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Pink is a pale red color that is named after a flower of the same name. It was first used as a color name in the late 17th century. According to surveys in Europe and the United States, pink is the color most often associated with charm, politeness, sensitivity, tenderness, sweetness, childhood, femininity and the romantic. It is associated with chastity and innocence when combined with white, but associated with eroticism and seduction when combined with purple or black.
- 1 In nature and culture
- 2 Etymology and definitions
- 3 History, art and fashion
- 4 Science and nature
- 5 Pink in symbolism and culture
- 5.1 Common associations and popularity
- 5.2 Pink in other languages
- 5.3 Idioms and expressions
- 5.4 Architecture
- 5.5 Food and beverages
- 5.6 Gender
- 5.7 Toys
- 5.8 Sexuality
- 5.9 Politics
- 5.10 Social movements
- 5.11 Academic dress
- 5.12 Heraldry
- 5.13 Calendars
- 5.14 The press
- 5.15 Law
- 5.16 Literature
- 5.17 Religion
- 5.18 Sports
- 6 See also
- 7 References
- 8 External links
In nature and culture
In most European languages, pink is called rose or rosa, after the rose flower.
Rhodochrosite is one of the many kinds of pink gemstones.
Etymology and definitions
The color pink is named after the flowers, pinks, flowering plants in the genus Dianthus, and derives from the frilled edge of the flowers. The verb "to pink" dates from the 14th century and means "to decorate with a perforated or punched pattern" (possibly from German pinken, "to peck").
While the word "pink" was first used as a noun to refer to a color in the 17th century, the verb "pink" continues to be reflected today as the name of hand-held scissors that cut a zig-zagged line to prevent fraying that are referred to as pinking shears.
History, art and fashion
The color pink has been described in literature since ancient times. In the Odyssey, written in approximately 800 BCE, Homer wrote "Then, when the child of morning, rosy-fingered dawn appeared..." Roman poets also described the color. Roseus is the Latin word meaning "rosy" or "pink." Lucretius used the word to describe the dawn in his epic poem On the Nature of Things (De rerum natura).
Pink was not a common color in the fashion of the Middle Ages; nobles usually preferred brighter reds, such as crimson. However, it did appear in women's fashion, and in religious art. In the 13th and 14th century, in works by Cimabue and Duccio, the Christ child was sometimes portrayed dressed in pink, the color associated with the body of Christ.
In the high Renaissance painting the Madonna of the Pinks by Raphael, the Christ child is presenting a pink flower to the Virgin Mary. The pink was a symbol of marriage, showing a spiritual marriage between the mother and child.
During the Renaissance, pink was mainly used for the flesh color of faces and hands. The pigment commonly used for this was called light cinabrese; it was a mixture of the red earth pigment called sinopia, or Venetian red, and a white pigment called Bianco San Genovese, or lime white. In his famous 15th century manual on painting, Il Libro Dell'Arte, Cennino Cennini described it this way: "This pigment is made from the loveliest and lightest sinopia that is found and is mixed and mulled with St. John’s white, as it is called in Florence; and this white is made from thoroughly white and thoroughly purified lime. And when these two pigments have been thoroughly mulled together (that is, two parts cinabrese and the third white), make little loaves of them like half walnuts and leave them to dry. When you need some, take however much of it seems appropriate. And this pigment does you great credit if you use it for painting faces, hands and nudes on walls..."
In the early Renaissance, the infant Jesus was sometimes shown dressed in pink, the color associated with the body of Christ. This is The Virgin and Child Enthroned with Two Angels, by Cimabue. (1265–1280)
In the 1280s, Duccio also painted the Christ child dressed in pink
The zenith of the color pink was the 18th century, when pastel colors became very fashionable in all the courts of Europe. Pink was particularly championed by Madame de Pompadour (1721–1764), the mistress of King Louis XV of France, who wore combinations of pale blue and pink, and had a particular tint of pink made for her by the Sevres porcelain factory, created by adding nuances of blue, black and yellow.
While pink was quite evidently the color of seduction in the portraits made by George Romney of Emma, Lady Hamilton, the future mistress of Admiral Horatio Nelson, in the late 18th century, it had the completely opposite meaning in the portrait of Sarah Barrett Moulton painted by Thomas Lawrence in 1794. In this painting, it symbolized childhood, innocence and tenderness. Sarah Moulton was just eleven years old when the picture was painted, and died the following year.
The portrait of Sarah Moulton, popularly known as "Pinkie", by Sir Thomas Lawrence (1794). Here pink represented youth, innocence and tenderness.
In 19th century England, pink ribbons or decorations were often worn by young boys; boys were simply considered small men, and while men in England wore red uniforms, boys wore pink. In fact the clothing for children in the 19th century was almost always white, since, before the invention of chemical dyes, clothing of any color would quickly fade when washed in boiling water. Queen Victoria was painted in 1850 with her seventh child and third son, Prince Arthur, who wore white and pink. In late nineteenth-century France, Impressionist painters working in a pastel color palette sometimes depicted women wearing the color pink, such as Edgar Degas’ image of ballet dancers or Mary Cassatt’s images of women and children.
Queen Victoria in 1850 or 1851 with her third son and seventh child, Prince Arthur. In the 19th century, baby boys often wore white and pink. Pink was seen as a masculine color, while girls often wore white and blue.
