Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Thomas Jefferson
|
232,499
|
7,499
|
B
|
Mid
|
2
|
Friedrich Nietzsche
|
185,760
|
5,992
|
B
|
High
|
3
|
Andy Warhol
|
183,447
|
5,917
|
B
|
Mid
|
4
|
Oscar Wilde
|
179,307
|
5,784
|
GA
|
Low
|
5
|
Aristotle
|
158,928
|
5,126
|
GA
|
High
|
6
|
Plato
|
149,196
|
4,812
|
B
|
High
|
7
|
Leo Tolstoy
|
127,518
|
4,113
|
B
|
Mid
|
8
|
Ayn Rand
|
120,040
|
3,872
|
GA
|
Mid
|
9
|
Immanuel Kant
|
102,994
|
3,322
|
B
|
High
|
10
|
Romanticism
|
98,453
|
3,175
|
C
|
High
|
11
|
Slavoj Žižek
|
90,898
|
2,932
|
B
|
High
|
12
|
Marquis de Sade
|
84,253
|
2,717
|
B
|
Mid
|
13
|
Johann Wolfgang von Goethe
|
82,353
|
2,656
|
B
|
Mid
|
14
|
Art
|
81,128
|
2,617
|
B
|
High
|
15
|
Dada
|
71,153
|
2,295
|
B
|
Low
|
16
|
Georg Wilhelm Friedrich Hegel
|
68,879
|
2,221
|
GA
|
High
|
17
|
Postmodernism
|
68,068
|
2,195
|
B
|
Mid
|
18
|
Bauhaus
|
67,926
|
2,191
|
B
|
Low
|
19
|
Uncanny valley
|
67,915
|
2,190
|
B
|
Low
|
20
|
Impressionism
|
67,250
|
2,169
|
C
|
Low
|
21
|
Søren Kierkegaard
|
64,701
|
2,087
|
B
|
High
|
22
|
Comedy
|
64,118
|
2,068
|
C
|
Mid
|
23
|
Model (person)
|
62,883
|
2,028
|
C
|
Low
|
24
|
Baroque
|
61,321
|
1,978
|
C
|
Low
|
25
|
Surrealism
|
60,411
|
1,948
|
B
|
Low
|
26
|
Arthur Schopenhauer
|
59,931
|
1,933
|
B
|
High
|
27
|
Eye of Providence
|
56,587
|
1,825
|
C
|
Low
|
28
|
Aesthetics
|
55,163
|
1,779
|
C
|
Top
|
29
|
David Hume
|
53,855
|
1,737
|
B
|
High
|
30
|
Ptolemy
|
49,538
|
1,598
|
B
|
Mid
|
31
|
Martin Heidegger
|
49,341
|
1,591
|
C
|
High
|
32
|
Avant-garde
|
48,132
|
1,552
|
C
|
Low
|
33
|
Edmund Burke
|
45,256
|
1,459
|
B
|
Mid
|
34
|
Modernism
|
44,849
|
1,446
|
B
|
High
|
35
|
Cubism
|
43,180
|
1,392
|
B
|
Low
|
36
|
Wabi-sabi
|
42,677
|
1,376
|
C
|
Low
|
37
|
Semiotics
|
41,749
|
1,346
|
C
|
Mid
|
38
|
Fluxus
|
41,493
|
1,338
|
Start
|
Low
|
39
|
Kitsch
|
41,444
|
1,336
|
C
|
Mid
|
40
|
Sexual attraction
|
41,039
|
1,323
|
C
|
Low
|
41
|
Harlem Renaissance
|
40,214
|
1,297
|
B
|
Low
|
42
|
Objectivism
|
37,724
|
1,216
|
B
|
Mid
|
43
|
Expressionism
|
37,158
|
1,198
|
C
|
Low
|
44
|
Neoclassicism
|
37,027
|
1,194
|
C
|
Low
|
45
|
Susan Sontag
|
36,899
|
1,190
|
B
|
Mid
|
46
|
Samuel Taylor Coleridge
|
35,981
|
1,160
|
C
|
Low
|
47
|
John Dewey
|
34,973
|
1,128
|
B
|
High
|
48
|
Design
|
34,965
|
1,127
|
C
|
Low
|
49
|
Pragmatism
|
33,220
|
1,071
|
B
|
High
|
50
|
Eroticism
|
32,269
|
1,040
|
C
|
Low
|
51
|
Physical attractiveness
|
31,944
|
1,030
|
B
|
Mid
|
52
|
Arts and Crafts movement
|
31,645
|
1,020
|
B
|
Low
|
53
|
Jacques Lacan
|
31,423
|
1,013
|
B
|
High
|
54
|
Umberto Eco
|
31,183
|
1,005
|
B
|
Mid
|
55
|
Punk subculture
|
29,597
|
954
|
Start
|
Low
|
56
|
John Ruskin
|
28,955
|
934
|
B
|
Low
|
57
|
Pop art
|
28,608
|
922
|
C
|
Low
|
58
|
Futurism
|
28,439
|
917
|
B
|
Low
|
59
|
Beauty
|
28,256
|
911
|
C
|
Mid
|
60
|
Gilles Deleuze
|
26,776
|
863
|
B
|
High
|
61
|
Marshall McLuhan
|
25,426
|
820
|
B
|
Mid
|
62
|
Symbolism (arts)
|
24,899
|
803
|
C
|
Low
|
63
|
Creativity
|
24,886
|
802
|
B
|
High
|
64
|
Retrofuturism
|
24,375
|
786
|
B
|
Low
|
65
|
Kawaii
|
24,160
|
779
|
C
|
Low
|
66
|
Walter Benjamin
|
23,606
|
761
|
B
|
Mid
|
67
|
Fine art
|
23,530
|
759
|
C
|
Mid
|
68
|
Pastiche
|
22,322
|
720
|
Start
|
Low
|
69
|
Theodor W. Adorno
|
22,107
|
713
|
C
|
High
|
70
|
Catharsis
|
22,083
|
712
|
C
|
High
|
71
|
Post-Impressionism
|
21,793
|
703
|
C
|
Low
|
72
|
Irony
|
20,477
|
660
|
C
|
Mid
|
73
|
Humour
|
19,950
|
643
|
C
|
Mid
|
74
|
History of music
|
19,894
|
641
|
B
|
Low
|
75
|
Literary criticism
|
19,128
|
617
|
Start
|
Mid
|
76
|
Minimalism
|
18,846
|
607
|
C
|
Mid
|
77
|
Roland Barthes
|
18,782
|
605
|
C
|
Mid
|
78
|
Patanjali
|
18,713
|
603
|
C
|
High
|
79
|
Jonathan Edwards (theologian)
|
18,279
|
589
|
B
|
Low
|
80
|
Friedrich Schiller
|
18,269
|
589
|
C
|
Mid
|
81
|
Abstract expressionism
|
17,984
|
580
|
C
|
Low
|
82
|
Simulacrum
|
17,888
|
577
|
Start
|
Low
|
83
|
Aestheticism
|
17,836
|
575
|
Start
|
Low
|
84
|
Georges Bataille
|
17,662
|
569
|
C
|
Mid
|
85
|
Herbert Marcuse
|
17,660
|
569
|
B
|
Mid
|
86
|
Denis Diderot
|
17,615
|
568
|
C
|
Mid
|
87
|
Sturm und Drang
|
17,174
|
554
|
C
|
Low
|
88
|
The Death of the Author
|
16,522
|
532
|
Start
|
Low
|
89
|
Psychoanalytic theory
|
16,481
|
531
|
C
|
High
|
90
|
Paradigm
|
15,687
|
506
|
Start
|
High
|
91
|
Escapism
|
15,521
|
500
|
Start
|
Low
|
92
|
The Doors of Perception
|
15,103
|
487
|
B
|
Low
|
93
|
Roger Scruton
|
14,463
|
466
|
B
|
Mid
|
94
|
Symposium (Plato)
|
14,141
|
456
|
C
|
High
|
95
|
Classicism
|
14,078
|
454
|
Start
|
Mid
|
96
|
Decadent movement
|
14,073
|
453
|
Start
|
Low
|
97
|
Johann Gottfried Herder
|
14,049
|
453
|
C
|
Mid
|
98
|
Essentialism
|
13,962
|
450
|
Start
|
Mid
|
99
|
Artist
|
13,892
|
448
|
Start
|
Mid
|
100
|
Poetics (Aristotle)
|
13,861
|
447
|
C
|
High
|
101
|
De Stijl
|
13,721
|
442
|
C
|
Low
|
102
|
Plotinus
|
13,709
|
442
|
C
|
High
|
103
|
Constructivism (art)
|
13,581
|
438
|
B
|
Low
|
104
|
Suspension of disbelief
|
13,498
|
435
|
C
|
Low
|
105
|
Conceptual art
|
13,210
|
426
|
C
|
Low
|
106
|
Mimesis
|
12,775
|
412
|
Start
|
Low
|
107
|
Retro style
|
12,473
|
402
|
C
|
Low
|
108
|
George Santayana
|
12,174
|
392
|
C
|
Mid
|
109
|
Art for art's sake
|
12,148
|
391
|
Start
|
Low
|
110
|
Rhyme
|
11,744
|
378
|
C
|
Low
|
111
|
Grotesque
|
11,736
|
378
|
C
|
Low
|
112
|
Decadence
|
11,705
|
377
|
C
|
Low
|
113
|
Imagination
|
11,590
|
373
|
Start
|
Mid
|
114
|
Rasa (aesthetics)
|
11,454
|
369
|
Start
|
Low
|
115
|
György Lukács
|
11,252
|
362
|
C
|
Mid
|
116
|
Feminine beauty ideal
|
11,184
|
360
|
Start
|
Mid
|
117
|
Ensō
|
10,982
|
354
|
C
|
Low
|
118
|
Feminist literary criticism
|
10,952
|
353
|
Start
|
Low
|
119
|
Art movement
|
10,843
|
349
|
Start
|
Low
|
