List of 20th-century classical composers
Appearance
Lists of classical composers by era and century | ||||||||||||||||||||
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This list is by no means complete. Only composers of significant fame and importance are included. The style of the composer's music is given where possible, bearing in mind that some defy simple classification. Names are listed first by year of birth, then in alphabetical order within each year.
See also List of 20th century classical composers by death date and List of 21st century classical composers by birth date.
1850s
Name | Years | Nationality | Notable works | Remarks |
---|---|---|---|---|
Vincent d'Indy | 1851-1931 | French | Symphony on a French Mountain Air; Ishtar | |
Charles Villiers Stanford | 1852-1924 | Irish | 7 symphonies | Romanticism |
Ciprian Porumbescu | 1853-1883 | Romanian | Balada for violin ,"Serenada" | |
Leoš Janáček | 1854-1928 | Czech | Sinfonietta; Taras Bulba; operas; 2 string quartets | folk-influenced |
Moritz Moszkowski | 1854-1925 | German-Polish-Jewish | ||
Christian Sinding | 1856-1941 | Norwegian | The Rustle of Spring | Romanticism |
Cécile Chaminade | 1857-1944 | French | Concertino for FLUTE | |
Edward Elgar | 1857-1934 | British | Symphony No. 1 and No. 2; Violin Concerto; Cello Concerto; The Dream of Gerontius (oratorio); Enigma Variations; Pomp and Circumstance Marches | Romanticism |
Giacomo Puccini | 1858-1924 | Italian | La bohème (opera); Tosca (opera); Madama Butterfly (opera) | Romanticism |
Mikhail Ippolitov-Ivanov | 1859-1935 | Russian | Caucasian Sketches |
1860s
1870s
Name | Years | Nationality | Notable works | Remarks |
---|---|---|---|---|
Leopold Godowsky | 1870-1938 | Polish | ||
Alfred Hill | 1870-1960 | Australian | ||
Franz Lehár | 1870-1948 | Hungarian | operettas | |
Vítězslav Novák | 1870-1949 | Czech | ||
Florent Schmitt | 1870-1958 | French | ||
Charles Tournemire | 1870-1939 | French | 8 symphonies, organ music | |
Louis Vierne | 1870-1937 | French | Organist at Notre Dame Cathederal. | |
Wilhelm Stenhammar | 1871-1927 | Swedish | Romanticism | |
Alexander von Zemlinsky | 1871-1942 | Austrian | Lyric Symphony | Romanticism; mentor of Arnold Schoenberg |
Hugo Alfvén | 1872-1960 | Swedish | Symphony No. 4: From the Outermost Skerries; Midsummer Vigil | Romanticism |
Alexander Scriabin | 1872-1915 | Russian | The Poem of Ecstasy; Prometheus: The Poem of Fire; 10 piano sonatas | Mysticism |
Ralph Vaughan Williams | 1872-1958 | British | A Sea Symphony; A London Symphony; Sinfonia Antartica; Fantasia on a Theme of Thomas Tallis; Fantasia on Greensleeves | folk-influenced |
Joseph Jongen | 1873-1953 | Belgian | Symphonie Concertante for organ and orchestra | |
Sergei Rachmaninoff | 1873-1943 | Russian | Piano Concerto No. 2 and No. 3; Rhapsody on a Theme of Paganini; Symphony No. 2; Prelude in C-sharp minor | Romanticism; also a formidable pianist |
Jean Roger-Ducasse | 1873-1954 | French | ||
Nikolai Tcherepnin | 1873-1945 | Russian | father of Alexander Tcherepnin | |
Max Reger | 1873-1916 | German | organ music | Romanticism |
Charles Ives | 1874-1954 | American | The Unanswered Question; Central Park in the Dark; Variations on America; Three Places in New England; Concord Sonata | Avant-garde, folk-influenced |
Gustav Holst | 1874-1934 | British | The Planets; Beni Mora; Egdon Heath | |
Franz Schmidt | 1874-1939 | Austrian | ||
Arnold Schoenberg | 1874-1951 | Austrian | Gurre-Lieder; Verklärte Nacht; Variations for Orchestra; Pierrot Lunaire; Five Pieces for Orchestra | Romanticism, later Expressionism and Serialism; founder of the Second Viennese School |
Josef Suk | 1874-1935 | Czech | Asrael Symphony; A Winter's Tale | |
Reinhold Glière | 1875-1956 | Russian | Symphony No. 3: Ilya Muromets | Romanticism |
Albert Ketèlbey | 1875-1959 | British | In a Persian Market | |
Erkki Melartin | 1875-1937 | Finnish | ||
Maurice Ravel | 1875-1937 | French | Daphnis et Chloé; Valses nobles et sentimentales; Rapsodie espagnole; Tzigane; Piano Concerto; Bolero; piano music | Impressionism, Neo-classicism |
Julián Carrillo | 1875-1965 | Mexican | 13th sound | Microtonal music |
Mieczysław Karłowicz | 1876-1909 | Polish | Stanislaw i Anna Oswiecimovie, op. 12; Lithuanian Rhapsody, op.11; Symphony in E Minor, op. 7; Serenade for Strings, op. 2, in C Major; Violin Concerto, op. 8, in A Major | Romanticism |
Havergal Brian | 1876-1972 | British | more than 30 symphonies, including the Gothic Symphony | |
Manuel de Falla | 1876-1946 | Spanish | The Three-Cornered Hat; Nights in the Gardens of Spain | Impressionism, Neo-classicism |
Carl Ruggles | 1876-1971 | American | ||
Ermanno Wolf-Ferrari | 1876-1948 | Italian | ||
Ernő Dohnányi | 1877-1960 | Hungarian | Variations on a Nursery Tune | Romanticism |
Sigfrid Karg-Elert | 1877-1933 | German | organ and harmonium works | |
Joseph Holbrooke | 1878-1958 | British | ||
Franz Schreker | 1878-1934 | Austrian | ||
Joseph Canteloube | 1879-1957 | French | Chants d'Auvergne | |
Jean Cras | 1879-1932 | French | ||
Frank Bridge | 1879-1941 | British | Enter Spring; The Sea | Impressionism, later Expressionism; mentor of Benjamin Britten |
Hamilton Harty | 1879-1941 | Irish | An Irish Symphony; With the Wild Geese | |
John Ireland | 1879-1962 | British | Piano Concerto in E flat | |
Ottorino Respighi | 1879-1936 | Italian | The Fountains of Rome; The Pines of Rome | Impressionism, Neo-Baroque |
Cyril Scott | 1879-1970 | British |
1880s
Name | Years | Nationality | Notable works | Remarks |
---|---|---|---|---|
Ernest Bloch | 1880–1959 | Swiss | Schelomo; Suite hébraïque | |
