List of compositions by Johann Sebastian Bach

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Canon triplex a 6: first printed in 1747 (below), it appears on both versions of the portrait Haussmann made of Bach (1746, 1748 – above). In the 19th-century Bach Gesellschaft edition the canon was published in Volume 451, p. 138. In 1950 the piece was assigned the number 1076 in Schmieder's catalogue of Bach's works (BWV). The 1998 edition of that catalogue (BWV2a) mentions Haussmann's paintings as original sources for the work (p. 438), and likewise the Bach Digital website gives a description of both paintings as sources for the piece (linked from Bach Digital Work page 1262).

There are over 1000 known compositions by Johann Sebastian Bach. Nearly all of them are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Listing Bach's compositions[edit]

The earliest lists of Bach's compositions are given by his biographers, starting from his obituary which gives a list of instrumental works printed during the composer's lifetime (from Clavier-Übung I to The Art of Fugue), followed by a list which groups other types of compositions he wrote. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same setup: its ninth chapter first lists printed works (adding four-part chorales that were published in the second half of the 18th century), followed by a rough overview of the unpublished ones. In the first half of the 19th century more works were published, so the next biographies (Schauer and Hilgenfeldt in 1850) had more elaborate appendices listing printed works, referring to these works by publisher, and the number or page number given to the works in these publications. So, for example, the Prelude and Fugue in E-flat major can be indicated as "C. F. Peters Vol. III No. 1", or any of the variants ("Griepenkerl and Roitzsch Vol. 3 p. 2", "Peters Book 242 p. 2", "P. S. V., Cah. 3 (242), No. 1", etc.)

BG[edit]

The Prelude in F minor of The Well-Tempered Clavier book 1, in the BGA known as Vol. 14, p. 44, over eighty years before it got the number 857 in the Bach-Werke-Verzeichnis

In the second half of the 19th century the Bach-Gesellschaft (BG) published all of Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA).[1] This offered a unique identification of all of Bach's known works, a system that was quickly adopted, for instance by the biographers: Philipp Spitta used it complementarily to the Peters' edition numbering for the BG volumes that had appeared when he was writing his Bach-biography in the second half of the 19th century (e.g. "B. G., III., p. 173" for the above-mentioned Prelude in E-flat major), and Terry used it in the third Appendix to his 20th-century translation of Forkel's biography.[2]

But there was still a lot of confusion: some authors preferred to list Bach's works according to Novello's editions, or Augener's, or Schirmer's,... giving rise to various conversion tables at the end of books on Bach's compositions (e.g. Harvey Grace's in a 1922 book on Bach's organ compositions)

NBG[edit]

In 1900 the BG published its last volume, and dissolved itself, as its primary goal, publishing all of Bach's known works, was accomplished. The BG was succeeded by the Neue Bachgesellschaft (NBG), with a new set of goals (Bach yearbook, Bach festivals, Bach museum). Occasionally however the NBG published newly discovered works, or variants not published in the BGA. For instance the 1740s version of O Jesu Christ, meins Lebens Licht was published in NBG XVII1 in 1916 (the 1730s version of the same piece, with a different orchestration, had been published in BG 24, pp. 185–192).[2]

BWV[edit]

In 1950 the Bach-Werke-Verzeichnis (BWV) was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following BG for the collation (e.g. BG cantata number = BWV number of the cantata):[3]

The BWV is a thematic catalogue, thus it identifies every movement of every composition by its first measures, like the opening of BWV 1006, movement 2 (Loure) above
  1. Kantaten (Cantatas), BWV 1–224
  2. Motetten (Motets), BWV 225–231
  3. Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243
  4. Passionen, Oratorien (Passions, Oratorios), BWV 244–249
  5. Vierstimmige Choräle (Four-part chorales), BWV 250–438
  6. Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524
  7. Werke für Orgel (Works for organ), BWV 525–771
  8. Werke für Klavier (Keyboard compositions), BWV 772–994
  9. Werke für Laute (Lute compositions), BWV 995–1000
  10. Kammermusik (Chamber music), BWV 1001–1040
  11. Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071)
  12. Kanons (Canons), BWV 1072–1078
  13. Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080

For instance, the Prelude and Fugue in E-flat major now became BWV 552, situated in the range of the works for organ. In contrast to other catalogues such as the Köchel catalogue for Mozart's compositions there is no attempt at chronological organization in the BWV numbering, for instance BWV 992 is an early composition by Bach. Exceptionally BWV numbers are also indicated as Schmieder (S) numbers (e.g. S. 225 = BWV 225).[4]

Another consequence of the ordering principles of the BWV was that it tore known collections apart, for instance Clavier-Übung III was partly in the organ compositions range (BWV 552 and 669–689), with the four duets listed among the keyboard compositions (BWV 802–805).

BWV Anh.[edit]

The Anhang (Anh.), i.e. Appendix, of the BWV listed works that were not suitable for the main catalogue, in three sections:

Within each section of the Anhang the works are sorted by genre, following the same sequence of genres as the main catalogue.

BWV2a[edit]

Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the Anhang. A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. For example, BWV 11, formerly listed as a Cantata, was moved to the fourth chapter of the main catalogue as an Oratorio. Rather than renumbering a composition, an arrow indicated where the composition was inserted: "BWV 11/249b->" meaning "BWV 11, inserted after BWV 249b" (4th chapter). Similarly, BWV 1083/243a-> meant BWV 1083, inserted after BWV 243a (3rd chapter). Also authenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "BWV Anh. II 114" became "Anh. II 114/Anh. III 183-> indicating it was now considered a spurious work.[5]

In 1998 Alfred Dürr and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV2a, contained a few further updates and collation rearrangements.[6]

New additions (Nachträge) to BWV2/BWV2a included:

A few exceptions to the principle that compositions weren't renumbered were when a composition from the Anhang could be recovered and/or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV2) → BWV 1121 (BWV2a, where it is in section 7 as a work for organ).[7]

Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. Examples:

Some versions were completely removed from the catalogue, e.g. BWV 655b and c

Slashes indicate movements: e.g. BWV 149/1 indicates the first movement of the Cantata BWV 149. Another example: the Agnus Dei of the Mass in B minor can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232IV/4 (BWV 232, fourth movement of Part IV)

21st-century additions[edit]

Numbers above BWV 1126 were added in the 21st century.

Reconstructed versions[edit]

An upper case R added to a BWV number indicates a reconstructed version, that is a conjectured earlier version of a known composition. One of such reconstructions, the Concerto for oboe and violin, as published in NBA VII/7 (Supplement) p. 75, based on the double harpsichord concerto BWV 1060, is known as BWV 1060R.

NBA[edit]

The NBA illustrates its score editions with facsimiles from manuscripts or contemporary editions: for instance NBA Series IV Volume 4 (Clavier-Übung III) contains a facsimile of the title page of the 1739 first edition of that collection.

In the meantime, the New Bach Edition (Neue Bach-Ausgabe, abbreviated as NBA) was being published,[8] offering a new system to refer to Bach's works, e.g. NBA IV/4: 2, 105, which is Series IV, Volume 4, p. 2 (Prelude) and p. 105 (Fugue), for BWV 552.

NBArev[edit]

Some years after the completion of the NBA in 2007 its publisher Bärenreiter joined with the Bach Archive again to publish revised editions of some of Bach's scores. These revised editions, aligning with the NBA editions (format, layout), but outside that group of publications, were published under the name Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition (Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke – Revidierte Edition), in short: New Bach Edition – Revised (Neue Bach-Ausgabe – Revidierte Edition), abbreviated as NBArev. Where the original NBA editions were exclusively in German, the volumes of the Revised series have their introductions both in German and English. Its first volume, NBArev 1, was a new edition of the Mass in B minor, appearing in 2010.[9]

BC[edit]

The Bach Compendium (BC), a catalogue covering Bach's vocal works, was published in 1985.[10] Occasionally works that have no BWV number can be identified by their BC number, e.g. BC C 8 for "Der Gerechte kömmt um" an arrangement attributed to Bach on stylistic grounds, however unmentioned in the BWV.[11]

BNB[edit]

Bachs Notenbibliothek (BNB) is a list of works Bach had at his disposition. Works of other composers which were arranged by Bach and/or which he (had) copied for performance usually have a BNB number.[12]

SBB[edit]

The Berlin State Library (Staatsbibliothek zu Berlin = SBB) holds an important collection of composition manuscripts relating to Bach. Some versions of works are best known by their principal manuscript in the SBB, for instance BWV 525a = SBB St 345, or according to the abbreviations used at the Bach-digital website D-B Mus. ms. Bach St 345

BD[edit]

The Bach Digital website provides on-line images of Bach's manuscripts and other primary documents, for instance the page for BWV 639 (Bach Digital Work 0727) links to the primary source page of SBB P 283 containing an image of Bach's autograph pictured above.

Bach Digital, a website managed by institutes known for their Bach research such as the Leipzig Bach Archive and the SBB, hosts separate pages for compositions by Bach (and by many of his relatives). The static URLs for these pages start with "http://www.bachdigital.de/receive/BachDigitalWork_work_" and end with an eight-digit number (the first four being trailing zeros for works in the BWV catalogue). Each of these numbers thus identify a work, e.g.:[13]

Apart from later additions and corrections these numbers follow the collation of BWV numbers, however with alternative versions of the same composition inserted immediately after the BWV number of the composition to which they belong, e.g.:

An example of a later addition/correction:

  • BWV Anh. 71 → renumbered to BWV 1128 → new Bach Digital Work number beyond the one for BWV Anh. 213: BDW 1725

Primary sources described on separate webpages (many with a facsimile of the original source) similarly have a unique number, which preceded by "http://www.bachdigital.de/receive/BachDigitalSource_source_" gives the static URL for that page, e.g.

By opus number, and chronological lists[edit]

Title page of Bach's Opus 1 (Clavier-Übung I, 1731), the only time he seems to have used an opus number

Apart from indicating his first published keyboard composition as Opus 1, Bach didn't use opus numbers, so Bach's works can't be listed by Opus number. Lists following publication chronologies are for example implied in the first list in Bach's obituary, and BG numbers (within the BGA sequence of publication) – overall lists covering all of Bach's compositions in order of first publication are however not a way Bach's compositions are usually presented.

Listing Bach's works according to their time of composition can't be done comprehensively: for many works the period in which they were composed is a very wide range. For Bach's larger vocal works (cantatas, Passions,...) research has led to some more or less generally accepted chronologies, covering most of these works: a catalogue in this sense is Philippe (and Gérard) Zwang's list giving a chronological number to the cantatas BWV 1–215 and 248–249.[14] This list was published in 1982 as Guide pratique des cantates de Bach in Paris, ISBN 2-221-00749-2. A revised edition was published in 2005 (ISBN 2747598888).

Other composers[edit]

Various catalogues with works by other composers have intersections with collections of works associated with Bach:[15]

BR-WFB (or) BR 
Bach-Repertorium numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = BR A49
Other BRs:
Fk (or) F 
Falck catalogue numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = F 25/2
Helm numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = H 569
HWV 
Works by George Frideric Handel, e.g. BWV Anh. 106 = HWV 605
TWV 
Compositions by Georg Philipp Telemann, e.g. BWV 824 = TWV 32:14
Warb (or) W 
Warburton numbers for works by Johann Christian Bach, e.g. BWV Anh. II 131 = W A22 (or: Warb A 22)
Wq 
Wotquenne numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = Wq 145

Works in Bach's catalogues and collections[edit]

There are over 1500 works that feature in a catalogue of works by Bach, like the Bach-Werke-Verzeichnis, and/or in a collection of works associated with Bach (e.g. in one of the Notebooks for Anna Magdalena Bach). Of these around a thousand are original compositions by Bach, that is: more than a mere copy or transcription of an earlier work by himself or another composer.

Table sections (collated as in BWV2a for BWV 1–1126 and Anhang)
BWV (original ranges in parentheses)
1. Cantatas (1–224) • 2. Motets (225–231) • 3. Masses, Mass movements, Magnificat (232–243) • 4. Passions, Oratorios (244–249) • 5. Four-part chorales (250–438) • 6. Songs, Arias and Quodlibet (439–524) • 7. Works for organ (525–771) • 8. Keyboard compositions (772–994) • 9. Lute compositions (995–1000) • 10. Chamber music (1001–1040) • 11. Works for orchestra (1041–1071) • 12. Canons (1072–1078) • 13. Musical Offering, The Art of Fugue (1079–1080) • Later additions (1081–...) • Reconstructions
BWV Anhang (Appendix)
I: Lost/fragmentary (1–23) • II: Doubtful (24–155) III: Spurious (156–189) • N: Nachträge (New additions, 190–213)
Not in BWV (BWV deest)
Sorted by BC, BGA, BNB, NBA, etc.
Background colors
color meaning...
green partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision
yellow manuscript (copy) in whole or in part by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. / C. P. E. / J. C. F. / J. Christian) or son-in-law (Altnickol)
orange-brown manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther, ...), or distant family member
Collections
Without resorting the table (i.e. collection kept together in BWV2a)
Cello Suites BWV 1007–1012Christmas Oratorio, BWV 248Clavier-Übung IV = Goldberg Variations BWV 988Inventions BWV 772–786Sinfonias BWV 787–801Sonatas and partitas for solo violin BWV 1001–1006
Using the sort function (not available in all browsers)
See also Legend to the table below
Works in Bach's catalogues and collections
BWV 2a Date Name Key Scoring BG NBA Additional info BD
1. Cantatas (see also: List of Bach cantatas, Church cantata (Bach) and List of secular cantatas by Johann Sebastian Bach) Up ↑
1 1. 1725-03-25 Cantata Wie schön leuchtet der Morgenstern (Annunciation) F major stbSATB 2Hn 2Odc 2Vl Str Bc 1: 1 I/28.2: 3 0001
2 1. 1724-06-18 Cantata Ach Gott, vom Himmel sieh darein (Trinity II) G minor atbSATB 4Tbn 2Ob Str Bc 1: 53 I/16: 81 0002
3 1. 1725-01-14 Cantata Ach Gott, wie manches Herzeleid (Epiphany II) A major satbSATB Hn Tbn 2Oba Str Bc 1: 73 I/5: 189 0003
4 1. 1724-04-09 Cantata Christ lag in Todes Banden (Easter) E minor satbSATB Cnt 3Tbn Str Bc 1: 95 I/9: 1 text by Luther; after BWV 4 (early version) 0004
4, e. v. 1. 1707-04-24 Cantata Christ lag in Todes Banden (Easter; early version, lost) satbSATB 2Vl 2Va Bc I/9 text by Luther; → BWV 4 0005
5 1. 1724-10-15 Cantata Wo soll ich fliehen hin (Trinity XIX) G minor satbSATB Tdt 2Ob Str Bc 1: 125 I/24: 133 0006
6 1. 1725-04-02 Cantata Bleib bei uns, denn es will Abend werden (Easter 2) C minor satbSATB 2Ob Odc Str Vc Bc 1: 151 I/10: 43 BWV 649 0007
7 1. 1724-06-24 Cantata Christ unser Herr zum Jordan kam (24 June: feast of John the Baptist) E minor atbSATB 2Oba 2Vl Str Bc 1: 177 I/29: 25 0008
8, v1 1. 1724-09-24 Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 1st version) E major satbSATB Hn Fl Fl 2Oba Str Bc 1: 211 I/23: 105 BWV 8, v2 0009
8, v2 1. 1747-09-17 Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 2nd version) D major satbSATB Fl 2Oba Tai 2Vl Str Bc I/23: 163 after BWV 8, v1 0010
9 1. 1732-07-20 Cantata Es ist das Heil uns kommen her (Trinity VI) E major satbSATB Fl Oba Str Bc 1: 243 I/17.2: 83 BWV 648 0011
10 1. 1724-07-02 Cantata Meine Seel erhebt den Herren a.k.a. German Magnificat (Visitation) G minor satbSATB Tr 2Ob Str Bc 1: 275 I/28.2: 131 0012
12 1. 1714-04-22

1724-04-30

Cantata Weinen, Klagen, Sorgen, Zagen (Jubilate; two versions) F Dorian

G minor

atbSATB Tr Ob 2Vl 2Va Bas Bc 2: 59

 

