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Star Wars: Episode I -
The Phantom Menace
Directed byGeorge Lucas
Written byGeorge Lucas
Produced byRick McCallum
George Lucas
StarringLiam Neeson
Ewan McGregor
Natalie Portman
Jake Lloyd
Pernilla August
Frank Oz
Terence Stamp
CinematographyDavid Tattersall
Edited byPaul Martin Smith
Ben Burtt
Music byJohn Williams
Distributed by20th Century Fox
Lucasfilm
Release date
May 19, 1999
Running time
Theatrical Cut:
133 min.
DVD Cut:
136 min.
CountryUnited States
LanguageTransclusion error: {{En}} is only for use in File namespace. Use {{lang-en}} or {{in lang|en}} instead.
Budget$115,000,000[1]
Box officeWorldwide:
$924,317,558[1]

Star Wars Episode I: The Phantom Menace is a 1999 space opera film written and directed by George Lucas. It was the fourth film to be released in the Star Wars saga and the first in terms of internal chronology. The film follows Jedi Knights Qui-Gon Jinn and Obi-Wan Kenobi, who flee the planet Naboo with Queen Amidala in the hope of finding a peaceful end to a trade dispute. Along the way, the ship must stop for repairs on the planet Tatooine, where the Jedi encounter Anakin Skywalker, a young slave boy who is unusually strong with the Force. Meanwhile, they must contend with the mysterious return of the Sith.

Lucas began production when he felt special effects had advanced to the level of what he had envisioned for the film. Shooting took place during 1997 at various locations including Leavesden Film Studios and the Tunisian desert. Special effects made extensive use of computer-generated imagery, with some characters and scenarios being completely digital.

The Phantom Menace was released in May 19, 1999, almost sixteen years after the previous film in the series, Star Wars Episode VI: Return of the Jedi, and was accompanied by extensive media coverage and great anticipation. Despite mixed reviews by critics, who praised the visuals and action scenes but criticized the plot, characterization and acting, it grossed $924.3 million worldwide, making it the highest-grossing Star Wars film and the 9th highest-grossing film of all time.

Plot

The Galactic Republic is in a period of decline, its bureaucracy bloated and corrupt, its economy deteriorating. In response to a taxation on trade routes, the greedy Trade Federation organizes a blockade of battleships around the small planet of Naboo. Hoping to resolve the matter, the Supreme Chancellor dispatches two Jedi, Qui-Gon Jinn and his apprentice, Obi-Wan Kenobi, to negotiate with Trade Federation Viceroy Nute Gunray. Unbeknownst to them, the Trade Federation is in league with the evil Sith Lord Darth Sidious, who orders them to invade Naboo with an army of battle droids and kill the Jedi. Narrowly evading death, the two Jedi stow aboard landing crafts and escape to Naboo. There Qui-Gon saves local Gungan outcast Jar Jar Binks from being trampled by a Federation tank. Indebted to the Jedi, Jar Jar leads them to the underwater Gungan city of Otoh Gunga, where the Jedi unsuccessfully attempt to persuade the Gungans to help the people of Naboo, though they are able to obtain a transport to reach the city of Theed on the surface.

Queen Amidala of the Naboo is captured by the Federation army, but is rescued by the Jedi. The Queen escapes Naboo with the Jedi on her personal starship, which is damaged on its way through the blockade surrounding the planet, forcing them to land on the nearby desert planet Tatooine for repairs. Qui-Gon ventures into the settlement of Mos Espa with Padmé, one of the Queen's handmaidens, to a junk shop to purchase a new hyperdrive generator. There they meet a young slave child named Anakin Skywalker, who takes an immediate liking to Padmé. After spending time with Anakin and his mother, Qui-Gon senses a strong presence of the Force within him, and suspects he may be the Chosen One who will bring balance to the Force. Qui-Gon makes a bet with Anakin's owner to enter him in a Podrace, and that if Anakin wins, he will be freed. With Qui-Gon's guidance, Anakin manages to win the race and joins the group to be trained as a Jedi, but he is forced to leave his mother, who Qui-Gon was unable to release, behind. Before they leave, they are attacked by Darth Sidious' apprentice, Darth Maul, who was dispatched to capture the Queen. After a brief fight, they manage to escape.