Nikolay Medtner | 1880–1951 | Russian | 3 piano concertos | Romanticism |
Ildebrando Pizzetti | 1880–1968 | Italian | ||
Béla Bartók | 1881–1945 | Hungarian | Concerto for Orchestra; The Miraculous Mandarin; Piano Concerto No. 3; Viola Concerto; Music for Strings, Percussion and Celesta; Sonata for Two Pianos and Percussion | Neo-classicism, folk-influenced |
George Enescu | 1881–1955 | Romanian | Romanian Rhapsody No. 1, Sonata no. 3 for Violin and Piano ("In the Romanian Popular Style"), Oedip ,Cantabile et Presto pour flauto et piano,Opera OEDIP, | folk-influenced; father of Romanian classical music |
Jan van Gilse | 1881–1944 | Dutch | Thijl, 5 symphonies | |
Nikolay Myaskovsky | 1881–1950 | Russian | 27 symphonies | Romanticism; father of the Russian symphony |
Mykola Roslavets | 1881–1944 | Russian | ||
Percy Grainger | 1882–1961 | Australian | Country Gardens, Irish Tune from County Derry, Lincolnshire Posy | folksong-influenced, mostly piano solo & wind band |
Zoltán Kodály | 1882–1967 | Hungarian | Háry János; Dances of Galanta | folk-influenced |
Gian Francesco Malipiero | 1882–1973 | Italian | 11 symphonies | |
Geoffrey O'Hara | 1882–1967 | Canadian | ||
Manuel Maria Ponce | 1882–1948 | Mexican | ||
Igor Stravinsky | 1882–1971 | Russian | The Rite of Spring; The Firebird; Petrushka; Pulcinella; The Soldier's Tale; Symphony of Psalms; Symphonies of Wind Instruments | Neo-classicism, Neo-Baroque, later Serialism |
Karol Szymanowski | 1882–1937 | Polish | Symphony No. 3 and No. 4; Violin Concerto No. 1 and No. 2 | Impressionism, later folk-influenced |
Joaquin Turina | 1882–1949 | Spanish | ||
Arnold Bax | 1883–1953 | British | Symphony No. 2, No. 3, and No. 6; Tintagel | Romanticism, Impressionism |
Alfredo Casella | 1883–1947 | Italian | ||
George Dyson | 1883–1964 | British | Symphony in G major | |
Manolis Kalomiris | 1883–1962 | Greek | ||
Edgard Varèse | 1883–1965 | French | Amériques; Ionisation; Arcana; Density 21.5 | Musique concrète, Electronic music |
Anton Webern | 1883–1945 | Austrian | Symphony; Passacaglia; Six Pieces for Orchestra | Serialism; pupil of Arnold Schoenberg |
Charles Griffes | 1884–1920 | American | impressionism | |
Louis Gruenberg | 1884–1964 | Russian | Violin Concerto; 5 symphonies | |
Ture Rangström | 1884–1947 | Swedish | 4 symphonies; 3 operas | |
Alban Berg | 1885–1935 | Austrian | Violin Concerto; Wozzeck; Lyric Suite | Serialism, Romanticism; pupil of Arnold Schoenberg |
George Butterworth | 1885–1916 | British | ||
Wallingford Riegger | 1885–1961 | American | ||
Egon Wellesz | 1885–1974 | Austrian | 9 symphonies | |
Joseph Achron | 1886-1943 | Russian | "Hebrew Melody" | |
Marcel Dupré | 1886–1971 | French | organ music | |
Jesús Guridi | 1886–1961 | Spanish | Sinfonia pirenaica | |
Paul Paray | 1886-1979 | French | Mass for the 500th Anniversary of the Death of Joan of Arc | |
Othmar Schoeck | 1886–1957 | Swiss | ||
Kurt Atterberg | 1887–1974 | Swedish | Symphony No. 6: Dollarsymphony | |
Nadia Boulanger | 1887–1979 | French | mentor of many composers | |
Leevi Madetoja | 1887–1947 | Finnish | ||
Ernst Toch | 1887–1964 | German | 7 symphonies | |
Heitor Villa-Lobos | 1887–1959 | Brazilian | Bachianas brasileiras; guitar music | Neo-classicism, folk-influenced |
Matthijs Vermeulen | 1888–1967 | Dutch | 7 symphonies | |
Grigoras Dinicu | 1889-1949 | Romanian | mostly for violin and piano, Hora staccato | |
Vladimir Shcherbachov | 1889–1952 | Russian |
1890s
Name | Years | Nationality | Notable works | Remarks |
---|---|---|---|---|
Luís de Freitas Branco | 1890–1955 | Portuguese | 4 symphonies | |
Jacques Ibert | 1890–1962 | French | Escales; Bacchanale; Flute Concerto | neoclassicism |
Frank Martin | 1890–1974 | Swiss | Ballade for flute and piano | |
Bohuslav Martinů | 1890–1959 | Czech | Symphonies Nos. 3 and 6; Gilgamesh (oratorio); chamber music | neoclassicism, folk-influenced |
Gösta Nystroem | 1890–1966 | Swedish | ||
Arthur Bliss | 1891–1975 | British | A Colour Symphony | |
Marcel Grandjany | 1891–1975 | French | ||
Mihail Jora | 1891-1971 | Romanian | ||
Sergei Prokofiev | 1891–1953 | Russian | Romeo and Juliet (ballet); The Love for Three Oranges (opera); Classical Symphony; Symphony No. 5 and No. 6; Violin Concerto No. 1 and No. 2; Piano Concerto No. 2 and No. 3; Alexander Nevsky; Lieutenant Kijé; 9 piano sonatas; Peter and the Wolf | neoclassicism |
Hendrik Andriessen | 1892–1981 | Dutch | father of Louis Andriessen | |
Ferde Grofé | 1892–1972 | American | Grand Canyon Suite | |
Arthur Honegger | 1892–1955 | Swiss | Symphony No. 3: Liturgique; Pacific 231; Les Misérables (film music) | neoclassicism |
Herbert Howells | 1892–1983 | British | Hymnus paradisi | |
László Lajtha | 1892–1963 | Hungarian | 9 symphonies | |
Darius Milhaud | 1892–1974 | French | La Création du Monde; Le Bœuf sur le toit | jazz-influenced, neoclassical |
Hilding Rosenberg | 1892–1985 | Swedish | 8 symphonies; Violin Concerto | |
Kaikhosru Sorabji | 1892–1988 | British | Opus Clavicembalisticum | neoclassical, new age |
Germaine Tailleferre | 1892–1983 | French | ||
Jean Absil | 1893–1974 | Belgian | ||
Arthur Benjamin | 1893–1960 | Australian | Jamaican Rhumba, operas, film scores, chamber works | |
Alois Hába | 1893–1973 | Czech | Matka (opera) | microtonal |
Rued Langgaard | 1893–1952 | Danish | 16 symphonies | |
Federico Mompou | 1893–1987 | Spanish | piano music | |
Douglas Moore | 1893–1969 | British | ||
Leo Ornstein | 1893–2002 | American | Wild Mens Dance, Suicide in an Airplane, 5 piano sonatas, Piano Quintet, 3 String Quartets | Avant-garde |
Robert Russell Bennett | 1894–1981 | British | ||
Sabin Dragoi | 1894-1968 | Romanian | Piano Concerto | |
