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Hideo Kojima

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Hideo Kojima
Kojima at Japan Expo 2010 in Paris, France
Born (1963-08-24) August 24, 1963 (age 61)
Setagaya, Tokyo, Japan
NationalityJapanese
Other namesJoakim Mogren (anonymous pseudonym)
Occupation(s)Vice President of Konami Digital Entertainment,[1] director of Kojima Productions,[2] screenwriter, video game designer, game director, game producer
Years active1986–present
Notable workMetal Gear series
Snatcher
Policenauts
Zone of the Enders series
WebsiteHideo Kojima's Blog Template:Ja icon

Hideo Kojima (小島 秀夫, Kojima Hideo, born August 24, 1963) is a Japanese game director, writer, producer and designer originally employed at Konami. He is the director of Kojima Productions[2] and was promoted to Vice President of Konami Digital Entertainment in early 2011.[1] His previous positions include being vice president of Konami Computer Entertainment Japan.[3]

He is the creator, director and writer of a number of successful video games, including the Metal Gear series of stealth games and the adventure games Snatcher and Policenauts, and he also produced series such as Zone of the Enders, Boktai and Castlevania: Lords of Shadow. Kojima is consistently named by fans and industry experts alike as being one of the most influential and innovative video game directors and writers in the industry.[clarification needed]

Biography

Early life

Born in Tokyo, Japan in 1963[3] Kojima moved to western Japan at the age of three. Kojima has said that early on in his life he often had to deal with death,[4] with his father passing away when he was only 13.[5]

When he was little the Kojima family moved to a small city called Shirasaki.[4] Just as quickly, his family soon moved to Kawanishi, Hyōgo[6] in the Kansai region.[4] Kojima has noted that growing up he was a latchkey kid, often having to look after himself when he came home from school.[4] Staying at home by himself in isolation still affects him to this day stating, "[whenever] I travel and stay at a hotel I put the TV on as soon as I enter the room, just to deal with the feeling of loneliness."[4]

Initially wanting to be an artist or illustrator, he was often discouraged by societal norms of Japan which favored finding safe and well paying jobs. He was also discouraged because his uncle was also an artist but suffered from financial difficulties.[4]

He eventually started writing short stories and began to send them to Japanese magazines but was never able to get anything published. He cites that his stories were often 400 pages long while most magazines wanted their short stories to be around 100 pages.[4] Eventually he shifted his focus to making films with his friend who had an 8mm camera.[4]

Career

In an interview on G4's TV series Icons,[7][8] Kojima describes much of his earlier career and influences for game design. Kojima grew up early in life watching movies with his parents. While studying economics in university, Kojima found himself playing video games during his free time, mainly games on the Famicom. In his fourth year in university, Kojima surprised colleagues by announcing his intentions to join the video game industry, despite initially having ambitions of becoming a film director.[9] He felt a career in video games would be more satisfying.[10] The majority of his friends and colleagues strongly discouraged Kojima from pursuing video games due to it being a new medium that wasn't as respected or financially secure. His mother, however, remained supportive which gave Kojima the confidence to go ahead with his dream. He would later reflect positively upon his choice, stating, "The industry was full of dropouts, people who felt like games offered them another chance. I met many people in that same situation; we bonded together through that in some sense."[5] Kojima has cited Shigeru Miyamoto's Super Mario Bros. (1985)[6] and Yuji Horii's The Portopia Serial Murder Case (1983)[11] as the games that inspired him to make this decision.