The Jedi escort the Queen to the Republic capital planet of Coruscant so she can plead her people's case to the Galactic Senate. Qui-Gon, meanwhile, attempts to persuade the Jedi Council to train Anakin as a Jedi, but they refuse as Anakin is too old and has too many attachments, which would risk him turning to the dark side of the Force. Within the Senate, Senator Palpatine of Naboo convinces the Queen to move for a vote of no confidence in the Supreme Chancellor so they can vote for a new, stronger Chancellor who will help end the conflict. However, she grows frustrated with the lack of action by the Senate, ultimately deciding to return to Naboo with the Jedi.

Back on Naboo, Padmé reveals herself to be Queen Amidala, the other "Queen" having been a decoy for her own protection. The Queen convinces the Gungan people to form an alliance against the Trade Federation. While the comically inept Jar Jar leads his people in a battle against the droid army and the Queen moves in to capture Viceroy Gunray in Theed, Anakin commandeers a vacant starfighter and joins the dogfight against the Federation droid control ship in space, using his skills with the Force to destroy it, which deactivates the entire droid army. The Jedi, meanwhile, encounter Darth Maul once more and engage him in a two-on-one lightsaber duel. Qui-Gon is mortally wounded in the battle, but Obi-Wan manages to kill the Sith once and for all. With his dying breaths, Qui-Gon tells Obi-Wan to train Anakin. Senator Palpatine is elected as the new Supreme Chancellor, Viceroy Gunray is sent to stand trial for his crimes, and the Jedi Council reluctantly allows Anakin to become Obi-Wan's apprentice. At a grand ceremony, Queen Amidala presents a gift of appreciation and friendship to the Gungan people.

