Jump to content

Sam H. Harris Theatre

Edit links
Coordinates: 40°45′23″N 73°59′17″W / 40.75638°N 73.98817°W / 40.75638; -73.98817
This is a good article. Click here for more information.
From Wikipedia, the free encyclopedia

Sam H. Harris Theatre
The "Harris" marquee can be seen on the far right of this 1985 photo, comprising the rightmost part of the Candler Building.
Map
Address226 West 42nd Street
Manhattan, New York
United States
Capacity1,200
Current useDemolished
Construction
Opened1914
Closed1994
Demolishedc. 1997–1998
ArchitectThomas W. Lamb

The Sam H. Harris Theatre, originally the Candler Theatre, was a theater within the Candler Building, at 226 West 42nd Street, in the Theater District of Midtown Manhattan in New York City. Opened in 1914, the 1,200-seat theater was designed by Thomas W. Lamb and built for Asa Griggs Candler, who leased it to George M. Cohan, Sam H. Harris, and George Kleine. Although the theater was intended to host both movies and legitimate Broadway productions, it functioned exclusively as a movie theater after 1933. The theater's auditorium was demolished by 1998. The only remnant of the former theater is its 42nd Street facade, which has been used by the Madame Tussauds New York museum since 2000.

The theater was located in the rear of the Candler Building and was accessed through the building's western wings. The auditorium was decorated in the Italian Renaissance style, with seats across two levels. There were originally four boxes, a proscenium arch with ornate plasterwork, and an elaborate saucer dome on the ceiling. Albert Herter painted six murals for the theater's lobby, as well as another mural at the rear of the auditorium.

A syndicate headed by music publisher Sol Bloom acquired the theater's site in 1913. The Candler opened on May 8, 1914, with the film Antony and Cleopatra and started hosting legitimate shows during the 1914–1915 season. Cohan and Harris bought out Bloom's and Kleine's interests in the Candler in 1916 and renamed it the Cohan and Harris Theatre, hosting several successful shows in the 1910s. After Cohan and Harris's partnership dissolved in 1920, Harris continued to produce shows at the theater, renaming it after himself. Harris sold the theater in 1926 to the Shubert brothers, who struggled to produce successful shows and forfeited the theater after seven years. Max A. Cohen, head of the Cinema Circuit, acquired the Harris Theatre in 1933; the venue was used as a movie theater until 1994. The city and state governments of New York acquired the theater as part of the 42nd Street Redevelopment Project in 1990. Forest City Ratner developed an entertainment and retail complex on the site in the 1990s, demolishing the theater to make way for Madame Tussauds.

Description

[edit]

The Candler Theatre (later Harris Theatre) was located in the rear of the Candler Building at 226 West 42nd Street.[1] The auditorium was on 41st Street, but it was entered through the Candler Building's five-story western wing on 42nd Street.[2] Although the building's western wing still exists, the theater was demolished in 1997–1998 to make way for the Madame Tussauds New York museum.[3]

The theater's entrance contained a marble vestibule with a gold-stenciled ceiling, which led to a foyer.[4][5] There was a "tapestry hall" with six murals by Albert Herter, depicting scenes from William Shakespeare's works. Two of the murals were larger than the others and depicted scenes from Othello and The Merchant of Venice, while the other four murals depicted scenes from Shakespearean comedies. The lobby was clad with Caen stone, which was carved with floral decorations in an 18th-century style.[5]

Auditorium

[edit]

The auditorium was decorated in the Italian Renaissance style and had two levels: an orchestra and a balcony.[2][5] The balcony was cantilevered over the orchestra, allowing all rows an unobstructed view of the stage.[4][6] This was in contrast to earlier theaters with two balconies, which often had columns that blocked views from the orchestra level.[4] The theater had about 1,200 seats in total; the orchestra had 625 seats, while the balcony had 575 seats.[4][6] There were originally four boxes,[5][7] two of which were removed in the 1930s when the theater was converted to show movies exclusively.[7]

At the rear of the orchestra level was an oil mural by Herter, which measured 35 by 8 feet (10.7 by 2.4 m) and depicted a fête champêtre.[5] The proscenium arch measured 40 feet (12 m) wide and 21 feet (6.4 m) tall, while the stage measured 33 by 88 feet (10 by 27 m) across. Above the stage was a fly system with counterweights.[6] There was ornate plasterwork around the proscenium arch, as well as an elaborate saucer dome on the ceiling surrounded by twelve metal lighting fixtures.[2] The theater's proscenium arch was unusually wide, and the ceiling was extremely tall, but the decor and lighting were intended to give an impression of intimacy.[8] The theater was painted in what journalists described as "mouse color and orange".[8]

History

[edit]

The Candler Theatre was built as part of the Candler Building, developed by Coca-Cola Company owner Asa Griggs Candler to designs by the firm of Willauer, Shape & Bready.[9][10] Candler had acquired the site in December 1911.[11][12] After initial speculation that a theater would be erected on the site,[13] Candler announced he would erect a 16- to 20-story office building for $1 million.[11][12] Candler took a long-term lease on the Bruce branch of the New York Public Library, directly to the west, in late 1912.[14] Early the next year, a syndicate headed by music publisher Sol Bloom acquired the library building, as well as a school just behind it, with plans to build a theater at the base of the Candler Building.[4][15] Theatrical designer Thomas W. Lamb was hired to design the new theater.[4] Theatrical personalities George M. Cohan, Sam H. Harris, and George Kleine leased the theater,[16][17] which was intended to accommodate not only movies but also Broadway plays.[18][19]

Legitimate use

[edit]

Cohan and Harris partnership

[edit]

The Candler opened on May 8, 1914, with the film Antony and Cleopatra.[5][18] Soon after the theater opened, local media reported that the Candler would begin hosting legitimate shows in the 1914–1915 season.[19][20] Antony and Cleopatra ran for five weeks before the theater screened its next movies, Pierrot the Prodigal and The Naked Truth.[21] The theater's first legitimate show was the play On Trial, the first play written by Elmer Rice,[16][22] which opened that August[23][24] and ran for 365 performances.[25][26] The success of On Trial was an anomaly during the 1914–1915 season, when many other Broadway theaters struggled to stage hits because of the outbreak of World War I.[26] Max Marcin's play House of Glass, which opened in September 1915,[27][28] was another hit that ran for seven months during the 1915–1916 season.[26] This was followed in early 1916 by the play Justice with John Barrymore,[29] which ran for just over 100 performances.[26][30]

Cohan and Harris bought out Bloom's and Kleine's interests in the Candler in March 1916 and relocated their offices there.[31][32] The theater became the Cohan and Harris Theatre, or the "C & H" for short, that August;[17][33] one journalist said that the change was prompted by the fact that members of the public had frequently mispronounced the "Candler" name.[34] The Great Lover opened in September as the first production in the renamed C & H.[35] During the 1916–1917 season, the partners produced the plays Object-Matrimony, The Intruder, Captain Kidd, Jr., and The Willow Tree.[16] The revue Hitchy-Koo of 1917, which opened in June 1917,[36] ran at the C & H for the first two months of its 220-performance run.[37][38]

The next three seasons were extremely successful.[39] Harry James Smith's play A Tailor-Made Man opened at the C & H in August 1917[40] and stayed for one year.[39][41] This was followed in August 1918 by Anthony Paul Kelly's play Three Faces East,[42] which lasted for several months.[43] Anselm Goetzl's musical opera The Royal Vagabond, featuring Cohan, opened in February 1919.[44][45] The Royal Vagabond stayed for the rest of the 1919–1920 season,[46] though its 348-performance run was interrupted by the 1919 Actors' Equity strike.[39] Although Harris had signed a contract with the Actors' Equity Association to end the strike, Cohan had refused to sign any such contract,[47] even continuing to stage The Royal Vagabond during the strike.[48] As a direct result of disagreements arising from the Actors' Equity strike, Cohan and Harris had technically stopped producing together after 1919;[49] the men co-produced one more show, the melodrama The Acquittal, before they officially split up.[39][46] The Acquittal opened at the C & H in January 1920,[50][51] and Cohan and Harris formally dissolved their partnership that June.[47][49]