I/11.2: 1 text by Franck, S.?; → BWV 69a/6 0014
13 1. 1726-01-20 Cantata Meine Seufzer, meine Tränen (Epiphany II) satbSATB 2Fl Odc Str Bc 2: 79 I/5: 229 text by Lehms (except /6) 0015
14 1. 1735-01-30 Cantata Wär Gott nicht mit uns diese Zeit (Epiphany IV) stbSATB Hn 2Ob Str Bc 2: 99 I/6: 139 0016
16 1. 1726-01-01 Cantata Herr Gott, dich loben wir (New Year/Circumcision) C major atbSATB Hn 2Ob Odc Str Va Bc 2: 173 I/4: 103 text by Lehms 0018
17 1. 1726-09-22 Cantata Wer Dank opfert, der preiset mich (Trinity XIV) satbSATB
2Ob Str Bc
2: 199 I/21: 147 BWV 236/6 0019
18 1. 1724-02-13 Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima) A minor
Kammer-
ton
stbSATB 2Fl Bas 4Va Vc Bc 2: 227 I/7: 107 text by Neumeister; after BWV 18 (early version) 0020
18, e. v. 1. 1715-02-24 Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima; early version) G minor
Chorton
stbSATB Bas 4Va Vc Bc I/7: 81 text by Neumeister; → BWV 18 0021
19 1. 1726-09-29 Cantata Es erhub sich ein Streit (Michaelmas) stbSATB 3Tr Tmp 2Ob 2Oba Tai Str Bc 2: 253 I/30: 55 text by Picander 0022
20 1. 1724-06-11 Cantata O Ewigkeit, du Donnerwort (Trinity I) atbSATB Tdt Tmp 3Ob Str Bc 2: 291 I/15: 133 0023
21, v1 1. 1714-06-17 Cantata Ich hatte viel Bekümmernis (1st version: Trinity III) C minor satbSATB 3Tr Tmp Ob Str Bc I/16: 109 text by Franck, S.?; → BWV 21, v2 0024
21, v2 1. autumn 1720 Cantata Ich hatte viel Bekümmernis (2nd version) D minor satbSATB 3Tr Tmp Ob Str Bc I/16 text by Franck, S.?; after BWV 21, v1; → v3 0025
21, v3 1. 1723-06-13 Cantata Ich hatte viel Bekümmernis (3rd version: Trinity III) C minor satbSATB 3Tr Tmp 4Tne Ob Str Bc 51: 1 I/16 text by Franck, S.?; after BWV 21, v2 0026
22 1. 1723-02-07 Cantata Jesus nahm zu sich die Zwölfe (Estomihi) satbSATB Ob Str Bc 51: 65 I/8: 1 0027
23, v1 1. 1722 Cantata Du wahrer Gott und Davids Sohn (1st version, 3 movements: Estomihi) C minor satbSATB 2Ob Str Bc 51: 93 I/8: 35 BWV 23, v2, v3 0028
23, v2 1. 1723-02-07 Cantata Du wahrer Gott und Davids Sohn (2nd version, 4 movements: Estomihi) B minor satbSATB Crn 3Tbn 2Oba Str Bc I/8: 71 after BWV 23, v1; → v3 0029
23, v3 1. 1728–1731 Cantata Du wahrer Gott und Davids Sohn (3rd version, 4 movements: Estomihi) C minor satbSATB 2Ob Str Bc 51: 93 I/8: 35 after BWV 23, v1, v2 0030
24 1. 1723-06-20 Cantata Ein ungefärbt Gemüte (Trinity IV) F major satbSATB Cl 2Ob 2Oba Str Bc 51: 125 I/17.1: 47 text by Neumeister 0031
25 1. 1723-08-29 Cantata Es ist nichts Gesundes an meinem Leibe (Trinity XIV) stbSATB Crn 3Tbn 3Fl 2Ob Str Bc 51: 153 I/21: 79 0032
26 1. 1724-11-19 Cantata Ach wie flüchtig, ach wie nichtig (Trinity XXIV) A minor satbSATB Hn Fl 3Ob Str Bc 51: 189 I/27: 29 0033
27 1. 1726-10-06 Cantata Wer weiß, wie nahe mir mein Ende? (Trinity XVI) satbSSATB Hn 2Ob Odc Str Org Bc 51: 217 I/23: 221 after BWV Anh. 170 0034
28 1. 1725-12-30 Cantata Gottlob! nun geht das Jahr zu Ende (Christmas I) A minor satbSATB Cnt 3Tbn 2Ob Tai Str Bc 51: 245 I/3.2: 75 text by Neumeister; → BWV 28/2a, Anh. 160/2 0035
28/2a 1. 1725? Motet Sei Lob und Preis mit Ehren C major SATB 39: 167 III/3: 15 after BWV 28/2; → Anh. 160/2; was BWV 231 0036
29 1. 1731-08-27 Cantata Wir danken dir, Gott, wir danken dir (council election) D major satbSATB 3Tr Tmp 2Ob Str Org Bc 51: 273 I/32.2: 1 after BWV 120a/4 0037
30 1. 1738-06-24 Cantata Freue dich, erlöste Schar (24 June: feast of John the Baptist) satbSATB 2Fl 2Ob Oba Vl Str Bc 51: 321 I/29: 59 text by Picander?; after BWV 30a (parody) 0038
30a 1. 1737-09-28 Secular cantata Angenehmes Wiederau (for Hennicke (de) at Wiederau (de) manor) D major satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Bc 34: 325 I/39: 51 text by Picander?; → BWV 30, 195, v2/6, /8 0039
31, Leipzig version 1. 1724-04-09 Cantata Der Himmel lacht! Die Erde jubilieret (Leipzig version: Easter) stbSSATB 3Tr Tmp Ob 2Oba Bas 2Vl 2Va Bc I/9: 41
rev 2
text by Franck, S; after BWV 31, Weimar version 0040
31, Weimar version 1. 1715-04-21 Cantata Der Himmel lacht! Die Erde jubilieret (Weimar version: Easter) C major stbSSATB 3Tr Tmp 3Ob Tai Bas 2Vl 2Va Bc 7: 1 I/9
rev 2
text by Franck, S; → BWV 31, Leipzig version 0041
32 1. 1726-01-13 Cantata Liebster Jesu, mein Verlangen (Epiphany I) E minor sbSATB Ob Str Bc 7: 53 I/5: 143 text by Lehms 0042
33 1. 1724-09-03 Cantata Allein zu dir, Herr Jesu Christ (Trinity XIII) A minor atbSATB 2Ob Str Bc 7: 81 I/21: 23 0043
34 1. 1727-06-01 Cantata O ewiges Feuer, o Ursprung der Liebe (Pentecost) D major atbSATB 3Tr Tmp 2Fl 2Ob Str Bc 7: 115 I/13: 129 BWV 34a 0044
34a 1. after 1727 Cantata O ewiges Feuer, o Ursprung der Liebe (marriage; incomplete) satbSATB Vl Va Bc I/33: 27 after BWV 34 0045
35 1. 1726-09-08 Cantata Geist und Seele wird verwirret (Trinity XII) a 2Ob Tai Str Org Bc 7: 171 I/20: 215 text by Lehms 0046
36, e. v. 1. 1725–1730 Cantata Schwingt freudig euch empor (Advent I; early version) stbSATB Oba Str Bc 7: 395 I/1: 17 after BWV 36c; → BWV 36 0048
36 1. 1731-12-02 Cantata Schwingt freudig euch empor (Advent I) satbSATB 2Oba Str Bc 7: 221 I/1: 41 after BWV 36, early version 0047
36a 1. 1726-11-30 or
1725-11-30
Secular cantata Steigt freudig in die Luft (birthday of Charlotte Friederike Wilhelmine of Anhalt-Köthen; music lost) stbSATB Oba Va Str Bc (?) I/35 text by Picander; after BWV 36c/1, /3, /5, /7, /9 0049
36b 1. 1735-07-27 Secular cantata Die Freude reget sich (birthday of Rivinus, J. F. (de)?) satSATB Fl Oba Str Bc 34: 39 I/38: 255 after BWV 36c/1, /3, /5, /7, /8 0050
36c 1. April–May 1725 Secular cantata Schwingt freudig euch empor (birthday of Mencke, J. B. (de)?) stbSATB Oba Str Va Bc 34: 39 I/39: 1 BWV 36, early version 0051
37 1. 1724-05-18 Cantata Wer da gläubet und getauft wird (Ascension) A major satbSATB 2Oba Str Bc 7: 259 I/12: 79 0052
38 1. 1724-10-29 Cantata Aus tiefer Not schrei ich zu dir (Trinity XXI) E minor satbSATB 2Ob 4Tbn Str Bc 7: 283 I/25: 217 0053
39 1. 1726-06-23 Cantata Brich dem Hungrigen dein Brot (Trinity I) sabSATB 2Fl 2Ob Str Bc 7: 336 I/15 179 0054
40 1. 1723-12-26 Cantata Darzu ist erschienen der Sohn Gottes (Christmas 2) F major atbSATB 2Hn 2Ob Str Bc 7: 349 I/3.1: 3 BWV 233/6 0055
41 1. 1725-01-01 Cantata Jesu, nun sei gepreiset (New Year) C major satbSATB 3Tr Tmp 3Ob Str Vc Bc 10: 1 I/4: 37 0056
42 1. 1725-04-08 Cantata Am Abend aber desselbigen Sabbats (Quasimodogeniti) satbSATB 2Ob Bas Str Bc 10: 63 I/11.1: 61 0057
43 1. 1726-05-30 Cantata Gott fähret auf mit Jauchzen (Ascension) satbSATB 3Tr Tmp 2Ob Str Bc 10: 93 I/12: 133 after BWV 43/11 0058
44 1. 1724-05-21 Cantata Sie werden euch in den Bann tun (Exaudi) satbSATB 2Ob Str Bc 10: 127 I/12: 165 0059
45 1. 1726-08-11 Cantata Es ist dir gesagt, Mensch, was gut ist (Trinity VIII) E Major atbSATB 2Fl Ob Oba Str Bc 10: 151 I/18: 197 0060
46 1. 1723-08-01 Cantata Schauet doch und sehet, ob irgend ein Schmerz sei (Trinity X) atbSATB Tdt Hn 2Fl 2Odc Str Bc 10: 187 I/19: 109 0061
47 1. 1726-10-13 Cantata Wer sich selbst erhöhet, der soll erniedriget werden (Trinity XVII) G minor sbSATB 2Ob Str Org Bc 10: 239 I/23: 319 text by Helbig 0062
48 1. 1723-10-03 Cantata Ich elender Mensch, wer wird mich erlösen (Trinity XIX) G minor atSATB Tr 2Ob Str Bc 10: 275 I/24: 105 0063
49 1. 1726-11-03 Cantata Ich geh und suche mit Verlangen (Trinity XX) G minor sb Oba Str Vl Org Bc 10: 299 I/25: 107 BWV 1053/3 0064
50 1. Cantata Nun ist das Heil und die Kraft (single movement; arrangement or fragment of a cantata for Michaelmas?) D major 2SATB 3Tr Tmp 3Ob Str Bc 10: 341 I/30: 141 text after Rev. 12: 10; in SBB P 136 0065
51 1. 1730-09-17 Cantata Jauchzet Gott in allen Landen (Trinity XV) C major s (2)Tr (Tmp) Str Bc 122: 1 I/22: 77 0066
52 1. 1726-11-24 Cantata Falsche Welt, dir trau ich nicht (Trinity XXIII) F major sSATB 2Hn 3Ob Bas Str Bc 122: 25 I/26: 131 text by Birkmann; after BWV 1046a/1 0067
54 1. 1714–1717? Cantata Widerstehe doch der Sünde (Oculi) E major a 2Vl 2Va Bc 122: 59 I/18: 3 text by Lehms; BWV 247/53? 0069
55 1. 1726-11-17 Cantata Ich armer Mensch, ich Sündenknecht (Trinity XXII) G minor tSATB Fl Oba Str Bc 122: 73 I/26: 55 text by Birkmann 0070
56 1. 1726-10-27 Cantata Ich will den Kreuzstab gerne tragen (Trinity XIX) bSATB 2Ob Tai Str Vc Bc 122: 87 I/24: 173 text by Birkmann 0071
57 1. 1725-12-26 Cantata Selig ist der Mann (Christmas 2) G minor sbSATB 2Ob Tai Str Bc 122: 105 I/3.1: 83 text by Lehms 0072
58 1. 1733-01-04
or
1734-01-03
Cantata Ach Gott, wie manches Herzeleid (New Year I) C major sb 2Ob Tai Vl Str Bc 122: 133 I/4: 217 text by Birkmann; after BWV 58, early version 0073
58, e. v. 1. 1727-01-05 Cantata Ach Gott, wie manches Herzeleid (New Year I; early version) C major sb Vl Str Bc I/4: 241 text by Birkmann; → BWV 58 0074
59 1. 1724-05-28 Cantata Wer mich liebet, der wird mein Wort halten (Pentecost) C major sbSATB 2Tr Tmp Str Bc 122: 151 I/13: 65 text by Neumeister; → BWV 74/1 and /2, 175/7 0075
60 1. 1723-11-07 Cantata O Ewigkeit, du Donnerwort (Trinity XXIV) D major atbSATB Hn 2Oba Str Bc 122: 169 I/27: 1 0076
61 1. 1714-12-02 Cantata Nun komm, der Heiden Heiland (Advent I – first setting) stbSATB Fag 2Vl 2Va Bc 16: 1 I/1: 1 text by Neumeister 0077
62 1. 1724-12-03 Cantata Nun komm, der Heiden Heiland (Advent I – second setting) B minor satbSATB Hn 2Ob Str Bc 16: 19 I/1: 75 0078
63 1. 1714-12-25
1723-12-25
Cantata Christen, ätzet diesen Tag (Christmas; two versions) C major satbSATB 4Tr Tmp 3Ob Bas Str Bc 16: 51 I/2: 1 text by Heineccius, J. M.? 0079
64 1. 1723-12-27 Cantata Sehet, welch eine Liebe hat uns der Vater erzeiget (Christmas 3) E minor sabSATB Cnt 3Tbn Oba Str Bc 16: 111, 371 I/3.1: 113 text by Knauer (modified) 0080
65 1. 1724-01-06 Cantata Sie werden aus Saba alle kommen (Epiphany) tbSATB 2Hn 2Fl 2Odc Str Bc 16: 133 I/5: 1 0081
66 1. 1724-04-10 Cantata Erfreut euch, ihr Herzen (Easter 2) atbSATB Tr 2Ob Str Bc 16: 167 I/10: 1 after BWV 66a/8, /1–/4 0082
66a 1. 1718-12-10 Secular cantata Der Himmel dacht auf Anhalts Ruhm und Glück (birthday of Leopold of Anhalt-Köthen) atbSATB 2Ob Bas Str Bc (?) I/35 text by Hunold; → BWV 66/1–/5 0083
67 1. 1724-04-16 Cantata Halt im Gedächtnis Jesum Christ (Quasimodogeniti) A major atbSATB Hn Fl 2Oba Str Bc 16: 215 I/11.1: 1 BWV 234/2 0084
68 1. 1725-05-21 Cantata Also hat Gott die Welt geliebt (Pentecost 2) D minor sbSATB Hn Cnt 3Tbn 2Ob Tai Str Vc Bc 16: 247 I/14: 31 text by Ziegler, C. M.; after BWV 208/13 and /7 0085
69 1. 1748-08-26 Cantata Lobe den Herrn, meine Seele (council election) D major satbSATB 3Tr Tmp 3Ob Oba Bas Str Bc 16: 281 I/32.2: 111 after BWV 69a/1, /3 and /5 0086
69a 1. 1723-08-15 Cantata Lobe den Herrn, meine Seele (Trinity XII) satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc I/20: 117 text by Knauer (modified); after BWV 12/7; → BWV 69/1, /3 and /5 0087
70 1. 1723-11-21 Cantata Wachet! Betet! Betet! Wachet! (Trinity XXVI) C major satbSATB Tr Ob Str Vc Bc 16: 327 I/27: 107 text by Franck, S (reworked); after BWV 70a 0088
70a 1. 1716-12-06 Cantata Wachet! Betet! Betet! Wachet! (Advent II) satbSATB Tr Ob Str Vc Bc I/1 text by Franck, S; → BWV 70/1, /3, /5, /8, /10, /11 0089
71 1. 1708-02-04 Cantata Gott ist mein König (council election) D major satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org 18: 1 I/32.1: 3 text by Eilmar? 0090
72 1. 1726-01-27 Cantata Alles nur nach Gottes Willen (Epiphany III) A minor sabSATB 2Ob Str Bc 18: 55 I/6: 59 text by Franck, S; → BWV 235/2 0091
73 1. 1724-01-23 Cantata Herr, wie du willt, so schicks mit mir (Epiphany III) G minor stbSATB Hn 2Ob Str Bc 18: 85 I/6: 3 0092
74 1. 1725-05-20 Cantata Wer mich liebet, der wird mein Wort halten (Pentecost) satbSATB 3Tr Tmp 2Ob Odc Str Bc 18: 105 I/13: 83 text by Ziegler, C. M.; after BWV 59/1, /4 0093
75 1. 1723-05-30 Cantata Die Elenden sollen essen (Trinity I) satbSATB Tr 2Ob Oba Bas Str Bc 18: 147 I/15: 85 BWV 100/6 0094
76 1. 1723-06-06 Cantata Die Himmel erzählen die Ehre Gottes (Trinity II) C major satbSATB Tr 2Ob Oba Str Vdg Bc 18: 189 I/16: 1 BWV 528/1 0095
77 1. 1723-08-22 Cantata Du sollt Gott, deinen Herren, lieben (Trinity XIII) satbSATB Tdt 2Ob Str Bc 18: 233 I/21: 1 text by Knauer 0096
78 1. 1724-09-10 Cantata Jesu, der du meine Seele (Trinity XIV) G minor satbSATB Hn Fl 2Ob Str Vne Bc 18: 255 I/21: 115 0097
79 1. 1725-10-31 Cantata Gott der Herr ist Sonn und Schild (Reformation Day; two versions: Fl associated with 2nd c.1730) G major sabSATB 2Hn Tmp (2Fl) 2Ob Str Bc 18: 287 I/31: 1 BWV 236/2, /4, 234/5 0098
80 1. 1727-10-31
1731-10-31
Cantata Ein feste Burg ist unser Gott (Reformation Day; 2nd Leipzig v.; Tr & Tmp in BGA likely W. F. Bach's addition) D major satbSATB 3Ob 2Oba Odc Str Bc 18: 317 I/31: 71 text by Franck, S; after BWV 80a, 80b 0099
80a 1. 1715-03-24
1716-03-16
Cantata Alles, was von Gott geboren (Oculi; music lost) satb(?)SATB Ob Str Bc I/8.2: V text by Franck, S; → BWV 80b, 80 0100
80b 1. 1723-10-31
1731-10-31
Cantata Ein feste Burg ist unser Gott (Reformation Day; 1st Leipzig version) sbSATB Ob Str Bc I/31: 65 text by Franck, S; after BWV 80a; → BWV 80 0101
81 1. 1724-01-30 Cantata Jesus schläft, was soll ich hoffen? (Epiphany IV) E minor atbSATB 2Fl 2Oba Str Bc 201: 1 I/6: 111 0102
82, v1 1. 1727-02-02 Cantata Ich habe genug (Purification; 1st version) C minor b Ob Str Bc 201: 25 I/28.1: 111 text by Birkmann; → BWV 82, v2–4 0103
82, v2 1. 1731-02-02 Cantata Ich habe genug (Purification; 2nd version) E minor s Fl Str Bc I/28.1: 155 text by Birkmann; after BWV 82, v1; → 82, v3–4 0104
82/2–/3, v2 1. c.1731 (AMB) Notebook A. M. Bach (1725) No. 34 Recitative "Ich habe genug"; Aria "Schlummert ein, ihr matten Augen" E minor s Bc 432: 46 V/4 text by Birkmann; after BWV 82, v2 0104
82/3, v2 1. c.1731 (AMB) Notebook A. M. Bach (1725) No. 38 Aria "Schlummert ein, ihr matten Augen" (incomplete) E minor s Bc 432: 49 V/4 text by Birkmann; after BWV 82, v2 0104
82, v3 1. c.1735 Cantata Ich habe genug (Purification; 3rd version) C minor b or mezzo Ob Str Bc I/28.1: 111 text by Birkmann; after BWV 82, v1–2; → 82, v4 0105
82, v4 1. 1746–1748 Cantata Ich habe genug (Purification; 4th version) C minor b (or mezzo) Ob Odc Str Bc I/28.1: 111 text by Birkmann; after BWV 82, v1–3 0106
83 1. 1724-02-02 Cantata Erfreute Zeit im neuen Bunde (Purification) atbSATB 2Hn 2Ob Vl Str Bc 201: 51 I/28.1: 3 0107
84 1. 1727-02-09 Cantata Ich bin vergnügt mit meinem Glücke (Septuagesimae) E minor sSATB Ob Str Bc 201: 77 I/7: 21 text by Picander (reworked)? 0108
85 1. 1725-04-15 Cantata Ich bin ein guter Hirt (Misericordias Domini) C minor satbSATB 2Ob Str Vc Bc 201: 99 I/11.1: 157 0109
86 1. 1724-05-14 Cantata Wahrlich, wahrlich, ich sage euch (Rogate) E major satbSATB 2Oba Str Bc 201: 119 I/12: 45 0110
87 1. 1725-05-06 Cantata Bisher habt ihr nichts gebeten in meinem Namen (Rogate) D minor atbSATB 2Ob 2Odc Str Bc 201: 135 I/12: 61 text by Ziegler, C. M. (reworked) 0111
88 1. 1726-07-21 Cantata Siehe, ich will viel Fischer aussenden (Trinity V) D major
B minor
satbSATB 2Hn 2Oba Tai Str Bc 201: 153 I/17.2: 33 0112
89 1. 1723-10-24 Cantata Was soll ich aus dir machen, Ephraim? (Trinity XXII) sabSATB Hn 2Ob Str Bc 201: 179 I/26: 1 0113
90 1. 1723-11-14 Cantata Es reißet euch ein schrecklich Ende (Trinity XXV) D minor atbSATB (Tr) Str Bc 201: 195 I/27: 59 0114
91 1. after 1740 Cantata Gelobet seist du, Jesu Christ (Christmas; later version) G major satbSATB 2Hn Tmp 3Ob Str Bc 22: 1 I/2: 131 after BWV 91, early version 0115
91, e. v. 1. 1724-12-25 Cantata Gelobet seist du, Jesu Christ (Christmas; early version) G major satbSATB 2Hn Tmp 3Ob Str Bc 22: 1, 333 I/2: 164 BWV 91 0116
92 1. 1725-01-28 Cantata Ich hab in Gottes Herz und Sinn (Septuagesimae) B minor satbSATB 2Oba Str Bc 22: 33 I/7: 41 0117
93 1. 1724-07-09 Cantata Wer nur den lieben Gott läßt walten (Trinity V) C minor satbSATB 2Ob Str Bc 22: 69 I/17.2: 3 BWV 647 0118
94 1. 1724-08-06 Cantata Was frag ich nach der Welt (Trinity IX) D major satbSATB Fl 2Ob 2Oba Str Bc 22: 95 I/19: 43 0119
95 1. 1723-09-12 Cantata Christus, der ist mein Leben (Trinity XVI) G major stbSATB Hn or Cnt 2Ob 2Oba Str Bc 22: 129 I/23: 65 0120
96 1. 1724-10-08 Cantata Herr Christ, der einge Gottessohn (Trinity XVIII) F major satbSATB Hn or Tbn Fl/Fl or Vl 2Ob Str Bc 22: 155 I/24: 1 0121
97 1. 1734-07-25
?; after 1735
Cantata In allen meinen Taten (two versions; Trinity V?) B major satbSATB 2Ob Str Bc 22: 185, 336 I/34: 197 text by Fleming 0122
98 1. 1726-11-10 Cantata Was Gott tut, das ist wohlgetan (Trinity XXI) B major satbSATB 2Ob Str Bc 22: 231 I/25: 241 text by Birkmann 0123
99 1. 1724-09-17 Cantata Was Gott tut, das ist wohlgetan (Trinity XV) G major satbSATB Hn Fl Oba Str Bc 22: 251 I/22: 41 text by Rodigast (reworked); → BWV 100/1 0124
100 1. 1732–1735 Cantata Was Gott tut, das ist wohlgetan G major satbSATB 2Hn Tmp Fl Oba Str Bc 22: 277 I/34: 239 text by Rodigast; after BWV 99/1, 75/7 0125
101 1. 1724-08-13 Cantata Nimm von uns, Herr, du treuer Gott (Trinity X) G major satbSATB 2Hn Tmp Fl Oba Str Bc 23: 1 I/19: 173 0126
102 1. 1726-08-25 Cantata Herr, deine Augen sehen nach dem Glauben (Trinity X) G minor atbSATB Fl Vl 2Ob Str Bc 23: 33 I/19: 229 BWV 235/1, 233/4, /5 0127
103 1. 1725-04-22
1731-04-15
Cantata Ihr werdet weinen und heulen (Jubilate, 2 versions) B minor atSATB Tr Fl Fl (or) Vl 2Oba Str Bc 23: 67 I/11.2: 25 text by Ziegler, C. M. 0128
104 1. 1724-04-23 Cantata Du Hirte Israel, höre (Misericordias) tbSATB 2Ob 2Oba Tai Str Bc 23: 95 I/11.1: 113 0129
105 1. 1723-07-25 Cantata Herr, gehe nicht ins Gericht mit deinem Knecht (Trinity IX) G minor satbSATB Hn 2Ob Str Bc 23: 117 I/19: 1 0130
106 1. 1708-09-16? Cantata Gottes Zeit ist die allerbeste Zeit (funeral; "Actus tragicus") E major satbSATB 2Fl 2Vdg Bc 23: 147 I/34: 1 text by Olearius (reworked) 0131
107 1. 1724-07-23 Cantata Was willst du dich betrüben (Trinity VII) B minor stbSATB Hn 2Fl 2Oba Str Bc 23: 179 I/18: 55 text by Heermann 0132
108 1. 1725-04-29 Cantata Es ist euch gut, daß ich hingehe (Cantate) A major
B minor
atbSATB 2Oba Str Bc 23: 203 I/12: 17 text by Ziegler, C. M. 0133
109 1. 1723-10-17 Cantata Ich glaube, lieber Herr, hilf meinem Unglauben (Trinity XXI; 2 versions) D minor atSATB (Hn) 2Ob Str Bc 23: 231 I/25: 157 0134
110 1. 1725-12-25 Cantata Unser Mund sei voll Lachens (Christmas) D major
B minor
satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc 23: 263 I/2: 71 text by Lehms 0135
111 1. 1725-01-25 Cantata Was mein Gott will, das g'scheh allzeit (Epiphany III) A minor satbSATB 2Ob Str Bc 24: 1 I/6: 27 0136
112 1. 1731-04-08 Cantata Der Herr ist mein getreuer Hirt (Misericordias) G major satbSATB 2Hn 2Oba Str Bc 24: 29 I/11.1: 179 text by Meuslin after Ps. 23 0137
113 1. 1724-08-20 Cantata Herr Jesu Christ, du höchstes Gut (Trinity XI) B minor satbSATB Fl 2Oba Str Bc 24: 49 I/20: 79 0138
114 1. 1724-10-01 Cantata Ach, lieben Christen, seid getrost (Trinity XVII) G minor satbSATB Hn Fl 2Ob Str Bc 24: 81 I/23: 287 0139
115 1. 1724-11-05 Cantata Mache dich, mein Geist, bereit (Trinity XXII) G major satbSATB Hn Fl Oba Str Vc Bc 24: 109 I/26: 21 text by Freystein (reworked) 0140
116 1. 1724-11-26 Cantata Du Friedefürst, Herr Jesu Christ (Trinity XXV) A major satbSATB Hn 2Oba Str Bc 24: 133 I/27: 79 text by Ebert (reworked) 0141
117 1. 1728–1731 Cantata Sei Lob und Ehr dem höchsten Gut G major atbSATB 2Fl 2Ob 2Oba Str Bc 24: 159 I/34: 151 text by Schütz, J. J. 0142
119 1. 1723-08-30 Cantata Preise, Jerusalem, den Herrn (council election) C major satbSATB 4Tr Tmp 2Fl 3Ob 2Odc Str Bc 24: 193 I/32.1: 129 0144
120 1. c.1742 Cantata Gott, man lobet dich in der Stille (council election) satbSATB 3Tr 2Ob 2Oba Vl Str Bc 24: 247 I/32.2: 53 after BWV 120b/1, /2, /4; → BWV 232II/9 0145
120a 1. 1729? Cantata Herr Gott, Beherrscher aller Dinge (wedding; incomplete) satbSATB 3Tr Tmp 2Ob 2Oba Str Org Bc 41: 149 I/33: 75 after BWV 1006/1, 137/5; → BWV 120b/2, /1, 1019a/3, 29/1 0146
120b 1. 1730-06-26 Cantata Gott, man lobet dich in der Stille (200th anniversary of the Augsb. Confess.; music lost, partially reconstructable) saSATB 3Tr Tmp 2Oba Vl Str Bc ? I/34
I/32.2
text by Picander; after BWV 120a/6, /1, 1019a/3; → BWV 120/1, /2, /4 0147
121 1. 1724-12-26 Cantata Christum wir sollen loben schon (Christmas 2) satbSATB Cnt 3Tbn Oba Str Bc 26: 1 I/3.1: 57 0148
122 1. 1724-12-31 Cantata Das neugeborne Kindelein (Christmas I) G minor satbSATB 3Fl 2Ob Tai Str Bc 26: 21 I/3.2: 53 0149
123 1. 1725-01-06 Cantata Liebster Immanuel, Herzog der Frommen (Epiphany) B minor atbSATB 2Fl 2Oba Str Bc 26: 41 I/5: 47 0150