Cast

  • Liam Neeson as Qui-Gon Jinn: A Jedi Master and mentor to Obi-Wan. When he discovers Anakin, he insists that the boy be trained as a Jedi, despite the protests of the council. Lucas originally envisioned an American actor in the role, but cast Neesom, who is Irish, because he considered Neesom to have great skills and presence, describing him as a "master actor, who the other actors will look up to, who has got the qualities of strength that the character demands."[2]
  • Ewan McGregor as Obi-Wan Kenobi: Qui-Gon's young Jedi apprentice. He holds Qui-Gon in high regard, but questions his motives at times. McGregor prepared for the role by watching Alec Guinness, who portrayed the elderly Obi-Wan, in both the original Star Wars trilogy and Guinness' early work.[2]
  • Natalie Portman as Queen Padmé Amidala: The young queen of Naboo at 14 years of age, Amidala hopes to protect her planet from a blockade brought on by the Trade Federation. Over 200 actresses were auditioned for the role,[3] with production notes stating that "The role required a young woman who could be believable as the ruler of that planet, but at the same time be vulnerable and open." Portman was chosen specially for her performances in The Professional (1994) and Beautiful Girls (1996), which impressed Lucas.[2] He stated, "I was looking for someone who was young, strong, along the lines of Leia [and] Natalie embodied all those traits and more."[2] The actress was unfamiliar with Star Wars prior to being cast, [2] but was enthused over being cast as the Queen of Naboo, a character she expected to become a role model: "It was wonderful playing a young queen with so much power. I think it will be good for young women to see a strong woman of action who is also smart and a leader."[4]
  • Jake Lloyd as Anakin Skywalker: A 9-year-old slave boy from Tatooine. He is discovered to have a higher midi-chlorian count than any Jedi, and is therefore exceptionally gifted in the Force. More than 3,000 young actors auditioned for the role of Anakin Skywalker through North America and the United Kingdom.[5] They included child actors Michael Angarano, Justin Berfield, and Haley Joel Osment.[6] The field narrowed to three actors, all of whom were interviewed by Lucas and then screen-tested with Natalie Portman.[5]
  • Ian McDiarmid as Senator Palpatine / Darth Sidious: The Senator of Naboo, who grows concerned about Naboo's blockade and defends his position in the Senate. McDiarmid was surprised when Lucas approached him 16 years after Return of the Jedi to reprise the role of Palpatine, because he considered that the prequel trilogy would use a younger actor for the role instead.[7]
  • Ahmed Best as Jar Jar Binks: A clumsy Gungan, exiled from his home but taken in by Qui-Gon and Obi-Wan. He accompanies them throughout the film. Best was hired after Gurland saw him on a Stomp performance in San Francisco,[8] and originally was just going to provide motion capturing, but after suggesting to also voice the character, was accepted. He wandered in the set in a foam-and-latex suit and headpiece to provide reference for the actors, with his filmed performance later replaced by the computer-generated character.[9] Best frequently improvised movements to make Jar-Jar as clumsy and comedic as possible.[8]
  • Pernilla August as Shmi Skywalker: Anakin's mother. She is concerned for her son's future, and lets him leave with the Jedi. August, a veteran from Swedish cinema, was chosen after auditioning with Liam Neesom, although she was afraid on not being chosen due to her accent.[9]
  • Anthony Daniels as C-3PO: A protocol droid built by Anakin, he lacks a metal covering in this film, which R2-D2 refers to as being "naked". A puppeteer — dressed in blue so he could be erased during post-production — manipulated a skeletal C-3PO figure attached to his front, while Daniels read his lines off-camera.[8]
  • Kenny Baker as R2-D2: An astromech droid, notable for saving Queen Amidala's ship when all other droids fail.
  • Ray Park as Darth Maul: A young Zabrak Sith apprentice to Darth Sidious who uses a double-bladed lightsaber. He was voiced by Peter Serafinowicz. A martial arts champion with experience in gymnastics and swordfighting, Park was originally only a member of the stunt crew,[8] and stunt coordinator Nick Gillard filmed Park to demonstrate how he envisioned the lightsaber battles. Lucas and McCallum were so impressed with the test tape that they gave Park the role of Maul. But his voice was considered "too squeaky", leading him to be dubbed over.[9]
  • Silas Carson as Nute Gunray: The Viceroy of the Trade Federation who leads the invasion of Naboo and tries to force Queen Amidala to sign a treaty to legitimise the occupation. Carson also portrays three minor characters: Jedi Master Ki-Adi-Mundi, Trade Federation Senator Lott Dod, and an ill-fated pilot (which was the role Carson originally auditioned for).[10] Carson got the role because another actor was uncomfortable with the costumes used by the Trade Federation characters - which were hot, did a lot of pressure, and took about 15 minutes to wear. The Thai accent used by the character was chosen after Lucas and McCallum listened to various langugages to pick how the Neimodians would speak.[11]
  • Hugh Quarshie as Captain Panaka: a bodyguard of Queen Amidala who is a security guard at Theed Palace.
  • Andy Secombe voices Watto: A junk dealer on Tatooine who owns Anakin and his mother as slaves. With a design that was an amalgalm of various rejected ideas, Watto's expressions were based on video footage of Secombe doing the voice acting, photos of animation supervisor Rob Coleman imitating the character, and modeler Steve Alpin saying Watto's lines to the mirror.[12]
  • Lewis MacLeod voices Sebulba: An aggressive, scheming Podracer and rival of Anakin.
  • Frank Oz voices Yoda: The leader of the Jedi Council who is apprehensive about allowing Anakin to be trained. Yoda was mostly portrayed as a puppet designed by Nick Dudman, based on Stuart Freeborn's original design, with Oz controlling the mouth and other parts controlled by the puppeteers using remote controls.[9] A computer-generated Yoda is featured in the scene Obi-Wan is turned into a Jedi Knight.[13]
  • Samuel L. Jackson as Mace Windu: A member of the Jedi Council who also opposes the idea of training Anakin. After Jackson expressed interest in appearing in a Star Wars film, he was approached by cast director Robin Gurland to play Windu.[8]
  • Terence Stamp as Supreme Chancellor Finis Valorum: The current Chancellor who commissions Obi-Wan and Qui-Gon to negotiate with the Trade Federation Viceroy.
  • Brian Blessed voices Boss Nass: The leader of the Gungan tribe who allies with the Naboo and defeats the Trade Federation. Blessed actually auditioned for another role, for which he was considered "too loud".[14] Blessed described Nass as a "reluctant hero",[14] and a fun role to play.[15]
  • Greg Proops and Scott Capurro voice Fode and Beed, the two headed announcer of the Boonta's Eve Race. The actors were filmed wearing make-up and blue bodysuits, so their heads would be joined in a computer-generated body. The visual effects crew did not like the original results, and ended crafting Fode and Beed as an entirely computer generated alien.[16]
  • Keira Knightley as Sabe: Queen Amidala's body double and decoy. The role was originally going to be filled by a stand-in, until casting director Robin Gurland came across Knightley, who bore a striking resemblance to Natalie Portman. Knightley's role was kept quiet by The Phantom Menace's marketing department in order to heighten the surprise of there being a decoy Queen when the film was released. The Queen's costumes were specifically designed to hide any height and shape differences between Knightley and Portman, so much so that Portman's mother could not distinguish between the two on set.[17]

