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{{Use dmy dates|date=March 2014}}
{{Use dmy dates|date=March 2014}}
This is a '''list of avant-garde metal artists''', regional scenes, and record labels. [[Avant-garde metal]] or avant-metal, also known as experimental metal, is a subgenre of heavy metal music loosely defined by use of experimentation and characterized by the use of innovative, avant-garde elements, large-scale experimentation, and the use of non-standard and unconventional sounds, instruments, song structures, playing styles, and [[Singing|vocal]] techniques. It evolved out of [[progressive rock]] and various forms of metal, including [[extreme metal]], particularly the extreme subgenre [[death metal]]. Some early examples are the [[King Crimson]] releases ''[[Larks' Tongues in Aspic]]'' and ''[[Red (King Crimson album)|Red]]'' in 1973 and 1974 respectively,<ref name=kingcrimson>{{cite web|last=Fricke|first=David|title=Alternate Take: King Crimson's Royal Remix Treatment|url=http://www.rollingstone.com/music/blogs/alternate-take/alternate-take-king-crimsons-royal-remix-treatment-20100329|work=[[Rolling Stone]]|publisher=[[Jann Wenner]]|accessdate=27 April 2012|date=29 March 2010|quote=...later turned up on the 1973 avant-metal killer Larks' Tongues in Aspic.}} {{cite book|title=The Mojo Collection:|publisher=[[Canongate Books]]|isbn=184767643X|url=https://books.google.com/books?id=AVQbF9lTBwgC&printsec=frontcover#v=onepage&q&f=false|author=''Mojo''|edition=4|authorlink=Mojo (magazine)|accessdate=27 April 2012|page=337|chapter=4|date=1 November 2007}}</ref> and the 1976 [[Led Zeppelin]] album ''[[Presence (album)|Presence]]''.<ref name=ledzeppelin>{{cite web|last=Fricke|first=David|title=Aenima|url=http://www.rollingstone.com/music/albumreviews/aenima-19961205|work=[[Rolling Stone]]|publisher=[[Jann Wenner]]|accessdate=27 April 2012|date=5 December 1996|quote=Still, the best parts of Ænima come when Tool just let the music rip and dip with the broiling, avant-metal ferocity of Led Zeppelin's Presence.}}</ref> The genre emerged in the early 1980s through the efforts of bands such as [[Celtic Frost]] and [[Voivod (band)|Voivod]], who pioneered the genre.<ref name=pioneer>Wagner 2010, pp. 109, 117.</ref> Other pioneers of avant-garde metal include [[Boris (band)|Boris]],<ref name=headymetal/> [[Earth (American band)|Earth]],<ref name=Earth>{{cite web|last=Cummins|first=Johnson|title=ALBUM OF THE WEEK|url=http://www.montrealmirror.com/wp/2012/03/01/music-reviews-71/|work=[[Montreal Mirror]]|publisher=[[Quebecor]]|accessdate=22 March 2012|date=1 March 2012}}</ref> [[Helmet (band)|Helmet]],<ref name=helmet>{{cite web|last=Senft|first=Michael|title=Warped Tour a hit in new digs|url=http://www.azcentral.com/ent/music/articles/0706warpedrevu0705.html|work=[[The Arizona Republic]]|publisher=[[Gannett Company]]|accessdate=28 March 2012|date=6 July 2006|quote=Early arrivals were able to see experimental metal pioneers Helmet as well as retro punks the Casualties.}}</ref> [[maudlin of the Well]],<ref name=maudlin>Wagner 2010, p. 308.