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The qilin (Chinese: 麒麟; pinyin: qílín) or kirin is a mythical hooved chimerical creature known in Chinese and other East Asian cultures, said to appear with the imminent arrival or passing of a sage or illustrious ruler. It is a good omen thought to occasion prosperity or serenity. It is often depicted with what looks like fire all over its body.
The earliest references to the qilin are in the 5th century BC Zuo Zhuan. The qilin made appearances in a variety of subsequent Chinese works of history and fiction, such as Feng Shen Bang. Emperor Wu of Han apparently captured a live qilin in 122 BC, although Sima Qian was skeptical of this.
In legend, the qilin became a stylized representation of the giraffe in the Ming dynasty. The identification of the qilin with giraffes began after Zheng He's voyage to East Africa (landing, among other places, in modern-day Somalia). The Ming Dynasty bought giraffes from the Somali merchants along with zebras, incense, and various other exotic animals. Zheng He's fleet brought back two giraffes to Nanjing, and they were referred to as "qilins". The Emperor proclaimed the giraffes magical creatures, whose capture signaled the greatness of his power.
The identification between the qilin and the giraffe is supported by some attributes of the qilin, including its vegetarianism and quiet nature. Its reputed ability to "walk on grass without disturbing it" may be related to the giraffe's long, thin legs. Also the qilin is described as having antlers like a deer and scales like a dragon or fish; since the giraffe has horn-like "ossicones" on its head and a tessellated coat pattern that looks like scales it is easy to draw an analogy between the two creatures. The identification of qilin with giraffes has had lasting influence: even today, the same word is used for the mythical animal and the giraffe in both Korean and Japanese.
The qilin may be described or depicted in a variety of ways.
Qilin generally have Chinese dragon-like features. Most notably their heads, eyes with thick eyelashes, manes that always flow upward and beards. The body is fully or partially scaled and often shaped like an ox, deer, or horse. Always shown with cloven hooves. In modern times, the depictions of qilin have often fused with the Western concept of unicorns.
The Chinese dragon has antlers, so it is most common to see qilin with antlers. Dragons in China are also most commonly depicted as golden, therefore the most common depictions of qilin are also golden, but are not limited to just gold, and can be any color of the rainbow, multicolored, and various colors of fur or hide.
The qilin are depicted throughout a wide range of Chinese art also with parts of their bodies on fire, but not always. Sometimes they have feathery features or decorations, fluffy curly tufts of hair like Ming Dynasty horse art on various parts of the legs from fetlocks to upper legs, or even with decorative fish-like fins as decorative embellishments, or carp fish whiskers, or even carp fish-like dragon scales.
Qilin are often depicted as somewhat bejeweled, or as brilliant as jewels themselves, like Chinese dragons. They are often associated in colors with the elements, precious metals, stars, and gem stones. But, qilin can also be earthy and modest browns or earth-tones. It is said their auspicious voice sounds like the tinkling of bells, chimes, and the wind.
According to Taoist mythology, although they can look fearsome, qilin only punish the wicked, thus there are several variations of court trials and judgements based on qilin divinely knowing whether a defendant was good or evil, and guilty or innocent, in ancient lore and stories.
In Buddhist influenced depictions, they will refuse to walk upon grass for fear of harming a single blade, and thus are often depicted walking upon the clouds or the water. As they are divine and peaceful creatures, their diets do not include flesh. They take great care when they walk to never tread on a living creature, and appear only in areas ruled by a wise and benevolent leader, which can include a household. They can become fierce if a pure person is threatened by a malicious one, spouting flames from their mouths and exercising other fearsome powers that vary from story to story.
Legends tell that qilin have appeared in the garden of the legendary Yellow Emperor and in the capital of Emperor Yao. Both events bore testimony to the benevolent nature of the rulers. It has been told in legends that the birth of the great sage Confucius was foretold by the arrival of a qilin.
Qilin are thought to be a symbol of luck, good omens, protection, prosperity, success, and longevity by the Chinese. Qilin are also a symbol of fertility, and often depicted in decorations as bringing a baby to a family.
In ritual dances
Some stories[which?] state that qilin are sacred pets (or familiars) of the deities. Therefore, in the hierarchy of dances performed by the Chinese (lion dance, dragon dance, etc.), they rank highly; third only to the dragon and phoenix who are the highest.
In the qilin dance, movements are characterized by fast, powerful strokes of the head. The Qilin Dance is often regarded as a hard dance to perform due to the weight of the head, the stances involved, and the emphasis on sudden bursts of energy (Chinese: t 法勁, s 法劲, p fǎjìn).
Qilin (麒麟) is often translated into English as "unicorn" as it can sometimes be depicted as having a single horn, although this is misleading as qilin may also be depicted as having two horns. A separate word (simplified Chinese: 独角兽; traditional Chinese: 獨角獸; pinyin: Dújiǎoshòu) is used in modern Chinese for "unicorns". A number of different Chinese mythical creatures can be depicted with a single horn, and a qilin, even if depicted with one horn, would be called a "one-horned qilin" in Chinese, not a "unicorn".
It is because of the whimsical, supernatural, mythical, mystical, and religious similarities in antiquity to the Western unicorns that the Chinese government minted coins in silver and gold several times depicting both the qilin and the Western Unicorn together.
There are variations in the appearance of the qilin, even in historical China, owing to cultural differences between dynasties and regions.
