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J. K. Rowling

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J. K. Rowling

Rowling in 2010
Rowling in 2010
BornJoanne Rowling
(1965-07-31) 31 July 1965 (age 58)
Yate, Gloucestershire, England
Pen name
  • J. K. Rowling
  • Robert Galbraith
Occupation
  • Author
  • philanthropist
  • film producer
  • television producer
  • screenwriter
Alma materUniversity of Exeter
Moray House
Period1997–present
Genre
Notable works
Spouse
  • Jorge Arantes
    (m. 1992; div. 1995)
  • Neil Murray
    (m. 2001)
Children3
Signature
Website
jkrowling.com

Joanne Rowling, CH, OBE, HonFRSE, FRCPE, FRSL (/ˈrlɪŋ/ ROH-ling;[1] born 31 July 1965), known by her pen name J. K. Rowling, is a British author, philanthropist, film producer, and screenwriter. She is the author of the Harry Potter series, which has won multiple awards and sold more than 500 million copies as of 2018,[2] and became the best-selling book children's series in history in 2008.[3] The books are the basis of a popular film series. She also writes crime fiction under the pen name Robert Galbraith.

Born in Yate, Gloucestershire, Rowling was working as a researcher and bilingual secretary for Amnesty International in 1990 when she conceived the idea for the Harry Potter series while on a delayed train from Manchester to London. The seven-year period that followed saw the death of her mother, birth of her first child, divorce from her first husband, and relative poverty until the first novel in the series, Harry Potter and the Philosopher's Stone, was published in 1997. There were six sequels, of which the last was released in 2007. Since then, Rowling has written several books for adult readers: The Casual Vacancy (2012) and—under the pseudonym Robert Galbraith—the crime fiction Cormoran Strike series. In 2020, her "political fairytale" for children, The Ickabog, was released in instalments in an online version.[4]

Rowling has lived a "rags to riches" life in which she progressed from living on benefits to being named the world's first billionaire author by Forbes.[5] Rowling disputed the assertion, saying she was not a billionaire.[6] Forbes reported that she lost her billionaire status after giving away much of her earnings to charity.[7] Her UK sales total in excess of £238 million, making her the best-selling living author in Britain.[8] The 2021 Sunday Times Rich List estimated Rowling's fortune at £820 million, ranking her as the 196th richest person in the UK.[9] Rowling was appointed a member of the Order of the Companions of Honour (CH) in the 2017 Birthday Honours for services to literature and philanthropy. She established the Volant Charitable Trust to support at-risk women, children and young people and has supported multiple charities, including Comic Relief, Gingerbread, and multiple sclerosis (MS) and coronavirus disease 2019 causes as well as launching her own charity, Lumos.

Time named her a runner-up for its 2007 Person of the Year, noting the social, moral, and political inspiration she has given her fans.[10] In October 2010, she was named the "Most Influential Woman in Britain" by leading magazine editors.[11] Rowling has voiced views on UK politics, especially in opposition to Scottish independence and Brexit, and has been critical of her relationship with the press. Since late 2019, she has publicly expressed her opinions on transgender people and related civil rights. These have been criticised as transphobic by LGBT rights organisations and some feminists, but have received support from other feminists and individuals.

Name

Although she writes under the pen name J. K. Rowling, before her remarriage her name was Joanne Rowling,[12] or Jo.[13][14] Staff at Bloomsbury Publishing asked that she use two initials rather than her full name, anticipating that young boys—their target audience—would not want to read a book written by a woman.[12][15] As she had no middle name, she chose K (for Kathleen) as the second initial of her pen name, from her paternal grandmother.[12] Following her 2001 remarriage,[16] she has sometimes used the name Joanne Murray when conducting personal business.[17][18] During the Leveson Inquiry into the practices and ethics of the British press, she gave evidence under the name of Joanne Kathleen Rowling[19] and her entry in Who's Who lists her name also as Joanne Kathleen Rowling.[20]

Life and career

Early life and education

A sign reading "Platform 9¾" with half of a luggage trolley installed beneath, at the interior of King's Cross railway station.
Rowling's parents met on a train from King's Cross Station.

Joanne Rowling was born on 31 July 1965[21] in Yate, Gloucestershire,[22][23] to Anne (née Volant), a science technician, and Peter James Rowling, a Rolls-Royce engineer.[24][25] Her parents first met on a train departing from King's Cross Station bound for Arbroath in 1964.[26] They married on 14 March 1965.[26] Rowling's sister Dianne was born two years after Joanne.[26][27]

The family moved to the nearby village of Winterbourne on the northern fringe of Bristol when Rowling was four.[28] Rowling enrolled at St Michael's Primary School in Winterbourne when she was five.[29][30][a] The family moved again, to the Gloucestershire village of Tutshill, close to Chepstow, Wales, when she was about nine,[33] where they purchased the historic Church Cottage,[b] which was next door to St. Luke's Church, and 20 yards (18 m) from the Church of England school Rowling would attend beginning in 1974.[35] Parker writes in The New Yorker that the other Rowling family members were not regular churchgoers, but that "Rowling regularly attended services in the church next door".[24] Biographer Smith writes that the Rowling sisters "never attended Sunday school or services" despite the church's proximity.[36]

When she was a young teenager, her great-aunt gave Rowling a copy of the autobiography of civil rights activist Jessica Mitford, Hons and Rebels.[37] Mitford became Rowling's heroine, and she read all her books.[38] Rowling has said that her teenage years were unhappy.[24] Her home life was complicated by her mother's diagnosis with multiple sclerosis (MS)[39] and a strained relationship with her father, with whom she is not on speaking terms.[24] She stated in 2020 that her father would have preferred a son, and described herself as having severe obsessive–compulsive disorder in her teens.[40] She later said that Hermione Granger was a "caricature" of herself when she was eleven.[41]

Her secondary school was Wyedean School and College, where her mother worked in the science department.[42] Sean Harris, her best friend in the Upper Sixth, owned a turquoise Ford Anglia which she says inspired a flying version that appeared in Harry Potter and the Chamber of Secrets.[43] Like many teenagers, she became interested in rock music, listening to the Clash,[44] the Smiths, and Siouxsie Sioux, adopting the look of the latter with back-combed hair and black eyeliner, a look that she still sported when beginning university.[26] Steve Eddy, her first secondary school English teacher, remembers her as "not exceptional" but "one of a group of girls who were bright, and quite good at English".[24] Rowling took A-levels in English, French and German, achieving two As and a B[26] and was head girl.[24]

Rowling's childhood home, Church Cottage, Tutshill, Gloucestershire

Rowling earned a BA in French and classics at the University of Exeter.[45][46] Martin Sorrell, a French professor at Exeter, remembers "a quietly competent student, with a denim jacket and dark hair, who, in academic terms, gave the appearance of doing what was necessary".[24] Rowling recalls doing little work, preferring to read Dickens and Tolkien.[24] After a year of study in Paris, she graduated from Exeter in 1986.[24]

Inspiration and single parenthood

Rowling worked as a researcher and bilingual secretary in London for Amnesty International,[47] then moved with her boyfriend to Manchester[48] where she worked at the Chamber of Commerce.[26] In 1990, she was on a four-hour delayed train trip from Manchester to London when the characters Harry Potter, Ron Weasley, and Hermione Granger "came fully formed" into her mind.[23][49] When she reached her Clapham Junction flat, she began to write.[50]

In December 1990, Rowling's mother Anne died after suffering from MS for ten years.[23] Rowling was writing Harry Potter at the time and had never told her mother about it.[18] Her mother's death heavily affected Rowling's writing.[18]

A panned out image of city buildings.
Rowling moved to Porto to teach English.

