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Budai

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For other uses, see Budai (disambiguation).
"Hotei" redirects here. For the Japanese musician, see Tomoyasu Hotei.
Budai
File:Buddha Beipu.jpg
A statue of Maitreya Buddha in Budai form in Emei, Hsinchu, Taiwan
Chinese name
Chinese布袋
Transcriptions
Standard Mandarin
Hanyu PinyinBùdài
Wade–GilesPu4-tai4
Yue: Cantonese
Jyutpingbou3 doi6
Southern Min
Hokkien POJPò͘-tē
Alternative Chinese name
Chinese笑佛
Literal meaningLaughing Buddha
Transcriptions
Standard Mandarin
Hanyu PinyinXiào Fó
Wade–GilesHsiao4 Fo2
Second alternative Chinese name
Chinese胖佛
Literal meaningFat Buddha
Transcriptions
Standard Mandarin
Hanyu PinyinPàng Fó
Wade–GilesP'ang4 Fo2
Vietnamese name
Vietnamese alphabetBố Đại
Korean name
Hangul포대
Transcriptions
Revised RomanizationPo-dae
McCune–ReischauerP'o-tae

Budai or Pu-Tai[1][2] (Chinese and Japanese: 布袋; pinyin: Bùdài; rōmaji: Hotei[3]; Vietnamese: Bố Đại) is a Chinese folkloric deity. His name means "Cloth Sack,"[3] and comes from the bag that he is conventionally depicted as carrying. He is usually identified with or seen as an incarnation of Maitreya, the future Buddha, so much so that the Budai image is one of the main forms in which Maitreya is depicted in China.[3] He is almost always shown smiling or laughing, hence his nickname in Chinese, the Laughing Buddha (Chinese: 笑佛; pinyin: Xiào Fó).[1][3][4] In the West, the image of Budai is often mistaken for Gautama Buddha, and is hence called the Fat Buddha (Chinese: 胖佛; pinyin: Pàng Fó).[5]

Description

Budai is traditionally depicted as a fat, bald man wearing a robe[1][4][6] and wearing or otherwise carrying prayer beads. He carries his few possessions in a cloth sack,[4] being poor but content. He is often depicted entertaining or being followed by adoring children.[3] His figure appears throughout Chinese culture as a representation of contentment.[4]

History

According to Chinese history, Budai was an eccentric Chan monk (Chinese: 禅; pinyin: chán)[7] who lived in China during the Later Liang (907–923). He was a native of Zhejiang and his Buddhist name was Qieci (Chinese: 契此; pinyin: qiècǐ; lit. 'Promise this').[2] He was considered a man of good and loving character.

Traditions that revere Budai

Buddhism

Hotei painted by Utagawa Kuniyoshi

Some Buddhist traditions consider him a Buddha or a bodhisattva, often identifying him with Maitreya (the future Buddha).[1][4][6][8]

His identification with the Maitreya is attributed to a Buddhist hymn (Chinese: 偈语; pinyin: jìyǔ) he uttered before his death:[9]

彌勒真彌勒，化身千百億，時時示時人，時人自不識

Maitreya, the true Maitreya
has billions of incarnations.
Often he is shown to people at the time;
other times they do not recognize him.

Folklore

Budai in folklore is admired for his happiness, plenitude, and wisdom of contentment. One belief popular in folklore maintains that rubbing his belly brings wealth, good luck, and prosperity.

In Japan, Hotei persists in folklore as one of the Seven Lucky Gods (Shichi Fukujin).[6]

Yiguandao

Statues of Budai form a central part of Yiguandao shrines, where he is usually referred to by the Sanskrit name Maitreya.[10] According to Yiguandao, he represents many teachings, including contentment, generosity, wisdom and open kindheartedness.[10] He is predicted to succeed Gautama Buddha as the next Buddha, and helps people realize the essence within, which connects with all beings.

