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: "Professor Teare was a forensic scientist recommended by Scotland Yard; he was brought in as an expert on cannabis and we can't contradict his testimony. The dosage of cannabis is neither precise nor predictable, but I've never known of anyone dying simply from taking it."<ref name="Thomas 1994 p=228"/>
: "Professor Teare was a forensic scientist recommended by Scotland Yard; he was brought in as an expert on cannabis and we can't contradict his testimony. The dosage of cannabis is neither precise nor predictable, but I've never known of anyone dying simply from taking it."<ref name="Thomas 1994 p=228"/>
At the 1975 San Diego Comic-Con convention, Bruce Lee's friend, Chuck Norris, attributed it to a reaction between the medication he had been taking since 1968 for a ruptured disk in his back and the medication he was given for his headache on the night of his death.<ref>http://www.youtube.com/watch?v=u4ekAQfN8x8#t=4m13s</ref>


Lee's wife Linda returned to her hometown of [[Seattle]], and had him buried at lot 276 of [[Lake View Cemetery (Seattle)|Lakeview Cemetery]].<ref name=Lakeview>[http://www.lakeviewcemeteryassociation.com/burials.php Lakeview Cemetery website.] Search for Lee. Only use last name.</ref> Pallbearers at his funeral on 31 July 1973 included Taky Kimura, [[Steve McQueen]], [[James Coburn]], [[Chuck Norris]], [[George Lazenby]], [[Dan Inosanto]], Peter Chin, and Lee's brother [[Robert Lee (musician)|Robert]].
Lee's wife Linda returned to her hometown of [[Seattle]], and had him buried at lot 276 of [[Lake View Cemetery (Seattle)|Lakeview Cemetery]].<ref name=Lakeview>[http://www.lakeviewcemeteryassociation.com/burials.php Lakeview Cemetery website.] Search for Lee. Only use last name.</ref> Pallbearers at his funeral on 31 July 1973 included Taky Kimura, [[Steve McQueen]], [[James Coburn]], [[Chuck Norris]], [[George Lazenby]], [[Dan Inosanto]], Peter Chin, and Lee's brother [[Robert Lee (musician)|Robert]].

Revision as of 17:23, 20 July 2013

Template:Infobox Chinese-language singer and actor Template:Contains Chinese text

Bruce Lee (Chinese: 李小龍; born Lee Jun-fan; 27 November 1940 – 20 July 1973) was a Chinese American martial artist, Hong Kong action film actor, martial arts instructor,[1] and filmmaker. The founder of Jeet Kune Do, Lee was the son of Cantonese opera star Lee Hoi-Chuen. He is widely considered by commentators, critics, media and other martial artists to be one of the most influential martial artists of all time,[2] and a pop culture icon of the 20th century.[3][4] He is often credited with helping to change the way Asians were presented in American films.[5]

Lee was born in Chinatown, San Francisco on 27 November 1940 to parents from Hong Kong and was raised in Kowloon with his family until his late teens. He was introduced to the film industry by his father and appeared in several films as a child actor. Lee moved to the United States at the age of 18 to receive his higher education,[6] and it was during this time that he began teaching martial arts. His Hong Kong and Hollywood-produced films elevated the traditional Hong Kong martial arts film to a new level of popularity and acclaim, sparking a surge of interest in Chinese martial arts in the West in the 1970s. The direction and tone of his films changed and influenced martial arts and martial arts films in Hong Kong and the rest of the world.[7]

He is noted for his roles in five feature-length films: Lo Wei's The Big Boss (1971) and Fist of Fury (1972); Way of the Dragon (1972), directed and written by Lee; Warner Brothers' Enter the Dragon (1973) and The Game of Death (1973), both directed by Robert Clouse.[8] Lee became an iconic figure known throughout the world, particularly among the Chinese, as he portrayed Chinese nationalism in his films.[9] He initially trained in Wing Chun, but later rejected well-defined martial art styles, favouring instead the use of techniques from various sources, in the spirit of his personal martial arts philosophy, which he dubbed Jeet Kune Do (The Way of the Intercepting Fist). Lee held dual citizenship of Hong Kong and the United States.[10] He died in Kowloon Tong on 20 July 1973 at the age of 32.

Early life

Bruce Lee was born on 27 November 1940, at the Chinese Hospital, in San Francisco's Chinatown. According to the Chinese zodiac, Lee was born in both the hour and the year of the Dragon, which according to tradition is a strong and fortuitous omen.[11] His father Lee Hoi-chuen (李海泉) was Chinese, and his mother Grace Ho (何愛瑜) was half Chinese and half Caucasian.[12] Grace Ho was the daughter of Ho Kom-tong and the niece of Sir Robert Ho-tung, both notable Hong Kong businessmen and philanthropists.[13] Bruce was the fourth child of five children: Phoebe Lee (李秋源), Agnes Lee (李秋鳳), Peter Lee (李忠琛), and Robert Lee (李振輝). Lee and his parents returned to Hong Kong when he was three months old.[14]

Names

Lee's Cantonese birth name was Lee Jun-fan (李振藩).[15] The name homophonically means "return again", and was given to Lee by his mother, who felt he would return to the United States once he came of age.[16] Because of his mother's superstitious nature, she had originally named him Sai-fon (細鳳), which is a feminine name meaning "small phoenix".[17] The English name "Bruce" is thought to have been given by the hospital attending physician, Dr. Mary Glover.[18]

Lee had three other Chinese names: Li Yuanxin (李源鑫), a family/clan name; Li Yuanjian (李元鑒), which he used as a student name while he was attending La Salle College, and his Chinese screen name Li Xiaolong (李小龍; Xiaolong means "little dragon"). Lee's given name Jun-fan was originally written in Chinese as 震藩, however, the Jun (震) Chinese character was identical to part of his grandfather's name, Lee Jun-biu (李震彪). Hence, the Chinese character for Jun in Lee's name was changed to the homonym 振 instead, to avoid naming taboo in Chinese tradition.