An advertisement in The Guardian[26] led Rowling to move to Porto, Portugal, to teach English as a foreign language.[51][38] As she taught in the evenings, she wrote during the day, initially while listening to Tchaikovsky's Violin Concerto.[24] After 18 months in Porto, she met the Portuguese television journalist Jorge Arantes in a bar and found that they shared an interest in Jane Austen.[26] They married on 16 October 1992, and their daughter Jessica Isabel Rowling Arantes was born on 27 July 1993 in Portugal.[26][c] She had previously suffered a miscarriage.[26] The couple separated on 17 November 1993.[26] Biographers have suggested that Rowling suffered domestic abuse during her marriage,[26][53] which she later confirmed.[54] Arantes stated in an article for The Sun in June 2020 that he had slapped her and did not regret it.[55] In December 1993, with three chapters of Harry Potter in her suitcase,[24] Rowling and her daughter moved to Edinburgh, Scotland, to be near her sister.[23]

Seven years after graduating from university, Rowling saw herself as a failure.[56] Her marriage had failed, and she was jobless with a dependent child, but she described her failure as "liberating" and allowing her to focus on writing.[56] During this period, she was diagnosed with clinical depression and contemplated suicide.[57] Her depression inspired the characters known as Dementors, soul-sucking creatures introduced in the third book.[58] She signed up for welfare benefits, describing her economic status as being "poor as it is possible to be in modern Britain, without being homeless".[24][56]

Arantes arrived in Scotland in March 1994 seeking both her and their daughter.[26] She obtained an order of restraint against him and filed for divorce in August; Arantes later returned to Portugal.[26] She began a teacher training course in August 1995 at Moray House School of Education, part of the University of Edinburgh,[59] after completing her first novel while living on state benefits.[60] She often wrote in cafés, including one owned by her brother-in-law.[61][62]

Harry Potter

Rowling at the US National Press Club, 1999

Rowling had finished her manuscript for Harry Potter and the Philosopher's Stone, which she wrote on a typewriter, by June 1995.[63] Upon the enthusiastic response of Bryony Evans, a reader who had been asked to review the book's first three chapters,[64] the Fulham-based Christopher Little Literary Agency agreed to represent Rowling in her quest for a publisher. The book was submitted to twelve publishing houses, all of which rejected the manuscript.[26] A year later, Barry Cunningham, who ran the children's literature department at Bloomsbury Publishing, agreed to buy the manuscript and gave Rowling a £1,500 advance.[26][65][66] The decision to publish Rowling's book owes much to Alice Newton, the eight-year-old daughter of Bloomsbury's chairman, who was given the first chapter to review by her father and immediately demanded the next.[67] Although Bloomsbury agreed to publish the book, Cunningham says that he advised Rowling to get a day job, since she had little chance of making money in children's books.[68] Rowling received grants in 1996 and 1997 from the Scottish Arts Council to support writing Philosopher's Stone and Chamber of Secrets, respectively.[69][70] In June 1997, Bloomsbury published Philosopher's Stone with an initial print run of 500 copies.[71][72]

Scholastic Corporation bought the American rights to Philosopher's Stone for US$105,000 at the Bologna Children's Book Fair in April 1997.[73] Rowling said that she "nearly died" when she heard the news.[74] Arthur A. Levine, who ran the imprint at Scholastic that published the first book, pushed for a name change. He argued for Harry Potter and the School of Magic and Rowling suggested Sorcerer's Stone as a "compromise".[75] She bought an apartment in Edinburgh using money from the sale to Scholastic.[76] Scholastic published Harry Potter and the Sorcerer's Stone in September 1998.[77] It was not widely reviewed, but publications that did review Sorcerer's Stone spoke well of it.[78] Sorcerer's Stone became a New York Times bestseller by December.[79]

Philosopher's Stone's sequel, Harry Potter and the Chamber of Secrets, was published in July 1998. In December 1999, the third novel, Harry Potter and the Prisoner of Azkaban, won the Nestlé Smarties Book Prize, making Rowling the first person to win the award three times running.[80]

Queue in a Californian bookshop, five minutes before the official publication time of Harry Potter and the Deathly Hallows

The fourth book, Harry Potter and the Goblet of Fire, was released simultaneously in the UK and the US on 8 July 2000 and broke sales records in both countries.[81] Rowling said that she had had a crisis while writing the novel and had to rewrite one chapter thirteen times to fix a problem with the plot.[82] Three years elapsed between the release of Goblet of Fire and the fifth Harry Potter novel, Harry Potter and the Order of the Phoenix. Rowling later denied speculation that she had developed writer's block.[83] She said that writing the book was a chore, that it could have been shorter, and that she ran out of time and energy as she tried to finish it.[84] The sixth book, Harry Potter and the Half-Blood Prince, was released on 16 July 2005. It too broke sales records.[85] The seventh and final Harry Potter book, Harry Potter and the Deathly Hallows, was released on 21 July 2007[86] and broke its predecessor's record as the fastest-selling book of all time.[87] The book's last chapter was one of the earliest pieces she wrote in the entire series.[88]

The last four Harry Potter books have consecutively set records as the fastest-selling books in history.[87][89] The series, totalling 4,195 pages,[90] has been translated, in whole or in part, into 65 languages.[91] As of February 2018, it had sold more than 500 million copies.[2]

Harry Potter films

Around October 1998, Warner Bros. purchased film rights to the first two novels for a "seven-figure sum".[92] David Heyman managed the sale.[93] Rowling turned down Warner Bros.'s original offer, mainly because it did not specify that Warner Bros. could not make Harry Potter films that were not based on her novels.[94] The studio eventually agreed to include such a clause and Rowling sold Warner Bros. an 18-month option to produce films based on the books.[95]

Harry Potter and the Philosopher's Stone, an adaptation of the first Harry Potter book, was released on 16 November 2001.[96] The series's final instalment, Harry Potter and the Deathly Hallows, was adapted in two parts. Part one was released on 19 November 2010 and part two followed on 15 July 2011.[97][98] At the 2011 British Academy Film Awards, Rowling, producers David Heyman and David Barron, along with directors David Yates, Mike Newell, and Alfonso Cuarón, collected the Michael Balcon Award for Outstanding British Contribution to Cinema for the Harry Potter film franchise.[99]

Steve Kloves wrote the screenplays for all but the fifth film.[100] Rowling assisted him in the writing process, ensuring that his scripts did not contradict future books in the series.[101] Rowling gained some creative control over the films, reviewing all the scripts[102] as well as acting as a producer on the final two-part instalment, Deathly Hallows.[103] She stipulated that cast members should come only from the UK or Ireland;[104] the films have adhered to that rule.[105] She also requested that Coca-Cola, which won rights to tie in its products to the film series, donate to charity and run ads celebrating reading.[106][107]