124 1. 1725-01-07 Cantata Meinen Jesum laß ich nicht (Epiphany I) E major satbSATB Hn Oba Str Bc 26: 61 I/5: 115 0151
125 1. 1725-02-02 Cantata Mit Fried und Freud ich fahr dahin (Purification) E minor atbSATB Hn Fl Ob Oba Str Bc 26: 83 I/28.1: 31 0152
126 1. 1725-02-04 Cantata Erhalt uns, Herr, bei deinem Wort (Sexagesimae) A minor atbSATB Tr 2Ob Str Bc 26: 111 I/7: 155 0153
127 1. 1725-02-11 Cantata Herr Jesu Christ, wahr' Mensch und Gott (Estomihi) F major stbSATB Tr 2Fl 2Ob Str Bc 26: 133 I/8: 107 BWV 127/1 (variant) 0154
127/1 (var.) 1. c.1750 Chorus "Herr Jesu Christ, wahr' Mensch und Gott" (Passion oratorio movement) E major SATB 2Fl 2Ob Str Bc I/41: 95 after BWV 127/1; → BC D 10 0155
128 1. 1725-05-10 Cantata Auf Christi Himmelfahrt allein (Ascension) G major atbSATB Tr 2Hn 2Ob 2Oba Odc Str Bc 26: 163 I/12: 101 text by Ziegler, C. M. 0156
129 1. 1727-06-08 Cantata Gelobet sei der Herr, mein Gott (Trinity) D major sabSATB 3Tr Tmp Fl 2Ob Oba Str Bc 26: 185 I/15: 37 text by Olearius 0157
130, v1 1. 1724-09-29 Cantata Herr Gott, dich loben alle wir (Michaelmas; 1st version) C major satbSATB 3Tr Tmp Fl 3Ob Str Bc 26: 231 I/30: 48 text by Eber (reworked) 0158
130, v2 1. 1732–1735 Cantata Herr Gott, dich loben alle wir (Michaelmas; 2nd version) C major satbSATB 3Tr Tmp Fl 3Ob Str Bc I/30: 48 text by Eber (reworked) 0159
131 1. 1707–1708 Cantata Aus der Tiefen rufe ich, Herr, zu dir G minor satbSATB Ob Bas Str Bc 28: 1 I/34: 67 text by Bach or Eilmar after Ps. 130; → BWV 131a 0160
132 1. 1715-12-22 Cantata Bereitet die Wege, bereitet die Bahn (Advent IV) A major satbSATB Ob Bas Str Vc Bc 28: 33 I/1: 99
rev 2
text by Franck, S. 0162
133 1. 1724-12-27 Cantata Ich freue mich in dir (Christmas 3) A major satbSATB Cnt 2Oba Str Bc 28: 51 I/3.1: 135 text by Ziegler, C. (de) (/1, /6) 0163
134 1. 1731-03-27
1735-04-12
Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; later version) atSATB 2Ob Str Bc 28: 81 I/10: 69 after BWV 134, e. v. 0164
134, e. v. 1. 1724-04-11 Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; early version) atSATB 2Ob Str Bc 28: 81, 287 I/10: 106 after BWV 134a; → BWV 134 0165
134a 1. 1719-01-01 Secular cantata Die Zeit, die Tag und Jahre macht (congratulation for New Year) atSATB 2Ob Str Bc 29: 209 I/35: 49 text by Hunold; → BWV 134, e. v. 0166
135 1. 1724-06-25 Cantata Ach Herr, mich armen Sünder (Trinity III) atbSATB Cnt Tbn 2Ob Str Bc 28: 119 I/16: 197 0167
136 1. 1723-07-18 Cantata Erforsche mich, Gott, und erfahre mein Herz (Trinity VIII) atbSATB Hn 2Ob 2Oba Str Bc 28: 137 I/18: 129 BWV 234/6 0168
137 1. 1725-08-19 Cantata Lobe den Herren, den mächtigen König der Ehren (Trinity XII) satbSATB 3Tr Tmp 2Ob Str Bc 28: 165 I/20: 171 text by Neander; → BWV 650 0169
138 1. 1723-09-05 Cantata Warum betrübst du dich, mein Herz (Trinity XV) satbSATB 2Oba Str Bc 28: 197 I/22: 19 BWV 236/3 0170
139 1. 1724-11-12 Cantata Wohl dem, der sich auf seinen Gott (Trinity XXIII) satbSATB 2Oba Str Bc 28: 223 I/26: 97 text by Rube (reworked) 0171
140 1. 1731-11-25 Cantata Wachet auf, ruft uns die Stimme (Trinity XXVII) stbSATB Hn 2Ob Tai Vl Str Bc 28: 249 I/27: 149 text by Nicolai (reworked); → BWV 645 0172
143 1. Cantata Lobe den Herrn, meine Seele (New Year) stbSATB 3Hn Tmp Bas Str Bc 30: 43 I/4: 165
rev 2
0175
144 1. 1724-02-06 Cantata Nimm, was dein ist, und gehe hin (Septuagesima) satSATB 2Ob Oba Str Bc 30: 75 I/7: 1 0176
145 1. 1729-04-19 Cantata Ich lebe, mein Herze, zu deinem Ergötzen (Easter 3) stbSATB Tr Fl 2Ob Str Bc 30: 93 I/10: 111 text by Picander; after BWV 145/b 0177
146 1. 1726-05-12 Cantata Wir müssen durch viel Trübsal (Jubilate) satbSATB Fl 2Ob 2Oba Tai Str Org Bc 30: 123 I/11.2: 65 after BWV 1052R/1, /2?; → BWV 1052/1, /2 0179
147 1. 1723-07-02 Cantata Herz und Mund und Tat und Leben (Visitation) D major satbSATB Tr 2Ob Oba 2Odc Str Bc 30: 191 I/28: 63 text by Franck, S. (reworked); after BWV 147a 0180
147a 1. 1716-12-20 Cantata Herz und Mund und Tat und Leben (Advent IV) D major I/1 text by Franck, S.; → BWV 147/1, /3, /7, /5 0181
148 1. 1723-09-19 Cantata Bringet dem Herrn Ehre seines Namens (Trinity XVII) atSATB Tr 2Oba Odc Str Bc 30: 235 I/23: 253 text by Picander 0182
149 1. 1729-09-29 Cantata Man singet mit Freuden vom Sieg (Michaelmas) satbSATB 3Tr Tmp 3Ob Bas Str Vne Bc 30: 261 I/30: 97 text by Picander; after BWV 208/15 0183
149/1a 1. Fall 1729 Cantata opening: "Concerto" (incomplete; abandoned alternative start of BWV 149?) D major SATB 3Tr Tmp 2Ob Str Bc I/40
I/30
in SBB P 175; was BWV Anh. 198 1509
150 1. 1707-07-10 Cantata Nach dir, Herr, verlanget mich (Trinity III) satbSATB Bas 2Vl Bc 30: 301 I/41: 3 0184
151 1. 1725-12-27 Cantata Süßer Trost, mein Jesus kömmt (Christmas 3) satbSATB Fl Vl Oba Str Bc 32: 1 I/3.1: 169 text by Lehms 0185
152 1. 1714-12-30 Cantata Tritt auf die Glaubensbahn (Christmas I) sb Fl Ob Va Vdg Bc 32: 17 I/3.2: 3 text by Franck, S.; ↔ BWV 536/2; → 536a/2 0186
153 1. 1724-01-02 Cantata Schau, lieber Gott, wie meine Feind (Christmas II) atbSATB Str Bc 32: 41 I/4: 199 0187
154 1. 1724-01-09 Cantata Mein liebster Jesus ist verloren (Epiphany I) atbSATB 2Oba Str Hc Bc 32: 59 I/5: 89 0188
155 1. 1716-01-19
1724-01-16
Cantata Mein Gott, wie lang, ach lange? (Epiphany II) satbSATB Bas Str Bc 32: 83 I/5: 173 text by Franck, S. 0189
156 1. 1729-01-23 Cantata Ich steh mit einem Fuß im Grabe (Epiphany III) F major satbSATB Ob Str Bc 32: 97 I/6: 91 text by Picander; after BWV 1056R/2?; → BWV 1056/2 0190
157 1. 1727-02-06 Cantata Ich lasse dich nicht, du segnest mich denn (funeral; later: Purification) tbSATB Fl Oba Str Bc 32: 115 I/34: 41 text by Picander 0191
158 1. Cantata Der Friede sei mit dir (Purification; later: Easter 3) sbSATB Ob Vl Bc 32: 141 I/10: 129 in SBB P 1047, St 634 0192
159 1. 1729-02-27 Cantata Sehet, wir gehn hinauf gen Jerusalem (Estomihi) satbSATB Ob Str Bc 32: 155 I/8: 153 text by Picander 0193
161, v1 1. 1716-09-27 Cantata Komm, du süße Todesstunde (Trinity XVI; 1st version) atSATB 2Fl Str Org Bc 33: 1 I/23: 1 text by Franck, S.; → BWV 161, v2 0195
161, v2 1. 1723–1750? Cantata Komm, du süße Todesstunde (Trinity XVI; 2nd version) satSATB 2Fl Str Bc 33: 1 I/23: 33 text by Franck, S.; after BWV 161, v1 0196
162 1. 1716-10-25
1723-10-10
Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX) satbSATB Hn Str Bc 33: 29 I/25: 21 text by Franck, S. 0197
163 1. 1715-11-24 Cantata Nur jedem das Seine (Trinity XXIII) satbSATB Str 2Vc Bc 33: 47 I/26: 77 text by Franck, S. 0198
164 1. 1725-08-26 Cantata Ihr, die ihr euch von Christo nennet (Trinity XIII) satbSATB 2Fl 2Ob Str Bc 33: 65 I/21: 57 text by Franck, S. 0199
165 1. 1715-06-16
1724-06-04
Cantata O heilges Geist- und Wasserbad (Trinity) satbSATB Fag Str Bc 33: 89 I/15: 1 text by Franck, S.; in SBB Am.B 105 0200
166 1. 1724-05-07 Cantata Wo gehest du hin? (Cantate) satbSATB Ob Str Bc 33: 105 I/12: 1 text by Franck, S.; → BWV 584 0201
167 1. 1723-06-24 Cantata Ihr Menschen, rühmet Gottes Liebe (24 June: feast of John the Baptist) satbSATB Tr Ob Odc Str Bc 33: 123 I/29: 1 0202
168 1. 1725-07-29 Cantata Tue Rechnung! Donnerwort (Trinity IX) satbSATB 2Oba Str Bc 33: 147 I/19: 87 text by Franck, S. 0203
169 1. 1726-10-20 Cantata Gott soll allein mein Herze haben (Trinity XVIII) aSATB 2Oba Tai Str Org Bc 33: 167 I/24: 59 text by Birkmann; → BWV 1053/1, /2 0204
170 1. 1726-07-28 Cantata Vergnügte Ruh, beliebte Seelenlust (Trinity VI) a Oba Fl Str Org Bc 33: 193 I/17.2: 61 text by Lehms 0205
171 1. 1729-01-01 Cantata Gott, wie dein Name, so ist auch dein Ruhm (New Year) satbSATB 3Tr Tmp 2Ob Str Bc 35: 1 I/4: 131 text by Picander; after BWV 205 0206
172, v1 1. 1714-05-20 Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 1st version = Weimar version; incomplete) C major (SATB) 3Tr Tmp (Fl? Ob 2)Vl 2Va Vc Bas (Bc) I/13 text by Franck, S.?; → BWV 172, v2 0207
172, v2 1. 1724-05-28 Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 2nd version = 1st Leipzig version) D major satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc 35: 35 I/13: 1 text by Franck, S.?; after BWV 172, v1; → BWV 172, v3 0208
172, v3 1. 1731-05-13 Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 3rd version = 2nd Leipzig version) C major satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc 35: 35 I/13: 33 text by Franck, S.?; after BWV 172, v2 0209
173 1. 1727-06-02
1731-05-14
Cantata Erhöhtes Fleisch und Blut (Pentecost 2) satbSATB 2Fl Str Bc 35: 71 I/14: 1 after BWV 173a 0210
173a 1. 1722-12-10 Secular cantata Durchlauchtster Leopold (birthday of Leopold of Anhalt-Köthen) satbSATB 2Fl Str Bc 34: 1 I/35: 95 BWV 173 0211
174 1. 1729-06-06 Cantata Ich liebe den Höchsten von ganzem Gemüte (Pentecost 2) atbSATB 2Cdc 2Ob Tai 3Vl 3Va 3Vc Str Bc 35: 103 I/14: 63 text by Picander; after BWV 1048/1 0212
175 1. 1725-05-22 Cantata Er rufet seinen Schafen mit Namen (Pentecost 3) atbSATB 2Tr 3Fl Str Vc Bc 35: 159 I/14: 147 text by Ziegler, C. M. 0213
176 1. 1725-05-27 Cantata Es ist ein trotzig und verzagt Ding (Trinity) sabSATB 2Ob Odc Str Bc 35: 179 I/15: 17 text by Ziegler, C. M. 0214
177 1. 1732-07-06 Cantata Ich ruf zu dir, Herr Jesu Christ (Trinity IV) satSATB 2Ob Odc Bas Vl Str Bc 35: 199 I/17.1: 77 text by Agricola, J. 0215
178 1. 1724-07-30 Cantata Wo Gott der Herr nicht bei uns hält (Trinity VIII) atbSATB Hn 2Ob 2Oba Str Bc 35: 235 I/18: 159 0216
179 1. 1723-08-08 Cantata Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Trinity XI) stbSATB 2Ob 2Odc Str Bc 35: 273 I/20: 55 BWV 236/1, /5, 234/4 0217
180 1. 1724-10-22 Cantata Schmücke dich, o liebe Seele (Trinity XX) satbSATB 2Fl Fl Ob Odc Str Vc Bc 35: 293 I/25: 41 0218
181 1. 1724-02-13 Cantata Leichtgesinnte Flattergeister (Sexagesima) satbSATB Tr Fl Ob Str Bc 37: 1 I/7: 133 0219
182 1. 1714-03-25
1724-03-25
1728-03-21
Cantata Himmelskönig, sei willkommen (Palm Sunday) G major atbSATB Fl (Ob 2)Vl 2Va Bc 37: 21 I/8.2: 1 text by Franck, S.? 0220
183 1. 1725-05-13 Cantata Sie werden euch in den Bann tun (Exaudi) satbSATB 2Oba 2Odc Str Vc Bc 37: 59 I/12: 187 text by Ziegler, C. M. 0221
184 1. 1724-05-30
1727-06-03
1731-05-15
Cantata Erwünschtes Freudenlicht (Pentecost 3) satSATB 2Fl Str Bc 37: 75 I/14: 119 after BWV 184a/1–/4, /6 0222
184a 1. 1721-01-01 Secular cantata for New Year (incomplete) sb 2Fl Vl Str Bc (?) I/35 BWV 184/1–/4, /6 0223
185 1. 1715-07-14
1723-06-20
Cantata Barmherziges Herze der ewigen Liebe (Trinity IV) satbSATB Ob/Tr Str Bc Bas 37: 101 I/17.1: 1 text by Franck, S. 0224
186 1. 1723-07-11 Cantata Ärgre dich, o Seele, nicht (Trinity VII) satbSATB 2Ob Tai Bas Str Bc 37: 119 I/18: 15 text by Franck, S. (reworked); after BWV 186a/1–/5 0225
186a 1. 1716-12-13 Cantata Ärgre dich, o Seele, nicht (Advent III; incomplete) stbSATB 2Ob Odc Tai Bas Str Bc I/1 text by Franck, S.; → BWV 186/1, /3, /5, /8, /10 0226
187 1. 1726-08-04 Cantata Es wartet alles auf dich (Trinity VII) sabSATB 2Ob Str Bc 37: 155 I/18: 91 BWV 235/6, /4, /3, /5 0227
188 1. 1728-10-17 Cantata Ich habe meine Zuversicht (Trinity XXI) D minor satbSATB 2Ob Tai Str Org Bc 37: 193 I/25: 265 text by Picander; after BWV 1052R/3?; → BWV 1052/3 0228
190 1. 1724-01-01 Cantata Singet dem Herrn ein neues Lied (New Year; incomplete) atbSATB 3Tr Tmp 3Ob Oba Bas Str Bc 37: 227 I/4: 1 BWV 190a/1, /2, /3, /5 0230
190a 1. 1730-06-25 Cantata Singet dem Herrn ein neues Lied (200th anniversary of the Augsb. Confess.; incomplete) atbSATB 3Tr Tmp 3Ob Str Bc (?) I/34 text by Picander; after BWV 190/1, /2, /3, /5 0231
191 1. 1743–1746 Cantata Gloria in excelsis Deo (Christmas) stSSATB 3Tr Tmp 2Fl 2Ob Str Bc 41: 1 I/2: 171 after BWV 232/4, /5, /8, /12 0232
192 1. autumn 1730? Cantata Nun danket alle Gott (incomplete) sbSATB 2Fl 2Ob Str Bc 41: 65 I/34: 107 text by Rinkart 0233
193 1. 1727-08-25 Cantata Ihr Tore zu Zion (council election; incomplete) saSA(TB) 2Ob Str (Bc) 41: 91 I/32.1: 201 after BWV 193a/1, /7, /9 0234
193a 1. 1727-08-03 Secular cantata Ihr Häuser des Himmels, ihr scheinenden Lichter (name day of Friedrich August II; incomplete) saSA(TB) 2Ob Str (Bc) I/36 text by Picander; → BWV 193/1, /3, /5 0235
194, 1st Leipz. v. 1. 1724-06-04
1731-05-20
Cantata Höchsterwünschtes Freudenfest (Trinity; 1st Leipzig version) B major stbSATB 3Ob Bas Str Bc 29: 99 I/31 after BWV 194, Störmth. v.; → 2nd Leipz. v. 0236
194, 2nd Leipz. v. 1. 1726-06-16 Cantata Höchsterwünschtes Freudenfest? (Trinity; 2nd Leipzig version) B major stbSATB 3Ob Bas Str Bc 29: 99 I/31: 235 after BWV 194, 1st Leipz. v./12, /2, /3, /4, /5, /7, /10 0237
194, Störmth. v. 1. 1723-11-02 Cantata Höchsterwünschtes Freudenfest (Störmthal version: consecration of church and organ) B major sabSATB 3Ob Bas Str Bc 29: 99 I/31: 123 after BWV 194a/1, /3, /5, /7, /9; → 1st Leipz. v. 0238
194a 1. 1717–1723? Secular cantata model for BWV 194 (incomplete) B major 3Ob Str &? I/35 BWV 194, Störmth. v./1, /3, /5, /8, /10 0239
195, last v. 1. c.1748–1749 Cantata Dem Gerechten muß das Licht (wedding; last version) satbSATB 3Tr Tmp 2Hn 2Fl 2Ob 2Oba Str Bc 131: 1 I/33: 171 after BWV 195, v2 0242
195, v1 1. 1727–1731 Cantata Dem Gerechten muß das Licht (wedding; 1st version, lost) SATB 3Tr Tmp 2Fl 2Ob Str Bc I/33 BWV 195, v2 0240
195, v2 1. c.1742 Cantata Dem Gerechten muß das Licht (wedding; 2nd version, incomplete) SATB &? I/33 after BWV 195, v1, 30a/5, /1; → last v. 0241
196 1. 1708-06-05? Cantata Der Herr denket an uns (wedding) stbSATB Str Bc 131: 71 I/33: 1 text after Ps. 115: 12–15 0243
197 1. 1736–1737 Cantata Gott ist unsre Zuversicht (wedding) sabSATB 3Tr Tmp 2Ob 2Oba Bas Str Bc 131: 95 I/33: 117 after BWV 197a 0244
197a 1. 1728-12-25 Cantata Ehre sei Gott in der Höhe (Christmas; incomplete) abSATB 2Fl Oba Bas Str Vc Bc 41: 109 I/2: 63 text by Picander; → BWV 197 0245
198 1. 1727-10-17 Secular cantata Laß, Fürstin, laß noch einen Strahl a.k.a. Trauer-Ode (funeral ceremony for Christiane Eberhardine) satbSATB 2Fl 2Ob 2Oba Str 2Vdg 2Lu Bc 133: 1
44: 54
I/38: 179 text by Gottsched, J. C.; ↔ BWV 244a, 247 0246
199, Köth. v. 1. 1720–1721 Cantata Mein Herze schwimmt im Blut (Trinity XI; Köthen version; incomplete) D minor s Ob Str Vdg Bc 41: 202 I/20: 48 text by Lehms; after BWV 199, Weim. v.; → Leipz. v. 0247
199, Leipz. v. 1. 1723-08-08 Cantata Mein Herze schwimmt im Blut (Trinity XI; Leipzig version) D minor s Ob Str Vc Bc I/20: 23 text by Lehms; after BWV 199, Köth. v. 0248
199, Weim. v. 1. 1714-08-12 Cantata Mein Herze schwimmt im Blut (Trinity XI; Weimar version) C minor s Ob Str Bc NBG 132 I/20: 1 text by Lehms; → BWV 199, Köth. v. 0249
200 1. 1742–1743 (JSB) Aria Bekennen will ich seinen Namen (from a cantata for Purification?) a (2Vl) Bc I/28.1: 189 by Stölzel; arr. by Bach 0250
201 1. autumn 1729 Secular cantata Geschwinde, ihr wirbelnden Winde a.k.a. Der Streit zwischen Phoebus und Pan (dramma per musica) sattbb 3Tr Tmp 2Fl 2Ob Oba Str Bc 112: 1
44: 85
I/40: 117 text by Picander 0251
202 1. c.1718? Secular cantata Weichet nur, betrübte Schatten (wedding) G major s Ob Str Bc 112: 73 I/40: 1 in D-LEb Peters Ms. R 8 0252
203 1. c.1720? Secular cantata Amore traditore A minor b Hc 112: 91 I/41: 31 0253
204 1. 1726–1727 Secular cantata Ich bin in mir vergnügt a.k.a. Von der Vergnügsamkeit B major s Fl 2Ob Str Bc 112: 103 I/40: 79 text by Hunold (reworked) 0254
205 1. 1725-08-03 Secular cantata Zerreißet, zersprenget, zertrümmert die Gruft a.k.a. Der zufriedengestellte Aeolus (dramma per musica for August Friedrich Müller) D major satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc 112: 137
44: 39
I/38: 1 text by Picander; → BWV 205a/1–/7, /9–/11, /13, /15, 171, 216 0255
205a 1. 1734-02-19 Secular cantata Blast Lärmen, ihr Feinde (dramma per musica; music lost but largely reconstructable; coronation of Augustus III) D major satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc I/37 after BWV 205/1–/7, /9–/11, /13, /15 0256
206, v1 1. 1736-10-07
(1734?)
Secular cantata Schleicht, spielende Wellen (dramma per musica; 1st version: birthday of Augustus III) D major satbSATB 3Tr Tmp 3Fl 2Oba Str Bc 202: 1 I/36: 157 BWV 206, v2 0257
206, v2 1. 1740-08-03 Secular cantata Schleicht, spielende Wellen (dramma per musica; 2nd version: name day of Augustus III) D major satbSATB 3Tr Tmp 3Fl 2Ob 2Oba Str Bc I/36: 157 after BWV 206, v1 0258
207 1. 1726-12-11 Secular cantata Vereinigte Zwietracht der wechselnden Saiten (dramma per musica; appointment of professor Gottlieb Kortte) D major satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc 202: 71 I/38: 97 after BWV 1046/3; → BWV 207a/1, /3, /5, /7–/9 0259
207a 1. 1735-08-03 Secular cantata Auf, schmetternde Töne der muntern Trompeten (dramma per musica; name day of Augustus III) D major satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc 202: 139
34: 345
I/37: 1 after BWV 207/1, /3, /5, /7–/9 0260
208, v1 1. 1713-02-23 Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (1st version: birthday of Christian of Saxe-Weissenfels) F major sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) 29: 1 I/35: 1 text by Franck, S.; → BWV 208, v2; 1040 0261
208, v2 1. c.1715 Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (2nd version: for Ernst August I of Saxe-Weimar) F major sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) 29: 1 I/35: 1 text by Franck, S.; after BWV 208, v1; → BWV 208a, 68/4, /2, 149/1 0262
1040 1. 1713-02-23 Trio (a.k.a. (Canonic) Trio Sonata; postlude to the Hunting Cantata?) F major Vl Ob Bc 29: 230 I/35: 1 after BWV 208/13; =BWV 208/13a 1222
208a 1. 1742-08-03 Secular cantata Was mir behagt, ist nur die muntre Jagd (3rd version: name day of Augustus III) F major sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)? I/37 text by Franck, S.; after BWV 208, v2 0263
209 1. 1747? Secular cantata Non sa che sia dolore (farewell of Lorenz Albrecht Beck?) B minor s Fl Str Bc 29: 43 I/41: 43 0264
210 1. 1741-09-19 Secular cantata O holder Tag, erwünschte Zeit (wedding) A major s Fl Oba Str Hc Vne 29: 67 I/40: 35 after BWV 210a/1–/2, /4, /8, /10 0265
210a 1. 1729-01-12 Secular cantata O angenehme Melodei (incomplete; homage to Christian of Saxe-Weissenfels) A major s (Fl Oba Str Bc)? 29: 245 I/39: 141 BWV 210/1–/2, /4, /8, /10 0266
211 1. c.1734 Secular cantata Schweigt stille, plaudert nicht a.k.a. Coffee Cantata G major stb Fl Str Hc Bc 29: 139
44: 86
I/40: 193 text by Picander 0267
212 1. 1742-08-30 Secular cantata Mer hahn en neue Oberkeet a.k.a. Peasant Cantata (Cantate burlesque; homage to Carl Heinrich von Dieskau) G major sb Hn Fl Str Bc 29: 173
44: 132
I/39: 151 text by Picander 0268
213 1. 1733-09-05 Secular cantata Laßt uns sorgen, laßt uns wachen a.k.a. Hercules auf dem Scheidewege (dramma per musica; birthday of Frederick Christian of Saxony) satbSATB 2Hn 2Ob Oba 2Vl 2Va Bc 34: 119 I/36: 1 text by Picander; → BWV 248 0269
214 1. 1733-12-08 Secular cantata Tönet, ihr Pauken! Erschallet, Trompeten! (birthday of queen Maria Josepha) D major satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Vne Bc 34: 175 I/36: 89 text by Picander; → BWV 248 0270
215 1. 1734-10-05 Secular cantata Preise dein Glücke, gesegnetes Sachsen (anniversary of the election of Augustus III as king of Poland) D major stb2SATB 3Tr Tmp 2Fl 2Ob Oba Str Va Bc 34: 243 I/37: 85 text by Clauder 0271
216 1. 1728-02-05 Secular cantata Vergnügte Pleißenstadt (wedding; incomplete) sa &? I/40: 21 text by Picander; after BWV 205/13; → BWV 216a/1, /3, /5, /7 0272
216a 1. 1728–1731 Secular cantata Erwählte Pleißenstadt a.k.a. Apollo et Mercurius (incomplete) sa &? I/39 after BWV 216/1, /3, /5, /7 0273
2. Motets (see also: List of motets by Johann Sebastian Bach) Up ↑
225 2. 1726–1727
New Year?
Motet Singet dem Herrn ein neues Lied B major 2SATB (+colla parte instruments?) 39: 3 III/1: 1 text by Gramann (/2: after Ps. 103), after Ps. 149: 1–3 (/1) and Ps. 150: 2, 6 (/3)[16] 0282
226 2. 1729-10-20 Motet Der Geist hilft unser Schwachheit auf (funeral of Johann Heinrich Ernesti) B major 2SATB Str Vc 2Ob Tai Bas 39: 41 III/1: 39 text by Luther and after Rom. 8: 26–27[16] 0283
227 2. before c.1735 Motet Jesu, meine Freude (funeral) E minor SSATB (+colla parte instr.?) 39: 61 III/1: 77 text by Franck, J. and after Rom. 8: 1–2, 9–11[16] 0284
228 2. c.1715 Motet Fürchte dich nicht (funeral) A major 2SATB (+colla parte instr.?) 39: 87 III/1: 107 text by Gerhardt and after Is. 41: 10 and 43: 1[16] 0285
229 2. before 1731–1732 Motet Komm, Jesu, komm (funeral) G minor 2SATB (+colla parte instr.) 39: 109 III/1: 127 text by Thymich[16] 0286
230 2.  ? Motet Lobet den Herrn, alle Heiden C major SATB Bc (+colla parte instr.?) 39: 129 III/1: 149 text after Ps. 117[16] 0287
231






