintain some small or imagined advantage.

His relationships with women are always unsuccessful, although ironically, his most disastrous relationship, an engagement to Susan Ross (played by Heidi Swedberg) is one of the few that, technically, ends "well" for George, as he fears marriage, from which Susan's unexpected death bails him out. However, even this comes back to "bite him in the butt," as her parents create a foundation in her honor, in which all of the vast land, mansions, and money that George might have inherited instead go to the foundation, reluctantly overseen by him as a member of the board of trustees.

George is based primarily upon co-creator Larry David (see 5th Season DVD Special Feature "Jason + Larry = George"), and named after Jerry Seinfeld's college classmate Michael Costanza (who appeared in the 3rd Season episode "The Parking Space"). Many of George's predicaments were based on past real-life experiences of Larry David. In "The Revenge", when George quits his job in a fury only to realize his actions were a mistake, he goes back the next day as if nothing happened; in a nearly identical incident, Larry David, working as a writer for Saturday Night Live, quit and then returned to his job in the same manner.

Alexander, from his first audition for the part, based the character George on Woody Allen. As the show progressed, Alexander discovered that the character was based on David. As Alexander explains in an interview for the Seinfeld DVD, during an early conversation with David, Alexander questioned a script, saying, "This could never happen to anyone, and even if it did, no human being would react like this." David replied, "What do you mean? This happened to me once, and this is exactly how I reacted!"

Elaine Benes

Main article: Elaine Benes
Julia Louis-Dreyfus as Elaine Marie Benes

Elaine Marie Benes (played by Julia Louis-Dreyfus). According to the show, Elaine and Jerry dated, had sex 37 times, and broke up just before the first episode, but they remain good friends.

Elaine is from Towson, Maryland, an affluent Baltimore suburb, and went to Tufts University (her "safety school"). She is most often a victim of circumstance, usually coming into conflict with inadequate boyfriends or the arbitrary demands of her eccentric employers. She can be surprisingly ruthless, and seems to be inwardly bitter about the state her life is in (in one episode, during a discussion about what she wanted to be when she grew up, Elaine says she does not remember, but "it wasn't this".) She also occasionally remarks that she needs to find new friends ("The Bizarro Jerry"). She has her own neurotic tendencies, such as her unusual dancing style (described by George as a "full-body dry heave set to music"), bad driving, and violently shoving the messenger of surprising news.

The middle name "Marie" was a name that Julia Louis-Dreyfus picked out for the character.

Cosmo Kramer

Main article: Cosmo Kramer
File:Kramer2.jpg
Michael Richards as Cosmo Kramer

Cosmo Kramer (played by Michael Richards) — Tall, wild-haired, and almost always wearing pants too short for him, Kramer is the most eccentric and animated Seinfeld character. He is perhaps most famous for his "entrance," violently swinging open the door to Jerry's apartment and sliding into the room unexpectedly. Until the sixth season, his first name was unknown. Once it was revealed in "The Switch" by his mother, Babs Kramer, most minor characters began calling him Cosmo, but the main group continued calling him Kramer. In the pilot, he is actually referred to as "Kessler" by Jerry, since the writers were worried about upsetting the real-life Kramer -- Kenny Kramer, the New York neighbor of the show's co-creator Larry David, on whom the character was based. This was later referenced in the episode "The Betrayal," which shows a scene where Jerry first moves into his apartment and meets Kramer, mistaking his name for Kessler.

Kramer is perpetually unemployed after going on strike from H&H Bagels, where he worked before the show began. Throughout the series, he frequently pursues hare-brained money-making schemes, nearly all of them his own invention. The mysterious nature of Kramer's disposable income became a running joke in the series that was never fully explained. In an episode in which Jerry is being audited, Kramer tells Jerry that he stopped paying taxes years ago, prompting Jerry to quip, "That's easy when you have no income" ("The Truth").

One of the most popular characters on the show, Kramer is often described as the "action character" that draws audiences with his wild and unusual antics displaying Michael Richards' skillful physical comedy. Kramer also has the power to easily attract women, and has even briefly dated both a lesbian and a Latvian Orthodox nun. In contrast to the other characters, he is typically painfully honest, often to the point of bluntness. He is good friends with Newman, as well as a wide variety of (off-screen) acquaintances and shady partners, including Lomez and Bob Sacamano, whom the audience often hears about but never sees.

Recurring characters

Main article: Minor characters in Seinfeld

Newman

File:Soup nazi.jpg
Newman as seen in the closing credits of The Soup Nazi
Main article: Newman (Seinfeld)

Jerry and Kramer's neighbor Newman (played by Wayne Knight), a portly, vengeful, spasmodic, yet merry U.S. postal carrier, is both Jerry's archenemy and one of Kramer's closest friends. In his first (off-screen) appearance in "The Revenge", Newman was voiced by Larry David, though Knight over-dubbed David's lines for the show's syndicated airings. Newman and Jerry often follow a specific routine of greeting each other, with Jerry saying "Hello, Newman" and Newman replying "Hello, Jerry", both in a venomous tone of mutual disgust.

Newman never misses a chance to get Jerry into trouble. In "The Package," he has Jerry taken into custody by the Postal Inspection Service for suspicion of mail fraud. Nevertheless, he never seems to mind hanging around in Jerry's apartment from time to time as if they were friends. Occasionally, a story places him in the role of a fifth member of the group, though usually he is an antagonist.