In September 2013, Warner Bros. announced an "expanded creative partnership" with Rowling, based on a planned series of films about her character Newt Scamander, author of Fantastic Beasts and Where to Find Them. The first film was released in November 2016 and is set roughly 70 years before the events of the main series.[108] In 2016, it was announced that the series would consist of five films. The second, Fantastic Beasts: The Crimes of Grindelwald, was released in November 2018.[109] The third, Fantastic Beasts: The Secrets of Dumbledore is scheduled to be released on 15 April 2022.[110]

Remarriage and wealth

Rowling acquired the courtesy title of laird of Killiechassie in 2001 when she bought Killiechassie House and its surrounding estate.[111][112] She also owns a £4.5 million Georgian house in Kensington.[113] She married Neil Murray, a doctor, in a private ceremony at Killiechassie House on 26 December 2001.[114][16] Their son, David Gordon Rowling Murray, was born in 2003.[115] Her daughter Mackenzie Jean Rowling Murray, to whom she dedicated Harry Potter and the Half-Blood Prince, was born in 2005.[116]

In 2004, Forbes named Rowling as the first person to become a US-dollar billionaire by writing books,[117] the second-richest female entertainer and the 1,062nd richest person in the world.[118][119] Rowling denied that she was a billionaire.[6] By 2012, Forbes concluded that Rowling was no longer a billionaire.[120] The 2021 Sunday Times Rich List estimated Rowling's fortune at £820 million, ranking her as the 196th-richest person in the UK.[9]

Rowling has consistently been ranked among the highest earning authors in the world.[121] She was named the world's highest paid author in 2017 and 2019 by Forbes with net earnings of £72 million ($95 million) and $92 million respectively.[122][123]

The Casual Vacancy

In mid-2011, Rowling moved to a new literary agency headed by Neil Blair.[124] Blair had been Rowling's agent at the Christopher Little Literary Agency and she joined him when he left.[125] The Casual Vacancy, Rowling's first book for adults and her first after the Harry Potter series ended in 2007,[126] was published on 27 September 2012 by Little, Brown and Company.[126][127] Blair's agency, the Blair Partnership, represented Rowling when the book went to market.[128] It was a bestseller in the UK in the first weeks of its release.[129] The novel received some positive, some middling, and some negative reviews.[130]

Casual Vacancy became a miniseries with three one-hour episodes.[131] Sarah Phelps wrote the television adaptation, which was co-created by the BBC and HBO.[132] Rowling was credited as a producer.[133] According to HBO, Rowling had little creative input on the adaptation.[134]

Cormoran Strike

In April 2013, Little Brown published The Cuckoo's Calling, the purported début novel of author Robert Galbraith.[135] The novel, a detective story in which private investigator Cormoran Strike unravels the supposed suicide of a supermodel, initially sold 1,500 copies in hardback.[136] On Twitter, a user called Jude Callegari told India Knight that "Robert Galbraith" was Rowling.[137] Richard Brooks, arts editor of The Sunday Times, eventually contacted Rowling's agent, who confirmed Galbraith was Rowling's pseudonym.[138] Rowling later said she enjoyed working as Robert Galbraith.[139] She took the name from Robert F. Kennedy, a personal hero, and Ella Galbraith, a name she had invented for herself in childhood.[140]

Within days of the revelation, sales of Cuckoo's Calling rose by 4,000%,[137] and Little Brown printed another 140,000 copies to meet demand.[141] It turned out that Judith "Jude" Callegari was the best friend of the wife of Chris Gossage, a partner at Russells Solicitors, Rowling's law firm.[142][143] Russells apologised for the leak, confirming it was not part of a marketing stunt.[141] The Silkworm, the second Cormoran Strike novel, was released in 2014.[144] Career of Evil (October 2015);[145] Lethal White (18 September 2018);[146] and Troubled Blood (September 2020) followed.[147]

In 2017, the BBC released a Cormoran Strike television series, starring Tom Burke as Cormoran Strike. The series was picked up by HBO for distribution in the United States and Canada.[148]

Later Harry Potter publications

Harry Potter and the Cursed Child at the Palace Theatre in the West End

Although Rowling stated in 2007 that she planned to write an encyclopaedia of Harry Potter's wizarding world consisting of unpublished material and notes,[149] she later said, "... I haven't started writing it. I never said it was the next thing I'd do."[150]

Rowling launched a website called Pottermore in 2011 to host Harry Potter projects and electronic downloads.[151] The site includes information on characters, places and objects in the Harry Potter universe.[152]

In October 2015, Rowling announced that a two-part play she had co-authored with playwrights Jack Thorne and John Tiffany, Harry Potter and the Cursed Child, was the "eighth Harry Potter story" and that it would focus on the life of Harry Potter's youngest son Albus after the epilogue of Harry Potter and the Deathly Hallows.[153] The first round of tickets sold out in several hours.[154] At Cursed Child's premiere in London, Rowling confirmed that she would not write any more Harry Potter books.[155]

Children's stories: The Ickabog and The Christmas Pig

Between 26 May 2020 and 10 July 2020, Rowling published an online children's story, The Ickabog. Rowling shelved the story that she had planned to release in 2007, previously referred to as a "political fairytale", and published it instead in daily online installments for children[4] as a response to the lockdown during the COVID-19 pandemic.[156][157] Royalties from the book were donated to charities helping groups strongly impacted by COVID-19.[156][158]

Rowling's 2021 children's novel, The Christmas Pig, is unconnected to any of Rowling's previous works.[159] It received generally positive reviews and became a bestseller.[160][161][162]

Influences

Jessica Mitford (pictured in 1937) was Rowling's greatest influence.
Jane Austen is Rowling's favourite author.
Jane Austen is Rowling's favourite writer.

Rowling describes Jane Austen as her "favourite author of all time",[163] and acknowledges Homer, Geoffrey Chaucer, and William Shakespeare as literary influences.[164] According to the critic Beatrice Groves, Harry Potter is "rooted in the Western literary tradition", including the classics.[165] Scholars agree that Harry Potter is heavily influenced by the juvenile fantasy of writers such as C. S. Lewis, J. R. R. Tolkien, Elizabeth Goudge, Ursula K. Le Guin, Dianna Wynne Jones, and E. Nesbit.[166] As a child, Rowling read The Chronicles of Narnia by C. S. Lewis, The Little White Horse by Elizabeth Goudge, Manxmouse by Paul Gallico, and books by E. Nesbit and Noel Streatfeild:[167] she expresses admiration for Lewis, in whose writing battles between good and evil also feature prominently.[168]

The Harry Potter series follows a number of works in which characters learn to use magic, including Le Guin's Earthsea series, which features a school of wizardry, and the Chrestomanci books by Jones.[169][170] Rowling's setting of a "school of witchcraft and wizardry" departs from the still older tradition of protagonists as apprentices to accomplished magicians, famously exemplified by The Sorcerer's Apprentice: yet this trope does appear in Harry Potter, when Harry receives individual instruction from Remus Lupin and other teachers.[171] Rowling also draws on the tradition of stories set in boarding schools, the most prominent example of which is Thomas Hughes's 1857 volume Tom Brown's School Days.[172]