Production

After losing much of his fortune in a divorce settlement in 1987, George Lucas had no desire to return to Star Wars, and had unofficially canceled his Sequel Trilogy by the time of Return of the Jedi. But since Lucas had developed most of the backstory, the idea of prequels continued to fascinate him.[18] In the early 1990s, Star Wars saw a ressurgance in popularity in the wake of Dark Horse's comic line and Timothy Zahn's trilogy of novels. Seeing that there was still a large audience for his idea of a prequel trilogy, and with the explosion of CGI technology, George Lucas considered returning to directing.[19] By 1993 it was announced, in Variety among other sources, that he would be making the prequels. He began outlining the story, now indicating that Anakin Skywalker would be the protagonist rather than Ben Kenobi, and that the series would be a tragic one examining Anakin's turn to the "Dark Side". Lucas also began to change how the prequels would exist relative to the originals, from a "filling-in" of history, backstory, existing parallel or tangential to the originals, to the beginning of one long story that started with Anakin's childhood and ended with his death. This was the final step towards turning the franchise into a "saga".[20]

George Lucas began writing the new Star Wars trilogy on November 1, 1994.[21] The screenplay for Star Wars was adapted from Lucas' 15-page outline that was written in 1976. The early outline was originally designed to help Lucas track the character backstories and what events had taken place before the original trilogy.[21] While the working title for the film was The Beginning,[21] Lucas later revealed the true title to be The Phantom Menace; a reference to Senator Palpatine's true nature as seemingly good and just in public, but in private a manipulative Sith Lord.[22]

File:Duelfates.jpg
The lightsaber battles are influenced by kendo and kenjutsu.

Within three to four months of Lucas beginning the writing process, Doug Chiang and his design team started a two-year process of reviewing thousands of designs for the film.[23] Stunt coordinator Nick Gillard was recruited to create a new Jedi fighting style for the prequel trilogy. Gillard likened the lightsaber battles to a chess game "with every move being a check." Because of their short-range weapons, Gillard theorized that the Jedi would have had to develop a fighting style that merged every swordfighting style, such as kendo and other kenjutsu styles, with other swinging techniques, such as tennis swings and tree-chopping. While training Liam Neeson and Ewan McGregor, Gillard would write a sequence to be an estimated 60 seconds in length, meant to be among five to six sequences per fight.[24] Lucas later referred to Jedi as being "negotiators", rather than high-casualty soldiers. The preference of hand-to-hand combat was intended to give a more spiritual and intellectual role to the Jedi.[24]

Filming began on June 26, 1997 and ended on September 30 of that year, primarily taking place at Leavesden Film Studios in England, with additional location shooting in the Tunisian desert for the Tatooine scenes and the Italian Caserta Palace for the Theed City Naboo Palace interior.[25] The city of Mos Espa was built in the desert outside Tozeur. On the night following the third day of shooting in Tozeur, an unexpected sandstorm destroyed many sets and props. With a quick rescheduling to allow for repairs, production was able to leave Tunisia on the exact day originally planned.[26]