1980s

Kojima tried joining the game business but was unable to do so at first. His game design ideas were rejected but he never gave up and eventually he was accepted. He joined video game publisher Konami's MSX home computer division in 1986 as a designer and 'planner'.[7] Initially, he was disappointed with his assignment, and desired to work on Nintendo Entertainment System and arcade games instead—Kojima felt the color palette of the system was too restrictive.[10] Kojima's gameplay ideas were often overlooked initially, and due to his lack of familiarity with programming was repeatedly snubbed for his failures in his initial years at Konami. At one point Kojima considered leaving the company, but he hung on.[7]

The first game he worked on was Penguin Adventure, the sequel to Antarctic Adventure,[4] as an assistant director. It significantly expanded upon the gameplay of Antarctic Adventure, adding more action game elements, a greater variety of levels, RPG elements such as upgrading equipment,[12] and multiple endings.[13] The first game he actually developed was Lost Warld, an MSX platform game in Template:Vgy. However, the game was ultimately rejected by Kojima's superiors at Konami.[7]

Kojima was asked to take over a project, Metal Gear, from a senior associate. Hardware limitations hindered development of the game's combat. Inspired by The Great Escape, Kojima altered the gameplay to focus on a prisoner escaping.[10] It was released in Template:Vgy for the MSX2 home computer in Japan and parts of Europe. The game revolves around a special forces operative codenamed Solid Snake, who is sent to the fortified state of "Outer Heaven" to stop a nuclear equipped walking tank known as "Metal Gear". Metal Gear is one of the earliest examples of the stealth action game genre, where avoiding encounters from the enemies is emphasized over direct combat. A port of Metal Gear was also released for the Nintendo Entertainment System. Kojima was not directly involved in the production of this version and he has openly criticized some of the changes made in this version.[14]

His next project was the graphic adventure game Snatcher, released for the NEC PC-8801 and MSX2 computer platforms in Japan in Template:Vgy. The game, influenced by science fiction works such as Blade Runner, The Terminator, and Bubblegum Crisis, is set in a post-apocalyptic world and centers around an amnesiac detective who faces a race of cyborgs (the titular Snatchers) that kill their victims, copy their likeness and assume their place in society.[15] While Kojima and his team wrote the entire story of the game, they were forced to leave out the final act of the game due to time constraints. The game was highly regarded at the time for pushing the boundaries of video game storytelling, cinematic cut scenes, and mature content,[16] and was praised for its graphics, soundtrack, high quality writing comparable to a novel, voice acting comparable to a film or radio drama, post-apocalyptic setting, light gun shooter segments, and in-game computer database with optional documents that flesh out the game world. The Sega CD version of Snatcher was for a long time the only major visual novel game to be released in America, however, partly due to a Teen rating limiting its accessibility,[15] it only sold a "couple of thousand units", according to Jeremy Blaustein, a member of Snatcher's localization team.[17]

1990s

In Template:Vgy Kojima was involved in the productions of two MSX2 games: a spinoff of Snatcher titled SD Snatcher; and a sequel to Metal Gear titled Metal Gear 2: Solid Snake, which further evolved the stealth game genre. The player had more abilities, such as crouching, crawling into hiding spots and air ducts, distracting guards by knocking on surfaces, and using a radar to plan ahead. The enemies had improved AI, including a 45-degree field of vision, the detection of various different noises, being able to move from screen to screen, and a three-phase security alarm. The game also had improved graphics and a complex storyline dealing with themes such as the nature of warfare and nuclear disarmament.[18][19]

SD Snatcher is a role-playing video game which adapts the storyline of the original Snatcher, while featuring its version of the originally planned ending. The characters are depicted in a "super deformed" art style, in contrast to the original game's realistic style. Like the original computer versions of Snatcher, it was only released in Japan. It abandoned random encounters and introduced an innovative first-person turn-based battle system where the player can aim at specific parts of the enemy's body using firearms with limited ammo. Such a battle system has rarely been used since,[15] though similar battle systems based on targeting individual body parts can later be found in Square's Vagrant Story (2000), Bethesda's Fallout 3 (2008), and Nippon Ichi's Last Rebellion (2010).[20]

Due to the success of the original Metal Gear on the NES, Konami decided to create a sequel to the game, Snake's Revenge, without the involvement of Hideo Kojima. During a ride home on the train, Kojima met one of the staff members who worked on the game who asked him if he would create a "true" Metal Gear sequel.[7] As a result Kojima began plans for his own sequel titled: Metal Gear 2: Solid Snake. The game was only released in Japan for the MSX2 as one of the last games Konami produced for the computer system. The game would not be released overseas in North American and Europe until its inclusion in Template:Vgy's Metal Gear Solid 3: Subsistence.

