Richard James performing in Turin in 2007
|Birth name||Richard David James|
|Also known as|
|Born||18 August 1971|
Limerick, County Limerick, Ireland
|Origin||Lanner, Cornwall, England|
Richard David James (born 18 August 1971), best known by the stage name Aphex Twin, is a British musician. He is best known for his influential and idiosyncratic work in styles such as ambient techno and intelligent dance music during the 1990s. He is among the most acclaimed figures in contemporary electronic music.
Raised in Cornwall, James began releasing acid techno records in the early 1990s under aliases such as AFX and Polygon Window, and co-founded the independent label Rephlex Records in 1991. He first received acclaim for his 1992 debut album Selected Ambient Works 85–92. He signed to UK electronic label Warp the following year, and later rose to mainstream popularity with the charting singles "Come to Daddy" (1997) and "Windowlicker" (1999) along with their music videos, both directed by Chris Cunningham.
After releasing the album Drukqs in 2001, James went into a period of inactivity as Aphex Twin but continued to issue new music under other aliases, including the 2005 Analord EP series as AFX and a pair of 2007 releases as The Tuss, as well as archival material such as an unreleased 1994 LP in 2014 as Caustic Window. James returned as Aphex Twin in 2014 with the album Syro, which won a Grammy Award for Best Dance/Electronic Album.
- 1 Early life and education
- 2 Career
- 2.1 1989–1992: Rephlex Records and first releases
- 2.2 1992–1995: Selected Ambient Works, I Care Because You Do and gaining success
- 2.3 1996–2000: Richard D. James Album, Come to Daddy and commercial height
- 2.4 2000–2009: Drukqs, Analord series and the Tuss
- 2.5 2014–2015: Caustic Window, Syro, SoundCloud, and Computer Controlled Acoustic Instruments pt2
- 2.6 2016–present: Cheetah and Collapse EPs
- 3 Musical style
- 4 Image and pseudonyms
- 5 Influence and legacy
- 6 Personal life
- 7 Awards
- 8 Discography
- 9 See also
- 10 References
- 11 External links
Early life and education
James was born on 18 August 1971 in Limerick. In 1996, he claimed to have had a stillborn older brother, also named Richard, though this may have been fabricated. He grew up in Lanner, Cornwall, and attended Redruth School in nearby Redruth. James said he liked growing up there, "being cut off from the city and the rest of the world".
As a child, James enjoyed playing with the strings inside his family piano and disassembling tapes and tape recording equipment. He took an early interest in electronics, and enjoyed modifying analogue synthesisers to create sounds. According to James, at age 11 he won a magazine competition by producing sound on a Sinclair ZX81, a home computer with no sound hardware: "I played around with machine code and found some codes that retuned the TV signal so that it made this really weird noise when you turned the volume up". A blogger investigating this claim found that someone by a different name had won the competition, possibly James under a pseudonym.
James said his interest in sound and engineering developed before his interest in music. He began making music aged 14, partially as a refuge from the "bloody awful" Jesus and Mary Chain albums played by his sister. Cornwall had few record shops, but a thriving nightlife in which acid house was popular. As a teenager, James worked as a DJ at clubs and raves, and included his own tracks in his sets. He studied at Cornwall College from 1988 to 1990 and graduated with a National Diploma in engineering. According to one lecturer, he often wore headphones during practical lessons and had a "kind of mystique about him ... I think some of the other students were a bit in awe of him".
1989–1992: Rephlex Records and first releases
In 1989, James befriended Grant Wilson-Claridge when they were working as DJs at a Cornwall club, Bowgie. When Wilson-Claridge discovered that James was playing his own music, he suggested they create a record label to release it. They founded Rephlex Records in 1991. The pair moved to London in 1992.
James' first release as Aphex Twin was the 1991 12-inch EP Analogue Bubblebath on Mighty Force Records. The track "En Trance to Exit" was recorded with Tom Middleton. The EP made the playlist of Kiss FM, an influential London radio station, which helped it become successful.
From 1991 to 1993, James released two Analogue Bubblebath EPs (one without a band name on it, one as AFX) and an EP, Bradley's Beat, as Bradley Strider. Although he moved to London to take an electronics course at Kingston Polytechnic, he admitted to David Toop that his electronics studies were being evacuated as he pursued a career in the techno genre.