Family

Lee's father, Lee Hoi-chuen, was one of the leading Cantonese opera and film actors at the time, and was embarking on a year-long opera tour with his family on the eve of the Japanese invasion of Hong Kong. Lee Hoi-chuen had been touring the United States for many years and performing at numerous Chinese communities there.

Although many of his peers decided to stay in the United States, Lee Hoi-chuen returned to Hong Kong after Bruce's birth. Within months, Hong Kong was invaded and the Lees lived for three years and eight months under Japanese occupation. After the war ended, Lee Hoi-chuen resumed his acting career and became a more popular actor during Hong Kong's rebuilding years.

Lee's mother, Grace Ho, was from one of the wealthiest and most powerful clans in Hong Kong, the Ho-tungs. She was the niece of Sir Robert Ho-tung,[13][19] the Eurasian patriarch of the clan. As such, the young Bruce Lee grew up in an affluent and privileged environment. Despite the advantage of his family's status, the neighborhood in which Lee grew up became overcrowded, dangerous, and full of gang rivalries due to an influx of refugees fleeing communist China for the then British Crown colony of Hong Kong.[17]

After Lee was involved in several street fights, his parents decided that he needed to be trained in the martial arts. Lee's first introduction to martial arts was through his father, from whom he learned the fundamentals of Wu-style t'ai chi ch'uan.[20]

Wing Chun

The largest influence on Lee's martial arts development was his study of Wing Chun. Lee began training in Wing Chun at the age of 13 under the Wing Chun teacher Yip Man in 1954, after losing a fight with rival gang members. Yip's regular classes generally consisted of the forms practice, chi sao (sticking hands) drills, wooden dummy techniques, and free-sparring.[21] There was no set pattern to the classes.[21] Yip tried to keep his students from fighting in the street gangs of Hong Kong by encouraging them to fight in organized competitions.[22]

After a year into his Wing Chun training, most of Yip Man's other students refused to train with Lee after they learned of his mixed ancestry, as the Chinese were generally against teaching their martial arts techniques to non-Asians.[23][24] Lee's sparring partner, Hawkins Cheung states, "Probably fewer than six people in the whole Wing Chun clan were personally taught, or even partly taught, by Yip Man".[25] However, Lee showed a keen interest in Wing Chun, and continued to train privately with Yip Man and Wong Shun Leung in 1955.[26]

Leaving Hong Kong

After attending Tak Sun School (德信學校) (several blocks from his home at 218 Nathan Road, Kowloon), Lee entered the primary school division of La Salle College at the age of 12. In around 1956, due to poor academic performance (or possibly poor conduct as well), he was transferred to St. Francis Xavier's College (high school) where he would be mentored by Brother Edward, a teacher and coach of the school boxing team.

In the spring of 1959, Lee got into yet another street fight and the police were called.[27] Until his late teens, Lee's street fights became more frequent and included beating the son of a feared triad family. Eventually, Lee's father decided for him to leave Hong Kong to pursue a safer and healthier avenue in the United States. His parents confirmed the police's fear that this time Lee's opponent had an organised crime background, and there was the possibility that a contract was out for his life.

The police detective came and he says "Excuse me Mr. Lee, your son is really fighting bad in school. If he gets into just one more fight I might have to put him in jail".

In April 1959, Lee's parents decided to send him to the United States to stay with his older sister, Agnes Lee (李秋鳳), who was already living with family friends in San Francisco.

New life in America

With son Brandon in 1966

At the age of 18, Lee returned to the United States with $100 in his pocket. After living in San Francisco for several months, he moved to Seattle in 1959, to continue his high school education, where he also worked for Ruby Chow as a live-in waiter at her restaurant.

Chow's husband was a co-worker and friend of Lee's father. Lee's elder brother Peter Lee (李忠琛) would also join him in Seattle for a short stay before moving on to Minnesota to attend college. In December 1960, Lee completed his high school education and received his diploma from Edison Technical School (now Seattle Central Community College, located on Capitol Hill, Seattle).

In March 1961, Lee enrolled at the University of Washington, majoring in drama according to the university's alumni association information,[28] not in philosophy as claimed by Lee himself and many others. Lee also studied philosophy, psychology, and various other subjects.[29][30] It was at the University of Washington that he met his future wife Linda Emery, a fellow student studying to become a teacher, whom he married in August 1964.

Lee had two children with Linda Emery, Brandon Lee (1965–93) and Shannon Lee (born 1969).

Martial arts career

Jun Fan Gung Fu

Lee began teaching martial arts in the United States in 1959. He called what he taught Jun Fan Gung Fu (literally Bruce Lee's Kung Fu). It was basically his approach to Wing Chun.[31] Lee taught friends he met in Seattle, starting with Judo practitioner Jesse Glover, who continued to teach some of Lee's early techniques. Taky Kimura became Lee's first Assistant Instructor and continued to teach his art and philosophy after Lee's death.[32] Lee opened his first martial arts school, named the Lee Jun Fan Gung Fu Institute, in Seattle.

Lee dropped out of college in the spring of 1964 and moved to Oakland to live with James Yimm Lee (嚴鏡海). James Lee was twenty years senior to Bruce Lee and a well known Chinese martial artist in the area. Together, they founded the second Jun Fan martial art studio in Oakland. James Lee was also responsible for introducing Bruce Lee to Ed Parker, American martial artist, and organizer of the Long Beach International Karate Championships at which Bruce Lee was later "discovered" by Hollywood.