All of his subsequent projects after Metal Gear 2 were produced primarily for disc-based media, allowing for the inclusion of voice acting in his games. He remade Snatcher in Template:Vgy for the PC Engine Super CD-ROM2. An English localization of the game was produced for the Sega Mega-CD in North America and Europe in Template:Vgy. Kojima was not directly involved in the Sega CD version nor the subsequent PlayStation and Saturn ports released in Japan in Template:Vgy.

In Template:Vgy, Kojima released Policenauts, a film noir/sci-fi-themed adventure game set in a space colony, for the NEC PC-9821. Kojima oversaw the subsequent ports released for the 3DO in Template:Vgy; and the PlayStation and Saturn in Template:Vgy, which all featured animated cut-scenes not in the PC-98 release. Despite announcements for an English release in 1996,[21] problems with synching the English dialogue with the cut-scenes stopped its production.[22] An unofficial English translation patch was released to the public at midnight (JST) on August 24, 2009, to coincide with Hideo Kojima's 46th birthday.[23] From 1997 to 1999, he developed the Tokimeki Memorial Drama Series, a trilogy of visual novel adventure games.[24]

With the release of Metal Gear Solid (MGS) in Template:Vgy for the PlayStation, Kojima became an international celebrity among the video game media. Metal Gear Solid was the first in the Metal Gear series to use 3D graphics and voice acting, which gave a more cinematic experience to the game. MGS was highly regarded for its well-designed gameplay and for its characters and storyline, which featured themes of nuclear proliferation and genetic engineering.

2000s

In early 2001, Kojima released the first details of the sequel to Metal Gear Solid, Metal Gear Solid 2: Sons of Liberty, for the PlayStation 2. The game's highly detailed graphics, physics, and expanded gameplay quickly made it one of the most anticipated games yet.[25][26] The game was highly successful and critically acclaimed at release, due to its graphics, gameplay and storyline, which dealt with myriad philosophical themes as specific as memes, censorship, manipulation, patricide, the inherent flaws of democracy and as grandiose as the nature of reality itself. While Metal Gear Solid 2 appealed gamers with the discussion of these, the bewildering maze of dialogue and plot revelation in the final hours of the game, left a sour taste in the mouths of many gamers, who expected the Hollywood-style resolution of its forerunner.[27]

After the release of MGS2, Kojima produced the game and anime franchise Zone of the Enders in 2001 to moderate success. In 2003, he produced Boktai: The Sun Is in Your Hand for the Game Boy Advance. In this, players take the role of a young vampire hunter who uses a solar weapon which is charged by a photometric sensor on the game cartridge (forcing them to play in sunlight). Another team inside Konami (in a collaboration with Silicon Knights) began work on Metal Gear Solid: The Twin Snakes, a GameCube remake of the first Metal Gear Solid with all the gameplay features of Metal Gear Solid 2 and with cutscenes redirected by action/horror film director Ryuhei Kitamura. It was released in 2004.

Afterwards, Kojima also designed and released Metal Gear Solid 3: Snake Eater for the PlayStation 2. Unlike the previous games in the series, which took place in the near future and focused on indoor locations, the game is set in a Russian forest area during the year 1964, and involves wilderness survival and camouflaging. The North American version was released on November 17, 2004, with the Japanese counterpart following on December 16. The European version was released on March 4, 2005. Critical response to the game was highly favorable. Kojima has said that his mother even played it, "It took her an entire year to complete Metal Gear Solid 3. She would get her friends to help her. When she defeated The End [a character the player faces off against in one of the game's final missions] she called me up and said: 'It is finished'."[28]

At that time Kojima produced Boktai's sequel, Boktai 2: Solar Boy Django for the Game Boy Advance. Released in summer 2004, it makes more extensive use of the cartridge's sunlight sensor and allows players to combine various new solar weapons.

Also released was Metal Gear Acid for the PlayStation Portable handheld. This turn-based game is less action-oriented than the other Metal Gear games and focuses more on strategy. It was released in Japan on December 16, 2004. Its sequel Metal Gear Acid 2 was released on March 21, 2006.