1920s and 1930s

[edit]

Harris continued to produce shows at the theater by himself, starting with the Albert Von Tilzer and Neville Fleeson musical Honey Girl,[52] which opened in May 1920.[53][54] The theater then screened movies during late 1920.[55] During the run of the play Welcome Stranger, the venue was renamed Sam H. Harris Theatre on February 21, 1921.[56][57] The renaming followed that of the nearby Lew Fields Theatre,[52] which had been known as the Harris Theatre until 1920.[58] Harris staged a variety of shows at the Sam H. Harris Theatre over the next several years.[59] These included the drama Six-Cylinder Love with Hedda Hopper,[52][59] which opened in August 1921[60] and ran for 11 months.[61] Arthur Hopkins's production of Hamlet, starring John Barrymore, received critical acclaim[52] and ran for 101 performances[a] in late 1922 and early 1923.[64][63] The Harris then staged two plays by Owen Davis in 1923:[52][63] Icebound, which opened that February,[65][66] and The Nervous Wreck, which opened that October.[67][68]

The producer Thomas Wilkes leased the Harris Theatre in September 1923 for ten years.[69][70] Under Wilkes's management, the theater hosted the musical One Helluva Night in June 1924,[71] which was so negatively received that it closed on opening night.[52] More successful was the Duncan Sisters revue Topsy and Eva, which opened that December[72] and ran for five months.[73] Wilkes subleased the theater to operator Charles Wagner in August 1925.[74][75] The theater hosted the comedy The Deacon[52][76] and the play The Monkey Talks later that year,[77][78] followed by Love 'Em and Leave 'Em in early 1926.[79][80] Harris sold the theater to the Shubert brothers in September 1926; he received $1 million in cash and gave part of his ownership stake in the nearby Music Box Theatre to the Shuberts.[81][82] By then, Harris wanted to focus on producing,[83] and the Theater District had shifted northward, so the Music Box Theatre was more centrally located than the Harris Theatre.[84] The Shubert brothers immediately asked Wilkes and Wagner to leave the theater within six months.[82][83]

The first show under the Shuberts' ownership was the comedy We Americans, which opened in October 1926[85][86] and lasted three months.[87] Many of the Shuberts' shows at the theater were not successful.[84] The theater sometimes presented films in between legitimate bookings,[52] such as in May 1927, when William Fox leased the theater and screened the film 7th Heaven there.[88] Harris again gained control of the theater's bookings that September, leasing the venue from the Shuberts.[89] The theater then hosted the musical Yes, Yes, Yvette starting in November 1927,[90][91] as well as the melodrama The Trial of Mary Dugan in June 1928[92][93] and the play Congai that November.[52][94] The Harris next hosted the plays Scotland Yard in September 1929[95][96] and Mendel, Inc in November.[52][97] By then, increasing competition between producers had resulted in many flops.[98] Furthermore, with the onset of the Great Depression, many Broadway theaters were impacted by declining attendance.[99][100]

John Wexley's tragedy The Last Mile opened at the Harris Theatre in February 1930,[101][102] followed by Zoe Akins's comedy The Greeks Had a Word for It in September 1930.[103][104] Both plays ran for several months and were the last hits to be staged at the theater.[84] The Harris hosted Lew Leslie's revue Rhapsody in Black in mid-1931,[52][105] as well as David Boehm and Murdock Pemberton's play Sing High, Sing Low later the same year.[52][106] The Napoli Film Company leased the Harris Theatre in March 1932[107] and began screening Italian films there at the end of that month.[108] The Harris Theatre's last-ever legitimate production was Pigeons and People, starring the theater's former co-operator George M. Cohan, which opened in January 1933 and lasted for 70 performances.[84] After the Shuberts filed for bankruptcy that March,[109] the theater went into receivership,[110] and the receiver deeded the theater to the TCA Corporation.[111][112] Clare Kummer's play Her Master's Voice, which had been scheduled for the Harris Theatre during the 1933–1934 season, was relocated after the receivership proceeding.[113]

Movies

[edit]

Abe Minsky had contemplated using the Harris Theatre as a burlesque in mid-1933,[114] but theatrical operator Max A. Cohen instead acquired the Harris Theatre and used it as a movie theater.[115] Cohen headed the Cinema Circuit,[116] which was also operating the Lew Fields (by then known as Anco) and New Amsterdam theaters by the mid-1930s.[117] This was part of a decline in the Broadway theater industry in the mid-20th century; from 1931 to 1950, the number of legitimate theaters decreased from 68 to 30.[118][119]

Following a renovation that included a new sound system, the theater reopened by November 1933,[115][120] showing "movie hits at popular prices" and changing the programs three times a week.[120][121] The Harris screened movies for the rest of its existence.[52][84] The East River Savings Bank acquired the theater at auction in November 1935,[122] and Asa G. Candler Inc. bought the theater from the bank in 1936 for $200,000.[123] Cohen continued to operate the theater.[117] By the mid-1940s, the ten theaters along 42nd Street between Seventh and Eighth Avenues were all showing movies; this led Variety to call the block the "biggest movie center of the world".[124] The Brandt family, a major operator of movie theaters, operated seven of these theaters, while the Cinema Circuit operated the other three.[124] The Cinema Circuit theaters, the New Amsterdam, Harris, and Anco, were all on the southern side of the street.[124][125]

In 1947, the Candler family transferred the Candler Building and Harris Theatre to Emory University, which held both structures in its endowment fund.[126][127] Emory University sold the Candler Building and Harris Theatre to Thomas Moffa in December 1949, including a mortgage of $1.6 million; the structures had an assessed value of $2.3 million.[128][129] Moffa quickly resold the building to Irving Maidman, who finalized his purchase in March 1950.[127][130] Maidman sold the theater in 1952 to Kastle Amusement Corporation, a holding company affiliated with Cohen, who then extended his lease by 50 years.[131] By the late 1950s, the Harris was classified as a "move-over house", displaying features immediately after they ran at the New Amsterdam, one of the street's two first-run theaters (the other being the Lyric). As a move-over house, the Harris charged less than the first-run theaters but more than the "reissue houses" that screened old films. The Harris and the other 42nd Street theaters operated from 8 a.m. to 3 a.m., with three shifts of workers. The ten theaters on the block attracted about five million visitors a year between them.[132]

Cohen retired around 1961, and Mark Finkelstein took over full operation of the Cinema Circuit.[133] By the early 1960s, the surrounding block had decayed, but many of the old theater buildings from the block's heyday remained, including the Harris.[134] Many of the area's theaters had been relegated to showing pornography by the 1970s.[135][136] The area continued to decline, although Finkelstein said none of the company's 42nd Street theaters showed hardcore porn.[125] The Cinema Circuit's movie theaters on 42nd Street continued to operate through the mid-1980s, at which point the Harris was alternating between box-office hits and more obscure exploitation films.[137]

Demolition and redevelopment

[edit]

Preservation attempts

[edit]

The 42nd Street Development Corporation had been formed in 1976 to discuss plans for redeveloping Times Square.[138] The same year, the City University of New York's Graduate Center hosted an exhibition with photographs of the Harris and other theaters to advocate for the area's restoration.[139][140] One plan for the site, in 1978, called for restoring the Selwyn, Apollo, and Harris for opera and dance, rather than for theatrical purposes. Other nearby buildings would have been razed to create a park.[141][142] Another plan, called the City at 42nd Street, was announced in December 1979 as part of a proposal to restore West 42nd Street around Times Square.[143][144] Under the plan, five theaters would have been restored and reopened, including the Harris, which would have become a movie theater.[143][145] Mayor Ed Koch wavered in his support of the plan, criticizing it as a "Disneyland on 42nd Street".[146][147] Subsequently, Hugh Hardy conducted a report on 42nd Street's theaters in 1980. His report, in conjunction with a movement opposing the demolition of the nearby Helen Hayes and Morosco theaters, motivated the New York City Landmarks Preservation Commission (LPC) to survey fifty of Midtown Manhattan's extant theaters in the early 1980s.[148]