Ernest John Moeran | 1894–1950 | British | Symphony in G minor | folk-influenced |
Willem Pijper | 1894–1947 | Dutch | 3 symphonies; Six Adagios; Piano Concerto | atonal |
Walter Piston | 1894–1976 | American | The Incredible Flutist (ballet); Symphony No. 2 and No. 6 | Neo-classicism |
Erwin Schulhoff | 1894–1942 | Czech | 6 symphonies | |
Mario Castelnuovo-Tedesco | 1895–1968 | Italian | guitar music | |
Johann Nepomuk David | 1895–1977 | Austrian | 8 symphonies | neoclassical |
Paul Hindemith | 1895–1963 | German | Symphonic Metamorphoses on Themes of Weber; Mathis der Maler (opera); Ludus Tonalis; chamber music; Flute Sonata | Neo-Baroque, neoclassicism |
Gordon Jacob | 1895–1984 | British | ||
Borys Lyatoshynsky | 1895–1968 | Ukrainian | 5 symphonies | |
Carl Orff | 1895–1982 | German | Carmina Burana | |
Leo Sowerby | 1895–1968 | American | ||
Roberto Gerhard | 1896–1970 | Spanish | 4 symphonies | |
Howard Hanson | 1896–1981 | American | 7 symphonies | Romanticism |
Roger Sessions | 1896–1985 | American | 9 symphonies | serialism |
Virgil Thomson | 1896–1989 | American | Four Saints in Three Acts, The Mother of Us All; Louisiana Story | folk-influenced, eclectic |
Gaspar Cassado | 1897–1966 | Spanish | Toccata, Requiebros | |
Henry Cowell | 1897–1965 | American | eclectic, experimental | |
Oscar Lorenzo Fernández | 1897-1948 | Brazilian | "Batuque" from Malazarte (opera), two symphonies | nationalism |
Erich Wolfgang Korngold | 1897–1957 | Austrian | Violin Concerto; film music | |
Quincy Porter | 1897–1966 | American | ||
Alexandre Tansman | 1897–1986 | Polish | ||
George Gershwin | 1898–1937 | American | Rhapsody in Blue; Piano Concerto; An American in Paris; Porgy and Bess (opera) | jazz-influenced |
Roy Harris | 1898–1979 | American | Symphony No. 3 | |
Lev Knipper | 1898–1974 | Russian | ||
Alexander Abramsky | 1898-1985 | Russian | 1941 piano concerto | folk music-influenced |
Vittorio Rieti | 1898–1994 | Italian | ||
Georges Auric | 1899–1983 | French | ||
Carlos Chávez | 1899–1978 | Mexican | 6 symphonies | folk-music influenced |
George Frederick McKay | 1899–1970 | American | ||
Francis Poulenc | 1899–1963 | French | Babar the Elephant;Flute Sonata Stabat Mater; chamber music | neoclassicism |
Silvestre Revueltas | 1899–1940 | Mexican | Sensemayá | |
Alexander Tcherepnin | 1899–1977 | Russian | son of Nikolai Tcherepnin | |
Randall Thompson | 1899–1984 | American |
1900s
Name | Years | Nationality | Notable works | Remarks |
---|---|---|---|---|
George Antheil | 1900–1959 | American | Ballet mécanique; Symphony No. 4 | Avant-garde, later neoclassical |
Alan Bush | 1900–1995 | British | ||
Aaron Copland | 1900–1990 | American | Appalachian Spring (ballet); Billy the Kid (ballet); Rodeo (ballet); Fanfare for the Common Man; Clarinet Concerto | neoclassical, Folk music influence, jazz influence, early twelve-tone, later serialism |
Uuno Klami | 1900–1961 | Finnish | Sea Pictures; Kalevala Suite | |
Ernst Krenek | 1900–1991 | Austrian | Jonny spielt auf, Karl V, Lamentatio Jeremiae prophetae | neoclassical, twelve-tone, later serial, neoromantic, eclectic |
Colin McPhee | 1900–1964 | Canadian | Tabuh-Tabuhan: Toccata for Orchestra | folk-influenced |
Alexander Mosolov | 1900–1973 | Russian | Iron Foundry | Avant-garde |
Kurt Weill | 1900–1950 | German | Symphony No. 2; musicals | neoclassical |
Gerald Finzi | 1901–1956 | British | Cello Concerto; songs | neoromantic |
Harry Partch | 1901–1974 | American | microtonal, just intonation | |
Joaquín Rodrigo | 1901–1999 | Spanish | Concierto de Aranjuez; guitar music | neoclassical, folk music influence |
Edmund Rubbra | 1901–1986 | British | 11 symphonies; Violin Concerto | |
Henri Sauguet | 1901–1989 | French | 4 symphonies | |
Henri Tomasi | 1901–1971 | French | ||
Maurice Duruflé | 1902–1986 | French | Requiem; organ music | |
Vissarion Shebalin | 1902–1963 | Russian | ||
John Vincent | 1902–1977 | American | Consort for Piano and Strings | neoclassical |
William Walton | 1902–1983 | British | Symphony No. 1; Violin Concerto; Viola Concerto; Variations on a Theme by Hindemith; Belshazzar's Feast (oratorio) | avant-garde (early), neoromantic, neoclassical |
Stefan Wolpe | 1902–1972 | German | serial | |
Lennox Berkeley | 1903-1989 | British | 4 symphonies | neoclassical, later serial |
Boris Blacher | 1903-1975 | German | ||
Vernon Duke | 1903–1969 | Russian | jazz-influenced | |
Vittorio Giannini | 1903–1966 | Italian | neoclassical | |
Aram Khachaturian | 1903–1978 | Armenian | Gayane (ballet, contains the famous Sabre Dance); Spartacus (ballet); concertos | |
Ervin Nyíregyházi | 1903-1987 | Hungarian | ||
Mario Pilati | 1903-1938 | Italian | Piedigrotta (opera) | |
Priaulx Rainier | 1903-1986 | S. African / British | Ploërmel, Quanta, String Trio | |
Luigi Dallapiccola | 1904-1975 | Italian | ||
Dmitri Kabalevsky | 1904–1987 | Russian | The Comedians | |
Goffredo Petrassi | 1904-2003 | Italian | ||
Gavriil Popov | 1904-1972 | Russian | Chamber Symphony; Symphony No. 1 | |
Nikolaos Skalkottas | 1904-1949 | Greek | twelve-tone, folk music influence | |
William Alwyn | 1905-1985 | British | 5 symphonies; Lyra Angelica; Elizabethan Dances | neoromantic |
André Jolivet | 1905-1974 | French | ||
Constant Lambert | 1905-1951 | British | The Rio Grande | popular music influence, jazz influence |
Walter Leigh | 1905-1942 | British | Concertino for Harpsichord and Strings; Agincourt; Jolly Roger; Music for Strings | neoclassical |
Alan Rawsthorne | 1905-1971 | British | 3 symphonies; concertos; Symphonic Studies | neoclassical |
Giacinto Scelsi | 1905-1988 | Italian | Quattro pezzi chiascuno su una nota sola | unclassifiable |