</ref> [[Neurosis (band)|Neurosis]],<ref name=Q&A>{{cite web|last=Guyre|first=Jen|title=Exclusive: Neurosis Q&A|url=http://blog.rhapsody.com/2008/02/exclusive-neurosis-qa.html|work=[[Rhapsody (online music service)|Rhapsody]]|accessdate=30 March 2012|date=8 February 2008}}</ref> [[Sunn O)))]],<ref>{{cite web|last=Yuan|first=Henry|title=Sunn O))) to Curate Roadburn Festival 2011|url=http://www.revolvermag.com/news/sunn-o-to-curate-roadburn-festival-2011.html|work=[[Revolver (magazine)|Revolver]]|publisher=[[Future US]]|accessdate=7 August 2011|date=17 April 2010|quote=Their metal-based drone experiments have proved groundbreaking and hugely influential for an entire new generation of musicians practicing the art of avant-garde metal, drone, post rock and psychedelia.}}</ref> and [[Mr. Bungle]].<ref>{{Cite web|url = http://www.houstonpress.com/music/faith-no-more-is-backcould-mr-bungle-be-next-7623675|title = Faith No More is Back...Could Mr. Bungle Be Next?|date = 28 July 2015|accessdate = 10 October 2015|website = [[Houston Press]]|publisher = [[Voice Media Group]]|last = Deiterman|first = Corey}}</ref> In the late 1990s, [[Misanthropy Records]] emerged as a promoter of Norwegian avant-garde metal until it folded in 2000,<ref name=avantgardelabels>Wagner 2010, pp. 301–302.</ref> and, according to Jeff Wagner, in the late 1990s and early 2000s, a so-called "new wave of avant-garde metal" was spearheaded by [[The End Records]].<ref name=avantgardelabels/> Some other record labels which promote avant-garde metal are Aurora Borealis,<ref name=aurora>{{cite web|last=Wilson|first=Richard|title=The Haxan Cloak|url=http://www.allmusic.com/artist/the-haxan-cloak-mn0002687709|work=[[Allmusic]]|publisher=[[Rovi Corporation]]|accessdate=19 June 2013|quote=Distributed by experimental metal label Aurora Borealis, the release earned Krlic a recording deal with the London-based company.}}</ref> The Flenser,<ref name=flenser>{{cite web|title=THE FLENSER to Release Debut from Animate Metal Sorcerers SEIDR|url=http://www.blabbermouth.net/news.aspx?mode=Article&newsitemID=152931|work=[[Blabbermouth.net]]|publisher=[[Roadrunner Records]]|accessdate=28 March 2012|date=27 January 2011}}</ref> [[Holy Records]],<ref name=holy>Wagner 2010, p. 344.</ref> [[Hydra Head Records]],<ref name=hydra>{{cite web|last=Brown|first=August|title=In a digital age, vinyl's making a comeback|url=http://articles.latimes.com/2009/apr/26/entertainment/et-vinyl26|work=[[Los Angeles Times]]|publisher=[[Tribune Company]]|accessdate=28 March 2012|page=2|date=26 August 2009|quote=...said co-owner Mark Thompson, who also co-founded and runs the experimental-metal label Hydra Head Records.}}</ref> [[Ipecac Recordings]],<ref name=ipecac>{{cite web|last=Ruggiero|first=Bob|title=Unsane|url=http://www.houstonpress.com/2007-06-14/music/unsane/full/|work=[[Houston Press]]|publisher=[[Voice Media Group]]|accessdate=19 June 2013|date=14 June 2007}}</ref> [[Napalm Records]],<ref name=draconian>{{cite web|last=Palmerston|first=Sean|title=Draconian Where Lovers Mourn|url=http://exclaim.ca/Reviews/Metal/draconian-where_lovers_mourn|work=[[Exclaim!]]