20th century - present
In the 20th century, pinks became bolder, brighter, and more assertive, in part because of the invention of chemical dyes which did not fade. The pioneer in the creation of the new wave of pinks was the Italian designer Elsa Schiaparelli, (1890-1973) who was aligned with the artists of the surrealist movement, including Jean Cocteau. In 1931 she created a new variety of the color, called shocking pink, made by mixing magenta with a small amount of white. She launched a perfume called Shocking, sold in a bottle in the shape of a woman's torso, said to be modelled on that of Mae West. Her fashions, co-designed with artists such as Cocteau, featured the new pinks.
In Nazi Germany in the 1930s and 1940s, inmates of Nazi concentration camps who were accused of homosexuality were forced to wear a pink triangle. Because of this, the pink triangle has become a symbol of the modern gay rights movement.
The transition to pink as a sexually differentiating color for girls occurred gradually, through the selective process of the marketplace, in the 1930s and 40s. In the 1920s, some groups had been describing pink as a masculine color, an equivalent of the red that was considered to be for men, but lighter for boys. But stores nonetheless found that people were increasingly choosing to buy pink for girls, and blue for boys, until this became an accepted norm in the 1940s.
The US presidential inauguration of Dwight D. Eisenhower in 1953 when Eisenhower's wife Mamie Eisenhower wore a pink dress as her inaugural gown is thought to have been a key turning point to the association of pink as a color associated with girls. Mamie's strong liking of pink led to the public association with pink being a color that "ladylike women wear." The 1957 American musical Funny Face also played a role in cementing the color's association with women.
Author of Pink Think, Lynn Peril, has dubbed the 1960s Hollywood moviestar Jayne Mansfield “The Patron Saint of Pink Think.” Mansfield, who owned everything in the color, including a pink Jaguar and a home on Sunset Boulevard named “Pink Palace,” used pink as “a visual shorthand for her ideas of femininity and female sexuality."
Contemporary artists, museums, and publications frequently include the color pink in their work and exhibitions. The Turkish artist Tomur Atagök references Ingres’ La Grande Odalisque in her Hommage to Ingres I and II (1985), as well as ancient Egyptian art in Artemis of Ephesus (1997). Other female artists who use pink include Sylvie Fleury, whose installations such as First Spaceship on Venus (1996) offer critiques of pink in consumer culture, and Louise Bourgeois, whose Nature Study series uses pink to suggest flesh tones in sculptural forms. Pink Project: Table is an installation piece by Portia Munson that has been showcased at the New Museum, New York, as a part of the Bad Girls Exhibition in 1994, and at the Frieze in 2016. The installation consists of a four meter long table covered in Munson’s collection of pink consumer items, most from the late-20th century. Munson started her collection in the 1980s out of pure appreciation of the color while also trying to keep in mind consumerism, the gender roles played by colors such as pink and blue, and the human need to collect and discard.
The 1972 Womanhouse art installation run by Judy Chicago and Miriam Schapiro with the Feminist Art Program at the California Institute of the Arts included a kitchen painted completely in a “store-bought pink.” The room was designed by Robin Weltsch and Susan Frazier with Vicki Hodgett’s Eggs to Breasts motifs attached to its walls. According to Schapiro, the room intended to evoke ideas of maternity and domesticity by using pink as a “consciousness-raising motif.” The next year, in 1973, Sheila Levrant de Bretteville created "Pink," a broadside (poster) meant to explore the notions of gender as associated with the color pink, for an American Institute of Graphic Arts exhibition about color. This was the only entry about the color pink. Various women including many in the Feminist Studio Workshop at the Woman's Building submitted entries exploring their association with the color. De Bretteville arranged the squares of paper to form a "quilt" from which posters were printed and disseminated throughout Los Angeles. She was often called "Pinky" as a result.
In 2005, the international exhibition Rosa – The Exposed Color: Pink opened at the Tokyo National University of Fine Arts and Music. From October, 2013 – March, 2014, the Museum of Fine Arts, Boston, held an exhibition entitled Think Pink to coincide with Breast Cancer Awareness Month that October. The exhibit included clothing, graphic illustrations, and paintings that shed light on the social importance of the color since the eighteenth-century.
Pink: The Exposed Color in Contemporary Art and Culture is a book published in 2006 by Barbara Nemitz in collaboration with Hideto Fuse, Karl Schawelka, and Thomas von Taschitzki. Most of the images used in the book were collected by Nemitz over more than 20 years, starting in the late eighties, after she realized the effect that pink had on viewers of her own work. The images chosen showcase the different ways that pink has been used in advertising, fashion, artwork, and everyday life. The book is broken up into sections, each with the writings of a different collaborator who speaks on pink in relation to their life and research. Karl Schawelka writes on pink in relation to biology, sexuality, and its cultural relevance around the world. Hideto Fuse sheds light onto pink’s role in Japanese art and culture. Thomas von Taschitzki also gives an overview of the use of pink in contemporary art, followed by a large collection of images of works by contemporary artists such as: Willem de Kooning, Louise Bourgeois, Takashi Murakami, and Paul Gauguin.
Christo and Jeanne-Claude's Surrounded Islands wrapped wooded islands in Miami's Biscayne Bay with 6,500,000 sq ft (600,000 m2) of bright pink fabric. Thomas von Taschitzki has said that "the monochrome pink wrappings"..."form a counterpoint to the small green wooded islands."
Shocking pink, a mix of magenta with a little white, was the signature color of Italian fashion designer Elsa Schiaparelli.
