- For the film based on the character, see Krampus (film)
In German-speaking Alpine folklore, Krampus is a horned, anthropomorphic figure. According to traditional narratives around the figure, Krampus punishes children during the Christmas season who have misbehaved, in contrast with Saint Nicholas, who rewards well-behaved ones with gifts. Regions in the Austrian diaspora feature similar figures and, more widely, Krampus is one of a number of Companions of Saint Nicholas in regions of Europe. The origin of the figure is unclear; some folklorists and anthropologists have postulated a pre-Christian origin for the figure (see Germanic paganism).
Traditional parades in which young men dress as Krampus, such as the Krampuslauf (English: Krampus run), occur annually in some Alpine towns. Krampus is featured on holiday greeting cards called Krampuskarten.
The history of the Krampus figure has been theorized as stretching back to pre-Christian traditions. In a brief article discussing the figure, published in 1958, Maurice Bruce wrote:
There seems to be little doubt as to his true identity for, in no other form is the full regalia of the Horned God of the Witches so well preserved. The birch—apart from its phallic significance—may have a connection with the initiation rites of certain witch-covens; rites which entailed binding and scourging as a form of mock-death. The chains could have been introduced in a Christian attempt to 'bind the Devil' but again they could be a remnant of pagan initiation rites.
The Saint Nicholas festival we are describing incorporates cultural elements widely distributed in Europe, in some cases going back to pre-Christian times. Nicholas himself became popular in Germany around the eleventh century. The feast dedicated to this patron of children is only one winter occasion in which children are the objects of special attention, others being Martinmas, the Feast of the Holy Innocents, and New Year's Day. Masked devils acting boisterously and making nuisances of themselves are known in Germany since at least the sixteenth century while animal masked devils combining dreadful-comic (schauriglustig) antics appeared in Medieval church plays. A large literature, much of it by European folklorists, bears on these subjects. ... Austrians in the community we studied are quite aware of "heathen" elements being blended with Christian elements in the Saint Nicholas customs and in other traditional winter ceremonies. They believe Krampus derives from a pagan supernatural who was assimilated to the Christian devil.
The Krampus figures persisted, and by the 17th century Krampus had been incorporated into Christian winter celebrations by pairing Krampus with St Nicholas.
In the 20th century, Austrian governments discouraged the practice[clarification needed]. In the aftermath of the 1934 Austrian Civil War, the Krampus tradition was prohibited by the Dollfuss regime under the Fatherland's Front (Vaterländische Front) and the Christian Social Party. In the 1950s, the government distributed pamphlets titled "Krampus is an Evil Man". Towards the end of the century, a popular resurgence of Krampus celebrations occurred and continues today. The Krampus tradition is being revived in Bavaria as well, along with a local artistic tradition of hand-carved wooden masks. There has been public debate in Austria in modern times about whether Krampus is appropriate for children.
Although Krampus appears in many variations, most share some common physical characteristics. He is hairy, usually brown or black, and has the cloven hooves and horns of a goat. His long-pointed tongue lolls out.
Krampus carries chains, thought to symbolize the binding of the Devil by the Christian Church. He thrashes the chains for dramatic effect. The chains are sometimes accompanied with bells of various sizes. Of more pagan origins are the ruten, bundles of birch branches that Krampus carries and occasionally swats children with. The ruten have significance in pre-Christian pagan initiation rites. The birch branches are replaced with a whip in some representations. Sometimes Krampus appears with a sack or a washtub strapped to his back; this is to cart off evil children for drowning, eating, or transport to Hell. Some of the older versions make mention of naughty children being put in the bag and being taken. This part of the legend refers to the times that the Moors raided the European coasts, and as far as Iceland, to abduct the local people into slavery. This quality can be found in other Companions of Saint Nicholas such as Zwarte Piet.
The Feast of St. Nicholas is celebrated in parts of Europe on 6 December. In Alpine countries, Saint Nicholas has a devilish companion named Krampus On the preceding evening of December 5th, Krampus Night or Krampusnacht, the wicked hairy devil appears on the streets. Sometimes accompanying St Nicholas and sometimes on his own, Krampus visits homes and businesses. The Saint usually appears in the Eastern Rite vestments of a bishop, and he carries a ceremonial staff. Unlike North American versions of Santa Claus, in these celebrations Saint Nicholas concerns himself only with the good children, while Krampus is responsible for the bad. Nicholas dispenses gifts, while Krampus supplies coal and the ruten bundles.
A Krampuslauf is a run of celebrants dressed as the beast, often fueled by alcohol. It is customary to offer a Krampus schnapps, a strong distilled fruit brandy. These runs may include perchten, similarly wild pagan spirits of Germanic folklore and sometimes female in representation, although the perchten are properly associated with the period between winter solstice and 6 January.