|publisher=Ian Danzig|accessdate=27 March 2012|date=December 2003}}</ref> the Relapse Entertainment imprint of [[Relapse Records]],<ref name=relapse>{{cite journal|last=Reesman|first=Brian|title=Hard Music Billboard Spotlight: Indies vs. Majors: Surviving in a Nu-Metal World|journal=[[Billboard (magazine)|Billboard]]|date=1 December 2001|volume=113|issue=48|url=https://books.google.com/books?id=JRIEAAAAMBAJ&printsec=frontcover#v=onepage&q&f=false|accessdate=27 April 2012|page=23|publisher=[[Nielsen Business Media]]|issn=0006-2510}}</ref> [[Seventh Rule Recordings]],<ref name=seventhrule>{{cite web|last=Bowar|first=Chad|title=5 Questions with Wizard Rifle|url=http://heavymetal.about.com/b/2012/02/26/5-questions-with-wizard-rifle.htm|work=[[About.com]]|publisher=[[The New York Times Company]]|accessdate=19 June 2013|quote=We'd like to give a shout out to Seventh Rule and the striking, experimental metal acts coming from this label}}</ref> and [[Southern Lord Records]].<ref name=southernlord>{{cite journal|last=Martens|first=Todd|title=Indies on the Verge|journal=[[Billboard (magazine)|Billboard]]|date=6 January 2007|volume=119|issue=1|page=27|url=https://books.google.com/books?id=mBIEAAAAMBAJ&printsec=frontcover#v=onepage&q&f=false|accessdate=20 June 2013|publisher=[[Nielsen Business Media]]|issn=0006-2510}}</ref> In the United States, local avant-garde metal scenes have emerged in the [[San Francisco Bay Area]], with bands such as [[Giant Squid (band)|Giant Squid]], [[Grayceon]], and [[Ludicra]],<ref name=bayarea>{{cite web|last=Smith|first=Chris|title=Rehab of a strung-out musical scene|url=http://www.sanfranmag.com/story/rehab-of-a-strung-out-musical-scene|publisher=San Francisco Magazine|accessdate=7 August 2011|date=July 2011|postscript= }}; {{cite web|last=Smith|first=Chris|title=Our avant-garde metal scene|url=http://www.ca-smith.net/blog/2011/07/our-avant-garde-metal-scene/|publisher=ca-smith.net|accessdate=7 August 2011|date=6 July 2011}}</ref> [[Boston]], with bands such as [[Isis (band)|Isis]], [[Kayo Dot]], and maudlin of the Well and [[Seattle]].<ref name=seattle>{{cite web|last=Maerz|first=Jennifer|title=Metal Magicians|url=http://www.thestranger.com/seattle/metal-magicians/Content?oid=16629&show=comments|work=[[The Stranger (newspaper)|The Stranger]]|publisher=Index Newspapers|accessdate=19 June 2013|date=18 December–24 December 2003}}</ref> According to the ''[[New York Times]]'', some regional scenes that developed in the mid-1990s included the cities of [[Tokyo]], [[Los Angeles]], and [[Oslo]].<ref name=headymetal>{{cite web|last=Wray|first=John|title=Heady Metal|url=https://www.nytimes.com/2006/05/28/magazine/28artmetal.html?_r=1&pagewanted=all|work=[[New York Times]]|publisher=[[The New York Times Company]]|accessdate=28 March 2012|date=28 May 2006}}</ref>{{Use dmy dates|date=June 2013}}
This is a '''list of avant-garde metal artists''', regional scenes, and record labels. [[Avant-garde metal]] or avant-metal, also known as experimental metal, is a subgenre of heavy metal music loosely defined by use of experimentation and characterized by the use of innovative, avant-garde elements, large-scale experimentation, and the use of non-standard and unconventional sounds, instruments, song structures, playing styles, and [[Singing|vocal]] techniques. It evolved out of [[progressive rock]] and various forms of metal, including [[extreme metal]], particularly the extreme subgenre [[death metal]]. Some early examples are the [[King Crimson]] releases ''[[Larks' Tongues in Aspic]]'' and ''[[Red (King Crimson album)|Red]]'' in 1973 and 1974 respectively,<ref name=kingcrimson>{{cite web|last=Fricke|first=David|title=Alternate Take: King Crimson's Royal Remix Treatment|url=http://www.rollingstone.com/music/blogs/alternate-take/alternate-take-king-crimsons-royal-remix-treatment-20100329|work=[[Rolling Stone]]|publisher=[[Jann Wenner]]|accessdate=27 April 2012|date=29 March 2010|quote=...later turned up on the 1973 avant-metal killer Larks' Tongues in Aspic.