Jump to content

New jack swing

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by 138.162.0.41 (talk) at 06:18, 14 November 2019. The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

New jack swing
Stylistic origins
Cultural originsMid-1980s, United States
Typical instruments
Other topics

New jack swing or swingbeat[1] is a fusion genre spearheaded by Teddy Riley and Bernard Belle that was popular from the mid-1980s into the early 1990s. The style originated from Janet Jackson's third studio album, Control from 1986.[2] Its influence, along with hip hop, seeped into pop culture and was the definitive sound of the inventive New York club scene. It fuses the rhythms, samples, and production techniques of hip hop and dance-pop with the urban contemporary sound of R&B. The new jack swing style developed as many previous music styles did, by combining elements of older styles with newer sensibilities. It used R&B style vocals sung over hip hop and dance-pop style influenced instrumentation. The sound of new jack swing comes from the hip hop "swing" beats created by drum machine, and hardware samplers, which were popular during the Golden Age of Hip Hop, with contemporary R&B style singing.

Merriam-Webster's online dictionary defines new jack swing as "pop music usually performed by black musicians that combines elements of jazz, funk, rap, and rhythm and blues".[3] New jack swing did take up the trend of using sampled beats and tunes, and also created beats using the then-new SP-1200 sampler and the Roland TR-808 drum machine to lay an "insistent beat under light melody lines and clearly enunciated vocals."[1] The Roland TR-808 was sampled to create distinctive, syncopated, swung rhythms, with its snare sound being especially prominent.[4] Two examples would be "Groove Me" by Guy which samples "Funky President (People It's Bad)", "My Thang" and "The Champ" as well as its own swing drums and "Right or Wrong" by Mind which fuses sharp drum reverb effects and a hidden looped sample of the Funky Drummer. The key producers were Timmy Gatling,and Teddy Riley.[1]

History

A collaboration between former members of Minneapolis music group The Time, Jimmy Jam and Terry Lewis, and Janet Jackson originated the style that came to be known as new jack swing with Jackson's third studio album, Control (1986). Jam and Lewis used similar influences with hip-hop influenced drums with smoother R&B stylings in the production. Though Jackson had previously been popular in R&B music, Control established her crossover appeal in the popular music market. Musicologist Richard J. Ripani PhD, author of The New Blue Music: Changes in Rhythm & Blues, 1950–1999 (2006), observed that the album was one of the first successful records to influence the rise of new jack swing by creating a fusion of R&B, rap, funk, disco and synthesized percussion.[5] The new jack swing sound is particularly evident in the second single, "Nasty".[6] The success of Control, according to Ripani, bridged the gap between R&B and rap music.[5] He asserts that "since Jackson's album was released in 1986 and was hugely successful, it is not unreasonable to assume that it had at least some impact on the new jack swing creations of Teddy Riley."[5] Mantronix's early records in the mid-1980s also had new jack elements.[7]

The term "new jack swing" was coined in an October 18, 1987, Village Voice profile of Teddy Riley by Barry Michael Cooper.[8] "New Jack" was a slang term (meaning ~'Johnny-come-lately'[9]) used in a song by Grandmaster Caz of the Cold Crush Brothers, and "swing" was intended by Cooper to draw an "analogy between the music played at the speakeasies of F. Scott Fitzgerald's time to the crackhouses of Teddy Riley's time."[10]Teddy Riley's original name for the music was 'sophisticated bubblegum music.'

The term "new jack swing" describes the sound produced and engineered by R&B/hip hop artist and producer Teddy Riley. Riley is an American R&B and hip hop singer-songwriter, musician and record producer. He led the band Guy in the late 1980s and Blackstreet in the 1990s. Riley said, "I define the term [new jack swing] as a new kid on the block who's swinging it."[11] The defining feature of Riley's music was the introduction of swingbeats, "a rhythmic pattern using offbeat accented 16th note triplets." In an interview with Revolt TV in 2017, Andre Harrell called Riley the inventor of the sound, hailing him "the king of New Jack Swing, because he invented it."[12]

Music website VH1.com notes that while in the 2000s "hip-hop and R&B are kissing cousins," in the early 1980s, "the two genres were seldom mentioned in the same breath." However, in the late 1980s, "during the era of high-top fades, and parachute pants, producer Teddy Riley and label boss Andre Harrell successfully fused and marketed the two sounds in a sexy, exclamatory music that critics termed new jack swing. It sparked a revolution." Riley stated that before new jack swing, "Rappers and singers didn't want anything to do with one another," because "Singers were soft, rappers were street." Riley's new style blended "sweet melody and big beats."[13] The sensibilities of Riley's fusion of the styles would forever change pop music/hip-hop music pairing and was further popularized with Bad Boy's dominance of the late '90s through much of the same techniques. Riley, a 19-year-old kid from Harlem, quickly became an A-list producer and commanded big fees to add his sound to major artist projects. The aesthetic of the culture also spread to mainstream white audiences through popular groups such as New Kids on the Block.