Rowling has named Jessica Mitford as her greatest influence. She said "Jessica Mitford has been my heroine since I was 14 years old, when I overheard my formidable great-aunt discussing how Mitford had run away at the age of 19 to fight with the Reds in the Spanish Civil War", and claims what inspired her about Mitford was that she was "incurably and instinctively rebellious, brave, adventurous, funny and irreverent, she liked nothing better than a good fight, preferably against a pompous and hypocritical target".[37]

Critical analysis

Harry Potter series

Harry Potter has been defined as a fairy tale, a Bildungsroman, and a work about the characters' education.[173] Its overarching theme is death. Rowling admits "death and bereavement" to be "one of the central themes in all seven books".[174] Characters in Harry's life die and he must confront his own death in Deathly Hallows.[175] In Harry's world, death is not binary but mutable, a state that exists in degrees.[176] The series is fundamentally about Existentialism – Harry must learn and grow into the maturity necessary to accept death. Unlike Voldemort who chose to evade death, separating and hiding his soul in seven parts, Harry's soul is whole and undamaged, nourished by friendship and love.[177]

Like death, truth is mutable in Harry's world.[178] Although he seeks truth about his family, Harry lies to others. Truth is revealed in pieces hiding greater truths within, which Harry must uncover.[179] Each book follows a similar structure in which Harry unravels increasingly painful truths.[180]

Harry Potter is a simple fantasy; a story about good vs. evil.[181] It derives from the European tradition of the lost prince with intrinsic character, leadership and heroism.[181] Farah Mendlesohn writes that Harry Potter takes place in a conventional political world, reflecting liberalism in the United Kingdom,[181] which is juxtaposed with anachronisms and aristocratic traditions. Harry escapes loathsome suburbs for public school, attended by aristocrats and children descended from the oldest magical families in the land,[182] where social order is imposed with the "sorting hat". The choice Harry receives from the sorting hat extraordinary, its confusion caused by his contamination from Voldemort: he is given the choice of two destinies rather than a manifestation of free will.[183] Michiko Kakutani writes that the series is an epic about personal independence and free will.[184]

The series is often viewed as a Christian moral fable evoking the psychomachia tradition, in which stand-ins for good and evil fight for supremacy over a person's soul.[185] Like C. S. Lewis's The Chronicles of Narnia, it contains Christian symbolism and allegory. Children's literature critic Joy Farmer sees parallels between Harry and Jesus Christ,[186] writing that "magic is both authors' way of talking about spiritual reality".[174] Harry is hidden at birth, Professor McGonagall says of him "every child in our world will know his name",[174] Dumbledore tells Harry "your father ... shows himself most plainly when you have need of him", and Dobbey says "Harry Potter shone like a beacon of hope for those of us who thought the Dark days would never end".[186] Harry carries the protection of his mother's sacrifice in his blood; Voldemort who wants Harry's blood and the protection it carries lacks the understanding that love vanquishes evil just as Christ's love for humanity vanquishes death.[186] Voldemort succumbed to temptation, as did Satan, and is beyond redemption.[187] Harry has divine characteristics whereas Voldemort "has quite literally risen from the dead to become a malevolent figure who seems larger than life". [188] Despite the similarities between C. S. Lewis and Rowling's work, the latter received scathing criticism, has been called "Satanic", and thought to advocate witchcraft, which Farmer believes to be a profound misreading.[189]

Rowling excels at characterizations, with simple descriptive writing.[190] The characters seldom consider the philosophical or ethical implications of their actions directly, even the intellectual Hermione Granger.[191] Moral questions are addressed through emotions rather than intellectual consideration. The critic Lakshmi Chaudhry sees this as an aspect of the series's "moral fuzziness", whereas Mary Pharr writes that the absence of moral clarity derives from Harry Potter's postmodernism – in the postmodern world, there are no moral absolutes.[192] She explains that Harry as an "epic hero for the postmodern world" fails to adhere to a moral code or religious doctrine.[178] Harry typically acts through empathy towards others despite personal risk, differentiating him from Tom Riddle who became Voldemort.[184] The same group of characters friends and enemies appear throughout the series with new characters introduced in each book, such as the new Defense of the Dark Arts teacher each year who appears in each book.[190] Snape is the antihero; Malfoy is the rival throughout the series, Ron and Hermione are Harry's best friends from the beginning.[193][d]

Harry's heroism is imbued with modern attributes such as courage and valiance and based on "sympathy and compassion".[197] The critic Lisa Hopkins writes that Rowling presents heroism as within reach for "ordinary people";[163] who in the Homeric tradition can achieve their best, or a state of aristeia.[198] Love is a dividing line between Harry and Voldemort: Harry is a hero because he loves others; Voldemort is a villain because he does not.[191] Harry reflects the archetype of the returning prince denied his heritage. In modern fantasy the hero's attributes and birthright "are played out, bit by bit, as the journey unfolds" according to Mendlesohn. The hero is shaped during the journey, but Rowling has imbued Harry with a heroic birthright and innate characteristics such as his niceness. The hero's Companions possess qualities that Harry lacks; Hermione's intelligence, Ron's faithfulness, and Hagrid's kind strength.[199]

Magic enhances the ordinary, and renders everyday objects as extraordinary.[195] Eva Oppermann believes that Michel Foucault's concept of heterotopia (alternate spaces) applies to Hogwarts.[200] The magical and real worlds are parallel yet separate. Rowling lavishes attention to the smallest detail in the magical world: there are a myriad of spells and charms, owls deliver letters, photographs and paintings present live images, places such as Diagon alley, Hogwarts, Hagrid's cottage, objects such as the sorting hat and fancy wands, to give it veracity.[201] John Pennington disagrees, writing Rowling breaks the fundamental rules of fantasy by adhering too closely to the reality.[202]

Contemporary fiction

With the publication of The Casual Vacancy in 2012, Rowling shoed that she cannot be identified as exclusively an author of children's books. The Casual Vacancy and the subsequent crime series published under the pen-name Robert Galbraith reflects a firm grasp of a range of genres.[203] The Casual Vacancy is a tragicomedy, promoted as a black comedy. The literary critic Ian Parker writing in The New Yorker describes it as a "rural comedy of manners".[24][204] The critic Tison Pugh and Rowling herself describe it as a contemporary version of 19th-century British fiction examining village life such as in Austen's novels and George Eliot's Middlemarch. [205][24] The five Cormoran Strike detective novels are written under the pseudonym Robert Galbraith. In the first of which was released in 2013,[206] Strike and his assistant investigate grisly murders. The killers are truly depraved according to Pugh.[207] Although an example of hardboiled detective fiction, Strike deviates from the unattached loner, as Rowling begins to build romance in the series.[208]

Reception

The Harry Potter series, particularly following the release of Prisoner of Azkaban in September 1999 and Goblet of Fire on 8 July 2000, has enjoyed enormous commercial success and attention from academic critics.[209] It was adapted into the Harry Potter film series, whose first instalment was released in 2001;[210] and its books have been translated into at least 60 languages.[211] Neither of Rowling's later works, The Casual Vacancy (2012) and the Cormoran Strike series, have been as well received as Harry Potter, though reception was positive overall.[212]