Michael Tippett | 1905-1998 | British | The Midsummer Marriage; 4 symphonies; A Child of Our Time (oratorio) | |
Eduard Tubin | 1905-1982 | Estonian | 11 symphonies | |
Paul Creston | 1906-1985 | American | 6 symphonies | neoclassical |
Klaus Egge | 1906-1979 | Norwegian | ||
Benjamin Frankel | 1906-1973 | British | ||
Jānis Ivanovs | 1906-1983 | Latvian | 21 symphonies | neoromantic |
Elisabeth Lutyens | 1906-1983 | British | ||
Alexander Moyzes | 1906-1984 | Slovakian | 12 symphonies | |
Dmitri Shostakovich | 1906-1975 | Russian | Symphony No. 5, No. 7, No. 9, and No. 10; Violin Concerto No. 1; Cello Concerto No. 1; Festive Overture; String Quartet No. 8; Piano Quintet; Romance from The Gadfly Suite | neoclassical, neoromantic |
Louise Talma | 1906-1996 | American | ||
Grace Williams | 1906-1977 | Welsh | ||
Henk Badings | 1907-1987 | Dutch | ||
Camargo Guarnieri | 1907-1993 | Brazilian | ||
Elizabeth Maconchy | 1907-1994 | British | ||
Hisato Ohzawa | 1907-1953 | Japanese | ||
Miklós Rózsa | 1907-1995 | Hungarian | concertos; Ben-Hur (film music); Spellbound (film music) | folk-influenced |
Ahmet Adnan Saygun | 1907-1991 | Turkish | 5 symphonies | |
Martin Scherber | 1907–1974 | |||
Leroy Anderson | 1908–1975 | American | Sleigh Ride; Blue Tango; Jazz Pizzicato; Irish Suite; Suites of Carols | |
Elliott Carter | 1908– | American | Variations for Orchestra; A Symphony of Three Orchestras; 5 string quartets | neoclassical (early), modernist |
Herman David Koppel | 1908–1998 | Danish | 13 symphonies | neoclassical |
Lars-Erik Larsson | 1908–1986 | Swedish | 3 symphonies | |
Olivier Messiaen | 1908–1992 | French | Turangalila Symphony; Quartet for the End of Time; Vingt regards sur l'enfant-Jésus; Saint François d'Assise (opera) | mysticism, post-impressionist |
Geirr Tveitt | 1908–1981 | Norwegian | 6 piano concertos | folk-influenced |
Paul Constantinescu | 1909–1963 | Romanian | Violin Concerto,Piano Concerto,Choir,Movie Music,Chamber Music,Opera | |
Vagn Holmboe | 1909–1996 | Danish | 13 symphonies | Neo-classicism |
Ljubica Marić | 1909–2003 | Serb | Sounds of Space,Ostinato Super Thema Octoicha,Threshold of Dream | post-modern |
1910s
Name | Years | Nationality | Notable works | Remarks | |
---|---|---|---|---|---|
Samuel Barber | 1910–1981 | American | Adagio for Strings; Violin Concerto; Symphony in One Movement | Romanticism | |
Rolf Liebermann | 1910–1999 | ||||
H. Owen Reed | 1910– | American | La Fiesta Mexicana | folk-influenced | |
Pierre Schaeffer | 1910–1995 | French | Musique concrète | ||
William Schuman | 1910–1992 | American | Symphony No. 3 | ||
Jehan Alain | 1911–1940 | French | Organ music | ||
Alan Hovhaness | 1911–2000 | American | more than 60 symphonies | Mysticism | |
Robert McBride | 1911–2007 | American | Mexican Rhapsody, Farewell to Yesterday (film score), The Man with My Face (film score) | Jazz and Popular music influences | |
Gian Carlo Menotti | 1911–2007 | Italian | operas | ||
Allan Pettersson | 1911-1980 | Swedish | 17 symphonies | Neo-romanticism | |
Nino Rota | 1911–1979 | Italian | Vocal, orchestral and chamber music, The Godfather (film score), Romeo & Juliet (film score), 8 1/2 (film score) | ||
Xavier Montsalvatge | 1912-2002 | Spanish | |||
Carlos Guastavino | 1912-2000 | Argentine | |||
Jean Françaix | 1912-1997 | French | |||
José Pablo Moncayo | 1912-1958 | Mexican | Huapango | ||
Igor Markevitch | 1912-1983 | Russian | |||
John Cage | 1912-1992 | American | 4'33"; Sonatas and Interludes | Aleatoric music, Extended technique | |
Conlon Nancarrow | 1912-1997 | American-Mexican | Studies for player-piano | ||
Daniel Jones | 1912-1993 | Welsh | |||
Peggy Glanville-Hicks | 1912–1990 | Australian | Etruscan Concerto; The Transposed Heads (opera); Nausicaa (opera) | ||
Henry Brant | 1913-2008 | American | spatial music | ||
Benjamin Britten | 1913-1976 | British | Sinfonia da Requiem; Young Person's Guide to the Orchestra; War Requiem; Cello Symphony; Peter Grimes (opera) | Neo-classicism | |
Peggy Stuart Coolidge | 1913-1981 | American | Spirituals in Sunshine and Shadow, New England Autumn | folk- and blues-influenced | |
Morton Gould | 1913-1996 | American | |||
George Lloyd | 1913-1998 | British | 12 symphonies | ||
Witold Lutosławski | 1913-1994 | Polish | Concerto for Orchestra; Musique funebre; Jeux vénitiens; Preludes and a Fugue; Symphony No. 2 and Symphony No. 3 | Neo-classicism, folk-influenced, later Aleatoric music | |
Maurice Ohana | 1913-1992 | French | |||
Constantin Silvestri | 1913 - 1969 | Romanian | |||
Irving Fine | 1914–1963 | American | serial | ||
Wilfrid Mellers | 1914–2008 | British | |||
Andrzej Panufnik | 1914–1991 | Polish | 10 symphonies | ||
Harold Truscott | 1914–1992 | ||||
David Diamond | 1915–2005 | American | 11 symphonies | neoclassicism | |
Douglas Lilburn | 1915–2001 | New Zealand | 3 symphonies; Aotearoa | ||
Vincent Persichetti | 1915–1987 | American | neoclassicism | ||
John Serry, Sr. | 1915-2003 | American | American Rhapsody; Concerto For Free Bass Accordion; Processional For Organ | Classical music, Jazz, Popular music, Liturgical music | |
Robert Strassburg | 1915-2003 | American | Lost, Chelm; Leaves of Grass | Opera, Classical music Liturgical music, Film scores | |
Earl Wild | 1915- | American | "Sonata 2000"; Doo-Dah Variations; numerous piano transcriptions | also a concert pianist | |
Milton Babbitt | 1916– | American | Composition for Four Instruments; six string quartets; Philomel | serialism, electronic music | |
Henri Dutilleux | 1916– | French | 2 symphonies; Tout un Monde Lointain; The Shadows of Time; Timbres, espace, mouvement | Neo-impressionism | |