120
|
Periods in Western art history
|
10,640
|
343
|
List
|
Low
|
121
|
Nicholas Roerich
|
10,445
|
336
|
B
|
Mid
|
122
|
The Work of Art in the Age of Mechanical Reproduction
|
10,426
|
336
|
C
|
Mid
|
123
|
Hudson River School
|
10,412
|
335
|
C
|
Low
|
124
|
Philistinism
|
10,367
|
334
|
Start
|
Low
|
125
|
Sublime (philosophy)
|
10,188
|
328
|
C
|
Mid
|
126
|
Neo-expressionism
|
9,982
|
322
|
Start
|
Low
|
127
|
Giorgio Vasari
|
9,881
|
318
|
C
|
Mid
|
128
|
Acquired taste
|
9,752
|
314
|
Start
|
Low
|
129
|
Didacticism
|
9,716
|
313
|
Start
|
Low
|
130
|
Form follows function
|
9,700
|
312
|
C
|
Low
|
131
|
Work of art
|
9,463
|
305
|
Start
|
Mid
|
132
|
Social realism
|
9,443
|
304
|
Start
|
Low
|
133
|
The World as Will and Representation
|
9,417
|
303
|
B
|
High
|
134
|
Mikhail Bakhtin
|
9,414
|
303
|
B
|
Mid
|
135
|
Suprematism
|
9,402
|
303
|
Start
|
Low
|
136
|
Eclecticism
|
9,402
|
303
|
C
|
Mid
|
137
|
Kokoro
|
9,390
|
302
|
C
|
Low
|
138
|
Johann Gottlieb Fichte
|
9,345
|
301
|
C
|
High
|
139
|
Musica universalis
|
9,293
|
299
|
C
|
Low
|
140
|
Formalism (literature)
|
9,094
|
293
|
Start
|
Low
|
141
|
Postmodern art
|
9,019
|
290
|
B
|
Low
|
142
|
Academic art
|
8,797
|
283
|
C
|
Low
|
143
|
Maximalism
|
8,719
|
281
|
Start
|
Low
|
144
|
Hamartia
|
8,595
|
277
|
C
|
Low
|
145
|
On the Genealogy of Morality
|
8,588
|
277
|
Start
|
High
|
146
|
Human physical appearance
|
8,539
|
275
|
Start
|
Low
|
147
|
Fredric Jameson
|
8,534
|
275
|
C
|
Mid
|
148
|
Mimetic theory
|
8,501
|
274
|
Start
|
Low
|
149
|
Joseph Beuys
|
8,301
|
267
|
B
|
Low
|
150
|
Axiology
|
8,262
|
266
|
Start
|
Mid
|
151
|
Op art
|
8,182
|
263
|
Start
|
Low
|
152
|
Metanarrative
|
8,145
|
262
|
C
|
Mid
|
153
|
Theories of humor
|
8,140
|
262
|
Start
|
Mid
|
154
|
Historicism
|
7,948
|
256
|
C
|
Mid
|
155
|
History of painting
|
7,939
|
256
|
C
|
Low
|
156
|
Film criticism
|
7,936
|
256
|
Start
|
Low
|
157
|
Phonaesthetics
|
7,906
|
255
|
C
|
Low
|
158
|
Ludwig Feuerbach
|
7,873
|
253
|
C
|
Mid
|
159
|
Friedrich Wilhelm Joseph Schelling
|
7,869
|
253
|
C
|
High
|
160
|
Novalis
|
7,827
|
252
|
GA
|
Mid
|
161
|
Chinoiserie
|
7,712
|
248
|
C
|
Mid
|
162
|
Photorealism
|
7,685
|
247
|
B
|
Low
|
163
|
American Craftsman
|
7,519
|
242
|
Start
|
Low
|
164
|
Terry Eagleton
|
7,510
|
242
|
C
|
Mid
|
165
|
Applied arts
|
7,352
|
237
|
Start
|
Low
|
166
|
Primitivism
|
7,341
|
236
|
C
|
Low
|
167
|
Romantic literature in English
|
7,184
|
231
|
C
|
Low
|
168
|
André Malraux
|
7,167
|
231
|
B
|
Low
|
169
|
Mathematics and art
|
7,166
|
231
|
GA
|
Mid
|
170
|
Either/Or
|
7,087
|
228
|
C
|
High
|
171
|
Algernon Charles Swinburne
|
7,042
|
227
|
Start
|
Low
|
172
|
Tragic hero
|
7,019
|
226
|
Start
|
Low
|
173
|
Mathematical beauty
|
6,967
|
224
|
Start
|
Low
|
174
|
Experience machine
|
6,949
|
224
|
Start
|
Low
|
175
|
Ekphrasis
|
6,934
|
223
|
C
|
Mid
|
176
|
Japanese aesthetics
|
6,794
|
219
|
C
|
Low
|
177
|
Henri Lefebvre
|
6,789
|
219
|
C
|
Mid
|
178
|
Interpersonal attraction
|
6,741
|
217
|
C
|
Low
|
179
|
José Ortega y Gasset
|
6,725
|
216
|
C
|
Low
|
180
|
Jean-François Lyotard
|
6,667
|
215
|
B
|
Mid
|
181
|
Musicology
|
6,621
|
213
|
C
|
Low
|
182
|
Distancing effect
|
6,474
|
208
|
Start
|
Low
|
183
|
Cuteness
|
6,445
|
207
|
Start
|
Low
|
184
|
Disgust
|
6,419
|
207
|
Start
|
Low
|
185
|
Post-irony
|
6,402
|
206
|
Stub
|
Low
|
186
|
Empire style
|
6,379
|
205
|
Start
|
Low
|
187
|
Friedrich Schleiermacher
|
6,249
|
201
|
B
|
Mid
|
188
|
Gaze
|
6,230
|
200
|
Start
|
Mid
|
189
|
Mirror stage
|
6,184
|
199
|
C
|
Mid
|
190
|
New Objectivity
|
6,182
|
199
|
Start
|
Low
|
191
|
Film theory
|
6,174
|
199
|
Start
|
Mid
|
192
|
Judgement
|
5,928
|
191
|
List
|
NA
|
193
|
Cool (aesthetic)
|
5,916
|
190
|
B
|
Low
|
194
|
Moses Mendelssohn
|
5,849
|
188
|
C
|
Mid
|
195
|
Life imitating art
|
5,847
|
188
|
Stub
|
Low
|
196
|
Jean Anthelme Brillat-Savarin
|
5,808
|
187
|
GA
|
Low
|
197
|
Color field
|
5,781
|
186
|
B
|
Low
|
198
|
Northrop Frye
|
5,644
|
182
|
C
|
Low
|
199
|
Hans-Georg Gadamer
|
5,591
|
180
|
C
|
High
|
200
|
Anamorphosis
|
5,587
|
180
|
Start
|
Mid
|
201
|
Style (visual arts)
|
5,583
|
180
|
Start
|
High
|
202
|
List of sitcoms known for negative reception
|
5,562
|
179
|
List
|
Low
|
203
|
Sandhi
|
5,559
|
179
|
Start
|
Low
|
204
|
Stuckism
|
5,386
|
173
|
GA
|
Low
|
205
|
Ananda Coomaraswamy
|
5,322
|
171
|
C
|
Mid
|
206
|
Nabis (art)
|
5,292
|
170
|
Start
|
Low
|
207
|
Jacques Maritain
|
5,284
|
170
|
C
|
Mid
|
208
|
I. A. Richards
|
5,194
|
167
|
C
|
Mid
|
209
|
Peripeteia
|
5,104
|
164
|
C
|
Low
|
210
|
Gotthold Ephraim Lessing
|
5,090
|
164
|
C
|
Mid
|
211
|
Surrealist automatism
|
4,972
|
160
|
C
|
Low
|
212
|
Rhetoric (Aristotle)
|
4,945
|
159
|
C
|
Mid
|
213
|
Walter Pater
|
4,756
|
153
|
B
|
Mid
|
214
|
Unattractiveness
|
4,742
|
152
|
Start
|
Low
|
215
|
Barbizon School
|
4,691
|
151
|
Start
|
Low
|
216
|
Michael Oakeshott
|
4,674
|
150
|
C
|
Low
|
217
|
Benedetto Croce
|
4,630
|
149
|
C
|
Mid
|
218
|
Jefferson–Hemings controversy
|
4,586
|
147
|
B
|
Low
|
219
|
Abhinavagupta
|
4,533
|
146
|
B
|
Low
|
220
|
Superflat
|
4,527
|
146
|
Start
|
Low
|
221
|
On the Sublime
|
4,428
|
142
|
C
|
Mid
|
222
|
Notes on "Camp"
|
4,424
|
142
|
Start
|
Low
|
223
|
American Realism
|
4,302
|
138
|
Start
|
Low
|
224
|
Violence in art
|
4,275
|
137
|
C
|
Low
|
225
|
Kinetic art
|
4,271
|
137
|
Start
|
Low
|
226
|
Picturesque
|
4,167
|
134
|
B
|
Low
|
227
|
Against Interpretation
|
4,153
|
133
|
Start
|
Low
|
228
|
Shin-hanga
|
4,152
|
133
|
C
|
Low
|
229
|
Ars Poetica (Horace)
|
4,037
|
130
|
C
|
Low
|
230
|
Neo-romanticism
|
4,022
|
129
|
Start
|
Low
|
231
|
Arte Povera
|
4,020
|
129
|
Start
|
Low
|
232
|
Black Arts Movement
|
4,017
|
129
|
C
|
Low
|
233
|