The Harry Potter series have been described as including complex and varied representations of female characters,[213] but nonetheless ultimately conforming to stereotypical and patriarchal depictions of gender.[213][214][215] The ostensible absence of gender divides in the books' setting obscures the typecasting of female characters and traditional depictions of gender.[214] According to scholars Elizabeth Heilman and Trevor Donaldson, the subordination of female characters goes further early in the series. The final three books "showcase richer roles and more powerful females": for instance, the series' "most matriarchal character", Molly Weasley, engages substantially in the final battle of Deathly Hallows, while a number of other women are shown in postions of leadership.[213] Yet, even particularly capable female characters such as Hermione Granger and Minerva McGonagall are ultimately placed in supporting roles.[216] More generally, the girls and women are more frequently depicted as emotional; more often defined by their appearance; and less often given agency in familial settings.[217][214]

Some Christian critics, particularly Evangelical Christians, have claimed that the books promote witchcraft and are harmful to children.[218][219][220] Such criticism has taken two main forms: allegations that Harry Potter is a pagan text; and claims that it encourages children to oppose authority, derived mainly from Harry's rejection of the Dursleys, his adoptive parents.[221] In the late 1990s and early 2000s, parents in several US cities launched protests against teaching Harry Potter in schools.[222] Novels in the series, particularly Philosopher's Stone, were often banned in the US.[222] Harry Potter has had several vocal religious defenders in the US and elsewhere; Christian supporters have claimed that the books espouse Christian values or that the Bible does not prohibit the forms of magic described in the series.[223]

One current of Rowling criticism focusses on her perceived conventionalism. Harold Bloom, William Safire, and Philip Hensher have all regarded Rowling's prose as poor and her plots as conventional.[224][225] According to A. S. Byatt, Harry Potter is a simplistic work that reflects a dumbed-down culture dominated by soap operas and reality television.[173][226] Jack Zipes notes that earlier novels in the series have the same general plot. Harry begins the book with the Dursleys and escapes to begin his year at Hogwarts. There, he confronts a challenge related to Lord Voldemort, his nemesis. He succeeds by the end of the book and heads back to the Dursleys' house. According to Zipes, this repetition is "tedious and grating".[227] These critics argue that the Harry Potter books do not innovate on established literary forms, either in their language or narrative, or challenge readers' preconceived ideas.[173][228] Philip Nel rejects these criticisms as "snobbery" that reacts mainly to the novels' popularity,[224] whereas Mary Pharr argues that Harry Potter's conventionalism is the point: by amalgamating pre-existing literary forms familiar to her readers, Rowling invites them to "ponder their own ideas".[229] While acknowledging that the overarching narrative and themes in Harry Potter are not original, Julia Eccleshare suggests that Rowling's deft plot development and storytelling make the books compelling.[230]

Legacy

Harry Potter has been credited with transforming the landscape of children's literature.[231][232] Beginning in the 1970s, children's books that were released were generally realistic as opposed to fantastic;[233] in parallel, adult fantasy emerged as a popular genre due to the influence of The Lord of the Rings.[234] The next decade saw an increasing interest in grim, realist themes, with an outflow of fantasy readers and writers to adult works.[235][236] The commercial success of Harry Potter in 1997 reversed this trend.[237] The scale of its growth had no precedent in the children's market: within four years, it occupied 28% of that field by revenue.[238] Children's literature rose in cultural status,[239] and fantasy became a dominant genre therein.[240] Older works in the genre, including Diana Wynne Jones's Chrestomanci series and Diane Duane's Young Wizards, were reprinted and saw increased popularity as a result; some authors were able to re-establish their careers.[241] In the decades following Harry Potter, many imitators and subversive responses also became popular.[242] Harry Potter's success even led the New York Times, in June 2000, to create a separate children's bestseller list.[243] According to Levy and Mendlesohn, the list's purpose was to save adult novels from "the embarrassment of being outdone by a children's book".[244]

Rowling has described Harry Potter fandom as a "global phenomenon".[173] Critics have attributed this success to a number of factors: the nostalgia evoked by the boarding-school story, the endearing nature of Rowling's characters, and the accessibility of her books to non-readers.[245][246] In Eccleshare's view, the books are "neither too literary nor too popular, too difficult nor too easy, neither too young nor too old", and hence span a broad range of readers.[247] Mendlesohn and James state that the crucial comparison is to author Enid Blyton, who also wrote in simple language about groups of children. In their view, Rowling has filled the gap left by Blyton, who had dominated the British children's market in the generations prior to Harry Potter's rise.[248] Some critics view this, along with the concurrent success of Philip Pullman's His Dark Materials, as part of a broader shift in reading tastes: a rejection of literary fiction in favor of plot and adventure.[249] This is reflected in the BBC's 2003 "Big Read" survey of the UK's favorite books, where Pullman and Rowling ranked at number 3 and 5, respectively, with very few British literary classics in the top 10.[250]

Harry Potter's popularity led its publishers to plan elaborate releases and spawned a textual afterlife among fans and forgers. Beginning with the release of Prisoner of Azkaban on 8 July 1999 at 3:45 pm,[251] its publishers coordinated to begin selling the books at a single time globally, introduced security protocols to prevent premature purchases, and required booksellers to sign contracts promising not to sell copies before the appointed time.[252] At the same time, knockoff Harry Potter books, copycats, and parodies emerged to capitalize on its commercial success.[253] Driven by the growth of internet access and use around its initial publication, fan fiction about the series proliferated and has spawned a diverse community of readers and writers.[254][255] While Rowling has been supportive of fan fiction, her pronouncements about characters – for instance, that Harry and Hermione could have been a couple, and that Dumbledore is gay – have complicated her relationship with readers.[256] In the view of the scholar Ebony Elizabeth Thomas, this shows that modern readers feel a sense of ownership over the text, independent of, and sometimes contradicting, authorial intent.[257]

The Harry Potter books gained recognition for the unproven assertion[258] of their potential to improve literacy by motivating children to read much more than they otherwise would.[259] Research by the National Endowment for the Arts (NEA) found no increase in reading among children coinciding with the Harry Potter publishing phenomenon, nor was the broader downward trend in reading among Americans arrested during the rise in the popularity of the Harry Potter books.[258][260]

Legal disputes

In the 1990s and 2000s, Rowling was both a plaintiff and defendant in lawsuits alleging copyright infringement. Nancy Stouffer sued Rowling in 1999, alleging that Harry Potter was based on stories she published in 1984.[261][262] Rowling won around 2002;[261] Richard Posner describes Stouffer's suit as deeply flawed and notes that the court, finding she had used "forged and altered documents", assessed a $50,000 penalty against her.[263]

With her literary agents and Warner Bros., Rowling has brought legal action against publishers and writers of Harry Potter knockoffs in several countries.[264][265][266] In the mid-2000s, Rowling and her publishers obtained a series of injunctions prohibiting public readings of her books before their release dates,[267] which civil liberties and free speech campaigners criticised, claiming the "right to read".[268][269]