Like many Seinfeld characters, Newman is a paradigm of contradiction. On the one hand, he is lazy (he reveals that he doesn't deliver mail when it rains in "The Calzone"), and completely selfish. However, he displays a surprising sensitivity (as in his oft-referenced infatuation with Elaine and the poetry he creates for Kramer in "The Bookstore") as well as wisdom, such as when he decides in a Solomon-esque way to decide the rightful owner of a bicycle ("The Seven"). Newman is once described by George as "merry"; to the audience's surprise, Jerry agrees with this observation ("The Label Maker"). Newman sometimes exits Jerry's apartment with a 'Ta-ta, Jerry!' and a snickering laugh. In "The Reverse Peephole", Kramer notes that Newman is an excellent tree-climber (when Newman is climbing a tree to retrieve a discarded fur coat) and Newman tells him that he learned to climb trees "in the Pacific Northwest." In another episode, Jerry describes Newman's tennis playing ability in the most superlative of terms: "He's fantastic!" ("The Switch").

Others

File:Costs.jpg
Frank Costanza - George's father

Notable episodes

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The Contest (Season 4)

File:Georgelay.jpg
George Costanza in The Contest.
Main article: The Contest

The fourth season episode "The Contest" was one of the most controversial Seinfeld episodes, and it garnered Larry David an Emmy for the best original script for a comedy in 1993. "The Contest" centers on a pact of self-denial among Jerry, George, Kramer and Elaine. The four place a bet (with Elaine contributing a higher stake) on who can go the longest without masturbating. In the show, however, they were able to convey the meaning without actually using the word "masturbation" or any of its easily recognizable euphemisms. Kramer's early exit from the contest has become a classic moment in Seinfeld history, with his simple "I'm out!" as he slams his cash on the counter. This episode also features Jane Leeves (Daphne in Frasier) as "The Virgin", Jerry's girlfriend at the time.

It was revealed in "The Puffy Shirt" that George was the winner of the Contest, although in "The Finale" five years later, George admitted that he had cheated, causing Jerry to cheer, "Great, I won!"

In a 2001 episode of Curb Your Enthusiasm, during an argument between Larry David and Jason Alexander, it is mentioned that David participated in a contest exactly like this one, after Jason comments that that sort of thing would never happen. On the second DVD of the Season 4 Seinfeld collection, Kenny Kramer states that David did participate in such a contest and complained to him at the time about how difficult it was. On the third week, according to Kenny Kramer, David was the victor. In the 'Curb Your Enthusiasm' episode 'Shaq', when Larry David injures the basketball player and goes to the hospital with Seinfeld tapes to apologize, Shaq mentions to Larry that "The Contest" is his favorite episode.

The Soup Nazi (Season 7)

File:Sein soup nazi.jpg
Larry Thomas as Yev Kasem, better known as the Soup Nazi.
Main article: The Soup Nazi

"The Soup Nazi" was a seventh-season episode for which Larry Thomas, who portrayed the titular character, received an Emmy nomination. In "The Soup Nazi," Jerry introduces George and Elaine to a soup restaurant run by a draconian owner, whom the customers have nicknamed the "Soup Nazi" (it is revealed in the last episode that the Soup Nazi's name is actually Yev Kasem). The restaurant is based on Soup Kitchen International in New York City. The owner enforces strict rules about ordering: As he calls "Next!", you are to state your order, then move quickly down the line with your money ready. Jerry coaches Elaine on the rules, but she disregards them, wasting the Soup Nazi's time and infuriating him. He kicks her out, yelling, "No soup for you!", which would become a catch phrase. The episode also includes a plot about an armoire that Elaine buys and then leaves on the street, asking Kramer to watch it. It is stolen right in front of him by two recurring characters, Cedric and Bob. They come off in the episode as a pair of effeminate, antique-loving men, who Kramer later refers to as "street toughs." Later, Kramer tells The Soup Nazi of the event, and not knowing it would go to Elaine, gives an armoire for Kramer's friend out of sympathy. Elaine finds the Soup Nazi's recipes inside and distributes them widely in an act of vengeance, ruining his business. Before doing this, Elaine confronts the Soup Nazi and says in a mocking voice, "You're through Soup Nazi. No more soup for you...NEXT!"

Larry Thomas has since appeared years later on Scrubs as himself/the Soup Nazi.

Before being changed to TV.com, members of The TVTome Website voted "The Soup Nazi" to be their all-time favorite episode.

The Strike (Season 9)

Main article: The Strike (Seinfeld episode)

The ninth-season episode "The Strike" marked the invention of Festivus, a fictional holiday which took hold in popular culture. Elaine and Kramer find out that growing up in George's family they celebrated Festivus rather than Christmas. Festivus was the brainchild of Frank Costanza, who viewed both the commercial and religious aspects of Christmas with disdain. Festivus involves setting up an aluminum pole rather than a tree; as Frank notes "(it) requires no decoration; I find tinsel distracting." Frank decides to re-visit the holiday which he has not celebrated in years including the "airing of grievances" in which each member at the party tells each other how they have disappointed them throughout the year and the "feats of strength" much to the dismay of George.

The Puerto Rican Day (Season 9)

Main article: The Puerto Rican Day

The second last episode of the show in 1998 caused much controversy within the Puerto Rican community.[citation needed] In the episode, the gang is heading back from a New York Mets game and get stuck in gridlock due to the city's annual Puerto Rican Day Parade. In one scene, Kramer accidentally sets a Puerto Rican flag on fire and stomps on it to try and put the fire out. He is seen doing this and is then attacked by a mob led by Bob and Cedric. There was much outcry from the Puerto Rican community, who claimed it was very offensive and in poor taste to burn the territory's flag. Due to the criticism, NBC never aired the episode again after its initial airing, although it has been aired on TBS's regular reruns of the show. This episode was also the only one initially omitted from the syndication package.

Other memorable episodes

These include "Bubble Boy", "Master of Your Domain", "Shrinkage", "Mulva", "'Crazy' Joe Davola", "Serenity Now", "Man Hands", "Yada Yada Yada", "Dr. Van Nostrand", "Festivus for the Restofus", "Regifting", "Spongeworthy", "Close Talker" and "Art Vandelay" (the last two of which are menu options at Moe's Southwest Grill).