Science and nature
Red is the only color whose lighter shades have a different name, pink, than the color itself. In optics, the word "pink" can refer to any of the pale shades of colors between bluish red to red in hue, of medium to high lightness, and of low to moderate saturation. Although pink is generally considered a tint of red, the hues of most shades of pink are slightly bluish, and lie between red and magenta. A few variations of pink, such as salmon color, lean toward orange.
Why sunrises and sunsets sometimes look pink
As a ray of white sunlight travels through the atmosphere, some of the colors are scattered out of the beam by air molecules and airborne particles. This is called Rayleigh scattering. Colors with a shorter wavelength, such as blue and green, scatter more strongly, and are removed from the light that finally reaches the eye. At sunrise and sunset, when the path of the sunlight through the atmosphere to the eye is longest, the blue and green components are removed almost completely, leaving the longer wavelength orange, red and pink light. The remaining pinkish sunlight can also be scattered by cloud droplets and other relatively large particles, which give the sky above the horizon a pink or reddish glow.
Sunrise in southeast Alaska. Sunsets and sunrises are sometimes pink because of an optical effect called Rayleigh scattering.
Sunset in Santa Monica, California.
The Lophochroa leadbeateri, commonly known as Major Mitchell's Cockatoo or the pink cockatoo, is a native of the arid interior regions of Australia.
Why cooked beef, cured ham, steamed shrimp and salmon are pink
Raw beef is red, because the muscles of vertebrate animals, such as cows and pigs, contain a protein called myoglobin, which binds oxygen and iron atoms. When beef is cooked, the myoglobin proteins undergo oxidation, and gradually turn from red to pink to brown; that is, from rare to medium to well-done. Pork contains less myoglobin than beef and therefore is less red; when heated, it changes from pinkish-red to less pink to tan or white.
Ham, though it contains myoglobins like beef, undergoes a different transformation. Traditional hams, such as prosciutto, are made by taking the hind leg or thigh of a pig, covering it with sea salt, which removes the moisture content, and then letting it dry or cure for as long as two years. The salt (sodium nitrate) permits the ham to retain its original pink color, even when dried out. Supermarket hams are made by a different and faster process; they are brined, or infused with a salt-water solution, containing sodium nitrite, which transfers nitric oxide, which bonds with the myoglobin to form the traditional pink cured ham color.
The shells and flesh of crustaceans such as crabs, lobsters and shrimp contain a pink carotenoid pigment called astaxanthin. Their shells, naturally blue-green, turn pink or red when cooked. The flesh of the salmon also contains astaxanthins, which makes it pink. Farm-bred salmon are sometimes fed these pigments to improve their pinkness, and it is sometimes also used to enhance the color of egg yolks.
Prosciutto hams also get their pink color from salt combined with the natural protein called myoglobin.
Plants and flowers
Pink is one of the most common colors of flowers; it serves to attract the insects and birds necessary for pollination and perhaps also to deter predators. The color comes from natural pigments called anthocyanins, which also provide the pink in raspberries.
A pink rose in the rain.
A clematis Chantilly.
A pink hibiscus from Australia.
A pink dahlia
A pink peony.
A flower of a magnolia tree
A pink rhododendron
Spiraea japonica flowers.
A Japanese cherry tree (Prunus serrulata) in bloom.
Pink hyacinth flowers
Pigments - Pinke
In the 17th century, the word pink or pinke was also used to describe a yellowish pigment, which was mixed with blue colors to yield greenish colors. Thomas Jenner's A Book of Drawing, Limning, Washing (1652) categorizes "Pink & blew bice" amongst the greens (p. 38), and specifies several admixtures of greenish colors made with pink—e.g. "Grasse-green is made of Pink and Bice, it is shadowed with Indigo and Pink … French-green of Pink and Indico [shadowed with] Indico" (pp. 38–40). In William Salmon's Polygraphice (1673), "Pink yellow" is mentioned amongst the chief yellow pigments (p. 96), and the reader is instructed to mix it with either Saffron or Ceruse for "sad" or "light" shades thereof, respectively.
- Pink noise ( sample (help·info)), also known as 1/f noise, in audio engineering is a signal or process with a frequency spectrum such that the power spectral density is proportional to the reciprocal of the frequency.
- Grow lights often use a combination of red and blue wavelengths, which generally appear pink to the human eye.
- Pink neon signs are generally produced using one of two different methods. One method is to use neon gas and a blue or purple phosphor, which generally produces a warmer (more reddish) or more intense shade of pink. Another method is to use an argon/mercury blend and a red phosphor, which generally produces a cooler (more purplish) or softer shade of pink.
- Pink LEDs can be produced using two methods, either with a blue LED using two phosphors (yellow for the first phosphor, and red, orange, or pink for the second), or by placing a pink dye on top of a white LED. Color shifting was a common issue with early pink LEDs, where the red, orange, or pink phosphors or dyes faded over time, causing the pink color to eventually shift towards white or blue. These issues have been mitigated by the more recent introduction of more fade-resistant phosphors.
- Insulation manufactured by Owens Corning is dyed pink, with the Pink Panther as its corporate mascot. The company holds a trademark on the color pink for insulation products in order to prevent competitors from using it, and is the first company in the United States to trademark a color.
- The United States Manual on Uniform Traffic Control Devices specifies fluorescent pink as an optional color for traffic signs used for incident management as an alternative to the traditional orange in order to distinguish them from construction zone signs.