Beginning in 2001, after Rowling sold film rights to Warner Bros., the studio began actions to take Harry Potter fan sites offline unless it determined that they were made by "authentic" fans for innocuous purposes.[270] The Harry Potter fandom was upset and some fans created a group called Defense Against the Dark Arts to help one another respond to the studio.[271] In 2007, with Warner Bros., Rowling started proceedings to prevent a Michigan-based publisher from releasing a book based on content from a fan site called The Harry Potter Lexicon.[272][261] Rowling had named Lexicon a favourite fan site in 2004.[273] She said at trial that she had already written a Harry Potter encyclopedia.[274] The court held that the Lexicon was not a fair use of Rowling's material and did not constitute a derivative work.[275] The judgment did not close the door completely on publishing the Lexicon, however, and it eventually came out in 2009.[276]

Philanthropy

In 2000, Rowling established the Volant Charitable Trust to "work to alleviate social deprivation, with a particular emphasis on supporting women, children and young people at risk".[277] Rowling and MEP Emma Nicholson founded Lumos in 2005 (then known as the Children's High Level Group, CHLG).[278] Rowling was named president of the charity Gingerbread (originally One Parent Families) in 2004, after becoming its first ambassador in 2000.[279] Rowling was the second most generous UK donor in 2015 (following singer Elton John), giving about US$14 million through the Volant Charitable Trust and the Lumos Foundation.[280]

In social welfare, Rowling collaborated with Sarah Brown to write a book of children's stories to benefit One Parent Families.[281] To support the CHLG, in 2007 Rowling auctioned a handwritten and illustrated copy of The Tales of Beedle the Bard that sold for almost £2 million.[282][283] Rowling later published the book to benefit Lumos,[284] and in 2013, donated the proceeds of nearly £19 million (then about US$30 million) to the organisation.[285] Profits from Fantastic Beasts and Where to Find Them and Quidditch Through the Ages, both published in 2001, went to Comic Relief.[286]

Rowling has contributed to support research and treatment of multiple sclerosis (MS), and those affected by COVID-19. Initially a contributor to the Scottish affiliate of the Multiple Sclerosis Society of Great Britain, she withdrew her support in 2009 after drawing attention to internal disputes in the organisation.[287] In 2010, she donated £10 million to found a MS research centre at the University of Edinburgh, named in honour of her mother Anne, who died of MS.[288][289] She donated six-figure sums from The Ickabog royalites to both Khalsa Aid and the British Asian Trust for coronavirus relief.[157] An inflatable representation of Lord Voldemort and other children's literary characters[290] accompanied Rowling reading from J. M. Barrie's Peter Pan as part of a tribute to Great Ormond Street Hospital for Children during the 2012 Summer Olympics opening ceremony in London.[291]

In May 2008, bookseller Waterstones asked Rowling and 12 other writers to compose a short piece on a single A5 postcard, which would then be sold at auction in aid of the charities Dyslexia Action and English PEN. Rowling's contribution was an 800-word Harry Potter prequel[292] that became part of the What's Your Story Postcard Collection.[293] The original manuscript was stolen in 2017.[294]

After her exposure as the true author of The Cuckoo's Calling led to a massive increase in sales, Rowling donated her royalties to the Army Benevolent Fund, saying she had always intended to but never expected the book to be a best-seller.[295]

Views

Politics

Rowling has centre-left political views.[296] In 2008, she donated £1 million to the Labour Party and publicly endorsed Labour Prime Minister Gordon Brown over Conservative challenger David Cameron, praising Labour's policies on child poverty.[297] That same year, in an interview with the Spanish-language newspaper El País, when asked about the 2008 United States presidential election, she said that the outcome would have a "profound effect on the rest of the world".[298] Regarding who she wanted to see elected, she stated that "it is a pity that Clinton and Obama have to be rivals because both are extraordinary".[298] In the same interview, she identified Robert F. Kennedy as her hero.[298]

In Rowling's "Single mother's manifesto", published in The Times in April 2010, she criticised then–Conservative Prime Minister Cameron's plan to encourage married couples to stay together by offering them a £150 annual tax credit: "Nobody who has ever experienced the reality of poverty could say 'it's not the money, it's the message'. When your flat has been broken into, and you cannot afford a locksmith, it is the money. When you are two pence short of a tin of baked beans, and your child is hungry, it is the money. When you find yourself contemplating shoplifting to get nappies, it is the money."[299]

Rowling stated in 2012 that she is "pro-Union" and would vote 'No' on the 2014 Scottish independence referendum;[300] she donated £1 million to the Better Together anti-independence campaign.[301] She compared some Scottish Nationalists with the Death Eaters, characters from Harry Potter who are scornful of those without pure blood.[302] In June 2016, she campaigned for the United Kingdom to stay in the European Union in the run-up to the 2016 United Kingdom European Union membership referendum, stating, "I'm the mongrel product of this European continent and I'm an internationalist."[303] She expressed concern that "racists and bigots" were directing parts of the Leave campaign. In a blog post, she added: "How can a retreat into selfish and insecure individualism be the right response when Europe faces genuine threats, when the bonds that tie us are so powerful, when we have come so far together?"[304]

In 2015, Rowling joined 150 others in signing a letter published in The Guardian espousing cultural engagement with Israel.[305] Rowling expanded on her position, stating that although she opposed most of Benjamin Netanyahu's actions, depriving Israelis of shared culture would not dislodge Netanyahu,[306] and that "sharing of art and literature across borders constitutes an immense power for good".[307]

Religion

Rowling identifies as a Christian, stating that "I believe in God, not magic."[308] Rowling began attending a Church of Scotland congregation around the time she was writing Harry Potter,[309] and her eldest daughter, Jessica, was baptised there.[219][309]

In a 2006 interview with Tatler, Rowling noted that, "like Graham Greene, my faith is sometimes about if my faith will return. It's important to me."[18] She has said that she has struggled with doubt, that she believes in an afterlife,[310] and that her struggles about her faith play a part in her books.[298][311] In a 2012 radio interview, Rowling stated that she was a member of the Scottish Episcopal Church, a province of the Anglican Communion.[312]

Press

In a 2003 interview, she described herself as "too thin-skinned" and noted that she disagreed with newspapers' claims that she had had writer's block.[313] By 2011, Rowling had taken more than 50 actions against the press.[314] Rowling has expressed dislike of the British tabloid Daily Mail.[315] In 2014, she successfully sued the Mail for libel over an article about her time as a single mother.[316] There has been speculation that Rowling's relationship with the press inspired the character Rita Skeeter, a gossipy celebrity journalist who first appears in Goblet of Fire, but according to Rowling the character's development predates her rise to fame.[317]

In September 2011, Rowling was named as a "core participant" in the Leveson Inquiry into the culture, practices and ethics of the British press, as one of dozens of celebrities who may have been the victim of phone hacking.[318] In November 2012, Rowling wrote an op-ed for The Guardian in response to David Cameron's decision not to implement the full recommendations of the Leveson inquiry, stating that she felt "duped and angry".[319] In 2014, Rowling reaffirmed her support for "Hacked Off", a campaign supporting the self-regulation of the press, by co-signing a declaration to "[safeguard] the press from political interference while also giving vital protection to the vulnerable" with other British celebrities.[320]