see BWV 28/2a 0288
118, v1 2. 1736–1737 Motet O Jesu Christ, meins Lebens Licht (funeral) SATB 2Hn Cnt 3Tbn 24: 185 III/1: 163 text by Behm; → BWV 118 v2[16] 0143
118, v2 2. 1746–1747 Motet O Jesu Christ, meins Lebens Licht (funeral) SATB 2Ob Tai Bas 2Hn Str Bc NBG 171 III/1: 171 text by Behm; after BWV 118 v1[16] 0143
3. Masses, Mass movements, Magnificat (see also: List of Masses, Mass movements and Magnificats by Johann Sebastian Bach) Up ↑
232 3. Aug. 1748 – Oct. 1749 (compilation, completion) Mass a.k.a. Hohe Messe, Mass in B minor B minor ssatbSSAATB 3Tr Tmp Hn 2Fl 3Ob 2Oba 2Bas Vl Str Bc 6 II/1
rev 1
after BWV 232I e. v., II/1 e. v., III e. v., 171/1, 12/2, 120/2, Anh. 11/1, Anh. 196/3 0289
232I e. v. 3. 1733-07-27 Kyrie–Gloria Mass for the Dresden court (Mass in B Minor, Part I: Missa; early version) B minor ssatbSSATB 3Tr Tmp Hn 2Fl 2Oba 2Bas Vl Str Bc II/1a after BWV 29/1, 46/1; → BWV 191, 232I 0290
233 3. 1738–1739? Kyrie–Gloria Mass F major sabSATB 2Hn 2Ob Bas Str Bc 8: 1 II/2: 197 after BWV 233a, 102/3, /5, 40/1 0291
233a 3. 1708-04-06? Kyrie "Christe, du Lamm Gottes" F major SSATB Bc 41: 187 II/2: 285 text after Ordinarium Missae; → BWV 233/1 0292
234 3. c.1738 Kyrie–Gloria Mass A major sabSATB 2Fl Str Bc 8: 51 II/2: 1 after BWV 67/6, 138/5, 179/5, 79/2 0293
235 3. 1738–1739? Kyrie–Gloria Mass G minor atbSATB 2Ob Str Bc 8: 99 II/2: 127 after BWV 102/1, 72/1, 187/4, /3, /5, /1 0294
236 3. 1738–1739? Kyrie–Gloria Mass G major satbSATB 2Ob Str Bc 8: 155 II/2: 61 after BWV 179/1, /3, 79/1, /5, 138/5, 17/1 0295
1081 3. c.1747 – Aug. 1748 Credo intonation for Mass No. 5 in F major of G. B. Bassani's Acroama Missale F major SATB Bc II/2 BNB I/B/48 1267
237 3. 1723-06-24? Sanctus C major SATB 3Tr Tmp 2Ob Str Bc 111: 67 II/2: 311 0296
238 3. 1723-12-25
1736–1737
Sanctus D major SATB Cnt Str Bc 111: 79 II/2: 325 0297
240 3. 1742 (JSB) Sanctus G major SATB 2Ob Str Bc 111: 93 II/9: 3 0299
241 3. Jul. 1747 – Aug. 1748 (JSB) Sanctus of Missa superba D major 2SATB 2Oba 2Vl 3Va Bas Vc Vne Bc 41: 177 II/9: 45 by Kerll; arr. by Bach 0300
242 3. 1727–1732 (JSB) Christe eleison for a Kyrie-Gloria Mass in C minor by F. Durante G minor SA Bc 41: 197 II/2: 295 BWV Anh. 26/2 0301
243 3. 1733-07-02?
1732–1735
Magnificat (2nd version: Visitation?) D major ssatbSSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bas Vc Vne Bc 111: 1 II/3: 65 after BWV 243a 0302
243a 3. 1723-07-02
1723-12-25
Magnificat (1st version:Visitation, and with 4 laudes added: Christmas) E major ssatbSSATB 3Tr Tmp 2Fl 2Ob Str Bc 111: 103 II/3: 1 BWV 243 0303
1082 3. 1740–1742 (JSB) Suscepit Israel from a Magnificat by A. Caldara E minor SATB 2Vl Bc II/9: 59 by Caldara (BNB I/C/1); arr. by Bach 1268
1083 3. 1745–1747 (JSB) Cantata Tilge, Höchster, meine Sünden sa 2Vl Str Vne Vc Bc I/41: 169 by Pergolesi; arr. by Bach; text after Ps. 51 1269
4. Passions, Oratorios (see also: List of Passions and Oratorios by Johann Sebastian Bach) Up ↑
244 4. 1736-03-30
1742
1743–1746
Passion St Matthew Passion (later versions; Good Friday) E minor 2satb2SATB 2Fl 4Fl 4Ob 4Oba 2Odc 2Str 2Vdg 2Bc 4
44: 58
II/5 text by Picander, Albert of Prussia, Decius, Gerhardt, Heermann, Heyden, Reusner, Rist; after BWV 244b 0304
244a 4. 1729-03-24 Cantata Klagt, Kinder, klagt es aller Welt (funeral of Leopold of Anhalt-Köthen; music lost but partially reconstructable) I/34 text by Picander; ↔ BWV 198/1, /10, 244b/6, /8, /39, /49, /57, /23, /20, /65, /13, /68 0305
244b 4. 1727-04-11
and/or
1729-04-15
Passion St Matthew Passion (early version; Good Friday) E minor satb2SATB 4Fl 4Ob 4Oba 2Odc 2Str Lu Bc II/5a
II/5b
text by Picander, Albert of Prussia, Decius, Gerhardt, Heermann, Keymann, Reusner, Rist; ↔ BWV 198, 244a; → BWV 244 0306
245, v1 4. 1724-04-07 Passion St John Passion (1st version; Good Friday) satbSATB (2Fl?) 2Ob 2Odc Str 2Va Vdg Lu Bc 121
44: 26
II/4: 40 text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; → BWV 245, v2–v4 0307
245, v2
245a
245b
245c
4. 1725-03-30 Passion St John Passion (2nd version; Good Friday) satbSATB 2Fl 2Ob 2Odc Str Vdg Bc 121 II/4: 167 text by Heyden, Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; after BWV 23/4, 245, v1; → BWV 244/29, 245, v3 0308
245, v3 4. 1732-04-11 Passion St John Passion (3rd version; Good Friday) satbSATB 2Fl 2Ob Str Vdg Org Bc 121
44: 26
II/4: 206 text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; after BWV 245, v1, v2; → BWV 245, v4 0309
245, v4 4. 1749-04-04 Passion St John Passion (4th version; Good Friday) satbSATB 2Fl 2Ob 2Oba Odc Bas Str Vdg Hc Bc 121
44: 26
II/4 text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; after BWV 245, v1–v3 0310
246/40a 4. 1743-1745 (JSB) Chorale Aus der Tiefen rufe ich, No. 40 of St Luke Passion t Str Bc (?) II/9: 65 after BWV 246/40 0312
247 4. 1731-03-23
1744-04-03
Passion St Mark Passion (Good Friday; music lost but in part reconstructable) satbSATB 2Fl 2Ob 2Oba 2Vl 2Va (2Vdg 2Lu) Org Bc (?) II/5 text by Picander, Jonas, Reusner, Gerhardt, Rist, Kritzelmann (de), Schein, Stockmann, Franck, J., Homburg (de), Luther, Spee; after BWV 198/1, /5, /3, /8, /10 (or 244a/7), 54/1, 248/28?, /45, 7/2? 0313
1088 4. c.1750? Arioso So heb ich denn mein Auge sehnlich auf, No. 20 in Passion Oratorio Wer ist der, so von Edom kömmt (Good Friday) b 2Bas Bc (?) I/41: 125 1274
248I 4. 1734-12-25 Cantata Jauchzet, frohlocket, auf, preiset die Tage (Christmas Oratorio, Part I; Christmas) D major satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc 51: 2
44: 125
II/6 text by Picander?, Gerhardt, Luther; after BWV 214/1, /7, 213/9 0314
248II 4. 1734-12-26 Cantata Und es waren Hirten in derselben Gegend (Christmas Oratorio, Part II; Christmas 2) G major satbSATB 2Fl 2Oba 2Odc Str Bc 51: 50
44: 126
II/6 text by Picander?, Rist, Gerhardt; after BWV 214/5, 213/3 0314
248III 4. 1734-12-27 Cantata Herrscher des Himmels, erhöre das Lallen (Christmas Oratorio, Part III; Christmas 3) D major satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc 51: 94 II/6 text by Picander?, Gerhardt, Luther, Runge; after BWV 214/9, 213/11 0314
248IV 4. 1735-01-01 Cantata Fallt mit Danken, fallt mit Loben (Christmas Oratorio, Part IV; New Year) F major satbSATB 2Hn 2Ob Str Bc 51: 128 II/6 text by Picander?, Rist; after BWV 213/1, /5, /7 0314
248V 4. 1735-01-02 Cantata Ehre sei dir, Gott, gesungen (Christmas Oratorio, Part V; New Year I) A major satbSATB 2Oba Str Bc 51: 128 II/6 text by Picander?, Weissel, Franck, J.; after BWV 247/39b, 215/7 0314
248VI 4. 1735-01-06 Cantata Herr, wenn die stolzen Feinde schnauben (Christmas Oratorio, Part VI; Epiphany) D major satbSATB 3Tr Tmp 2Ob 2Oba Str Bc 51: 210 II/6 text by Picander?, Gerhardt, Werner; after BWV 248VIa 0314
248VIa 4. 1734 or earlier Cantata model for BWV 248VI D major satbSATB 3Tr Tmp 2Ob 2Oba Str Bc II/6 after BWV Anh. 10/1; → 248/54, /56–/57, /61–/64 0315
249 4. 1743–1746
1749-04-06
1750-03-26
Oratorio Kommt, eilet und laufet (Easter Oratorio; Easter) satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc 213 II/7: 1 text by Picander?; after BWV 249, e. v. 0316
249, e. v. 4. 1725-04-01
c.1738
Cantata Kommt, fliehet und eilet (Easter Oratorio, early versions: first version as cantata; Easter) satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Vl Str Bc II/7: 97 text by Picander?; after BWV 249a; → BWV 249 0317
249a 4. 1725-02-23 Secular cantata Entfliehet, verschwindet, entweichet, ihr Sorgen, a.k.a. Shepherd Cantata (birthday of Christian of Saxe-Weissenfels; music lost but in part reconstructable) satbSATB 3Tr Tmp Fl 2Fl 2Ob Str Bc I/35 text by Picander; → BWV 249, e. v./1–/3, /5, /7, /9, /11; 249b 0318
249b 4. 1726-08-25 Secular cantata Verjaget, zerstreuet, zerrüttet, ihr Sterne a.k.a. Die Feier des Genius (dramma per musica; birthday of Joachim Friedrich von Flemming (de); music lost but in part reconstructable) I/39 text by Picander; after BWV 249a/1–/3, /5, /7, /9, /11 0319
11 4. 1735-05-19 Oratorio Lobet Gott in seinen Reichen (Ascension Oratorio; Ascension) satbSATB 3Tr Tmp 2Fl 2Ob Str Bc 2: 1 II/8 text by Picander?, Rist, Sacer 0013
5. Four-part chorales (see also: List of chorale harmonisations by Johann Sebastian Bach) Up ↑
250 5. 1734–1738 Chorale Was Gott tut, das ist wohlgetan (Three wedding chorales No. 1) SATB 2Hn Ob Oba Str Bc 131: 147 III/2.1: 3 text by Rodigast 0320
251 5. 1734–1738 Chorale Sei Lob und Ehr dem höchsten Gut (Three wedding chorales No. 2) SATB 2Hn Ob Oba Str Bc 131: 148 III/2.1: 4 text by Schütz, J. J. 0321
252 5. 1734–1738 Chorale Nun danket alle Gott (Three wedding chorales No. 3) SATB 2Hn Ob Oba Str Bc 131: 149 III/2.1: 5 text by Rinkart 0322
253 5. Chorale Ach bleib bei uns, Herr Jesu Christ SATB 39: 177 III/2 text by Calvisius; ↔ BWV 414 0323
254 5. Chorale Ach Gott, erhör mein Seufzen SATB 39: 177 III/2 0324
255 5. Chorale Ach Gott und Herr SATB 39: 177 III/2 0325
256 5. Chorale Ach lieben Christen, seid getrost SATB 39: 177 III/2 0326
259 5. Chorale Ach, was soll ich Sünder machen SATB 39: 177 III/2 0329
260 5. Chorale Allein Gott in der Höh sei Ehr SATB 39: 177 III/2 0330
261 5. Chorale Allein zu dir, Herr Jesu Christ SATB 39: 177 III/2 0331
262 5. Chorale Alle Menschen müssen sterben SATB 39: 177 III/2 0332
263 5. Chorale Alles ist an Gottes Segen SATB 39: 177 III/2 0333
264 5. Chorale Als der gütige Gott SATB 39: 177 III/2 0334
265 5. Chorale Als Jesus Christus in der Nacht SATB 39: 177 III/2 0335
266 5. Chorale Als vierzig Tag nach Ostern warn SATB 39: 177 III/2 0336
267 5. Chorale An Wasserflüssen Babylon (or) Ein Lämmlein geht und trägt die Schuld SATB 39: 177 III/2 0337
268 5. Chorale Auf, auf, mein Herz, und du mein ganzer Sinn SATB 39: 177 III/2 0338
269 5. Chorale Aus meines Herzens Grunde SATB 39: 177 III/2 0339
270 5. Chorale Befiehl du deine Wege SATB 39: 177 III/2 0340
271 5. Chorale Befiehl du deine Wege SATB 39: 177 III/2 0341
272 5. Chorale Befiehl du deine Wege SATB 39: 177 III/2 0342
273 5. Chorale Christ, der du bist der helle Tag SATB 39: 177 III/2 0343
274 5. Chorale Christe, der du bist Tag und Licht SATB 39: 177 III/2 0344
275 5. Chorale Christ, du Beistand deiner Kreuzgemeine SATB 39: 177 III/2 0345
276 5. Chorale Christ ist erstanden SATB 39: 177 III/2 0346
277 5. Chorale Christ lag in Todesbanden SATB 39: 177 III/2 0347
278 5. Chorale Christ lag in Todesbanden SATB 39: 177 III/2 0348
279 5. Chorale Christ lag in Todesbanden SATB 39: 177 III/2 0349
280 5. Chorale Christ unser Herr zum Jordan kam SATB 39: 177 III/2 0350
281 5. Chorale Christus, der ist mein Leben SATB 39: 177 III/2 0351
282 5. Chorale Christus, der ist mein Leben SATB 39: 177 III/2 0352
283 5. Chorale Christus, der uns selig macht SATB 39: 177 III/2 0353
284 5. Chorale Christus ist erstanden, hat überwunden SATB 39: 177 III/2 0354
285 5. Chorale Da der Herr Christ zu Tische saß SATB 39: 177 III/2 0355
286 5. Chorale Danket dem Herrn, denn er ist sehr freundlich SATB 39: 177 III/2 0356
287 5. Chorale Dank sei Gott in der Höhe SATB 39: 177 III/2 0357
288 5. Chorale Das alte Jahr vergangen ist SATB 39: 177 III/2 0358
289 5. Chorale Das alte Jahr vergangen ist SATB 39: 177 III/2 0359
290 5. Chorale Das walt Gott Vater und Gott Sohn SATB 39: 177 III/2 0360
291 5. Chorale Das walt mein Gott SATB 39: 177 III/2 0361
292 5. Chorale Den Vater dort oben SATB 39: 177 III/2 0362
293 5. Chorale Der du bist drei in Einigkeit SATB 39: 177 III/2 0363
294 5. Chorale Der Tag, der ist so freudenreich SATB 39: 177 III/2 0364
295 5. Chorale Des Heilgen Geistes reiche Gnad SATB 39: 177 III/2 0365
296 5. Chorale Die Nacht ist kommen SATB 39: 177 III/2 0366
297 5. Chorale Die Sonn hat sich mit ihrem Glanz gewendet SATB 39: 177 III/2 0367
298 5. Chorale Dies sind die heilgen zehn Gebot SATB 39: 177 III/2 0368
299 5. Chorale Dir, dir, Jehova, will ich singen SATB 39: 177 III/2 BWV 299 AMB2 0369
300 5. Chorale Du großer Schmerzensmann SATB 39: 177 III/2 0370
301 5. Chorale Du, o schönes Weltgebäude SATB 39: 177 III/2 0371
302 5. Chorale Ein feste Burg ist unser Gott SATB 39: 177 III/2 0372
303 5. Chorale Ein feste Burg ist unser Gott SATB 39: 177 III/2 0373
304 5. Chorale Eins ist not, ach Herr, dies Eine SATB 39: 177 III/2 0374
305 5. Chorale Erbarm dich mein, o Herre Gott SATB 39: 177 III/2 0375
306 5. Chorale Erstanden ist der heilig Christ SATB 39: 177 III/2 0376
307 5. Chorale Es ist gewisslich an der Zeit SATB 39: 177 III/2 0377
308 5. Chorale Es spricht der Unweisen Mund wohl SATB 39: 177 III/2 0378
309 5. Chorale Es stehn vor Gottes Throne SATB 39: 177 III/2 0379
310 5. Chorale Es wird schier der letzte Tag herkommen SATB 39: 177 III/2 0380
311 5. Chorale Es woll uns Gott gnädig sein SATB 39: 177 III/2 0381
312 5. Chorale Es woll uns Gott gnädig sein SATB 39: 177 III/2 0382
327 5. Chorale Vor deinen Thron tret ich hiermit SATB 39: 177 III/2 0397
313 5. Chorale Für Freuden lasst uns springen SATB 39: 177 III/2 0383
314 5. Chorale Gelobt seist du, Jesu Christ SATB 39: 177 III/2 0384
315 5. Chorale Gib dich zufrieden und sei stille SATB 39: 177 III/2 text by Gerhardt; ↔ BWV 512 0385
316 5. Chorale Gott, der du selber bist das Licht SATB 39: 177 III/2 0386
317 5. Chorale Gott der Vater wohn uns bei SATB 39: 177 III/2 0387
318 5. Chorale Gottes Sohn ist kommen SATB 39: 177 III/2 0388
319 5. Chorale Gott hat das Evangelium SATB 39: 177 III/2 0389
320 5. Chorale Gott lebet noch SATB 39: 177 III/2 0390
321 5. Chorale Gottlob, es geht nunmehr zum Ende SATB 39: 177 III/2 0391
322 5. Chorale Gott sei gelobet und gebenedeiet SATB 39: 177 III/2 0392
323 5. Chorale Gott sei uns gnädig und barmherzig SATB 39: 177 III/2 0393
325 5. Chorale Heilig, heilig (or) Sanctus, Sanctus Dominus Deus Sabaoth SATB 39: 177 III/2 0395
326 5. Chorale Herr Gott, dich loben alle wir SATB 39: 177 III/2 0396
328 5. Chorale Herr Gott, dich loben wir SATB 39: 177 III/2 0398
329 5. Chorale Herr, ich denk an jene Zeit SATB 39: 177 III/2 0399
330 5. Chorale Herr, ich habe missgehandelt SATB 39: 177 III/2 0400
331 5. Chorale Herr, ich habe missgehandelt SATB 39: 177 III/2 0401
332 5. Chorale Herr Jesu Christ, dich zu uns wend SATB 39: 177 III/2 0402
333 5. Chorale Herr Jesu Christ, du hast bereit' SATB 39: 177 III/2 0403
334 5. Chorale Herr Jesu Christ, ich schrei zu dir (or) Herr Jesu Christ, du höchstes Gut SATB 39: 177 III/2 0404
335 5. Chorale Herr Jesu Christ, meins Lebens Licht (or) O Jesu, du mein Bräutigam SATB 39: 177 III/2 0405
336 5. Chorale Herr Jesu Christ, wahr' Mensch und Gott SATB 39: 177 III/2 0406
337 5. Chorale Herr, nun lass in Friede SATB 39: 177 III/2 0407
338 5. Chorale Herr, straf mich nicht in deinem Zorn SATB 39: 177 III/2 0408
339 5. Chorale Wer in dem Schutz des Höchsten ist (or) Herr, wie du willt, so schicks mit mir SATB 39: 177 III/2 0409
340 5. Chorale Herzlich lieb hab ich dich, o Herr SATB 39: 177 III/2 0410
341 5. Chorale Heut ist, o Mensch, ein großer Trauertag SATB 39: 177 III/2 0411
342 5. Chorale Heut triumphieret Gottes Sohn SATB 39: 177 III/2 0412
343 5. Chorale Hilf, Gott, dass mirs gelinge SATB 39: 177 III/2 0413
344 5. Chorale Hilf, Herr Jesu, lass gelingen SATB 39: 177 III/2 0414
345 5. Chorale Ich bin ja, Herr, in deiner Macht SATB 39: 177 III/2 0415
346 5. Chorale Ich dank dir, Gott, für deine Wohltat SATB 39: 177 III/2 0416
347 5. Chorale Ich dank dir, lieber Herre SATB 39: 177 III/2 0417
348 5. Chorale Ich dank dir, lieber Herre SATB 39: 177 III/2 0418
349 5. Chorale Ich dank dir schon durch deinen Sohn SATB 39: 177 III/2 0419
350 5. Chorale Ich danke dir, Herr Gott, in deinem Throne SATB 39: 177 III/2 0420
351 5. Chorale Ich hab mein Sach Gott heimgestellt SATB 39: 177 III/2 0421
366 5. Chorale Ihr Gestirn, ihr hohlen Lüfte SATB 39: 177 III/2 0436
367 5. Chorale In allen meinen Taten SATB 39: 177 III/2 0437
368 5. Chorale In dulci jubilo SATB 39: 177 III/2 0438
352 5. Chorale Jesu, der du meine Seele SATB 39: 177 III/2 0422
353 5. Chorale Jesu, der du meine Seele SATB 39: 177 III/2 0423
354 5. Chorale Jesu, der du meine Seele SATB 39: 177 III/2 0424
355 5. Chorale Jesu, der du selbsten wohl SATB 39: 177 III/2 0425
356 5. Chorale Jesu, du mein liebstes Leben SATB 39: 177 III/2 0426
357 5. Chorale Jesu, Jesu, du bist mein SATB 39: 177 III/2 0427
358 5. Chorale Jesu, meine Freude SATB 39: 177 III/2 0428
360 5. Chorale Jesu, meiner Seelen Wonne SATB 39: 177 III/2 0430
359 5. Chorale Jesu, meiner Seelen Wonne SATB 39: 177 III/2 0429
361 5. Chorale Jesu, meines Herzens Freud SATB 39: 177 III/2 0431
362 5. Chorale Jesu, nun sei gepreiset SATB 39: 177 III/2 0432
364 5. Chorale Jesus Christus, unser Heiland, der den Tod überwand SATB 39: 177 III/2 0434
363 5. Chorale Jesus Christus, unser Heiland SATB 39: 177 III/2 0433
365 5. Chorale Jesus, meine Zuversicht SATB 39: 177 III/2 0435
369 5. Chorale Keinen hat Gott verlassen SATB 39: 177 III/2 0439
370 5. Chorale Komm, Gott Schöpfer, Heiliger Geist SATB 39: 177 III/2 0440
371 5. Chorale Kyrie, Gott Vater in Ewigkeit SATB 39: 177 III/2 0441
372 5. Chorale Lass, o Herr, dein Ohr sich neigen SATB 39: 177 III/2 0442
373 5. Chorale Liebster Jesu, wir sind hier SATB 39: 177 III/2 0443
374 5. Chorale Lobet den Herren, denn er ist sehr freundlich SATB 39: 177 III/2 0444
375 5. Chorale Lobt Gott, ihr Christen, allzugleich SATB 39: 177 III/2 0445
376 5. Chorale Lobt Gott, ihr Christen allzugleich SATB 39: 177 III/2 0446
377 5. Chorale Machs mit mir, Gott, nach deiner Güt SATB 39: 177 III/2 0447
378 5. Chorale Mein Augen schließ ich jetzt in Gottes Namen zu SATB 39: 177 III/2 0448
379 5. Chorale Meinen Jesum lass ich nicht SATB 39: 177 III/2 0449
380 5. Chorale Meinen Jesum lass ich nicht SATB 39: 177 III/2 0450
324 5. Chorale Meine Seele erhebet den Herren SATB 39: 177 III/2 0394
381 5. Chorale Meines Lebens letzte Zeit SATB 39: 177 III/2 0451
382 5. Chorale Mit Fried und Freud ich fahr dahin SATB 39: 177 III/2 0452
383 5. Chorale Mitten wir im Leben sind SATB 39: 177 III/2 0453
384 5. Chorale Nicht so traurig, nicht so sehr SATB 39: 177 III/2 0454
385 5. Chorale Nun bitten wir den Heiligen Geist SATB 39: 177 III/2 0455
386 5. Chorale Nun danket alle Gott SATB 39: 177 III/2 0456
387 5. Chorale Nun freut euch, Gottes Kinder all SATB 39: 177 III/2 0457
388 5. Chorale Nun freut euch, lieben Christen gmein SATB 39: 177 III/2 0458
389 5. Chorale Nun lob, mein Seel, den Herren SATB 39: 177 III/2 0459
390 5. Chorale Nun lob, mein Seel, den Herren SATB 39: 177 III/2 0460
391 5. Chorale Nun preiset alle Gottes Barmherzigkeit SATB 39: 177 III/2 0461
392 5. Chorale Nun ruhen alle Wälder SATB 39: 177 III/2 0462
396 5. Chorale Nun sich der Tag geendet hat SATB 39: 177 III/2 0466
397 5. Chorale O Ewigkeit, du Donnerwort SATB 39: 177 III/2 text by Rist; ↔ BWV 513 0467
398 5. Chorale O Gott, du frommer Gott SATB 39: 177 III/2 BWV 197a/7 0468
399 5. Chorale O Gott, du frommer Gott SATB 39: 177 III/2 0469
400 5. Chorale O Herzensangst SATB 39: 177 III/2 0470
401 5. Chorale O Lamm Gottes, unschuldig SATB 39: 177 III/2 0471
402 5. Chorale O Mensch, bewein dein Sünde groß SATB 39: 177 III/2 0472
403 5. Chorale O Mensch, schau Jesum Christum an SATB 39: 177 III/2 0473
404 5. Chorale O Traurigkeit, o Herzeleid SATB 39: 177 III/2 0474
393 5. Chorale O Welt, sieh hier dein Leben SATB 39: 177 III/2 0463
394 5. Chorale O Welt, sieh hier dein Leben SATB 39: 177 III/2 0464
395 5. Chorale O Welt, sieh hier dein Leben SATB 39: 177 III/2 0465
405 5. Chorale O wie selig seid ihr doch, ihr Frommen SATB 39: 177 III/2 0475
406 5. Chorale O wie selig seid ihr doch, ihr Frommen SATB 39: 177 III/2 0476
407 5. Chorale Es ist gewisslich an der Zeit SATB 39: 177 III/2 0477
408 5. Chorale Schaut, ihr Sünder SATB 39: 177 III/2 0478
409 5. Chorale Seelenbräutigam SATB 39: 177 III/2 0479
410 5. Chorale Sei gegrüßet, Jesu gütig SATB 39: 177 III/2 0480
411 5. Chorale Singt dem Herrn ein neues Lied SATB 39: 177 III/2 0481
412 5. Chorale So gibst du nun, mein Jesu, gute Nacht SATB 39: 177 III/2 0482
413 5. Chorale Sollt ich meinem Gott nicht singen SATB 39: 177 III/2 0483
414 5. Chorale Uns ist ein Kindlein heut geborn SATB 39: 177 III/2 0484
415 5. Chorale Valet will ich dir geben SATB 39: 177 III/2 0485
416 5. Chorale Vater unser im Himmelreich SATB 39: 177 III/2 0486
417 5. Chorale Von Gott will ich nicht lassen SATB 39: 177 III/2 0487
418 5. Chorale Von Gott will ich nicht lassen SATB 39: 177 III/2 0488
419 5. Chorale Helft mir Gotts Güte preisen (or) Von Gott will ich nicht lassen SATB 39: 177 III/2 0489
257 5. Chorale Wär Gott nicht mit uns diese Zeit SATB 39: 177 III/2 0327
420 5. Chorale Warum betrübst du dich, mein Herz SATB 39: 177 III/2 0490