The LPC started to consider protecting theaters, including the Harris Theatre,[149] as landmarks in 1982, with discussions continuing over the next several years.[150] While the LPC granted landmark status to many Broadway theaters starting in 1987, it deferred decisions on the interior of the Harris Theatre.[151] Further discussion of the landmark designations was delayed for several decades.[152] In late 2015, the LPC hosted public hearings on whether to designate seven theaters on the block as landmarks; the Harris was not considered for designation because it had already been demolished.[153] The LPC rejected the designations in February 2016 because the theaters were already subject to historic-preservation regulations set by the state government.[154]

Initial plans

[edit]
Former Harris Theatre entrance

The Urban Development Corporation (UDC), an agency of the New York state government, proposed redeveloping the area around a portion of West 42nd Street in 1981.[155][156] The plan centered around four towers that were to be built at 42nd Street's intersections with Broadway and Seventh Avenue, developed by Park Tower Realty and the Prudential Insurance Company of America.[157][158][b] The city government selected the Nederlander Organization in April 1982 to operate the New Amsterdam and Harris theaters as legitimate theaters.[159][160] The Cine Theater Corporation acquired the Harris Theatre from the Cinema Circuit in April 1984 and immediately announced plans to renovate it for $250,000.[161] The UDC also selected Jujamcyn Theaters to redevelop three other theaters on the block. As a result, the Brandts and Cine Theater Corp. sued the UDC, claiming that the moves shut out independent theatrical operators,[162][163] but a state court dismissed the lawsuit.[164] Ultimately, the 42nd Street Redevelopment Project was delayed for several years due to lawsuits and disputes concerning the towers.[165] The Nederlander Organization was still planning to restore the New Amsterdam and Harris theaters in the late 1980s.[166][167]

In 1989, the Durst Organization acquired the leases to eight theaters in Times Square, including the Harris. It subsequently announced plans to renovate the eight theaters in February 1990.[168][169] The New York state government acquired the theater sites that April via eminent domain.[170][171][172] The city had planned to buy out the theaters' leases[173] but withdrew after the 42nd Street Company indicated it would lease the theaters to another developer.[174] Although Durst protested the move, a New York Supreme Court judge ruled that the sites could be acquired by condemnation.[175] Government officials hoped that development of the theaters would finally allow the construction of the four towers around 42nd Street, Broadway, and Seventh Avenue.[176]

Norman Adie of 42nd Street Theaters, who had owned the theater until it was condemned, initially agreed to vacate the site but later reneged, resulting in a years-long dispute between him and the city and state governments.[177] The theater continued to screen movies, even as most other tenants of nearby buildings had moved elsewhere.[178] 42nd Street Development Project Inc. had taken over the New Amsterdam, Harris, and Empire theaters by 1992.[179] The theater was still operating as late as 1993, when it screened first runs of movies, charging $6 a ticket.[178] The Harris Theatre closed permanently the next year.[180] Adie fought the city and state governments' acquisition of his theater, saying: "I'm one of the last legitimate businesses there, but they only want big names."[177]

Forest City Ratner plans and demolition

[edit]

After Disney committed to restoring the New Amsterdam Theatre in 1994, most of the other theaters around 42nd Street were quickly leased.[181] The Times Square Business Improvement District set up a visitor center within the theater's foyer in the mid-1990s.[182] By 1995, real-estate development firm Forest City Ratner was planning a $150 million entertainment and retail complex on the site of the Empire, Harris, and Liberty theaters.[183] Madame Tussauds and AMC Theatres leased space in the complex that July.[184][185] Madame Tussauds would occupy the eastern section of the site, using the former Harris Theatre's facade as an entrance to its wax museum; Bruce Ratner wanted to develop a similarly ornate gateway for AMC on the western end of the site.[186] The Times Square Business Improvement District's visitor center subsequently moved to the Selwyn Theatre, then to the Embassy Theatre.[187]

Work on the Forest City Ratner development began in August 1997.[188] Because there was so little left of the original Harris Theatre,[189] the developers decided to raze the theater to make way for the Madame Tussauds museum.[190][191] Even as the theater was being demolished in 1998, theatrical personalities wanted to restore the theater to legitimate use, and New 42nd Street was seeking tenants for the space.[192] Ultimately, the auditorium was destroyed by the late 1990s, though sources disagree on whether the theater was completely razed by 1997[180][193] or 1998.[194] The neighboring Murray's Roman Gardens was also razed to make way for the museum.[195][196] The Harris's facade was retained as an exit to the museum,[193][197] which opened in November 2000.[198]

Notable productions

[edit]
Notable productions at the theater
Opening year Name Refs.
1914 On Trial [25][23]
1916 Justice [30][29]
1916 The Great Lover [199]
1916 Captain Kidd, Jr. [200][16]
1917 The Willow Tree [201][16]
1917 Hitchy-Koo of 1917 [37][38]
1917 A Tailor-Made Man [41][40]
1918 Three Faces East [43][42]
1920 The Acquittal [50][51]
1921 Six Cylinder Love [61][60]
1922 Hamlet [64]
1923 Icebound [65][66]
1923 The Nervous Wreck [67][68]
1924 Topsy and Eva [73][72]
1925 The Monkey Talks [77][78]
1926 Love 'Em and Leave 'Em [79][80]
1926 We Americans [87][85]
1927 Yes, Yes, Yvette [90][91]
1928 The Trial of Mary Dugan [92][93]
1929 Scotland Yard [95][96]
1930 The Last Mile [101][102]
1932 I Loved You Wednesday [202]

See also

[edit]

References

[edit]

Notes

[edit]
  1. ^ At the time, it was sometimes cited as the longest run of Hamlet in a Broadway theater.[62] However, this record had already been set in 1912, when Hamlet ran for 102 performances at the Lew Fields.[63]
  2. ^ The sites were:[158]
    • Northwest corner of 42nd Street and Seventh Avenue: now 3 Times Square
    • Northeast corner of 42nd Street and Broadway: now 4 Times Square
    • Southwest corner of 42nd Street and Seventh Avenue: now 5 Times Square
    • South side of 42nd Street between Seventh Avenue and Broadway: now 7 Times Square (Times Square Tower)