Long Beach International Karate Championships

At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships[33] and performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately a shoulder-width apart. In the same Long Beach event he also performed the "One inch punch",[34] the description of which is as follows: Lee stood upright, his right foot forward with knees bent slightly, in front of a standing, stationary partner. Lee's right arm was partly extended and his right fist approximately an inch away from the partner's chest. Without retracting his right arm, Lee then forcibly delivered the punch to his partner while largely maintaining his posture, sending the partner backwards and falling into a chair said to be placed behind the partner to prevent injury, though his partner's momentum soon caused him to fall to the floor. His volunteer was Bob Baker of Stockton, California. "I told Bruce not to do this type of demonstration again", Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable".[35]

It was at the 1964 championships where Lee first met Taekwondo master Jhoon Goo Rhee. The two developed a friendship – a relationship from which they benefited as martial artists. Rhee taught Lee the side kick in detail, and Lee taught Rhee the "non-telegraphic" punch.[36]

Lee appeared at the 1967 Long Beach International Karate Championships and performed various demonstrations, including the famous "unstoppable punch" against USKA world Karate champion Vic Moore.[33] Lee told Moore that he was going to throw a straight punch to the face, and all he had to do was to try to block it. Lee took several steps back and asked if Moore was ready, when Moore nodded in affirmation, Lee glided towards him until he was within striking range. He then threw a straight punch directly at Moore's face, and stopped before impact. In eight attempts, Moore failed to block any of the punches.[37][38]

Fight with Wong Jack Man

In Oakland, California in 1964 at Chinatown, Lee had a controversial private match with Wong Jack Man, a direct student of Ma Kin Fung known for his mastery of Xingyiquan, Northern Shaolin, and T'ai chi ch'uan. According to Lee, the Chinese community issued an ultimatum to him to stop teaching non-Chinese. When he refused to comply, he was challenged to a combat match with Wong. The arrangement was that if Lee lost, he would have to shut down his school; while if he won, then Lee would be free to teach Caucasians or anyone else.[39] Wong denied this, stating that he requested to fight Lee after Lee issued an open challenge during one of Lee's demonstrations at a Chinatown theatre, and that Wong himself did not discriminate against Caucasians or other non-Chinese.[40] Lee commented, "That paper had all the names of the sifu from Chinatown, but they don't scare me".[41]

Individuals known to have witnessed the match included Cadwell, James Lee (Bruce Lee's associate, no relation), and William Chen, a teacher of T'ai chi ch'uan. Wong and witness William Chen stated that the fight lasted an unusually long 20–25 minutes.[40] According to Bruce Lee, Linda Lee Cadwell, and James Yimm Lee, the fight lasted 3 minutes with a decisive victory for Lee. "The fight ensued, it was a no-holds-barred fight, it took three minutes. Bruce got this guy down to the ground and said 'do you give up?' and the man said he gave up" – Linda Lee Cadwell.[39]

Wong Jack Man published his own account of the battle in the Chinese Pacific Weekly, a Chinese-language newspaper in San Francisco, which contained another challenge to Lee for a public rematch.[40] Lee had no reciprocation to Wong's article, nor were there any further public announcements by either, but Lee had continued to teach Caucasians.

Jeet Kune Do

The Jeet Kune Do emblem is a registered trademark held by the Bruce Lee Estate. The Chinese characters around the Taijitu symbol read: "Using no way as way" and "Having no limitation as limitation" The arrows represent the endless interaction between yang and yin.[42]

Jeet Kune Do originated in 1967. After filming one season of The Green Hornet, Lee found himself out of work and opened The Jun Fan Institute of Gung Fu. The controversial match with Wong Jack Man influenced Lee's philosophy about martial arts. Lee concluded that the fight had lasted too long and that he had failed to live up to his potential using his Wing Chun techniques. He took the view that traditional martial arts techniques were too rigid and formalistic to be practical in scenarios of chaotic street fighting. Lee decided to develop a system with an emphasis on "practicality, flexibility, speed, and efficiency". He started to use different methods of training such as weight training for strength, running for endurance, stretching for flexibility, and many others which he constantly adapted, including fencing and basic boxing techniques.

Lee emphasised what he called "the style of no style". This consisted of getting rid of the formalised approach which Lee claimed was indicative of traditional styles. Lee felt the system he now called Jun Fan Gung Fu was even too restrictive, and eventually evolved into a philosophy and martial art he would come to call Jeet Kune Do or the Way of the Intercepting Fist. It is a term he would later regret, because Jeet Kune Do implied specific parameters that styles connote; whereas the idea of his martial art was to exist outside of parameters and limitations.[43]

Fitness and nutrition

Lee was renowned for his physical fitness and vigorous, dedicated fitness regimen to become as strong as he possibly could. After his match with Wong Jack Man in 1965, Lee changed his approach toward martial arts training. Lee felt that many martial artists of his time did not spend enough time on physical conditioning. Lee included all elements of total fitness—muscular strength, muscular endurance, cardiovascular endurance, and flexibility. He tried traditional bodybuilding techniques to build bulky muscles or mass. However, Lee was careful to admonish that mental and spiritual preparation was fundamental to the success of physical training in martial arts skills. In Tao of Jeet Kune Do, he wrote

Training is one of the most neglected phases of athletics. Too much time is given to the development of skill and too little to the development of the individual for participation. ... JKD, ultimately is not a matter of petty techniques but of highly developed spirituality and physique.[44]

According to Linda Lee Cadwell, soon after he moved to the United States, Lee started to take nutrition seriously and developed an interest in health foods, high-protein drinks and vitamin and mineral supplements. He later concluded that in order to achieve a high-performance body, one could not fuel it with a diet of junk food, and with "the wrong fuel" one's body would perform sluggishly or sloppily.[45] Lee also avoided baked goods and refined flour, describing them as providing calories which did nothing for his body.[46]

Acting career

File:Bruce Lee 1950.jpg
Bruce Lee in The Kid.

Lee's father Lee Hoi-chuen was a famous Cantonese opera star. Because of this, Lee was introduced into films at a very young age and appeared in several films as a child. Lee had his first role as a baby who was carried onto the stage in the film Golden Gate Girl. By the time he was 18, he had appeared in twenty films.[11]

While in the United States from 1959 to 1964, Lee abandoned thoughts of a film career in favour of pursuing martial arts. However, a martial arts exhibition on Long Beach in 1964 eventually led to the invitation by William Dozier for an audition for a part in the pilot for "Number One Son". The show never aired, but Lee was invited for the role of Kato alongside Van Williams in the TV series The Green Hornet. The show lasted just one season, from 1966 to 1967. Lee also played Kato in three crossover episodes of Batman. This was followed by guest appearances in three television series: Ironside (1967), Here Come the Brides (1969), and Blondie (1969).

