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Spider-Man: Into the Spider-Verse

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Spider-Man: Into the Spider-Verse
File:Spider-Man Into the Spider-Verse poster.jpeg
Theatrical release poster
Directed by
Screenplay by
  • Phil Lord
  • Rodney Rothman
Story byPhil Lord
Produced by
Starring
Edited byRobert Fisher Jr.
Music byDaniel Pemberton
Distributed bySony Pictures Releasing
Release dates
Running time
117 minutes[1]
CountryUnited States
LanguageEnglish
Budget$90 million[2]
Box office$129.5 million[3]

Spider-Man: Into the Spider-Verse is a 2018 American computer-animated superhero film based on the Marvel Comics character Miles Morales / Spider-Man, produced by Columbia Pictures and Sony Pictures Animation in association with Marvel, and distributed by Sony Pictures Releasing. It is set in a shared multiverse called the "Spider-Verse", which features different alternate universes.[a] The film was directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman from a screenplay by Phil Lord and Rothman, and stars Shameik Moore as Morales, alongside Jake Johnson, Hailee Steinfeld, Mahershala Ali, Brian Tyree Henry, Lily Tomlin, Luna Lauren Velez, Zoë Kravitz, John Mulaney, Kimiko Glenn, Nicolas Cage, Kathryn Hahn, and Liev Schreiber. In Spider-Man: Into the Spider-Verse, Miles Morales becomes one of many Spider-Men as they team up to save New York City from Kingpin.

Plans for an animated Spider-Man film to be developed by Lord and Christopher Miller were first revealed in 2014, and officially announced in April 2015. Persichetti, Ramsey, and Rothman joined over the next two years, with Moore and Schreiber cast in April 2017. Lord and Miller wanted the film to have its own unique style, combining Sony Pictures Imageworks' computer animation pipeline with traditional hand-drawn comic book techniques inspired by the work of Miles Morales's co-creator Sara Pichelli. Completing the animation for the film required up to 140 animators, the largest crew ever used by Sony Pictures Animation for a film.

Spider-Man: Into the Spider-Verse had its world premiere at the Regency Village Theater in Los Angeles on December 1, 2018, and had a wide release in the United States on December 14, 2018. The film has grossed over $129 million worldwide on a $90 million budget, and was praised for its animation, characters, story, voice acting, humor, and soundtrack. It received Best Animated Feature nominations at the 76th Golden Globe Awards and 24th Critics' Choice Awards. A sequel and several spin-offs are in development.

Plot

Miles Morales, a teenager who admires Spider-Man, struggles to adjust to his new elite boarding school and live up to the expectations of his parents, Rio Morales and Jefferson Davis, who views Spider-Man as a menace. After becoming attracted to his classmate "Gwanda", Miles seeks advice from his uncle Aaron Davis. Aaron encourages Miles to pursue his passion for graffiti and leads him to a subway station where he can draw. While there, Miles is bitten by a radioactive spider and develops spider-like abilities.

Unable to contact Aaron, he returns to the station and finds a secret laboratory where Wilson Fisk has built a particle accelerator to access parallel universes and reconnect with alternative versions of his wife and son, who died in a car accident. Spider-Man arrives to disable the accelerator and fights Green Goblin and Prowler. During the melee, Spider-Man meets Miles and senses they are alike. Green Goblin attempts to kill Spider-Man by forcing him into the accelerator’s energy stream but instead causes it to malfunction. The resulting explosion kills Green Goblin and mortally wounds Spider-Man, who gives Miles a USB drive to disable the accelerator and informs him that the machine could destroy the city if turned on again. Shortly afterward, Fisk beats Spider-Man to death as Miles escapes.