Criticism of postmodernism
|
3,887
|
125
|
Start
|
Low
|
234
|
Critique of Judgment
|
3,887
|
125
|
C
|
High
|
235
|
Historicism (art)
|
3,882
|
125
|
Stub
|
Mid
|
236
|
Anagnorisis
|
3,840
|
123
|
Start
|
Low
|
237
|
The Sublime Object of Ideology
|
3,835
|
123
|
Stub
|
Low
|
238
|
Orphism (art)
|
3,824
|
123
|
C
|
Low
|
239
|
Friedrich Schlegel
|
3,817
|
123
|
Start
|
Low
|
240
|
Women in music
|
3,798
|
122
|
C
|
Low
|
241
|
Roger Fry
|
3,687
|
118
|
C
|
Low
|
242
|
Enneads
|
3,673
|
118
|
Start
|
Mid
|
243
|
Anti-art
|
3,593
|
115
|
Start
|
Low
|
244
|
Chinese ideals of female beauty
|
3,515
|
113
|
Start
|
Low
|
245
|
Ashcan School
|
3,510
|
113
|
Start
|
Low
|
246
|
A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
|
3,453
|
111
|
Start
|
Low
|
247
|
Capitalist realism
|
3,445
|
111
|
C
|
Low
|
248
|
On Photography
|
3,438
|
110
|
Start
|
Low
|
249
|
Aestheticization of politics
|
3,433
|
110
|
Start
|
Low
|
250
|
Iki (aesthetics)
|
3,419
|
110
|
Start
|
Low
|
251
|
Theory of art
|
3,387
|
109
|
Start
|
Mid
|
252
|
Definition of music
|
3,374
|
108
|
Start
|
Low
|
253
|
Clement Greenberg
|
3,362
|
108
|
C
|
Mid
|
254
|
Fact–value distinction
|
3,312
|
106
|
Start
|
High
|
255
|
Hubert Dreyfus
|
3,295
|
106
|
Start
|
Mid
|
256
|
Formalism (philosophy)
|
3,295
|
106
|
Start
|
Low
|
257
|
Ernst Gombrich
|
3,261
|
105
|
Start
|
Mid
|
258
|
Art criticism
|
3,235
|
104
|
B
|
Mid
|
259
|
Postmodern music
|
3,227
|
104
|
C
|
Low
|
260
|
Exoticism
|
3,220
|
103
|
Start
|
Low
|
261
|
Postminimalism
|
3,217
|
103
|
Start
|
Low
|
262
|
Shibui
|
3,185
|
102
|
Start
|
Low
|
263
|
Formalism (art)
|
3,171
|
102
|
Start
|
Low
|
264
|
Maurice Blanchot
|
3,167
|
102
|
Start
|
Mid
|
265
|
Regionalism (art)
|
3,148
|
101
|
Start
|
Low
|
266
|
Aesthetic Realism
|
3,142
|
101
|
C
|
Mid
|
267
|
Paul Virilio
|
3,124
|
100
|
C
|
Mid
|
268
|
Neo-Dada
|
3,110
|
100
|
Stub
|
Low
|
269
|
Representation (arts)
|
3,098
|
99
|
B
|
Mid
|
270
|
Supervenience
|
3,096
|
99
|
B
|
Mid
|
271
|
Baroque Revival architecture
|
3,094
|
99
|
Start
|
Low
|
272
|
Michel Onfray
|
3,089
|
99
|
C
|
Low
|
273
|
A Mathematician's Apology
|
3,059
|
98
|
Start
|
Low
|
274
|
Panic Movement
|
3,045
|
98
|
Stub
|
Low
|
275
|
Roger North (biographer)
|
2,959
|
95
|
Start
|
Low
|
276
|
R. G. Collingwood
|
2,924
|
94
|
C
|
Mid
|
277
|
Paul de Man
|
2,921
|
94
|
C
|
Low
|
278
|
Literary reception of The Lord of the Rings
|
2,814
|
90
|
GA
|
Low
|
279
|
José Vasconcelos
|
2,750
|
88
|
C
|
Mid
|
280
|
Weimar Classicism
|
2,748
|
88
|
Start
|
Low
|
281
|
Kenneth Burke
|
2,713
|
87
|
C
|
Low
|
282
|
Erwin Panofsky
|
2,711
|
87
|
C
|
Mid
|
283
|
Why I Want to Fuck Ronald Reagan
|
2,690
|
86
|
Start
|
Low
|
284
|
Metaphysical painting
|
2,659
|
85
|
Start
|
Low
|
285
|
Clive Bell
|
2,649
|
85
|
Start
|
Mid
|
286
|
Postmodernism, or, the Cultural Logic of Late Capitalism
|
2,645
|
85
|
Stub
|
Mid
|
287
|
Épater la bourgeoisie
|
2,612
|
84
|
Stub
|
Low
|
288
|
Art as Experience
|
2,586
|
83
|
Start
|
Mid
|
289
|
Lyrical abstraction
|
2,580
|
83
|
Start
|
Low
|
290
|
Conceptualism
|
2,565
|
82
|
Stub
|
Low
|
291
|
Aesthetic taste
|
2,553
|
82
|
Start
|
High
|
292
|
Proletkult
|
2,553
|
82
|
B
|
Low
|
293
|
High modernism
|
2,545
|
82
|
C
|
Low
|
294
|
Elegance
|
2,539
|
81
|
C
|
Low
|
295
|
Neuroesthetics
|
2,534
|
81
|
Start
|
Mid
|
296
|
History of aesthetics
|
2,508
|
80
|
C
|
High
|
297
|
Classic
|
2,493
|
80
|
Start
|
Low
|
298
|
Vernon Lee
|
2,457
|
79
|
C
|
Low
|
299
|
Stanley Cavell
|
2,447
|
78
|
C
|
Mid
|
300
|
Mingei
|
2,391
|
77
|
C
|
Low
|
301
|
Thomas Reid
|
2,373
|
76
|
C
|
Mid
|
302
|
Luminism (American art style)
|
2,365
|
76
|
Start
|
Low
|
303
|
Post-romanticism
|
2,354
|
75
|
Start
|
Low
|
304
|
Anatomy of Criticism
|
2,321
|
74
|
Start
|
Mid
|
305
|
Hierarchy of genres
|
2,299
|
74
|
Start
|
Low
|
306
|
Arthur Danto
|
2,289
|
73
|
Start
|
Mid
|
307
|
John Hospers
|
2,288
|
73
|
C
|
Low
|
308
|
Grotesque body
|
2,273
|
73
|
Start
|
Low
|
309
|
Mimesis: The Representation of Reality in Western Literature
|
2,269
|
73
|
C
|
Low
|
310
|
Zaum
|
2,265
|
73
|
Start
|
Low
|
311
|
Classificatory disputes about art
|
2,252
|
72
|
Start
|
High
|
312
|
Artistic inspiration
|
2,249
|
72
|
C
|
Mid
|
313
|
Mathematics and architecture
|
2,243
|
72
|
GA
|
Mid
|
314
|
August Wilhelm Schlegel
|
2,239
|
72
|
C
|
Mid
|
315
|
Joseph Kosuth
|
2,220
|
71
|
Start
|
Low
|
316
|
Importance
|
2,219
|
71
|
B
|
Mid
|
317
|
Camera Lucida (book)
|
2,208
|
71
|
Start
|
Low
|
318
|
Directoire style
|
2,202
|
71
|
Start
|
Low
|
319
|
Pierre Bayle
|
2,158
|
69
|
C
|
Mid
|
320
|
Purism
|
2,138
|
68
|
Stub
|
Low
|
321
|
Paul Rée
|
2,125
|
68
|
Start
|
Low
|
322
|
Feminist art
|
2,122
|
68
|
Start
|
Low
|
323
|
Sully Prudhomme
|
2,114
|
68
|
Start
|
Low
|
324
|
Art manifesto
|
2,074
|
66
|
C
|
Mid
|
325
|
Lettrism
|
2,029
|
65
|
C
|
Low
|
326
|
Vissarion Belinsky
|
2,027
|
65
|
Start
|
Low
|
327
|
Poshlost
|
2,011
|
64
|
Start
|
Low
|
328
|
John Maeda
|
1,991
|
64
|
Start
|
Low
|
329
|
Indian aesthetics
|
1,986
|
64
|
Start
|
Low
|
330
|
Ecstasy (philosophy)
|
1,978
|
63
|
Stub
|
Low
|
331
|
Alexander Gottlieb Baumgarten
|
1,948
|
62
|
Start
|
Mid
|
332
|
Russian symbolism
|
1,945
|
62
|
C
|
Mid
|
333
|
Process art
|
1,942
|
62
|
Start
|
Low
|
334
|
Francis Hutcheson (philosopher)
|
1,940
|
62
|
C
|
Mid
|
335
|
Johann Friedrich Herbart
|
1,906
|
61
|
C
|
Mid
|
336
|
Imagination age
|
1,905
|
61
|
C
|
Low
|
337
|
Psychology of art
|
1,880
|
60
|
Start
|
Low
|
338
|
Sound poetry
|
1,874
|
60
|
Start
|
Low
|
339
|
Artistic freedom
|
1,843
|
59
|
B
|
Low
|
340
|
The Origin of the Work of Art
|
1,840
|
59
|
C
|
Mid
|
341
|
The Story of Art
|
1,837
|
59
|
Stub
|
Mid
|
342
|
Harmonices Mundi
|
1,836
|
59
|
Start
|
Low
|
343
|
What Is Art?