At the time, two of Lee's martial arts students were Hollywood script writer Stirling Silliphant and actor James Coburn. In 1969 the three worked on a script for a film called The Silent Flute, and went together on a location hunt to India. The project was not realised at the time; but the 1978 film Circle of Iron, starring David Carradine, was based on the same plot. In 2010, producer Paul Maslansky was reported to plan and receive fundings for a film based on the original script for The Silent Flute.[47] In 1969, Lee made a brief appearance in the Silliphant-penned film Marlowe where he played a henchman hired to intimidate private detective Philip Marlowe, (played by James Garner), by smashing up his office with leaping kicks and flashing punches, only to later accidentally jump off a tall building while trying to kick Marlowe off. The same year he also choreographed fight scenes for The Wrecking Crew starring Dean Martin, Sharon Tate, and featuring Chuck Norris in his first role. In 1970, he was responsible for fight choreography for A Walk in the Spring Rain starring Ingrid Bergman and Anthony Quinn, again written by Silliphant. In 1971, Lee appeared in four episodes of the television series Longstreet, written by Silliphant. Lee played the martial arts instructor of the title character Mike Longstreet (played by James Franciscus), and important aspects of his martial arts philosophy were written into the script.

Publicity photo of Lee and Williams for The Green Hornet.

According to statements made by Lee, and also by Linda Lee Cadwell after Lee's death, in 1971 Lee pitched a television series of his own tentatively titled The Warrior, discussions which were also confirmed by Warner Bros. In a 9 December 1971 television interview on The Pierre Berton Show, Lee stated that both Paramount and Warner Brothers wanted him "to be in a modernized type of a thing, and that they think the Western idea is out, whereas I want to do the Western".[48] According to Cadwell, however, Lee's concept was retooled and renamed Kung Fu, but Warner Bros. gave Lee no credit.[49] Warner Brothers states that they had for some time been developing an identical concept,[50] created by two writers and producers, Ed Spielman and Howard Friedlander. According to these sources, the reason Lee was not cast was in part because of his ethnicity, but more so because he had a thick accent.[51] The role of the Shaolin monk in the Wild West, was eventually awarded to then-non-martial-artist David Carradine. In The Pierre Berton Show interview, Lee stated he understood Warner Brothers' attitudes towards casting in the series: "They think that business wise it is a risk. I don't blame them. If the situation were reversed, and an American star were to come to Hong Kong, and I was the man with the money, I would have my own concerns as to whether the acceptance would be there".[52]

Producer Fred Weintraub had advised Lee to return to Hong Kong and make a feature film which he could showcase to executives in Hollywood.[53] Not happy with his supporting roles in the United States, Lee returned to Hong Kong. Unaware that The Green Hornet had been played to success in Hong Kong and was unofficially referred to as "The Kato Show", he was surprised to be recognised on the street as the star of the show. After negotiating with both Shaw Brothers Studio and Golden Harvest, Lee signed a film contract to star in two films produced by Golden Harvest. Lee played his first leading role in The Big Boss (1971) which proved to be an enormous box office success across Asia and catapulted him to stardom. He soon followed up with Fist of Fury (1972) which broke the box office records set previously by The Big Boss. Having finished his initial two-year contract, Lee negotiated a new deal with Golden Harvest. Lee later formed his own company, Concord Productions Inc. (協和電影公司), with Chow. For his third film, Way of the Dragon (1972), he was given complete control of the film's production as the writer, director, star, and choreographer of the fight scenes. In 1964, at a demonstration in Long Beach, California, Lee had met Karate champion Chuck Norris. In Way of the Dragon Lee introduced Norris to movie-goers as his opponent in the final death fight at the Colosseum in Rome, today considered one of Lee's most legendary fight scenes and one of the most memorable fight scenes in martial arts film history.[54] The role was originally offered to American Karate champion Joe Lewis.[55]

Bruce Lee's star at the Avenue of Stars, Hong Kong.

In late 1972, Lee began work on his fourth Golden Harvest Film, Game of Death. He began filming some scenes including his fight sequence with 7'2" American Basketball star Kareem Abdul-Jabbar, a former student. Production was stopped when Warner Brothers offered Lee the opportunity to star in Enter the Dragon, the first film to be produced jointly by Golden Harvest and Warner Bros. Filming commenced in Hong Kong in February 1973. One month into the filming, another production company, Starseas Motion Pictures, promoted Bruce Lee as a leading actor in Fist of Unicorn, although he had merely agreed to choreograph the fight sequences in the film as a favour to his long-time friend Unicorn Chan. Lee planned to sue the production company, but retained his friendship with Chan.[56] However, only a few months after the completion of Enter the Dragon, and six days before its 26 July 1973 release,[57] Lee died. Enter the Dragon would go on to become one of the year's highest grossing films and cement Lee as a martial arts legend. It was made for US$850,000 in 1973 (equivalent to $4 million adjusted for inflation as of 2007).[58] To date, Enter the Dragon has grossed over $200 million worldwide.[59] The film sparked a brief fad in martial arts, epitomised in songs such as "Kung Fu Fighting" and TV shows like Kung Fu.