Influences

Michael Jackson holds the record for the best-selling new jack swing album with his 1991 release, Dangerous.

The 1989 film Ghostbusters II helped spread new jack swing with its theme song, "On Our Own" by Bobby Brown (who was nicknamed "The King of New Jack Swing"). NBC sitcom The Fresh Prince of Bel Air also boosted the spread of this culture, as the star of the show, Will Smith, was known initially for his hip-hop duo with DJ Jazzy Jeff. During the first episode of the series, Will Smith dances to the Soul II Soul new jack swing single "Back to Life (However Do You Want Me)". A Different World and In Living Color are other television programs of the era which exhibit influences from the new jack swing style. Video Soul, Soul Train, Showtime at the Apollo as well as the late night talk show The Arsenio Hall Show also helped to promote these acts.

House Party with Kid 'n Play, Boyz n the Hood, Juice, New Jack City, Boomerang, Above the Rim, Poetic Justice, Blankman and Bebe's Kids used New Jack Swing songs in their soundtracks. Dance-oriented pop artists such as Michael Jackson, Donna Summer, Sheena Easton, Debbie Gibson, Laura Branigan, Jane Child, Joey Lawrence, Paula Abdul, Kylie Minogue and Bell Biv DeVoe also have new jack swing elements in their late 1980s and early 1990s output.

To date the most successful new jack swing album is Dangerous, released in 1991 by Michael Jackson, produced by Jackson and Riley, which has sold over 30 million copies worldwide.[14][15][16]

Notable songs

"You Called and Told Me"
Produced by Dave Hall, the gold-certified single by Jeff Redd was featured on the soundtrack album to the 1991 film Strictly Business.[17]
Problems playing this file? See media help.

Many songs with elements of new jack swing and similar R&B styles ranked in the top 10 of the US R&B Billboard charts or the top ten of the US "top 100" charts throughout the late 1980s and early 1990s.

In 1988, Keith Sweat's song "I Want Her" was number 5 in the US charts and number 1 in the R&B charts[18]. The musician and record producer Teddy Riley's group Guy, a group which was one of the early pioneers of hip-hop and R&B had a hit with the song "Groove Me", which went to number 4 in the US R&B charts, and the 1988 song "Teddy's Jam", which ranked number 5 in the US R&B charts. Single "My Fantasy" was from OST "Do The Right Thing". "New Jack City" was on the soundtrack for the film New Jack City[19]. Johnny Kemp's "Just Got Paid" also cracked the top 10 on the Billboard Hot 100 in 1988 and went to number 1 on the Hot Dance Music/Club Play. The musician and Al B. Sure! had success with "Nite and Day", "Off on Your Own", and "Rescue Me", all three records went to the Top 5 of the R&B chart in 1988.

Northern California's Club Nouveau had a Billboard number one single with their Go-go cover of Bill Withers's song "Lean on Me" in 1987. The song won a Grammy award later that year. The song was included on the group's debut album Life, Love & Pain, which was released in 1986. The backing track uses a sequenced swing beat, characteristic of the "New Jack Swing" style. Club Nouveau was a later incarnation of the San Francisco Bay Area group Timex Social Club who helped to lay the foundation for new jack swing.

In 1988, Bobby Brown began his string of Top 10 Billboard hits from his second album, Don't Be Cruel, which ranked number 1 in the US top 100 and number 1 in the US R&B charts. In that same year, former NBA cheerleader Paula Abdul had US number 1 hits "Straight Up". Tony! Toni! Toné! had three songs in the top ten of the Hot R&B/Hip-Hop Singles & Tracks, including "Little Walter" which made it to number 1. New Edition after being in a transition due to the departure of Bobby Brown recruited Johnny Gill as his placement, leading to the release of the Jimmy Jam and Terry Lewis produced album Heart Break, which spun off five hit singles "If It Isn't Love", "You're Not My Kind of Girl", "Can You Stand the Rain", "Crucial", and "N.E. Heartbreak".