Kojima wanted Solid Snake to appear in Nintendo's Super Smash Bros. Melee, but due to development cycle problems Nintendo was unable to add Snake in. When Super Smash Bros. Brawl was in development, series producer Masahiro Sakurai, contacted Kojima to work Snake into the game. Kojima also worked on Snake's stage for SSBB.[29]

Released in June 2008, Kojima co-directed Metal Gear Solid 4: Guns of the Patriots with Shuyo Murata. Initially, Kojima was not going to direct it, but death threats made the team nervous and he decided to work with them.[30]

Kojima received a lifetime achievement award at the MTV Game Awards 2008 in Germany. In his speech, he said in English, "I have to say, even though I received this award, let me state that I will not retire. I will continue to create games as long as I live."[31]

Before E3 2009, Kojima stated interest in working with a western developer.[32] This later turned out to be a collaboration between him and MercurySteam to work on Castlevania: Lords of Shadow.

Although he announced that Metal Gear Solid 4: Guns of the Patriots would be the last Metal Gear game he would be directly involved in,[33] he announced at E3 2009 that he would return to help on two Metal Gear games: Metal Gear Solid: Rising, as a producer and Metal Gear Solid: Peace Walker as writer, director and producer.[34] When interviewed at Gamescom 2009, Kojima stated that he got more involved with Peace Walker because, "there was a lot of confusion within the team and it didn't proceed as I wanted it to. Therefore I thought that I needed to jump in and do Peace Walker".[35]

2010s

Hideo Kojima was at E3 2010 to show off his team's latest project, Metal Gear Solid: Rising, but a report from CVG says the game developer has a "massive PS3 exclusive" to unveil at Tokyo Game Show however nothing to date has been mentioned.[citation needed] He was also seen in Nintendo's 3DS interview video, where he stated he was interested in making a Metal Gear Solid game for the 3DS and wondered what it would be like in 3D.[citation needed] This game ended up being a remake of Metal Gear Solid 3 titled Metal Gear Solid: Snake Eater 3D. In late 2011, Metal Gear Solid: Rising was renamed Metal Gear Rising: Revengeance with Platinum Games being involved in developing it alongside Kojima Productions. Nevertheless, Kojima is the game's executive producer and showed interest in working in the game's demo.[36] Kojima was satisfied with the final product and expressed the possibility of a sequel if Platinum were to develop it.[37]

On April 1, 2011, Hideo was promoted to Vice President of Konami Digital Entertainment.[citation needed]

He recently stated he is currently working on a new intellectual property with Suda-51, tentatively titled Project S, as well as preparing new projects. On July 8, 2011 Kojima announced that Project S was a radio-show sequel to Snatcher, titled Sdatcher as a reference to the show's producer Suda-51. The show would air on Fridays on Kojima's bi-weekly Internet radio show, starting with episode #300 which was broadcast in August 2011.[38]

In 2011, Kojima announced that he would be collaborating with Suda51 and 5pb. director Chiyomaru Shikura in producing a new adventure game visual novel.[39] It was initially speculated that the game would be the third entry in 5pb.'s Science Adventure series, but was later confirmed to be a separate title.[40] The game was planned to have an overseas release and an anime adaption,[41] but as of 2014 no new info has surfaced of the proposed project.

In an exclusive E3 video review, Hideo Kojima revealed his new innovative gaming technology labeled as "Transfarring", a portmanteau of the verbs transferring and sharing. This new technology enables gamers to transfer their gaming data from the PS3 to PSP in a quick data transferring process and bring it on the go from home into the outside world.[42]

At the Game Developers Conference 2013, Kojima unveiled Metal Gear Solid V: The Phantom Pain which is set to be his final Metal Gear work, noting that this time unlike previous announcements that he'd stop working on the series, was very serious about leaving.[43]