Robert Clouse, the director of Enter the Dragon and Golden Harvest revived Lee's unfinished film Game of Death. Lee had shot over 100 minutes of footage, including out-takes, for Game of Death before shooting was stopped to allow him to work on Enter the Dragon. In addition to Abdul-Jabbar, George Lazenby, Hapkido master Ji Han-Jae and another of Lee's students, Dan Inosanto, were also to appear in the film, which was to culminate in Lee's character, Hai Tien (clad in the now-famous yellow track suit) taking on a series of different challengers on each floor as they make their way through a five-level pagoda. In a controversial move, Robert Clouse finished the film using a look-alike and archive footage of Lee from his other films with a new storyline and cast, which was released in 1978. However, the cobbled-together film contained only fifteen minutes of actual footage of Lee (he had printed many unsuccessful takes)[60] while the rest had a Lee look-alike, Kim Tai Chung, and Yuen Biao as stunt double. The unused footage Lee had filmed was recovered 22 years later and included in the documentary Bruce Lee: A Warrior's Journey.[61]

Apart from Game of Death, other future film projects were planned to feature Lee at the time. In 1972, after the success of The Big Boss and Fist of Fury, a third film was planned by Raymond Chow at Golden Harvest to be directed by Lo Wei, titled Yellow-Faced Tiger. However, at the time, Lee decided to direct and produce his own script for Way of the Dragon instead. Although Lee had formed a production company with Raymond Chow, a period film was also planned from September–November 1973 with the competing Shaw Brothers Studio, to be directed by either Chor Yuen or Cheng Kang, and written by Yi Kang and Chang Cheh, titled The Seven Sons of the Jade Dragon.[62] Lee had also worked on several scripts himself. A tape containing a recording of Lee narrating the basic storyline to a film tentatively titled Southern Fist/Northern Leg exists, showing some similarities with the canned script for The Silent Flute (Circle of Iron).[63] Another script had the title Green Bamboo Warrior, set in San Francisco, planned to co-star Bolo Yeung and to be produced by Andrew Vajna who later went on to produce First Blood.[56] Photo shoot costume tests were also organized for some of these planned film projects.

Artistry

Philosophy

Lee is best known as a martial artist, but he also studied drama and philosophy while a student at the University of Washington. He was well-read and had an extensive library. His own books on martial arts and fighting philosophy are known for their philosophical assertions, both inside and outside of martial arts circles. His eclectic philosophy often mirrored his fighting beliefs, though he was quick to claim that his martial arts were solely a metaphor for such teachings. He believed that any knowledge ultimately led to self-knowledge, and said that his chosen method of self-expression was martial arts.[64] His influences include Taoism, Jiddu Krishnamurti, and Buddhism.[65] On the other hand, Lee's philosophy was very much in opposition to the conservative worldview advocated by Confucianism.[66] John Little states that Lee was an atheist. When asked in 1972 about his religious affiliation, he replied, "none whatsoever".[67] In 1972, he was asked if he believed in God, and responded, "To be perfectly frank, I really do not".[64]

The following quotations reflect his fighting philosophy.

  • "Be formless ... shapeless, like water. Now you put water into a cup, it becomes the cup. You pour water into a bottle; it becomes the bottle. You put water into a teapot; it becomes the teapot. Now water can flow, or creep or drip or crash! Be water, my friend ..."[68]
  • "I fear not the man who has practiced 10,000 kicks once. But I fear the man who has practiced one kick 10,000 times."
  • "All types of knowledge, ultimately leads to self knowledge."[69]
  • "Use only that which works, and take it from any place you can find it".[70]
  • "Do not deny the classical approach, simply as a reaction, or you will have created another pattern and trapped yourself there".[71]
  • "Quick temper will make a fool of you soon enough".[72]
  • "I always learn something, and that is: to always be yourself. And to express yourself, to have faith in yourself. Do not go out and look for a successful personality and duplicate him".[73]
  • "It's not the daily increase but daily decrease. Hack away at the unessential."[74]

Poetry

Lee's erudition expanded in any field that required pure human expression. Aside from martial arts and philosophy which focus on the physical aspect and self-consciousness for truths and principles,[75] he also wrote poetry that reflected his emotion and a stage in his life collectively.[76] Many forms of art remain concordant with the artist creating them. Lee's principal of self-expression was applied to his poetry as well. His daughter Shannon Lee said "He did write poetry, he was really the consummate artist".[77] His poetic works originally handwritten on paper, later on edited and published. John Little being the major author (editor), for Bruce Lee's works. Linda Lee Cadwell (Bruce Lee's wife) shared her husbands notes, poems and experiences with followers. She mentioned "Lee's poems are, by American standards, rather dark-reflecting the deeper, less exposed recesses of the human psyche".[78] Most of Bruce Lee's poems are categorized as anti-poetry or fall into a paradox. The mood in his poems show the side of the man that can be compared with other poets such as Robert Frost, one of many well-known poets expressing himself with dark poetic works. The paradox taken from the Yin and Yang symbol in martial arts, also integrated in his poetry. His martial arts, and philosophy contribute a great part to his poetry. The free verse form of Lee's poetry reflect his famous quote "Be formless ... shapeless, like water."[79]

Bruce Lee's poems:

  • Rain, Black Clouds[80]
  • Down The Western Hill[81]
  • The Dying Sun[82]
  • Love Is a Friendship Caught on Fire[83]
  • Once More I Hold You in My Arms[84]
  • All Streams Flowing East or West[85]
  • Boating on Lake Washington[86]
  • For a Moment [87]
  • Walking Along the Bank of Lake Washington[88]
  • Night Rain [89]
  • Our Togetherness Is Like a Sweet Dream[90]
  • The Surroundings Utter No Sound[91]
  • It Is Spring[92]
  • Things I See[93]
  • The Humming Bird[94]
  • The Frost[95]
  • The Falling Leaf[96]
  • Though the Night Was Made for Loving[97]
  • The Silent Flute[98]
  • Since You Left[99]
  • Parting[100]

Death

Bruce Lee is buried next to his son Brandon in Lakeview Cemetery, Seattle.