Criticism and popularity

Seasons 1-5: Critical Favorite

Television critics championed the series from the beginning, even as it was slower-paced and had yet to catch on with viewers. The series was widely seen as steadily improving over its first five seasons. Seasons four and five in particular are considered the show's "prime", as it became one of television's top-rated comedies and managed to impress critics at magazines such as TV Guide, Entertainment Weekly and even The New Yorker.

Season four marked Seinfeld's first entrance in the top 30-ranked television shows, and produced a string of high-profile episodes (e.g. "The Outing", "The Bubble Boy") but chief among them was "The Contest", from an Emmy-winning script by co-creator Larry David, whose subject matter - masturbation - was considered both risky for producers and risqué by audiences.

Seasons 6 & 7: "Crawling", Return to Form

Season six found the show changing directors (Andy Ackerman replacing Tom Cherones) and slightly altering its pace, to the displeasure of some. Jerry Seinfeld later told TV Guide that he and his writers were "crawling" creatively at this point, struggling to keep its premises and trademark resolutions on par with previous seasons. Even so, the series remained well-regarded and produced some of its most famous shows ("The Fusilli Jerry", "The Jimmy"). This was also the first season Seinfeld scored #1 in the Nielsen ratings.

The series bounced back from this dry spell - according to the cast, crew and many critics - at the beginning of season seven. A younger and almost all-new writing staff poked fun at the underdeveloped lives of its four lead characters, who were now becoming neurotic, single forty-somethings. A story arc was introduced in which George Costanza became engaged to former girlfriend Susan Ross, whose life was derailed by him a few seasons back. Ranking in its highest ratings ever, Seinfeld produced some of its most well-regarded episodes in the first half of this season - namely "The Soup Nazi", "The Sponge" and "The Rye."

Season Seven Finale: Too Far?

Template:Spoilers As the season advanced, however, it took on an increasingly darker tone. This culminated in perhaps the most polarizing episode in the series, "The Invitations", which boasted a surprise ending in which Susan is suddenly killed. The cause of death is revealed to be a toxic glue on cheap wedding invitations picked out by George, who is almost gleeful that the engagement has been prematurely dissolved. Many felt the show had taken its misanthropic streak too far, while others found the twist to be edgy and original.[citation needed] In syndication, this episode, at the request of Jerry, was not to be shown, but for another reason: due to the sensitivity of the episode's subject and the relationship to the anthrax scare that swept the US in the months following the 9/11 attacks. However, the syndicated version is now broadcast regularly on TBS.

Seasons 8 & 9: After Larry David

File:Seinfeld-susansgrave.jpg
A shot of Susan's grave, from the show's eighth season premiere.

The show divided even more of its audience in its final two seasons. Executive producer and alleged driving-force behind Seinfeld, writer/comedian Larry David, left the series (except to continue a recurring voice-over as George Steinbrenner). Without his, as Jerry Seinfeld put it, "obsessive" attention, the show became more of a fast-paced, absurdist farce, with more slapstick humor and plotlines occasionally delving into pure fantasy.

Some of these earlier off-beat entries were greeted as fun diversions, such as "The Bizarro Jerry" (which featured Elaine befriending polar opposites of Jerry, George and Kramer). As the eighth and ninth seasons progressed, however, most critics felt the show had gotten too cartoonish for its own good. The New York Post went so far as to conduct a poll early in the ninth season, asking readers whether or not the series was as strong as it used to be. More than half of those polled said that it was not up to its previous standards. Jerry Seinfeld responded with a letter to the paper thanking them for considering his show to be so important.

Many fans argue that even as Seinfeld changed its comedic approach in later years, it remained funny and watchable[8]. It certainly remained popular, continuing to spawn catch phrases (ala "Serenity Now!", "Yada Yada Yada") and stayed atop the Nielsen Ratings up through to its series finale.

Ending

Hype

File:JseinfeldTIME.JPG
Jerry Seinfeld on the cover of TIME magazine in 1998.

On December 26, 1997, Jerry Seinfeld announced that the series would end production the following spring. The announcement made the front page of all the major New York newspapers, including the New York Times. Jerry Seinfeld was even featured on the cover of Time Magazine's first issue of 1998[9].

The series ended with a 75-minute episode (cut down to 60 minutes in syndication, in two parts) written by returning co-creator and former executive producer Larry David. It also was the first episode since the seventh season to feature opening and closing stand-up acts by Jerry Seinfeld. The finale was filmed in front of an audience of NBC executives and additional friends of the show. The press and the public were shut out of the filming for the sake of keeping its plot secret, and all who attended the finale signed written "vows of silence" [10].

With all the hype surrounding the finale, the episode aired on the same day that Frank Sinatra died. The episode's airing was largely overshadowed by this event.

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The secrecy only seemed to increase speculation on how the series would end. Some suggested Jerry and Elaine would get married, and more cynical fans favored Julia Louis-Dreyfus's suggestion that the foursome die in a car accident after all their wishes come true. The producers of the show tweaked the media about the hype, spreading a false rumor about Newman ending up in the hospital and Jerry and Elaine sitting in a chapel, presumably to get married[11].

The actual finale poked fun at the many rumors that were circulating, seeming to move into several supposed plots before settling on its true storyline - a lengthy trial in which Jerry, George, Elaine and Kramer are prosecuted for lack of humanity.