Works

Metal Gear series

Further information: Metal Gear
Year Game Credited as Systems
Director Producer Writer Game designer
1987 Metal Gear Yes Yes Yes Template:Vgy: MSX2, Template:Vgy: MP, Template:Vgy: PS2, Template:Vgy: i-revo, Template:Vgy: PS3, 360, PSVita
1990 Metal Gear 2: Solid Snake Yes Yes Template:Vgy: MSX2, Template:Vgy: MP, Template:Vgy: PS2, Template:Vgy: PS3, 360, PSVita
1998 Metal Gear Solid Yes Yes Yes Yes Template:Vgy: PS
1999 Metal Gear Solid: Integral Yes Yes Yes Yes Template:Vgy: PS, Template:Vgy: Microsoft Windows
2000 Metal Gear: Ghost Babel Yes Template:Vgy: GBC
2001 Metal Gear Solid 2: Sons of Liberty Yes Yes Yes Yes Template:Vgy: PS2, Template:Vgy: PS3, 360
2002 The Document of Metal Gear Solid 2 Yes Yes Template:Vgy: PS2
2002 Metal Gear Solid 2: Substance Yes Yes Yes Template:Vgy: Xbox, Template:Vgy: PS2, Microsoft Windows
2004 Metal Gear Solid: The Twin Snakes Yes Yes Template:Vgy: GCN
2004 Metal Gear Solid 3: Snake Eater Yes Yes Yes Yes Template:Vgy: PS2, Template:Vgy: PS3, 360
2004 Metal Gear Acid Yes Template:Vgy: PSP
2005 Metal Gear Acid 2 Yes Template:Vgy: PSP
2005 Metal Gear Solid 3: Subsistence Yes Yes Yes Yes Template:Vgy: PS2
2006 Metal Gear Solid: Digital Graphic Novel Yes Yes Template:Vgy: PSP
2006 Metal Gear Solid: Portable Ops Yes Template:Vgy: PSP
2007 Metal Gear Solid: Portable Ops Plus Yes Template:Vgy: PSP
2007 Metal Gear Solid 2: Bande Desinee Yes Yes Template:Vgy: DVD
2008 Metal Gear Solid Mobile Yes Template:Vgy: MP
2008 Metal Gear Acid Mobile Yes Template:Vgy: MP
2008 Metal Gear Solid 4: Guns of the Patriots / Metal Gear Online Yes Yes Yes Yes Template:Vgy: PS3
2008 Metal Gear Online: Gene Expansion Yes Template:Vgy: PS3
2008 Metal Gear Online: Meme Expansion Yes Template:Vgy: PS3
2009 Metal Gear Online: Scene Expansion Yes Template:Vgy: PS3
2009 Metal Gear Solid Touch Yes Template:Vgy: iOS
2010 Metal Gear Arcade Yes Template:Vgy: Arcade
2010 Metal Gear Solid: Peace Walker Yes Yes Yes Yes Template:Vgy: PSP, PSP Go, Template:Vgy: PS3, 360
2011 Metal Gear Solid HD Collection Yes Yes Yes Template:Vgy: PS3, 360, PSVita
2012 Metal Gear Solid: Snake Eater 3D Yes Yes Yes Template:Vgy: 3DS
2013 Metal Gear Rising: Revengeance Yes Template:Vgy: PS3, 360, Microsoft Windows
2014 Metal Gear Solid V: Ground Zeroes Yes Yes Yes Yes Template:Vgy: PS4, PS3, XboxOne, 360
TBA Metal Gear Solid V: The Phantom Pain Yes Yes Yes Yes TBA: PS4, PS3, XboxOne, 360

Snatcher/Policenauts games

  • Snatcher (1988: PC88, MSX2) – writer, director
  • SD Snatcher (1990: MSX2) – original writer
  • Snatcher CD-ROMantic (1992: PC-Engine) – writer, director
  • Policenauts (1994: PC98, 1995: 3DO, 1996: PlayStation, 1996: Saturn) – writer, director
  • Sdatcher (2011: radio drama) - planner, producer

