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In linguistics, a grapheme is the smallest unit of a writing system of any given language. An individual grapheme may or may not carry meaning by itself, and may or may not correspond to a single phoneme of the spoken language. Graphemes include alphabetic letters, typographic ligatures, Chinese characters, numerical digits, punctuation marks, and other individual symbols.
The word grapheme, coined in analogy with phoneme, is derived from Greek γράφω (gráphō), meaning "write", and the suffix -eme, by analogy with phoneme and other names of emic units. The study of graphemes is called graphemics.
The concept of graphemes is an abstract one and similar to the notion in computing of a character. By comparison, a specific shape that represents any particular grapheme in a specific typeface is called a glyph. For example, the grapheme corresponding to the abstract concept of "the Arabic numeral one" has two distinct glyphs (allographs) in the fonts Times New Roman and Helvetica.
Graphemes are often notated within angle brackets, as ⟨a⟩, ⟨B⟩, etc. This is analogous to the slash notation (/a/, /b/) used for phonemes, and the square bracket notation used for phonetic transcriptions ([a], [b]).
In the same way that the surface forms of phonemes are speech sounds or phones (and different phones representing the same phoneme are called allophones), the surface forms of graphemes are glyphs (sometimes "graphs"), namely concrete written representations of symbols, and different glyphs representing the same grapheme are called allographs. Hence a grapheme can be regarded as an abstraction of a collection of glyphs that are all semantically equivalent.
For example, in written English (or other languages using the Latin alphabet), there are many different physical representations of the lowercase letter "a", such as a, ɑ, etc. But because the substitution of any of these for any other cannot change the meaning of a word, they are considered to be allographs of the same grapheme, which can be written ⟨a⟩. Italic and bold face are also allographic.
There is some disagreement as to whether capital and lower-case letters are allographs or distinct graphemes. Capitals are generally found in certain triggering contexts which do not change the word: When used as a proper name, for example, or at the beginning of a sentence, or all caps in a newspaper headline. Some linguists consider digraphs like the ⟨sh⟩ in ship to be distinct graphemes, but these are generally analyzed as sequences of graphemes. Ligatures, however, such as ⟨æ⟩, are distinct graphemes, as are various letters with distinctive diacritics, such as ⟨ç⟩.
Types of graphemes
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The principal types of phonographic graphemes are logograms, which represent words or morphemes (for example Chinese characters, the ampersand "&" representing the word and, Arabic numerals); syllabic characters, representing syllables (as in Japanese kana); and alphabetic letters, corresponding roughly to phonemes (see next section). For a full discussion of the different types, see Writing system § Functional classification.
Not all graphemes are phonographic (write sounds). There are additional graphemic components used in writing, such as punctuation marks, mathematical symbols, word dividers such as the space, and other typographic symbols.
Relationship between graphemes and phonemes
As mentioned in the previous section, in languages that use alphabetic writing systems, many of the graphemes stand in principle for the phonemes (significant sounds) of the language. In practice, however, the orthographies of such languages entail at least a certain amount of deviation from the ideal of exact grapheme–phoneme correspondence. A phoneme may be represented by a multigraph (sequence of more than one grapheme), as the digraph sh represents a single sound in English (and sometimes a single grapheme may represent more than one phoneme, as with the Russian letter я). Some graphemes may not represent any sound at all (like the b in English debt or the h in all Spanish words containing the said letter), and often the rules of correspondence between graphemes and phonemes become complex or irregular, particularly as a result of historical sound changes that are not necessarily reflected in spelling. "Shallow" orthographies such as those of standard Spanish and Finnish have relatively regular (though not always one-to-one) correspondence between graphemes and phonemes, while those of French and English have much less regular correspondence, and are known as deep orthographies.
Multigraphs representing a single phoneme are normally treated as combinations of separate letters, not as graphemes in their own right. However, in some languages a multigraph may be treated as a single unit for the purposes of collation; for example, in a Czech dictionary, the section for words that start with ⟨ch⟩ comes after that for ⟨h⟩. For more examples, see Alphabetical order § Language-specific conventions.
- Conversion of scripts
- Character (computing)
- Grapheme–color synesthesia
- Grapheme–color ideasthesia
- Sign (semiotics)
- Coulmas, F. (1996), The Blackwell's Encyclopedia of Writing Systems, Oxford: Blackwells, p.174
- The Cambridge Encyclopedia of Language, second edition, Cambridge University Press, 1997, p. 196
- Zeman, Dan. "Czech Alphabet, Code Page, Keyboard, and Sorting Order". Old-site.clsp.jhu.edu. Retrieved 31 March 2012.
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