Pink in symbolism and culture
Common associations and popularity
According to public opinion surveys in Europe and the United States, pink is the color most associated with charm, politeness, sensitivity, tenderness, sweetness, softness, childhood, the feminine, and the romantic. Although it did not have any strong negative associations in these surveys, few respondents chose pink as their favorite color. Pink was the favorite color of only two-percent of respondents, compared with forty-five-percent who chose blue. Pink was the least-favorite color of seventeen percent of respondents; the only color more disliked was brown, with twenty percent. There was a notable difference between men and women; three percent of women chose pink as their favorite color, compared with less than one percent of men. Many of the men surveyed were unable to even identify pink correctly, confusing it with mauve. Pink was also more popular with older people than younger; twenty-five percent of women under twenty-five called pink their least favorite color, compared with only eight percent of women over fifty. Twenty-nine percent of men under the age of twenty-five said pink was their least favorite color, compared with eight percent of men over fifty.
In Japan, pink is the color most commonly associated with springtime due to the blooming cherry blossoms. This is different from surveys in the United States and Europe where green is the color most associated with springtime.
Pink in other languages
In many languages, the word for the color pink is based on the name of the rose flower; like rose in French; roze in Dutch; rosa in German, Latin, Portuguese, Catalan, Spanish, Italian, Swedish and Norwegian (Nynorsk and Bokmål); rozoviy in Russian; różowy in Polish; and گلابی gulabi in Urdu (and in English 'rose', too, often refers to both the flower and the color).
In Danish, Faroese and Finnish, the color pink is described as a lighter shade of red: lyserød in Danish, ljósareyður in Faroese and vaaleanpunainen in Finnish, all meaning "light red". In Icelandic, the color is called bleikur, originally meaning "pale".
In the Japanese language, the traditional word for pink, momo-iro (ももいろ), takes its name from the peach blossom. There is a separate word for the color of the cherry blossom: sakura-iro. In recent times a word based on the English version, pinku (ピンク), has begun to be used.
In Chinese, the color pink is named with a compound noun 粉紅色, meaning "powder red" where the powder refers to substances used for women's make-up.
Idioms and expressions
- In the pink. To be in top form, in good health, in good condition. In Romeo and Juliet, Mercutio says; "I am the very pink of courtesy." Romeo: Pink for flower? Mercutio: Right. Romeo: Then my pump is well flowered."
- To see pink elephants means to hallucinate from alcoholism. The expression was used by American novelist Jack London in his book John Barleycorn in 1913.
- Pink slip. To be given a pink slip means to be fired or dismissed from a job. It was first recorded in 1915 in the United States.
- The phrase "pink-collar worker" refers to persons working in jobs conventionally regarded as "women's work."
- Pink money, the pink pound or pink dollar is an economic term which refers to the spending power of the LGBT community. Advertising agencies sometimes call the gay market the pink economy.
- Tickled pink means extremely pleased.
Early pink buildings were usually built of brick or sandstone, which takes its pale red color from hematite, or iron ore. In the 18th century - the golden age of pink and other pastel colors - pink mansions and churches were built all across Europe. More modern pink buildings usually use the color pink to appear exotic or to attract attention.
The City Center in Kannur, India.
Food and beverages
According to surveys in Europe and the United States, pink is the color most associated with sweet foods and beverages. Pink is also one of the few colors to be strongly associated with a particular aroma, that of roses. Many strawberry and raspberry-flavored foods are colored pink and light red as well, sometimes to distinguish them from cherry-flavored foods that are more commonly colored dark red (although raspberry-flavored foods, particularly in the United States, are often colored blue as well). The drink Tab was packaged in pink cans, presumably to subconsciously convey a sweet taste.
The pink color in most packaged and processed foods, ice creams, candies and pastries is made with artificial food coloring. The most common pink food coloring is erythrosine, also known as Red No. 3, an organoiodine compound, a derivative of fluorone, which is a cherry-pink synthetic. It is usually listed on package labels as E-127. Another common red or pink (particularly in the United States where erythrosine is less frequently used) is Allura Red AC (E-129), also known as Red No. 40. Some products use a natural red or pink food coloring, Cochineal, also called carmine, made with crushed insects of the family Dactylopius coccus.
A strawberry ice cream cone. Strawberry is the fourth most popular ice cream flavor in the U.S., after vanilla, chocolate, and butter pecan.
Cotton candy was first made for the French Royal Court in the 18th century, but did not become popular until the beginning of the 20th century, when an American dentist invented a machine for spinning it quickly and cheaply.
Bunga kuda (also known as bunga pundak) is a traditional dessert in Malaysia, containing a coconut filling.
Chi chi dango is a sweet dessert made of rice flour. It is of Japanese origin, and very popular in Hawaii.
Pink champagne takes its color either by being fermented for a short time with the skins of dark purple grapes, or by the addition of a small amount of red wine.
In Europe and the United States, pink is often associated with girls, while blue is associated with boys. These colors were first used as gender signifiers just prior to World War I (for either girls or boys), and pink was first established as a female gender signifier in the 1940s. In the 20th century, the practice in Europe varied from country to country, with some assigning colors based on the baby's complexion, and others assigning pink sometimes to boys and sometimes to girls.
The generally accepted rule is pink for the boys, and blue for the girls. The reason is that pink, being a more decided and stronger color, is more suitable for the boy, while blue, which is more delicate and dainty, is prettier for the girl.