Citations

[edit]
  1. ^ "Candler Property Taken by Maidman; Sale Includes Office Buildings and Harris Theatre on West 41st and 42d Streets". The New York Times. March 7, 1950. ISSN 0362-4331. Archived from the original on June 13, 2022. Retrieved June 13, 2022.
  2. ^ a b c Morrison 1999, p. 97.
  3. ^ Dailey, Jessica (October 8, 2014). "Remembering the Lost Theaters of Times Square's 'Deuce'". Curbed NY. Archived from the original on September 29, 2021. Retrieved June 13, 2022.
  4. ^ a b c d e f Henderson & Greene 2008, p. 159.
  5. ^ a b c d e f "The Candler Opens With a Fine Film; New Theatre in West 42d St. Shows "Antony and Cleopatra" on Elaborate Scale". The New York Times. May 8, 1914. ISSN 0362-4331. Archived from the original on June 11, 2022. Retrieved June 11, 2022.
  6. ^ a b c "Pianist and Violinist Play; Ethel Leginska and Marie Caslova in an Interesting Recital". The New York Times. April 22, 1914. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 6, 2022.
  7. ^ a b Henderson & Greene 2008, pp. 159–160.
  8. ^ a b Henderson & Greene 2008, p. 160.
  9. ^ White, Norval; Willensky, Elliot; Leadon, Fran (2010). AIA Guide to New York City (5th ed.). New York: Oxford University Press. p. 294. ISBN 978-0-19538-386-7.
  10. ^ "9" (PDF). No. 7 Subway Extension—Hudson Yards Rezoning and Development Program FGEIS (Report). New York City Department of City Planning. p. 14. Archived (PDF) from the original on March 1, 2017. Retrieved June 12, 2022.
  11. ^ a b "New Skyscrapers for Times Square; One at Broadway and 42d Street and the Other in 42d Street, West of Broadway". The New York Times. December 23, 1911. ISSN 0362-4331. Archived from the original on June 10, 2022. Retrieved June 10, 2022.
  12. ^ a b "The Real Estate Field: Two Big Structures for Times Square Section -- New Company Takes Up Lease of Astor Property at Northeast Corner of Broadway and Forty-second Street". New-York Tribune. December 23, 1911. p. 15. ProQuest 97195960.
  13. ^ "Candler to Erect 24-story Building: Atlanta Man Has Plans Drawn for Great Structure on New York Property". The Atlanta Constitution. February 11, 1912. p. A6. ProQuest 496645888.
  14. ^ "The Real Estate Field; Bruce Free Library in Forty-second Street Bought to Protect Candler Building Light -- Cottage in Chelsea Row Sold -- 125th Street Deal -- Brooklyn and Suburban Market". The New York Times. October 11, 1912. ISSN 0362-4331. Archived from the original on June 13, 2022. Retrieved June 11, 2022.
  15. ^ "The Real Estate Field; Buyer Acquires West Eighty-fourth Street Residence for Occupancy -- New Forty-second Street Theatre Plan -- To Auction Brighton Beach Track This Month -- Good Suburban Market". The New York Times. August 9, 1913. ISSN 0362-4331. Archived from the original on June 11, 2022. Retrieved June 11, 2022.
  16. ^ a b c d e Bloom 2007, p. 107.
  17. ^ a b "Candler's New Name". The Billboard. Vol. 28, no. 33. August 12, 1916. p. 4. ISSN 2638-3853. ProQuest 1031509557.
  18. ^ a b "New York Theater Named for Candler Opened Last Night". The Atlanta Constitution. May 9, 1914. p. 12. Archived from the original on October 8, 2022. Retrieved October 6, 2022.
  19. ^ a b Henderson & Greene 2008, p. 161.
  20. ^ "Theatrical Men Organize; Marc Klaw's President of New Association of Wide Scope". The New York Times. May 31, 1914. ISSN 0362-4331. Retrieved October 6, 2022.
  21. ^ "At the Newest Theatre". New-York Tribune. May 31, 1914. p. B7. ProQuest 575224914.
  22. ^ Henderson & Greene 2008, p. 162.
  23. ^ a b "On Trial' Proves Most Interesting; All That is Melodramatic in the Criminal Courts Is in This New Play". The New York Times. August 20, 1914. ISSN 0362-4331. Retrieved October 6, 2022.
  24. ^ "The Candler Opens With Big Hit: "on Trial," by New Author, Scores an Emphatic Success Play Presents Its Last Act First Frederick Perry, Mary Ryan and Hans Robert Score in Remarkably Well-trained Cast". New-York Tribune. August 20, 1914. p. 7. ProQuest 575303326.
  25. ^ a b The Broadway League (August 19, 1914). "On Trial – Broadway Play – Original". IBDB. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
    "On Trial (Broadway, Sam H. Harris Theatre, 1914)". Playbill. December 14, 2015. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
  26. ^ a b c d Henderson & Greene 2008, p. 164.
  27. ^ "'House of Glass' Highly Exciting; Candler Reopens with Intense Melodrama of the Law's Relentless Pursuit". The New York Times. September 2, 1915. ISSN 0362-4331. Retrieved October 6, 2022.
  28. ^ "'House of Glass' a Bit Brittle: Max Marcin's Interesting Play Handicapped by Poor Eliding Emotional Scenes Stressed Too Much New Drama at the Candler Gives Good Opportunities to Several Actors". New-York Tribune. September 2, 1915. p. 7. ProQuest 575488872.
  29. ^ a b "'Justice' Done Here With Superb Cast; Moving and Deeply Impressive Performance of Galsworthy's Drama of the Criminal Law". The New York Times. April 4, 1916. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 6, 2022.
  30. ^ a b The Broadway League (April 3, 1916). "Justice – Broadway Play – Original". IBDB. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
    "Justice (Broadway, Sam H. Harris Theatre, 1916)". Playbill. December 14, 2015. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
  31. ^ "Harris Now Candler Owner". New-York Tribune. March 25, 1916. p. 11. ProQuest 575544422.
  32. ^ "Emmy Destinn's Recital; The Metropolitan Company's Soprano Heard in Songs for First Time". The New York Times. March 25, 1916. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 6, 2022.
  33. ^ "News of Plays and Players: Winthrop Ames to Be Active--Candler Theatre Gets a New Name". New-York Tribune. August 4, 1916. p. 7. ProQuest 575604213.
  34. ^ Henderson & Greene 2008, p. 165.
  35. ^ "C. & H. Begins New Season; Leo Ditrichstein in "The Great Lover" at Former Candler Theatre". The New York Times. September 5, 1916. ISSN 0362-4331. Archived from the original on October 1, 2022. Retrieved December 26, 2021.
  36. ^ "Frivolous Shows for Summer Consumption; "Hitchy-Koo" and Hitchy Too. Portmanteauing the Provinces". The New York Times. June 10, 1917. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 6, 2022.
  37. ^ a b The Broadway League (June 7, 1917). "Hitchy-Koo [1917] – Broadway Musical – Original". IBDB. Archived from the original on September 22, 2022. Retrieved October 2, 2022.
    "Hitchy-Koo [1917] (Broadway, Sam H. Harris Theatre, 1917)". Playbill. December 14, 2015. Archived from the original on March 13, 2022. Retrieved October 2, 2022.
  38. ^ a b Henderson & Greene 2008, pp. 165–166.
  39. ^ a b c d Henderson & Greene 2008, p. 166.
  40. ^ a b "'A Tailor-made Man' is Amusing Comedy; The Napoleon of an Evening Suit and a Dull Man's Ideas". The New York Times. August 28, 1917. ISSN 0362-4331. Retrieved October 6, 2022.
  41. ^ a b The Broadway League (August 27, 1917). "A Tailor-Made Man – Broadway Play – Original". IBDB. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
    "A Tailor-made Man (Broadway, Sam H. Harris Theatre, 1917)". Playbill. December 14, 2015. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
  42. ^ a b "'Three Faces East' a War Spy Mystery; The Double Crossings of Who's Who in the German and English Secret Service". The New York Times. August 14, 1918. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 6, 2022.
  43. ^ a b The Broadway League (August 13, 1918). "Three Faces East – Broadway Play – Original". IBDB. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