Having confronted problems with the props used in R2-D2 before, Lucas allowed two companies, Industrial Light & Magic (ILM) and the production's British special effects department, to create their own versions for the robot. Nine R2-D2 models were created; one was for actor Kenny Baker to be dropped into; seven were built by IL&M, and featured two wheelchair motors capable of pushing 440 pounds (198 kilograms) of weight, enabling it to run and being mostly used in stage sets; and the British studio produced a "pneumatic" R2 that was able to shift from two to three legs, and was mostly used in Tunisia, because that R2's motor drive system allowed it to drive over sand.[27]

Up until the production of Star Wars, many special effects in the film industry were achieved by the use of miniature models, matte paintings, and on-set visual effects, although other films had made extensive use of computer-generated imagery (CGI). Visual effects supervisor John Knoll previewed 3,500 storyboards for the film, with Lucas accompanying him to explain what factors of the shots would be practical and what would be created through visual effects. Knoll later recounted that on hearing the explanations of the storyboards, he was unaware of any way to accomplish what he had seen. The result was to mix original techniques with the newest digital techniques to make it difficult for the viewer to guess which technique was being used. New computer software was written by Knoll and his visual effects team to create certain shots in the film. Another goal was to create computer-generated characters that could act seamlessly with live-action actors. While filming scenes with CGI characters, Lucas would block the characters using their corresponding voice actor on-set. The voice actors were then removed and the live-action actors would perform the same scene alone. A CGI character would later be added into the shot, completing the conversation.[28]

Release

As well as Lucasfilm's $20 million advertising campaign[29]—with the distinctive artwork of Star Wars series artist Drew Struzan gracing the movie poster and other advertising—the release of the first new Star Wars film in 16 years was accompanied by a considerable amount of hype. Few film studios released films during the same week as the release of The Phantom Menace; among the more courageous were DreamWorks and Universal Studios, with the releases of The Love Letter and Notting Hill respectively. [30]The Love Letter resulted in a box-office flop, whereas Notting Hill fared rather well and followed The Phantom Menace closely in second place.[31] Challenger, Gray & Christmas of Chicago, a work-issues consulting firm, estimated that 2.2 million full-time employees did not appear for work to attend the film, resulting in $293 million in lost productivity. According to The Wall Street Journal, so many workers announced plans to view premiere screenings that many companies shut down on the opening day.[32] Queue areas formed outside cinema theaters over a month in advance of ticket sales.[33]

More theater lines appeared when it was announced that cinemas were not allowed to sell tickets in advance until two weeks into the release. This was done out of fear that family theater-goers would be either unable to receive tickets or forced to pay higher prices. Tickets were instead to be sold on a traditional first-come-first-serve basis.[34] However, after meetings with the National Association of Theatre Owners, Lucasfilm agreed to allow advance ticket sales on May 12, 1999, provided that there be a twelve-ticket limit per customer.[35] As a result, however, some advance tickets were sold by scalpers as high as $100 apiece, which a distribution chief called "horrible", stating it was exactly what they wanted to avoid.[36] Daily Variety reported that theater owners received strict instructions from Lucasfilm that the film could only play in the cinema's largest auditorium for the first 8–12 weeks; no honor passes were allowed for the first eight weeks, and they were obligated to send their payments to distributor 20th Century Fox within seven days.[37] Servers at the film's official website became gridlocked soon after the release of the first teaser trailer,[38] and there were even reports that people were paying full admission at theaters just to see the trailer.[39] The theatrical trailer caused even more notable media hype, because it not only premiered in theaters, but screened at the ShoWest Convention in Las Vegas,[40] and was aired on Entertainment Tonight and Access Hollywood.[41]