On 10 May 1973, Lee collapsed in Golden Harvest studios in Hong Kong while doing dubbing work for the movie Enter the Dragon. Suffering from seizures and headaches, he was immediately rushed to Hong Kong Baptist Hospital where doctors diagnosed cerebral edema. They were able to reduce the swelling through the administration of mannitol. These same symptoms that occurred in his first collapse were later repeated on the day of his death.[101]

On 20 July 1973, Lee was in Hong Kong, to have dinner with James Bond star George Lazenby, with whom he intended to make a film. According to Lee's wife Linda, Lee met producer Raymond Chow at 2 pm at home to discuss the making of the film Game of Death. They worked until 4 pm and then drove together to the home of Lee's colleague Betty Ting Pei, a Taiwanese actress. The three went over the script at Ting's home, and then Chow left to attend a dinner meeting.[102][103]

Later Lee complained of a headache, and Ting gave him an analgesic (painkiller), Equagesic, which contained both aspirin and the muscle relaxant meprobamate. Around 7:30 pm, he went to lie down for a nap. When Lee did not turn up for dinner, Chow came to the apartment but could not wake Lee up. A doctor was summoned, who spent ten minutes attempting to revive him before sending him by ambulance to Queen Elizabeth Hospital. Lee was dead by the time he reached the hospital.[104]

There was no visible external injury; however, according to autopsy reports, his brain had swollen considerably, from 1,400 to 1,575 grams (a 13% increase). Lee was 32 years old. The only substance found during the autopsy was Equagesic. On 15 October 2005, Chow stated in an interview that Lee died from an allergic reaction to the muscle relaxant (meprobamate) in Equagesic, which he described as a common ingredient in painkillers. When the doctors announced Lee's death officially, it was ruled a "death by misadventure".[105][106]

Don Langford, Lee's personal physician in Hong Kong, had treated Lee during his first collapse. Controversy erupted when he stated, "Equagesic was not at all involved in Bruce's first collapse".[107]

Donald Teare, a forensic scientist recommended by Scotland Yard who had overseen over 1,000 autopsies, was assigned to the Lee case. His conclusion was "death by misadventure" caused by an acute cerebral edema due to a reaction to compounds present in the combination medication Equagesic.[108]

The preliminary opinion of Peter Wu, the neurosurgeon who treated Lee during his first seizure, was that the cause of death should have been attributed to either a reaction to cannabis or Equagesic. However, Wu later backed off from this position, stating that:

"Professor Teare was a forensic scientist recommended by Scotland Yard; he was brought in as an expert on cannabis and we can't contradict his testimony. The dosage of cannabis is neither precise nor predictable, but I've never known of anyone dying simply from taking it."[107]

At the 1975 San Diego Comic-Con convention, Bruce Lee's friend, Chuck Norris, attributed it to a reaction between the medication he had been taking since 1968 for a ruptured disk in his back and the medication he was given for his headache on the night of his death.[109]

Lee's wife Linda returned to her hometown of Seattle, and had him buried at lot 276 of Lakeview Cemetery.[110] Pallbearers at his funeral on 31 July 1973 included Taky Kimura, Steve McQueen, James Coburn, Chuck Norris, George Lazenby, Dan Inosanto, Peter Chin, and Lee's brother Robert.

Lee's iconic status and untimely demise fed many theories about his death, including murder involving the triads and a supposed curse on him and his family.[111] Black Belt magazine in 1985 carried the speculation that the death of Bruce Lee in 1973 may have been caused by "a delayed reaction to a Dim Mak strike he received several weeks prior to his collapse".

Legacy

Certified instructors

Bruce Lee personally certified only three instructors: Taky Kimura, James Yimm Lee, and Dan Inosanto. Inosanto holds the 3rd rank (Instructor) directly from Bruce Lee in Jeet Kune Do, Jun Fan Gung Fu, and Bruce Lee's Tao of Chinese Gung Fu. Taky Kimura holds a 5th rank in Jun Fan Gung Fu. James Yimm Lee held a 3rd rank in Jun Fan Gung Fu. Ted Wong holds 2nd rank in Jeet Kune Do certified directly by Bruce Lee and was later promoted to Instructor under Dan Inosanto; feeling that Bruce would have wanted to promote him. Other Jeet Kune Do instructors since Lee's death have been certified directly by Dan Inosanto, some with remaining Bruce Lee signed certificates.

James Yimm Lee, a close friend of Lee, certified a few students including Gary Dill who studied Jeet Kune Do under James and received permission via a personal letter from him in 1972 to pass on his learning of Jun Fan Gung Fu to others. Taky Kimura, to date, has certified only one person in Jun Fan Gung Fu: his son Andy Kimura. Dan Inosanto continued to teach and certify select students in Jeet Kune Do for over 30 years, making it possible for thousands of martial arts practitioners to trace their training lineage back to Bruce Lee. Prior to his death, Lee told his then only two living instructors Kimura and Inosanto (James Yimm Lee had died in 1972) to dismantle his schools.

Both Taky Kimura and Dan Inosanto were allowed to teach small classes thereafter, under the guideline "keep the numbers low, but the quality high". Bruce also instructed several World Karate Champions including Chuck Norris, Joe Lewis, and Mike Stone. Among the three of them, during their training with Bruce they won every karate championship in the United States.[112]

In Japan, Junichi Okada is a certified Japanese instructor in Jeet Kune Do.[113]

Hong Kong legacy

Bruce Lee statue in Hong Kong

There are a number of stories (perhaps apocryphal) surrounding Lee that are still repeated in Hong Kong culture. One is that his early 1970s interview on the TVB show Enjoy Yourself Tonight cleared the busy streets of Hong Kong as everyone was watching the interview at home.

On 6 January 2009, it was announced that Bruce's Hong Kong home (41 Cumberland Road, Kowloon, Hong Kong) will be preserved and transformed into a tourist site by philanthropist Yu Pang-lin.[114][115]

Awards and honours

Bruce Lee was named by Time Magazine as one of the 100 most influential people of the 20th century.[5]

In April 2013, he was posthumously awarded the prestigious Founders Award at The Asian Awards.[116]

A Bruce Lee statue was unveiled in Los Angeles' Chinatown on June 15, 2013. It stands at 7-foot tall and was made in Guangzhou, China.[117]

Martial arts lineage

Lee was trained in Wu Tai Chi Chuan (also known as Ng-ga) and Jing Mo Tam Tui for the twelve sets. Lee was trained in the martial arts Choy Li Fut, Western Boxing, Épée fencing, Judo, Praying Mantis Kung-fu, Hsing-I, and Jujitsu.

When Bruce arrived in the US he (already) had training in Wu Style Tai Chi, sometimes in Hong Kong called Ng-ga. And he had of course training in western boxing. He had training in fencing from his brother, that's Epee, that goes from toe to head. He had training obviously in Wing Chun. And the other area was the training he had received in Buk Pie, or Tam Toi, he was twelve sets in Tam Toi. And I believe he had traded with a Choy Li Fut man.