One reason for the increased use of pink for girls and blue for boys was the invention of new chemical dyes, which meant that children's clothing could be mass-produced and washed in hot water without fading. Prior to this time, most small children of both sexes wore white, which could be frequently washed. Another factor was the popularity of blue and white sailor suits for young boys, a fashion that started in the late 19th century. Blue was also the usual color of school uniforms, for boys and girls. Blue was associated with seriousness and study, while pink was associated with childhood and softness.
One study by two neuroscientists in Current Biology examined color preferences across cultures and found significant differences between male and female responses. Both groups favored blues over other hues, but women had more favorable responses to the reddish-purple range of the spectrum and men had more favorable responses to the greenish-yellow middle of the spectrum. Despite the fact that the study used adults, and both groups preferred blues, and responses to the color pink were never even tested, the popular press represented the research as an indication of an innate preference by girls for pink. The misreading has been often repeated in market research, reinforcing American culture's association of pink with girls on the basis of imagined innate characteristics.
As of 2008 various feminist groups and the Breast Cancer Awareness Month use the color pink to convey empowerment of women. Breast cancer charities around the world have used the color to symbolize support for people with breast cancer and promote awareness of the disease. A key tactic of these charities is encouraging women and men to wear pink to show their support for breast cancer awareness and research.
Pink has symbolized a "welcome embrace" in India and masculinity in Japan.
Indian actress Mugdha Godse. In many cultures, pink is associated with femininity.
Toys aimed at girls often display pink prominently on packaging and the toy themselves. This is a relatively recent trend, with toys from the 1920s to the 1960s not being gendered by color (though they were gendered by a focus on domesticity and nurturing). The current color-based gendering of toys can be traced back to the deregulation of children's television programs. This allowed toy companies to produce shows that were designed specifically to sell their products, and gender was an important differentiator of these shows and the toys they were advertising. Sociologist Elizabeth Sweet argues that toy companies began emphasizing their use of color-coded marketing and segregation of toys in the 1980s:
I think it happened really gradually, it wasn’t until the late 2000s, the 2010s, that people really started to notice. Now it’s undeniable.
She said that it encourages a culture where gender stereotypes define a way of life for children. Gender categorization of toys by color was not driven by market trends, but instead by decisions made by leaders of toy companies. Gendering by color allowed companies to better define target markets and gender stereotypes attracted young children who were forming their sense of self identity.
Stores utilize gender-based compartmentalization as a means to help customers find what they’re looking for, but campaigner and parent Jess Day of the nonprofit Let Toys Be Toys stated, “it’s driven by a massive assumption about what a child might want,” as opposed to experimentation and urging children to play with whatever appeals to them. Additionally, studies have clearly shown the negative aspects of gender-stereotyping. One study documents that more than 100 toys, all heavily gender-coded toys, were less likely to promote cognitive development than gender-neutral toys. In a way, children may be influenced to shun particular career choices or merely interests that don’t align with their own, based on the gendering of the toys they play with. This is considered to be a primary danger of exposing children to prejudices at such a young age, according to experts.
In its 1957 catalog, Lionel Trains offered for sale a pink model freight train for girls. The steam locomotive and coal car were pink and the freight cars of the freight train were various pastel colors. The caboose was baby blue. It was a marketing failure because any girl who might want a model train would want a realistically colored train, while boys in the 1950s did not want to be seen playing with a pink train. However, today it is a valuable collector's item. In 2011, The Lego Group launched Lego Friends, a line of products aimed specifically at the girls' toy market. The line made heavy use of colors in pink hues, including Bright Pink, Dark Pink, and Magenta. The line was incredibly successful, doubling sales expectations in 2012, the year after it launched. Sales to girls tripled in just that year.
As noted above, pink combined with black or violet is commonly associated with eroticism and seduction.
- In street slang, the pink sometimes refers to the vagina.
- In Russian, pink (розовый, rozovyj) is used to refer to lesbians, and light blue (голубой, goluboj) refers to gay men.
- In Japan, a genre of low budget, erotic cinema is referred to as Pink films (ピンク映画 Pinku Eiga).
- Pink, being a 'watered-down' red, is sometimes used in a derogatory way to describe a person with mild communist or socialist beliefs (see Pinko).
- The term little pink (小粉红) is used to describe the young nationalists on the internet in China.
- The term pink revolution is sometimes used to refer to the overthrow of President Askar Akayev and his government in the Central Asian republic of Kyrgyzstan after the parliamentary elections of February 27 and of March 13, 2005, although it is more commonly called the Tulip Revolution.
- The Swedish feminist party Feminist Initiative uses pink as their color.
- Code Pink is an American women's anti-globalization and anti-war group founded in 2002 by activist Medea Benjamin. The group has disrupted Congressional hearings and heckled President Obama at his public speeches.
- It was a common practice to color British Empire pink on maps.
Pink is often used as a symbolic color by groups involved in issues important to women, and lesbian, gay, bisexual and transgender people.
- A Dutch newsgroup about homosexuality is called nl.roze (roze being the Dutch word for pink), while in Britain, Pink News is a gay newspaper and online news service. There is a magazine called Pink for the lesbian, gay, bisexual and transgender (LGBT) community which has different editions for various metropolitan areas. In France Pink TV is an LGBT cable channel.