}} {{cite book|title=The Mojo Collection:|publisher=[[Canongate Books]]|isbn=184767643X|url=https://books.google.com/books?id=AVQbF9lTBwgC&printsec=frontcover#v=onepage&q&f=false|author=''Mojo''|edition=4|authorlink=Mojo (magazine)|accessdate=27 April 2012|page=337|chapter=4|date=1 November 2007}}</ref> and the 1976 [[Led Zeppelin]] album ''[[Presence (album)|Presence]]''.<ref name=ledzeppelin>{{cite web|last=Fricke|first=David|title=Aenima|url=http://www.rollingstone.com/music/albumreviews/aenima-19961205|work=[[Rolling Stone]]|publisher=[[Jann Wenner]]|accessdate=27 April 2012|date=5 December 1996|quote=Still, the best parts of Ænima come when Tool just let the music rip and dip with the broiling, avant-metal ferocity of Led Zeppelin's Presence.}}</ref> The genre emerged in the early 1980s through the efforts of bands such as [[Celtic Frost]] and [[Voivod (band)|Voivod]], who pioneered the genre.<ref name=pioneer>Wagner 2010, pp. 109, 117.</ref> Other pioneers of avant-garde metal include [[Boris (band)|Boris]],<ref name=headymetal/> [[Earth (American band)|Earth]],<ref name=Earth>{{cite web|last=Cummins |first=Johnson |title=ALBUM OF THE WEEK |url=http://www.montrealmirror.com/wp/2012/03/01/music-reviews-71/ |work=[[Montreal Mirror]] |publisher=[[Quebecor]] |accessdate=22 March 2012 |date=1 March 2012 |deadurl=yes |archiveurl=https://web.archive.org/web/20120404151554/http://www.montrealmirror.com/wp/2012/03/01/music-reviews-71/ |archivedate=4 April 2012 |df=dmy-all }}</ref> [[Helmet (band)|Helmet]],<ref name=helmet>{{cite web|last=Senft|first=Michael|title=Warped Tour a hit in new digs|url=http://www.azcentral.com/ent/music/articles/0706warpedrevu0705.html|work=[[The Arizona Republic]]|publisher=[[Gannett Company]]|accessdate=28 March 2012|date=6 July 2006|quote=Early arrivals were able to see experimental metal pioneers Helmet as well as retro punks the Casualties.}}</ref> [[maudlin of the Well]],<ref name=maudlin>Wagner 2010, p. 308.</ref> [[Neurosis (band)|Neurosis]],<ref name=Q&A>{{cite web|last=Guyre |first=Jen |title=Exclusive: Neurosis Q&A |url=http://blog.rhapsody.com/2008/02/exclusive-neurosis-qa.html |work=[[Rhapsody (online music service)|Rhapsody]] |accessdate=30 March 2012 |date=8 February 2008 |deadurl=yes |archiveurl=https://web.archive.org/web/20111211122809/http://blog.rhapsody.com/2008/02/exclusive-neurosis-qa.html |archivedate=11 December 2011 |df=dmy-all }}</ref> [[Sunn O)))]],<ref>{{cite web|last=Yuan|first=Henry|title=Sunn O))) to Curate Roadburn Festival 2011|url=http://www.revolvermag.com/news/sunn-o-to-curate-roadburn-festival-2011.html|work=[[Revolver (magazine)|Revolver]]|publisher=[[Future US]]|accessdate=7 August 2011|date=17 April 2010|quote=Their metal-based drone experiments have proved groundbreaking and hugely influential for an entire new generation of musicians practicing the art of avant-garde metal, drone, post rock and psychedelia.}}</ref> and [[Mr. Bungle]].<ref>{{Cite web|url = http://www.houstonpress.com/music/faith-no-more-is-backcould-mr-bungle-be-next-7623675|title = Faith No More is Back...Could Mr. Bungle Be Next?