    "Three Faces East (Broadway, Sam H. Harris Theatre, 1918)". Playbill. December 14, 2015. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
  44. ^ "'Royal Vagabond' a Medley; Cohanisms Make Comic Opera of Old Vintage Highly Amusing". The New York Times. February 18, 1919. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 6, 2022.
  45. ^ ""Royal Vagabond" Opens in New York: 'Cohanized Opera Comique' Premiere This Evening--over 100 in Cast". The Hartford Courant. February 17, 1919. p. 11. ISSN 1047-4153. ProQuest 556658712.
  46. ^ a b Bloom 2007, pp. 107–108.
  47. ^ a b Henderson & Greene 2008, pp. 166–168.
  48. ^ Godbout, Oscar (June 3, 1960). "Equity Staged First Strike in' 19; 30-Day Fight Led to Recognition". The New York Times. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  49. ^ a b "Cohan and Harris Again to Produce; ' Fulton of Oak Falls,' Fennelly Comedy, to Be First Show Since Separation in 1919". The New York Times. November 30, 1936. ISSN 0362-4331. Archived from the original on March 7, 2018. Retrieved October 7, 2022.
  50. ^ a b The Broadway League (January 5, 1920). "The Acquittal – Broadway Play – Original". IBDB. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
    "The Acquittal (Broadway, Sam H. Harris Theatre, 1920)". Playbill. December 14, 2015. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
  51. ^ a b ""The Acquittal" Grips.; Rita Weiman's Tense Melodrama Improved by Skillful Direction". The New York Times. January 6, 1920. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  52. ^ a b c d e f g h i j k l m Bloom 2007, p. 108.
  53. ^ "Speed and Thrill in the 'Honey Girl'; Checkers, After Melodrama and Movie Stages, Now Musical Comedy". The New York Times. May 4, 1920. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  54. ^ "'Honey Girl' a Promising Summer Entertainment: Musical Version of "Checkers" Successfully Produced at Cohan & Harris Theater". New-York Tribune. May 4, 1920. p. 15. ProQuest 576230226.
  55. ^ "League Film Shown in Two Theatres; "Uncle Sam of Freedom Ridge" Seen by Invited Spectators at the Selwyn--McAdoo Speaks". The New York Times. September 27, 1920. ISSN 0362-4331. Retrieved October 7, 2022.
  56. ^ "The Stage Door". New-York Tribune. February 21, 1921. p. 4. ProQuest 576347271.
  57. ^ Allen, Kelcey (February 21, 1921). "Amusements: Shuberts Name New Theatre The "Ritz."". Women's Wear. Vol. 22, no. 42. p. 12. ProQuest 1666062687.
  58. ^ Bloom 2007, p. 10.
  59. ^ a b Henderson & Greene 2008, p. 168.
  60. ^ a b Woollcott, Alexander (August 26, 1921). "The Play". The New York Times. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  61. ^ a b The Broadway League (August 25, 1921). "Six-Cylinder Love – Broadway Play – Original". IBDB. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
    "Six-Cylinder Love (Broadway, Sam H. Harris Theatre, 1921)". Playbill. December 14, 2015. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
  62. ^ ""Hamlet" to Close After 101st Time, New Record: John Barrymore, Going Abroad, Will Resume Part in Same Play Next Season". New-York Tribune. January 20, 1923. p. 6. ProQuest 1222017428.
  63. ^ a b c Henderson & Greene 2008, p. 170.
  64. ^ a b The Broadway League (November 16, 1922). "Hamlet – Broadway Play – 1922 Revival". IBDB. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
    "Hamlet (Broadway, Sam H. Harris Theatre, 1922)". Playbill. December 14, 2015. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
  65. ^ a b The Broadway League (February 10, 1923). "Icebound – Broadway Play – Original". IBDB. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
    "Icebound (Broadway, Sam H. Harris Theatre, 1923)". Playbill. December 14, 2015. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
  66. ^ a b ""Ice-bound" is Intense.; Owen Davis's Grim Play of New England Is Finely Acted". The New York Times. February 12, 1923. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  67. ^ a b The Broadway League (October 9, 1923). "The Nervous Wreck – Broadway Play – Original". IBDB. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
    "The Nervous Wreck (Broadway, Sam H. Harris Theatre, 1923)". Playbill. December 14, 2015. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
  68. ^ a b Cokbin, John (October 21, 1923). "Talking Points; Views of "The Nervous Wreck," the Grand Guignol Players and "The Shame Woman"". The New York Times. ISSN 0362-4331. Retrieved October 7, 2022.
  69. ^ "Wilkes Leases Harris". The Billboard. Vol. 35, no. 37. September 15, 1923. p. 8. ISSN 2638-3853. ProQuest 1031717459.
  70. ^ "St. Louis Realtors to Blaze Europe's Skies". New-York Tribune. September 16, 1923. p. C1. ProQuest 1114581192.
  71. ^ "Attachment Put on Il Progresso; Washington Law Firm Asserts Carlo Barsotti, the Publisher, Owes $6,000 Fee". The New York Times. June 5, 1924. ISSN 0362-4331. Retrieved October 7, 2022.
  72. ^ a b "Duncan Sisters Score In "Topsy and Eva": Musical Comedy Version of "Uncle Tom's Cabin" Opens at Sam H. Harris Theater". The New York Herald, New York Tribune. December 24, 1924. p. 13. ProQuest 1113083974.
  73. ^ a b The Broadway League (December 23, 1924). "Topsy and Eva – Broadway Musical – Original". IBDB. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
    "Topsy and Eva (Broadway, Sam H. Harris Theatre, 1924)". Playbill. December 14, 2015. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
  74. ^ "Wagner Gets Harris Theater". The Billboard. Vol. 37, no. 34. August 22, 1925. p. 23. ISSN 2638-3853. ProQuest 1040337552.
  75. ^ "Legitimate: Inside Stuff". Variety. Vol. 79, no. 13. August 12, 1925. pp. 20, 46. ISSN 0042-2738. ProQuest 1505661404.
  76. ^ ""The Deacon" Interests; A Pious-Spoken Card Sharp Chief Character of Rural Comedy". The New York Times. November 25, 1925. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  77. ^ a b The Broadway League (December 28, 1925). "The Monkey Talks – Broadway Play – Original". IBDB. Archived from the original on June 10, 2022. Retrieved October 2, 2022.
    "The Monkey Talks (Broadway, Sam H. Harris Theatre, 1925)". Playbill. December 14, 2015. Archived from the original on May 9, 2022. Retrieved October 2, 2022.
  78. ^ a b "Asks $7,500,000 Home for Chicago Opera; Samuel Insull Also Wants $500,000 a Year Guarantee Fund After Next Season". The New York Times. December 10, 1925. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  79. ^ a b The Broadway League (February 3, 1926). "Love 'em and Leave 'em – Broadway Play – Original". IBDB. Archived from the original on August 5, 2016. Retrieved October 2, 2022.
    "Love 'em and Leave 'em (Broadway, Sam H. Harris Theatre, 1926)". Playbill. December 14, 2015. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
  80. ^ a b "A Short Step From Poet to Playwright: "Love 'Em and Leave 'Em" Based on Two Poems by John V. A. Weaver". The New York Herald, New York Tribune. February 7, 1926. p. D4. ProQuest 1112812982.
  81. ^ "Shuberts Purchase Harris Theatre; Reported That Sam H. Harris Received $1,000,000 in the Sale of Forty-second St. House". The New York Times. September 20, 1926. ISSN 0362-4331. Archived from the original on October 1, 2022. Retrieved December 26, 2021.
  82. ^ a b "Shuberts Buy Harris Theater". The Billboard. Vol. 38, no. 39. September 25, 1926. p. 5. ISSN 2638-3853. ProQuest 1031805215.
  83. ^ a b "Sam H. Harris Confirms Theater Sale to Shuberts: Price Said to Be $1,000,000; Former Owner Expected to Be Active Producer This Season". New York Herald Tribune. September 20, 1926. p. 12. ISSN 1941-0646. ProQuest 1112628797.