Einar Englund | 1916–1999 | Finnish | Symphony No. 2 | ||
Alberto Ginastera | 1916–1983 | Argentine | Panambi (ballet); Malambo; 2 piano concertos; 3 piano sonatas | ||
Richard Arnell | 1917–2009 | British | 6 symphonies | ||
John Gardner | 1917- | British | 3 symphonies; Tomorrow Shall Be My Dancing Day | ||
Dinu Lipatti | 1917-1950 | Romanian | Piano Works | ||
Isang Yun | 1917-1995 | Korean | 5 symphonies | folk-influenced | |
Lou Harrison | 1917-2003 | American | Concerto for Violin and Percussion Orchestra; Piano Concerto; 4 symphonies; much gamelan music | ||
Leonard Bernstein | 1918-1990 | American | West Side Story (musical); Chichester Psalms; Candide; Serenade; Mass; 3 symphonies | jazz and popular music influence | |
Gottfried von Einem | 1918-1996 | Austrian | operas | eclectic | |
Gara Garayev | 1918-1982 | Azerbaijani | |||
Liviu Comes | 1918-2004 | Romanian | choral | ||
George Rochberg | 1918-2005 | American | 6 symphonies; 7 string quartets | serialism, later neo-romanticism | |
Bernd Alois Zimmermann | 1918-1970 | German | Die Soldaten; Musique pour les soupers du Roi Ubi; Tratto; Tempus loquendi | serialism, musical quotation, collage, electronic music, jazz-influenced, eclectic | |
Jacob Avshalomov | 1919- | son of Aaron Avshalomov | |||
Leon Kirchner | 1919- | American | |||
Galina Ustvolskaya | 1919-2006 | Russian | |||
Mieczyslaw Weinberg | 1919-1996 | Polish | 22 symphonies; 17 string quartets |
1920s
Name | Years | Nationality | Notable works | Remarks |
---|---|---|---|---|
Geoffrey Bush | 1920-1998 | British | ||
Peter Racine Fricker | 1920-1990 | British | ||
Earl Kim | 1920-1998 | Korean | ||
Bruno Maderna | 1920-1973 | Italian | Satyricon (opera) | avant-garde, electronic music |
Harold Shapero | 1920- | American | ||
Malcolm Arnold | 1921-2006 | British | Symphony No. 5 and No. 7; English Dances; film music | |
Chaya Arbel | 1921– | Israeli | ||
Karel Husa | 1921– | Czech | ||
Andrew Imbrie | 1921–2007 | American | serialism, neoclassicism | |
Božidar Kantušer | 1921-1999 | American/Slovenian | ||
Joonas Kokkonen | 1921–1996 | Finnish | ||
Ástor Piazzolla | 1921–1992 | Argentine | tangos | |
Ralph Shapey | 1921–2002 | American | ||
Robert Simpson | 1921–1997 | British | 11 symphonies | |
Raffaello de Banfield | 1922–2008 | British | ||
Iain Hamilton | 1922–2000 | Scottish | ||
Kazimierz Serocki | 1922–1981 | Polish | ||
Iannis Xenakis | 1922–2001 | Greek | Metastasis | avant-garde, Stochastic |
Chou Wen-chung | 1923– | Chinese/American | Landscapes | student of Edgar Varese |
Karel Goeyvaerts | 1923–1993 | Belgian | Aquarius (opera) | neoclassicism, serialism, minimalism, postminimalism, mysticism, electronic music |
György Ligeti | 1923-2006 | Hungarian | Atmosphères, Musica ricercata, Lux Aeterna | avant-garde, micropolyphony |
Peter Mennin | 1923-1983 | American | 9 symphonies | |
Ned Rorem | 1923- | American | Our Town (opera); Air Music; 3 numbered symphonies; over 400 songs | Pulitzer Prize winner |
Simeon ten Holt | 1923– | Dutch | Canto Ostinato | minimalism |
Joly Braga Santos | 1924-1988 | Portuguese | 6 symphonies | |
Benjamin Lees | 1924- | American | ||
Luigi Nono | 1924-1990 | Italian | Avant-garde | |
Luciano Berio | 1925–2003 | Italian | Sequenza; Sinfonia | Avant-garde |
Pierre Boulez | 1925- | French | Le marteau sans maître; ...explosante-fixe... | Avant-garde, serialism, aleatory |
Aldo Clementi | 1925- | Italian | ||
Andrei Yakovlevich Eshpai | 1925- | Russian | ||
Teo Macero | 1925–2008 | American | One and Three Quarters | microtonal, jazz influenced |
Julián Orbón | 1925–1991 | Spanish/Cuban | Three Symphonic Versions | |
Gunther Schuller | 1925– | American | jazz influence | |
Boris Tchaikovsky | 1925–1996 | Russian | 4 symphonies | |
Mikis Theodorakis | 1925- | Greek | ||
Earle Brown | 1926–2002 | American | ||
Morton Feldman | 1926–1987 | American | ||
Carlisle Floyd | 1926- | American | Susannah (opera) | |
Hans Werner Henze | 1926– | German | Ondine (ballet); 10 symphonies; 3 violin concertos | |
Lee Hoiby | 1926– | American | ||
György Kurtág | 1926– | Hungarian | ||
Franco Donatoni | 1927-2000 | Italian | ||
Donald Erb | 1927–2008 | American | Concerto for Trombone and Orchestra; Concerto for Violin and Orchestra | jazz-influenced, aleatory, electronic music, eclectic |
John Joubert | 1927– | British | ||
Tadeusz Baird | 1928–1981 | Polish | ||
Jacob Druckman | 1928–1996 | American | ||
David Farquhar | 1928–2007 | New-Zealander | A Unicorn for Christmas, Ring Round the Moon | neo-classicism |
Nicolas Flagello | 1928-1994 | American | neo-classicism | |
Robert Helps | 1928–2001 | American | ||
Ennio Morricone | 1928- | Italian | ||
Thea Musgrave | 1928- | Scottish | ||
Einojuhani Rautavaara | 1928- | Finnish | Cantus Arcticus; Symphony No. 7: Angel of Light; Piano Concerto No. 3: The Gift of Dreams | Mysticism |
Karlheinz Stockhausen | 1928–2007 | German | Gruppen; Kontakte; Hymnen; Stimmung; Mantra; Tierkreis; Licht | Avant-garde, electronic music, serialism, aleatory, world music, intuitive music, formula composition |
Antonio Braga | 1929– | Italian | ||
Theo Bruins | 1929–1993 | Dutch | ||
George Crumb | 1929– | American | Ancient Voices of Children, Black Angels | Extended technique, Numerology |
Edison Denisov | 1929-1996 | Russian | ||
Frédéric Devreese | 1929– | Belgian | ||
Jerry Goldsmith | 1929– | American | Film and Concert composer | |
Alun Hoddinott | 1929–2008 | Welsh | ||
Kenneth Leighton | 1929–1988 | British | ||
Henri Pousseur | 1929–2009 | Belgian | Scambi; Votre Faust; Trois visages à Liège; Couleurs croisées | serialism, aleatory, eclectic, electronic music, world music, popular music influence |