Transgender people

In December 2019, Rowling tweeted her support for Maya Forstater, a British woman who initially lost her employment tribunal case (Maya Forstater v Centre for Global Development) but won on appeal against her former employer, the Center for Global Development, after her contract was not renewed due to her comments about transgender people.[321][322][323] She defended a British researcher :"Dress however you please," Rowling wrote on Twitter at the time. "Call yourself whatever you like. Sleep with any consenting adult who'll have you. Live your best life in peace and security. But force women out of their jobs for stating that sex is real?"[324]

On 6 June 2020, Rowling tweeted criticism of the phrase "people who menstruate",[325] and stated "If sex isn't real, the lived reality of women globally is erased. I know and love trans people, but erasing the concept of sex removes the ability of many to meaningfully discuss their lives."[326] Rowling's tweets were criticised by GLAAD, who called them "cruel" and "anti-trans".[327][328] Some members of the cast of the Harry Potter film series criticised Rowling's views or spoke out in support of trans rights, including Daniel Radcliffe, Emma Watson, Rupert Grint, Bonnie Wright, and Katie Leung, as did Fantastic Beasts lead actor Eddie Redmayne and the fansites MuggleNet and The Leaky Cauldron.[329][330][331] The actress Noma Dumezweni (who played Hermione Granger in Harry Potter and the Cursed Child) initially expressed support for Rowling but backtracked following criticism.[332]

On 10 June 2020, Rowling published a 3,600-word essay on her website in response to the criticism.[40][333] She again wrote that many women consider terms like "people who menstruate" to be demeaning. She said that she was a survivor of domestic abuse and sexual assault, and stated that "When you throw open the doors of bathrooms and changing rooms to any man who believes or feels he's a woman ... then you open the door to any and all men who wish to come inside", while stating that most trans people were vulnerable and deserved protection.[334] Reuters reported that, in the United States, women's rights groups said in 2016 that 200 municipalities which allowed trans people to use women's shelters reported no rise in any violence as a result; they also said that excluding transgender people from facilities consistent with their gender makes them vulnerable to assault.[335] Rowling's essay was criticised by, among others, the children's charity Mermaids (which supports transgender and gender non-conforming children and their parents), Stonewall, GLAAD and the feminist gender theorist Judith Butler.[336][337][338][339][340][341] Rowling has been referred to as a trans-exclusionary radical feminist (TERF) on multiple occasions, though she rejects the label.[342] Rowling has received support from actors Robbie Coltrane[343] and Eddie Izzard,[344] and some feminists[345] such as activist Ayaan Hirsi Ali[346] and the radical feminist Julie Bindel.[345] The essay was nominated by the BBC for their annual Russell Prize for best writing.[347][348]

In August 2020, Rowling returned her Robert F. Kennedy Human Rights Ripple of Hope Award after Kerry Kennedy released a statement expressing her "profound disappointment" in Rowling's "attacks upon the transgender community", which Kennedy called "inconsistent with the fundamental beliefs and values of RFK Human Rights and ... a repudiation of my father's vision".[349][350][351] Rowling stated that she was "deeply saddened" by Kennedy's statement, but maintained that no award would encourage her to "forfeit the right to follow the dictates" of her conscience.[349]

Awards and honours

Rowling, after receiving an honorary degree from the University of Aberdeen

In 2009, Rowling was made a Chevalier de la Légion d'honneur by French President Nicolas Sarkozy.[352] In 2002, Rowling became an Honorary Fellow of the Royal Society of Edinburgh (HonFRSE)[353] as well a Fellow of the Royal Society of Literature (FRSL).[354] She was recognized as Fellow of the Royal College of Physicians of Edinburgh (FRCPE) in 2011 for services to Literature and Philanthropy.[355]

Rowling has received honorary degrees from the University of St Andrews, the University of Edinburgh, Edinburgh Napier University, the University of Exeter (which she attended),[356] the University of Aberdeen,[357][358] and Harvard University.[359] She was the speaker at Harvard's 2008 commencement ceremony.[359] On 28 April 2014, she was the first guest editor in over 60 years for BBC Radio 4's Woman's Hour.[360][361]

Other awards include:

Bibliography

Publications by J.K. Rowling
Target/
Type
Series/
Description
Title Date Ref.
Young adult
fiction
Harry Potter series 1. Harry Potter and the Philosopher's Stone 1997-06-26 [71][72]
2. Harry Potter and the Chamber of Secrets 1998-07-02 [71][380]
3. Harry Potter and the Prisoner of Azkaban 1999-07-08 [71][381]
4. Harry Potter and the Goblet of Fire 2000-07-08 [71][382]
5. Harry Potter and the Order of the Phoenix 2003-06-21 [71][383]
6. Harry Potter and the Half-Blood Prince 2005-07-16 [71][384]
7. Harry Potter and the Deathly Hallows 2007-07-21 [87][385]
Harry Potter-
related books
Fantastic Beasts and Where to Find Them (supplement to the Harry Potter series) 2001-03-12 [386]
Quidditch Through the Ages (supplement to the Harry Potter series) 2001-03-12 [387]
Harry Potter prequel (short story published in What's Your Story Postcard Collection) 2008-07-01 [293][294]
The Tales of Beedle the Bard (supplement to the Harry Potter series) 2008-12-04 [388]
Harry Potter and the Cursed Child (story concept for play) 2016-07-30
premier
[389][390]
Short Stories from Hogwarts of Power, Politics and Pesky Poltergeists 2016-09-06 [391]
Short Stories from Hogwarts of Heroism, Hardship and Dangerous Hobbies 2016-09-06 [392]
Hogwarts: An Incomplete and Unreliable Guide 2016-09-06 [393]
Harry Potter-
related original screenplays
Fantastic Beasts and Where to Find Them 2016-11-18 [394]
Fantastic Beasts: The Crimes of Grindelwald 2018-11-16
premier
[395]
Adult
fiction
The Casual Vacancy 2012-09-27 [396]
Cormoran Strike series
(as Robert Galbraith)
1. The Cuckoo's Calling 2013-04-18 [397]
2. The Silkworm 2014-06-19 [398]
3. Career of Evil 2015-10-20 [399]
4. Lethal White 2018-09-18 [400]
5. Troubled Blood 2020-09-15 [401]
Children
fiction
The Ickabog 2020-11-10 [402][403]
The Christmas Pig 2021-10-12 [404]
Non-fiction Books Very Good Lives: The Fringe Benefits of Failure and Importance of Imagination, illustrated by Joel Holland, Sphere. ISBN 978-1408706787. 2015-04-14 [405]
A love letter to Europe : an outpouring of love and sadness from our writers, thinkers and artists, Coronet (contributor). ISBN 978-1529381108 2019-10-31 [406]
Articles "The First It Girl: J. K. Rowling reviews Decca: the Letters by Jessica Mitford". Sussman, Peter Y., editor. The Daily Telegraph. 2006-11-26 [24][407]
"The Fringe Benefits of Failure, and the Importance of Imagination". Harvard Magazine. 2008-06-05 [408]
"Gordon Brown – The 2009 Time 100". Time magazine. 2009-04-30 [409]
"The Single Mother's Manifesto". The Times. 2010-04-14 [299]
"I feel duped and angry at David Cameron's reaction to Leveson". The Guardian. 2012-11-30 [319]
"Isn't it time we left orphanages to fairytales?" The Guardian. 2014-12-17 [410]
Book Foreword/
Introduction
McNeil, Gil and Brown, Sarah, editors. Magic. Bloomsbury. ISBN 978-0747557463 2002-06-03 [411]
Brown, Gordon. "Ending Child Poverty" in Moving Britain Forward. Selected Speeches 1997–2006. Bloomsbury. ISBN 978-0747588382 2006-09-25 [24][412]
Anelli, Melissa. Harry, A History. Pocket Books. ISBN 978-1416554950 2008-11-04 [413]