— Danny Inosanto[118]
Lineage in Wing Chun
Ng Mui
Yim Wing-chun
Leung Bok-chau
Leung Lan-kwai
Wong Wah-bo
Leung Yee-tai
Leung Jan
Chan Wah-shun
Yip Man (葉問)
Bruce Lee
 
Bruce Lee (李小龍)
Founder of Jeet Kune Do
 
Certified by Bruce Lee
as instructors of Jeet Kune Do
Taky Kimura
James Yimm Lee
Dan Inosanto
Notable students of
Jun Fan/Gung Fu/Jeet Kune Do
Brandon Lee
Jesse Glover
Steve Golden
Larry Hartsell
Dan Inosanto
Yori Nakamura
Peter Nguyen
Taky Kimura
Richard Bustillo
Jerry Poteet
Ted Wong
James Yimm Lee
Rusty Stevens
Chuck Norris[119]
Kareem Abdul-Jabbar
James Coburn
Joe Lewis
Roman Polanski
Lee Marvin
Stirling Silliphant
Mike Stone

Media

Bibliography

Selected filmography

Films

Year Film Role Notes
1969 Marlowe Winslow Wong
1971 The Big Boss Cheng Chao-an Also known as Fists of Fury
1972 Fist of Fury Chen Zhen Also known as The Chinese Connection
The Way of the Dragon Tang Lung Also known as Return of the Dragon
1973 Enter the Dragon Lee Released
Game of Death Billy Lo uncompleted film

Television

Year Series Role Notes
1966 The Green Hornet Kato 26 episodes, 1966–1967
Batman Kato 3 episodes, 1966–1967
1967 Ironside Leon Soo Episode: "Tagged for Murder"
1969 Blondie Karate Instructor Episode: "Pick on Someone Your Own Size"
Here Come the Brides Lin Episode: "Marriage Chinese Style"
1970 Enjoy Yourself Tonight Himself 2 episodes, 1970–1972 (Hong Kong)
1971 Longstreet Li Tsung 4 episodes, 1971
The Pierre Berton Show Himself Interview

Games

Year Game Platform Publisher
1983 Bruce Lee Atari 8-bit family, MSX, ZX Spectrum, Amstrad CPC, BBC Micro, C64, MS-DOS, Apple II series Datasoft Inc
1989 Bruce Lee Lives MS-DOS The Software Toolworks
1993 Dragon: The Bruce Lee Story Sega Genesis, Game Gear, Atari Jaguar, Sega Master System, Super NES Acclaim Entertainment
2002 Bruce Lee: Quest of the Dragon Xbox Universal Interactive Inc.
2003 Bruce Lee: Return of the Legend Game Boy Advance Universal Interactive