Despite worries about whether the film would be finished in time, two weeks before its theatrical release Lucasfilm pushed the release date up from May 21, 1999 to May 19, 1999. At the ShoWest Convention, Lucas stated that the change was to give the fans a "head start" by allowing them to view it over the week and allowing families the chance to view it on the weekends. In a nod toward his future with digital technology, Lucas stated that the film would be released on four digital projectors on June 18, 1999.[42] Eleven charity premieres were staged across the United States on May 16, 1999; receipts from the Los Angeles event were donated to the Elizabeth Glaser Pediatric AIDS Foundation with corporate packages available for $5,000–$25,000.[43] Other charity premieres included the Dallas premiere for Children's Medical Center, the Aubrey Fund for Pediatric Cancer Research at the Sloan-Kettering Hospital in New York, the Big Brother/Sister Association of the Philadelphia premiere, and the Children's National Medical Center in Washington D.C. A statement said that tickets were sold at $500 apiece and that certain sections were set aside for disadvantaged children.[44]

Home video

Star Wars Episode I: The Phantom Menace was released on VHS on April 4, 2000, in two different versions, a standard pan-and-scan and a Collector's Edition widescreen. In its first two days of availability, the regular version sold 4.5 million copies and the limited edition, 500,000.[45] Later it became the first Star Wars film to be officially released on DVD, in October 2001. The DVD version of the film had certain scenes and other elements edited and inserted by George Lucas, making it slightly different from its theatrical release while retaining an identical plot. Among the special features are seven deleted scenes completed specifically for the DVD, a commentary track featuring among others Lucas and producer Rick McCallum, and a number of documentaries, including a full-length documentary entitled "The Beginning: Making Episode I". The Phantom Menace became the fastest selling DVD ever in the US, with 2.2 million copies were sold in its first week after release.[46] The DVD version was re-released in a prequel trilogy box set on November 4, 2008.[47]A LaserDisc version of The Phantom Menace was also released in Japan, several months before it was available on DVD in the US.[48]

Reception

The Phantom Menace received mixed reviews from film critics and fans. It has a "fresh" rating from Rotten Tomatoes of 63 percent with an average rating of 6/10 (39 percent when filtered to include only professional critics).[49] Roger Ebert of the Chicago Sun-Times gave it three and a half stars (out of four), praising its visual effects and calling it "exhilarating".[50] Owen Gleiberman of Entertainment Weekly complimented Liam Neeson's performance and the action scenes,[51] and Susan Wloszczyna of USA Today thought the movie did "plenty right", including the characters of Darth Maul and Watto.[52] Some aspects of the scripting were criticized. Much criticism was directed at the character of Jar Jar Binks, who was regarded by many members of the older fan community as purely a merchandising opportunity rather than a serious character in the film.[53][54][55] In defense of the character, George Lucas stated that the Star Wars films are also for children and that the original trilogy also drew similar criticism from fans over the characters R2-D2, C-3PO, and Yoda. He also criticized the American media for using fan opinions from the Internet as a reliable source for their news stories.[56] In 2002, with the release of Star Wars Episode II: Attack of the Clones, McGregor said that in retrospect Episode I slightly lacked in some of the "humor and color" of the forthcoming Episodes. He felt as a result of bearing the weight of setting up the entire saga, it seemed "kind of flat".[57]

On the other hand, many fans and critics agree that the lightsaber duel between Qui-Gon Jinn, Obi-Wan Kenobi and Darth Maul — showcasing high-flying choreography and Ray Park's martial arts skills — is a high point, and one of the best lightsaber duels in the entire Star Wars saga.[58] Nevertheless Star Wars Episode I: The Phantom Menace was rated by Entertainment Weekly as one of the "The 25 Worst Sequels Ever Made".[59] James Berardinelli would later note, "The Phantom Menace was probably the most overhyped motion picture of the last decade (if not longer), and its reputation suffered as a result of its inability to satisfy unreasonable expectations." [60]

The introduction of midi-chlorians (microscopic organisms that allow communication with the Force) in the film has been controversial among fans. Those against it have seen it as a concept that negates the spiritual quality of the Force. Film historian Daniel Dinello notes, "Anathema to Star Wars fanatics who thought they reduced the Force to a kind of viral infection, midi-chlorians provide a biological interface, the link between physical bodies and spiritual energy."[61] Religion expert John D. Caputo adds, "In the 'Gospel according to Lucas' a world is conjured up in which the intractable oppositions that have tormented religious thinkers for centuries are reconciled. ... The gifts that the Jedi masters enjoy have a perfectly plausible scientific basis, even if its ways are mysterious: their bodily cells have a heavier than usual concentration of 'midi-chlorians.'"[62]