The Finale

Main article: The Finale (Seinfeld episode)

Template:Spoiler The series' final one hour episode aired on NBC on Thursday May 14, 1998 following a one hour retrospective and clip show which included memorable scenes from the show's 180 episodes. The final episode began with Jerry and George being offered a series commitment for their failed 1993 pilot Jerry by NBC executives. When Jerry and George announce their news to their friends and family, they decide to celebrate their good news by vacationing to Paris with Elaine and Kramer. On the way to Paris, the plane experiences turbulence and the friends believe that they are about to die. Shortly after, the pilot makes an emergency landing in a Massachusetts town where they witness a mugging and are arrested for violating a Good Samaritan law. The four friends are put on trial and are sent to jail for one year after the jury and judge hear testimonies from a parade of familiar people who the four friends have hurt or affected in the past. The final conversation between George and Jerry was regarding the "top button" on a buttoned up shirt and how it's in no-man's land. The two characters question whether or not they have had the conversation already. The "top button" conversation was the first conversation in the very first episode.

File:Seinfeld finale.jpg
The 'New York four' are led to their fate at the end of "The Finale".

Awards

Seinfeld won the Emmy Award for Outstanding Comedy Series in 1993, and it was nominated for the award every year from 1992-1998 (seasons 3-9). The show has also won a Golden Globe Award for Best Comedy Series in 1994; the Peabody Award in 1993; the Television Critics Award" in 1992 and 1993; the Screen Actors Guild Award for Outstanding Ensemble in a Comedy Series in 1995, 1997, and 1998; and the People's Choice Award for Favorite Television Comedy Series from 1997-1999.

Jerry Seinfeld

  • Golden Globe for Best Performance by an Actor in a Comedy Series - 1994.

Michael Richards

  • Emmy for Outstanding Supporting Actor in a Comedy Series - 1993, 1994, and 1997.

Julia Louis-Dreyfus

  • Emmy for Outstanding Supporting Actress in a Comedy Series - 1996.
  • Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Comedy Series - 1996, 1997.
  • Golden Globe for Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for TV - 1994.

Jason Alexander

  • Screen Actors Guild Award Outstanding Performance by a Male Actor in a Comedy Series - 1995
  • Golden Globe for Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for TV - 1994.

Writing

  • Emmy Outstanding Writing for a Comedy Series - "The Fix-Up" - Larry Charles, Elaine Pope (1991); "The Contest" - Larry David (1992);
  • Writers Guild Award for Episodic Comedy - "The Contest" - Larry David (1994); "The Mango" - Lawrence H. Levy (teleplay/story), Larry David (teleplay) (1995); "The Pool Guy" - David Mandel (1997); "The Fatigues" - Gregg Kavet, Andy Robin (1998)

Further Details

Running gags

Main article: Running gags in Seinfeld
  • Superheroes: Jerry makes many references to superheroes, particularly Superman, you can see something related to Superman in every episode.. Others include the Lone Ranger, Batman, Spider-Man, the Green Lantern, Wonder Woman, Two-Face, Elastic Man, Plastic Man, Iron Man, and a nonexistent Rubberman. Also a statue of Bizarro Superman is placed on the speaker of "Bizarro Jerry's" apartment.
  • "Get OUT!": When surprised by a piece of good news, Elaine will give the bearer of good news an excited (but powerful) shove and will yell "Get OUT!"
  • "Hello, Newman": Jerry always greets Newman with the words "Hello, Newman," spoken very contemptuously. It is also used by Jerry's mother.
  • "Newman!": When vexed or foiled by Newman, Jerry clenches his fist and utters "Newman!" under his breath angrily. This gag is played on in other episodes as other Seinfeld characters who have unfortunate run-ins with Newman also utter "Newman!" in the same fashion Jerry became known for.
  • Pseudonyms: George, Kramer, and Jerry use pseudonyms from time to time. George's pseudonym is Art Vandelay. Kramer uses Peter or Martin von Nostrand. Near the end of the series, adopts the persona of H.E. Pennypacker, a "wealthy industrialist." Jerry uses Kel Varnsen. The three are employed simultaneously during a memorable scene in the series' second last episode, "The Puerto-Rican Day Parade".
  • "In the vault": When a character expresses an intention to keep something a secret, they refer to "putting it in the vault." This became a major point of contention in season seven, when Elaine lets George's fiancee Susan into "the vault" after they become friends. It was apparently commonly known amongst her friends that Elaine's "vault" could be easily opened with schnapps.
  • Third person: after the sixth-season episode "The Jimmy," George would often speak in third person when upset: "George is getting upset!" and "George likes his chicken spicy!"
  • Ted Danson: When Jerry and George make the pilot "Jerry" for NBC, George complains about the mere $13,000 offered, in comparison to the $800,000 Ted Danson receives per episode. He makes this complaint to more than 5 people during the course of the episode. Five years later, in the penultimate episode when NBC gives the four a plane, George complains that "Ted Danson gets a better plane". Jerry then points out to George that Danson is no longer on the network (NBC). Ted Danson's name also comes up in a number of television ads that promoted the show during its fourth season.
  • Kramer's Entrances: From early on in the series, Kramer has always burst into Jerry's apartment very charasmatically.
  • Bob Sakamano: Kramer's never-seen friend is mentioned often throughout the series

Story Arcs and Continuity

The show kept a strong sense of continuity - characters and plots from past episodes were frequently referenced or expanded upon. Occasionally, storylines would span multiple episodes and even entire seasons. Larry David, the show's head writer and executive producer for the first seven seasons, was notorious for keeping a close eye on minor details and making sure the main characters' lives remained consistent and believable, and would later make use of season-long story arcs in his next series, Curb Your Enthusiasm.

Template:Spoiler

Careers

George and Elaine's struggles to get and stay employed was by far one of the series most recurring topics. George is unemployed for most of the series first five seasons, with short stints at desk jobs that almost always end badly. A cushy gig with the New York Yankees lasts for a few years, before he is "traded" and ends up back to a series of clumsy office positions.