Chan, Seon and Zen

The primary story that concerns Budai in Chan Buddhism, Korean Seon and Zen is a short kōan.[11][12] In it, Budai is said to travel giving candy to poor children, only asking a penny from monks or lay practitioners he meets. One day a monk walks up to him and asks, "What is the meaning of Chan?" Budai drops his bag. "How does one realize Chan?" Budai then takes up his bag and continues on his way.[3][11]

Many versions of the Ten Bulls feature Hotei in the tenth picture.[3]

Conflation with other religious figures

Angida Arhat

Budai under a pine tree, Museum Rietberg, Zurich

Angida was one of the original Eighteen Arhats. According to legend, Angida was a talented Indian snake catcher whose aim was to catch venomous snakes to prevent them from biting passers-by. Angida would also remove the snake's venomous fangs and release them. Due to his kindness, he was able to attain bodhi.

In Chinese art, Angida is sometimes portrayed as Budai, being rotund, laughing, and carrying a bag.[7]

Phra Sangkajai / Phra Sangkachai

In Thailand, Budai is sometimes confused with another similar monk widely respected in Thailand, Phra Sangkajai or Sangkachai (Thai: พระสังกัจจายน์). Phra Sangkajai (Thai: มหากัจจายนเถระ), a Thai rendering of Kaccayana, was an arhat during the time of the Buddha. Buddha praised Phra Sangkachai for his excellence in explaining sophisticated dharma (or dhamma) in an easily and correctly understandable manner. Phra Sangkajai (Maha Kaccana) also composed the Madhupinadika Sutra (Madhupindika Sutta MN 18).

One tale of the Thai folklore relates that he was so handsome that once even a man wanted him for a wife. To avoid a similar situation, Phra Sangkadchai decided to transform himself into a fat monk. Another tale says he was so attractive that angels and men often compared him with the Buddha. He considered this inappropriate, so disguised himself in an unpleasantly fat body.[citation needed]

Although both Budai and Phra Sangkachai may be found in both Thai and Chinese temples, Phra Sangkachai is found more often in Thai temples, and Budai in Chinese temples. Two points to distinguish them from one another are:

  1. Phra Sangkajai has a trace of hair on his head (looking similar to the Buddha's) while Budai is clearly bald.
  2. Phra Sangkajai wears the robes in Theravada fashion, with the robes folded across one shoulder, leaving the other uncovered. Budai wears the robes in Chinese style, covering both arms but leaving the front part of the upper body uncovered.

Benihana's famous figural "tiki mugs" for exotic cocktails, the most common of which depicts Hotei, have become collectible.[13]

References

  1. ^ a b c d Cook, Francis Dojun. How To Raise an Ox. Wisdom Publications. pp. 166 note 76. ISBN 9780861713172.
  2. ^ a b "The Laughing Buddha". About.com. Retrieved April 20, 2013.
  3. ^ a b c d e f g Leighton, Taigen Dan (1998). Bodhisattva Archetypes: Classic Buddhist Guides to Awakening and Their Modern Expression. New York: Penguin Arkana. pp. 260–261. ISBN 0140195564. OCLC 37211178.
  4. ^ a b c d e "The Laughing Buddha". Religionfacts.com. Retrieved 2011-12-26.
  5. ^ Peterson, Christopher (July 17, 2012). "When Did the Buddha Become Fat?". Psychology Today. Retrieved December 5, 2014. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  6. ^ a b c "Hotei". Uwec.edu. 2008-11-16. Retrieved 2011-12-26.
  7. ^ a b Seo, Audrey Yoshiko; Addiss, Stephen (2010). The Sound of One Hand: Paintings and Calligraphy by Zen Master Hakuin. Shambhala Publications. p. 205. ISBN 9781590305782.
  8. ^ Stoneware figure of Budai ('Laughing Buddha') at British Museum
  9. ^ "Hotei, Pu-Tai, Maitreya, all known as the Laughing Buddha". Newsfinder.org. 2002-06-16. Retrieved 2011-12-26.
  10. ^ a b "Tao Living: Maitreya Buddha". Taoism.net. Retrieved 2011-12-26.
  11. ^ a b Hart, Addison Hodges (2014). The Ox-Herder and the Good Shepherd. Wm. B. Eerdmans Publishing. ISBN 9781467438988.
  12. ^ Senzaki, Nyogen (1998). Zen Flesh Zen Bones: A Collection of Zen and Pre-Zen Writings. Tuttle Publishing. ISBN 978-0804831864.
  13. ^ "Tiki Mugs". Collectors Weekly. Retrieved December 2015. {{cite news}}: Check date values in: |accessdate= (help)
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