After leaving the Polytechnic, James remained in London, releasing albums and EPs on Warp Records and other labels under aliases including AFX, Polygon Window, Power-Pill, Blue Calx and the Dice Man, appeared on compilations. Although he allegedly lived on the roundabout in Elephant and Castle, South London, during his early years in the city, he actually lived in a nearby unoccupied bank.
1992–1995: Selected Ambient Works, I Care Because You Do and gaining success
The first full-length Aphex Twin album, Selected Ambient Works 85–92, comprising ambient music, was released in 1992 on R&S Records to critical acclaim. John Bush of Allmusic described it as a "watershed of ambient music". In 2002, Rolling Stone wrote that Aphex Twin had "expanded way beyond the ambient music of Brian Eno by fusing lush soundscapes with oceanic beats and bass lines." Pitchfork called it "among the most interesting music ever created with a keyboard and a computer".
In 1992, James also released the EPs Digeridoo and Xylem Tube EP as Aphex Twin, the Pac-Man EP (an album of remixes of Pac-Man music) as Power-Pill, and two of his four Joyrex EPs (Joyrex J4 EP and Joyrex J5 EP) as Caustic Window. "Digeridoo" reached #55 on the UK Singles Chart, and was later described by Rolling Stone as foreshadowing drum and bass. These early releases were on Rephlex Records, Mighty Force of Exeter and R&S Records of Belgium.
In 1993, James released Analogue Bubblebath 3; the "On" EP and its accompanying remix EP; his second Bradley Strider EP, Bradley's Robot; two more Caustic Window EPs; and his first releases on Warp: Surfing on Sine Waves and "Quoth EP", as Polygon Window. Warp released the second Aphex Twin album, Selected Ambient Works Volume II ,in 1994, which explored a more ambient sound, inspired by lucid dreams and synesthesia. Other releases were a fourth Analogue Bubblebath, GAK (derived from early demos sent to Warp), and Classics, a compilation album.
For his 1995 album I Care Because You Do, composed between 1990 and 1994 in a range of styles, James used an image of his face for the album cover, which became a motif on his later releases. He commissioned Western classical-music composer Philip Glass to create an orchestral version of the I Care Because You Do track "Icct Hedral", which appeared on the Donkey Rhubarb EP. In the same year, James released his Hangable Auto Bulb EP under the name AFX, which spearheaded the shortlived drill 'n' bass style.
1996–2000: Richard D. James Album, Come to Daddy and commercial height
Richard D. James Album, James' fourth studio album as Aphex Twin, was released on Warp in 1996. It features use of software synthesizers and unconventional beats. John Bush of AllMusic noted that this was James' first studio album to work with jungle music, noting that the album was "more extreme than virtually all jungle being made at the time" with beats that were layered over the slower melodies that characterized James' earlier ambient works. Pitchfork opined that the album was one of the "aggressive combinations of disparate electronic forms when it was released", with its "almost-brutal contrast between its elements creates a seal that's locked in freshness since way back in 1996." The album garnered acclaim from music critics, and was named 40th in Pitchfork's "Top 100 Albums of the 1990s" list. It was also placed at number 55 on NME's Top 100 Albums of All Time in 2003.
James garnered attention the following year after the release of his Come to Daddy EP. The title track was conceived as a death metal parody. Accompanied with a successful music video directed by Chris Cunningham, James became disenchanted by its success: "This little idea that I had, which was a joke, turned into something huge. It wasn't right at all." It was followed by "Windowlicker", a successful single promoted with another Cunningham music video, nominated for the Brit Award for Best British Video in 2000.
2000–2009: Drukqs, Analord series and the Tuss
In 2001 Aphex Twin released Drukqs, an experimental double album featuring computer-controlled piano (influenced by Erik Satie and John Cage) and abrasive, fast, meticulously-programmed songs. Many track names are written in Cornish—for example, "Jynweythek Ylow" ("Machine Music"). Rolling Stone described the piano pieces as "aimlessly pretty". The release polarized reviewers. James told interviewers he had accidentally left an MP3 player with new tracks on a plane, and had rushed the album release to preempt an internet leak.