421 5. Chorale Warum betrübst du dich, mein Herz SATB 39: 177 III/2 0491
422 5. Chorale Warum sollt ich mich denn grämen SATB 39: 177 III/2 0492
423 5. Chorale Was betrübst du dich, mein Herze SATB 39: 177 III/2 0493
424 5. Chorale Was bist du doch, o Seele, so betrübet SATB 39: 177 III/2 0494
425 5. Chorale Was willst du dich, o meine Seele, kränken SATB 39: 177 III/2 0495
426 5. Chorale Weltlich Ehr und zeitlich Gut SATB 39: 177 III/2 0496
427 5. Chorale Wenn ich in Angst und Not SATB 39: 177 III/2 0497
428 5. Chorale Wenn mein Stündlein vorhanden ist SATB 39: 177 III/2 0498
429 5. Chorale Wenn mein Stündlein vorhanden ist SATB 39: 177 III/2 0499
430 5. Chorale Wenn mein Stündlein verhanden ist SATB 39: 177 III/2 0500
431 5. Chorale Wenn wir in höchsten Nöten sein SATB 39: 177 III/2 0501
432 5. Chorale Wenn wir in höchsten Nöten sein SATB 39: 177 III/2 0502
433 5. Chorale Wer Gott vertraut, hat wohl gebaut SATB 39: 177 III/2 0503
434 5. Chorale Wer weiß, wie nahe mir mein Ende (or) Wer nur den lieben Gott lässt walten SATB 39: 177 III/2 0504
435 5. Chorale Wie bist du, Seele, in mir so gar betrübt SATB 39: 177 III/2 0505
436 5. Chorale Wie schön leuchtet der Morgenstern SATB 39: 177 III/2 0506
437 5. Chorale Wir glauben all an einen Gott SATB 39: 177 III/2 0507
258 5. Chorale Wo Gott der Herr nicht bei uns hält SATB 39: 177 III/2 0328
438 5. Chorale Wo Gott zum Haus nicht gibt sein Gunst SATB 39: 177 III/2 0508
500a 5. 1726-04-19 Chorale So gehst du nun, mein Jesu, hin (in Bach's Leipzig versions of St Mark Passion attributed to Keiser) SATB Str Bc II/9: 75 text by Nachtenhöfer (de); ↔ BWV 500 0571
1084 5. 1726-04-19 Chorale O hilf Christe, Gottes Sohn (in Bach's Leipzig versions of St Mark Passion attributed to Keiser) SATB Str Bc II/9: 76 text by Weiße; after BC D 5a/14 1270
1089 5. Chorale Da Jesus an dem Kreuze stund SATB III/2.2: 216 text by Lilius (de) 1275
1122 5. before c.1735 Chorale Denket doch, ihr Menschenkinder SATB III/2.1: 31 text by Hübner?; in D-LEb Peters Ms. R 18 1720
1123 5. before c.1735 Chorale Wo Gott zum Haus gibt nicht sein Gunst SATB III/2.1: 40 text by Kolrose (de); in D-LEb Peters Ms. R 18 1721
1124 5. before c.1735 Chorale Ich ruf zu dir, Herr Jesu Christ SATB III/2.1: 51 text by Agricola, J.; in D-LEb Peters Ms. R 18 1722
1125 5. before c.1735 Chorale O Gott, du frommer Gott SATB III/2.1: 79 text by Heermann; in D-LEb Peters Ms. R 18 1723
1126 5. Chorale Lobet Gott, unsern Herren SATB III/2.2: 218 1724
6. Songs, Arias and Quodlibet (see also: List of songs and arias of Johann Sebastian Bach) Up ↑
439 6. 1736 (or earlier) Schemellis Gesangbuch No. 831: "Ach, dass nicht die letzte Stunde" (song 56/69) V Bc 39: 277 III/2.1: 104 text by Neumeister 0509
440 6. 1736 (or earlier) Schemellis Gesangbuch No. 171: "Auf, auf! die rechte Zeit ist hier" (song 11/69) V Bc 39: 277 III/2.1: 104 0510
441 6. 1736 (or earlier) Schemellis Gesangbuch No. 320: "Auf, auf, mein Herz, mit Freuden" (song 27/69) V Bc 39: 277 III/2.1: 104 0511
442 6. 1736 (or earlier) Schemellis Gesangbuch No. 570: "Beglückter Stand getreuer Seelen" (song 39/69) V Bc 39: 277 III/2.1: 104 0512
443 6. 1736 (or earlier) Schemellis Gesangbuch No. 689: "Beschränkt, ihr Weisen dieser Welt" (song 47/69) V Bc 39: 277 III/2.1: 104 0513
444 6. 1736 (or earlier) Schemellis Gesangbuch No. 303: "Brich entzwei, mein armes Herze" (song 24/69) V Bc 39: 277 III/2.1: 104 0514
445 6. 1736 (or earlier) Schemellis Gesangbuch No. 335: "Brunnquell aller Güter" (song 29/69) V Bc 39: 277 III/2.1: 104 0515
446 6. 1736 (or earlier) Schemellis Gesangbuch No. 39: "Der lieben Sonnen Licht und Pracht" (song 2/69) V Bc 39: 277 III/2.1: 104 0516
447 6. 1736 (or earlier) Schemellis Gesangbuch No. 40: "Der Tag ist hin, die Sonne gehet nieder" (song 3/69) V Bc 39: 277 III/2.1: 104 0517
448 6. 1736 (or earlier) Schemellis Gesangbuch No. 43: "Der Tag mit seinem Lichte" (song 4/69) V Bc 39: 277 III/2.1: 104 0518
449 6. 1736 (or earlier) Schemellis Gesangbuch No. 396: "Dich bet ich an, mein höchster Gott" (song 31/69) V Bc 39: 277 III/2.1: 104 0519
450 6. 1736 (or earlier) Schemellis Gesangbuch No. 258: "Die bittre Leidenszeit beginnet abermal" (song 17/69) V Bc 39: 277 III/2.1: 104 0520
451 6. 1736 (or earlier) Schemellis Gesangbuch No. 13: "Die güldne Sonne" (song 1/69) V Bc 39: 277 III/2.1: 104 0521
452 6. 1736 (or earlier) Schemellis Gesangbuch No. 397: "Dir, dir, Jehova, will ich singen" (song 32/69) V Bc 39: 277 III/2.1: 104 0522
453 6. 1736 (or earlier) Schemellis Gesangbuch No. 112: "Eins ist not! ach Herr, dies Eine" (song 7/69) V Bc 39: 277 III/2.1: 104 0523
454 6. 1736 (or earlier) Schemellis Gesangbuch No. 187: "Ermuntre dich, mein schwacher Geist" (song 12/69) V Bc 39: 277 III/2.1: 104 0524
455 6. 1736 (or earlier) Schemellis Gesangbuch No. 580: "Erwürgtes Lamm, das die verwahrten Siegel" (song 43/69) V Bc 39: 277 III/2.1: 104 0525
456 6. 1736 (or earlier) Schemellis Gesangbuch No. 572: "Es glänzet der Christen inwendiges Leben" (song 40/69) V Bc 39: 277 III/2.1: 104 0526
457 6. 1736 (or earlier) Schemellis Gesangbuch No. 847: "Es ist nun aus mit meinem Leben" (song 57/69) V Bc 39: 277 III/2.1: 104 0527
458 6. 1736 (or earlier) Schemellis Gesangbuch No. 306: "Es ist vollbracht! Vergiss ja nicht dies Wort" (song 25/69) V Bc 39: 277 III/2.1: 104 0528
459 6. 1736 (or earlier) Schemellis Gesangbuch No. 522: "Es kostet viel, ein Christ zu sein" (song 38/69) V Bc 39: 277 III/2.1: 104 0529
460 6. 1736 (or earlier) Schemellis Gesangbuch No. 647: "Gib dich zufrieden und sei stille" (song 45/69) V Bc 39: 277 III/2.1: 104 0530
461 6. 1736 (or earlier) Schemellis Gesangbuch No. 488: "Gott lebet noch" (song 37/69) V Bc 39: 277 III/2.1: 104 0531
462 6. 1736 (or earlier) Schemellis Gesangbuch No. 360: "Gott wie groß ist deine Güte" (song 30/69) V Bc 39: 277 III/2.1: 104 0532
463 6. 1736 (or earlier) Schemellis Gesangbuch No. 78: "Herr, nicht schicke deine Rache" (song 5/69) V Bc 39: 277 III/2.1: 104 0533
464 6. 1736 (or earlier) Schemellis Gesangbuch No. 861: "Ich bin ja, Herr, in deiner Macht" (song 58/69) V Bc 39: 277 III/2.1: 104 0534
465 6. 1736 (or earlier) Schemellis Gesangbuch No. 194: "Ich freue mich in dir" (song 13/69) V Bc 39: 277 III/2.1: 104 0535
466 6. 1736 (or earlier) Schemellis Gesangbuch No. 657: "Ich halte treulich still" (song 46/69) V Bc 39: 277 III/2.1: 104 0536
467 6. 1736 (or earlier) Schemellis Gesangbuch No. 734: "Ich lass dich nicht" (song 51/69) V Bc 39: 277 III/2.1: 104 0537
468 6. 1736 (or earlier) Schemellis Gesangbuch No. 737: "Ich liebe Jesum alle Stund" (song 52/69) V Bc 39: 277 III/2.1: 104 0538
469 6. 1736 (or earlier) Schemellis Gesangbuch No. 195: "Ich steh an deiner Krippen hier" (song 14/69) V Bc 39: 277 III/2.1: 104 0539
476 6. 1736 (or earlier) Schemellis Gesangbuch No. 197: "Ihr Gestirn, ihr hohlen Lüfte" (song 15/69) V Bc 39: 277 III/2.1: 104 0546
471 6. 1736 (or earlier) Schemellis Gesangbuch No. 139: "Jesu, deine Liebeswunden" (song 10/69) V Bc 39: 277 III/2.1: 104 0541
470 6. 1736 (or earlier) Schemellis Gesangbuch No. 741: "Jesu, Jesu, du bist mein" (song 53/69) V Bc 39: 277 III/2.1: 104 0540
472 6. 1736 (or earlier) Schemellis Gesangbuch No. 119: "Jesu, meines Glaubens Zier" (song 8/69) V Bc 39: 277 III/2.1: 104 0542
473 6. 1736 (or earlier) Schemellis Gesangbuch No. 696: "Jesu, meines Herzens Freud" (song 48/69) V Bc 39: 277 III/2.1: 104 0543
474 6. 1736 (or earlier) Schemellis Gesangbuch No. 463: "Jesus ist das schönste Licht" (song 33/69) V Bc 39: 277 III/2.1: 104 0544
475 6. 1736 (or earlier) Schemellis Gesangbuch No. 333: "Jesus, unser Trost und Leben" (song 28/69) V Bc 39: 277 III/2.1: 104 0545
477 6. 1736 (or earlier) Schemellis Gesangbuch No. 869: "Kein Stündlein geht dahin" (song 60/69) V Bc 39: 277 III/2.1: 104 0547
478 6. 1736 (or earlier) Schemellis Gesangbuch No. 868: "Komm, süßer Tod" (song 59/69) V Bc 39: 277 III/2.1: 104 0548
479 6. 1736 (or earlier) Schemellis Gesangbuch No. 936: "Kommt, Seelen, dieser Tag" (song 67/69) V Bc 39: 277 III/2.1: 104 0549
480 6. 1736 (or earlier) Schemellis Gesangbuch No. 938: "Kommt wieder aus der finstern Gruft" (song 68/69) V Bc 39: 277 III/2.1: 104 0550
481 6. 1736 (or earlier) Schemellis Gesangbuch No. 281: "Lasset uns mit Jesu ziehen" (song 18/69) V Bc 39: 277 III/2.1: 104 0551
482 6. 1736 (or earlier) Schemellis Gesangbuch No. 467: "Liebes Herz, bedenke doch" (song 34/69) V Bc 39: 277 III/2.1: 104 0552
483 6. 1736 (or earlier) Schemellis Gesangbuch No. 873: "Liebster Gott, wann werd ich sterben" (song 61/69) V Bc 39: 277 III/2.1: 104 0553
484 6. 1736 (or earlier) Schemellis Gesangbuch No. 874: "Liebster Herr Jesu, wo bleibst du so lange" (song 62/69) V Bc 39: 277 III/2.1: 104 0554
485 6. 1736 (or earlier) Schemellis Gesangbuch No. 761: "Liebster Immanuel, Herzog der Frommen" (song 54/69) V Bc 39: 277 III/2.1: 104 0555
488 6. 1736 (or earlier) Schemellis Gesangbuch No. 881: "Meines Lebens letzte Zeit" (song 63/69) V Bc 39: 277 III/2.1: 104 0558
486 6. 1736 (or earlier) Schemellis Gesangbuch No. 121: "Mein Jesu, dem die Seraphinen" (song 9/69) V Bc 39: 277 III/2.1: 104 0556
487 6. 1736 (or earlier) Schemellis Gesangbuch No. 283: "Mein Jesu! was vor Seelenweh" (song 19/69) V Bc 39: 277 III/2.1: 104 0557
489 6. 1736 (or earlier) Schemellis Gesangbuch No. 574: "Nicht so traurig, nicht so sehr" (song 41/69) V Bc 39: 277 III/2.1: 104 0559
490 6. 1736 (or earlier) Schemellis Gesangbuch No. 700: "Nur mein Jesus ist mein Leben" (song 49/69) V Bc 39: 277 III/2.1: 104 0560
491 6. 1736 (or earlier) Schemellis Gesangbuch No. 284: "O du Liebe meiner Liebe" (song 20/69) V Bc 39: 277 III/2.1: 104 0561
492 6. 1736 (or earlier) Schemellis Gesangbuch No. 891: "O finstre Nacht, wenn wirst du doch vergehen" (song 64/69) V Bc 39: 277 III/2.1: 104 0562
493 6. 1736 (or earlier) Schemellis Gesangbuch No. 203: "O Jesulein süß, o Jesulein mild" (song 16/69) V Bc 39: 277 III/2.1: 104 0563
494 6. 1736 (or earlier) Schemellis Gesangbuch No. 575: "O liebe Seele, zieh die Sinnen" (song 42/69) V Bc 39: 277 III/2.1: 104 0564
495 6. 1736 (or earlier) Schemellis Gesangbuch No. 894: "O wie selig seid ihr doch, ihr Frommen" (song 65/69) V Bc 39: 277 III/2.1: 104 0565
496 6. 1736 (or earlier) Schemellis Gesangbuch No. 472: "Seelenbräutigam" (song 35/69) V Bc 39: 277 III/2.1: 104 0566
497 6. 1736 (or earlier) Schemellis Gesangbuch No. 710: "Seelenweide" (song 50/69) V Bc 39: 277 III/2.1: 104 0567
499 6. 1736 (or earlier) Schemellis Gesangbuch No. 293: "Sei gegrüßet, Jesu gütig" (song 22/69) V Bc 39: 277 III/2.1: 104 0569
498 6. 1736 (or earlier) Schemellis Gesangbuch No. 292: "Selig, wer an Jesum denkt" (song 21/69) V Bc 39: 277 III/2.1: 104 0568
500 6. 1736 (or earlier) Schemellis Gesangbuch No. 296: "So gehst du nun, mein Jesu hin" (song 23/69) V Bc 39: 277 III/2.1: 104 text by Nachtenhöfer (de); ↔ BWV 500a 0570
501 6. 1736 (or earlier) Schemellis Gesangbuch No. 315: "So gibst du nun, mein Jesu, gute Nacht" (song 26/69) V Bc 39: 277 III/2.1: 104 0572
502 6. 1736 (or earlier) Schemellis Gesangbuch No. 901: "So wünsch ich mir zu guter Letzt" (song 66/69) V Bc 39: 277 III/2.1: 104 0573
503 6. 1736 (or earlier) Schemellis Gesangbuch No. 945: "Steh ich bei meinem Gott" (song 69/69) V Bc 39: 277 III/2.1: 104 0574
504 6. 1736 (or earlier) Schemellis Gesangbuch No. 475: "Vergiss mein nicht" (song 36/69) V Bc 39: 277 III/2.1: 104 0575
505 6. 1736 (or earlier) Schemellis Gesangbuch No. 627: "Vergiss mein nicht" (song 44/69) V Bc 39: 277 III/2.1: 104 0576
506 6. 1736 (or earlier) Schemellis Gesangbuch No. 779: "Was bist du doch, o Seele, so betrübt" (song 55/69) V Bc 39: 277 III/2.1: 104 0577
507 6. 1736 (or earlier) Schemellis Gesangbuch No. 108: "Wo ist mein Schäflein, das ich liebe" (song 6/69) V Bc 39: 277 III/2.1: 104 0578
508 6. after 1733–1734 (AMB) Notebook A. M. Bach (1725) No. 25: aria "Bist du bei mir" V Bc 432: 36
39: 309
V/4: 102 by Stölzel 0579
299 AMB2 6. 1725–1735 Notebook A. M. Bach (1725) No. 39: chorale Dir, dir, Jehova, will ich singen S(AT)B (V Bc) 432: 50 V/4: 126 BWV 299 0369
509 6. 1725–1733 (AMB) Notebook A. M. Bach (1725) No. 41: aria "Gedenke doch, mein Geist, zurücke" V Bc 432: 52
39: 310
V/4: 128 0580
510 6. 1725–1733 Notebook A. M. Bach (1725) No. 12: song "Gib dich zufrieden und sei stille" F major V Bc 432: 30
39: 311
V/4: 91 0581
511 6. 1725–1733 Notebook A. M. Bach (1725) No. 13a: song "Gib dich zufrieden und sei stille" G minor V Bc 432: 31
39: 287
V/4: 91 text by Gerhardt; → BWV 512 0582
512 6. 1725–1733 Notebook A. M. Bach (1725) No. 13b: song "Gib dich zufrieden und sei stille" E minor V Bc 432: 31
39: 287
V/4: 91 text by Gerhardt; after BWV 511; ↔ 315 0583
513 6. 1725–1733 (AMB) Notebook A. M. Bach (1725) No. 42: song "O Ewigkeit, du Donnerwort" V Bc 432: 52
39: 301
V/4: 129 text by Rist; ↔ BWV 397 0584
514 6. 1725–1733 (AMB) Notebook A. M. Bach (1725) No. 35: song "Schaffs mit mir, Gott" V Bc 432: 48
39: 303
V/4: 125 text by Schmolck 0585
515 6. after 1733–1734 Notebook A. M. Bach (1725) No. 20a: aria "So oft ich meine Tobackspfeife" D minor V Bc 432: 34 V/4: 98 by Bach, G. H.?; → BWV 515a 0586
515a 6. after 1733–1734 Notebook A. M. Bach (1725) No. 20b: aria "So oft ich meine Tobackspfeife" G minor V Bc 432: 34
39: 309
V/4: 98 after BWV 515 0587
516 6. after 1733–1734 (AMB) Notebook A. M. Bach (1725) No. 33: aria "Warum betrübst du dich" V Bc 432: 46
39: 307
V/4: 121 0588
517 6. after 1733–1734 (AMB) Notebook A. M. Bach (1725) No. 40: song "Wie wohl ist mir, o Freund der Seelen" V Bc 432: 51
39: 307
V/4: 128 text by Dreßler 0589
518 6. after 1725 Notebook A. M. Bach (1725) No. 37: aria "Willst du dein Herz mir schenken" a.k.a. "Aria di G(i)ovannini" V Bc 432: 49
39: 311
V/4: 126 0590
519 6. c.1736? Five Hymns from SBB Bach P 802 No. 1: "Hier lieg ich nun, o Vater aller Gnaden" V Bc by Krebs, J. L.?; in Spitta III, pp. 401–403 0591
520 6. c.1736? Five Hymns from SBB Bach P 802 No. 2: "Das walt mein Gott, Gott Vater, Sohn und heilger Geist" V Bc by Krebs, J. L.?; in Spitta III, pp. 401–403 0592
521 6. c.1736? Five Hymns from SBB Bach P 802 No. 3: "Gott, mein Herz dir Dank zusendet" V III/3 by Krebs, J. L.?; in Spitta III, pp. 401–403 0593
522 6. c.1736? Five Hymns from SBB Bach P 802 No. 4: "Meine Seele, lass es gehen, wie es in der Welt jetzt geht" V by Krebs, J. L.?; in Spitta III, pp. 401–403 0594
523 6. c.1736? Five Hymns from SBB Bach P 802 No. 5: "Ich gnüge mich an meinem Stande" V by Krebs, J. L.?; in Spitta III, pp. 401–403 0595
524 6. 1707–July 1708 Quodlibet (incomplete; wedding?) SATB (SBBB) Bc NBG 322 I/41: 69 0596
7. Works for organ (see also: List of organ compositions by Johann Sebastian Bach) Up ↑
525 7. c.1730 Sonata 1/6 E major Organ 15: 1 IV/7: 1 BWV 525a 0597
526 7. c.1730 Sonata 2/6 C minor Organ 15: 13 IV/7: 14 0598
527 7. c.1730 Sonata 3/6 (+e. v. for /1) D minor Organ 15: 26 IV/7: 28 BWV 1044/2 0599
528 7. c.1730 Sonata 4/6 (+e. v. for /2, /3) E minor Organ 15: 40 IV/7: 44 after BWV 76/8 0600
529 7. c.1730 Sonata 5/6 (+e. v. for /2) C major Organ 15: 50 IV/7: 56 0601
530 7. c.1730 Sonata 6/6 G major Organ 15: 66 IV/7: 76 0602
531 7. c.1700–1703 Prelude and Fugue C major Organ 15: 81 IV/5: 3 in Möllersche Handschrift 0603
532 7. c.1708–1712 Prelude and Fugue D major Organ 15: 88 IV/5: 58 BWV 912, 532/2a 0604
532/2a 7. Fugue D major Organ IV/6: 95 BWV 532/2 0605
533 7. c.1704 Prelude and Fugue ("Cathedral") E minor Organ 15: 100 IV/5: 90 BWV 533a 0606
533a 7. Prelude and Fugue E minor Keyboard IV/6: 106 BWV 533 0607
534 7. c.1712–1717 Prelude and Fugue F minor Organ 15: 104 IV/5: 130 0608
535 7. after 1717 Prelude and Fugue G minor Organ 15: 112 IV/5: 157 after BWV 535a 0609
535a 7. c.1702–1704 Prelude and Fugue (incomplete) G minor Organ IV/6: 109 BWV 535; in Möllersche Handschrift 0610
536 7. 1708–1717 Prelude and Fugue A major Organ 15: 120 IV/5: 180 BWV 152/1; → 536a 0611
537 7. 1729–1750 Fantasia and Fugue C minor Organ 15: 129 IV/5: 47 0613
538 7. 1712–1717 Toccata and Fugue ("Dorian") D minor Organ 15: 136 IV/5: 76 0614
539 7. 1724–1750? Prelude and Fugue D minor Organ 15: 148 IV/5: 70 after BWV 1001/2, 1000 0615
540 7. c.1712–1717? Toccata and Fugue F major Organ 15: 154 IV/5: 112 0616
541
528/3
7. c.1712–1717? Toccata and Fugue (Trio BWV 528/3 e. v. as possible middle movement) G major Organ 15: 169 IV/5: 146 BWV 528/3 0617
542 7. c.1714–1720? Fantasia and Fugue ("Great"; independent compositions?; fugue also in F minor) G minor Organ 15: 177 IV/5: 167 0618
543 7. after c.1730 Prelude and Fugue A minor Organ 15: 189 IV/5: 186 after BWV 543/1a 0619
543/1a 7. bef. c.1725 Prelude A minor Organ IV/6: 121 BWV 543/1 0620
544 7. 1725–1728 Prelude and Fugue B minor Organ 15: 199 IV/5: 198 0621
545
529/2
7. 1708–1717
after 1722
Prelude and Fugue (middle movement BWV 529/2 e. v. removed after 1722) C major Organ 15: 212 IV/5: 10 after BWV 545a, b; → 529/2 0622
545a 7. 1708–1717 Prelude and Fugue (early version) C major Organ IV/6: 77 BWV 545b, 545 0623
546 7. 1708–1750 Prelude and Fugue C minor Organ 15: 218 IV/5: 35 0625
547 7. 1719–1750 Prelude and Fugue C major Organ 15: 228 IV/5: 20 0626
548 7. 1725–1728 Prelude and Fugue ("Wedge") E minor Organ 15: 236 IV/5: 94 0627
549 7. 1705–1750 Prelude and Fugue C minor Organ 38: 3 IV/5: 30 after BWV 549 0628
549a 7. c.1701 Prelude (or: Fantasia) and Fugue D minor Organ IV/6: 101 BWV 549; in Möllersche Handschrift 0629
550 7. 1706–1708 Prelude and Fugue G major Organ 38: 9 IV/5: 138 0630
551 7. c.1699 Prelude and Fugue A minor Organ 38: 17 IV/6: 63 0631
552 7. 1739 Prelude and Fugue ("St Anne") from Clavier-Übung III E major Organ 3: 173, 254 IV/4: 2, 105 0632
562 7. 1720–c.1748 Fantasia and Fugue (unfinished fugue added c.1747–1748) C minor Organ 38: 64, 209
44: 4
IV/5: 54 0642
563 7. c.1704 Fantasia and Imitatio C major Organ 38: 59 IV/6: 68 in Andreas-Bach-Buch 0643
564 7. bef. c.1712 Toccata, Adagio and Fugue C major Organ 15: 253 IV/6: 3 0644
565 7. c.1704? Toccata and Fugue D minor Organ 15: 267 IV/6: 31 0645
566 7. 1700–1750 Prelude and Fugue (earliest manuscripts: C major; /1 as Toccata in BGA) E major
C major
Organ 15: 276 IV/6: 40 0646
568 7. c.1700–1705? Prelude G major Organ 38: 85 IV/6: 51 0648
569 7. 1703–c.1704 Prelude A minor Organ 38: 89 IV/6: 59 0649
1121 7. 1706–1710 Fantasia C minor Organ IV/11: 54 in Andreas-Bach-Buch; was Anh. 205 1516
570 7. c.1698–1704 Fantasia C major Organ 38: 62 IV/6: 16 in Andreas-Bach-Buch 0650
572 7. 1708–c.1712 Fantasia, a.k.a. Pièce d'Orgue (+reworked version) G major Organ 38: 75 IV/7: 130, 144 0652
573 7. c.1722–1725 Notebook A. M. Bach (1722) No. 6 Fantasia (incomplete?) C minor Keyboard 38: 209
432: 003
V/4: 39
IV/6: 18
0653
574 7. after c.1708? Fugue on a theme by Legrenzi C minor Organ 38: 94 IV/6: 19 after BWV 574b; ↔ 574a 0654
574a 7. after c.1708? Fugue on a theme by Legrenzi (variant) C minor Organ 38: 205 IV/6: 82 after BWV 574b; ↔ 574 0655
574b 7. c.1707–1713 or earlier Fugue on a theme by Legrenzi (early version) C minor Organ IV/6: 88 after Legrenzi (theme); → BWV 574a, 574; in Andreas-Bach-Buch 0656
575 7. 1708–1717? Fugue C minor Organ 38: 101 IV/6: 26 0657
578 7. c.1713 or earlier Fugue ("Little") G minor Organ 38: 116 IV/6: 55 in Andreas-Bach-Buch 0660
579 7. 1708–1717? Fugue on a theme by Corelli B minor Organ 38: 121 IV/6: 71 after Corelli (theme) 0661
582 7. bef. 1707
1707–1708
Passacaglia (and Fugue) C minor Organ 15: 289 IV/7: 98 in Andreas-Bach-Buch 0664
583 7. c.1730 or earlier? Trio D minor Organ 38: 143 IV/7: 94 0665
585 7. c.1726–1727 (JSB) Trio C minor Organ 38: 219 IV/8: 73 after Fasch J. F., FaWV N:c2/1, /2; arr. by Bach 0667
586 7. bef. c.1740 Trio G major Organ IV/8: 78 after Telemann? 0668
587 7. after 1726 Aria F major Organ 38: 222 IV/8: 82 after Couperin, Les NationsIII/4 0669
588 7. c.1704–1707 or earlier Canzona D minor Organ 38: 126 IV/7: 118 in Möllersche Handschrift 0670
589 7. 1700–1720? Alla breve D major Organ 38: 131 IV/7: 114 0671
590 7. bef. c.1727 Pastorella (/1 incomplete?) F major Organ 38: 135 IV/7: 122 0672
592 7. c.1714–1717 Concerto G major Organ 38: 149 IV/8: 56 after J. E. of Saxe-Weimar, Violin Concerto in G major; → BWV 592a 0674
592a 7. c.1714–1717 Concerto G major Keyboard 42: 282 V/11: 150 after BWV 592 0675
593 7. c.1714–1717 Concerto A minor Organ 38: 158 IV/8: 16 after Vivaldi, Op. 3 No. 8 (RV 522) 0676
594 7. c.1714–1717 Concerto C major Organ 38: 171 IV/8: 30 after Vivaldi, RV 208 (Grosso Mogul) 0677
595 7. c.1714–1717 Concerto C major Organ 38: 196 IV/8: 65 after BWV 984/1 0678
596 7. c.1714–1717 Concerto (arrangement previously attributed to W. F. Bach) D minor Organ IV/8: 3 after Vivaldi, Op. 3 No. 11 (RV 565) 0679