Elaine is relatively successful in the publishing industry for the series first few seasons, but has a run of bad luck toward the end of season five. During season six, she's reduced to becoming an errand girl for wealthy businessman Justin Pitt. By the start of season seven, she had finally landed her dream job at J. Peterman, where she worked until the series' end. She even ends up running the famous catalogue company in the first half of season eight.

Season Four

The fourth season was by far the most inter-connected set of shows, with multiple ongoing plotlines:

  • Jerry and George get the chance to write and produce a television pilot, entitled Jerry, for NBC. They spend the entire season developing it, and it hits the airwaves in the season finale.
  • Elaine's romantic relationships (with her therapist, "Crazy" Joe Davola and NBC chief Russell Dalrimple), both of whom she breaks up with after they become deeply enthralled with her (each to a more extreme degree than the last.)
  • "Crazy" Joe Davola's stalking of Jerry and Elaine. He also kicks Kramer in the head, causing a neurological injury that leads to stranger-than-normal behavior for several episodes.
  • A box of Cuban cigars possessed by Kramer, which spark fires throughout the season - the first being in his own hair.
  • George's rocky courtship of NBC executive Susan Ross, and the inadvertent pain inflicted on her family by him and his friends. She is vomited on by Kramer, and her parents' cabin is burned down by one of the aforementioned Cuban cigars, and as a result, her father is accidentally revealed to have had an affair with author John Cheever. She is fired by NBC late in the season for dating George.
Jerry's Relationships

Most of fictional Jerry Seinfeld's relationships never make it beyond a single episode. While in the final seasons this becomes an acknowledged running gag, in earlier seasons it was less intentional and even broken: for instance, the same girlfriend (Rachel) he's caught making out with during Schindler's List in "The Raincoats", finally breaks up with him in "The Opposite". Also Dolores (Mulva) was with Jerry in one episode, broke up with him in the same but, she appeared in another episode where she got back together with Jerry, and then again broke up with him.

The Engagement

The seventh season premiered with "The Engagement". It was part of a season-long theme of the characters growing restless with their repetitive lives. In the primary story arc, George becomes engaged to former girlfriend Susan Ross. The engagement lasts the entire season, makes George miserable, and constantly divides him from Jerry, Elaine and Kramer.

Toward the End

Continuity was notably looser in the final two seasons, where plots and jokes became increasingly satirical, even surreal. Though characters and stories from the past often resurfaced, it was often in the nature of parody, or in-jokes aimed at longtime viewers.

New ongoing threads included the on again/off again relationship between Elaine and David Puddy, as well as George's reluctant involvement with the Susan Ross memorial foundation.

Music

A signature of Seinfeld is its theme music: distinct solo sampled bass guitar riffs which open the show and connect the scenes.

These short riffs were composed by Jonathan Wolff and are considered groundbreaking in their use as sitcom music.[citation needed] They vary throughout each episode and are played in an improvised blues-funk style. An additional musical theme with an ensemble, led by a synthesized mid-range brass instrument, ends each episode.

In the first episode of Season Three, the bumper music also featured a scatting female jazz vocalist. However, this was featured for only that one show. In the final two seasons, the bits were tweaked slightly to give them more frenetic rhythms and the occasional hint of guitar.

Non-original music featured in the show:

The Seinfeld logo changed in design over the years. Some are shown below. Others include a checkerboard pattern in the famous oval; Or a space pattern with stars and planets appeared, and the very earliest episodes featured no graphic at all - just the word 'Seinfeld' in a plain sans serif font.

Product placement

A recurring feature of Seinfeld was its use of specific products as plot points, especially various candy products. These products might be a central feature of a plot narrative (e.g. Junior Mints, Twix, Jujyfruits, and Pez), or associating the candy with a guest character (e.g. Oh Henry! bars), or simply discussing the merits of the candy in a conversational aside (e.g. Chuckles). Examples of non-candy products featured in Seinfeld are Rold Gold pretzels (whose advertisements at the time featured Jason Alexander), Kenny Rogers Roasters (a chicken restaurant chain), Drake's Coffee Cakes, Pepsi, Bosco Chocolate Syrup, Snapple, Cadillac, Saab, Specialized Bicycles, Tupperware, Calvin Klein, Klein Bicycles, Ovaltine, Arby's, TV Guide, Trump Tower, the board games Risk, Boggle, Scrabble, and Battleship, Entenmann's and the J. Peterman clothing catalog (which actually went bankrupt whilst the show was still active). The computers in Jerry's apartment are always Apple Macintosh brand computers; the featured model changed every few seasons to reflect Apple's latest offerings. Also seen throughout the show's run were many different brands of cereal, since Jerry ate a lot of it.

The show's creators claim that they themselves were not engaging in a product placement strategy for commercial gain. One of the motivations for the use of real-world products, which is quite unrelated to commercial considerations, is the comedy value of funny-sounding phrases and words. "I knew I wanted Kramer to think of watching the operation like going to see a movie," explained Seinfeld writer/producer Andy Robin in an interview published in the Hollywood Reporter. "At first, I thought maybe a piece of popcorn falls into the patient. I ran that by my brother, and he said, 'No, Junior Mints are just funnier.'"

Nevertheless, Seinfeld is widely credited by marketers and advertisers with affecting a change in attitude toward product placement in US primetime TV shows. In general, product placement became much more frequent in TV shows after Seinfeld demonstrated that a successful show could work specific products into its plots and dialogue.[citation needed]

For details of a study on the effectiveness of product placement (without respect to whether it was paid for or intended to promote products), see "Television Programs and Advertising: Measuring the Effectiveness of Product Placement Within Seinfeld." by Dana T. Weaver of Penn State University.