  84. ^ a b c d e Henderson & Greene 2008, p. 171.
  85. ^ a b "Audience Pleased at 'We Americans'; New Gropper Comedy, Opening at Sam Harris Theatre, Is Quite Skillfully Played". The New York Times. October 13, 1926. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  86. ^ "'We Americans' Offered At Sam H. Harris Theater: Some Excellent Acting Found in Comedy by Milton Herbert Cropper and Max Siegel". New York Herald Tribune. October 13, 1926. p. 25. ISSN 1941-0646. ProQuest 1112638034.
  87. ^ a b The Broadway League (October 12, 1926). "We Americans – Broadway Play – Original". IBDB. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
    "We Americans (Broadway, Sam H. Harris Theatre, 1926)". Playbill. December 14, 2015. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
  88. ^ ""Seventh Heaven" to Open At Sam H. Harris Theater". New York Herald Tribune. May 22, 1927. p. E3. ISSN 1941-0646. ProQuest 1131116595.
  89. ^ "Legitimate: Sam Harris Is Back In His Harris Theatre". Variety. Vol. 88, no. 4. August 10, 1927. p. 50. ISSN 0042-2738. ProQuest 1475733091.
  90. ^ a b "'Yes, Yes, Yvette' is Cheery, Refreshing; Jack Whiting and Jeanette MacDonald Aid in Keeping Musical Comedy at Lively Pace". The New York Times. October 4, 1927. ISSN 0362-4331. Archived from the original on February 24, 2018. Retrieved October 7, 2022.
  91. ^ a b The Broadway League (October 3, 1927). "Yes, Yes, Yvette – Broadway Musical – Original". IBDB. Archived from the original on October 19, 2021. Retrieved October 7, 2022.
    "Yes, Yes, Yvette (Broadway, Sam H. Harris Theatre, 1927)". Playbill. December 14, 2015. Archived from the original on June 9, 2022. Retrieved October 7, 2022.
  92. ^ a b The Broadway League (September 19, 1927). "The Trial of Mary Dugan – Broadway Play – Original". IBDB. Archived from the original on January 6, 2022. Retrieved October 2, 2022.
  93. ^ a b "The Trial of Mary Dugan" to Move". The New York Times. June 8, 1928. ISSN 0362-4331. Archived from the original on September 9, 2022. Retrieved October 7, 2022.
  94. ^ "'Congai' Falls Short of Its Dramatic Goal; Helen Menken's Acting Rises Above Difficult Level of the Tragedy". The New York Times. November 28, 1928. ISSN 0362-4331. Archived from the original on February 28, 2018. Retrieved October 7, 2022.
  95. ^ a b The Broadway League (September 27, 1929). "Scotland Yard – Broadway Play – Original". IBDB. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
    "Scotland Yard (Broadway, Sam H. Harris Theatre, 1929)". Playbill. December 14, 2015. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
  96. ^ a b Atkinson, J. Brooks (September 28, 1929). "The Play; The Yard Never Forgets". The New York Times. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  97. ^ ""Mendel, Inc.," Depicts an Engaging Loafer; David Freedman's Play at Sam H. Harris Theatre Deals With Triumphs of an Inventor". The New York Times. November 26, 1929. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  98. ^ Henderson & Greene 2008, p. 120.
  99. ^ Bloom 2007, p. 189.
  100. ^ Henderson & Greene 2008, p. 71.
  101. ^ a b The Broadway League (February 13, 1930). "The Last Mile – Broadway Play – Original". IBDB. Archived from the original on September 24, 2015. Retrieved October 2, 2022.
    "The Last Mile (Broadway, Sam H. Harris Theatre, 1930)". Playbill. December 14, 2015. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
  102. ^ a b "'The Last Mile' to End Run; Prison Drama to Close Aug. 30 and Begin Road Tour In Chicago". The New York Times. August 11, 1930. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  103. ^ The Broadway League (September 25, 1930). "The Greeks Had a Word for It – Broadway Play – Original". IBDB. Archived from the original on November 25, 2021. Retrieved October 7, 2022.
    "The Greeks Had a Word for It (Broadway, Sam H. Harris Theatre, 1930)". Playbill. December 14, 2015. Archived from the original on March 12, 2022. Retrieved October 7, 2022.
  104. ^ "Akins Comedy to End Run; Will Close May 2 and Go to Chicago --"Rhapsody in Black" May 4. Benefit for Camp Essex". The New York Times. April 20, 1931. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  105. ^ "Lew Leslie Does His Bit". The New York Times. May 5, 1931. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  106. ^ Atkinson, J. Brooks (November 13, 1931). "The Play; Slandering the Movies Again. Pasquinade of Opera". The New York Times. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  107. ^ "News of the Screen". New York Herald Tribune. March 17, 1932. p. 11. ISSN 1941-0646. ProQuest 1114799380.
  108. ^ H.t.s (March 28, 1932). "An Italian Production". The New York Times. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  109. ^ "Shubert Theaters Assets Ordered Sold March 17". New York Herald Tribune. March 1, 1933. p. 11. ISSN 1941-0646. ProQuest 1240059091.
  110. ^ "Shubert Receivership Takes In 9 More Units". New York Herald Tribune. March 19, 1932. p. 8. ProQuest 1114733870.
  111. ^ "Shuberts Deed Theatre Properties". The New York Times. April 28, 1933. ISSN 0362-4331. Archived from the original on December 13, 2021. Retrieved December 13, 2021.
  112. ^ "Legitimate: Shubert Properties Deeded". The Billboard. Vol. 45, no. 19. May 13, 1933. p. 18. ISSN 2638-3853. ProQuest 1032021129.
  113. ^ "Earl Carroll Acts Role of Policeman; Arrests Two Heads of Scenic Artists' Union in Office of District Attorney". The New York Times. September 27, 1933. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  114. ^ "General Indoor News: Burly War Is Set for Sept". The Billboard. Vol. 45, no. 23. June 10, 1933. p. 24. ISSN 2638-3853. ProQuest 1032021923.
  115. ^ a b "Sam Harris Theatre for Pix". The Hollywood Reporter. Vol. 17, no. 32. October 20, 1933. p. 4. ProQuest 2297262169.
  116. ^ "Max Cohen Dead; a Theater Owner". The New York Times. June 6, 1971. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  117. ^ a b "Wallack's Theatre Will Re Razed Soon; Combined Offices and Theatre to Supplant Landmark". The New York Times. June 16, 1940. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  118. ^ Reilly, James F. (January 3, 1951). "Legitimate: the Disappearing Theatre". Variety. Vol. 181, no. 4. pp. 266, 268. ISSN 0042-2738. ProQuest 1505767801.
  119. ^ Pihodna, Joe (January 21, 1951). "30 Theaters a Far Cry From Abundant Old Days: But They're Enough to Fill Our Needs, People Claim, Despite TV's Inroads". New York Herald Tribune. p. D3. ProQuest 1291337111.
  120. ^ a b "Sam H. Harris Theatre to Offer Popular Price Programs". New Leader with Which Is Combined the American Appeal. Vol. 16, no. 22. November 25, 1933. p. 10. ProQuest 1308940287.
  121. ^ "Lambs Repeal Gambol". New York Herald Tribune. November 24, 1933. p. 14. ISSN 1941-0646. ProQuest 1114805925.
  122. ^ "Eighteen Parcels Bid in at Auction; Eight Properties in Manhattan and Ten in the Bronx Taken by the Plaintiffs". The New York Times. November 21, 1935. ISSN 0362-4331. Archived from the original on October 8, 2022. Retrieved October 7, 2022.
  123. ^ "Candler Interests Take Theater in West 41st St.: Buy Harris Playhouse From East River Bank for $200,000". New York Herald Tribune. September 13, 1936. p. J8. ISSN 1941-0646. ProQuest 1237422858.
  124. ^ a b c "Pictures: Even 42d St., With Its Unique Films, Faces Shortages". Variety. Vol. 165, no. 12. February 26, 1947. p. 27. ISSN 0042-2738. ProQuest 1285899443.