|
1,826
|
58
|
C
|
Low
|
344
|
Late modernism
|
1,814
|
58
|
B
|
Low
|
345
|
Susanne Langer
|
1,791
|
57
|
C
|
Mid
|
346
|
Crystal Cubism
|
1,771
|
57
|
B
|
Low
|
347
|
Noël Carroll
|
1,768
|
57
|
Stub
|
Low
|
348
|
Nelson Goodman
|
1,760
|
56
|
Start
|
Mid
|
349
|
Georg Brandes
|
1,758
|
56
|
C
|
Low
|
350
|
Neomodern
|
1,738
|
56
|
Start
|
Low
|
351
|
Zeami Motokiyo
|
1,726
|
55
|
C
|
Mid
|
352
|
Chinese musicology
|
1,718
|
55
|
Stub
|
Low
|
353
|
Bracha L. Ettinger
|
1,710
|
55
|
B
|
Low
|
354
|
Aesthetics of music
|
1,710
|
55
|
Start
|
Low
|
355
|
Anthony Ashley-Cooper, 3rd Earl of Shaftesbury
|
1,619
|
52
|
B
|
Mid
|
356
|
Philosophy of music
|
1,606
|
51
|
Stub
|
Mid
|
357
|
Cellar door (phrase)
|
1,596
|
51
|
Redirect
|
NA
|
358
|
Practical philosophy
|
1,586
|
51
|
Stub
|
Low
|
359
|
Eli Siegel
|
1,583
|
51
|
B
|
Mid
|
360
|
Florentine painting
|
1,580
|
50
|
C
|
Low
|
361
|
Sophistication
|
1,556
|
50
|
Stub
|
Low
|
362
|
Richard Meltzer
|
1,548
|
49
|
Start
|
Low
|
363
|
Kitsch movement
|
1,537
|
49
|
Start
|
Low
|
364
|
Visual literacy
|
1,526
|
49
|
Start
|
Low
|
365
|
Punk visual art
|
1,515
|
48
|
Start
|
Low
|
366
|
Romantic realism
|
1,508
|
48
|
C
|
Low
|
367
|
The Sense of Beauty
|
1,502
|
48
|
Start
|
Low
|
368
|
Michel Henry
|
1,498
|
48
|
B
|
Low
|
369
|
Painterliness
|
1,496
|
48
|
Start
|
Low
|
370
|
The Dialogic Imagination
|
1,484
|
47
|
C
|
Low
|
371
|
Objectivism (Ayn Rand)
|
1,482
|
47
|
Redirect
|
NA
|
372
|
Phonestheme
|
1,471
|
47
|
Start
|
Low
|
373
|
Rudolf Arnheim
|
1,468
|
47
|
B
|
Low
|
374
|
Neo-Futurists
|
1,455
|
46
|
Start
|
Low
|
375
|
Arthur Schopenhauer's aesthetics
|
1,436
|
46
|
C
|
Mid
|
376
|
Marxist aesthetics
|
1,435
|
46
|
Stub
|
Mid
|
377
|
Authenticity in art
|
1,411
|
45
|
Start
|
Low
|
378
|
Artforum
|
1,409
|
45
|
Start
|
Low
|
379
|
Classical Realism
|
1,401
|
45
|
Start
|
Low
|
380
|
Visual rhetoric
|
1,398
|
45
|
B
|
Low
|
381
|
Hamid Dabashi
|
1,375
|
44
|
B
|
Low
|
382
|
Auto-destructive art
|
1,362
|
43
|
Start
|
Low
|
383
|
Anandavardhana
|
1,315
|
42
|
Stub
|
Low
|
384
|
Notability
|
1,313
|
42
|
Start
|
Mid
|
385
|
Giovanni Papini
|
1,310
|
42
|
C
|
Low
|
386
|
Motoori Norinaga
|
1,297
|
41
|
Start
|
Low
|
387
|
Cyborg art
|
1,291
|
41
|
Start
|
Low
|
388
|
Romanticism in philosophy
|
1,289
|
41
|
Start
|
Low
|
389
|
Nefer
|
1,282
|
41
|
Start
|
Low
|
390
|
Ridiculous
|
1,280
|
41
|
Start
|
Low
|
391
|
Early life and career of Thomas Jefferson
|
1,278
|
41
|
C
|
Low
|
392
|
The New Criterion
|
1,266
|
40
|
Start
|
Low
|
393
|
Symbolism
|
1,263
|
40
|
Disambig
|
Mid
|
394
|
Miyabi
|
1,244
|
40
|
Start
|
Low
|
395
|
Dramatism
|
1,243
|
40
|
C
|
Low
|
396
|
John Silber
|
1,232
|
39
|
Start
|
Low
|
397
|
Schopenhauer
|
1,232
|
39
|
Redirect
|
NA
|
398
|
Essentially contested concept
|
1,208
|
38
|
B
|
Low
|
399
|
Hans Pfitzner
|
1,167
|
37
|
Start
|
Low
|
400
|
Ludwig Tieck
|
1,154
|
37
|
Start
|
Low
|
401
|
Hypermodernity
|
1,147
|
37
|
Start
|
Low
|
402
|
Eduard Hanslick
|
1,136
|
36
|
Start
|
Low
|
403
|
Béla Balázs
|
1,119
|
36
|
Start
|
Low
|
404
|
List of French artistic movements
|
1,094
|
35
|
List
|
Low
|
405
|
Line of beauty
|
1,091
|
35
|
Stub
|
Low
|
406
|
William K. Wimsatt
|
1,088
|
35
|
Start
|
Low
|
407
|
Mode (literature)
|
1,070
|
34
|
C
|
Low
|
408
|
Avant-Garde and Kitsch
|
1,069
|
34
|
Start
|
Low
|
409
|
Todd McGowan
|
1,035
|
33
|
Start
|
Low
|
410
|
Max Black
|
1,034
|
33
|
Start
|
Mid
|
411
|
Papunya Tula
|
1,031
|
33
|
Start
|
Low
|
412
|
Community art
|
1,026
|
33
|
Start
|
Low
|
413
|
Daniel-Henry Kahnweiler
|
1,025
|
33
|
Start
|
Low
|
414
|
Tetsuro Watsuji
|
1,024
|
33
|
Start
|
Mid
|
415
|
Feminist art movement
|
1,014
|
32
|
Start
|
Low
|
416
|
Philosophy of architecture
|
1,012
|
32
|
B
|
Low
|
417
|
Denis Dutton
|
1,010
|
32
|
C
|
Mid
|
418
|
Nicholas Wolterstorff
|
1,002
|
32
|
Start
|
Low
|
419
|
Bay Area Figurative Movement
|
993
|
32
|
Start
|
Low
|
420
|
Hurufiyya movement
|
953
|
30
|
B
|
Low
|
421
|
Elaine Scarry
|
946
|
30
|
Start
|
Low
|
422
|
Yūsuf Balasaguni
|
944
|
30
|
Stub
|
Mid
|
423
|
Funk art
|
938
|
30
|
Start
|
Low
|
424
|
Lectures on Aesthetics
|
930
|
30
|
Stub
|
Mid
|
425
|
Philosophy of design
|
927
|
29
|
Stub
|
Low
|
426
|
Roman Ingarden
|
925
|
29
|
Start
|
Low
|
427
|
Léonce Rosenberg
|
921
|
29
|
C
|
Low
|
428
|
Victor Cousin
|
916
|
29
|
B
|
Low
|
429
|
Bernard Bosanquet (philosopher)
|
908
|
29
|
C
|
Mid
|
430
|
Tsang Lap Chuen
|
903
|
29
|
C
|
Low
|
431
|
Heroic realism
|
902
|
29
|
Start
|
Low
|
432
|
Vittorio Hösle
|
889
|
28
|
C
|
Low
|
433
|
Paragone
|
866
|
27
|
Stub
|
Low
|
434
|
Neo-pop
|
865
|
27
|
Stub
|
Low
|
435
|
Aleksandar Lilov
|
857
|
27
|
Start
|
Low
|
436
|
Observations on the Feeling of the Beautiful and Sublime
|
853
|
27
|
C
|
Mid
|
437
|
Soviet nonconformist art
|
847
|
27
|
C
|
Low
|
438
|
Hippias Major
|
812
|
26
|
C
|
Mid
|
439
|
Theological aesthetics
|
810
|
26
|
Start
|
Low
|
440
|
Ptolemy's intense diatonic scale
|
808
|
26
|
C
|
Low
|
441
|
Institutional Critique
|
807
|
26
|
Start
|
Low
|
442
|
History of the concept of creativity
|
806
|
26
|
Start
|
Low
|
443
|
Inner Experience