After the release of the film, there was controversy over whether several alien characters reflected racial stereotypes, notably: the oafish, slow-witted Jar Jar Binks had long droopy ears reminiscent of dreadlocks and spoke with what many perceived as a Caribbean patois (particularly Jamaican Creole);[63] the greedy and corrupt Neimoidians of the Trade Federation spoke with East Asian accents; and the unprincipled desert trader Watto is interpreted by some as a Fagin-esque Jewish stereotype. Lucas has categorically denied all of these implications; however, animator Rob Coleman admitted that he viewed footage of Alec Guinness as Fagin in Oliver Twist to inspire his animators in creating Watto.[53][64]

Box office performance

The Phantom Menace debuted breaking many box office records. It broke The Lost World: Jurassic Park's records for the largest single-day gross with more than $28 million in the opening day (first surpassed in 2001 by Harry Potter and the Sorcerer's Stone), and fastest to $100 million gross in five days (surpassed in 2002 by Spider-Man).[65] It also became the fastest movie to reach the $200 million and $300 million mark, surpassing Independence Day and Titanic respectively.[66] The Phantom Menace was 1999's most successful film, earning more than $431 million in North America and $493 million elsewhere.[66] The worldwide total of $924 million makes it the ninth highest grossing film of all time.[67]

Awards

The Phantom Menace was nominated for three Academy Awards: Best Sound Effects, Best Visual Effects, and Best Sound, losing all three to The Matrix.[68] In contrast, the film received several pre-planned Golden Raspberry, or Razzie, nominations. These included Worst Picture, Worst Director, Worst Screenplay, Worst Supporting Actor (Jake Lloyd as Anakin), Worst Supporting Actress (Sofia Coppola as Saché), Worst Screen Couple (Jake Lloyd and Natalie Portman), and won the Worst Supporting Actor category with Jar Jar Binks actor Ahmed Best.[69] The film won Saturn Awards for Best Costumes and Best Special Effects,[70] the MTV Movie Award for Best Action Scene,[71] and a Young Artist Award for Jake Lloyd's performance.[72] It was also nominated for, among others, the BAFTAs in Visual Effects and Sound,[73] and the Grammy Award for Best Soundtrack.[74] Empire ranked The Phantom Menace 449th in a 2008 list of the 500 greatest movies of all time. [75]

Historical and cultural allusions

See also: Star Wars sources and analogues

Like previous Star Wars films, The Phantom Menace makes several references to both historical events and films from George Lucas's youth. The Star Wars movies typically mix several selected concepts from different mythologies and religions together.[76]

File:DevilMaul.jpg
The horns and tattoos of Darth Maul drew upon depictions of the Devil.

The Jedi Knights practice Zen-like mind training and martial arts, as did the ancient Japanese Samurai warriors. The name "Qui-Gon" paraphrases the term Qigong, which refers to a Chinese discipline involving meditation and the cultivation of an unseen force "Chi" or "Qi" for healing, health and combat. The words ki (Japanese) and chi (Chinese) are translations of the Indian term, "Prana", referring to the energy thought to flow through all living things from the source of all chi (or power) which is "The Way" or "The Tao" in Chinese philosophy. The Tao can be seen in Star Wars as The Way of the Force or the Force itself. The Force itself is one, though it has both a light and dark side. In Taoist philosophy The Way is understood to have two sides, yin and yang. Unlike Chinese philosophy, where yin and yang are not moral qualities, the ancient Persian philosophy of Zurvanism taught that the dualism of dark and light forces are locked in eternal battle while at the same time being two sides (or evolutes) of the same "Force", the force of time itself (Zurvan): the prime mover. These elements derive primarily from Eastern and Iranian religions and myths.[76]