|date = 28 July 2015|accessdate = 10 October 2015|website = [[Houston Press]]|publisher = [[Voice Media Group]]|last = Deiterman|first = Corey}}</ref> In the late 1990s, [[Misanthropy Records]] emerged as a promoter of Norwegian avant-garde metal until it folded in 2000,<ref name=avantgardelabels>Wagner 2010, pp. 301–302.</ref> and, according to Jeff Wagner, in the late 1990s and early 2000s, a so-called "new wave of avant-garde metal" was spearheaded by [[The End Records]].<ref name=avantgardelabels/> Some other record labels which promote avant-garde metal are Aurora Borealis,<ref name=aurora>{{cite web|last=Wilson|first=Richard|title=The Haxan Cloak|url=http://www.allmusic.com/artist/the-haxan-cloak-mn0002687709|work=[[Allmusic]]|publisher=[[Rovi Corporation]]|accessdate=19 June 2013|quote=Distributed by experimental metal label Aurora Borealis, the release earned Krlic a recording deal with the London-based company.}}</ref> The Flenser,<ref name=flenser>{{cite web|title=THE FLENSER to Release Debut from Animate Metal Sorcerers SEIDR|url=http://www.blabbermouth.net/news.aspx?mode=Article&newsitemID=152931|work=[[Blabbermouth.net]]|publisher=[[Roadrunner Records]]|accessdate=28 March 2012|date=27 January 2011}}</ref> [[Holy Records]],<ref name=holy>Wagner 2010, p. 344.</ref> [[Hydra Head Records]],<ref name=hydra>{{cite web|last=Brown|first=August|title=In a digital age, vinyl's making a comeback|url=http://articles.latimes.com/2009/apr/26/entertainment/et-vinyl26|work=[[Los Angeles Times]]|publisher=[[Tribune Company]]|accessdate=28 March 2012|page=2|date=26 August 2009|quote=...said co-owner Mark Thompson, who also co-founded and runs the experimental-metal label Hydra Head Records.}}</ref> [[Ipecac Recordings]],<ref name=ipecac>{{cite web|last=Ruggiero|first=Bob|title=Unsane|url=http://www.houstonpress.com/2007-06-14/music/unsane/full/|work=[[Houston Press]]|publisher=[[Voice Media Group]]|accessdate=19 June 2013|date=14 June 2007}}</ref> [[Napalm Records]],<ref name=draconian>{{cite web|last=Palmerston|first=Sean|title=Draconian Where Lovers Mourn|url=http://exclaim.ca/Reviews/Metal/draconian-where_lovers_mourn|work=[[Exclaim!]]|publisher=Ian Danzig|accessdate=27 March 2012|date=December 2003}}</ref> the Relapse Entertainment imprint of [[Relapse Records]],<ref name=relapse>{{cite journal|last=Reesman|first=Brian|title=Hard Music Billboard Spotlight: Indies vs. Majors: Surviving in a Nu-Metal World|journal=[[Billboard (magazine)|Billboard]]|date=1 December 2001|volume=113|issue=48|url=https://books.google.com/books?id=JRIEAAAAMBAJ&printsec=frontcover#v=onepage&q&f=false|accessdate=27 April 2012|page=23|publisher=[[Nielsen Business Media]]|issn=0006-2510}}</ref> [[Seventh Rule Recordings]],<ref name=seventhrule>{{cite web|last=Bowar|first=Chad|title=5 Questions with Wizard Rifle|url=http://heavymetal.about.com/b/2012/02/26/5-questions-with-wizard-rifle.htm|work=[[About.com]]|publisher=[[The New York Times Company]]|accessdate=19 June 2013|quote=We'd like to give a shout out to Seventh Rule and the striking, experimental metal acts coming from this label}}</ref> and [[Southern Lord Records]].