Tokimeki Memorial series

Further information: Tokimeki Memorial (series)
  • Tokimeki Memorial Drama Series Vol. 1: Nijiiro no Seishun (1997: PlayStation, Sega Saturn) – planner, producer, drama director
  • Tokimeki Memorial Drama Series Vol. 2: Irodori no Love Song (1998: PlayStation, Sega Saturn) – planner, producer
  • Tokimeki Memorial Drama Series Vol. 3: Tabidachi no Uta (1999: PlayStation, Sega Saturn) – executive director

Zone of the Enders series

Further information: Zone of the Enders (series)
  • Zone of the Enders (2001: PlayStation 2) – producer
  • Zone of the Enders: The 2nd Runner (2003: PlayStation 2, 2003: Special edition for PlayStation 2) – producer
  • Zone of the Enders HD Collection (2012: PlayStation 3, Xbox 360, PlayStation Vita) - producer

Boktai series

Further information: Boktai (series)

Castlevania series

Further information: Castlevania (series)

Other games

  • Penguin Adventure (1986: MSX) – assistant director
  • Lost Warld (1986: MSX, canceled) – writer, director
  • D2 (1999: Dreamcast) - thanks
  • Stock Trading Trainer : Kabutore (2006: Nintendo DS) – producer
  • Kabushiki Baibai Trainer Kabutore! Next (2007: Nintendo DS) – producer
  • Super Smash Bros. Brawl (2008: Wii) – designer of Shadow Moses Island stage
  • Twelve Tender Killers (2008: mobile phones) – producer
  • Gaitame Baibai Trainer: Kabutore FX (2009: Nintendo DS)
  • Unannounced 5pb. game (TBA: TBA) - producer[44]

Acting roles

  • Policenauts (Template:Vgy) – AP Officer No. 2
  • Eurasia Express Satsujin Jiken (Template:Vgy) – Traveler
  • Metal Gear Solid: VR Missions (Template:Vgy) – Genola
  • Versus (2000) – cameo (extra)
  • Azumi (2003) – cameo (extra)
  • Internet Pilot Drama Idea Spy 2.5 Daisakusen (Template:Vgy) - Idea Spy 2.5
  • Castlevania: Lords of Shadow (Template:Vgy) - The Chupacabra (JP version). The voice acting for the EN version is credited to Jason Sampson.
  • Sdatcher (2011) - Little John
  • Metal Gear Solid V: Ground Zeroes - Himself
  • Metal Gear Solid: Peace Walker - Himself (Cameo appearance)

Silent Hill series

In the mid-2012 and years after that, Hideo Kojima after finishing the work on the Fox Engine, established some sort of connection to Silent Hill series. He has indicated that he wants to make a Silent Hill game, several time by then. In 18 August, 2012 he said that for the first time. Kojima was actually motivated to do that after watching the Silent Hill movie. He then, excited about making this game using 8th generation engine of his (Fox Engine) posted a tweet[45][46][47]:

Silent Hill movie that I borrowed from Murashu as the next sequel is coming out. It would be a scary game if we make Silent Hill game on FOX engine.

He also added then, what he has in mind for this game in a series of tweets after that:

Silent Hill is in closed room setting and doesn’t require full action so that we can focus on the graphic quality. Enemy doesn’t have to be a lot or move fast. It only requires scariness by graphics and presentation. As being a creator making action game in open world, such game is very enviously attractive. Wish someone could create this on FOX engine.

After a while, and as a result of Kojima’s interest in making a Silent Hill game, Konami, officially asked him to do so. Hideo Kojima then explained the story in an interview with Eurogamer[48]:

In the past I’ve mentioned Silent Hill in interviews, and as a result of that the president of Konami rung me up asaid he’d like me to make the next Silent Hill.

Honestly, I’m kind of a scaredy-cat when it comes to horror movies, so I’m not confident I can do it. At the same time, there’s a certain type of horror that only people who are scared of can create, so maybe it’s something I can do.

That said, I think Silent Hill has a certain atmosphere. I think it has to continue, and I’d love to help it continue, and if I can help by supervising or lending the technology of the Fox Engine, then I’d love to participate in that respect.