|
803
|
25
|
Start
|
Mid
|
444
|
Hugh Kenner
|
784
|
25
|
C
|
Low
|
445
|
Outline of aesthetics
|
776
|
25
|
List
|
Low
|
446
|
The Analysis of Beauty
|
766
|
24
|
Start
|
Low
|
447
|
Les Automatistes
|
759
|
24
|
Stub
|
Low
|
448
|
Henry Home, Lord Kames
|
751
|
24
|
C
|
Mid
|
449
|
Aesthetic emotions
|
749
|
24
|
Start
|
High
|
450
|
Philosophy of film
|
746
|
24
|
Start
|
Mid
|
451
|
Adam Müller
|
745
|
24
|
C
|
Low
|
452
|
Richard Wollheim
|
741
|
23
|
Start
|
Mid
|
453
|
Tim Dean
|
735
|
23
|
Start
|
Low
|
454
|
Humor research
|
729
|
23
|
Start
|
Mid
|
455
|
André Leroi-Gourhan
|
729
|
23
|
Start
|
Low
|
456
|
List of aestheticians
|
727
|
23
|
List
|
Mid
|
457
|
October (journal)
|
721
|
23
|
Start
|
Low
|
458
|
Depiction
|
720
|
23
|
C
|
Mid
|
459
|
Artistic merit
|
698
|
22
|
Start
|
Mid
|
460
|
Theodor Lipps
|
682
|
22
|
C
|
Low
|
461
|
Phonocentrism
|
673
|
21
|
Start
|
Low
|
462
|
Coolhunting
|
665
|
21
|
Start
|
Low
|
463
|
Li Zehou
|
663
|
21
|
Start
|
Low
|
464
|
The Critic as Artist
|
655
|
21
|
Stub
|
Low
|
465
|
Steven Shaviro
|
652
|
21
|
Stub
|
Low
|
466
|
Sara Danius
|
646
|
20
|
C
|
Low
|
467
|
Neo-conceptual art
|
646
|
20
|
C
|
Low
|
468
|
Artistic integrity
|
642
|
20
|
C
|
Low
|
469
|
Post-conceptual art
|
632
|
20
|
C
|
Low
|
470
|
Jesse Prinz
|
620
|
20
|
Stub
|
Mid
|
471
|
Alexander Nehamas
|
617
|
19
|
Start
|
Low
|
472
|
Souleymane Bachir Diagne
|
609
|
19
|
C
|
Low
|
473
|
Coleridge's theory of life
|
608
|
19
|
C
|
Low
|
474
|
Richard Shusterman
|
605
|
19
|
B
|
Low
|
475
|
Charles Stevenson (philosopher)
|
602
|
19
|
Start
|
Mid
|
476
|
Medium specificity
|
599
|
19
|
Stub
|
Low
|
477
|
Paradox of fiction
|
587
|
18
|
C
|
Low
|
478
|
Arts criticism
|
579
|
18
|
Stub
|
Mid
|
479
|
Knave of Diamonds (Russian arts association)
|
573
|
18
|
Stub
|
Low
|
480
|
Aesthetic interpretation
|
565
|
18
|
Stub
|
High
|
481
|
Vyacheslav Ivanov (poet)
|
564
|
18
|
C
|
Low
|
482
|
Du "Cubisme"
|
563
|
18
|
B
|
Low
|
483
|
History of hermeneutics
|
557
|
17
|
Start
|
Low
|
484
|
Hypergraphy
|
549
|
17
|
C
|
Low
|
485
|
Shūzō Kuki
|
549
|
17
|
Start
|
Low
|
486
|
The Literature of Exhaustion
|
548
|
17
|
Stub
|
Low
|
487
|
Daniel Kolak
|
545
|
17
|
Start
|
Low
|
488
|
Hypermodernism (art)
|
545
|
17
|
Start
|
Low
|
489
|
Applied aesthetics
|
545
|
17
|
Start
|
Mid
|
490
|
Kendall Walton
|
542
|
17
|
C
|
Low
|
491
|
Stella Kramrisch
|
530
|
17
|
C
|
Low
|
492
|
The Romantic Manifesto
|
525
|
16
|
C
|
Low
|
493
|
Magnificence (history of ideas)
|
516
|
16
|
Start
|
Low
|
494
|
Monroe Beardsley
|
513
|
16
|
Stub
|
Low
|
495
|
Aleksei Losev
|
511
|
16
|
Start
|
Low
|
496
|
John Anderson (philosopher)
|
508
|
16
|
C
|
Low
|
497
|
Matthew Lipman
|
506
|
16
|
Stub
|
Low
|
498
|
György Lukács bibliography
|
499
|
16
|
List
|
Mid
|
499
|
Cynical realism
|
498
|
16
|
Stub
|
Low
|
500
|
Medieval aesthetics
|
492
|
15
|
C
|
Low
|
501
|
Johannes Volkelt
|
489
|
15
|
Stub
|
Low
|
502
|
Moresque
|
484
|
15
|
Start
|
Low
|
503
|
Yabo
|
482
|
15
|
Stub
|
Low
|
504
|
Imitation (art)
|
482
|
15
|
Stub
|
Low
|
505
|
Unitary urbanism
|
482
|
15
|
Start
|
Low
|
506
|
Systematic musicology
|
481
|
15
|
Start
|
Low
|
507
|
Zoosemiotics
|
476
|
15
|
Start
|
Low
|
508
|
Linguistic film theory
|
475
|
15
|
Stub
|
Low
|
509
|
Danube school
|
474
|
15
|
C
|
Low
|
510
|
Dionysian imitatio
|
468
|
15
|
Stub
|
Low
|
511
|
Pennsylvania Impressionism
|
465
|
15
|
Stub
|
Low
|
512
|
New musicology
|
465
|
15
|
Start
|
Low
|
513
|
Wiener Moderne
|
462
|
14
|
Start
|
Low
|
514
|
Dieter Henrich
|
461
|
14
|
Start
|
Mid
|
515
|
Methexis
|
453
|
14
|
Stub
|
Low
|
516
|
Medium essentialism
|
451
|
14
|
B
|
Low
|
517
|
Unity in variety
|
443
|
14
|
C
|
Low
|
518
|
Paul Guyer
|
443
|
14
|
Stub
|
Low
|
519
|
George Dickie (philosopher)
|
441
|
14
|
Stub
|
Low
|
520
|
Vladimir Odoyevsky
|
438
|
14
|
Start
|
Low
|
521
|
Romanticism in Scotland
|
437
|
14
|
GA
|
Low
|
522
|
Władysław Tatarkiewicz
|
427
|
13
|
Start
|
Low
|
523
|
Lev Kreft
|
418
|
13
|
Stub
|
Low
|
524
|
Albert Caraco
|
415
|
13
|
Start
|
Low
|
525
|
Art and morality
|
414
|
13
|
Stub
|
Mid
|
526
|
Languages of Art
|
414
|
13
|
Stub
|
Low
|
527
|
Birmingham Set
|
413
|
13
|
Start
|
Low
|
528
|
Feminist art movement in the United States
|
410
|
13
|
Start
|
Low
|
529
|
Jerrold Levinson
|
409
|
13
|
Stub
|
Low
|
530
|
The Differend
|
407
|
13
|
Stub
|
Low
|
531
|
Four Dissertations
|
406
|
13
|
Stub
|
Low
|
532
|
Amie Thomasson
|
405
|
13
|
Stub
|
Low
|
533
|
Francesco de Sanctis
|
403
|
13
|
Stub
|
Low
|
534
|
Jean Grenier
|
402
|
12
|
Stub
|
Low
|
535
|
Irrealism (philosophy)
|
399
|
12
|
Start
|
Mid
|
536
|
Street poster art
|
398
|
12
|
Start
|
Low
|
537
|
Figuration Libre
|
391
|
12
|
Stub
|
Low
|
538
|
Digital sublime
|
387
|
12
|
Start
|
Low
|
539
|
Ancient aesthetics
|
385
|
12
|
Start
|
Low
|
540
|
Absurd
|
383
|
12
|
Disambig
|
NA
|
541
|
Carl Dahlhaus
|
377
|
12
|
B
|
Low
|
542
|
The Oldest Systematic Program of German Idealism
|
374
|
12
|
Stub
|
Low
|
543
|
Feminist aesthetics
|
372
|
12
|
C
|
Low
|
544
|
Brian Boyd
|
368
|
11
|
Start
|
Low
|
545
|
Sean Dorrance Kelly
|
368
|
11
|