See also

References

  1. ^ "Jun Fan Jeet Kune Do". Bruce Lee Foundation.
  2. ^ "Bruce Lee Lives Documentary".
  3. ^ "From Icon to Lifestyle, the Marketing of Bruce Lee". The New York Times. 11 December 2009. Retrieved 3 June 2011.
  4. ^ "Bruce Lee's 70th birth anniversary celebrated". The Hindu. India. 30 November 2010. Retrieved 3 June 2011.
  5. ^ a b Stein, Joel (14 June 1999). "Bruce Lee: With nothing but his hands, feet and a lot of attitude, he turned the little guy into a tough guy". The Time 100. New York. Retrieved 7 June 2010.
  6. ^ Lee 1989, p. 41
  7. ^ "Bruce Lee inspired Dev for martial arts". The Times of India. 1 July 2010. Retrieved 3 June 2011. {{cite news}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help) [dead link]
  8. ^ "How Bruce Lee changed the world-Series". The Hindu. India. 29 May 2011. Retrieved 3 June 2011.
  9. ^ Dennis 1974
  10. ^ Bruce Lee at Hong Kong Cinemagic. (look under the 'nationality' section)
  11. ^ a b "Biography". Bruce Lee Foundation. Retrieved 7 June 2010.
  12. ^ Description of the parent's racial makeup as described by Robert Lee at minute mark 3:35 in the cable television documentary, First Families: Bruce Lee, which premiered on Fox Family on October 26, 1999.
  13. ^ a b "Kom Tong Hall at 7 Castle Road, Mid-levels, Hong Kong" (PDF). People's Republic of China. Retrieved 12 September 2010.
  14. ^ "Bruce Lee: Biography". Bruce-lee.ws. Retrieved 22 January 2010.
  15. ^ 振藩; Mandarin Pinyin: Zhènfán)Lee 1989
  16. ^ Lee 1989, p. 20
  17. ^ a b c Bruce Lee: the immortal Dragon, 29 January 2002, A&E Television Networks
  18. ^ Lee, Grace (1980). Bruce Lee The Untold Story. United States: CFW Enterprise.
  19. ^ "Kom Tong Hall and the Dr Sun Yat-sen Museum". People's Republic of China. 10 January 2005. Retrieved 12 September 2010.
  20. ^ Thomas 1994, p. 14
  21. ^ a b Black Belt: Bruce Lee Collector's Edition Summer 1993
  22. ^ Black Belt: Bruce Lee Collector's Edition Summer 1993, p. 18
  23. ^ Thomas 1994, p. 26
  24. ^ Sharif 2009, p. 56
  25. ^ Black Belt: Bruce Lee Collector's Edition Summer 1993 p. 19
  26. ^ Campbell 2006, p. 172
  27. ^ Burrows, Alyssa (2002). "Bruce Lee". HistoryLink. Retrieved 30 May 2008.
  28. ^ "U. of Washington alumni records". Washington.edu. Retrieved 22 January 2010.
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  30. ^ Thomas 1994, p. 42
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  37. ^ Uyehara 1993, p. 27
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  39. ^ a b Bruce Lee: The Immortal Dragon, 29 January 2002, A&E Television Networks
  40. ^ a b c Dorgan 1980
  41. ^ Black Belt: Bruce Lee Collector's Edition, Summer 1993 Rainbow Publications Inc, p. 117
  42. ^ Bishop 2004, p. 23
  43. ^ Thomas 1994, p. 81
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  48. ^ From The Pierre Berton Show 9 December 1971 (comments at 7:10 of part 2)
  49. ^ Lee 1975a
  50. ^ Bleecker, Tom (1996). Unsettled Matters. The Life & Death of Bruce Lee. Gilderoy Publications
  51. ^ "From Grasshopper to Caine, http://www.youtube.com/watch?v=PlYdp1BVOlw
  52. ^ From The Pierre Berton Show 9 December 1971 (comments near end of part 2 & early in part 3)
  53. ^ Tale of the Dragon (Channel 4), directed by Jess Search
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  55. ^ Thomas, B. (1994) Bruce Lee Fighting Spirit. Berkeley: Frog Ltd.
  56. ^ a b Thomas, B. (2003) Bruce Lee Fighting Words. Berkeley: Frog Ltd.
  57. ^ Enter the Dragon at IMDb
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  60. ^ Bruce Lee, the Legend, 1977, Paragon Films, Ltd., 20th Century Fox Home Entertainment
  61. ^ Bruce Lee: A Warrior's Journey at IMDb
  62. ^ "Shaw Brothers Film Project". Retrieved 6 January 2011.
  63. ^ Bruce Lee The Man & The Legend (Documentary, Golden Harvest, 1973)
  64. ^ a b Little 1996, p. 122
  65. ^ Bruce Lee: A Warrior's Journey at 31m45s
  66. ^ Bolelli 2008, p. 161
  67. ^ Little 1996, p. 128
  68. ^ Little 1997b, p. 138
  69. ^ Little 1998, p. 14
  70. ^ Thomas 1994, p. 44
  71. ^ Lee 1975, p. 25
  72. ^ Little 1997a, p. 31
  73. ^ Little 1997a, p. 349
  74. ^ Little 2002, p. 190
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  76. ^ Lee, Bruce (1999). John Little (ed.). Bruce Lee Artist of Life. Tuttle. pp. 93–116. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help); Unknown parameter |coauthors= ignored (|author= suggested) (help)
  77. ^ Lee, Shannon. "Bruce Lee's Poetry: Shannon Lee reads one of her father's handwritten poems". Poetry. Retrieved 17 April 2012.
  78. ^ Lee, Bruce (1999). "Part 4 Poetry". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 92. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help); Unknown parameter |coauthors= ignored (|author= suggested) (help)
  79. ^ Lee, Bruce (1996). "Five: The Running Water". In John Little (ed.). The Warrior Within. Martial arts-Philosophy: McGraw-Hill. p. 43. ISBN 0-8092-3194-8. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  80. ^ Lee, Bruce (1999). "4-A". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 93. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  81. ^ Lee, Bruce (1999). "4-B". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 94. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  82. ^ Lee, Bruce (1999). "4-C". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 95. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  83. ^ Lee, Bruce (1999). "4-D". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 96. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  84. ^ Lee, Bruce (1999). "4-E". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 97. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  85. ^ Lee, Bruce (1999). "4-F". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 98. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  86. ^ Lee, Bruce (1999). "4-G". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 99. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  87. ^ Lee, Bruce (1999). "4-H". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 100. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  88. ^ Lee, Bruce (1999). "4-I". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 101. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  89. ^ Lee, Bruce (1999). "4-J". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 102. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  90. ^ Lee, Bruce (1999). "4-K". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 103. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  91. ^ Lee, Bruce (1999). "4-L". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 104. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  92. ^ Lee, Bruce (1999). "4-M". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 106. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  93. ^ Lee, Bruce (1999). "4-N". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 107. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  94. ^ Lee, Bruce (1999). "4-O". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 108. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  95. ^ Lee, Bruce (1999). "4-P". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 110. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  96. ^ Lee, Bruce (1999). "4-Q". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 111. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  97. ^ Lee, Bruce (1999). "4-R". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 112. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  98. ^ Lee, Bruce (1999). "4-S". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 113. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  99. ^ Lee, Bruce (1999). "4-T". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 114. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  100. ^ Lee, Bruce (1999). "4-U". In John Little (ed.). Bruce Lee Artist of Life. Martial Arts: Tuttle. p. 116. ISBN 978-0-8048-3263-2. {{cite book}}: |format= requires |url= (help); More than one of |author= and |last= specified (help)
  101. ^ Thomas 1994
  102. ^ Campbell 2006, p. 205
  103. ^ Lee 1989, pp. 156–157
  104. ^ Bruce Lee: The Immortal Dragon at IMDb
  105. ^ Campbell 2006, p. 206
  106. ^ "Bruce Lee died of seizure?". The Hindu. India. 26 February 2006. Retrieved 3 June 2011.
  107. ^ a b Thomas 1994, p. 228
  108. ^ Thomas 1994, p. 209
  109. ^ http://www.youtube.com/watch?v=u4ekAQfN8x8#t=4m13s
  110. ^ Lakeview Cemetery website. Search for Lee. Only use last name.
  111. ^ Bishop 2004, p. 157
  112. ^ Little 2001, p. 211
  113. ^ "V6 Okada Junichi now a martial arts instructor". Tokyo Hive. 10 September 2010. Retrieved 15 January 2012.
  114. ^ "Bruce Lee's home to become a museum". The Hollywood Reporter. 6 January 2009. Retrieved 28 August 2010. {{cite news}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help) [dead link]
  115. ^ "Bruce Lee 35th anniversary". The Hindu. India. 19 July 2008. Retrieved 3 June 2011.
  116. ^ Winners at the Asian Awards
  117. ^ Bruce Lee statue unveiled in L.A.'s Chinatown, Los Angeles Times, June 16, 2013
  118. ^ Bruce Lee's Jeet Kune Do, 1995 Legacy Productions, New Zealand.
  119. ^ Lee 1989, p. 83
Bibliography

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