  125. ^ a b Horsley, Carter B. (June 19, 1977). "A Critical Time For the Old Theaters Along 42d Street". The New York Times. ISSN 0362-4331. Archived from the original on April 8, 2022. Retrieved April 10, 2022.
  126. ^ "$5,000,000 More Given College By Heir of Coca-Cola Fortune; Emory University of Atlanta, Long Helped by Candler Family, Also Buys Stock of $2,500,000 in Real Estate Firm". The New York Times. August 11, 1947. ISSN 0362-4331. Archived from the original on June 13, 2022. Retrieved June 13, 2022.
  127. ^ a b "Emory N. Y. Property Sold for $2,000,000: Candler Building, Theater Purchased by Realty Broker". The Atlanta Constitution. March 5, 1950. p. 1A. ProQuest 1528812954.
  128. ^ "Moffa Acquires Candler Tower In West 42d St: Emory University Conveys 24-Story Office Building". New York Herald Tribune. December 24, 1949. p. 14. ProQuest 1326897261.
  129. ^ "Candler Building on W. 42d St. Sold; Harris Theatre Included in Purchase by Operator From Emory University". The New York Times. December 24, 1949. ISSN 0362-4331. Archived from the original on June 10, 2022. Retrieved June 10, 2022.
  130. ^ "Candler Property Taken by Maidman; Sale Includes Office Buildings and Harris Theatre on West 41st and 42d Streets". The New York Times. March 7, 1950. ISSN 0362-4331. Archived from the original on June 13, 2022. Retrieved October 7, 2022.
  131. ^ "Sale-Lease Closed on Harris Theatre; Times Square Realty Acquired From Maidman by Affiliate Company of the Lessee". The New York Times. August 7, 1952. ISSN 0362-4331. Archived from the original on October 1, 2022. Retrieved December 26, 2021.
  132. ^ "42d St. Grinds' $5-mil Gross". Variety. Vol. 205, no. 9. January 30, 1957. pp. 3, 20. ISSN 0042-2738. ProQuest 1014785728.
  133. ^ Henderson & Greene 2008, p. 103.
  134. ^ Reed, Henry Hope Jr. (October 28, 1962). "Beneath the Squalor, Yesterday's Glamor: the Names of the Astaires, of Barrymore and Belasco, Lawrence and Lillie, Cling to the Cheap Movie Houses of 42nd Street". New York Herald Tribune. p. SM2. ProQuest 1325840251.
  135. ^ Stern, Fishman & Tilove 2006, p. 675.
  136. ^ Gussow, Mel (May 23, 1990). "Critic's Notebook; Where Legends Were Born, Ghosts of Glory Linger". The New York Times. ISSN 0362-4331. Archived from the original on October 16, 2021. Retrieved January 17, 2022.
  137. ^ McDonough, Jimmy (December 11, 1985). "New York Entertainment: 42d St. Grindhouses: Alternative Outlet For Dusty Subruns Facing Extinction". Variety. Vol. 321, no. 7. pp. 94, 116. ISSN 0042-2738. ProQuest 1438444052.
  138. ^ Morehouse, Ward III (November 9, 1977). "A 'Little White Way' for tawdry 42nd St". The Christian Science Monitor. p. 1. ISSN 2573-3850. ProQuest 511943242.
  139. ^ Williams, Lena (November 7, 1977). "Can Photos Return Gloss to Times Square?". The New York Times. ISSN 0362-4331. Archived from the original on October 16, 2021. Retrieved October 15, 2021.
  140. ^ "42d St. Show on Theaters is a Tragedy". New York Daily News. October 19, 1977. p. 336. ISSN 2692-1251. Archived from the original on October 16, 2021. Retrieved October 15, 2021 – via newspapers.com.
  141. ^ "Changing cityscape: $170M smile planned for face of W. 42d St". New York Daily News. November 19, 1978. p. 423. ISSN 2692-1251. Archived from the original on October 16, 2021. Retrieved October 15, 2021 – via newspapers.com.
  142. ^ "City Considers Park Plan For Times Square". Newsday. August 25, 1978. p. 14. ISSN 2574-5298. Archived from the original on October 16, 2021. Retrieved October 15, 2021 – via newspapers.com.
  143. ^ a b Stern, Fishman & Tilove 2006, p. 679.
  144. ^ "Architecture View; Redeveloping New York". The New York Times. December 23, 1979. ISSN 0362-4331. Archived from the original on January 17, 2022. Retrieved January 17, 2022.
  145. ^ Prial, Frank J. (April 18, 1982). "Can 42nd Street Regain Its Showbiz Glamour?". The New York Times. ISSN 0362-4331. Archived from the original on May 24, 2015. Retrieved September 27, 2022.
  146. ^ Stern, Fishman & Tilove 2006, p. 681.
  147. ^ Goodwin, Michael (June 8, 1980). "Roadblocks For a New Times Sq". The New York Times. ISSN 0362-4331. Archived from the original on January 19, 2022. Retrieved January 17, 2022.
  148. ^ Stern, Fishman & Tilove 2006, p. 691.
  149. ^ Dunlap, David W. (October 20, 1982). "Landmark Status Sought for Theaters". The New York Times. ISSN 0362-4331. Archived from the original on October 29, 2021. Retrieved October 29, 2021.
  150. ^ Shepard, Joan (August 28, 1985). "Is the final curtain near?". New York Daily News. pp. 462, 464. ISSN 2692-1251. Archived from the original on September 21, 2021. Retrieved September 16, 2021 – via newspapers.com.
  151. ^ Dunlap, David W. (November 22, 1987). "The Region; The City Casts Its Theaters In Stone". The New York Times. ISSN 0362-4331. Archived from the original on October 16, 2021. Retrieved October 16, 2021.
  152. ^ Rajamani, Maya (February 23, 2016). "7 Theaters Among Midtown and Hell's Kitchen Sites Up for Landmarking". DNAinfo New York. Archived from the original on November 28, 2020. Retrieved September 30, 2021.
  153. ^ Bindelglass, Evan (November 9, 2015). "42nd Street Theaters, Osborne Interior, More Round Out First Manhattan Landmarks Backlog Hearing". New York YIMBY. Archived from the original on September 30, 2021. Retrieved September 30, 2021.
  154. ^ "7 Theaters on 42nd Street Fail to Make Cut for Landmark Consideration". DNAinfo New York. February 23, 2016. Archived from the original on November 29, 2020. Retrieved September 30, 2021.
  155. ^ Prial, Frank J. (April 6, 1982). "City Names Main Builders in Times Sq. Redevelopment". The New York Times. ISSN 0362-4331. Archived from the original on October 1, 2021. Retrieved January 17, 2022.
  156. ^ Stern, Fishman & Tilove 2006, p. 683.
  157. ^ Stephens, Suzanne (March 2000). "Four Times Square" (PDF). Architectural Record. Vol. 188. p. 92. Archived (PDF) from the original on September 29, 2021. Retrieved October 1, 2021.
  158. ^ a b Dunlap, David W. (August 3, 1992). "Long Delay Likely in Rebuilding Plan for Times Square". The New York Times. ISSN 0362-4331. Archived from the original on September 17, 2021. Retrieved September 17, 2021.
  159. ^ Prial, Frank J. (April 6, 1982). "City Names Main Builders in Times Sq. Redevelopment". The New York Times. ISSN 0362-4331. Archived from the original on October 1, 2021. Retrieved October 15, 2021.
  160. ^ "Times Square Project Developers Chosen". Newsday. April 7, 1982. p. 19. ISSN 2574-5298. Archived from the original on October 16, 2021. Retrieved October 15, 2021 – via newspapers.com.
  161. ^ "Pictures: Cine 42d St. To Renovate Harris Site Despite Redevelopment Plan". Variety. Vol. 314, no. 10. April 4, 1984. pp. 37–38. ProQuest 1438395389.
  162. ^ "Pictures: Two 42d St. Exhibs Take Action To Halt Redevelopment Plan". Variety. Vol. 317, no. 1. October 31, 1984. pp. 7, 42. ISSN 0042-2738. ProQuest 1438396561.
  163. ^ Gottlieb, Martin (October 23, 1984). "Movie Houses Sue Over Plan for Times Square". The New York Times. ISSN 0362-4331. Archived from the original on January 30, 2018. Retrieved October 5, 2022.
  164. ^ "Film Theatres Lose Suit To Block Legit Theatre Conversion". Back Stage. Vol. 27, no. 23. June 6, 1986. pp. 3A. ISSN 0005-3635. ProQuest 962870872.
  165. ^ Lueck, Thomas J. (February 14, 1988). "The Region: Redevelopment; Times Square Plan Takes A Shaky Step Forward". The New York Times. ISSN 0362-4331. Archived from the original on September 17, 2021. Retrieved September 17, 2021.