Start
|
Low
|
546
|
Margaret MacDonald (philosopher)
|
367
|
11
|
C
|
Low
|
547
|
Xiaozi
|
366
|
11
|
Stub
|
Low
|
548
|
Psychic distance
|
358
|
11
|
Start
|
Mid
|
549
|
Utamakura
|
357
|
11
|
Start
|
Mid
|
550
|
Karl Rosenkranz
|
356
|
11
|
Start
|
Low
|
551
|
Timeline of German idealism
|
342
|
11
|
Stub
|
Low
|
552
|
Epic and Novel
|
341
|
11
|
Start
|
Low
|
553
|
Formal balance
|
338
|
10
|
Stub
|
Low
|
554
|
Beuron Art School
|
336
|
10
|
Start
|
Low
|
555
|
Irrealism (the arts)
|
336
|
10
|
Start
|
Low
|
556
|
Michael J. Shapiro
|
336
|
10
|
Stub
|
Low
|
557
|
Northwest School (art)
|
334
|
10
|
C
|
Low
|
558
|
Abstract illusionism
|
332
|
10
|
Stub
|
Low
|
559
|
Liu Xiaofeng (academic)
|
331
|
10
|
Stub
|
Low
|
560
|
Joseph Margolis
|
321
|
10
|
C
|
Low
|
561
|
Iain Thomson
|
321
|
10
|
Stub
|
Low
|
562
|
Imagines (work by Philostratus)
|
319
|
10
|
Stub
|
Low
|
563
|
Wilhelm Heinrich Wackenroder
|
319
|
10
|
Start
|
Low
|
564
|
Nikolas Kompridis
|
315
|
10
|
C
|
Low
|
565
|
Yuriko Saito
|
313
|
10
|
Start
|
Low
|
566
|
Jan Mukařovský
|
313
|
10
|
Stub
|
Low
|
567
|
Fernando González (writer)
|
309
|
9
|
C
|
Low
|
568
|
Natural design
|
305
|
9
|
Stub
|
Low
|
569
|
Levels of adequacy
|
304
|
9
|
Start
|
Low
|
570
|
Essays, Moral, Political, and Literary
|
299
|
9
|
Stub
|
Low
|
571
|
Aesthetics of nature
|
298
|
9
|
Start
|
Low
|
572
|
Processing fluency theory of aesthetic pleasure
|
297
|
9
|
Start
|
Low
|
573
|
Peter Kivy
|
297
|
9
|
Stub
|
Low
|
574
|
Marshall McLuhan bibliography
|
297
|
9
|
List
|
Low
|
575
|
Truth claim (photography)
|
296
|
9
|
Start
|
Low
|
576
|
The Cubist Painters, Aesthetic Meditations
|
292
|
9
|
B
|
Low
|
577
|
Henri Focillon
|
290
|
9
|
Stub
|
Low
|
578
|
Metarealism
|
290
|
9
|
Start
|
Low
|
579
|
La Maison Cubiste
|
284
|
9
|
B
|
Low
|
580
|
Aesthetics of science
|
281
|
9
|
Stub
|
Low
|
581
|
Paul Mattick Jr.
|
281
|
9
|
Stub
|
Low
|
582
|
The Literary Mind and the Carving of Dragons
|
280
|
9
|
Start
|
Mid
|
583
|
Luigi Pareyson
|
280
|
9
|
Stub
|
Low
|
584
|
Moscow Conceptualists
|
280
|
9
|
Stub
|
Low
|
585
|
Tudor Vianu
|
278
|
8
|
Start
|
Low
|
586
|
Lydia Goehr
|
271
|
8
|
Start
|
Low
|
587
|
Morris Weitz
|
270
|
8
|
C
|
Mid
|
588
|
Claire Colebrook
|
268
|
8
|
Start
|
Mid
|
589
|
Metabasis paradox
|
267
|
8
|
C
|
Low
|
590
|
Artistic revolution
|
262
|
8
|
Start
|
Low
|
591
|
Antwerp school
|
261
|
8
|
Start
|
Low
|
592
|
Charles Batteux
|
261
|
8
|
Start
|
Low
|
593
|
Irving Singer
|
259
|
8
|
Stub
|
Low
|
594
|
Max Bense
|
259
|
8
|
Start
|
Low
|
595
|
Friedrich Theodor Vischer
|
256
|
8
|
Start
|
Low
|
596
|
Philosophy in a New Key
|
253
|
8
|
Stub
|
Low
|
597
|
Superfiction
|
252
|
8
|
Start
|
Low
|
598
|
Max Dessoir
|
250
|
8
|
Stub
|
Low
|
599
|
Taruho Inagaki
|
248
|
8
|
Stub
|
Low
|
600
|
Art theory
|
248
|
8
|
Redirect
|
NA
|
601
|
Neo-primitivism
|
247
|
7
|
Redirect
|
NA
|
602
|
Ontopoetics
|
245
|
7
|
C
|
Low
|
603
|
Douglas Moggach
|
240
|
7
|
C
|
Low
|
604
|
Aesthetic relativism
|
238
|
7
|
Stub
|
High
|
605
|
Gernot Böhme
|
236
|
7
|
Stub
|
Low
|
606
|
Frank Sibley (philosopher)
|
233
|
7
|
Start
|
Low
|
607
|
Liu Xie
|
231
|
7
|
Stub
|
Low
|
608
|
Thierry de Duve
|
229
|
7
|
Stub
|
Low
|
609
|
Poet as legislator
|
229
|
7
|
Start
|
Low
|
610
|
Mikhail Lifshitz
|
224
|
7
|
Stub
|
Low
|
611
|
Rotation method
|
222
|
7
|
Stub
|
Low
|
612
|
Elegant
|
222
|
7
|
Redirect
|
NA
|
613
|
Stroganov School
|
221
|
7
|
Stub
|
Low
|
614
|
Zhe school (painting)
|
218
|
7
|
Stub
|
Low
|
615
|
Stephen Pepper
|
217
|
7
|
Start
|
Mid
|
616
|
Andrew Bowie (philosopher)
|
215
|
6
|
Start
|
Low
|
617
|
Emanuele Tesauro
|
213
|
6
|
B
|
Low
|
618
|
Albrecht Wellmer
|
209
|
6
|
Start
|
Low
|
619
|
Stephen Mumford
|
206
|
6
|
C
|
Low
|
620
|
François Zourabichvili
|
205
|
6
|
Stub
|
Low
|
621
|
Rodolphe Gasché
|
205
|
6
|
Start
|
Low
|
622
|
Roger de Piles
|
204
|
6
|
Start
|
Low
|
623
|
Stephen Davies (philosopher)
|
202
|
6
|
Start
|
Low
|
624
|
David Prall
|
201
|
6
|
Start
|
Low
|
625
|
Decadentism
|
201
|
6
|
Redirect
|
Low
|
626
|
Theodor W. Adorno bibliography
|
199
|
6
|
List
|
Mid
|
627
|
Ásta Kristjana Sveinsdóttir
|
196
|
6
|
Stub
|
Low
|
628
|
African aesthetic
|
196
|
6
|
Start
|
Mid
|
629
|
Jerry Farber
|
196
|
6
|
Start
|
Low
|
630
|
Paul Crowther
|
193
|
6
|
Start
|
Low
|
631
|
Edmund Gurney
|
191
|
6
|
Start
|
Low
|
632
|
Tom Cohen
|
191
|
6
|
Stub
|
Low
|
633
|
Black Artists Group
|
189
|
6
|
Stub
|
Low
|
634
|
Edward Bullough
|
183
|
5
|
C
|
Mid
|
635
|
Acharya Vamana
|
183
|
5
|
Stub
|
Low
|
636
|
David Carrier
|
181
|
5
|
Start
|
Low
|
637
|
Akira Asada
|
181
|
5
|
Stub
|
Low
|
638
|
Tomonobu Imamichi
|
178
|
5
|
Start
|
Low
|
639
|
Lectures and Conversations on Aesthetics, Psychology, and Religious Belief
|
177
|
5
|
Stub
|
Low
|
640
|
Social information processing
|
175
|
5
|
Stub
|
Low
|
641
|
The Longing for Less
|
172
|
5
|
Stub
|
Low
|
642
|
Hubert Damisch
|
172
|
5
|
Stub
|
Low
|
643
|
Karl Wilhelm Ferdinand Solger
|
170
|
5
|
Stub
|
Low
|
644
|
Albert (short story)
|
169
|
5
|
Stub
|
Low
|
645
|
Female epic
|
167
|
5
|
Start
|
Low
|
646
|
Bill Martin (philosopher)
|