Inspired by Spider-Man's sacrifice, Miles attempts to master his new abilities but inadvertently damages the drive. Miles is later approached by Peter B. Parker, an older and jaded Spider-Man from another dimension who has separated from his ex-wife Mary Jane Watson and recently lost his Aunt May. Peter has been brought into Miles' world by the accelerator and needs to return home, so he begrudgingly agrees to train Miles in exchange for help in stealing data about how to repair the drive from Fisk's research facility. While breaking into the building, Miles displays the unique abilities of invisibility and an electric "venom blast" that can disable enemies by touch. They are confronted by Fisk's assistant Olivia Octavius, who reveals that Peter will eventually deteriorate and die the longer he stays on their Earth. Miles and Peter are then rescued by "Gwanda", revealed to be another dimension-displaced heroine whose real name is Gwen Stacy. Gwen leads Peter and Miles to May Parker, who is sheltering Spider-Man Noir, Spider-Ham, and Peni Parker and SP//dr. They are revealed to also be deteriorating, so Miles proposes disabling the accelerator himself to send the other Spider-People home.

While Peni repairs the drive, Peter unsuccessfully attempts to teach Miles how to control his powers. Pressure from the group causes an overwhelmed Miles to retreat to Aaron's apartment, where he discovers that Aaron is Prowler. Miles returns to May's house but is followed and the group is soon located by Fisk, Aaron, Octavius, Scorpion and Tombstone, leading to a brawl. Miles flees May's house, but is pursued and captured by Aaron away from the group. As Aaron is about to kill him, Miles unmasks his face to Aaron, who realizes he was hunting his own nephew. When Aaron hesitates to kill Miles, Fisk shoots Aaron. Miles carries Aaron to safety, but Aaron dies from his injuries. Jefferson comes upon Miles in his Spider-Man costume over Aaron's body, without seeing his son's face, and radios in a police APB for Spider-Man.

Peter restrains the inexperienced Miles and leaves him behind in his dorm for his own safety and decides to sacrifice himself by taking Miles' place in deactivating the accelerator. Jefferson arrives outside Miles' door to tell him about Aaron's death and, assuming Miles does not want to speak to him, apologizes for his mistakes and reassures Miles. Uplifted, Miles escapes and visits May's house, where he spray-paints one of Peter's old Spider-Man costumes for himself. After testing his powers and learning to use them on command, he joins the others and helps them defeat Octavius, Scorpion and Tombstone. Miles activates the drive and sends the Spider-People back home just before Fisk arrives. The two fight throughout the accelerator, attracting Jefferson's attention. Jefferson realizes that Spider-Man is not the enemy and encourages him, giving Miles the motivation to withstand Fisk's attacks and knock him out with his venom blast, which also destroys the accelerator. As the authorities arrest Fisk and his enforcers, Jefferson recognizes Spider-Man as a hero and Miles embraces the responsibilities of his new life. Back in their respective dimensions, Peter brings flowers to Mary Jane, the other Spider-People resume their lives, and Gwen finds a way to contact Miles across dimensions.

In a post-credits scene, Miguel O'Hara learns about the crisis and develops his own dimension-hopping drive. O'Hara decides to return to "the beginning" on Earth-67, but ends up getting into an argument with that universe's Spider-Man in a scene that mirrors the "Double Identity" episode.

Cast

Additional voices for the film include: Lake Bell as Vanessa Fisk, Jorma Taccone as Norman Osborn / Green Goblin and the Earth-67 Peter Parker / Spider-Man (who is credited as "Last Dude"),[7] Marvin "Krondon" Jones III as Tombstone,[11] Joaquín Cosío as Scorpion,[12] and Post Malone (who contributed to the film's soundtrack) as a bystander in Brooklyn.[13][7] Archival recording of Cliff Robertson from the 2002 film Spider-Man was used for a flashback scene involving the character Ben Parker. Spider-Man co-creator Stan Lee appears in a posthumous cameo, as a character named "Stan" who gives a Spider-Man costume to Morales. It was important to Lord and Miller to give Lee a bigger moment in the film rather than just a passing cameo because they felt he was "so integral to the spirit of this movie". They described the role as "extra meaningful" following Lee's death in November 2018.[14][15]