He also in an interview with Geoff Keighley, when a fan asked “which game do you want to make a reboot for?” said without hesitation[49][50]:

Silent Hill

Geoff Keighley jumped in and asked "What do you want to do with Silent Hill?” So Kojima answered:

A guy that is such a chicken and is so easily scared [Referring to Himself] – making a scary game – I’m very confident that something horrifying would come out from that. But on the other hand I would have to prepare myself to have nightmares every single day. Hopefully sometime in the future I’m able to work on this, but I would really need to prepare to have daily nightmares.


Influences and mentality

Kojima has cited Shigeru Miyamoto's platform game Super Mario Bros. (1985)[6] and Yuji Horii's adventure game The Portopia Serial Murder Case (1983)[11] as the games that inspired him to enter the video game industry. Portopia Serial Murder Case, a murder mystery adventure game, was an important influence because, according to Kojima, it had "mystery, a 3D dungeon, humor, and a proper background and explanation of why the murderer committed the crime. That is why there was drama in this game. My encountering this game expanded the potential of video games in my mind."[11] Portopia had an influence on his early works, including Metal Gear and particularly Snatcher.[51]

Kojima's love of film is noticeable in his games where he pays homage through his stories and characters, sometimes to the point of pastiche, as in Snatcher. He cited a contrast between films and games as while in his games he intends portrays violence like in a movie, in the game is up to the player to decide. He wants people to understand the effects of violence. As he considers the games too stressful, he also wants comic relief to contrast it.[52]

Snatcher is inspired by many science fiction movies, particularly from the eighties, including Blade Runner,[53] Akira,[54] The Thing, Invasion of the Body Snatchers[55] and The Terminator.[54] Examples of influence by films include Solid Snake's codename (named after Snake Plissken from Escape from New York),[14] Snake's alias in MGS2: Pliskin (in reference to the last name of Snake Plissken from the Escape movies), Snake's real name (Dave from 2001: A Space Odyssey),[56] and Snake's trademark bandana (The Deer Hunter[57]).

Movies would also have influence on other aspects of his games. Hal "Otacon" Emmerich (named after HAL from 2001: A Space Odyssey and film director Roland Emmerich),[56] Sniper Wolf shooting Meryl in Metal Gear Solid (Full Metal Jacket),[14] Psycho Mantis (inspired from the film The Fury)[14] and the whole Metal Gear stealth concept (The Great Escape[14] and The Guns of Navarone[58]). James Bond also had a large influence on the Metal Gear series,[59] with Metal Gear Solid 3 having a James Bond-like introduction sequence.

He also received inspiration from anime. His early works, particularly the cyberpunk adventure game Snatcher (which uses anime-style art), were influenced by cyberpunk anime, most notably Akira (mentioned above).[54] In a recent interview, he mentioned that his Zone of the Enders series was inspired by mecha/robot anime, such as Neon Genesis Evangelion. Mecha anime were also an inspiration for the Metal Gear series, which features mecha robots, such as Metal Gear REX and Metal Gear RAY; this is referenced in Metal Gear Solid, where Otacon mentions mecha anime as an influence on his Metal Gear REX designs.

In regards to storyline development and interaction with them, he said:

Storytelling is very difficult. But adding the flavour helps to relay the storytelling, meaning in a cut scene, with a set camera and effects, you can make the users feel sorrow, or make them happy or laugh. This is an easy approach, which we have been doing. That is one point, the second point is that if I make multiple storylines and allow the users to select which story, this might really sacrifice the deep emotion the user might feel; when there's a concrete storyline, and you kind of go along that rail, you feel the destiny of the story, which at the end, makes you feel more moved. But when you make it interactive — if you want multiple stories where you go one way or another — will that make the player more moved when he or she finishes the game? These two points are really the key which I am thinking about, and if this works, I think I could probably introduce a more interactive storytelling method.[60]

In terms of reverse influence on film, his work on the storylines of the Metal Gear series was cited as an influence by screenwriter David Hayter, the voice actor for Solid Snake, on his screenwriting for Hollywood films. He stated that "Kojima and I have different styles," "but I've certainly learned things from him, especially about ambiguity and telling a story without giving all the answers."[61]

In an interview Kojima gave to the Metal Gear Solid Official Mission Handbook in 1998, he listed these people as his all-time favorite filmmakers: Luc Besson, Jean Cocteau, Krzysztof Kieślowski, Tony Scott, David Lynch, Danny Boyle, James Cameron, John Carpenter, Jan Kounen, Dario Argento, George A. Romero, Ridley Scott, Sam Raimi, Peter Jackson, Quentin Tarantino, John Woo, Robert Rodriguez, Akira Kurosawa, Masayuki Suo, and Joji Iida.