165
|
5
|
Stub
|
Low
|
647
|
Christine Buci-Glucksmann
|
162
|
5
|
Start
|
Low
|
648
|
Institutional theory of art
|
161
|
5
|
Redirect
|
NA
|
649
|
Peter Lamarque
|
160
|
5
|
Start
|
Low
|
650
|
Peter Serracino Inglott
|
159
|
5
|
Start
|
Low
|
651
|
Les Plasticiens
|
158
|
5
|
Start
|
Low
|
652
|
Peter Trawny
|
158
|
5
|
Start
|
Low
|
653
|
Nkiru Nzegwu
|
158
|
5
|
Stub
|
Low
|
654
|
Jody Azzouni
|
157
|
5
|
Stub
|
Low
|
655
|
Elisabeth Camp
|
155
|
5
|
C
|
Low
|
656
|
Index of aesthetics articles
|
155
|
5
|
List
|
High
|
657
|
New York Figurative Expressionism
|
154
|
4
|
Start
|
Low
|
658
|
Stephen R. Marquardt
|
153
|
4
|
Stub
|
Low
|
659
|
Solomiia Pavlychko
|
149
|
4
|
Start
|
Low
|
660
|
Thorsten Botz-Bornstein
|
146
|
4
|
Stub
|
Low
|
661
|
Christopher Janaway
|
144
|
4
|
Stub
|
Low
|
662
|
Isaac Passy
|
139
|
4
|
Stub
|
Low
|
663
|
Gregory Currie
|
139
|
4
|
Start
|
Low
|
664
|
François Hemsterhuis
|
137
|
4
|
Start
|
Low
|
665
|
The Journal of Aesthetics and Art Criticism
|
136
|
4
|
Stub
|
Low
|
666
|
Karl Ameriks
|
136
|
4
|
Stub
|
Low
|
667
|
Wolfgang Fritz Haug
|
134
|
4
|
Start
|
Low
|
668
|
Spanish Eclecticism
|
132
|
4
|
Start
|
Low
|
669
|
On the Aesthetic Education of Man
|
131
|
4
|
Redirect
|
Low
|
670
|
Metaphysical aesthetics
|
131
|
4
|
C
|
Low
|
671
|
Dadaglobe
|
131
|
4
|
B
|
Low
|
672
|
Timothy Binkley
|
130
|
4
|
Stub
|
Low
|
673
|
Antonio Caso Andrade
|
130
|
4
|
Start
|
Mid
|
674
|
Ronald Paulson
|
129
|
4
|
Start
|
Low
|
675
|
Biographical fallacy
|
129
|
4
|
Stub
|
Low
|
676
|
Critical Essays (Orwell)
|
127
|
4
|
Start
|
Low
|
677
|
Carlin Romano
|
126
|
4
|
Stub
|
Low
|
678
|
John Rajchman
|
125
|
4
|
Stub
|
Low
|
679
|
Peter Goldie
|
125
|
4
|
Stub
|
Low
|
680
|
Anna Tumarkin
|
124
|
4
|
B
|
Low
|
681
|
Musical historicism
|
124
|
4
|
Start
|
Low
|
682
|
Daya Krishna
|
123
|
3
|
Stub
|
Low
|
683
|
Georg Friedrich Meier
|
122
|
3
|
Stub
|
Low
|
684
|
Art and Scholasticism
|
122
|
3
|
Stub
|
Low
|
685
|
Jeremy J. Shapiro
|
119
|
3
|
Start
|
Low
|
686
|
Adolfo Sánchez Vázquez
|
118
|
3
|
Stub
|
Low
|
687
|
Curt John Ducasse
|
118
|
3
|
Stub
|
Low
|
688
|
Virgil Aldrich
|
118
|
3
|
Start
|
Low
|
689
|
The Papers of Thomas Jefferson
|
117
|
3
|
Start
|
Low
|
690
|
Louis Mink
|
116
|
3
|
Start
|
Low
|
691
|
Stupid (art movement)
|
116
|
3
|
Stub
|
Low
|
692
|
Philosophy and Literature
|
115
|
3
|
Stub
|
Low
|
693
|
Nadežda Čačinovič
|
115
|
3
|
Start
|
Low
|
694
|
Al-Bu'd al-Wahad
|
114
|
3
|
C
|
Low
|
695
|
Déprimisme
|
113
|
3
|
Stub
|
Low
|
696
|
James Tartaglia
|
112
|
3
|
Start
|
Low
|
697
|
Aesthetic of Ugliness
|
112
|
3
|
Stub
|
Low
|
698
|
Christoph Wulf
|
112
|
3
|
Stub
|
Low
|
699
|
Calvin Seerveld
|
112
|
3
|
Stub
|
Low
|
700
|
The Range of Reason
|
111
|
3
|
Stub
|
Mid
|
701
|
Georg Anton Friedrich Ast
|
110
|
3
|
Start
|
Low
|
702
|
Lessons on the Analytic of the Sublime
|
109
|
3
|
Stub
|
Mid
|
703
|
Valentin Feldman
|
108
|
3
|
Start
|
Low
|
704
|
On Grace and Dignity
|
107
|
3
|
Stub
|
Low
|
705
|
Predrag Finci
|
106
|
3
|
Stub
|
Low
|
706
|
Rapture (aesthetics)
|
106
|
3
|
C
|
Low
|
707
|
Suspense fiction
|
105
|
3
|
Redirect
|
Low
|
708
|
Art Deco in Durban
|
105
|
3
|
Start
|
Low
|
709
|
Communication aesthetics
|
105
|
3
|
Start
|
Low
|
710
|
Philip Wheelwright
|
104
|
3
|
Stub
|
Mid
|
711
|
Ticio Escobar
|
102
|
3
|
C
|
Low
|
712
|
List of art critics
|
101
|
3
|
List
|
Low
|
713
|
Heinrich Gustav Hotho
|
100
|
3
|
Stub
|
Low
|
714
|
Visual ethics
|
99
|
3
|
Start
|
Low
|
715
|
Elisabeth Schellekens
|
97
|
3
|
Stub
|
Low
|
716
|
Ivan Sviták
|
97
|
3
|
Start
|
Low
|
717
|
Richard Eldridge
|
96
|
3
|
Stub
|
Low
|
718
|
Albert Hofstadter
|
96
|
3
|
Start
|
Low
|
719
|
Abstract Imagists
|
95
|
3
|
Start
|
Low
|
720
|
Geoffrey Galt Harpham
|
94
|
3
|
Stub
|
Low
|
721
|
Martin Foss
|
94
|
3
|
C
|
Low
|
722
|
Robert Hopkins (philosopher)
|
94
|
3
|
Stub
|
Low
|
723
|
Modular constructivism
|
93
|
3
|
Start
|
Low
|
724
|
Ivan Soll
|
93
|
3
|
Stub
|
Low
|
725
|
James M. Edie
|
92
|
2
|
Start
|
Low
|
726
|
Giovanna Borradori
|
89
|
2
|
Stub
|
Low
|
727
|
Caroline Joan S. Picart
|
88
|
2
|
C
|
Low
|
728
|
Eddy Zemach
|
88
|
2
|
Stub
|
Low
|
729
|
Antanas Andrijauskas
|
87
|
2
|
Start
|
Low
|
730
|
Literary merit
|
85
|
2
|
Redirect
|
Mid
|
731
|
Valentin Asmus (philosopher)
|
85
|
2
|
Start
|
Low
|
732
|
Alexander Gerard
|
85
|
2
|
Start
|
Low
|
733
|
Zinaida Ignatyeva
|
84
|
2
|
Stub
|
Low
|
734
|
Rocío Orsi
|
84
|
2
|
Start
|
Low
|
735
|
Cultura (journal)
|
82
|
2
|
Stub
|
Low
|
736
|
Margret Grebowicz
|
81
|
2
|
Start
|
Low
|
737
|
Fabienne Brugère
|
80
|
2
|
C
|
Low
|
738
|
Julius von Kirchmann
|
80
|
2
|
Stub
|
Low
|
739
|
Herbert Morris (philosopher)
|
80
|
2
|
Stub
|
Low
|
740
|
Gloria Feman Orenstein
|
79
|
2
|
C
|
Low
|
741
|
American Society for Aesthetics
|
79
|
2
|
Stub
|
Low
|
742
|
Aesthetic absolutism
|
79
|
2
|
Start
|
High
|
743
|
Bernhard Alexander
|
78
|
2
|
Start
|
Low
|
744
|
Theodor Mundt
|
77
|
2
|
Stub
|
Low
|
745
|
Colin Radford
|
77
|
2
|
Stub
|
Low
|
746
|
Vasily Seseman
|
77
|
2
|
Start
|
Low
|
747
|
Aloys Hirt
|
74
|
2
|
Start
|
Low
|
748
|
What is a Masterpiece?