Cameos during the film's post-credits include several appearances including: Oscar Isaac as Miguel O'Hara / Spider-Man 2099, an alternative version of Spider-Man from a futuristic universe established at the end of the 21st century;[16] and Greta Lee as O'Hara's AI assistant Lyla.[17] Stan Lee also voices the Earth-67 version of Peter Parker's boss; J. Jonah Jameson during that same scene, something that actually accomplishes Lee's wishes to portray that character since the eighties, due to Jameson being based on Lee himself. Donald Glover also appears in a background TV screen as Troy Barnes in Spider-Man pajamas.[18]

Production

Development

Following the November 2014 hacking of Sony's computers, emails between Sony Pictures Entertainment co-chairman Amy Pascal and president Doug Belgrad were released, stating that Sony was planning to "rejuvenate" the Spider-Man franchise by developing an animated comedy film with Phil Lord and Christopher Miller. Sony executives were set to discuss the project further in a discussion regarding several Spider-Man spin-off films at a summit in January 2015.[19] At the 2015 CinemaCon in April, Sony Pictures chairman Tom Rothman announced that the animated Spider-Man film had a July 20, 2018 release date, and would be produced by Lord and Miller, Avi Arad, Matt Tolmach, and Pascal, with Lord and Miller also writing a treatment for the film. Rothman said that it would "co-exist" with the live-action Spider-Man films, though Sony soon stated that the film would "exist independently of the projects in the live-action Spider-Man universe",[20] as it is set in an alternate universe from those films without the version of Spider-Man as seen in the Marvel Cinematic Universe.[21]

That December, Sony moved the film's release date to December 21, 2018.[22] By June 2016, Lord had written a script for the film, and Bob Persichetti was set to direct.[23] Miller said the film would feel different from previous Spider-Man films, and "will stand on its own as a unique filmgoing experience."[24] It had also been rumored to focus on the Miles Morales version of Spider-Man,[23][24] which Sony confirmed at a presentation for its upcoming animated films in January 2017. Peter Ramsey was co-directing the film by that point.[25] The next month, Alex Hirsch was revealed to have contributed to the film's story along with Lord and Miller, and Christina Steinberg was said to have replaced Tolmach as a producer on the film.[26][27] In April 2017, the film's release date was pushed up one week from December 21, 2018, to December 14, 2018.[28] Lord and Miller announced in December that the film was titled Spider-Man: Into the Spider-Verse, and revealed that multiple Spider-Men would appear in the film. By then, Rodney Rothman was also co-directing the film.[29] Lord described directors Ramsey as "the action guy", Rothman as "the comedy guy" and Persichetti as "the poet".

Writing

The film's script is credited to Lord and Rodney Rothman from a story by Lord, making this the first film where Christopher Miller didn't collaborate on a screenplay with Lord.[30] Persichetti noted that there had been several Spider-Man films made already, so the first step was to decide why this film needed to be made, and the answer for the creative team was to tell the new and unique story of Miles Morales, who had yet to be featured in any film.[31] Brian Michael Bendis, the co-creator of Miles Morales, consulted on the film adaptation.[32] The first full cut of animatics and storyboards for the film was over two-hours long, which is uncommon for animated films, and the directors attributed this mostly to Lord and Miller and their approach of adding as many elements to the film as they could at the outset with the intention of seeing what it could "handle" and then shaping the film from there. They said that the final runtime will be between that and 90 minutes, the standard length of an animated film, with a balance having to be found between the expectations of an animated film that will have a large child-based audience and the requirements of the story which the directors felt was similar to the live-action Spider-Man films especially due to the large number of characters in the film.[31]

By August 2018, the directors had considered what a potential post-credits scene for the film could be, given that audiences have come to expect them from Marvel films.[31]