In 2001, James also released a short EP, 2 Remixes By AFX, with remixes of songs by 808 State and DJ Pierre. It also had an untitled third track, consisting of a SSTV image with high-pitched sounds which can be decoded to a viewable image with appropriate software (such as MultiMode for Macintosh or MMSSTV for Windows). In 2002, James was nominated for the Brit Award for Best British Male.
In 2005, James released a series of vinyl EPs as AFX, Analord, created entirely with analogue equipment. These were followed in 2006 by a CD compilation of tracks, Chosen Lords. In 2007, James released two records on Rephlex, Confederation Trough EP and Rushup Edge, under the alias the Tuss; the name is Cornish slang for "erection". Media sources speculated about James's involvement, but his identity was not confirmed until 2014.
In an October 2010 interview, James said he had completed six new albums, including a new version of the unreleased Melodies from Mars. In September 2011, he performed a live tribute to the Polish composer Krzysztof Penderecki; he performed his remix of Penderecki's "Threnody to the Victims of Hiroshima" and a version of "Polymorphia". The following month, he performed at the Paris Pitchfork Music Festival.
2014–2015: Caustic Window, Syro, SoundCloud, and Computer Controlled Acoustic Instruments pt2
In 2014, a test pressing of a 1994 album recorded under James's pseudonym Caustic Window appeared for sale on Discogs. The album was once intended for sale on James's label Rephlex, but went unreleased. With the consent of James and Rehplex, fans organised a Kickstarter campaign to purchase the record and distribute copies.
Syro, the first album released under the Aphex Twin name since Drukqs in 2001, was released by Warp on 23 September 2014. It was marketed by a teaser campaign including graffiti, a blimp flown over London, and an announcement made via a .onion address accessible through the deep web browser Tor.
In November 2014, James released a set of 21 tracks, Modular Trax, on the audio platform SoundCloud. The tracks were later removed. Over several months in 2015, James anonymously uploaded 269 demo tracks, some dating to the 1980s, to SoundCloud. In May, the tracks were removed. James said he had released the demos to relieve his family of the pressure to release his archives after he dies.
2016–present: Cheetah and Collapse EPs
On 8 July 2016, Aphex Twin released the Cheetah EP, backed by a music video for "CIRKLON3 [Колхозная mix]", the first official music video for an Aphex Twin track in 17 years. On 17 December, James performed in Houston, Texas at the Day for Night festival, his first American appearance in 8 years. An untitled 12-inch vinyl was sold exclusively at the festival, containing two 10-minute tracks. On 3 June 2017, James performed at the Field Day festival and released a limited edition EP, London 03.06.17. On 19 June 2017, a Michigan record store sold an exclusive Aphex Twin record comprising two tracks released on SoundCloud in 2015. On July 27, Aphex Twin opened an online store with expanded versions of previous albums and new tracks.
Aphex Twin released an EP, Collapse, on 14 September 2018. The EP was announced on August 5 in a garbled press release written in broken English and visually distorted with the same Aphex Twin 3D graphic found in London, Turin and Hollywood. A promotional video for the Collapse EP was going to be broadcast on Adult Swim, but it was cancelled after failing the Harding test. It was made available online instead and the official music video for the song "T69 Collapse" was uploaded to YouTube.
In a September 1997 interview with Space Age Bachelor magazine, James said he composed ambient music at age 13 (one of these tracks, "i", appeared on the first Aphex Twin album Selected Ambient Works 85-92), had "over 100 hours" of unreleased music and had invented music-composition software consisting of algorithmic processes which automatically generated rhythm and melody. In the interview, he also claimed to have experienced synesthesia and incorporated lucid dreaming into his compositions. In a 1993 interview with Simon Reynolds, James claimed voluntary sleep deprivation as an influence on his productions.
In 2001, The Guardian described James' musical lineage as Stockhausen, John Cage, Kraftwerk, Brian Eno and Derrick May. Acknowledging another influence, James released Music from the BBC Radiophonic Workshop: a compilation of music recorded by the pioneers of the BBC Radiophonic Workshop (including Delia Derbyshire) on Rephlex. Although he has said "I don't really like rock & roll" he appreciates Led Zeppelin (as a source of "great breakbeats"), and Pink Floyd (for their psychedelic music).