There are many Christian and Biblical references in the film, such as the appearance of Darth Maul, whose design draws heavily from traditional depictions of the Christian Devil, complete with red skin and horns.[76] The Star Wars film cycle features a similar religious narrative involving Anakin Skywalker, a "chosen one" conceived of a virgin birth, who is tempted to join the Sith. This action seemingly prevents him from fulfilling his duty as the "Chosen One" — the individual prophesied to destroy the Sith. The inspiration behind the story of the "virgin birth" parallels a concept developed by Joseph Campbell and his work on The Hero with a Thousand Faces, the same work that heavily influenced Lucas in his writing of the original Star Wars trilogy.[76]

Japanese film such as Akira Kurosawa's The Hidden Fortress was a source of inspiration for Star Wars Episode IV: A New Hope, and scholars point out that The Phantom Menace was likewise influenced by Japanese culture. Film historians Geoff King and Tanya Krzywinska assert, "The costume and make-up designs ... favour a mixture of the gothic and the oriental over anything very futuristic. The gothic is most strongly apparent in Darth Maul's demonic horns and the red and black make-up mask that borrows from the facial designs found in depictions of Japanese demons." King and Krzywinska note that "Qui-Gon's pony tail and Obi-Wan's position of apprentice further encourage a reading in terms of the Samurai tradition." Finally, "Amidala, in keeping with her status and character, has a number of highly formal outfits ... to go with hair sculpted into a curve that frames make-up of a Japanese cast."[77]

Soundtrack

Main article: Star Wars Episode I: The Phantom Menace (soundtrack)

The soundtrack for the film was released by Sony Classical on May 4, 1999. As with previous Star Wars installments, the score was composed and conducted by John Williams. He began recording the score with the London Voices and London Symphony Orchestra at Abbey Road Studios on February 10, 1999. This album featured the score restructured by the composer as a listening experience, it is therefore not in film order and omits many notable cues from the film due to space restrictions of a compact disc. A two-disc "Ultimate Edition" was released on November 14, 2000. The set features the entire score as it is heard in the film, including all of the edits and loops that were made for the sound mix. This is particularly apparent at the conclusion of the second disc, where extensive re-editing of the film meant a lot of cuts in the music that would have been hidden under sound effects, as well as extensive tracking of "Duel of the Fates", which was originally recorded for the album. The original soundtrack CD has full takes of many cues that appear truncated on the "Ultimate Edition."

The popular track "Duel of the Fates" is one of the few choral pieces in Star Wars music. The chorus was introduced to give a religious, temple-like feel to the epic lightsaber duel. The theme was later put to a music video that is available on the DVD.[78] The film score received a 2000 Grammy Award nomination.[74]

Novelization

Main article: Star Wars Episode I: The Phantom Menace (novel)

A novelization of the film was written by Terry Brooks. Brooks met with Lucas before writing the book and received his approval and guidance, including information about impending developments in Star Wars Episode II: Attack of the Clones and Star Wars Episode III: Revenge of the Sith. This is evident in the passage on Tusken Raiders (which foreshadows the death of Anakin's mother in Attack of the Clones), and in the events leading up to Anakin's fight with the Rodian child Greedo; these events indicate that Anakin's anger derives from his anguish at Padmé's impending departure (foreshadowing the plot of Revenge of the Sith).

The novel includes three chapters of material created by Brooks solely for the novel. The first two chapters of the book concern Anakin's next-to-last Podrace and its aftermath; a later chapter describes an encounter between Anakin and a wounded Tusken Raider in the desert. The novelization features one of the first descriptions of the history of the Sith; it is the first Star Wars novel to mention the ancient Sith Lord Darth Bane, who would later become an important character in the franchise's "Expanded Universe" of novels and comic books.[79] According to Terry Brooks' memoir, Sometimes the Magic Works, Lucas spent an hour on the telephone with him discussing the history of the Jedi and the Sith. Therefore, the information on this subject provided in Brooks' novelization can be presumed to derive from Lucas. Brooks devotes an entire chapter of Sometimes the Magic Works to the writing of The Phantom Menace's novelization.

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Notes

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Preceded by Box office number-one films of 1999 (US)
May 23 - June 6 		Succeeded by
Box office number-one films of 1999 (UK)
July 18, 1999 – July 25, 1999
August 22, 1999
Preceded by Succeeded by

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