Casting

Shameik Moore was cast as Morales in April 2017, along with Liev Schreiber as the film's unspecified main villain.[10] A month later, Mahershala Ali and Brian Tyree Henry joined the cast as Morales's uncle Aaron Davis and father Jefferson Davis, respectively.[6] That December, Lord and Miller revealed that an adult Peter Parker / Spider-Man would appear in the film, as a mentor to Morales,[33] and Jake Johnson was announced as cast in the role in April 2018.[34] At that time, it was revealed that the characters Green Goblin, Kingpin, and Prowler would also be appearing in the film, with their designs based on the Ultimate Marvel comic series.[35]

In June 2018, Sony confirmed the full cast for the film, with Schreiber revealed to be voicing Kingpin. Announced as joining the cast then were Hailee Steinfeld as Spider-Gwen, Luna Lauren Velez as Morales's mother Rio, and Lily Tomlin as Parker's Aunt May.[5] A month later, Nicolas Cage was revealed to be voicing the character Spider-Man Noir,[36] and John Mulaney and Kimiko Glenn were announced as voicing Spider-Ham and Peni Parker, respectively.[9] The casting of Chris Pine as the Peter Parker of Miles' universe and Oscar Isaac as Spider-Man 2099 were revealed in November 2018.[37][16] Lord and Miller explained that the alternate Spider-Man characters were chosen based on the comics they had read as well as research done on the Marvel Wiki, with the intention of including actual characters from the comics who "were as diverse as possible".[14]

Animation and design

Lord and Miller wanted the film to feel like "you walked inside a comic book", and were excited to tell the story in a way that the live-action films could not.[33] Persichetti concurred, feeling that animation was the best medium with which to honor the style of the comics, allowing the production team to adapt 70-year-old techniques seen in comic artwork into the film's visual language.[31] It took around a year for the production team to create 10 seconds of footage that they were happy with, and then animation work on the film developed from there.[38] During the initial development, the directors worked with a single animator to establish the look of the film. This number eventually grew to 60 animators during production, but it became clear that this would not be enough to complete the film on time and so the crew was expanded further. The number had reached 142 animators by August 2018, the largest animation crew that Sony Pictures Imageworks had ever used for a film. Animation work was set to be completed in October 2018.[31]

The CGI animation for the film was combined with "line work and painting and dots and all sorts of comic book techniques" to make it look like it was created by hand, which was described as "a living painting".[33] This was achieved by artists taking rendered frames from the CGI animators and working on top of them in 2D, with the goal of making every frame of the film "look like a comic panel".[39][40] Lord described this style of animation as "totally revolutionary",[26] and explained that the design combines the in-house style of Sony Pictures Animation with the "flavor" of comic artists such as Sara Pichelli (who co-created Miles Morales) and Robbi Rodriguez.[26][14] To make it feel more like a comic book, it was animated without motion blur, and rather than using animation principles like squash and stretch they came up with substitute versions of them; "so that in texture and feel it felt different, but it still achieved the same goal — to either feel weight or anticipation or impact or things like that".[41] Different comic styles were emulated throughout the film for the different characters, with Spider-Gwen's animation based on the designs in her comics, Spider-Man Noir having a black-and-white color scheme, and Spider-Ham being designed as "cartoony" as possible. Craig Kellman designed the exaggerated look for the Spider-Ham, while Justin K. Thompson served as overall production designer after doing so on the Cloudy with a Chance of Meatballs films for Lord and Miller. Animation co-director Patrick O'Keefe said that committing fully to each Spider's unique art style was like "making five movies".[40] In-universe comic-books featured in the film were designed as a combination of the artwork of Steve Ditko and John Romita.[14] Chris Pine's Peter Parker cover was designed by Keith Pollard, Erik Larsen designed the cover for Jake Johnson's Peter Parker, and Miles Morales' co-creator Sara Pichelli, also contributed art for the film.[42]