- In Ireland, Support group for Irish Pink Adoptions defines a pink family as a relatively neutral umbrella term for the single gay men, single lesbians, or same-gender couples who intend to adopt, are in the process of adopting, or have adopted. It also covers adults born/raised in such families. The group welcome the input of other people touched by adoption, especially people who were adopted as children and are now adults.[non-primary source needed]
- Pinkstinks, a campaign founded in London in May 2008 to raise awareness of what they claim is the damage caused by gender stereotyping of children.
- The Pink Pistols is a gay gun rights organization.
- The pink ribbon is the international symbol of breast cancer awareness. Pink was chosen partially because it is so strongly associated with femininity.
- In the French academic dress system, the five traditional fields of study (Arts, Science, Medicine, Law and Divinity) are each symbolized by a distinctive color, which appears in the academic dress of the people who graduated in this field. Redcurrant, an extremely red shade of pink, is the distinctive color for Medicine (and other health-related fields) fr:Groseille (couleur).
The word pink is not used for any tincture (color) in heraldry, but there are two fairly uncommon tinctures which are both close to pink:
- The heraldic color of rose is a modern innovation, mostly used in Canadian heraldry, depicting a reddish pink color like the shade usually called rose.
- In French heraldry, the color carnation is sometimes used, corresponding to the skin color of a light skinned Caucasian human. This can also be seen as a pink shade but is usually depicted slightly more brownish beige than the rose tincture.
- In Thailand, pink is associated with Tuesday on the Thai solar calendar. Anyone may wear pink on Tuesdays, and anyone born on a Tuesday may adopt pink as their color.
Pink is used for the newsprint paper of several important newspapers devoted to business and sports, and the color is also connected with the press aimed at the gay community.
Since 1893 the London Financial Times newspaper has used a distinctive salmon pink color for its newsprint, originally because pink dyed paper was less expensive than bleached white paper. Today the color is used to distinguish the newspaper from competitors on a press kiosk or news stand. In some countries, the salmon press identifies economic newspapers or economics sections in "white" newspapers. Some sports newspapers, such as La Gazzetta dello Sport in Italy, also use pink paper to stand out from other newspapers. It awards a pink jersey to the winner of Italy's most important bicycle race, the Giro d'Italia. (See #Sports).
The PinkNews is a newspaper for the Gay community in Britain.
- In England and Wales, a brief delivered to a barrister by a solicitor is usually tied with pink ribbon. Pink was traditionally the color associated with the defense, while white ribbons may have been used for the prosecution.
- In Spanish and Italian, a "pink novel" (novela rosa in Spanish, romanzo rosa in Italian) is a sentimental novel marketed to women.
- In Nathaniel Hawthorne's Young Goodman Brown, Faith is wearing a pink ribbon in her hair which represents her innocence.
- Carl Surely's short story "Dinsdale's Pink" is a coming of age tale of a young man growing up in Berlin in the 1930s, dealing with issues of gender, sexuality and politics.
- In Louisa May Alcott’s Little Women, Amy March, uses blue and pink ribbons to tell the difference between newborn twins.
- In the Yogic Hindu, Shaktic Hindu and Tantric Buddhist traditions rose is one of the colors of the fourth primary energy center, the heart chakra Anahata. The other color is green.
- In Catholicism, pink (called rose by the Catholic Church) symbolizes joy and happiness. It is used for the Third Sunday of Advent and the Fourth Sunday of Lent (see Laetare Sunday) to mark the halfway point in these seasons of penance. For this reason, one of the candles in an Advent wreath may be pink, rather than purple.
- Pink is the color most associated with Indian spiritual leader Meher Baba, who often wore pink coats to please his closest female follower, Mehera Irani, and today pink remains an important color, symbolizing love, to Baba's followers.
- Palermo, a soccer team based in Palermo, Italy, traditionally wears pink home jerseys.
- In Major League Baseball, pink bats are used by baseball players on Mother's Day as part of a week-long program to benefit Susan G. Komen for the Cure.
- Pink can mean the scarlet coat worn in fox hunting (a.k.a. "riding to hounds"). One legend about the origin of this meaning refers to a tailor named Pink (or Pinke, or Pinque).
- The leader in the Giro d'Italia cycle race wears a pink jersey (maglia rosa); this reflects the distinctive pink-colored newsprint of the sponsoring Italian La Gazzetta dello Sport newspaper.
- The University of Iowa's Kinnick Stadium visitors' locker room is painted pink. The decor has sparked controversy, perceived by some people as suggesting sexism and homophobia.
- WWE Hall of Famer Bret Hart, as well as other members of the Hart wrestling family, is known for his pink and black wrestling attire.
- The Western Hockey League team Calgary Hitmen originally wore pink as a tribute to the aforementioned Bret Hart, who was a part team owner at the time.
- Snooker uses a pink coloured object ball that is worth 6pts when legally potted.
- Baker-Miller pink
- Fuchsia (color)
- Lists of colors
- Rosé, a wine whose color is neither red nor white
- Shades of pink
- Heller, Eva (2009). Psychologie de la couleur – Effets et symboliques. Pyramyd (French translation). ISBN 978-2-35017-156-2.
- Broecke, Lara (2015). Cennino Cennini's Il Libro dell'Arte: a New English Translation and Commentary with Italian Transcription. Archetype. ISBN 978-1-909492-28-8.
- Boston Museum of Fine Arts, Think Pink, 2014. Exhibition Link
- Susan Stamberg/NPR, "Girls Are Taught To 'Think Pink,' But That Wasn't Always So, 2014. Story link.
Notes and citations
- "W3C TR CSS3 Color Module, HTML4 color keywords". W3.org. Retrieved 2010-09-11.