Awards and accolades

Newsweek named Hideo Kojima as one of the top ten people of 2002.[62][63] In 2008, Next-Gen placed him seventh in their list of "Hot 100 Developers 2008."[64]

In 2009, IGN placed him sixth in their list of top game creators of all time.[65] At the 2008 MTV Game Awards, Hideo was given the award show's first Lifetime Achievement Award for a game designer and was also honored with a Lifetime Achievement Award at the 2009 Game Developers Conference.[66][67]

References

  1. ^ a b "Hideo Kojima becomes VP of Konami Digital Entertainment". 2011-03-30. Retrieved 2011-03-30.
  2. ^ a b "Announcement of Personnel Changes (March 17, 2009)". Konami. 2009-03-17. Retrieved 2009-08-11.
  3. ^ a b "IGN: Hideo Kojima Biography". Retrieved 2008-03-12.
  4. ^ a b c d e f g h i "Hideo Kojima Versus the Big Robots". EDGE Magazine (136): 69–74. 2004-04-22.
    An unofficial transcription is available on metalgearsolid.org [1]
  5. ^ a b Parkin, Simon. "Hideo Kojima: video game drop-out – interview part 1". The Guardian. Retrieved 31 January 2014.
  6. ^ a b c Hall, Kenji (2009-05-06). "Hideo Kojima: Gaming's Designer-in-Chief". Business Week. Retrieved 2009-08-07.
  7. ^ a b c d e "ICONS: Hideo Kojima — Metal Gear Solid". Retrieved 2008-03-13.
  8. ^ "G4TV Icons Hideo Kojima". Retrieved 2008-03-13.
  9. ^ Steven Kent (2003-05-18). "Hideo Kojima Interview". GameSpy. Retrieved 2008-03-12.
  10. ^ a b c Szczepaniak, John. "Before They Were Famous". Retro Gamer (35). Imagine Publishing: 74.
  11. ^ a b c Kasavin, Greg (2005-03-21). ""Everything is Possible": Inside the Minds of Gaming's Master Storytellers". GameSpot. p. 2. Retrieved 2007-08-15.
  12. ^ Penguin Adventure at MobyGames
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  53. ^ "Blade Runner's Influence on Videogames from". 1UP.com. Retrieved 2012-06-18.
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  57. ^ "「MGSシリーズに影響を与えた偉大なる15の映画作品」特集 - 2" (in Japanese). Retrieved 2009-08-07. それまでとは違った視点からベトナム戦争を描いたマイケル・チミノ監督の出世作。スネークのバンダナは「ランボー」から来ていると思われているが、実はこの映画のデ・ニーロから来ている Template:Ja icon
  58. ^ "「MGSシリーズに影響を与えた偉大なる15の映画作品」特集 - 1" (in Japanese). Retrieved 2009-08-07. メタルギアのゲームコンセプトである「潜入ミッション」というイメージの元になったアリステア・マクリーン原作による戦争冒険映画の名作。まさに孤立無援で敵要塞に潜入、不可能を可能にする男達の物語。 Template:Ja icon
  59. ^ "「MGSシリーズに影響を与えた偉大なる15の映画作品」特集 - 3" (in Japanese). Retrieved 2009-08-07. メタルギア誕生に最も影響を受けたのは、諜報アクション映画である007シリーズ。ショーン・コネリー演じる初代ボンドの作品の中で最も娯楽性に富んでいるのがこの作品。のちのボンド映画の手本となった。 Template:Ja icon
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