The film is presented in the anamorphic format.[26] The film's directors all felt that the film would be one of the few that audiences actually "need" to watch in 3D due to the immersive nature of the animated world created, and the way that the hand-drawn animation elements created specifically for the film create a unique experience; Persichetti described this experience as a combination of the effects of an old-fashioned hand-drawn multiplane camera and a modern virtual reality environment.[31] One scene in Aaron Davis's apartment includes an image of Donald Glover in the background, which references Glover's part in fan campaigns to see a non-white version of Spider-Man.[14] Glover also portrayed Davis in Spider-Man: Homecoming.[43]

Music

Main article: Spider-Man: Into the Spider-Verse (soundtrack)

Daniel Pemberton was announced as the film's composer in July 2018.[44] A full soundtrack album was released by Republic Records on December 14, and was curated to represent what a teen like Morales would listen to.[45] Artists on the soundtrack include Juice WRLD, Lil Wayne, Ski Mask the Slump God and Lil Wayne and Ty Dolla Sign's "special guest" XXXTentacion A separate album containing Pemberton's score was released by Sony Classical Records on December 17.[46] On December 20, Sony Pictures Animation announced an extended play album entitled A Very Spidey Christmas, which was based on a throwaway joke at the beginning of the film and consists of five Christmas songs performed by cast members Shameik Moore, Jake Johnson, and Chris Pine. The EP was released on digital platforms the next day.[47][48]

Marketing

A thirty-second sizzle reel from the film was shown at a Sony Animation presentation in January 2017, revealing that the film focuses on Morales. Scott Mendelson at Forbes said the footage "looked incredible [sic] stylized and resembled a cross between an Alex Ross image and a psychedelic [comic] cover", but felt the most significant element of the presentation was the confirmation of Morales, meaning "2018 will offer another comic book superhero movie featuring a hero of color, during the same year as Marvel's Black Panther."[25] A teaser trailer for the film debuted at the 2017 Comic Con Experience, before being released online.[29] Chris Cabin at Collider felt the trailer "looks much better than it ever needed to. The style and design that is on display ... is vibrant and immediately engaging on a visual level, showing a genuine sense of personality to the production."[49] io9's Julie Muncy called the trailer's visual design "elegant" and "fresh", and highlighted the use of music by Vince Staples, which was also used for the Black Panther trailers.[50]

The official trailer for the film was released online at the start of June 2018, and was praised by Chaim Gartenberg of The Verge for its "absolutely gorgeous" art style. He also highlighted the non-Peter Parker Spider-Men featured in the trailer, namely Miles Morales and Gwen Stacy.[21] For Cartoon Brew, Amid Amidi praised the trailer for focusing on drama rather than action, and for seemingly targeting "a slightly hipper, more urban, and teen-oriented crowd", feeling that animated films were usually focused on pleasing "all-ages, all-audiences" which marked this film as a "radical change for United States feature animation".[51] At Forbes, Dani Di Placido praised the trailer for inspiring interest in the Spider-Man property after several different incarnations of the character had already been featured in films. He felt it achieved this by leaning into the comic storyline of the Spider-Verse and featuring multiple versions of the character in one film, as well as its "beautifully rendered" visuals that differentiated it from other major animated films. Placido added that "it's nice to see a movie just go nuts and embrace the weirdness of comic books and their eternally shapeshifting storylines."[52] The trailer generated 164 thousand conversations across social media platforms within a day of its release, and in three days had been viewed 44 million times making the film one of Sony's most viral alongside Sausage Party (2016).[53]

Sony released a second trailer for the film in October 2018,[30] ahead of a panel to promote the film at New York Comic Con where the first 35 minutes of the film were shown.[30][54] Lord and Miller explained that they chose not to show various clips from throughout the film because they would lack context for the audience, so went with an extended sequence for the presentation even though it featured some unfinished animation and music.[54] At that time, Sony's film Venom was released in theaters, featuring another extended clip from Into the Spider-Verse as a post-credits scene. The scene confirmed that the shared universe that Venom is part of is one of the universes connected within the "Spider-Verse" multiverse.[4]