André Previn | 1929– | German/American | A Streetcar Named Desire (opera) | also a conductor & pianist |
Josef Anton Riedl | 1929- | German | ||
Bogusław Schaeffer | 1929- | Polish | ||
Peter Sculthorpe | 1929- | Australian | Requiem; Kakadu; Earth Cry; Piano Concerto; 17 string quartets | world music |
1930s
Name | Years | Nationality | Notable works | Remarks |
---|---|---|---|---|
Cristóbal Halffter | 1930– | Spanish | Líneas y puntos; Don Quixote | avant-garde, eclectic, electronic music |
Theo Loevendie | 1930- | Dutch | ||
Stephen Sondheim | 1930- | American | Sweeney Todd, The Demon Barber of Fleet Street; A Little Night Music and other operas/operettas | |
William Perry | 1930- | |||
Tōru Takemitsu | 1930-1996 | Japanese | A Flock Descends into the Pentagonal Garden; Toward the Sea | Neo-impressionism |
Sofia Gubaidulina | 1931- | Russian | Offertorium | |
Derek Holman | 1931- | |||
Mauricio Kagel | 1931-2008 | Argentine | Staatstheater | |
André Laporte | 1931– | Belgian | Das Schloss | eclectic |
Arne Nordheim | 1931- | Norwegian | ||
Ib Nørholm | 1931- | Danish | ||
Makoto Shinohara | 1931– | Japanese | Fragmente | electronic music, influence of traditional Japanese music |
Malcolm Williamson | 1931-2003 | Australian | Mass of Christ the King; The Dawn is at Hand; 7 numbered symphonies; cassations | |
Niccolò Castiglioni | 1932-1996 | Italian | ||
Alexander Goehr | 1932– | English (German born) | Behold the Sun Romanza for cello and orchestra | twelve-tone, later modal, eclectic |
Wojciech Kilar | 1932- | Polish | Krzesany; Dracula (film music) | holy minimalism |
Richard Meale | 1932- | Australian | Voss | avant-garde |
Per Nørgård | 1932- | Danish | 7 symphonies; Voyage into the Golden Screen | |
Rodion Shchedrin | 1932- | Russian | ||
Gilles Tremblay | 1932– | Canadian | Sonorisation du Pavillion du Québec; Fleuves | electronic music, serialism |
John Williams | 1932- | American | Jaws (film music); Star Wars (film music) | |
Leonardo Balada | 1933- | Spanish | 6 symphonies; concertos | Avant-garde, later folk-influenced |
Henryk Górecki | 1933- | Polish | Symphony of Sorrowful Songs | holy minimalism |
Bo Linde | 1933-1970 | Swedish | neo-romanticism | |
Krzysztof Penderecki | 1933- | Polish | Threnody for the Victims of Hiroshima; St. Luke Passion; A Polish Requiem; Symphony No. 2: Christmas | avant-garde, extended technique, later neo-romanticism |
Yves Prin | 1933- | French | Neo-impressionism | |
Harrison Birtwistle | 1934- | British | The Mask of Orpheus | |
Peter Maxwell Davies | 1934- | British | Eight Songs for a Mad King; 8 symphonies | |
William Mathias | 1934-1992 | Welsh | 3 symphonies | |
Alfred Schnittke | 1934-1998 | Russian | 10 symphonies, cello sonata, piano quintet, | polystylism, music for films |
Christian Wolff | 1934- | American | ||
Giya Kancheli | 1935- | Georgian | 7 symphonies | holy minimalism |
Helmut Lachenmann | 1935- | German | Schwankungen am Rand; Gran Torso; Das Mädchen mit den Schwefelhölzern (opera) | extended technique |
François-Bernard Mâche | 1935- | French | ||
Nicholas Maw | 1935- | British | Odyssey; The World in the Evening | |
Arvo Pärt | 1935- | Estonian | Tabula Rasa; Fratres; Summa; Cantus In Memoriam Benjamin Britten | holy minimalism |
Terry Riley | 1935- | American | In C | minimalism |
Aulis Sallinen | 1935- | Finnish | 8 symphonies; The King Goes Forth to France (opera) | |
Peter Schat | 1935–2003 | Dutch | ||
La Monte Young | 1935– | American | The Well-Tuned Piano | minimalism, microtonal music, improvisation, Asian-music influence |
Gilbert Amy | 1936– | French | serialism, film music, electronic music; also a noted conductor | |
Richard Rodney Bennett | 1936- | British | ||
Cornelius Cardew | 1936–1981 | British | Treatise; The Great Learning | serialism, improvisation, aleatory |
Frans Geysen | 1936– | Belgian | Periferisch-Diagonaal-Concentrisch; Twee orgels | twelve-tone technique, minimalism, atonal |
Steve Reich | 1936– | American | Piano Phase; Music for 18 Musicians | minimalism |
Aribert Reimann | 1936– | German | ||
Robert Suderburg | 1936– | American | Concerto, Within the Mirror of Time, for piano and orchestra; Chamber Music VII ("Ceremonies") | |
Osvaldas Balakauskas | 1937– | Lithuanian | 5 symphonies; concertos | |
Azio Corghi | 1937- | Italian | Divara - Wasser und Blut (opera) | |
David Del Tredici | 1937- | American | Child Alice | |
Philip Glass | 1937- | American | Violin Concerto; operas; 8 symphonies | minimalism |
Walter Hekster | 1937- | |||
Nikolai Kapustin | 1937- | Russian | ||
Bo Nilsson | 1937- | Swedish | ||
Valentin Silvestrov | 1937- | Ukrainian | Symphony No. 5 | |
Yehuda Yannay | 1937- | American-Israeli | "At the End of the Parade" ; "Radiant Inner Light";Piano Concerto | extended techniques; multimedia; postmodern |
Bart Berman | 1938- | |||
William Bolcom | 1938- | American | Songs of Experience; Songs of Innocence | |
Gloria Coates | 1938- | American | Music on Open Strings; 15 symphonies | |
John Corigliano | 1938- | American | Symphony No. 2; A Dylan Thomas Trilogy; The Red Violin (film music) | polystylism |
Alvin Curran | 1938- | American | For Cornelius; Songs and Views From the Magnetic Garden; Inner Cities | |
John Harbison | 1938- | American | ||
Dianne Goolkasian Rahbee | 1938- | American | ||
Frederic Rzewski | 1938- | American | The People United Will Never Be Defeated! | |
Gregory Short | 1938-1998 | |||
Joan Tower | 1938- | American | Concerto for Orchestra | |
Jan Vriend | 1938- | Dutch | ||
Charles Wuorinen | 1938- | American | Time's Encomium; 8 symphonies; chamber music | twelve-tone technique, serialism |