- Shorter Oxford English Dictionary, 5th Edition, Oxford University Press.
- Webster New World Dictionary, Third College Edition: "Any of a genus (Dianthus) of annual and perennial plants of the pink family with white, pink or red flowers.; its pale red color."
- "pink, n.⁵ and adj.²", Oxford English Dictionary Online
- Heller, Eva: Psychologie de la couleur – effets et symboliques, pp. 179-184
- Cornett, Peggy (January 1998). "Pinks, Gilliflowers, & Carnations -- The Exalted Flowers | Thomas Jefferson's Monticello". www.monticello.org. Retrieved 2018-03-12.
- Collins Dictionary
- Bucknell, Alice (2017-11-06). "A Brief History of the Color Pink". Artsy. Retrieved 2018-03-12.
- The Odyssey, Book XII, translated by Samuel Butler.
- "CTCWeb Glossary: R (ratis to ruta)". Ablemedia.com. Retrieved 2010-09-11.
- http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa/wa/work?workNumber=NG6596 The Madonna of the Pinks on the official National Gallery website
- Lara Broecke, Cennino Cennini's Il Libro dell'Arte: a New English Translation and Commentary with Italian Transcription, Archetype 2015, p. 62.
- Eva Heller, Psychologie de la couleur, effets et symboliques, pp. 182-83
- Eva Heller, Psychologie de la couleur - effets et symboliques, p. 184.
- The Pink Triangle: The Nazi War Against Homosexuals (1986) by Richard Plant (New Republic Books). ISBN 0-8050-0600-1.
- McCormick, Joseph Patrick. "Nick Clegg calls for gay victims of the Nazis to be remembered in national Holocaust memorial". Pink Triangle. Retrieved 19 September 2015.
- Smithsonian Magazine
When Did Girls Start Wearing Pink?
In 1927, Time magazine printed a chart showing sex-appropriate colors for girls and boys according to leading U.S. stores. In Boston, Filene’s told parents to dress boys in pink. So did Best & Co. in New York City, Halle’s in Cleveland and Marshall Field in Chicago.
Today’s color dictate wasn’t established until the 1940s, as a result of Americans’ preferences as interpreted by manufacturers and retailers. “It could have gone the other way”
- Stamberg, Susan (April 1, 2014). "Girls Are Taught To 'Think Pink,' But That Wasn't Always So". npr.org. NPR. Archived from the original on 2014-04-15. Retrieved 2014-09-26.
a 1918 trade catalog for children's clothing recommended blue for girls. The reasoning at the time was that it's a 'much more delicate and dainty tone,' Finamore says. Pink was recommended for boys 'because it's a stronger and more passionate color, and because it's actually derived from red.'
- Jennifer Wright (14 April 2015). "How did pink become a girly color?". Vox. Retrieved 9 August 2015.
- Peril, Lynn (2002). Pink Think: Becoming a Woman in Many Uneasy Lessons. New York; London: W. W. Norton & Company. pp. 16–18.
- Atagök, Tomur. "Gender Issues, 1981-". Retrieved April 7, 2018.
- Nemitz, Barbara (2006). Pink: The Exposed Color in Contemporary Art and Culture. Ostfildern; New York: Hatje Cantz ; D.A.P. pp. 71–72.
- "The story behind that pink table at Frieze". Phaidon.
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- "Exhibition - Think Pink". Museum of Fine Arts, Boston. Retrieved April 7, 2018.
- Nemitz, Barbara (2006). Pink: The Exposed Color in Contemporary Art. Ostfildern; New York: Hatje Cantz; D.A.P.
- Goodman, Walter (1987-10-16). "Film: Christo, in 'Islands'". The New York Times. Retrieved 2007-10-05.
- Nemitz, Barbara; Fuse, Hideto (2006). Pink The Exposed Color in Contemporary Art and Culture. New York: Ostfildern:Hatje Cantz. p. 68.
- "Merriam Webster definition of the color "pink"". merriam-webster.com. Retrieved 2017-02-11.
- "Pink, a Tint of Red". Landscape-guide.com. Retrieved 2010-09-11.
- "For example, pink is a tint of red". Enchantedlearning.com. Retrieved 2010-09-11.
- Colors by Hue at MSDN
- "Creating Styles in Fireworks". Adobe.com. 2009-07-14. Archived from the original on July 26, 2008. Retrieved 2010-09-11.
- Dana Lee Ling. "x11 Colors in Hue Saturation Luminosity order". Comfsm.fm. Retrieved 2010-09-11.
- "Color Names". ImageMagick. 2010-01-02. Retrieved 2010-09-11.
- K. Saha (2008). The Earth's Atmosphere - Its Physics and Dynamics. Springer. p. 107. ISBN 978-3-540-78426-5.
- B. Guenther (ed.) (2005). Encyclopedia of Modern Optics. Vol. 1. Elsevier. p. 186.
-  New Scientist, "Colorful pigs evolved through farming, not nature".
- Jenner, Thomas (1652). A Book of Drawing, Limning, Washing. London: M. Simmons. p. 38.
- "Indoor Vertical Farm 'Pinkhouses' Grow Plants Faster With Less Energy". Inhabitat. Retrieved November 16, 2015.
- "Color Branding & Trademark Rights". Color Matters. Retrieved August 3, 2016.
- "MUTCD 2009 Edition Chapter 6F. Temporary Traffic Control Zone Devices". Federal Highway Administration. Retrieved August 3, 2016.