In November 2018, Sony launched Spider-Verse Web AR Experience, a mobile augmented reality experience created by 8th Wall and Trigger to run on Amazon Web Services. Inspired by the film, the AR experience allows users to include Spider-Man in photos that they take of their environment.[55] The film also received a $115 million promotional "boost" from various companies—one of the largest such campaigns for a Sony film—including the Ad Council, who included the film's characters in an anti-bullying campaign; McDonald's, with a unique Happy Meal TV spot created in the film's animation style, as well as a special "double height" Happy Meal box for Australian McDonalds locations designed like a skyscraper that the characters can swing from; Synchrony Bank as part of their "Save Like a Hero" campaign; Nike, who sold the Air Jordans shoes that Morales wears in the film; General Mills cereal; official toy lines from Hasbro; themed cruises with Genting Cruise Lines; a "comprehensive" social media-based campaign in China by Tencent QQ, a brand that can be seen in the film; and other technology partners eBay, Vodafone, Garmin, Adobe, and Wacom.[56]

Release

Spider-Man: Into the Spider-Verse was put in wide release to 3,813 theaters on December 14, 2018 by Sony Pictures Releasing under its Columbia Pictures label.[57][28] In April 2015, Sony said the release date would be July 20, 2018,[20] but in October, 2015, Sony said it would be pushed back to December 21.[22] In April, 2017, Sony said the date would be moved up a week, the eventual final release date.[28] Sony held the premier at the Regency Village Theater in Los Angeles on December 1, 2018, and featured a tribute to Stan Lee and Steve Ditko.[58][59]


Reception

Box office

As of December 23, 2018, Spider-Man: Into the Spider-Verse has grossed $64.7 million in the United States and Canada, and $64.8 million in other territories, for a total worldwide gross of $129.5 million, against a production budget of $90 million.[3]

In the United States and Canada, Into the Spider-Verse was released alongside Mortal Engines and The Mule, and was projected to gross $30–35 million from 3,813 theaters in its opening weekend.[57] It made $12.6 million on its first day, including $3.5 million from Thursday night previews, and went on to debut to $35.4 million, finishing first at the box office and marking the best-ever December opening for an animated film.[60] The film made $16.7 million in its second weekend, finishing fourth behind newcomers Aquaman, Mary Poppins Returns and Bumblebee.[61]

Critical response

File:Brian Tyree Henry May 2017.jpg
Shameik Moore, Jake Johnson, Hailee Steinfeld, Brian Tyree Henry, Nicolas Cage, and Liev Schreiber were praised for their vocal performances.

Spider-Man: Into the Spider-Verse received universal acclaim. The review aggregation website Rotten Tomatoes reported a 97% approval rating based on 293 reviews, with an average rating of 8.8/10. The website's critical consensus reads, "Spider-Man: Into the Spider-Verse matches bold storytelling with striking animation for a purely enjoyable adventure with heart, humor, and plenty of superhero action."[62] On Metacritic, which assigns a normalized rating to reviews, the film has a weighted average score of 87 out of 100, based on 48 critics, indicating "universal acclaim".[63] Audiences polled by CinemaScore gave the film a rare grade of "A+" on an A+ to F scale, while PostTrak reported filmgoers gave it a 90% overall positive score and an 80% "definite recommend".[60]

David Ehrlich of IndieWire gave the film a "B+" and called it "hilarious and ultimately even poignant", writing: "An eye-popping and irreverent animated experience from the marvelous comic minds who brought you 21 Jump Street... Into the Spider-Verse is somehow both the nerdiest and most inviting superhero film in a long time; every single frame oozes with fan service..."[64] Oliver Jones of The New York Observer gave the film 3.5 out of 4 stars and wrote, "The greatest triumph and biggest surprise of the film is that it is an LSD freak-out on par with 2001: A Space Odyssey."[65] Johnny Oleksinski of The New York Post gave the film a 3.5 rating out of 4, hailing the film as "the best stand-alone film to feature the iconic character so far", and praising Miles' characterization as "more fleshed out than the usual Marvel heroes".[66] Todd McCarthy of The Hollywood Reporter wrote that "...the freshest and most stimulating aspect of the film is the visual style, which unites the expected Marvel mix of 'universes' (it used to be assumed there was only one universe in creation) with animation that looks both computer-driven and hand-drawn, boasts futuristic as well as funky urban elements, moves the 'camera' a lot and brings together a melting pot of mostly amusing new characters."[67]