James' Rephlex Records, which he co-owned with Grant Wilson-Claridge, coined the word "braindance" in 1991 to describe Aphex Twin's music. According to the label: "Braindance is the genre that encompasses the best elements of all genres, e.g. traditional, classical, electronic music, popular, modern, industrial, ambient, hip-hop, electro, house, techno, breakbeat, hardcore, ragga, garage, drum and bass, etc." In a review of Astrobotnia's Parts 1, 2 & 3 Rephlex release, a Pitchfork writer said in 2002:
|“||Breakbeats liberated producers from the impositions of relentless four-to-the-floor stomping, and "braindance" escaped the mind/body binary opposition of electronic music—here was a rhythmically hyper, complex genre that retained its club roots by appending fantastically supple limbs to the listener's fervid imagination.||”|
Intelligent dance music (IDM) is mentioned on the home page of the Intelligent Dance Music (IDM) mailing list (created in August 1993) about the music of Aphex Twin and the Artificial Intelligence Series released by Warp Records. The series features James' recordings as Polygon Window and early productions from artists including Autechre, Black Dog, Richie Hawtin's FUSE project and Speedy J. The term spread to the United States and internet message boards. James responded to the IDM term in a 1997 interview:
|“||I just think it's really funny to have terms like that. It's basically saying, "this is intelligent and everything else is stupid." It's really nasty to everyone else's music. (laughs) It makes me laugh, things like that. I don't use names. I just say that I like something or I don't.||”|
Image and pseudonyms
James' face, grinning or distorted, is a theme of his album covers, music videos and songs. According to him, it began as a response to techno producers who concealed their identities:
|“||I did it because the thing in techno you weren't supposed to do was to be recognized and stuff. The sort of unwritten rule was that you can't put your face on the sleeve. It has to be like a circuit board or something. Therefore I put my face on the sleeve. That's why I originally did it. But then I got carried away.||”|
The cover of ...I Care Because You Do features a self-portrait painted by James, and that of Richard D. James Album has a close-up photograph. His face is superimposed on the bodies of other people in the music videos for "Come to Daddy" and "Windowlicker". Near the end of the second track of the "Windowlicker" single (known as "Equation"), a photo of James' face is a steganogram which is revealed as a spectrogram. Another image of James and collaborator Tom Jenkinson is embedded (in SSTV format) with text in the third track of 2 Remixes by AFX, "Bonus High Frequency Sounds". He has used his own photography for some releases, including the album sleeve for Selected Ambient Works Volume II.
James has recorded as AFX, Blue Calx, Bradley Strider, The Universal Indicator, Brian Tregaskin, Caustic Window, The, Smojphace, GAK, Karen Tregaskin, Martin Tressider, PBoD (Phonic Boy on Dope), Polygon Window, Power-Pill, Q-Chastic, Dice Man, The Tuss, and Soit-P.P. In a 1997 interview, James commented on the difference between works released under different names, saying "There's really no big theory. It's just things that I feel right in doing at the time and I really don't know why. I select songs for certain things and I just do it. I don't know what it means".
In a 2001 interview, Richard D. James commented on the ambiguous nature of his own releases and the speculation that surrounds many anonymous artists working in electronica: "a lot of people think everything electronic is mine. I get credited for so many things, it's incredible. I'm practically everyone, I reckon—everyone and nobody".
Influence and legacy
Writing in The Guardian in 2001, journalist Paul Lester described James as "the most inventive and influential figure in contemporary electronic music". AllMusic's John Bush wrote that, "unlike most artists who emerged from the '90s techno scene, James established himself as a genuine personality, known for his cheeky grin and nightmare-inducing music videos as much as his groundbreaking albums and EPs," which helped to "expand his audience from ravers and critics to rock fans, with numerous non-electronic musicians citing him as an inspiration".
In 2007, Thomas Bangalter of Daft Punk cited Aphex Twin (particularly "Windowlicker") as an influence for the duo's 2001 album Discovery. Bangalter said he liked it because "It wasn't a big club beat, but it also wasn't a laid back, quiet one.".