|
73
|
2
|
Start
|
Low
|
749
|
Attractiveness
|
73
|
2
|
Redirect
|
NA
|
750
|
Panait Cerna
|
72
|
2
|
GA
|
Low
|
751
|
Karl Wilhelm Ramler
|
70
|
2
|
Stub
|
Low
|
752
|
Ewa Ziarek
|
68
|
2
|
Start
|
Low
|
753
|
Federico Ferrari
|
68
|
2
|
Start
|
Low
|
754
|
Emily Brady
|
68
|
2
|
Stub
|
Low
|
755
|
British Society of Aesthetics
|
67
|
2
|
Stub
|
Low
|
756
|
James Creed Meredith
|
66
|
2
|
Start
|
Low
|
757
|
Thomas Munro (art historian)
|
66
|
2
|
Start
|
Mid
|
758
|
Julius Moravcsik
|
64
|
2
|
Start
|
Low
|
759
|
Dual-character concept
|
62
|
2
|
Stub
|
Low
|
760
|
Dewitt H. Parker
|
61
|
1
|
Stub
|
Low
|
761
|
Michael Krausz
|
61
|
1
|
Start
|
Low
|
762
|
Carmel Berkson
|
61
|
1
|
Stub
|
Low
|
763
|
Leonid Stolovich
|
60
|
1
|
Stub
|
Low
|
764
|
List of culturally linked qualities of music
|
60
|
1
|
List
|
Low
|
765
|
Michael Sprinker
|
60
|
1
|
Stub
|
Low
|
766
|
Ernst von Lasaulx
|
58
|
1
|
Stub
|
Low
|
767
|
Jacqueline Lichtenstein
|
58
|
1
|
Start
|
Low
|
768
|
Cynthia Nielsen
|
58
|
1
|
C
|
Low
|
769
|
Masakazu Nakai
|
57
|
1
|
Stub
|
Low
|
770
|
British Journal of Aesthetics
|
57
|
1
|
Stub
|
Low
|
771
|
John P. Anton
|
56
|
1
|
Stub
|
Low
|
772
|
Józef Kremer
|
55
|
1
|
Start
|
Low
|
773
|
Encyclopedia of Aesthetics
|
55
|
1
|
Start
|
Low
|
774
|
Stephen David Ross
|
55
|
1
|
Stub
|
Low
|
775
|
Kunstreligion
|
54
|
1
|
Stub
|
Low
|
776
|
Eastern Group of Painters
|
53
|
1
|
Stub
|
Low
|
777
|
Hermann Theodor Hettner
|
51
|
1
|
B
|
Low
|
778
|
Volker Gerhardt
|
50
|
1
|
Stub
|
Low
|
779
|
José María Valverde
|
50
|
1
|
C
|
Low
|
780
|
Inconnu Independent Art Group
|
50
|
1
|
Stub
|
Low
|
781
|
Marcus Steinweg
|
49
|
1
|
Stub
|
Low
|
782
|
Arnór Hannibalsson
|
49
|
1
|
Stub
|
Low
|
783
|
George Lansing Raymond
|
48
|
1
|
Start
|
Low
|
784
|
Melvin Rader
|
48
|
1
|
C
|
Low
|
785
|
Alejandro Deustua
|
47
|
1
|
Stub
|
Low
|
786
|
D. I. Suchianu
|
47
|
1
|
B
|
Low
|
787
|
Yiannis Psychopedis
|
46
|
1
|
Stub
|
Low
|
788
|
Journal of Philosophy of Education
|
43
|
1
|
Stub
|
Low
|
789
|
Littoral art
|
43
|
1
|
Stub
|
Low
|
790
|
Yacouba Konaté
|
42
|
1
|
Start
|
Low
|
791
|
Léon Dumont
|
42
|
1
|
Start
|
Low
|
792
|
Charles Lalo
|
41
|
1
|
Stub
|
Low
|
793
|
Peter Lunenfeld
|
41
|
1
|
Start
|
Low
|
794
|
Presentationism
|
41
|
1
|
Stub
|
Low
|
795
|
International Association of Empirical Aesthetics
|
40
|
1
|
Start
|
Low
|
796
|
Rachida Triki
|
40
|
1
|
Start
|
Low
|
797
|
John Mueller Anderson
|
39
|
1
|
Stub
|
Low
|
798
|
Galen Johnson
|
39
|
1
|
Stub
|
Low
|
799
|
Curtis L. Carter
|
38
|
1
|
Stub
|
Low
|
800
|
Ruth L. Saw
|
38
|
1
|
Start
|
Low
|
801
|
Karl Heinrich Heydenreich
|
37
|
1
|
Stub
|
Low
|
802
|
Helen Knight
|
37
|
1
|
Start
|
Low
|
803
|
Warren Shibles
|
36
|
1
|
Stub
|
Low
|
804
|
Josefina Ayerza
|
36
|
1
|
Stub
|
Low
|
805
|
Tasos Zembylas
|
35
|
1
|
Stub
|
Low
|
806
|
Quirino Principe
|
35
|
1
|
Start
|
Low
|
807
|
Richard Müller-Freienfels
|
34
|
1
|
Stub
|
Low
|
808
|
Arto Haapala
|
34
|
1
|
Stub
|
Low
|
809
|
Jill Marsden (scholar)
|
33
|
1
|
Stub
|
Low
|
810
|
Dumitru D. Roșca
|
32
|
1
|
Stub
|
Low
|
811
|
Laurent Gervereau
|
30
|
0
|
Start
|
Low
|
812
|
Jovan Došenović
|
29
|
0
|
Start
|
Low
|
813
|
Norbert-Bertrand Barbe
|
29
|
0
|
Start
|
Low
|
814
|
Madeleine Doran
|
29
|
0
|
Stub
|
Low
|
815
|
Nelson Thomas Potter Jr.
|
29
|
0
|
Start
|
Low
|
816
|
Viktor Bychkov (philosopher)
|
27
|
0
|
C
|
Low
|
817
|
Max Loreau
|
27
|
0
|
Start
|
Low
|
818
|
Rupert Lodge
|
26
|
0
|
Stub
|
Low
|
819
|
Versatilist manifesto
|
26
|
0
|
Start
|
Low
|
820
|
Lonergan Institute
|
25
|
0
|
Stub
|
Low
|
821
|
Georg Mehlis
|
24
|
0
|
Stub
|
Low
|
822
|
James DiGiovanna
|
24
|
0
|
Start
|
Low
|
823
|
Nespelem (art)
|
23
|
0
|
Stub
|
Low
|
824
|
Heinrich Lützeler
|
23
|
0
|
Start
|
Low
|
825
|
Wilhelm Fridolin Volkmann
|
22
|
0
|
Stub
|
Low
|
826
|
Dato Barbakadze
|
22
|
0
|
Stub
|
Low
|
827
|
Art of murder
|
21
|
0
|
Disambig
|
NA
|
828
|
Giuseppe Di Giacomo
|
20
|
0
|
Start
|
Low
|
829
|
Second-order simulacra
|
18
|
0
|
Redirect
|
Low
|
830
|
Rainer Rochlitz
|
18
|
0
|
Stub
|
Low
|
831
|
Archestratus (music theorist)
|
17
|
0
|
Start
|
Low
|
832
|
Ömer Naci Soykan
|
17
|
0
|
Start
|
Low
|
833
|
Ferdinand Gotthelf Hand
|
17
|
0
|
Start
|
Low
|
834
|
Géza Fodor (philosopher)
|
16
|
0
|
Stub
|
Low
|
835
|
Luis Oyarzún Peña
|
16
|
0
|
Start
|
Low
|
836
|
Menachem Brinker
|
16
|
0
|
Start
|
Low
|
837
|
Formalesque
|
16
|
0
|
Start
|
Low
|
838
|
Jerry Balmuth
|
16
|
0
|
Start
|
Low
|
839
|
Michel Guiomar
|
16
|
0
|
Stub
|
Low
|
840
|
Carl Günther Ludovici
|
14
|
0
|
Stub
|
Low
|
841
|
Mikhail Ovsyannikov
|
14
|
0
|
Stub
|
Low
|
842
|
Joseph Hillebrand
|
14
|
0
|
Stub
|
Low
|
843
|
Jean Poirier (ethnologist)
|
14
|
0
|
Start
|
Low
|
844
|
Jean Soldini
|
14
|
0
|
Stub
|
Low
|
845
|
Rafaël Pividal
|
13
|
0
|
Start
|
Low
|
846
|
Œuvre
|
11
|
0
|
Redirect
|
NA
|
847
|
Contemporary Debates in Aesthetics and the Philosophy of Art
|
11
|
0
|
Stub
|
Low
|
848
|
International Society for Philosophy of Music Education
|
11
|
0
|
Stub
|
Low
|
849
|
Maximilian Balzan
|
11
|
0
|
Stub
|
Low
|
850
|
Concepts in aesthetics
|
10
|
0
|
Redirect
|
NA
|
851
|
Milan Damnjanović (philosopher)
|
10
|
0
|
Stub
|
Low
|
852
|
International Institute of Applied Aesthetics
|
8
|
0
|
Stub
|
Low
|
853
|
Elena Topuridze
|
7
|
0
|
Start
|
Low
|
854
|
Theodor Wilhelm Danzel
|
7
|
0
|
Stub
|
Low
|
855
|
Philippe Nys
|
6
|
0
|
Start
|
Low
|
856
|
Max Wykes-Joyce
|
6
|
0
|
Stub
|
Low
|
857
|
Interracial attraction
|
5
|
0
|
Redirect
|
Low
|
858
|
Post-futurism
|
3
|
0
|
Redirect
|
Low
|
859
|
Objectivism in Canada
|
2
|
0
|
Redirect
|
NA
|
860
|
Worst sitcoms
|
2
|
0
|
Redirect
|
NA
|
861
|
Manifestations of postmodernism
|
0
|
0
|
Redirect
|
NA
|