William Bibbiani of The Wrap felt the film "represents some of the best superhero storytelling on the market", and that it "captures the sprawling interconnectivity of comic-book universes in a way that no other feature film has", calling it the best Spider-Man film since Spider-Man 2.[68] Justin Chang of the Los Angeles Times said that "[w]hat distinguishes Spider-Man: Into the Spider-Verse in the end is that it takes its mission seriously, even when it's being transparently silly".[69] David Sims of The Atlantic said that the film "somehow, through sheer creative gumption, does something new [in the superhero genre]", particulary praising the use of comic book's "visual language", as well as the characters' dynamic, and felt that the "anarchic fingerprints" of producers Phil Lord and Christopher Miller were "all over [the] movie".[70] Katie Walsh of Tribune News Service said that the film is "unlike any other superhero or animated film that has come before", comparing the animation to "watching a comic book come to life", and feeling that the film "firmly exists in a post-Deadpool environment, where it seems the only fresh way into a century-old superhero is to skewer the tropes, make fun of the merchandising and acknowledge the cultural significance of it all in a cheeky and self-reflective manner", and that Lord, who wrote the story and co-wrote the screenplay, was "[t]he key to the balance of self-aware and sweet" present in the film.[71]

Tom Holland, who plays Parker in the Marvel Cinematic Universe, praised the film as "one of the coolest films [he has] ever seen",[72] while Holland's MCU co-star Chris Pratt, who worked with Lord and Miller in the The Lego Movie films, called it an "emotionally moving, cutting edge, progressive, diverse, funny, meta, action-packed, silly, visually stunning masterpiece!".[73]

Accolades

Award Date of ceremony Category Recipient(s) Result Ref.
New York Film Critics Circle Awards November 29, 2018 Best Animated Feature Spider-Man: Into the Spider-Verse Won [74]
Detroit Film Critics Society December 3, 2018 Best Animated Film Won [75]
Washington D.C. Area Film Critics Association Awards December 3, 2018 Best Animated Feature Bob Persichetti, Peter Ramsey and Rodney Rothman Nominated [76]
Best Animated Voice Performance Shameik Moore Nominated
Chicago Film Critics Association Awards December 7, 2018 Best Animated Feature Bob Persichetti, Peter Ramsey and Rodney Rothman Won [77]
New York Film Critics Online December 9, 2018 Best Animated Feature Spider-Man: Into the Spider-Verse Won [78]
San Francisco Film Critics Circle December 9, 2018 Best Animated Feature Won
Los Angeles Film Critics Association December 9, 2018 Best Animated Feature Won [79]
San Diego Film Critics Society December 10, 2018 Best Animated Feature Runner-up [80]
African America Film Critics Association December 11, 2018 Best Animated Feature Won
St. Louis Film Critics Association December 16, 2018 Best Animated Feature Won [81]
Utah Film Critics Association December 16, 2018 Best Picture Won [82]
Best Adapted Screenplay Phil Lord and Rodney Rothman Won
Best Animated Feature Spider-Man: Into the Spider-Verse Won
Dallas Fort Worth Critics Association December 17, 2018 Best Animated Feature Runner-up
Houston Film Critics Society December 17, 2018 Best Animated Feature Won
Indiana Film Journalists Association December 17, 2018 Best Animated Feature Won
Phoenix Critics Circle December 17, 2018 Best Animated Film Won [83]
Best Movie Based on a Comic Book or Graphic Novel Won
Seattle Film Critics Society December 17, 2018 Best Animated Feature Bob Persichetti, Peter Ramsey and Rodney Rothman Won
North Texas Film Critics Association December 18, 2018 Best Animated Feature Runner-up
Southeastern Film Critics Association December 18, 2018 Best Animated Feature Runner-up
Boston Online Film Critics Association December 19, 2018 Best Animated Feature Won
Florida Film Critics Circle December 21, 2018 Best Animated Feature Runner-up
Golden Globe Awards January 6, 2019 Best Animated Feature Film Pending [84]
Critics' Choice Movie Awards January 11, 2019 Best Animated Feature Pending [85]
Annie Awards February 2, 2019 Best Animated Feature Avi Arad, Amy Pascal, Phil Lord, Christopher Miller and Christina Steinberg Pending [86]
Outstanding Achievement for Character Animation in an Animated Feature Production David Han Pending
Outstanding Achievement for Character Design in an Animated Feature Production Shiyoon Kim Pending
Outstanding Achievement for Directing in an Animated Feature Production Bob Persichetti, Peter Ramsey and Rodney Rothman Pending
Outstanding Achievement for Production Design in an Animated Feature Production Justin K. Thompson Pending
Outstanding Achievement for Writing in an Animated Feature Production Phil Lord and Rodney Rothman Pending
Outstanding Achievement for Editorial in an Animated Feature Production Bob Fisher, Andrew Leviton and Vivek Sharma Pending
Black Reel Awards February 7, 2019 Outstanding Voice Performance Mahershala Ali Pending [87]
Shameik Moore Pending
Brian Tyree Henry Pending