- Eva Heller, Psychologie de la couleur - effets et symboliques, p. 179-185
- Eva Heller, Psychologie de la couleur - effets et symboliques, p. 179.
- Eva Heller, Psychologie de la couleur - effets et symboliques, p. 179
- "Spring is Pink". SRI Threads. April 4, 2011. Retrieved January 7, 2016.
- "Season Colour – I Think Spring is Green". Calvin-C.com. Archived from the original on March 6, 2016. Retrieved February 17, 2016.
- Romeo and Juliet, Act 2, Scene 4
- "Opportunities in the Pink Economy of the United Kingdom" (PDF). Archived from the original (PDF) on March 27, 2009. Retrieved 2010-09-11.
- Eva Heller, Psychologie de la couleur – effets et symboliques
- Phyllis A. Lyday "Iodine and Iodine Compounds" in Ullmann's Encyclopedia of Industrial Chemistry, 2005, Wiley-VCH, Weinheim
- Reported by Food Channel Editor site, July 30, 2008. Source: the International Ice Cream Association, 888 16th Street, Washington DC.
- Jo B. Paoletti, Pink and Blue: Telling the Girls From the Boys in America (Indiana University Press, 2012), 87
- Smithsonian, When Did Girls Start Wearing Pink?, April 2011
- "Is pink for girls or boys?". BBC Radio. 19 December 2009. Retrieved 1 October 2012.
- Smithsonian.com: Jeanne Maglaty, "When Did Girls Start Wearing Pink?," April 8, 2011, accessed June 4, 2011
- Merkin, Daphne. "Gender Trouble", The New York Times Style Magazine, March 12, 2006. Retrieved 10 December 2007.
- Orenstein, Peggy. "What's Wrong With Cinderella?", The New York Times Magazine, December 24, 2006, retrieved December 10, 2007. Orenstein writes: "When colors were first introduced to the nursery in the early part of the 20th century, pink was considered the more masculine hue, a pastel version of red. Blue, with its intimations of the Virgin Mary, constancy and faithfulness, was thought to be dainty. Why or when that switched is not clear, but as late as the 1930s a significant percentage of adults in one national survey held to that split."
- Jude Stewart (2008). "Pink is for Boys: cultural history of the color pink". Step Inside Design Magazine. Archived from the original on 2008-02-28.
- Kimmell, Michael. Manhood in America: A Cultural History, 1996, The Free Press. p.158
- Eva Heller, Psychologie de la couleur; effets et symboliques.
- Paoletti, 92
- Ben Goldacre (2007-08-25). "Bad Science". Out of the Blue and into the Pink. London.
- Zucker, Kenneth J. & Bradley, Susan J. (1995). Gender Identity Disorder and Psychosexual Problems in Children and Adolescents. Guilford Press. p. 203. ISBN 0-89862-266-2.
- Paoletti, 97-8
- "Pink: The Color." "Part 2: Girl Culture A to Z" - In: Mitchell, Claudia and Jacqueline Reid-Walsh (editors). Girl Culture: Studying girl culture : a readers' guide or Girl Culture: An Encyclopedia Volume 1. ABC-CLIO (Greenwood Publishing Group), 2008. ISBN 0313339090, 9780313339097. p. 473. "It is important to note its significance to femininity as a Western phenomenon, because the color is a sign of masculinity in Japan and signifies a welcome embrace in India.[...]of pink with femininity has been strategically used in gendered terms to convey strength and pride: pink is the color of Breast Cancer Awareness Month, and many feminist groups have adopted the color pink as a sign of empowerment." - See Google Books search result
- "Real Men Wear Pink | NBCF". Real Men Wear Pink 2016 – The National Breast Cancer Foundation. Retrieved 2016-03-21.
- Sweet, Elizabeth. "Toys Are More Divided by Gender Now Than They Were 50 Years Ago". The Atlantic. Retrieved 2018-04-07.
- "How Did Toys Get Stereotyped by Sex?". Retrieved 2018-04-07.
- Sweet, Elizabeth (2012-12-21). "Opinion | Gender-Based Toy Marketing Returns". The New York Times. ISSN 0362-4331. Retrieved 2018-04-07.
- "Pink And Blue: The Colours Of Gender Stereotyping". HuffPost India. 2016-02-12. Retrieved 2018-04-07.
- "Lionel's 1957 pink train for girls:". Lionel-train-set.com. Retrieved 2012-12-07.
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- "The East is pink". The Economist.
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- Katy Guest (18 December 2011). "Girls will be girls: The battle for our children's hearts and minds this Christmas". The Independent. London. Retrieved 13 April 2013.
- Susanna Rustin (21 April 2012). "Why girls aren't pretty in pink". The Guardian. London. Retrieved 13 April 2013.
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- Cited by Stephen Fidler of the Wall Street Journal, formerly a correspondent for the Financial Times.
- O'Riordain, Aoife (1998-10-03). "The evidence: The barrister's desk". The Independent. London.
- As he moves out of the darkness, a pink ribbon blows down next to him and he sees that Faith is part of the "communion" that is taking place in the woods.
- Peril, Lynn (2002). Pink Think: Becoming a Woman in Many Uneasy Lessons. London; New York: W. W. Norton & Company. p. 4.
- "Controversy regarding pink University of Iowa locker room:". Sports.espn.go.com. 2005-09-28. Retrieved 2010-09-11.
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