In 1989, Wreckx-n-Effect, a Teddy Riley-produced group which garnered press attention regarding their use of bikini-clad women in their videos, released "New Jack Swing", helping to popularize the new name for the emerging style. That same year, Fenderella garnered a hit with "Mr. DJ", a song with featured Doug E. Fresh, who was known as the "human beatbox" for his realistic imitations of drum machines and other hip-hop sounds. Also, Janet Jackson released her fourth studio album, Janet Jackson's Rhythm Nation 1814. The album included a number of very successful new jack swing tracks, such as the number one Billboard Hot 100 hits "Miss You Much" and "Love Will Never Do (Without You)" as well as "Alright" and 'Rhythm Nation", both of which made the top five of the Billboard Hot 100 in the United States. From 1988 to 1991, Big Daddy Kane's "I Get The Job Done" and Kool Moe Dee's "I Go To Work", Heavy D. & the Boyz, Teddy Riley and Tammy Lucus, Deja, Abstrac, Nayobe, The Good Girls, Starpoint, Father MC, The Winans, Omar Chandler, James Ingram, Jane Child, Boy George had new jack swing songs. And famous producer Babyface had a hit with his song "It's No Crime", which ranked number 7 in the US charts and number 1 on the US R&B charts. Another Teddy Riley-produced group, Today, had a hit with "Girl I Got My Eyes on You", which garnered a number 1 spot on the US R&B charts.

After the band New Edition broke up, its former members formed several splinter groups or acts, including Bell Biv DeVoe, Johnny Gill, Ralph Tresvant, and Bobby Brown. In 1990, several ex-New Edition members had hit songs. Bell Biv DeVoe's songs "Poison" and "Do Me!", as well as Johnny Gill's single "Rub You the Right Way", all made it to number 3 in the US top 100. Ralph Tresvant had a number 4 hit (US top 100 charts) and number 1 hit (US R&B) with his song "Sensitivity", with another on the House Party 2 soundtrack "Yo Baby Yo". Also in 1990 pop singer Whitney Houston recorded "I'm Your Baby Tonight", produced by Babyface and his new jack swing producing partner Antonio "L.A." Reid (later become record executive). The single topped the US Hot 100, giving Babyface his first produced number 1 song while further helping to bring the genre to the mainstream.[20]

That same year, Samuelle, a former member of the disco-infused dance-urban group Club Nouveau had a number 1 R&B hit with "So You Like What You See". Troop also had a number 1 hit with a single from their second album, Attitude, entitled "Spread My Wings". "Feels Good" by the Oakland, California group Tony! Toni! Toné! reached number 1 on the R&B charts in 1990, and it also placed on the US top 100 (number 9) and on the dance charts (number 3). Today charted again in 1990 with "Why You Gettin' Funky on Me?", which reached number 2 on the R&B charts. "Let's Chill" by Guy garnered a number 3 spot on the US R&B charts.

Singer Madonna helped popularizing new jack swing with her album Erotica.[21]

"Feels Like Another One" is a 1991 single co-written and recorded by singer Patti LaBelle off her album, Burnin. The new jack swing-styled track was the leading track for LaBelle's eleventh solo album and featured a rap from rapper Big Daddy Kane. The track became successful on the R&B chart as it ended up peaking at number three on the Hot R&B Singles chart. The video for the song was shot at the Apollo Theater and also featured Kane, who appeared at LaBelle's show wearing a tux. The song would help LaBelle's album go gold. Color Me Badd had a number 1 hit with "I Wanna Sex You Up". That same year, Christopher Williams released a single "I'm Dreamin'" from the New Jack City soundtrack, which became a number 1 single on Billboard′s Hot R&B/Hip-Hop chart. Boyz II Men's debut single "Motownphilly" was a number 1 R&B and top 5 U.S. pop hit. "I Like the Way (The Kissing Game)" by Hi-Five garnered the US number 1 and R&B number 1 spots. Jodeci's debut album Forever My Lady garnered three number 1 R&B Hits in the fall of 1991 ("Forever My Lady", "Stay", and "Come and Talk To Me"). "Exclusivity" by Damian Dame charted as number-one R&B single, spending two weeks at the top position, a position also achieved by The Rude Boys with their song "Are You Lonely For Me".