Louis Andriessen | 1939- | Dutch | minimalism | |
Wendy Carlos | 1939- | |||
Jonathan Harvey | 1939- | British | Mortuos Plango, Vivos Voco; Advaya; Bhakti; Wheel of Emptiness | spectralism |
Heinz Holliger | 1939- | Swiss | Schneewittchen (opera) | |
John McCabe | 1939- | British | ||
Tomas Svoboda | 1939- | Czech | ||
Boris Tishchenko | 1939- | Russian | 7 symphonies | |
Ellen Taaffe Zwilich | 1939- | American | 4 symphonies |
1940s
Name | Years | Nationality | Notable works | Remarks |
---|---|---|---|---|
Octavian Nemescu | 1940- | Romanian | orchestral, chamber, choral, electroacoustic, multimedia, metamusic, imaginary, and ritual works | |
Jorge Peixinho | 1940–1995 | Portuguese | electronic music | |
Frank Zappa | 1940–1993 | American | The Yellow Shark | also an electric guitarist |
Stephen Albert | 1941–1992 | American | Symphony No. 1: Riverrun | Pulitzer Prize winner |
Konrad Boehmer | 1941– | Dutch (born in Germany) | Aspekt, Apocalipsis cum figuris, Doktor Faustus (opera) | serialism, jazz and rock music influence, electronic music |
Paul Alan Levi | 1941– | |||
Emmanuel Nunes | 1941– | Portuguese | Machina Mundi; Quodlibet | electronic music |
Jonathan Kramer | 1942–2004 | American | postmodernism | |
Jon Lord | 1942- | British | Concerto for Group and Orchestra; Durham Concerto | member of Deep Purple |
Paul McCartney | 1942- | British | Ecce Cor Meum | member of Beatles |
John McGuire | 1942– | American | Pulse Music III; A Capella | electronic music, fusion of serialism and minimalism, postminimalism |
Tomás Marco | 1942– | Spanish | Concierto del agua, for guitar and orchestra; 5 symphonies; String Quartet No. 3 ("Anatomía fractal de los ángeles"); Ojos verdes de luna | avant-garde, neoclassical, folk-music influence, eclectic |
Horaţiu Rădulescu | 1942–2008 | Romanian/French | six string quartets | spectralism |
Gavin Bryars | 1943- | |||
Dennis Eberhard | 1943-2005 | American | ||
Margriet Ehlen | 1943- | |||
Brian Ferneyhough | 1943- | British | Etudes Transcendantales | New Complexity |
Rolf Gehlhaar | 1943– | American | Sub rosa; Five German Dances | electronic music, sound installations |
Robin Holloway | 1943- | British | ||
Bill McGlaughlin | 1943- | American | Remembering Icarus; Walt Whitman's Dream | |
Krzysztof Meyer | 1943- | Polish | 12 string quartets | |
Joseph Schwantner | 1943- | American | Aftertones of Infinity; A Sudden Rainbow | |
Roger Smalley | 1943– | Australian (born British) | Pulses; 2 piano concertos | serialism, eclectic |
Ivan Tcherepnin | 1943-1998 | Russian | son of Alexander Tcherepnin | |
Peter Eötvös | 1944– | Hungarian | Love and Other Demons (opera) | eclectic, extended technique, electronic music, folk-music influence |
York Höller | 1944– | German | Schwarze Halbinseln; Der Meister und Margarita (opera) | electronic music, serialism, Gestalt composition |
Karl Jenkins | 1944- | Welsh | The Armed Man; Adiemus | |
Pehr Henrik Nordgren | 1944- | Finnish | ||
Michael Nyman | 1944- | British | The Piano (film music) | Minimalism |
Leif Segerstam | 1944- | Finnish | more than 150 symphonies | also a conductor |
John Tavener | 1944- | British | Holy minimalism | |
Luca Lombardi | 1945– | Italian | ||
Keith Jarrett | 1945- | American | also a jazz pianist | |
John Rutter | 1945- | British | choral music | |
Barry Schrader | 1945- | American | electro-acoustic | |
Michael Finnissy | 1946- | British | New Complexity | |
Gérard Grisey | 1946–1998 | French | Transitoires; Modulations | spectral music |
Ulrich Leyendecker | 1946- | German | 5 symphonies | |
Robert Xavier Rodriguez | 1946- | |||
Pēteris Vasks | 1946- | Latvian | ||
John Coolidge Adams | 1947- | American | Harmonielehre; Nixon in China (opera); Shaker Loops, Short Ride in a Fast Machine; Violin Concerto | Post-minimalism |
John Hilliard | 1947- | |||
Tristan Murail | 1947– | French | Gondwana | spectral music |
Karl Aage Rasmussen | 1947- | Danish | ||
Emil Tabakov | 1947- | Bulgarian | ||
Michael Berkeley | 1948- | British | son of Lennox Berkeley | |
Claude Vivier | 1948–1983 | Canadian | Kopernikus: Rituel de la Mort (opera) | spectral music, Asian-music influence |
Andrew Lloyd Webber | 1948- | British | Cats (musical); Phantom of the Opera (musical) | |
Kalevi Aho | 1949- | Finnish | 14 symphonies | |
Daniel Catan | 1949- | Mexican | Florencia en el Amazonas (opera); Rappaccini's Daughter (opera) | Neo-impressionism |
Dan Locklair | 1949- | American | ||
Christopher Rouse | 1949- | American | Requiem; Karolju; Phantasmata; Gorgon; Oboe Concerto; 2 symphonies | Pulitzer Prize winner |
Poul Ruders | 1949- | Danish | ||
Steven Stucky | 1949- | American | Son et Lumière; Concerto for Orchestra No. 2; Rhapsodies; August 4, 1964 | Pulitzer Prize winner |
Kevin Volans | 1949- | South African | Hunting Gathering |
1950s
Name | Years | Nationality | Notable works | Remarks |
---|---|---|---|---|
Arturo Márquez | 1950- | Mexican | Danzon No. 2 | |
William Sweeney | 1950- | Scottish | folk-influenced | |
Lorenzo Ferrero | 1951- | Italian | ||
Doina Rotaru | 1951- | Romanian | Concerto for clarinet and orchestra (1984),"Florilegium" - Concerto 4 for flute and flutes orchestra (4Picc.8Fl.6Altos,6Bass) (1996), "Wings of Light" for 24 flutists (2000) | Modern |
George Tsontakis | 1951- | American | ||
Oliver Knussen | 1952- | British | Symphony No. 2; Where the Wild Things Are (opera) | |
Philippe Manoury | 1952- | French | 60th Parallel (opera) | |
Dominic Muldowney | 1952- | British | ||
Alla Pavlova | 1952- | Russian | ||
Wolfgang Rihm | 1952- | German | 12 string quartets; Die Eroberung von Mexico (opera) | New Simplicity, expressionism |
Kaija Saariaho | 1952- | Finnish | Orion | |