Two types of advertising, neither of which were actual product placement, also capitalized on the Seinfeld show. One is described as a "Webisode," a reverse form of product placement. In this form, instead of inserting its product into an episode, American Express "inserted" Jerry Seinfeld and an animated Superman (voiced by Patrick Warburton, who also acted on the show, playing the role of David Puddy) into its commercial. The second type is the use of the show's actors, such as Jason Alexander in a Chrysler commercial. In this type, which ran after the series ended, Alexander behaves much like his character George, and his relationship with Lee Iacocca is said to play on his relationship with George Steinbrenner in the show. Similarly, Michael Richards was the focus of a series of advertisements for Vodafone which ran in Australia where he dressed and behaved exactly like Kramer, including the trademark bumbling pratfalls.

Although not necessarily seen as product placements, several episodes feature a Porsche-themed painting (depicting a 904 GTS race car competing in the 1964 Targa Florio race in Italy, which it won) on a wall in Seinfeld's apartment; an issue of Excellence magazine, a Porsche-centered publication, is also featured prominently on an outdoor magazine rack.

Son of Sam, Newman and The Post Office

Throughout the series Newman The Post Office and the serial killer the Son of Sam were often mentioned. The reccuring character Newman is a United States Postal Worker and upon hearing this George comments "Aren't those the guys who wind up going crazy and kill everybody" to which Newman replies "sometimes". This may have been an indirect reference to the Son of Sam who is mentioned several times in the series. One being that Newman is said to have taken over his mail route and has possession of his old mail bag. He is also mentioned twice more, once when Kramer comments on how all major serial killers seemed to be adopted such as the Son of Sam or The Boston Strangler and once more when the character "Fragile" Frankie comes running up to a van which belonged to Jerry. George is in the back of the van with his cousin and Frankie begins shouting "Seinfeld's Van! Seinfeld's Van!" not hearing him correctly George thinks he is shouting "Son of Sam" and runs off into the woods shouting "I knew it wasn't Berkowitz!" this being a reference to the Son of Sam's real name David Berkowitz.

Afterlife

Syndication

The show has remained a force on television through its constant and prominent run in syndication. It continues to air both on the cable network TBS, and a variety of local television stations (usually affiliates of a major network).

During the show's current syndictation run, it continually ranks in the syndication's top 10 programs list along with long-running CBS sitcom, Everybody Loves Raymond. Internationally, Paramount Comedy 2 currently holds the rights for airing episodes of Seinfeld in the UK.

In Canada, GlobalTV and TVTropolis air the episodes in syndication.

In India, the episodes were originally aired on Zee English (now known as Zee Cafe). However, since mid-2005, it now is featured in a weekday slot on Star World.

Cast careers after Seinfeld

Since the end of the program, Alexander has acted in film, theater and television, including guest appearances on Larry David's HBO series Curb Your Enthusiasm. Louis-Dreyfus also appeared on Curb and has received on-screen and voice credits in television (such as Arrested Development) and animated film. Louis-Dreyfus is starring in the CBS sitcom The New Adventures of Old Christine, which debuted in March 2006 to strong ratings and has been consistent ever since. The show was also renewed for a second season, causing many to claim that the "Seinfeld curse" (see below) has been broken. She also received an Emmy for lead actress in a comedy series for her role as Christine. The "Seinfeld curse" was discussed in the opening of Saturday Night Live episode on May 13, 2006, hosted by Louis-Dreyfus. Alexander and Seinfeld also appeared in this episode of SNL. Richards continues to appear in new film and television work as well.

Alexander, Louis-Dreyfus and Richards have all attempted unsuccessfully to launch new sitcoms as title-role characters. Despite decent acclaim and even some respectable ratings, almost every show was cancelled quickly, usually within the first season. This has given rise to the term "Seinfeld curse" to describe sitcom failure by an actor following massive success on an ensemble show, a phrase oft-used in reference to Matt LeBlanc's Friends spin-off Joey.

"It's so completely idiotic.... It's very hard to have a successful sitcom," Larry David once said of the curse[14]. Most new sitcoms do not enjoy the success of hits like Seinfeld, though David's Curb Your Enthusiasm went on to win Emmy awards, perhaps because of his role behind rather than in front of the camera; the series relied on his signature humor, embodied in the Seinfeld character of George.

The relevant shows were Jason Alexander's Bob Patterson and Listen Up!, Michael Richards' The Michael Richards Show, and Julia Louis-Dreyfus' Watching Ellie. Listen Up! 's 22 episodes make it the longest running show starring a Seinfeld alum since Seinfeld ended, although The New Adventures of Old Christine is likely to eclipse this number in late 2006.

Patrick Warburton, who played David Puddy, was also hit by the curse when his superhero-themed show, The Tick, was canceled after just one season. However, he has found success in voice acting. His repertoire includes the voice of Joe Swanson in Family Guy, the title character of Buzz Lightyear of Star Command, Brock Samson in The Venture Bros., Steve Barkin in Kim Possible, the Wolf in Hoodwinked, and Kronk in The Emperor's New Groove, Kronk's New Groove, and the The Emperor's New School. Lately, he can be seen on ABC's show Less Than Perfect as Jeb Denton.

Alexander was also the voice of Duckman, which had a certain amount of success (although this series ran from 1994 until 1997, which coincided with the run of Seinfeld). Wayne Knight has since had some roles with more or less the same importance of Newman, like the one in the not so successful The Edge, and one as a police officer in 3rd Rock from the Sun. He has also done some voice acting, his most notable current role being that of the dragon Dojo in Xiaolin Showdown. However, the actor who really broke the curse, at least for recurring guest stars, was Jerry Stiller who was cast successfully as Doug Heffernan's annoying father-in-law Arthur, in The King of Queens. Also, Bryan Cranston who had a semi-recurring role on Seinfeld as Dr. Tim Whatley, was later cast as Hal (Malcolm's father) on the successful and Emmy nominated show Malcolm in the Middle.