During the Jin dynasty, the qilin was depicted as wreathed in flame and smoke, with a dragon-like head, scales, and the body of a powerful hooved beast such as a horse.
The qilin of China's subsequent Manchu Qing dynasty (1644–1911) was a fanciful animal. Depictions of the qilin show a creature with the head of a dragon, the antlers of a deer, the skin and scales of a fish, the hooves of an ox and tail of a lion.
Girin or 기린 is the Korean form of "qilin". It is described as a maned creature with the torso of a deer, an ox tail with the hooves of a horse. The qilin in Korean art were initially depicted as more deer-like, however over time they have transformed into more horse-like. They were one of the four divine creatures along with the dragon, phoenix and turtle. Gilin were extensively used in Korean royal and buddhist arts.
In modern Korean, the term "girin" is used for "giraffe".
In Thailand, the Qílín is known as 'Gilen' (Thai; กิเลน), and is a member of the pantheon of Thai Himapant forest mythical animals. It is most probable that the Gilen was introduced into the pantheon under the influence of the Tai Yai who came down from Southern China to settle in Siam in ancient times, and the legend was probably incorporated into the Himapant legends of Siam in this manner. The Gilen is a mixture of various animals, which come from differing elemental environments, representing elemental magical forces present within each personified creature. Many of the Himapant animals actually represent gods and devas of the Celestial Realms, and bodhisattvas, who manifest as personifications which represent the true nature of each creature deity through the symbolism of the various body parts amalgamated into the design of the Mythical creature.
Kirin is the Japanese form of "qilin", which has also come to be used in the modern Japanese word for a giraffe. Japanese art tends to depict the kirin as more deer-like than in Chinese art. Alternatively, it is depicted as a dragon shaped like a deer, but with an ox's tail instead of a lion's tail. The Kirin Brewery Company, Ltd., is named after the animal and uses a picture of one in its labels. They are also often portrayed as partially unicorn-like in appearance, but with a backwards curving horn.
In the Post-Qin Chinese hierarchy of mythological animals, the qilin is ranked as the third most powerful creature (after the dragon and phoenix), but in Japan, the kirin occupies the top spot. This is following the style of the ancient Chinese, as qilin was ranked higher than the dragon or phoenix before the Qin dynasty. During the Zhou dynasty, the qilin was ranked the highest, the phoenix ranked second, and the dragon the third.
The qilin has been frequently depicted in works of literature and art:
- In Jorge Luis Borges's Book of Imaginary Beings, there is a section on "The Unicorn of China".
- In Takashi Miike's The Great Yokai War, the hero is bitten during a street festival by the dancer's kirin head. According to local custom that makes him the next "kirin rider", a hero who defeats malevolent yokai, and he is seen riding the kirin through the sky at the climax of the film.
- In The Twelve Kingdoms anime series, based on the fantasy novels by Fuyumi Ono, the monarch of each kingdom is chosen by a kirin, who then becomes his or her principal counselor.
- In the Dungeons & Dragons universe, the Ki-rin are monsters in the Oriental Adventures setting, cited as an example of how D&D uses influences from many places.
- In the video game series Final Fantasy, Kirin is one of the Espers (summoned monsters) in Final Fantasy VI and Final Fantasy Tactics Advance. Kirin also makes an appearance as the strongest of the "gods" in Final Fantasy XI, and is a mount available in Final Fantasy XIV.
- In Gosei Sentai Dairanger, Kazu of the Heavenly Time Star uses his Chi to manifest the power of the kirin to become the KirinRanger (キリンレンジャー Kirin Renjā?) and pilots the Mythical Chi Beast Star-Kirin (気伝獣星麒麟 Kidenjū Sei-Kirin?).
- "qilin (Chinese mythology)". Encyclopædia Britannica. Retrieved 24 July 2011.
- Chinese Literature - Chunqiu-Zuozhuan 春秋左傳, Gongyangzhuan 公羊傳, Guliangzhuan 穀梁傳 (www.chinaknowledge.de)
- 古建上的主要装饰纹样――麒麟 古建园林技术－作者:徐华铛 Archived September 30, 2007, at the Wayback Machine.
- 傳說中的聖獸－－麒麟[permanent dead link]
- Wilson, Samuel M. "The Emperor's Giraffe", Natural History Vol. 101, No. 12, December 1992 "Archived copy". Archived from the original on December 2, 2008. Retrieved April 14, 2012.
- 傳世麒麟圖考察初稿 張之傑[permanent dead link]
- Parker, J. T.:" The Mythic Chinese Unicorn"
- 기린 : 네이버캐스트
- "Taep Payatorn Riding Qilin Himapant Lion Hlang Yant – Nuea Pong Maha Sanaeh Luan – Ajarn Warut – Wat Pong Wonaram". Buddha Magic Multimedia & Publications. Retrieved January 12, 2016.
- Griffis, William Elliot (October 2007). The Religions of Japan. Bibliobazaar. p. 39. ISBN 978-1-4264-9918-0.
- "The Kirin: a mythological beast that portends happiness". Kirin Brewing company. Retrieved September 28, 2012.
- Twelve Kingdoms Kirin
- Rubin, Jonathan (March 6, 2008). "Farewell to the Dungeon Master: How D&D creator Gary Gygax changed geekdom forever."" Slate.com. Accessed February 2012.
- AD&D Monster Manual
- FFVI Espers Kirin
- "Gosei Sentai Dairanger". Toei Entertainment. Retrieved November 24, 2015.
- Media related to Qilin at Wikimedia Commons