599 7. 1713–1715 or earlier Chorale prelude Nun komm, der Heiden Heiland (Orgelbüchlein No. 1) A minor Organ 252: 1 IV/1: 3 0682
600 7. 1713–1715 or earlier Chorale prelude Gott durch deine Güte (or) Gottes Sohn ist kommen (Orgelbüchlein No. 2) F major Organ 252: 1 IV/1: 4 0683
601 7. 1713–1715 or earlier Chorale prelude Herr Christ, der ein'ge Gottes Sohn (or) Herr Gott, nun sei gepreiset (Orgelbüchlein No. 3; also in Neumeister Collection) A major Organ 252: 1 IV/1: 6 0684
602 7. 1713–1715 or earlier Chorale prelude Lob sei dem allmächtigen Gott (Orgelbüchlein No. 4) D minor Organ 252: 1 IV/1: 7 0685
603 7. 1713–1715 or earlier Chorale prelude Puer natus in Bethlehem (Orgelbüchlein No. 5) G minor Organ 252: 1 IV/1: 8 0686
604 7. 1713–1715 or earlier Chorale prelude Gelobet seist du, Jesu Christ (Orgelbüchlein No. 6) G major Organ 252: 1 IV/1: 11 0687
605 7. 1713–1715 or earlier Chorale prelude Der Tag, der ist so freudenreich (Orgelbüchlein No. 7) G major Organ 252: 1 IV/1: 11 0688
606 7. 1713–1715 or earlier Chorale prelude Vom Himmel hoch, da komm ich her (Orgelbüchlein No. 8) D major Organ 252: 1 IV/1: 13 0689
607 7. 1713–1715 or earlier Chorale prelude Vom Himmel kam der Engel Schar (Orgelbüchlein No. 9) G minor Organ 252: 1 IV/1: 14 0690
608 7. 1713–1715 or earlier Chorale prelude In dulci jubilo (Orgelbüchlein No. 10) A major Organ 252: 1 IV/1: 16 0691
609 7. 1713–1715 or earlier Chorale prelude Lobt Gott, ihr Christen allzugleich (Orgelbüchlein No. 11) G major Organ 252: 1 IV/1: 18 0692
610 7. 1713–1715 or earlier Chorale prelude Jesu, meine Freude (Orgelbüchlein No. 12) C minor Organ 252: 1 IV/1: 19 0693
611 7. 1713–1715 or earlier Chorale prelude Christum wir sollen loben schon (Orgelbüchlein No. 13) E minor Organ 252: 1 IV/1: 20 0694
612 7. 1713–1715 or earlier Chorale prelude Wir Christenleut (Orgelbüchlein No. 14) G minor Organ 252: 1 IV/1: 22 0695
613 7. after 1724? Chorale prelude Helft mir Gotts Güte preisen (Orgelbüchlein No. 15) B minor Organ 252: 1 IV/1: 24 0696
614 7. 1713–1715 or earlier Chorale prelude Das alte Jahr vergangen ist (Orgelbüchlein No. 16) A minor Organ 252: 1 IV/1: 25 0697
615 7. 1713–1715 or earlier Chorale prelude In dir ist Freude (Orgelbüchlein No. 17) G major Organ 252: 1 IV/1: 27 0698
616 7. 1713–1715 or earlier Chorale prelude Mit Fried und Freud ich fahr dahin (Orgelbüchlein No. 18) D minor Organ 252: 1 IV/1: 30 0699
617 7. 1713–1715 or earlier Chorale prelude Herr Gott, nun schleuß den Himmel auf (Orgelbüchlein No. 19) A minor Organ 252: 1 IV/1: 32 0700
618 7. 1713–1715 or earlier Chorale prelude O Lamm Gottes, unschuldig (Orgelbüchlein No. 20) F major Organ 252: 1 IV/1: 34 0701
619 7. 1713–1715 or earlier Chorale prelude Christe, du Lamm Gottes (Orgelbüchlein No. 21) F major Organ 252: 1 IV/1: 36 0702
620 7. after 1724? Chorale prelude Christus, der uns selig macht (Orgelbüchlein No. 22) A minor Organ 252: 1 IV/1: 37 after BWV 620a 0703
620a 7. 1713–1715 or earlier Chorale prelude Christus, der uns selig macht (Orgelbüchlein No. 22, e. v.) A minor Organ 252: 149 IV/1: 78 BWV 620 0704
621 7. 1713–1715 or earlier Chorale prelude Da Jesus an dem Kreuze stund (Orgelbüchlein No. 23) A minor Organ 252: 1 IV/1: 39 0705
622 7. 1713–1715 or earlier Chorale prelude O Mensch, bewein dein Sünde groß (Orgelbüchlein No. 24) E major Organ 252: 1 IV/1: 40 BWV 622 (var.) 0706
622 (var.) 7. 1716–1789 Chorale prelude O Mensch, bewein dein Sünde groß (variant) Organ after BWV 622 0707
623 7. 1713–1715 or earlier Chorale prelude Wir danken dir, Herr Jesu Christ (Orgelbüchlein No. 25) G major Organ 252: 1 IV/1: 42 0708
624 7. 1713–1715 or earlier Chorale prelude Hilf Gott, dass mir's gelinge (Orgelbüchlein No. 26) G minor Organ 252: 1 IV/1: 44 0709
625 7. 1713–1715 or earlier Chorale prelude Christ lag in Todesbanden (Orgelbüchlein No. 27) D minor Organ 252: 1 IV/1: 46 0710
626 7. 1713–1715 or earlier Chorale prelude Jesus Christus, unser Heiland, der den Tod überwand (Orgelbüchlein No. 28) A minor Organ 252: 1 IV/1: 48 0711
627 7. 1713–1715 or earlier Chorale prelude Christ ist erstanden (Orgelbüchlein No. 29) D minor Organ 252: 1 IV/1: 49 0712
628 7. 1713–1715 or earlier Chorale prelude Erstanden ist der heilge Christ (Orgelbüchlein No. 30) D major Organ 252: 1 IV/1: 54 0713
629 7. 1713–1715 or earlier Chorale prelude Erschienen ist der herrliche Tag (Orgelbüchlein No. 31) D minor Organ 252: 1 IV/1: 55 0714
630 7. 1713–1715 or earlier Chorale prelude Heut triumphieret Gottes Sohn (Orgelbüchlein No. 32) D minor Organ 252: 1 IV/1: 56 after BWV 630a 0715
630a 7. bef. 1716 Chorale prelude Heut triumphieret Gottes Sohn (Orgelbüchlein No. 32, e. v.) Organ IV/1: 80 BWV 630 0716
631 7. 1723–1750 Chorale prelude Komm, Gott Schöpfer, heiliger Geist (Orgelbüchlein No. 33) D minor Organ 252: 1 IV/1: 58 after BWV 631a 0717
631a 7. 1713–1715 or earlier Chorale prelude Komm, Gott Schöpfer, heiliger Geist (Orgelbüchlein No. 33, e. v.) G major Organ 252: 150 IV/1: 82 BWV 631 0718
632 7. 1713–1715 or earlier Chorale prelude Herr Jesu Christ, dich zu uns wend (Orgelbüchlein No. 34) F major Organ 252: 1 IV/1: 59 0719
633 7. 1713–1715 or earlier Chorale prelude Liebster Jesu, wir sind hier distinctus (Orgelbüchlein No. 36) A major Organ 252: 1 IV/1: 61 after BWV 634 0720
634 7. 1713–1715 or earlier Chorale prelude Liebster Jesu, wir sind hier (Orgelbüchlein No. 35) A major Organ 252: 1 IV/1: 60 BWV 633 0721
635 7. 1713–1715 or earlier Chorale prelude Dies sind die heilgen zehn Gebot (Orgelbüchlein No. 37) C major Organ 252: 1 IV/1: 62 0722
636 7. 1713–1715 or earlier Chorale prelude Vater unser im Himmelreich (Orgelbüchlein No. 38) D minor Organ 252: 1 IV/1: 64 0723
637 7. 1713–1715 or earlier Chorale prelude Durch Adams Fall ist ganz verderbt (Orgelbüchlein No. 39) A minor Organ 252: 1 IV/1: 65 0724
638 7. 1713–1715 or earlier Chorale prelude Es ist das Heil uns kommen her (Orgelbüchlein No. 40) D major Organ 252: 1 IV/1: 66 after BWV 638a 0725
638a 7. bef. c.1715 Chorale prelude Es ist das Heil uns kommen her (Orgelbüchlein No. 40, e. v.) Organ IV/1: 83 BWV 638 0726
639 7. 1713–1715 or earlier Chorale prelude Ich ruf zu dir, Herr Jesu Christ (Orgelbüchlein No. 41; also in Neumeister Collection) F minor Organ 252: 1 IV/1: 68 BWV Anh. 73 0727
640 7. 1713–1715 or earlier Chorale prelude In dich hab ich gehoffet, Herr (Orgelbüchlein No. 42) E minor Organ 252: 1 IV/1: 70 0728
641 7. 1713–1715 or earlier Chorale prelude Wenn wir in höchsten Nöten sein (Orgelbüchlein No. 43) G major Organ 252: 1 IV/1: 71 0729
642 7. 1713–1715 or earlier Chorale prelude Wer nur den lieben Gott lässt walten (Orgelbüchlein No. 44) A minor Organ 252: 1 IV/1: 72 0730
643 7. 1713–1715 or earlier Chorale prelude Alle Menschen müssen sterben (Orgelbüchlein No. 45) G major Organ 252: 1 IV/1: 74 0731
644 7. 1713–1715 or earlier Chorale prelude Ach wie nichtig, ach wie flüchtig (Orgelbüchlein No. 46) G minor Organ 252: 1 IV/1: 75 0732
645 7. 1748–1749 Chorale prelude Wachet auf, ruft uns die Stimme (Schübler Chorales No. 1) E major Organ 252: 61 IV/1: 86 after BWV 140/4 0733
646 7. 1748–1749 Chorale prelude Wo soll ich fliehen hin (or) Auf meinen lieben Gott (Schübler Chorales No. 2) E minor Organ 252: 61 IV/1: 90 0734
647 7. 1748–1749 Chorale prelude Wer nur den lieben Gott lässt walten (Schübler Chorales No. 3) C minor Organ 252: 61 IV/1: 92 after BWV 93/4 0735
648 7. 1748–1749 Chorale prelude Meine Seele erhebt den Herren (Schübler Chorales No. 4) D minor Organ 252: 61 IV/1: 94 after BWV 10/5 0736
649 7. 1748–1749 Chorale prelude Ach bleib bei uns, Herr Jesu Christ (Schübler Chorales No. 5) B major Organ 252: 61 IV/1: 95 after BWV 6/3 0737
650 7. 1748–1749 Chorale prelude Kommst du nun, Jesu, vom Himmel herunter (Schübler Chorales No. 6) G major Organ 252: 61 IV/1: 98 after BWV 137/2 0738
651 7. 1747–1748 Chorale prelude Komm, heiliger Geist (Fantasia; Leipzig Chorales 1/18) F major Organ 252: 77 IV/2: 3 after BWV 651a 0739
651a 7. 1708–1717 Chorale prelude Komm, heiliger Geist, Herre Gott (Fantasia; e. v.: Weimar) Organ 252: 151 IV/2: 117 BWV 651 0740
652 7. 1747–1748 Chorale prelude Komm, heiliger Geist, Herre Gott (alio modo; Leipzig Chorales 2/18) G major Organ 252: 77 IV/2: 13 after BWV 652a 0741
652a 7. 1708–1717 Chorale prelude Komm, heiliger Geist, Herre Gott (e. v.: Weimar) Organ IV/2: 121 BWV 652 0742
653 7. 1747–1748 Chorale prelude An Wasserflüssen Babylon (Leipzig Chorales 3/18) G major Organ 252: 77 IV/2: 22 after BWV 653a 0743
653a 7. 1708–1717 Chorale prelude An Wasserflüssen Babylon (alio modo; 2nd v.: Weimar) Organ 252: 157 IV/2: 133 after BWV 653b; → BWV 653 0744
653b 7. 1708–1717 Chorale prelude An Wasserflüssen Babylon (à 5; 1st v.: Weimar) Organ 40: 41 IV/2: 130 BWV 653a 0745
654 7. 1747–1748 Chorale prelude Schmücke dich, o liebe Seele (Leipzig Chorales 4/18) E major Organ 252: 77 IV/2: 26 after BWV 654a 0746
654a 7. 1708–1717 Chorale prelude Schmücke dich, o liebe Seele (e. v.: Weimar) Organ IV/2: 136 BWV 654 0747
655 7. 1747–1748 Chorale prelude Herr Jesu Christ, dich zu uns wend (Trio; Leipzig Chorales 5/18) G major Organ 252: 77 IV/2: 31 after BWV 655a; ↔ 655 var. 1–4; → 655bc 0748
655, var. 1 7. 1708–1798 Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 1) Organ 655(a), var. 2–4 0749
655, var. 2 7. 1708–1798 Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 2) F major Organ 655(a), var. 1, 3–4 0750
655, var. 3 7. 1708–1798 Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 3) Organ 655(a), var. 1–2, 4 0751
655, var. 4 7. 1708–1798 Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 4) Organ 655(a), var. 1–3 0752
655a 7. 1708–1717 Chorale prelude Herr Jesu Christ, dich zu uns wend (Trio; e. v.: Weimar) Organ 252: 162 IV/2: 140 BWV 655(bc); ↔ 655 var. 1–4 0753
656 7. 1747–1748 Chorale prelude O Lamm Gottes, unschuldig (Leipzig Chorales 6/18) A major Organ 252: 77 IV/2: 38 after BWV 656a 0756
656a 7. 1708–1717 Chorale prelude O Lamm Gottes, unschuldig (e. v.: Weimar) Organ 252: 166 IV/2: 146 BWV 656 0757
657 7. 1708–1717 Chorale prelude Nun danket alle Gott (Leipzig Chorales 7/18) G major Organ 252: 77 IV/2: 46 0758
658 7. 1747–1748 Chorale prelude Von Gott will ich nicht lassen (Leipzig Chorales 8/18) F minor Organ 252: 77 IV/2: 51 after BWV 658a 0759
658a 7. 1708–1717 Chorale prelude Von Gott will ich nicht lassen (Fantasia; e. v.: Weimar) Organ 252: 170 IV/2: 154 BWV 658 0760
659 7. 1747–1748 Chorale prelude Nun komm, der Heiden Heiland (Leipzig Chorales 9/18) G minor Organ 252: 77 IV/2: 55 after BWV 659a 0761
659a 7. 1708–1717 Chorale prelude Nun komm, der Heiden Heiland (Fantasia; e. v.: Weimar) Organ 252: 172 IV/2: 157 BWV 659 0762
660 7. 1747–1748 Chorale prelude Nun komm, der Heiden Heiland (Trio; Leipzig Chorales 10/18) G minor Organ 252: 77 IV/2: 59 after BWV 660a 0763
660a 7. 1708–1717 Chorale prelude Nun komm, der Heiden Heiland (Trio; e. v.: Weimar) Organ 252: 174 IV/2: 160 BWV 660, 660b 0764
660b 7. 1708–1719 Chorale prelude Nun komm, der Heiden Heiland (arrangement) Organ 252: 176 by Krebs, J. T. (arr.)?; after BWV 660a 0765
661 7. 1747–1748 Chorale prelude Nun komm, der Heiden Heiland (Leipzig Chorales 11/18) G minor Organ 252: 77 IV/2: 62 after BWV 661a 0766
661a 7. 1708–1717 Chorale prelude Nun komm, der Heiden Heiland (e. v.: Weimar) Organ 252: 178 IV/2: 164 BWV 661 0767
662 7. 1747–1748 Chorale prelude Allein Gott in der Höh sei Ehr (Leipzig Chorales 12/18) A major Organ 252: 77 IV/2: 67 after BWV 662a 0768
662a 7. 1708–1717 Chorale prelude Allein Gott in der Höh sei Ehr (e. v.: Weimar) Organ IV/2: 168 BWV 662 0769
663 7. 1747–1748 Chorale prelude Allein Gott in der Höh sei Ehr (Leipzig Chorales 13/18) G major Organ 252: 77 IV/2: 72 after BWV 663a 0770
663a 7. 1708–1717 Chorale prelude Allein Gott in der Höh sei Ehr (e. v.: Weimar) Organ 252: 180 IV/2: 172 BWV 663 0771
664 7. 1747–1748 Chorale prelude Allein Gott in der Höh sei Ehr (Trio; Leipzig Chorales 14/18) A major Organ 252: 77 IV/2: 79 after BWV 664ab 0772
664a 7. 1708–1717 Chorale prelude Allein Gott in der Höh sei Ehr (Trio; e. v.: Weimar; fair copy) Organ 252: 183 IV/2 after BWV 664b; → BWV 664 0773
664b 7. 1708–1717 Chorale prelude Allein Gott in der Höh sei Ehr (Trio; e. v.: Weimar; sketch) Organ IV/2: 179 BWV 664(a) 0774
665 7. 1747–1748 Chorale prelude Jesus Christus, unser Heiland (Leipzig Chorales 15/18) E minor Organ 252: 77 IV/2: 87 after BWV 665a 0775
665a 7. 1708–1717 Chorale prelude Jesus Christus, unser Heiland (e. v.: Weimar) Organ 252: 188 IV/2: 187 BWV 665 0776
666 7. 1708–1748 Chorale prelude Jesus Christus, unser Heiland (alio modo; Leipzig Chorales 16/18) E minor Organ 252: 77 IV/2: 91 after BWV 666a 0777
666a 7. 1708–1717 Chorale prelude Jesus Christus, unser Heiland (alio modo; e. v.: Weimar) Organ IV/2: 191 BWV 666 0778
667 7. 1747–1748 Chorale prelude Komm, Gott Schöpfer, heiliger Geist (Leipzig Chorales 17/18) C major Organ 252: 77 IV/2: 94 after BWV 667a 0779
667a 7. 1708–1717 Chorale prelude Komm, Gott Schöpfer, heiliger Geist (e. v.: Weimar) Organ IV/2 after BWV 667b; → BWV 667 0780
667b 7. 1708–1717 Chorale prelude Komm, Gott Schöpfer, heiliger Geist (e. v.: Weimar; sketch) Organ IV/2: 194 BWV 667(a) 0781
668 7. 1747–1748 Chorale prelude Vor deinen Thron tret ich hiermit (fragment; Leipzig Chorales 18/18) G major Organ 252: 77 IV/2: 113 after BWV 668a 0782
668a 7. 1708–1748 Chorale prelude Wenn wir in höchsten Nöten (e. v.) Organ IV/2: 212 BWV 668 0783
669 7. 1739 Chorale prelude Kyrie, Gott Vater in Ewigkeit from Clavier-Übung III Organ 3: 184 IV/4: 16 0784
670 7. 1739 Chorale prelude Christe, aller Welt Trost from Clavier-Übung III Organ 3: 184 IV/4: 18 0785
671 7. 1739 Chorale prelude Kyrie, Gott heiliger Geist from Clavier-Übung III Organ 3: 184 IV/4: 20 0786
672 7. 1739 Chorale prelude Kyrie, Gott Vater in Ewigkeit from Clavier-Übung III Org/man. 3: 184 IV/4: 27 0787
673 7. 1739 Chorale prelude Christe, aller Welt Trost from Clavier-Übung III Org/man. 3: 184 IV/4: 28 0788
674 7. 1739 Chorale prelude Kyrie, Gott heiliger Geist from Clavier-Übung III Org/man. 3: 184 IV/4: 29 0789
675 7. 1739 Chorale prelude Allein Gott in der Höh sei Ehr from Clavier-Übung III Organ 3: 184 IV/4: 30 0790
676 7. 1739 Chorale prelude Allein Gott in der Höh sei Ehr from Clavier-Übung III Organ 3: 184 IV/4: 33 BWV 676a 0791
677 7. 1739 Chorale prelude Allein Gott in der Höh sei Ehr (Fughetta) from Clavier-Übung III Org/man. 3: 184 IV/4: 41 0793
678 7. 1739 Chorale prelude Dies sind die heiligen zehen Gebot from Clavier-Übung III Organ 3: 184 IV/4: 42 0794
679 7. 1739 Chorale prelude Dies sind die heiligen zehen Gebot (Fughetta) from Clavier-Übung III Org/man. 3: 184 IV/4: 49 0795
680 7. 1739 Chorale prelude Wir gläuben all an einen Gott from Clavier-Übung III Organ 3: 184 IV/4: 52 0796
681 7. 1739 Chorale prelude Wir gläuben all an einen Gott (Fughetta) from Clavier-Übung III Org/man. 3: 184 IV/4: 57 0797
682 7. 1739 Chorale prelude Vater unser im Himmelreich from Clavier-Übung III Organ 3: 184 IV/4: 58 0798
683 7. 1739 Chorale prelude Vater unser im Himmelreich from Clavier-Übung III Org/man. 3: 184 IV/4: 66 BWV 683a 0799
684 7. 1739 Chorale prelude Christ unser Herr zum Jordan kam from Clavier-Übung III Organ 3: 184 IV/4: 68 0801
685 7. 1739 Chorale prelude Christ unser Herr zum Jordan kam from Clavier-Übung III Org/man. 3: 184 IV/4: 73 0802
686 7. 1739 Chorale prelude Aus tiefer Not schrei ich zu dir from Clavier-Übung III Organ 3: 184 IV/4: 74 0803
687 7. 1739 Chorale prelude Aus tiefer Not schrei ich zu dir from Clavier-Übung III Org/man. 3: 184 IV/4: 78 0804
688 7. 1739 Chorale prelude Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt from Clavier-Übung III Organ 3: 184 IV/4: 81 0805
689 7. 1739 Chorale prelude Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt (Fugue) from Clavier-Übung III Org/man. 3: 184 IV/4: 89 0806
690 7. c.1700–1717 Chorale prelude Wer nur den lieben Gott lässt walten (Kirnberger collection No. 1) Organ 40: 1 IV/3: 98 0807
691 7. c.1720 or earlier Notebook A. M. Bach (1725) No. 11 Chorale prelude Wer nur den lieben Gott lässt walten (WFB No. 3; Kirnb. coll. No. 2) Organ 40: 1
432: 30
451: 214
V/5: 6
V/4: 90
IV/3: 98
BWV 691a 0808
694 7. c.1700–1717 Chorale prelude Wo soll ich fliehen hin (Kirnb. coll. No. 5) Organ 40: 1 IV/3: 103 0813
695 7. c.1700–1717 Chorale prelude Christ lag in Todesbanden (Fantasia; Kirnb. coll. No. 6) Organ 40: 1 IV/3: 20 BWV 695a 0814
695a 7. 1700–1789 Chorale prelude Christ lag in Todesbanden (variant) Organ 40: 153 after BWV 695 0815
696 7. c.1700–1717 Chorale prelude Christum wir sollen loben schon (or) Was fürchtest du Feind, Herodes, sehr (Fughetta; Kirnb. coll. No. 7) Organ 40: 1 IV/3: 23 0816
697 7. c.1700–1717 Chorale prelude Gelobet seist du, Jesu Christ (Fughetta; Kirnb. coll. No. 8) Organ 40: 1 IV/3: 32 0817
698 7. c.1700–1717 Chorale prelude Herr Christ, der ein'ge Gottes Sohn (Fughetta; Kirnb. coll. No. 9) Organ 40: 1 IV/3: 35 0818
699 7. c.1700–1717 Chorale prelude Nun komm, der Heiden Heiland (Fughetta; Kirnb. coll. No. 10) Organ 40: 1 IV/3: 73 0819
700 7. c.1699 Chorale prelude Vom Himmel hoch da komm ich her (Kirnb. coll. No. 11) Organ 40: 1 IV/3: 92 0820
701 7. c.1700–1717 Chorale prelude Vom Himmel hoch da komm ich her (Fughetta; Kirnb. coll. No. 12) Organ 40: 1 IV/3: 96 0821
702 7. c.1700–1717 Chorale prelude Das Jesulein soll doch mein Trost (Fughetta; Kirnb. coll. No. 13) Organ 40: 1 IV/3: 45 0822
703 7. c.1700–1717 Chorale prelude Gottes Sohn ist kommen (Fughetta; Kirnb. coll. No. 14) Organ 40: 1 IV/3: 34 0823
704 7. c.1700–1717 Chorale prelude Lob sei dem allmächtigen Gott (Fughetta; Kirnb. coll. No. 15) Organ 40: 1 IV/3: 62 0824
705 7. c.1700–1717 Chorale prelude Durch Adams Fall ist ganz verderbt (Kirnb. coll. No. 16) Organ 40: 1 IV/10: 47 0825
706/1
706/2
7. c.1700–1717 Chorale prelude Liebster Jesu, wir sind hier (/2 = alio modo; Kirnb. coll. No. 17) Organ 40: 1 IV/3: 59 0826
707 7. c.1700–1717 Chorale prelude Ich hab mein Sach Gott heimgestellt (Kirnb. coll. No. 18) Organ 40: 1 IV/10: 87 0827
708 7. 1700–1789 Chorale prelude Ich hab mein Sach Gott heimgestellt (alio modo; Kirnb. coll. No. 19) Organ 40: 1 0828
708a 7. 1700–1789 Chorale prelude Ich hab mein Sach Gott heimgestellt Organ 40: 152 0829
709 7. c.1700–1717 Chorale prelude Herr Jesu Christ, dich zu uns wend (Kirnb. coll. No. 20) Organ 40: 1 IV/3: 43 0830
710 7. c.1700–1717 Chorale prelude Wir Christenleut habn jetzund Freud (Kirnb. coll. No. 21) Organ 40: 1 IV/3: 100 0831
711 7. c.1700–1717 Chorale prelude Allein Gott in der Höh sei Ehr (bicinium; Kirnb. coll. No. 22) Organ 40: 1 IV/3: 11 0832
712 7. c.1708 Chorale prelude In dich hab ich gehoffet, Herr (Kirnb. coll. No. 23) Organ 40: 1 IV/3: 48 0833
713 7. c.1700–1717 Chorale prelude Jesu, meine Freude (Kirnb. coll. No. 24) Organ 40: 1 IV/3: 54 0834
713a 7. 1700–1789 Chorale prelude Jesu, meine Freude (Fantasia; variant) Organ 40: 155 IV/10: 93 0835
714 7. 1708–1717 Chorale prelude Ach Gott und Herr (Neumeister Chorales No. 13) Organ 40: 41 IV/9: 26
IV/3: 3
0836
715 7. 1703–1717 Chorale prelude Allein Gott in der Höh sei Ehr Organ 40: 41 IV/3: 14 0837
716 7. c.1700–1717 Chorale prelude Allein Gott in der Höh sei Ehr (Fantasia) Organ 40: 41 IV/10: 14 0838
717 7. 1708–1717 Chorale prelude Allein Gott in der Höh sei Ehr Organ 40: 41 IV/3: 8 0839
718 7. c.1700–1717 Chorale prelude Christ lag in Todesbanden Organ 40: 41 IV/3: 16 0840
719 7. c.1704 Chorale prelude Der Tag, der ist so freudenreich (Neumeister Chorales No. 1) Organ 40: 41 IV/9: 2, 72 0841
720 7. 1709? Chorale prelude Ein feste Burg ist unser Gott Organ 40: 41 IV/3: 24 by Bach, J. Michael? 0842
721 7. c.1704 Chorale prelude Erbarm dich mein, o Herre Gott Organ 40: 41 IV/3: 28 0843
722 7. 1708–1717 Chorale prelude Gelobet seist du, Jesu Christ Organ 40: 41 IV/3: 31 after BWV 722a 0844
722a 7. 1709? Chorale prelude Gelobet seist du, Jesu Christ (sketch) Organ 40: 158 IV/3: 30 BWV 722 0845
723 7. c.1700–1717 Chorale prelude Gelobet seist du, Jesu Christ (also in Neumeister Collection) Organ 40: 41 by Bach, J. Michael? 0846
724 7. c.1699 Chorale prelude Gott durch deine Güte (or) Gottes Sohn ist kommen Organ 40: 41 IV/3: 33 in Andreas-Bach-Buch 0847
725 7. c.1700–1717 Chorale prelude Herr Gott, dich loben wir Organ 40: 41 IV/3: 36 0848
726 7. 1708–1717 Chorale prelude Herr Jesu Christ, dich zu uns wend Organ 40: 41 IV/3: 45 0849
727 7. 1708–1717 Chorale prelude Herzlich tut mich verlangen Organ 40: 41 IV/3: 46 0850