Europeans have been exchanging greeting cards featuring Krampus since the 1800s. Sometimes introduced with Gruß vom Krampus (Greetings from the Krampus), the cards usually have humorous rhymes and poems. Krampus is often featured looming menacingly over children. He is also shown as having one human foot and one cloven hoof. In some, Krampus has sexual overtones; he is pictured pursuing buxom women. Over time, the representation of Krampus in the cards has changed; older versions have a more frightening Krampus, while modern versions have a cuter, more Cupid-like creature. Krampus has also adorned postcards and candy containers.
In Styria, the Ruten bundles are presented by Krampus to families. The twigs are painted gold and displayed year-round in the house—a reminder to any child who has temporarily forgotten Krampus. In smaller, more isolated villages, the figure has other beastly companions, such as the antlered "wild man" figures, and St Nicholas is nowhere to be seen. These Styrian companions of Krampus are called Schabmänner or Rauhen.
A toned-down version of Krampus is part of the popular Christmas markets in Austrian urban centres like Salzburg. In these, more tourist-friendly interpretations, Krampus is more humorous than fearsome.
North American Krampus celebrations, though rare, are a growing phenomenon.
Similar figures are recorded in neighboring areas. Klaubauf Austria, while Bartl or Bartel, Niglobartl, and Wubartl are used in the southern part of the country. In most parts of Slovenia, whose culture was greatly affected by Austrian culture, Krampus is called parkelj and is one of the companions of Miklavž, the Slovenian form of St. Nicholas.
In popular culture
The album cover for Random Spirit Lover, a 2007 album by indie band Sunset Rubdown, features a picture of Krampus. Spencer Krug stated, in an interview with Pitchfork Media, that the Krampus image was placed there because "he represents the sort of duality that's a theme on the record, the two sides of every thing."
- Pre-Christian Alpine traditions
- Namahage, similar tradition in Japan
- Joulupukki and nuuttipukki, Finnish traditions
- Yule Goat
- Chimera (Mythology)
- Bruce, Maurice (March 1958). "The Krampus in Styria". Folklore 69 (1): 44–47. doi:10.1080/0015587X.1958.9717121.
- Honigmann, John J (Autumn 1977). "The Masked Face". Ethos (Wiley (on behalf of the American Anthropological Association) 5 (3): 263–80.
- "Run, Kris Kringle, Krampus is Coming!". Der Spiegel. Retrieved 17 December 2011.
- "Krampus disliked in Fascist Austria; Genial Black and Red Devil, Symbol of Christmas Fun, Is Frowned Upon". The New York Times. 23 December 1934.
- "Throw Out Krampus". Time. 7 December 1953. p. 41. Retrieved 18 December 2011.
- Silver, Marc (30 November 2009). "Merry Krampus?". NGM Blog Central. National Geographic Society. Retrieved 17 December 2011.[dead link]
- Erik Olsen, "In Bavaria, Krampus Catches the Naughty." New York Times, 21 December 2014.
- Alexandra, Zawadil (6 December 2006). "Santa's evil sidekick? Who knew?". Reuters.
- Zeller, Tom (24 December 2000). "Have a Very Scary Christmas". The New York Times.
- Gatzke, Gretchen (1 December 2009). "Krampus? Who's That?". The Vienna Review. Retrieved 17 December 2011.
- Christian Slaves, Muslim Masters: White Slavery in the Mediterranean, the Barbary Coast, and Italy, 1500-1800, Robert Davis, 2004
- "Horror for the Holidays: Meet the Anti Santa". National Public Radio. Retrieved 22 December 2011.
- Siefker, Phyllis (1997). Santa Claus, last of the Wild Men: the origins and evolution of Saint Nicholas. Jefferson, North Carolina: McFarland and Co. pp. 155–159. ISBN 0-7864-0246-6.
- Beauchamp, Monte (2004). The Devil in Design: The Krampus Postcards. Seattle, Washington: Fantagraphics. pp. 14–29, 32. ISBN 1-56097-542-3.
- Apkarian-Russell, Pamela (2001). Postmarked yesteryear: art of the holiday postcard. Portland, Oregon: Collectors Press. p. 136. ISBN 1-888054-54-9.
- Haid, Oliver (2006). "Christmas markets in the Tyrolean Alps: Representing regional traditions in a newly created world of Christmas". In David Picard, Mike Robinson. Festivals, tourism and social change: remaking worlds. Buffalo, New York: Channel View Publications. pp. 216–19. ISBN 978-1-84541-048-3.
- Crimmins, Peter (10 December 2011). "Horror for the Holidays: Meet the Anti-Santa". National Public Radio.
- Miles, Clement A. (1912). "VIII". Christmas in ritual and tradition: Christian and Pagan. Toronto: Bell and Cockburn. pp. 227–29. ISBN 0-665-81125-X.
- Interviews: Sunset Rubdown
|Wikimedia Commons has media related to Krampus.|
- Bruce, Maurice (1958). "The Krampus in Styria". Folklore 69: 45. doi:10.1080/0015587X.1958.9717121.
- Honigmann, John J. (1977). "The Masked Face". Ethos 5 (3): 263. doi:10.1525/eth.1977.5.3.02a00020.
- Roncero, Miguel. "Trailing the Krampus", Vienna Review, 2 December 2013