In 2013, Thom Yorke of Radiohead named Aphex Twin as his biggest influence, saying: "He burns a heavy shadow ... Aphex opened up another world that didn't involve my fucking electric guitar ... I hated all the music that was around Radiohead at the time, it was completely fucking meaningless. I hated the Britpop thing and what was happening in America, but Aphex was totally beautiful, and he's kind of my age too." In 2002, asked if he would tour with Radiohead, James said "I wouldn't play with them since I don't like them".
His 1994 song "#5" from Selected Ambient Works Volume II was slowed down and made into the song "City of Lost Angels". This version was featured in the 1997 game Fallout from Interplay Entertainment.
Former Red Hot Chili Peppers guitarist John Frusciante said that Aphex Twin is "the best thing since sliced bread", and his Outsides EP and PBX Funicular Intaglio Zone are examples of James' influence.
In June 2014, Answer Code Request (Patrick Gräser) called James "one producer who always inspires" him in the "Influences" section of the Ransom Note website. Gräser used the Aphex Twin song "Analogue Bubblebath 1" to exemplify James' influence: "I guess being obsessed with your own music is what makes him that brilliant."
In the mid-1990s, James bought a former bank in the Elephant & Castle area of London, where he claimed to live in a converted vault. He also mischievously claimed in a 2001 interview to have bought the steel structure in the centre of the roundabout, though this is in fact the Michael Faraday Memorial which houses an electricity substation for the London Underground. In the 1990s, James bought a 1950's-era Daimler Ferret Mark 3 "tank" (technically an armoured car), complete with working machine gun, which he would drive around town while living in Cornwall in lieu of a car. He stated that it "pisses over virtual reality or any computer game I've ever played." He also claimed to have bought a submarine.
In a 2010 interview with Fact, James revealed that he was living in Scotland at the time after relocating from London—according to FACT, he "extolled the virtues" of his new residential location. As of 2014[update], he lives in Scotland with his two sons—from his first marriage—and his second wife, a Russian art student. According to James, his sons both make music.
|1998||MTV Video Music Awards||Best Special Effects||"Come to Daddy"||Nominated|
|D&AD Awards||Pop Promo Video with a budget over £40.000||Yellow Pencil|
|MTV Europe Music Awards||Best Video||Nominated|
|Prix Ars Electronica||Digital Music||Himself||Won|
|Online Music Awards||Best Electronic Fansite||Nominated|
|2000||Brit Awards||Best British Video||"Windowlicker"||Nominated|
|D&AD Awards||Direction||Yellow Pencil|
|NME Awards||Single of the Year||Won|
|Best Dance Act||Himself||Nominated|
|Brit Awards||British Male Solo Artist||Nominated|
|Shortlist Music Prize||Album of the Year||Drukqs||Nominated|
|2005||Antville Music Video Awards||Best Video||"Rubber Johnny"||Nominated|
|2014||Rober Awards Music Poll||Best Male Artist||Himself||Nominated|
|Comeback of the Year||Nominated|
|2015||Grammy Awards||Best Dance/Electronica Album||Syro||Won|
|International Dance Music Awards||Best Full Length Studio Recording||Nominated|
|Mercury Prize||Album of the Year||Nominated|
|A2IM Libera Awards||Nominated|
|Creative Packaging Award||Won|
|Marketing Genius||Syro album release campaign||Nominated|
|2016||Brit Awards||British Male Solo Artist||Himself||Nominated|
|2018||UK Video Music Awards||Best Dance Video||"T69 Collapse"||Nominated|
|Best Visual Effects in a Video||Nominated|
|Best Animation in a Video||Nominated|
|2019||Classic Pop Reader Awards||Video of the Year||Pending|
|Brit Awards||British Male Solo Artist||Himself||Nominated|
Studio albums as Aphex Twin
- Selected Ambient Works 85–92 (1992)
- Selected Ambient Works Volume II (1994)
- ...I Care Because You Do (1995)
- Richard D. James Album (1996)
- Drukqs (2001)
- Syro (2014)
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- "Rephlex – the Record Label". h2g2. 28 August 2002. Retrieved 14 June 2008.
- "The Braindance Coincidence". The Milk Factory. May 2001. Archived from the original on 13 March 2008. Retrieved 14 June 2008.
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