728 7. 1722–1723 or earlier Notebook A. M. Bach (1722) No. 8 Chorale prelude Jesus, meine Zuversicht Organ 432: 5
40: 41
V/4: 41
IV/3: 58
0851
729 7. 1708–1717 Chorale prelude In dulci jubilo Organ 40: 41 IV/3: 52 after BWV 729a 0852
729a 7. 1708–1717 Chorale prelude In dulci jubilo (sketch) Organ 40: 158 IV/3: 50 BWV 729 0853
730 7. 1708–1717 Chorale prelude Liebster Jesu, wir sind hier Organ 40: 41 IV/3: 60 0854
731 7. 1708–1717 Chorale prelude Liebster Jesu, wir sind hier Organ 40: 41 IV/3: 61 0855
732 7. 1708–1717 Chorale prelude Lobt Gott, ihr Christen, allzugleich Organ 40: 41 IV/3: 64 after BWV 732a 0856
732a 7. 1708–1717 Chorale prelude Lobt Gott, ihr Christen, allzugleich (draft) Organ 40: 159 IV/3: 63 BWV 732 0857
733 7. 1708–1717 Chorale prelude Meine Seele erhebt den Herren (fugue) Organ 40: 41 IV/3: 65 by Krebs, J. L.? 0858
734 7. 1708–1717 Chorale prelude Nun freut euch, lieben Christen g'mein Organ 40: 41 IV/3: 70 BWV 734a 0859
734a 7. 1708–1789 Chorale prelude Nun freut euch, lieben Christen g'mein Organ 40: 160 IV/10 by Scholz (arr.)?; after BWV 734 0860
735 7. c.1700–1717 Chorale prelude Valet will ich dir geben (Fantasia) Organ 40: 41 IV/3: 77 after BWV 735a 0861
735a 7. c.1706 Chorale prelude Valet will ich dir geben (early version) Organ 40: 161 IV/3: 81 BWV 735 0862
736 7. 1713–1717 Chorale prelude Valet will ich dir geben Org (V Bc) 40: 41 IV/3: 84 0863
737 7. c.1704 Chorale prelude Vater unser im Himmelreich (Neumeister Chorales No. 18) Organ 40: 41 IV/9: 36
IV/3: 90
0864
738 7. 1708–1717 Chorale prelude Vom Himmel hoch, da komm ich her Organ 40: 41 IV/3: 94 after BWV 738a 0865
738a 7. 1708–1717 Chorale prelude Vom Himmel hoch, da komm ich her (sketch) Organ 40: 158 IV/3: 94 BWV 738 0866
739 7. c.1704 Chorale prelude Wie schön leuchtet der Morgenstern Organ 40: 41 IV/10: 2 0867
740 7. 1700–1780 Chorale prelude Wir glauben all an einen Gott Organ 40: 41 by Krebs, J. L.? 0868
741 7. c.1701 Chorale prelude Ach Gott, vom Himmel sieh darein Organ 40: 167 IV/3: 4 0869
742 7. c.1704 Chorale prelude Ach Herr, mich armen Sünder (Neumeister Chorales No. 14) Organ IV/9: 28 0870
743 7. c.1700–1717 Chorale prelude Ach, was ist doch unser Leben Organ IV/10: 11 0871
744 7. c.1700–1717 Chorale prelude Auf meinen lieben Gott Organ 40: 170 IV/10: 20 by Krebs, J. L. 0872
745 7. 1700–1788 Chorale prelude Aus der Tiefe rufe ich Organ 40: 171 IV/10: 22 by Bach, C. P. E.? 0873
747 7. c.1700–1717 Chorale prelude Christus, der uns selig macht Organ IV/10: 38 0875
749 7. c.1700–1717 Chorale prelude Herr Jesu Christ, dich zu uns wend Organ IV/10: 80 by Telemann?; by Bach, J. Christoph? 0878
750 7. c.1700–1703 Chorale prelude Herr Jesu Christ, meins Lebens Licht Organ IV/10: 81 0879
752 7. c.1700–1717 Chorale prelude Jesu, der du meine Seele Organ 0881
753 7. c.1720 Chorale prelude Jesu, meine Freude (unfinished; WFB No. 5) Organ 40: 163
451: 214
V/5: 8 0882
754 7. c.1700–1717 Chorale prelude Liebster Jesu, wir sind hier Organ 0883
755 7. c.1700–1717 Chorale prelude Nun freut euch, lieben Christen g'mein Organ 0884
756 7. c.1700–1717 Chorale prelude Nun ruhen alle Wälder Organ 0885
757 7. c.1700–1717 Chorale prelude O Herre Gott, dein göttlichs Wort Organ 0886
758 7. c.1700–1717 Chorale prelude O Vater, allmächtiger Gott Organ 40: 179 IV/11: 69 0887
762 7. c.1700–1717 Chorale prelude Vater unser im Himmelreich Organ IV/10: 142 0891
763 7. c.1700–1717 Chorale prelude Wie schön leucht uns der Morgenstern Organ 0892
764 7. c.1704–1705 Chorale prelude Wie schön leuchtet der Morgenstern Organ 40: 164 IV/10: 6 0893
765 7. c.1706 Chorale prelude Wir glauben all an einen Gott Organ 40: 187 0894
1085 7. c.1700–1717 Chorale prelude O Lamm Gottes unschuldig Organ IV/3: 76 1683
1090 7. c.1704 Chorale prelude Wir Christenleut (Neumeister Chorales No. 2) Organ IV/9: 4 1276
1091 7. c.1699 Chorale prelude Das alte Jahr vergangen ist (Neumeister Chorales No. 3) Organ IV/9: 6 1277
1092 7. c.1701 Chorale prelude Herr Gott, nun schleuß den Himmel auf (Neumeister Chorales No. 4) Organ IV/9: 8 1278
1093 7. c.1704 Chorale prelude Herzliebster Jesu, was hast du verbrochen (Neumeister Chorales No. 5) Organ IV/9: 10 1279
1094 7. c.1699 Chorale prelude O Jesu, wie ist dein Gestalt (Neumeister Chorales No. 6) Organ IV/9: 12 1280
1095 7. c.1704 Chorale prelude O Lamm Gottes unschuldig (Neumeister Chorales No. 7) Organ IV/9: 14 1281
1097 7. c.1699 Chorale prelude Ehre sei dir Christe, der du leidest Not (Neumeister Chorales No. 9) Organ IV/9: 18 1283
1098 7. c.1704 Chorale prelude Wir glauben all an einen Gott (Neumeister Chorales No. 10) Organ IV/9: 20 1284
1099 7. c.1701 Chorale prelude Aus tiefer Not schrei ich zu dir (Neumeister Chorales No. 11) Organ IV/9: 22 1285
1100 7. c.1704 Chorale prelude Allein zu dir, Herr Jesu Christ (Neumeister Chorales No. 12) Organ IV/9: 24 1286
1101 7. c.1704 Chorale prelude Durch Adams Fall ist ganz verderbt (Neumeister Chorales No. 15) Organ IV/9: 30 1287
1102 7. c.1706 Chorale prelude Du Friedefürst, Herr Jesu Christ (Neumeister Chorales No. 16) Organ IV/9: 33 1288
1103 7. 1699–1709 Chorale prelude Erhalt uns Herr, bei deinem Wort (Neumeister Chorales No. 17) Organ IV/9: 35 1289
1104 7. 1699–1709 Chorale prelude Wenn dich Unglück tut greifen an (Neumeister Chorales No. 19) Organ IV/9: 38 1290
1105 7. c.1701 Chorale prelude Jesu, meine Freude (Neumeister Chorales No. 20) Organ IV/9: 39 1291
1106 7. c.1704 Chorale prelude Gott ist mein Heil, mein Hilf und Trost (Neumeister Chorales No. 21) Organ IV/9: 40 1292
1107 7. c.1704 Chorale prelude Jesu, meines Lebens Leben (Neumeister Chorales No. 22) Organ IV/9: 42 1293
1108 7. c.1704 Chorale prelude Als Jesus Christus in der Nacht (Neumeister Chorales No. 23) Organ IV/9: 44 1294
1109 7. 1699–1709 Chorale prelude Ach Gott, tu dich erbarmen (Neumeister Chorales No. 24) Organ IV/9: 46 1295
1110 7. c.1704 Chorale prelude O Herre Gott, dein göttlich Wort (Neumeister Chorales No. 25) Organ IV/9: 48 1296
1111 7. c.1701 Chorale prelude Nun lasset uns den Leib begraben (Neumeister Chorales No. 26) Organ IV/9: 50 1297
1112 7. c.1699 Chorale prelude Christus, der ist mein Leben (Neumeister Chorales No. 27) Organ IV/9: 52 1298
1113 7. c.1699 Chorale prelude Ich hab mein Sach Gott heimgestellt (Neumeister Chorales No. 28) Organ IV/9: 54 1299
1114 7. c.1701 Chorale prelude Herr Jesu Christ, du höchstes Gut (Neumeister Chorales No. 29) Organ IV/9: 56 1300
1115 7. c.1701 Chorale prelude Herzlich lieb hab ich dich, o Herr (Neumeister Chorales No. 30) Organ IV/9: 58 1301
1116 7. c.1701 Chorale prelude Was Gott tut, das ist wohlgetan (Neumeister Chorales No. 31) Organ IV/9: 60 1302
1117 7. c.1701 Chorale prelude Alle Menschen müssen sterben (Neumeister Chorales No. 32) Organ IV/9: 62 1303
1118 7. c.1701 Chorale prelude Werde munter, mein Gemüte (Neumeister Chorales No. 34) Organ IV/9: 66 1304
1119 7. c.1699 Chorale prelude Wie nach einer Wasserquelle (Neumeister Chorales No. 35) Organ IV/9: 68 1305
1120 7. c.1704 Chorale prelude Christ, der du bist der helle Tag (Neumeister Chorales No. 36) Organ IV/9: 70 1306
957 7. c.1701 Chorale prelude Machs mit mir, Gott, nach deiner Güt (Neumeister Chorales No. 33; a.k.a. Fugue = first half in later arr.) G major Organ 42: 203 IV/9: 64, 74 1134
766 7. c.1706 Chorale partita Christ, der du bist der helle Tag Organ 40: 107 IV/1: 114 0895
767 7. c.1708 Chorale partita O Gott, du frommer Gott Organ 40: 114 IV/1: 122 0896
768 7. 1708–1717 or earlier Chorale partita Sei gegrüßet, Jesu gütig Organ 40: 122 IV/1: 132, 152 0897
769 7. c.1747–1748 Chorale variations Vom Himmel hoch da komm ich her (canonic variations; print version) Organ 40: 137 IV/2: 197 BWV 769a 0898
769a 7. c.1747–1748 Chorale variations Vom Himmel hoch da komm ich her (canonic variations; autograph) Organ IV/2: 98 after BWV 769 0899
770 7. c.1704 Chorale variations Ach, was soll ich Sünder machen Organ 40: 189 IV/1: 104 0900
8. Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach) Up ↑
772 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 1 – Invention No. 1 = WFB No. 32: Preamb. 1 C major Keyboard 3: 1
451: 221
V/5: 48
V/3: 2
BWV 772a[17][18][19] 0902
772a 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 1a – Invention No. 1a C major Keyboard V/3: 4 after BWV 772 0903
773 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 2 – Invention No. 2 = WFB No. 46: Preamb. 15 C minor Keyboard 3: 2
451: 223
V/5: 76
V/3: 6
[17][18][19] 0904
774 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 3 – Invention No. 3 = WFB No. 45: Preamb. 14 D major Keyboard 3: 3
451: 223
V/5: 74
V/3: 8
[17][18][19] 0905
775 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 4 – Invention No. 4 = WFB No. 33: Preamb. 2 D minor Keyboard 3: 4
451: 221
V/5: 50
V/3: 10
[17][18][19] 0906
776 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 5 – Invention No. 5 = WFB No. 44: Preamb. 13 E major Keyboard 3: 6
451: 222
V/5: 72
V/3: 12
[17][18][19] 0907
777 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 6 – Invention No. 6 = WFB No. 43: Preamb. 12 E major Keyboard 3: 7
451: 222
V/5: 70
V/3: 14
[17][18][19] 0908
778 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 7 – Invention No. 7 = WFB No. 34: Preamb. 3 E minor Keyboard 3: 9
451: 221
V/5: 52
V/3: 16
[17][18][19] 0909
779 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 8 – Invention No. 8 = WFB No. 35: Preamb. 4 F major Keyboard 3: 10
451: 221
V/5: 54
V/3: 18
[17][18][19] 0910
780 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 9 – Invention No. 9 = WFB No. 42: Preamb. 11 F minor Keyboard 3: 11
451: 222
V/5: 68
V/3: 20
[17][18][19] 0911
781 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 10 – Invention No. 10 = WFB No. 36: Preamb. 5 G major Keyboard 3: 12
451: 221
V/5: 56
V/3: 22
[17][18][19] 0912
782 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 11 – Invention No. 11 = WFB No. 41: Preamb. 10 G minor Keyboard 3: 13
451: 222
V/5: 66
V/3: 24
[17][18][19] 0913
783 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 12 – Invention No. 12 = WFB No. 40: Preamb. 9 A major Keyboard 3: 14
451: 222
V/5: 64
V/3: 26
[17][18][19] 0914
784 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 13 – Invention No. 13 = WFB No. 37: Preamb. 6 A minor Keyboard 3: 15
451: 221
V/5: 58
V/3: 28
[17][18][19] 0915
785 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 14 – Invention No. 14 = WFB No. 39: Preamb. 8 B major Keyboard 3: 16
451: 222
V/5: 62
V/3: 30
[17][18][19] 0916
786 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 15 – Invention No. 15 = WFB No. 38: Preamb. 7 B minor Keyboard 3: 18
451: 222
V/5: 60
V/3: 32
[17][18][19] 0917
787 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 16 – Sinfonia No. 1 = WFB No. 49: Fantasia 1 C major Keyboard 3: 19
451: 227
V/5: 90
V/3: 34
[17][18][19] 0918
788 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 17 – Sinfonia No. 2 = WFB No. 63: Fantas. 15 C minor Keyboard 3: 20
451: 231
V/5: 118
V/3: 36
[17][18][19] 0919
789 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 18 – Sinfonia No. 3 = WFB No. 62: Fantas. 14 D major Keyboard 3: 22
451: 230
V/5: 116
V/3: 38
[17][18][19] 0920
790 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 19 – Sinfonia No. 4 = WFB No. 50: Fantasia 2 D minor Keyboard 3: 23
451: 227
V/5: 92
V/3: 40
[17][18][19] 0921
791 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 20 – Sinfonia No. 5 = WFB No. 61: Fantas. 13 E major Keyboard 3: 24
451: 230
V/5: 114
V/3: 42
BWV 791a[17][18][19] 0922
791a 8. 1723 Sinfonias and Inventions No. 20a – Sinfonia No. 5a E major Keyboard V/3: 44, 80 after BWV 791[17][18][19] 0923
792 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 21 – Sinfonia No. 6 = WFB No. 60: Fantas. 12 E major Keyboard 3: 26
451: 229
V/5: 112
V/3: 46
[17][18][19] 0924
793 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 22 – Sinfonia No. 7 = WFB No. 51: Fantasia 3 E minor Keyboard 3: 28
451: 227
V/5: 94
V/3: 48
[17][18][19] 0925
794 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 23 – Sinfonia No. 8 = WFB No. 52: Fantasia 4 F major Keyboard 3: 29
451: 227
V/5: 96
V/3: 50
[17][18][19] 0926
795 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 24 – Sinfonia No. 9 = WFB No. 59: Fantas. 11 F minor Keyboard 3: 30
451: 229
V/5: 110
V/3: 52
[17][18][19] 0927
796 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 25 – Sinfonia No. 10 = WFB No. 53: Fantasia 5 G major Keyboard 3: 32
451: 228
V/5: 98
V/3: 54
[17][18][19] 0928
797 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 26 – Sinfonia No. 11 = WFB No. 58: Fantas. 10 G minor Keyboard 3: 34
451: 229
V/5: 108
V/3: 56
[17][18][19] 0929
798 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 27 – Sinfonia No. 12 = WFB No. 57: Fantasia 9 A major Keyboard 3: 36
451: 229
V/5: 106
V/3: 58
[17][18][19] 0930
799 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 28 – Sinfonia No. 13 = WFB No. 54: Fantasia 6 A minor Keyboard 3: 38
451: 228
V/5: 100
V/3: 60
[17][18][19] 0931
800 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 29 – Sinfonia No. 14 = WFB No. 56: Fantasia 8 B major Keyboard 3: 40
451: 228
V/5: 104
V/3: 62
[17][18][19] 0932
801 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 30 – Sinfonia No. 15 = WFB No. 55: Fantasia 7 B minor Keyboard 3: 41
451: 228
V/5: 102
V/3: 64
[17][18][19] 0933
802 8. 1739 Duet No. 1 from Clavier-Übung III E minor Organ 3: 242 IV/4: 92 0934
803 8. 1739 Duet No. 2 from Clavier-Übung III F major Organ 3: 242 IV/4: 96 0935
804 8. 1739 Duet No. 3 from Clavier-Übung III G major Organ 3: 242 IV/4: 99 0936
805 8. 1739 Duet No. 4 from Clavier-Übung III A minor Organ 3: 242 IV/4: 102 0937
806 8. 1714–1723 English Suite No. 1 A major Keyboard 451: 3 V/7: 2 0938
806a 8. 1714–1717 English Suite No. 1a A major Keyboard V/7: 116 0939
807 8. 1725 or earlier English Suite No. 2 A minor Keyboard 451: 3 V/7: 20 0940
808 8. 1725 or earlier English Suite No. 3 G minor Keyboard 451: 3 V/7: 38 0941
809 8. 1725 or earlier English Suite No. 4 F major Keyboard 451: 3 V/7: 54 0942
810 8. 1725 or earlier English Suite No. 5 E minor Keyboard 451: 3 V/7: 70 0943
811 8. 1725 or earlier English Suite No. 6 D minor Keyboard 451: 3 V/7: 90 0944
812 AMB1 8. 1720–1722 Notebook A. M. Bach (1722) No. 1 French Suite No. 1 D minor Keyboard V/4: 3 0945
812 AMB2 8. 1725 (AMB) Notebook A. M. Bach (1725) No. 30 French Suite No. 1 D minor Keyboard V/4: 109 0945
812 v.A 8. early 1750s French Suite No. 1 – Version A (Altnickol) D minor Keyboard V/8: 2 0945
812 v.B 8. French Suite No. 1 – Version B D minor Keyboard 451: 89 V/8: 64 0945
813 AMB1 8. 1720–1722 Notebook A. M. Bach (1722) No. 2, 9 French Suite No. 2 C minor Keyboard V/4: 10 0946
813 AMB2 8. 1725 (AMB) Notebook A. M. Bach (1725) No. 31 French Suite No. 2 C minor Keyboard V/4: 116 0946
813 v.A 8. early 1750s French Suite No. 2 – Version A (Altnickol) C minor Keyboard V/8: 10 0946
813a 8. French Suite No. 2 – Version B C minor Keyboard 451: 89 V/8: 72 0947
814 AMB1 8. 1720–1722 Notebook A. M. Bach (1722) No. 3, 10 French Suite No. 3 B minor Keyboard V/4: 16 0948
814 v.A 8. early 1750s French Suite No. 3 – Version A (Altnickol) B minor Keyboard V/8: 20 0948
814 v.B 8. French Suite No. 3 – Version B B minor Keyboard 451: 89 0948
814a 8. 1720–1739 French Suite No. 3 – Variant B minor Keyboard V/8: 166 after BWV 929 0949
815 AMB1 8. 1720–1722 Notebook A. M. Bach (1722) No. 4 French Suite No. 4 E major Keyboard V/4: 23 0950
815 v.A 8. early 1750s French Suite No. 4 – Version A (Altnickol) E major Keyboard V/8: 30 0950
815 v.B 8. French Suite No. 4 – Version B E major Keyboard 451: 89 V/8: 92 0950
815a 8. French Suite No. 4 – Variant E major Keyboard V/8: 176 0951
816 AMB1 8. 1724–1725 Notebook A. M. Bach (1722) No. 5 French Suite No. 5 G major Keyboard V/4: 30 0952
816 v.A 8. early 1750s French Suite No. 5 – Version A (Altnickol) G major Keyboard V/8: 40 0952
816 v.B 8. French Suite No. 5 – Version B G major Keyboard 451: 89 V/8: 102 0952
817 v.A 8. early 1750s French Suite No. 6 – Version A (Altnickol) E major Keyboard V/8: 52 0953
817 v.B 8. after 1724? French Suite No. 6 – Version B E major Keyboard 451: 89 V/8: 114 0953
818 8. 1720–1722 Suite for keyboard (early version) A minor Keyboard 36: 3 V/8: 129 0954
818a 8. after 1721 Suite for keyboard (later version) A minor Keyboard 36: 213 V/8: 146 0955
819 8. before 1726 Suite for keyboard (early version) E major Keyboard 36: 8 V/8: 136 0956
819a 8. 1725–1728 Suite for keyboard (later version) E major Keyboard 36: 217 V/8: 156 0957
820 8. 1705–1713 Suite (Ouverture) for keyboard F major Keyboard 36: 14 V/10: 43 0958
822 8. Suite for keyboard G minor Keyboard V/10: 68 after unknown model? 0960
823 8. before 1727 Suite for keyboard F minor Keyboard 36: 229 V/10: 50 0961
825 8. 1725-1726 Partita No. 1 from Clavier-Übung I B major Keyboard 3: 46 V/1: 2 0963
826 8. 1725-1727 Partita No. 2 from Clavier-Übung I C minor Keyboard 3: 56 V/1: 15 0964
827 8. 1725-1727 Notebook A. M. Bach (1725) No. 1 = Partita No. 3 from Clavier-Übung I A minor Keyboard 3: 70 V/1: 35
V/4: 47
0964
828 8. 1725-1728 Partita No. 4 from Clavier-Übung I D major Keyboard 3: 82 V/1: 50 0966
829 8. 1725-1730 Partita No. 5 from Clavier-Übung I G major Keyboard 3: 102 V/1: 72 0967
830 8. 1725-1730 Notebook A. M. Bach (1725) No. 2 = Partita No. 6 from Clavier-Übung I E minor Keyboard 3: 116 V/1: 90
V/4: 60
after BWV 1019a/3 /5 0968
831 8. 1733–1735 Overture in the French style (Clavier-Übung II No. 2) B minor Harpsichord 3: 154 V/2: 20 after BWV 831a 0969
831a 8. 1727–1733 Overture in the French style (early version) C minor Keyboard V/2: 43 BWV 831 0970
832 8. before 1707 Suite for keyboard A major Keyboard 42: 255 V/10: 54 in Möllersche Handschrift 0971
833 8. before 1707 Prelude and partita for keyboard F major Keyboard V/10: 60 in Möllersche Handschrift 0972
836 8. 1720–1721 Allemande, Klavierbüchlein WFB No. 6 G minor Keyboard 451: 214 V/5: 8 by Bach, W. F. & J. S.? 0975
837 8. 1720–1721 Allemande, Klavierbüchlein WFB No. 7 (incomplete) G minor Keyboard 451: 215 V/5: 10 by Bach, W. F. & J. S.? 0976
841 8. 1720–1721 Notebook A. M. Bach (1722) No. 11 Menuet = WFB No. 11: Menuet 1 G major Keyboard 36: 209
451: 215
V/5: 16 V/4: 44 by Bach, W. F. & J. S.? 0980
842 8. 1720–1721 Klavierbüchlein WFB No. 12: Menuet 2 G minor Keyboard 36: 209
451: 216
V/5: 17 by Bach, W. F. (BR A43) & J. S.? 0981
843 8. 1720–1721 Klavierbüchlein WFB No. 13: Menuet 3 G major Keyboard 36: 210
451: 216
V/5: 18 0982
846 8. 1722 Well-Tempered Clavier I, P. & F. No. 1 C major Keyboard 14: 3 V/6.1: 2 after BWV 846a 0986
846/1 8. 1725 (AMB) Notebook A. M. Bach (1725) No. 29 Prelude (short version of WTC I No. 1/1) C major Keyboard V/4: 107 0986
846a 8. 1720 Klavierbüchlein WFB No. 14: Praeludium 1 (early WTC I No. 1/1) C major Keyboard 451: 216 V/5: 19
V/6.1: 127
BWV 846/1 0987
847 8. 1722 Well-Tempered Clavier I, P. & F. No. 2 (/1 = WFB No. 15: Praeludium 2) C minor Keyboard 14: 6
451: 216
V/5: 20
V/6.1: 2
after BWV 847a 0988
847a 8. Prelude and Fughetta (early WTC I No. 2) C minor Keyboard V/6.1: 130 BWV 847 0989
848 8. 1722 Well-Tempered Clavier I, P. & F. No. 3 (/1 = WFB No. 21: Praeludium [8]) C major Keyboard 14: 10
451: 218
V/5: 30
V/6.1: 2
after BWV 848a 0990
848a 8. Prelude and Fughetta (early WTC I No. 3) C major Keyboard V/6.1: 134 BWV 848 0991
849 8. 1722 Well-Tempered Clavier I, P. & F. No. 4 (/1 = WFB No. 22: Praeludium [9]) C minor Keyboard 14: 14
451: 218
V/5: 32
V/6.1: 2
after BWV 849a 0992
849a 8. Prelude and Fughetta (early WTC I No. 4) C minor Keyboard V/6.1: 140 BWV 849 0993
850 8. 1722 Well-Tempered Clavier I, P. & F. No. 5 (/1 = WFB No. 17: Praeludium 4) D major Keyboard 14: 18
451: 217
V/5: 23
V/6.1: 2
after BWV 850a 0994
850a 8. Prelude and Fughetta (early WTC I No. 5) D major Keyboard V/6.1: 146 BWV 850 0995
851 8. 1722 Well-Tempered Clavier I, P. & F. No. 6 (/1 = WFB No. 16: Praeludium 3) D minor Keyboard 14: 22
451: 217
V/5: 22
V/6.1: 2
after BWV 851a 0996
851a 8. Prelude and Fughetta (early WTC I No. 6) D minor Keyboard V/6.1: 150 BWV 851 0997
852 8. 1722 Well-Tempered Clavier I, P. & F. No. 7 E major Keyboard 14: 26 V/6.1: 32 after BWV 852a 0998
852a 8. Prelude and Fughetta (early WTC I No. 7) E major Keyboard V/6.1: 154 BWV 852 0999
853 8. 1722 Well-Tempered Clavier I, P. & F. No. 8 (/1 = WFB No. 23: Praeludium [10]) E minor Keyboard 14: 32
451: 218
V/5: 34
V/6.1: 38
after BWV 853a; → K. 404a/1 1000
853a 8. Prelude and Fughetta (early WTC I No. 8) E minor Keyboard V/6.1: 160 BWV 853 1001
854 8. 1722 Well-Tempered Clavier I, P. & F. No. 9 (/1 = WFB No. 19: Praeludium 6) E major Keyboard 14: 36