  166. ^ Lueck, Thomas J. (September 18, 1988). "Six Times Square Theaters to Go 'Populist'". The New York Times. ISSN 0362-4331. Archived from the original on May 25, 2015. Retrieved January 17, 2022.
  167. ^ "Legitimate: Bids Sought For 42d St. Theaters; 2 For Nonprofits, 4 Commercial". Variety. Vol. 333, no. 1. October 26, 1988. p. 61. ISSN 0042-2738. ProQuest 1438511816.
  168. ^ O'Haire, Patricia (February 2, 1990). "The Great White Way Makes a Comeback". New York Daily News. p. 42. ISSN 2692-1251. Archived from the original on January 19, 2022. Retrieved January 17, 2022 – via newspapers.com.
  169. ^ Walsh, Thomas (February 9, 1990). "New Plans For 42nd St. Theatres Arrive, & So Does A New Battle". Back Stage. Vol. 31, no. 6. pp. 1A, 6A. ISSN 0005-3635. ProQuest 962907555.
  170. ^ Stern, Fishman & Tilove 2006, p. 693.
  171. ^ Levine, Richard (April 19, 1990). "State Acquires Most of Times Square Project Site". The New York Times. ISSN 0362-4331. Archived from the original on May 25, 2015. Retrieved January 17, 2022.
  172. ^ Cohn, Lawrence (September 24, 1990). "Legit: Gotham 'takes back' West 42nd Street". Variety. Vol. 340, no. 11. p. 92. ISSN 0042-2738. ProQuest 1286158079.
  173. ^ Marinaccio, Paul; Berkowitz, Harry (March 6, 1989). "City Buying Out 42nd St.: $2M would buy theater leases in crime-ridden area". Newsday. p. 2. ISSN 2574-5298. Archived from the original on April 10, 2022. Retrieved April 10, 2022 – via newspapers.com.
  174. ^ Fisher, Patricia; Marinaccio, Paul (April 14, 1989). "City Gives Up on Buying Theater Leases". Newsday. pp. 69, 71. ISSN 2574-5298. Archived from the original on April 10, 2022. Retrieved April 10, 2022 – via newspapers.com.
  175. ^ Walsh, Thomas (April 27, 1990). "42nd St. Project Earns OK For Condemnation And Restoration Of Area's Historic Theatres". Back Stage. Vol. 31, no. 17. pp. 1A, 33A, 37A. ISSN 0005-3635. ProQuest 1286158079.
  176. ^ "42nd Street: No beat of dancing feet- yet" (PDF). Architectural Record. Vol. 177. June 1989. p. 85. Archived (PDF) from the original on September 3, 2021. Retrieved January 19, 2022.
  177. ^ a b Mirabella, Alan (March 28, 1994). "Big firms rush after deals on reviving 42nd". Crain's New York Business. Vol. 10, no. 13. p. 1. ProQuest 219140083.
  178. ^ a b Dunlap, David W. (June 27, 1993). "Rethinking 42d St. For Next Decade". The New York Times. ISSN 0362-4331. Archived from the original on January 17, 2018. Retrieved October 5, 2022.
  179. ^ Pinder, Jeanne B. (September 15, 1993). "Disney Considers Move Into Times Sq". The New York Times. ISSN 0362-4331. Archived from the original on October 16, 2021. Retrieved October 5, 2022.
  180. ^ a b "Harris Theatre in New York, NY". Cinema Treasures. October 12, 2014. Archived from the original on October 1, 2022. Retrieved October 7, 2022.
  181. ^ Lueck, Thomas J. (November 15, 1995). "Returning From Decline, 42d Street Is Now a Magnet for Merchants". The New York Times. ISSN 0362-4331. Archived from the original on May 26, 2015. Retrieved January 17, 2022.
  182. ^ Kaufman, Michael T. (February 4, 1995). "About New York; Ghosts of Times Square: Memories Lie Bare in Rubble of 42d Street". The New York Times. ISSN 0362-4331. Archived from the original on May 26, 2015. Retrieved October 6, 2022.
  183. ^ Pulley, Brett (July 13, 1995). "Tussaud's and a Movie Chain Are Negotiating on 42d St. Site". The New York Times. ISSN 0362-4331. Archived from the original on May 26, 2015. Retrieved September 27, 2022.
  184. ^ Lowry, Tom (July 21, 1995). "Entertaining plans for Times Square". New York Daily News. p. 775. ISSN 2692-1251. Archived from the original on September 28, 2022. Retrieved September 27, 2022 – via newspapers.com.
  185. ^ Pulley, Brett (July 16, 1995). "Tussaud's and Movie Chain Join Disney in 42d Street Project". The New York Times. ISSN 0362-4331. Archived from the original on May 26, 2015. Retrieved September 27, 2022.
  186. ^ Holusha, John (February 28, 1998). "The Theater's on a Roll, Gliding Down 42d Street; Fast-Moving Times Square Revitalization Leaves No Stone or Building Unturned". The New York Times. ISSN 0362-4331. Archived from the original on August 12, 2016. Retrieved September 23, 2022.
  187. ^ Dunlap, David W. (February 19, 1997). "Vintage Theater May Get New Role". The New York Times. ISSN 0362-4331. Archived from the original on July 14, 2022. Retrieved October 7, 2022.
  188. ^ Armbrust, Roger (August 15, 1997). "In Focus: Developer Breaks Ground on 42nd St". Back Stage. Vol. 38, no. 33. pp. 2, 44. ISSN 0005-3635. ProQuest 963079325.
  189. ^ Stern, Fishman & Tilove 2006, p. 712.
  190. ^ "Harris Theatre in New York, NY". Cinema Treasures. October 12, 2014. Archived from the original on January 22, 2022. Retrieved December 26, 2021.
  191. ^ Bloom 2013, pp. 220–222.
  192. ^ McBride, Murdoch (October 15, 1998). "Good progress on 42nd Street". Back Stage. Vol. 39, no. 41. p. 3. ISSN 0005-3635. ProQuest 221119572.
  193. ^ a b Dailey, Jessica (October 8, 2014). "Remembering the Lost Theaters of Times Square's 'Deuce'". Curbed NY. Archived from the original on September 29, 2021. Retrieved October 7, 2022.
  194. ^ Dunlap, David W. (December 2, 1998). "Commercial Real Estate; Midtown Office Tower Preparing for a Comeback". The New York Times. ISSN 0362-4331. Archived from the original on June 10, 2022. Retrieved December 26, 2021.
  195. ^ Gray, Christopher (June 16, 1996). "Streetscapes/230 West 42d Street;From School to Residences, Flea Circus and Brothel". The New York Times. ISSN 0362-4331. Archived from the original on May 26, 2015. Retrieved October 7, 2022.
  196. ^ Geminder, Emily (May 4, 2010). "The Disappeared Building". Observer. Archived from the original on August 16, 2018. Retrieved October 7, 2022.
  197. ^ Collins, Glenn (April 20, 2000). "Coming Soon: The Wax Menagerie; Tussaud's Is Giving Times Square Something New to Gawk At". The New York Times. ISSN 0362-4331. Archived from the original on May 27, 2015. Retrieved October 6, 2022.
  198. ^ Ferrell, Sarah (November 12, 2000). "Famous Faces, All in Wax". The New York Times. ISSN 0362-4331. Archived from the original on May 27, 2015. Retrieved October 7, 2022.
  199. ^ The Broadway League (April 3, 1916). "Justice – Broadway Play – Original". IBDB. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
  200. ^ The Broadway League (November 13, 1916). "Captain Kidd, Jr. – Broadway Play – Original". IBDB. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
    "Captain Kidd, Jr. (Broadway, Sam H. Harris Theatre, 1916)". Playbill. December 14, 2015. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
  201. ^ The Broadway League (March 6, 1917). "The Willow Tree – Broadway Play – Original". IBDB. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
    "The Willow Tree (Broadway, Sam H. Harris Theatre, 1917)". Playbill. December 14, 2015. Archived from the original on October 2, 2022. Retrieved October 2, 2022.
  202. ^ The Broadway League (October 11, 1932). "I Loved You Wednesday – Broadway Play – Original". IBDB. Archived from the original on November 17, 2021. Retrieved October 2, 2022.
    "I Loved You Wednesday (Broadway, Sam H. Harris Theatre, 1932)". Playbill. December 14, 2015. Archived from the original on October 2, 2022. Retrieved October 2, 2022.

Sources

[edit]
[edit]

40°45′23″N 73°59′17″W / 40.75638°N 73.98817°W / 40.75638; -73.98817

Retrieved from "https://en.wikipedia.org/w/index.php?title=Sam_H._Harris_Theatre&oldid=1258640988"