Sequel and spin-offs

In August 2018, the directors were still focused on completing the film but acknowledged that the introduction of the Spider-Verse in the film created the potential for many different stories to be told depending on the success of this film.[31] By the end of November, Sony was developing a sequel and several spin-offs from the film due to the "incredible buzz" surrounding it.[39] Joaquim Dos Santos and David Callaham were set to direct and write the sequel, respectively,[88] which would continue Morales's story. One of the spin-offs, a Spider-Women film focused on three generations of female Spider-related characters,[89] which will star Spider-Gwen and feature Jessica Drew / Spider-Woman and Cindy Moon / Silk,[90] had Bek Smith set to write,[89] and Lauren Montgomery in talks to direct.[88][90] The spin-offs could extend into other media such as television, upon which Lord and Miller both expressed interest in seeing a series of shorts starring Spider-Ham.[91]

Notes

  1. ^ The post-credits scene for Sony's live-action film Venom implies that Sony's Universe of Marvel Characters—the shared universe that includes Venom and other Spider-Man-related film properties—is one of the alternate universes within the Spider-Verse.[4]

References

  1. ^ a b c d Debruge, Peter (November 28, 2018). "Film Review: "Spider-Man: Into the Spider-Verse"". Variety. Retrieved November 28, 2018.
  2. ^ McNary, Dave (November 21, 2018). "'Spider-Man: Into the Spider-Verse' Tracking for $30 Million Launch". Variety. Retrieved November 22, 2018.
  3. ^ a b "Spider-Man: Into the Spider-Verse (2018)". Box Office Mojo. Retrieved December 24, 2018.
  4. ^ a b Francisco, Eric (October 3, 2018). "'Venom' Post-Credits Scene Enters Another Marvel Universe". Inverse. Archived from the original on October 4, 2018. Retrieved October 4, 2018. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  5. ^ a b c d e Nyren, Erin (June 6, 2018). "'Spider-Man: Into the Spider Verse' Casts Hailee Steinfeld, Mahershala Ali and Lily Tomlin". Variety. Archived from the original on June 7, 2018. Retrieved June 7, 2018. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  6. ^ a b Pearson, Ben (June 22, 2017). "Mahershala Ali Joins the Voice Cast of Lord and Miller's Animated 'Spider-Man' Movie". /Film. Archived from the original on December 9, 2017. Retrieved December 10, 2017. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
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