451: 218
V/5: 26
V/6.1: 44
after BWV 854a 1002
854a 8. Prelude and Fughetta (early WTC I No. 9) E major Keyboard V/6.1: 166 BWV 854 1003
855 8. 1722 Well-Tempered Clavier I, P. & F. No. 10 E minor Keyboard 14: 38 V/6.1: 48 after BWV 855a 1004
855a 8. c.1720 Prelude and Fughetta (early WTC I No. 10) (/1 = WFB No. 18: Praeludium 5) E minor Keyboard 451: 217 V/5: 24
V/6.1: 170
BWV 855 1005
856 8. 1722 Well-Tempered Clavier I, P. & F. No. 11 (/1 = WFB No. 20: Praeludium 7) F major Keyboard 14: 42
451: 218
V/5: 28
V/6.1: 54
after BWV 856a 1006
856a 8. Prelude and Fughetta (early WTC I No. 11) F major Keyboard V/6.1: 174 BWV 856 1007
857 8. 1722 Well-Tempered Clavier I, P. & F. No. 12 (/1 = WFB No. 24: Praeludium [11]) F minor Keyboard 14: 44
451: 218
V/5: 36
V/6.1: 58
after BWV 857a 1008
857a 8. Prelude and Fughetta (early WTC I No. 12) F minor Keyboard V/6.1: 178 BWV 857 1009
858 8. 1722 Well-Tempered Clavier I, P. & F. No. 13 F major Keyboard 14: 48 V/6.1: 64 after BWV 858a 1010
858a 8. Prelude and Fughetta (early WTC I No. 13) F major Keyboard V/6.1: 184 BWV 858 1011
859 8. 1722 Well-Tempered Clavier I, P. & F. No. 14 F minor Keyboard 14: 50 V/6.1: 64 after BWV 859a 1012
859a 8. Prelude and Fughetta (early WTC I No. 14) F minor Keyboard V/6.1: 188 BWV 859 1013
860 8. 1722 Well-Tempered Clavier I, P. & F. No. 15 G major Keyboard 14: 52 V/6.1: 72 after BWV 860a 1014
860a 8. Prelude and Fughetta (early WTC I No. 15) G major Keyboard V/6.1: 192 BWV 860 1015
861 8. 1722 Well-Tempered Clavier I, P. & F. No. 16 G minor Keyboard 14: 57 V/6.1: 78 after BWV 861a 1016
861a 8. Prelude and Fughetta (early WTC I No. 16) G minor Keyboard V/6.1: 198 BWV 861 1017
862 8. 1722 Well-Tempered Clavier I, P. & F. No. 17 A major Keyboard 14: 60 V/6.1: 82 after BWV 862a 1018
862a 8. Prelude and Fughetta (early WTC I No. 17) A major Keyboard V/6.1: 202 BWV 862 1019
863 8. 1722 Well-Tempered Clavier I, P. & F. No. 18 G♯ minor Keyboard 14: 64 V/6.1: 86 after BWV 863a 1020
863a 8. Prelude and Fughetta (early WTC I No. 18) G minor Keyboard V/6.1: 206 BWV 863 1021
864 8. 1722 Well-Tempered Clavier I, P. & F. No. 19 A major Keyboard 14: 66 V/6.1: 90 after BWV 864a 1022
864a 8. Prelude and Fughetta (early WTC I No. 19) A major Keyboard V/6.1: 210 BWV 864 1023
865 8. 1722 Well-Tempered Clavier I, P. & F. No. 20 A minor Keyboard 14: 70 V/6.1: 96 after BWV 865a 1024
865a 8. Prelude and Fughetta (early WTC I No. 20) A minor Keyboard V/6.1: 216 BWV 865 1025
866 8. 1722 Well-Tempered Clavier I, P. & F. No. 21 B major Keyboard 14: 74 V/6.1: 104 after BWV 866a 1026
866a 8. Prelude and Fughetta (early WTC I No. 21) B major Keyboard V/6.1: 224 BWV 866 1027
867 8. 1722 Well-Tempered Clavier I, P. & F. No. 22 B minor Keyboard 14: 78 V/6.1: 108 after BWV 867a; → Hess 38 (commons) 1028
867a 8. Prelude and Fughetta (early WTC I No. 22) B minor Keyboard V/6.1: 228 BWV 867 1029
868 8. 1722 Well-Tempered Clavier I, P. & F. No. 23 B major Keyboard 14: 82 V/6.1: 112 after BWV 868a 1030
868a 8. Prelude and Fughetta (early WTC I No. 23) B major Keyboard V/6.1: 232 BWV 868 1031
869 8. 1722 Well-Tempered Clavier I, P. & F. No. 24 B minor Keyboard 14: 84 V/6.1: 116 after BWV 869a 1032
869a 8. Prelude and Fughetta (early WTC I No. 24) B minor Keyboard V/6.1: 236 BWV 869 1033
870b
870/2
8. 1739–1742 Well-Tempered Clavier II, P. & F. No. 1 (version A) C major Keyboard 451: 243
14: 94
V/6.2: 2,
6, 342
1036
871 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 2 C minor Keyboard 14: 96 V/6.2: 8,
160
K. 405/1 1037
872 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 3 C major Keyboard 14: 100 V/6.2: 12,
164, 352
after BWV 872a 1038
872a/1 8. 1739–1740 Prelude (early WTC II, P. & F. No. 3/1) C major Keyboard 14: 243 V/6.2: 344 BWV 872/1 1039
872a/2 8. 1738 Fughetta (early WTC II, P. & F. No. 3/2) C major Keyboard 36: 224 V/6.2: 358 BWV 872/2 1039
873 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 4 C minor Keyboard 14: 104 V/6.2: 16,
168
1040
874 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 5 D major Keyboard 14: 108 V/6.2: 24,
176
K. 405/5 1041
875 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 6 D minor Keyboard 14: 112 V/6.2: 30
182, 348,
356
after BWV 875a 1042
875a 8. 1739–1740 Preambulum (early WTC II, P. & F. No. 6/1) D minor Keyboard 36: 224 V/6.2: 346 BWV 875/1 1043
876 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 7 E major Keyboard 14: 116 V/6.2: 36,
188, 354
K. 405/2 1044
877 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 8 D minor Keyboard 14: 120 V/6.2: 42,
194
K. 405/4 1045
878 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 9 E major Keyboard 14: 124 V/6.2: 48,
200
K. 405/3 1046
879 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 10 E minor Keyboard 14: 128 V/6.2: 54,
206
1047
880 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 11 F major Keyboard 14: 134 V/6.2: 62,
215
1048
881 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 12 F minor Keyboard 14: 138 V/6.2: 69,
221
1049
882 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 13 F major Keyboard 14: 142 V/6.2: 76,
228
K. 404a/3 1050
883 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 14 F minor Keyboard 14: 146 V/6.2: 84,
236
K. 404a/2 1051
884 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 15 G major Keyboard 14: 150 V/6.2: 90,
242, 350
after BWV 902/2 1052
885 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 16 G minor Keyboard 14: 154 V/6.2: 94,
246
1053
886 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 17 A major Keyboard 14: 160 V/6.2: 100,
108, 252
after BWV 901/2 1054
887 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 18 G♯ minor Keyboard 14: 166 V/6.2: 112,
260
1055
888 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 19 A major Keyboard 14: 172 V/6.2: 120,
268
1056
889 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 20 A minor Keyboard 14: 176 V/6.2: 124,
272
1057
890 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 21 B major Keyboard 14: 180 V/6.2: 128,
276
1058
891 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 22 B minor Keyboard 14: 186 V/6.2: 134,
282
1059
892 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 23 B major Keyboard 14: 192 V/6.2: 142,
290
1060
893 8. 1739–1742
1744
Well-Tempered Clavier II, P. & F. No. 24 B minor Keyboard 14: 198 V/6.2: 150,
298
1061
870 8. 1744 Well-Tempered Clavier II, P. & F. No. 1 (version B) C major Keyboard 14: 91 V/6.2: 156 after BWV 870a 1034
894 8. 1710–1717 (JTK) Prelude and Fugue A minor Keyboard 36: 91 V/9.2: 40 BWV 1044/1, /3; in SBB P 801, P 804 1062
895 8. 1709 (JCB) Prelude and Fugue A minor Keyboard 36: 104 V/9.2: 69 in Yale LM 4982 1063
896 8. 1704–1707 Prelude and Fugue A major Keyboard 36: 157 V/9.2: 72 in Möllersche Handschrift 1064
870a 8. before 1727 Prelude and Fughetta C major Keyboard 36: 224 V/6.2: 307,
310
BWV 870; in SBB P 804, P 1089 1035
899 8. before 1727 Prelude and Fughetta D minor Keyboard 36: 106 V/6.2: 314
V/12: 24
in SBB P 804, P 1089 1068
900 8. before 1727 Prelude and Fughetta E minor Keyboard 36: 108 V/6.2
V/12
in SBB P 804, P 1089 1069
901 8. before 1727 Prelude and Fughetta F major Keyboard 36: 112 V/6.2: 324 BWV 886/2; in SBB P 1089 1070
902 8. c.1729 Prelude and Fughetta G major Keyboard 36: 114 V/6.2: 328 BWV 884/2; in SBB P 804, P 1089 1071
902/1a 8. before 1727 Prelude (previous Prelude to BWV 902/2) G major Keyboard 36: 220 V/6.2: 334,
338
BWV 884/2; in SBB P 804 1072
903 8. Chromatic Fantasia and Fugue D minor Keyboard 36: 71 V/9.2: 76 after BWV 903a; in SBB P 803, P 651 1073
903a 8. Fantasia (early BWV 903/1) D minor Keyboard 36: 219 V/9.2: 90 BWV 903/1; in D-DS Mus. ms. 69 1074
904 8. before 1727 Fantasia and Fugue A minor Keyboard 36: 81 V/9.2 in SBB P 804 1075
906 8. before 1729
c.1738
Fantasia and Fugue (Fugue incomplete) C minor Keyboard 36: 145, 238 V/9.2: 110 in US-BETbc, D-Dl Mus.2405-T-52 1077
910 8. 1707–1713 Toccata F minor Kb (or) Org 3: 311 V/9.1: 1 in Andreas-Bach-Buch 1081
911 8. 1707–1713 Toccata C minor Kb (or) Org 3: 322 V/9.1: 13 in Andreas-Bach-Buch 1082
912 8. 1707–1713 Toccata D major Kb (or) Org 36: 26 V/9.1: 38 after BWV 912a; ↔ BWV 532/1 1083
912a 8. 1704–1707 Toccata D major Kb (or) Org 36: 218 V/9.1: 26 BWV 912; in Möllersche Handschrift 1084
913 8. 1707–1709 Toccata D minor Kb (or) Org 36: 36 V/9.1: 50, 63 after BWV 913a 1085
913a 8. Toccata D minor Kb (or) Org V/9.1: 52 BWV 913; publ. 1801 1086
914 8. 1707–1709 Toccata E minor Kb (or) Org 36: 47 V/9.1: 78 1087
915 8. 1707–1709 Toccata G minor Kb (or) Org 36: 54 V/9.1: 87 1088
916 8. 1707–1713 Toccata G major Kb (or) Org 36: 63 V/9.1: 100 in Andreas-Bach-Buch 1089
917 8. 1704–1707 Fantasia G minor Keyboard 36: 143 V/9.1: 14, 16 in Möllersche Handschrift 1090
918 8. Fantasia on a Rondo C minor Keyboard 36: 148 V/9.1: 14, 18 1091
921 8. 1707–1713 Prelude C minor Keyboard 36: 136 V/9.1: 24 in Andreas-Bach-Buch 1094
922 8. 1710–1714 (JTK) Prelude (Fantasia) A minor Keyboard 36: 138 V/9.2: 27, 34 in SBB P 803 1095
923 8. c.1723? Prelude B minor Keyboard 42: 211 V/9.2: 116 by Pachelbel, W. H.?; → BWV 923a; in SBB P 401 1096
924 8. c.1720 Twelve Little Preludes No. 1: Preambulum (WFB No. 2) C major Keyboard 36: 118
451: 214
V/5: 4 BWV 924a 1098
924a 8. 1720–1726 Twelve Little Preludes No. 1a: Preludium ex c (WFB No. 26) C major Keyboard 36: 221
451: 220
V/5: 41 after BWV 924; BR A44 F(add) 206 1099
925 8. 1720–1726 Twelve Little Preludes No. 4: Preludium ex d (WFB No. 27) D major Keyboard 36: 121
451: 220
V/5: 42 BR A45 F(add) 206 1100
926 8. c.1720 Twelve Little Preludes No. 5: Preludium (WFB No. 4) D minor Keyboard 36: 122
451: 214
V/5: 6 1101
927 8. 1720–1726 Twelve Little Preludes No. 8: Preambulum (WFB No. 8) F major Keyboard 36: 124
451: 215
V/5: 10 1102
928 8. 1720–1726 Twelve Little Preludes No. 9: Preludium (WFB No. 10) F major Keyboard 36: 124
451: 215
V/5: 14 1103
929 8. 1720–1726 Twelve Little Preludes No. 10: Trio for a Minuet by Stölzel (WFB No. 48e) G minor Keyboard 36: 126
451: 226
V/5: 89 1104
930 8. 1720–1726 Twelve Little Preludes No. 11: Preambulum (WFB No. 9) G minor Keyboard 36: 126
451: 215
V/5: 12 1105
931 8. 1720–1726 Preludium, Klavierbüchlein WFB No. 29 A minor Keyboard 36: 237
451: 220
V/5: 45 BR A47 F(add) 206 1106
932 8. 1720–1726 Preludium ex e, Klavierbüchlein WFB No. 28 (incomplete) E minor Keyboard 36: 237
451: 220
V/5: 44 BR A46 F(add) 206 1107
933 8. 1717–1723? Six Little Preludes No. 1 C major Keyboard 36: 128 V/9.2: 3 in SBB P 542, P 885 1108
934 8. 1717–1723? Six Little Preludes No. 2 C minor Keyboard 36: 128 V/9.2: 4 in SBB P 542, P 885 1109
935 8. 1717–1723? Six Little Preludes No. 3 D minor Keyboard 36: 130 V/9.2: 5 in SBB P 542, P 885 1110
936 8. 1717–1723? Six Little Preludes No. 4 D major Keyboard 36: 131 V/9.2: 6 in SBB P 542, P 885 1111
937 8. 1717–1723? Six Little Preludes No. 5 E major Keyboard 36: 132 V/9.2: 8 in SBB P 542, P 885 1112
938 8. 1717–1723? Six Little Preludes No. 6 E minor Keyboard 36: 133 V/9.2: 10 in SBB P 542, P 885 1113
939 8. 1726–1727 Five Little Preludes No. 1 (=12 L. P. No. 2) C major Keyboard 36: 119 V/12: 50 by Bach?; in SBB P 804 1114
940 8. 1726–1727 Five Little Preludes No. 2 (=12 L. P. No. 6) D minor Keyboard 36: 123 V/12: 50 by Bach?; in SBB P 804 1115
941 8. 1726–1727 Five Little Preludes No. 3 (=12 L. P. No. 7) E minor Keyboard 36: 123 V/12: 51 by Bach?; in SBB P 804 1116
942 8. 1726–1727 Five Little Preludes No. 4 (=12 L. P. No. 12) A minor Keyboard 36: 127 V/12: 52 by Bach?; in SBB P 804 1117
943 8. 1725–1727 Five Little Preludes No. 5 C major Org (Kb?) 36: 134 V/12: 53 in SBB P 804 1118
944 8. 1707–1713 Fantasia and Fugue A minor Keyboard 3: 334 V/9.2: 133 in Andreas-Bach-Buch 1119
946 8. early work? Fugue on a theme by Albinoni C major Keyboard 36: 159 V/9.2: 153 after Albinoni, Op. 1, No. 12/4 (theme) 1121
947 8. early work? Fugue A minor Keyboard 36: 161 V/12: 55 by Bach? 1122
948 8. early work? Fugue D minor Keyboard 36: 164 V/9.2: 156 in D-B N. Mus. ms. 10580 1123
949 8. 1707–1713 Fugue A major Keyboard 36: 169 V/9.2: 163 after Albinoni (theme)?; in Andreas-Bach-Buch 1124
950 8. before 1725 Fugue on a theme by Albinoni A major
G major
Keyboard 36: 173 V/9.2: 168 after Albinoni (theme); in SBB P 804 1125
951 8. 1714–1717 Fugue on a theme by Albinoni B minor Keyboard 36: 178 V/9.2: 118 after BWV 951a; in SBB P 801 1126
951a 8. 1714–1717 Fugue on a theme by Albinoni (early version) B minor Keyboard 36: 221 V/9.2: 127 after Albinoni (theme); → BWV 951; in D-LEm Poel. mus. Ms. 9 1127
952 8. Fugue C major Keyboard 36: 184 V/9.2: 176 1128
953 8. 1720–1726 Fugue a 3, Klavierbüchlein WFB No. 31 C major Keyboard 36: 186
451: 220
V/5: 46 1129
954 8. early work? Fugue on a theme by Reincken B major Keyboard 42: 50 V/11: 200 after Reincken, Hortus Musicus No. 2/2 (theme)[20] 1130
955 8. early work Fugue B major Keyboard 42: 55 V/12: 60 after BWV 955a; in SBB P 425, P 804 1131
955a 8. early work Fugue B major Organ 42: 298 V/12: 65 by Erselius?; → BWV 955; in SBB P 247, P 595 1132
959 8. Fugue A minor Keyboard 42: 208 V/9.2: 178 by Bach? 1136
961 8.  ? Fughetta C minor Keyboard 36: 154 V/9.2: 182 in SBB P 823 1138
963 8. early work Sonata for keyboard D major Keyboard 36: 19 V/10: 32 in SBB P 804 1140
965 8. c.1714–1717
or earlier
Sonata for keyboard after Reincken A minor Keyboard 42: 29 V/11: 173 after Reincken, Hortus Musicus No. 1/1–/5; in SBB P 803 1142
966 8. c.1714–1717
or earlier
Sonata for keyboard after Reincken A minor Keyboard 42: 42 V/11: 188 after Reincken, Hortus Musicus No. 3/1–/5; in SBB P 803 1143
967 8. 1704–1707 Sonata transcription, 1st movement A minor Keyboard 451: 168 V/9.2: 184 in SBB P 804 1144
971 8. 1733–1735 Italian Concerto (Clavier-Übung II No. 1) F major Harpsichord 3: 139 V/2: 2 1148
972 8. July 1713–
July 1714
Concerto for solo keyboard (1/16) D major Keyboard 42: 59 V/11: 3 after Vivaldi, Op. 3 No. 9 1149
972a 8. July 1713–
July 1714
Concerto for solo keyboard (1/16), early version D major Keyboard V/11: 161 after Vivaldi, Op. 3 No. 9 1150
973 8. July 1713–
July 1714
Concerto for solo keyboard (2/16) G major Keyboard 42: 59 V/11: 12 after Vivaldi, Op. 7 No. 8 1151
974 8. July 1713–
July 1714
Concerto for solo keyboard (3/16) D minor Keyboard 42: 59 V/11: 20 after Marcello, A., Oboe Concerto 1152
975 8. July 1713–
July 1714
Concerto for solo keyboard (4/16) G minor Keyboard 42: 59 V/11: 30 after Vivaldi, Op. 4 No. 6 1153
976 8. July 1713–
July 1714
Concerto for solo keyboard (5/16) C major Keyboard 42: 59 V/11: 39 after Vivaldi, Op. 3 No. 12 1154
977 8. July 1713–
July 1714
Concerto for solo keyboard (6/16) C major Keyboard 42: 59 V/11: 50 after unknown model 1155
978 8. July 1713–
July 1714
Concerto for solo keyboard (7/16) F major Keyboard 42: 59 V/11: 56 after Vivaldi, Op. 3 No. 3 (RV 310) 1156
979 8. July 1713–
July 1714
Concerto for solo keyboard (8/16) B minor Keyboard 42: 59 V/11: 64 after Vivaldi, RV 813 (previously: Torelli)[21] 1157
980 8. July 1713–
July 1714
Concerto for solo keyboard (9/16) G major Keyboard 42: 59 V/11: 79 after Vivaldi, Op. 4 No. 1 (RV 381) 1158
981 8. July 1713–
July 1714
Concerto for solo keyboard (10/16) C minor Keyboard 42: 59 V/11: 90 after Marcello, B., Op. 1 No. 2 1159
982 8. July 1713–
July 1714
Concerto for solo keyboard (11/16) B major Keyboard 42: 59 V/11: 100 after J. E. of Saxe-Weimar, Op. 1 No. 1 1160
983 8. July 1713–
July 1714
Concerto for solo keyboard (12/16) G minor Keyboard 42: 59 V/11: 110 after unknown model 1161
984 8. July 1713–
July 1714
Concerto for solo keyboard (13/16) C major Keyboard 42: 59 V/11: 118 after J. E. of Saxe-Weimar, Concerto; → BWV 595 1162
985 8. July 1713–
July 1714
Concerto for solo keyboard (14/16) G minor Keyboard 42: 59 V/11: 128 after Telemann, TWV 51:g1[22] 1163
986 8. July 1713–
July 1714
Concerto for solo keyboard (15/16) G minor Keyboard 42: 59 V/11: 137 after unknown model 1164
987 8. July 1713–
July 1714
Concerto for solo keyboard (16/16) D minor Keyboard 42: 59 V/11: 142 after J. E. of Saxe-Weimar, Op. 1 No. 4 1165
988 8. 1741–1742 Goldberg Variations (Clavier-Übung IV) G major Harpsichord 3: 263 V/2: 69 BWV 1087 1166
988/1 8. c.1740? (AMB) Notebook A. M. Bach (1725) No. 26 Aria of the Goldberg Variations G major Harpsichord 3: 263 V/4: 103 BWV 1087 1166
989 8. 1707–1713 Aria variata A minor Keyboard 36: 203 V/10: 21 in Andreas-Bach-Buch 1167
991 8. 1722 Notebook A. M. Bach (1722) No. 7 Air with variations (incomplete) C minor Keyboard 432: 4 V/4: 40 1169
992 8. 1704–1707 Capriccio on the departure of a beloved brother B major Keyboard 36: 190 V/10: 3 in Möllersche Handschrift 1170
993 8. c.1705 Capriccio in honorem Johann Christoph Bachii Ohrdrufiensis (scores) E major Keyboard 36: 197 V/10: 12 in SBB P 804 1171
994 8. 1720 Klavierbüchlein WFB No. 1: Applicatio C major Keyboard 36: 237
451:214
V/5: 4 1172
9. Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach) Up ↑
995 9. Fall 1727 – Winter 1731 Suite for lute G minor Lu V/10: 81 after BWV 1011[23][24][25]
[26][27][28][29][30][31]
[32][33][34][35][36][37]
1173
996 9. 1710–1717 (JGW) Suite for lute E minor Lu (Lw?) 451: 149 V/10: 94 in SBB P 801, pp. 385–395[38][39]
[29][31][32][40][41][42]
1174
997 9. 1720–1739 Suite for lute (commons) C minor Lu (Lw?) 451: 156 V/10: 102 in SBB P 650, MB Lpz III.11.5[26][29][43]
[31][32][36][37][40][41]
1175
998 9. 1735–1745 Prelude, Fugue and Allegro E major Lu (or) Hc 451: 141 V/10: 114 [29][44][45]
[30][31][32][37][41][46]
1176
999 9. 1717–1723 Prelude for lute (Twelve Little Preludes No. 3) C minor Lu 36: 119 V/10: 122 in SBB P 804, pp. 101–103[29][31][47][48] 1177
1000 9. after 1720 Fugue G minor Lu V/10: 124 after BWV 1001/2; → 539/2; in MB Lpz III.11.4[26][43]
[29][31][36][37][40][49]
1178
1006a 9. c.1736–1737 Suite for lute E major Lu? 42: 16 V/10: 134 after BWV 1006[24][29][50]
[31][37][46][51][52][53]
1185
10. Chamber music (see also: List of chamber music works by Johann Sebastian Bach) Up ↑
1001 10. 1720 Sonatas and partitas for solo violin No. 1 – Sonata No. 1 G minor Vl 271: 3 VI/1: 3
rev 3: 3
BWV 1000, 539/2 1179
1002 10. 1720 Partitas and sonatas for solo violin No. 2 – Partita No. 1 B minor Vl 271: 3 VI/1: 10
rev 3: 10
1180
1003 10. 1720 Sonatas and partitas for solo violin No. 3 – Sonata No. 2 A minor Vl 271: 3 VI/1: 20
rev 3: 20
BWV 964 1181
1004 10. 1720 Partitas and sonatas for solo violin No. 4 – Partita No. 2 D minor Vl 271: 3 VI/1: 30
rev 3: 30
1182
1005 10. 1720 Sonatas and partitas for solo violin No. 5 – Sonata No. 3 C major Vl 271: 3 VI/1: 42
rev 3: 42
after "Komm, Heiliger Geist, Herre Gott"; → BWV 968 1183
1006 10. 1720 Partitas and sonatas for solo violin No. 6 – Partita No. 3 E major Vl 271: 3 VI/1: 54
rev 3: 54
BWV 1006a, 29/1 and 120a/4 1184
1007 10. 1720 (AMB) Suite for cello No. 1 G major Vc 271: 59 VI/2: 2 1186
1008 10. 1720 (AMB) Suite for cello No. 2 D minor Vc 271: 59 VI/2: 8 1187
1009 10. 1720 (AMB) Suite for cello No. 3 C major Vc 271: 59 VI/2:14 1188
1010 10. 1720 (AMB) Suite for cello No. 4 E major Vc 271: 59 VI/2: 22 1189
1011 10. 1720 (AMB) Suite for cello No. 5 C minor Vc 271: 59 VI/2: 32 BWV 995 1190
1012 10. 1720 (AMB) Suite for cello No. 6 D major Vc 271: 59 VI/2:40 1191
1013 10. 1717–1723? Partita for flute A minor Fl VI/3: 3 1192
1014 10. 1717–1723? Sonata for violin and harpsichord No. 1 B minor Vl Hc 9: 69 VI/1: 83
rev 3: 83
1193
1015 10. 1717–1723? Sonata for violin and harpsichord No. 2 A major Vl Hc 9: 84 VI/1: 99
rev 3: 99
1194
1016 10. 1717–1723? Sonata for violin and harpsichord No. 3 E major Vl Hc 9: 98 VI/1: 115
rev 3: 115
1195
1017 10. 1717–1723? Sonata for violin and harpsichord No. 4 C minor Vl Hc 9: 120 VI/1: 136
rev 3: 136
1196
1018 10. 1717–1723? Sonata for violin and harpsichord No. 5 F minor Vl Hc 9: 136 VI/1: 153
rev 3: 153
after BWV 1018a 1197
1018a 10. 1717–1723? Sonata for violin and harpsichord No. 5a (commons) F minor Vl Hc 9: 250 VI/1: 195
rev 3: 194
BWV 1018 1198
1019 10. after 1729? Sonata for violin and harpsichord No. 6 G major Vl Hc 9: 154 VI/1: 172
rev 3: 172
after BWV 1019a 1199
1019a 10. 1717–1729? Sonata for violin and harpsichord No. 6, early versions G major Vl Hc 9: 252 VI/1: 197
rev 3: 196
after BWV 120a/4, 830/3, /6; → BWV 120/4, 1019 1200
1021 10. 1732–1733 Sonata for violin and continuo G major Vl Bc VI/1: 65
rev 3: 65
BWV 1022, 1038 1202
1023 10. c.1714–1717? Sonata for violin and continuo E minor Vl Bc 431: 31 VI/1: 73
rev 3: 73
1204
1025 10. c.1746–1747? Suite for violin and keyboard A major Vl Kb 9: 43 VI/5: 67 after Weiss, Suite for Lute in A major 1206
1026