Filmography

J.K. Rowling filmography
Year Title Credited as Notes Ref.
Actress Screenwriter Producer Executive producer
2003 The Simpsons Yes Voice cameo in "The Regina Monologues" [414]
2010 Harry Potter and the Deathly Hallows – Part 1 Yes Film based on Harry Potter and the Deathly Hallows [103]
2011 Harry Potter and the Deathly Hallows – Part 2 Yes
2015 The Casual Vacancy Yes Television miniseries based on The Casual Vacancy [415]
2016 Fantastic Beasts and Where to Find Them Yes Yes Film inspired by the Harry Potter supplementary book Fantastic Beasts and Where to Find Them [108]
2017–present Strike Yes Television series based on Cormoran Strike novels [416]
2018 Fantastic Beasts: The Crimes of Grindelwald Yes Yes Film inspired by Harry Potter supplementary book Fantastic Beasts and Where to Find Them [417]

Notes

  1. ^ St Michael's Primary School headmaster, Alfred Dunn, has been suggested as the inspiration for the Harry Potter headmaster Albus Dumbledore;[31] biographer Smith writes that Rowling's father, and other figures in her education, provide more likely examples.[32]
  2. ^ In 2020, it was reported that a company listing Rowling's husband, Neil Murray, as director had purchased Church Cottage and renovations were underway.[34]
  3. ^ Rowling says Jessica was named after Jessica Mitford and a boy would have been named Harry; according to biographer Smith (2002), Arantes says Jessica was named after Jezebel from the Bible.[52]
  4. ^ The Great Snape Debate, a book-length collection of essays assessing the character Severus Snape, appeared in 2007. The book is divided into two sections, written by the same authors, in which Snape is alternately praised and critiqued.[194] Alison Lurie, among other critics, has noted how the names of Rowling's characters typically evoke their personalities.[195][196]

References

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  2. ^ a b Eyre, Charlotte (1 February 2018). "Harry Potter book sales top 500 million worldwide". The Bookseller. Archived from the original on 1 February 2018.
  3. ^ "Record for best-selling book series". Guinness World Records. Archived from the original on 23 October 2012. Retrieved 18 April 2012.
  4. ^ a b "JK Rowling unveils The Ickabog, her first non-Harry Potter children's book". BBC News. 26 May 2020. Archived from the original on 30 May 2020. Retrieved 1 June 2020.
  5. ^ Giuliano, Karissa; Whitten, Sarah (31 July 2015). "The world's first billionaire author is cashing in". CNBC. Archived from the original on 20 June 2020. Retrieved 13 June 2020.
  6. ^ a b Couric, Katie (18 July 2005). J.K. Rowling, the author with the magic touch Archived 28 November 2019 at the Wayback Machine. MSN. Retrieved 13 June 2020.
  7. ^ Weisman, Aly (12 March 2012). "J.K. Rowling Is No Longer A Billionaire, Booted Off Forbes List". Business Insider. Archived from the original on 3 June 2020. Retrieved 13 June 2020.
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  13. ^ Smith 2002, p. 49.
  14. ^ Weldon, Michele (8 November 2000). "A not-so-typical mum, J.K. Rowling can still relate". Chicago Tribune. p. 8.1. ProQuest 419156071.
  15. ^ Anelli 2008, p. 49.
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  20. ^ Rowling. "Rowling, Joanne Kathleen". Who's Who. Vol. 2015 (online Oxford University Press ed.). A & C Black. {{cite encyclopedia}}: Unknown parameter |othernames= ignored (help) (Subscription or UK public library membership required.) (subscription required)
  21. ^ Nel 2001, p. 7.
  22. ^ Hutchinson, Lynne (6 September 2012). "Concerns raised about future of former Chipping Sodbury cottage hospital site". Gazette Series. Gloucestershire, UK. Archived from the original on 4 April 2014. Retrieved 1 October 2012.
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  24. ^ a b c d e f g h i j k l m n o p Parker, Ian (24 September 2012). "Mugglemarch: J.K. Rowling writes a realist novel for adults". The New Yorker. Archived from the original on 30 July 2014. Retrieved 13 June 2020.
  25. ^ Smith 2002, p. 72.
  26. ^ a b c d e f g h i j k l m n o p "The JK Rowling story". The Scotsman. 16 June 2003. Archived from the original on 23 June 2020. Retrieved 7 January 2022.
  27. ^ Shapiro 2000, p. 22.
  28. ^ Sexton, Colleen A. (2008). J. K. Rowling. Brookfield, Conn: Twenty-First Century Books. p. 13. ISBN 978-0-8225-7949-6. Archived from the original on 26 January 2017.
  29. ^ Smith 2002, p. 17.
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  31. ^ Kirk 2003, p. 28.
  32. ^ Smith 2002, pp. 19, 27–32.
  33. ^ Smith 2002, pp. 24–27, 39, 88.
  34. ^ "Harry Potter: JK Rowling secretly buys childhood home". BBC News. 14 April 2020. Retrieved 12 January 2022.
  35. ^ Smith 2002, pp. 25–27.
  36. ^ Smith 2002, p. 76.
  37. ^ a b J. K. Rowling (26 November 2006). "The first It Girl". The Telegraph. London. Archived from the original on 19 October 2016. Retrieved 13 June 2020.
  38. ^ a b Fraser, Lindsay (9 November 2002). "Harry and me". The Scotsman. Archived from the original on 9 June 2021. Retrieved 7 January 2022.
  39. ^ Smith 2002, p. xii.
  40. ^ a b "J.K. Rowling Writes about Her Reasons for Speaking out on Sex and Gender Issues". J.K. Rowling. 10 June 2020. Archived from the original on 10 June 2020. Retrieved 10 June 2020.
  41. ^ Feldman, Roxanne (September 1999). "The truth about Harry". School Library Journal. 45 (9): 136–139. ProQuest 211722214.
  42. ^ Smith 2002, pp. 53–54.
  43. ^ Fraser 2001, pp. 19–20.
  44. ^ Fraser 2001, p. 29.
  45. ^ Fraser 2001, p. 34.
  46. ^ Farr, Emma-Victoria (27 September 2012). "JK Rowling: 10 facts about the writer". The Telegraph. Archived from the original on 16 June 2020. Retrieved 13 June 2020.
  47. ^ Norman-Culp, Sheila (19 December 1998). "Up the charts on a wizard's tale". Windsor Star. Associated Press. p. 80. Retrieved 5 January 2022 – via newspapers.com.
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Works cited

External links