In 1992, Michael Jackson's single "Remember the Time" placed at number 3 on the Billboard Hot 100, number 2 on the Hot Dance Music/Club, and number 1 in the Hot R&B/Hip-Hop category. Joe Public's single "Live and Learn" hit number 4 on the U.S. Billboard Hot 100, number 3 on Billboard′s Hot R&B/Hip-Hop chart and becoming the group's most successful single. In 1993 Teddy Riley's new group Black Street got new jack swing hit "Baby Be Mine". Chuckii Booker scored a number 1 R&B hit with his song "Games". That same year, "She's Got That Vibe" by R. Kelly and Public Announcement reached the number 7 position on the R&B charts. "Weak" by SWV (Sisters With Voices) hit the number one spot on both the US top 100 and the R&B charts. In 1993: "Don't Walk Away" by Jade made it to number 4 and number 3 in the US top 100 and R&B charts, respectively. The New Jack R&B group II D Extreme scored a hit in 1993 with their New Jack ballad "Cry No More". TLC's debut album, Ooooooohhh... On the TLC Tip (1992) had several hits, including "What About Your Friends", "Ain't 2 Proud 2 Beg" and "Baby-Baby-Baby". In 1995, Montell Jordan had a number one new jack swing hit, in "This is How We Do It", which after its release saw the popularity decline of the genre.

Young artists were given the spotlight during this era. They included Tracie Spencer with her hit album Make the Difference (1990) and groups like The Boys with The Boys (Motown, 1990), Redhead Kingpin and the F.B.I., whose Teddy Riley-produced debut album A Shade of Red contained the hit single "Pump It Hottie", which reached number 2 on the US Hot Rap Singles Chart in 1990,[22] and Another Bad Creation with Coolin' at the Playground Ya Know! in (1991).


  1. ^ a b c Silverton, Peter."New Jack Swing". Encyclopædia Britannica. Archived from the original on September 11, 2015. Retrieved July 26, 2016.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
  2. ^ BRIAN JOSEPHS. "The 25 Best New Jack Swing Songs". Complex. Retrieved April 11, 2014.
  3. ^ "Definition of JACK SWING". www.m-w.com.
  4. ^ Mellonee V. Burnim, Portia K. Maultsby, African American Music: An Introduction, page 368, Routledge
  5. ^ a b c Ripani, Richard J. (2006). The New Blue Music: Changes in Rhythm & Blues, 1950–1999. University Press of Mississippi. pp. 130–153. ISBN 1-57806-862-2.
  6. ^ Ripani, Richard J. (2006), The New Blue Music: Changes in Rhythm & Blues, 1950–1999, Univ. Press of Mississippi, pp. 130–132, ISBN 1-57806-862-2
  7. ^ Willey, Omar. "Do You Like...Mantronix?". cheebadesign.com. Archived from the original on December 12, 2006. Retrieved March 30, 2007.
  8. ^ Cooper, Barry Michael (October 18, 1987). "Teddy Riley's New Jack Swing: Harlem Gangsters Raise a Genius". The Village Voice.
  9. ^ See the usage in an article about DMC: "But the bottom line is Darryl McDaniel IS DMC. He’s not some new jack who’s trying to make himself into something he isn’t." Old School Feature – Run DMC Concert Review March 2001; 18 March 2001. Also, in lyrics for "Stix & Stonz" by De La Soul, featuring Grandmaster Caz and Tito.
  10. ^ [1] Archived March 24, 2009, at the Wayback Machine
  11. ^ Holden, Stephen (February 6, 1991). "Quite a Guy". The New York Times.
  12. ^ Bristout, Ralph. "Groove Me: The story of New Jack Swing". Revolt TV. Retrieved October 23, 2017.
  13. ^ "VH1 Original TV Shows, Reality TV Shows - VH1". VH1.
  14. ^ "Michael Jackson sulla sedia a rotelle". AffarItaliani.it. July 11, 2008. Retrieved May 10, 2009.
  15. ^ Carter, Kelley L. (August 11, 2008). "New jack swing". Chicago Tribune. Retrieved August 21, 2008.[permanent dead link]
  16. ^ "Michael Jackson's Life & Legacy: The Eccentric King Of Pop (1986–1999)". MTV. July 6, 2010. Retrieved January 21, 2011.
  17. ^ "Jeff Redd" (PDF) (Press release). New York City: Sol Real Bookings Ent... 2011. Retrieved December 10, 2011.
  18. ^ "Keith Sweat - The Official Website". Keith Sweat - The Official Website.
  19. ^ "New Jack City". BAM.org.
  20. ^ VH1: A History of Soul
  21. ^ Eve Watling (July 20, 2018). "HOW MADONNA DEFINED POP CULTURE". Newsweek. Retrieved May 18, 2019.
  22. ^ Redhead Kingpin and the F.B.I. Billboard Chart History
Retrieved from "https://en.wikipedia.org/w/index.php?title=New_jack_swing&oldid=926097266"