Peter-Jan Wagemans | 1952- | Dutch | ||
John Luther Adams | 1953- | American | not to be confused with John Coolidge Adams | |
Peter Scott Lewis | 1953- | |||
Wim Mertens | 1953- | Belgian | The belly of an architect (incl. Struggle for pleasure), Maximizing the audience | Minimalism |
Roberto Sierra | 1953- | Puerto Rican | Missa Latina | |
Takashi Yoshimatsu | 1953- | Japanese | Symphony No. 2 | |
John Zorn | 1953- | American | avant-garde | |
Michael Daugherty | 1954- | American | UFO | |
Elliot Goldenthal | 1954- | |||
Pawel Szymanski | 1954- | Polish | ||
Kyle Gann | 1955– | American | Just intonation | |
Toshio Hosokawa | 1955- | Japanese | Circulating Ocean | Neo-impressionism |
Michael Obst | 1955– | German | Solaris (opera) | electronic music |
Bright Sheng | 1955- | Chinese | The Silver River (opera) | folk-influenced |
Dror Elimelech | 1956- | |||
Michael Gordon | 1956- | |||
Philip Grange | 1956- | British | ||
Jouni Kaipainen | 1956- | Finnish | ||
Graham Koehne | 1956- | Australian | Inflight Entertainment (oboe concerto); Tivoli Dances | |
Tan Dun | 1957- | Chinese | Water Passion after St. Matthew; Crouching Tiger, Hidden Dragon (film music) | Extended technique, folk-influenced |
David Lang | 1957- | American | The Little Match Girl Passion | |
Paul Moravec | 1957- | American | Spiritdance; Chamber Symphony; Tempest Fantasy; The Time Gallery | Pulitzer Prize winner |
Oscar van Dillen | 1958- | |||
Magnus Lindberg | 1958- | Finnish | Kraft; Clarinet Concerto | |
Esa-Pekka Salonen | 1958- | Finnish | LA Variations; Insomnia; | also a conductor |
Thomas Simaku | 1958- | |||
Davide Zannoni | 1958- | |||
James MacMillan | 1959- | British | The Sacrifice (opera); Veni veni Emmanuel (percussion concerto); The Confession of Isobel Gowdie; St. John Passion; 3 symphonies | |
Shigeru Kan-no | 1959- | Japanese | Play Station Cycles; Simulation Cycles; 2 Violin Concertos; 3 Piano Concertos; 6 Chamber Symphonies; 6 Concerto Grossi; 7 Operas | also a conductor |
Erkki-Sven Tüür | 1959- | Estonian | 6 symphonies; Violin Concerto; Piano Concerto; Searching for Roots |
1960s
Name | Years | Nationality | Notable works | Remarks |
---|---|---|---|---|
George Benjamin | 1960- | British | ||
Osvaldo Golijov | 1960- | Argentine | Mysticism | |
Alexander Shchetynsky | 1960- | Ukrainian | ||
Mark-Anthony Turnage | 1960- | British | Greek (opera); From All Sides (ballet); Mambo, Blue and Tarantella (violin concerto); From the Wreckage (trumpet concerto); Fractured Lines (percussion concerto); Five Views of a Mouth (flute concerto); A Fast Stomp | |
Unsuk Chin | 1961- | South Korean | Alice in Wonderland (opera); Violin Concerto; snagS&Snarls | |
Jake Heggie | 1961- | American | ||
Hanna Kulenty | 1961- | Polish | Ad Unum, Breathe, The Mother of Black Winged-Dreams (opera), Trumpet Concerto, String Quartet No.4 | |
Erica Muhl | 1961- | American | Consolation | |
Michael Torke | 1961- | American | Javelin; Rapture (percussion concerto) | |
Roman Turovsky | 1961- | Ukranian/American | Tombeau for Omelyan Kovch | historicist-Baroque |
Graham Waterhouse | 1962- | British | ||
Jennifer Higdon | 1962- | American | ||
Alexander Kaloian | 1962- | Armenian | ||
Andersen Viana | 1962- | Brazilian | ||
Edson Zampronha | 1963- | Brazilian | Lamenti, Recycling Collaging Sampling, Concert for Piano N.1, Modelagem X-a | |
Luca Belcastro | 1964- | Italian | ||
Boris Böhmann | 1964- | German | also a conductor | |
Georgia Spiropoulos | 1965- | Greek | Klama, for mixed choir & live electronics | Avant-garde |
Mats Wendt | 1965- | Swedish | Eddan - The Invincible Sword of the Elf-Smith | |
Roberto Carnevale | 1966- | Italian | Linae (1992-1995) | |
Juan J. Colomer | 1966- | Spanish | La complicidad del espectro | |
John Psathas | 1966- | New Zealand | music for the Olympic - Athens 2004 for full orchestra and choir | |
Andreas Kunstein | 1967- | Dutch | ||
Olga Neuwirth | 1968– | Austrian | Lost Highway | avant-garde |
Roxanna Panufnik | 1968- | British | daughter of Andrzej Panufnik | |
Pierre Kolp | 1969- | Belgian | avant-garde |
1970s
Name | Years | Nationality | Notable works | Remarks |
---|---|---|---|---|
Daniel Felsenfeld | 1970– | United States | Insomnia Redux | |
Fazil Say | 1970– | Turkish | ||
Michel van der Aa | 1970– | Dutch | After Life (opera) | |
Thomas Adès | 1971– | British | Powder Her Face (opera); Asyla; The Tempest (opera); Traced Overhead | |
Michael Hersch | 1971- | United States | Symphony No. 1; Fracta; Arraché | |
Jimmy Lopez | 1978– | Peruvian | Fiesta! (orchestra) | |
Pawel Mykietyn | 1971- | Polish | ||
Hiba Kawas | 1972- | Lebanese | ||
André Ristic | 1972- | Canadian | ||
Lera Auerbach | 1973– | Russian | ||
J. Ryan Garber | 1973- | United States | Parabolisms; Resonances | |
Mehdi Hosseini | 1979- | Iranian | Symphony of Monody; Baluch |
1980s
Name | Years | Nationality | Notable works | Remarks |
---|---|---|---|---|
William Barton | 1981– | Australian | Kalkadungu (jointly composed with Matthew Hudson) | |
Edward Manukyan | 1981– | Armenian | Concerto for Piano and Orchestra | |
Nico Muhly | 1981- | American | Mothertongue | |
Richard Zarou | 1981- | American | "In From the Rain" | |
Gilad Hochman | 1982- | Israeli | "Slightly Disturbed" - monodrama for clarinet, violin and cello | |
Alexander MacDonald | 1987- | Canadian | Quatre Esquisses Canadiennes pour clarinette et piano |
1990s
Name | Years | Nationality | Notable works | Remarks |
---|---|---|---|---|
Jay Greenberg | 1991– | American | five symphonies, Violin Concerto |
See also
This list of songs or music-related items is incomplete; you can help by adding missing items. (August 2008) |