In the summer of 2005, John O'Hurley, who played J. Peterman in a recurring role on the final seasons of Seinfeld, received extensive publicity when he finished as the runner-up on the highly rated American ABC reality series Dancing with the Stars to Kelly Monaco (but won the subsequent "rematch"). John O'Hurley has gone on to make cameo appearances in many other programs, including SpongeBob SquarePants and Drake & Josh. O'Hurley has also done numerous amounts of television commercials for GCI, an Alaskan phone and internet communications company. On September 11, 2006, O'Hurley started hosting Family Feud replacing former host, Richard Karn. Also, in a case of life imitating art, O'Hurley became a major investor in the real-life J. Peterman catalog company, and sits on the company's board of directors.

Meanwhile, Seinfeld himself returned to stand-up comedy, touring in 1998 and recording a comedy special entitled I'm Telling You for the Last Time. An album of the same name was also released that year, and it featured samples of his stand-up performance. The process of developing and performing new material at clubs around the world was chronicled in a 2002 documentary, Comedian, directed by Christian Charles. His stand-up routine is highly acclaimed and Seinfeld was ranked #12 in Comedy Central's list of the 100 greatest stand-ups of all time. Seinfeld has also written a few books, which are mostly archives of past routines.

An episode of Saturday Night Live hosted by Jerry Seinfeld featured an "episode" of Oz (using the actual set and actors) where Jerry, who was sent to prison during the final episode of Seinfeld, is transferred to Em City; the short film combines and parodies memorable moments in both series.

In 2004, Seinfeld also appeared in two commercials 'webisodes' promoting American Express Credit Cards in which he appeared together with an animated rendering of Superman, voiced by Patrick Warburton (who had portrayed David Puddy on Seinfeld). The webisodes were directed by Barry Levinson.

In the 1999-2000 television season, ABC aired the short-lived series It's Like, You Know.... Taking its title from a common West Coast catchphrase, the series revolved around the lives of five eclectic residents of Los Angeles, including actress Jennifer Grey (portraying herself). However, it was considered to be highly derivative of Seinfeld (if not a blatant ripoff)[citation needed], and was cancelled after 19 episodes. Interestingly, the series was created by Seinfeld writer Peter Mehlman.

On August 27th, 2006, Julia Louis-Dreyfus won an Emmy for her show The New Adventures of Old Christine, where she exclaimed, “I’m not somebody who really believes in curses, but curse this, baby" in reference to the "Seinfeld Curse."

Seinfeld Recreations

Perth, Australia-based comedian and hoaxer Anthony Frosh attempted numerous Seinfeld situation recreations, the best known being a setup in which he posed as Mr. Bookman (i.e. The Library cop from "The Library") to head film critic Mark Naglazas for the West Australian. The incident was covered each day for a week in May 2005 in the inside cover of that publication, until Frosh eventually revealed the hoax.

Seinfeld TV Reunions

Jerry Seinfeld has made the talk show rounds many times since the end of the show and continued doing stand-up comedy. The other three main actors have all tried their hands at sitcoms again. However, the entire cast has only joined together a few times to promote the release of Seinfeld on DVD. The first reunion of any kind occurred on The Weakest Link, which had a special Seinfeld-themed episode in which all of the contestants were among the most popular guest stars in Seinfeld's 9-year run. The first major reunion was on'The Oprah Winfrey Show', in 2004 where the cast promoted the DVD release. Then NBC aired the "Seinfeld Story", a 60 minute program about the starting of the show. The second reunion was a year later, on November 23, 2005 (the day before Thanksgiving) when the cast joined together on Live with Regis and Kelly to promote the release of seasons 5 and 6 on DVD. Whether or not another reunion will be held to promote either season 7, 8 or 9, which are coming out soon on DVD, is unknown.

DVD releases

Season Releases

Cover Art DVD Title Ep # US Release Date Additional Information
File:Seinfeld-Season1&2-DVD.jpg Season 1&2 18 November 23 2004 Inside Looks: Interviews with the cast and creators about what was happening behind the scenes as the episodes were created and filmed during Seasons 1 and 2, Audio commentaries from the cast remembering the making of the Season 1 and 2 episodes. In the Vault: Saved from the cutting room floor... deleted scenes from the first two seasons - never seen! Never-before-seen-outtakes and bloopers from the 1st and 2nd seasons. exclusive stand-up comedy footage, shot for the show's 1st and 2nd seasons, but never used. promotional ads and trailers during the first two years.Notes About Nothing: Behind-the-scenes scoop and production notes from Season 1 and Season 2. How It Began: An hour-long look at how Jerry Seinfeld and Larry David first came up with the idea for the show, how it almost didn't get made and how they emerged with the show that changed the face of television forever. Tonight Show Footage.
File:Seinfeld-Season3-DVD.jpg Season 3 23 November 23 2004 Inside Looks: Interviews with the cast and creators about what was happening behind the scenes as the episodes were created and filmed during Season 3, Audio commentaries from the cast remembering the making of the Season 3 episodes. In the Vault: Saved from the cutting room floor... deleted scenes from the third season - never seen! Never-before-seen-outtakes and bloopers from the 3rd season. Master of His Domain: See Jerry in exclusive stand-up comedy footage, shot for the show's 3rd season, but never used. promotional ads and trailers during the third year. Notes About Nothing: Behind-the-scenes scoop and production notes from Season 3. Kramer vs. Kramer: Kenny to Cosmo: If you thought Cosmo Kramer was hilarious, wait until you meet the real Kramer, Kenny Kramer!.
File:Seinfeld-Season4-DVD.jpg Season 4 24 May 17 2005 The Breakthrough Season: An in-depth, behind-the-scenes look at the Emmy-winning season in which Seinfeld leapt from cult favorite to ratings sensation and officially became "a show about nothing." Notes About Nothing: Behind-the-scenes scoop and production notes Inside Looks: The cast and creators talk about what was happening behind the scenes of certain episodes In the Vault: Season Four never-before-seen deleted scenes, saved from the cutting room floor. Not That There's Anything Wrong With That: Never-before-seen outtakes and bloopers. Yada, Yada Yada: Creator and cast audio commentaries Master of His Domain: See Jerry Seinfeld in exclusive, never-before-seen stand-up comedy footage. Sponsored by Vandelay Industries: Original NBC promotional ads and trailers.
File:Seinfeld-Season5-DVD.jpg Season 5 22 November 22 2005 Featurette: Jason + Larry = George, Deleted Scenes: In the Vault, Inside Looks, Commentaries: Yada, Yada, Yada, Notes About Nothing, NBC Promos and TV Spots: Sponsored by Vandelay Industries, Exclusive Stand-Up Material: Master of His Domain, Bloopers: Not That There's Anything Wrong With That.
File:Seinfeld-Season6-DVD.jpg Season 6 24 November 22 2005 Featurette: Running With the Egg Part 1 & 2: Making A Seinfeld, Deleted Scenes: In the Vault, Inside Looks, Commentaries: Yada, Yada, Yada, Notes About Nothing, Bloopers: Not That There's Anything Wrong With That, Exclusive Stand-Up Material: Master of His Domain, Sein-Imation Scenes: "The Big Race", "Seinfeld Noir", "Kramer vs. The Monkey".
File:Seinfeld-Season7-DVD.jpg Season 7 24 November 21 2006 Featurette: Larry David’s Farewell, Featurette: Queen of the Castle: The Elaine Benes Story, Featurette: Sein-Imation "Dr. Cosmo on Marriage & Family", Featurette: Sein-Imation "George & the Whale", Featurette: Where’s Larry?: Seinfeld’s Secret Guest Star, Featurettes: Inside Look on "The Engagement," "The Maestro," "The Soup Nazi," "The Secret Code," "The Pool Guy," "The Gum," "The Rye," "The Caddy," "The Cadillac," "The Friars Club," "The Wig Master," "The Calzone," "The Bottle Deposit," and "The Invitations", Commentary on "The Postponement" with Jason Alexander and Julia Louis Dreyfus, Commentary on "The Soup Nazi" with Jerry Seinfeld, Director Andy Ackerman and Writer Spike Feresten, Commentary on "The Secret Code" with writers Alec Berg and Jeff Schaffer, Commentary on "The Pool Guy" with Jerry Seinfeld, writer David Mandel and director Andy Ackerman, Commentary on "The Sponge" with writer Peter Mehlman, Commentary on "The Gum" with writers Tom Gammill and Max Pross, Commentary on "The Shower Head" with Jason Alexander and Julia Louis-Dreyfus, Commentary on "The Doll" with writers Tom Gammill and Max Pross, Commentary on "The Friars Club" with writer David Mandel, Commentary on "The Calzone" with Jerry Seinfeld, director Andy Ackerman and writers Jeff Schaffer and Alec Berg, Blooper Reel, 11 Deleted Scenes, Factoid tracks on all 24 episodes.
Season 8 22 Potentially May 2007
Season 9 24 Potentially May 2007

References

  1. ^ "TV Guide's Top 50 TV Shows of all Time".
  2. ^ "aboutsomething#subject".
  3. ^ Stanley J. Grenz. A Primer on Postmodernism. ISBN 0802808646.
  4. ^ "Postmodernism#Person Identity".
  5. ^ "Intellectual Chauvinism in Action".
  6. ^ "Guinness World Records: Highest Ever Annual Earnings For A TV Actor".
  7. ^ "Guinness World Records: Advertising rate in TV series".
  8. ^ "Seinfeld".
  9. ^ "TIME Magazine Cover: Jerry Seinfeld2".
  10. ^ "The 'Seinfeld' e-mail for April 8, 1998".
  11. ^ "Clues to "Seinfeld" Sign Off".
  12. ^ "The Greatest American Hero".
  13. ^ "The Susie".
  14. ^ "'Curb's' Larry David: 'Seinfeld' Curse 'Idiotic'".
  15. ^ "Australian 'Season 7' DVD Release". Retrieved 2006-09-23.
  16. ^ "UK 'Season 7' DVD Release". Retrieved 2006-09-25.
  • Fretts, Bruce. The Entertainment Weekly Seinfeld Companion. New York: Warner Books. 1993. ISBN 0-446-67036-7.
  • Dawson, Ryan (2006). "Seinfeld: a show about something" Cambridge University.
  • William Irwin (Ed.). Seinfeld and Philosophy: A Book about Everything and Nothing. Peru, Illinois: Open Court Publishing Company. 1999. ISBN 0-8126-9409-0.
  • Gantz, Katherine. "Not That There's Anything Wrong with That": Reading the Queer in Seinfeld. In Calvin Thomas (Ed.). Straight with a Twist: Queer Theory and the Subject of Heterosexuality. Champaign. Illinois: University of Illinois Press. ISBN 0-252-06813-0.
  • Gattuso, Greg. The Seinfeld Universe: The Entire Domain. New York: Citadel Press. 1996. ISBN 0-8065-2001-9.
  • Robin, Andy (April 28, 2005). 'Junior Mints are just funnier'
  • Rosenthal, Phil (November 18, 2004). Gold, Jerry! Gold! Chicago Sun Times.
  • Seinfeld, Jerry. Sein Language. Bantam. 1993. ISBN 0-553-09606-0.
  • Weaver, D.T. & Oliver, M.B. (2000) Summary of the paper,"Television Programs and Advertising: Measuring the Effectiveness of Product Placement Within Seinfeld".

See also

External links

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