<ref name=southernlord>{{cite journal|last=Martens|first=Todd|title=Indies on the Verge|journal=[[Billboard (magazine)|Billboard]]|date=6 January 2007|volume=119|issue=1|page=27|url=https://books.google.com/books?id=mBIEAAAAMBAJ&printsec=frontcover#v=onepage&q&f=false|accessdate=20 June 2013|publisher=[[Nielsen Business Media]]|issn=0006-2510}}</ref> In the United States, local avant-garde metal scenes have emerged in the [[San Francisco Bay Area]], with bands such as [[Giant Squid (band)|Giant Squid]], [[Grayceon]], and [[Ludicra]],<ref name=bayarea>{{cite web|last=Smith|first=Chris|title=Rehab of a strung-out musical scene|url=http://www.sanfranmag.com/story/rehab-of-a-strung-out-musical-scene|publisher=San Francisco Magazine|accessdate=7 August 2011|date=July 2011|postscript= }}; {{cite web|last=Smith|first=Chris|title=Our avant-garde metal scene|url=http://www.ca-smith.net/blog/2011/07/our-avant-garde-metal-scene/|publisher=ca-smith.net|accessdate=7 August 2011|date=6 July 2011}}</ref> [[Boston]], with bands such as [[Isis (band)|Isis]], [[Kayo Dot]], and maudlin of the Well and [[Seattle]].<ref name=seattle>{{cite web|last=Maerz|first=Jennifer|title=Metal Magicians|url=http://www.thestranger.com/seattle/metal-magicians/Content?oid=16629&show=comments|work=[[The Stranger (newspaper)|The Stranger]]|publisher=Index Newspapers|accessdate=19 June 2013|date=18 December–24 December 2003}}</ref> According to the ''[[New York Times]]'', some regional scenes that developed in the mid-1990s included the cities of [[Tokyo]], [[Los Angeles]], and [[Oslo]].<ref name=headymetal>{{cite web|last=Wray|first=John|title=Heady Metal|url=https://www.nytimes.com/2006/05/28/magazine/28artmetal.html?_r=1&pagewanted=all|work=[[New York Times]]|publisher=[[The New York Times Company]]|accessdate=28 March 2012|date=28 May 2006}}</ref>{{Use dmy dates|date=June 2013}}


{{Dynamic list}}
{{Dynamic list}}
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===K===
===K===
* [[Kayo Dot]]<ref>{{cite web |author=Sharpe-Young, Garry |title=Kayo Dot |url=http://www.musicmight.com/artist/united+states/massachusetts/boston/kayo+dot |publisher=[[MusicMight]] |accessdate=30 April 2010}}</ref><ref>{{cite web|last=Villanueva|first=Justina|title=Kayo Dot Get Former Guitarist to Play 'Choirs of the Eye' Again|url=http://www.noisecreep.com/2010/02/18/kayo-dot-get-former-guitarist-to-play-choirs-of-the-eye-again/|work=[[Noisecreep]]|publisher=[[AOL]]|accessdate=6 August 2011|date=18 February 2010}}</ref>
* [[Kayo Dot]]<ref>{{cite web |author=Sharpe-Young, Garry |title=Kayo Dot |url=http://www.musicmight.com/artist/united+states/massachusetts/boston/kayo+dot |publisher=[[MusicMight]] |accessdate=30 April 2010}}</ref><ref>{{cite web|last=Villanueva|first=Justina|title=Kayo Dot Get Former Guitarist to Play 'Choirs of the Eye' Again|url=http://www.noisecreep.com/2010/02/18/kayo-dot-get-former-guitarist-to-play-choirs-of-the-eye-again/|work=[[Noisecreep]]|publisher=[[AOL]]|accessdate=6 August 2011|date=18 February 2010}}</ref>
* [[Kekal]]<ref>{{cite web |author=Bowar, Chad |title=Kekal - The Habit of Fire Review - About.com |url=http://heavymetal.about.com/od/cdreviews/fr/kekalhabitoffir.htm |website=[[About.com]]|publisher=[[The New York Times Company]]|accessdate=29 May 2010}}</ref><ref>{{cite web |url=http://www.soundonsound.com/sos/nov07/articles/playback_1107.htm |title= Playback: November 2007 |author=Inglis, Sam |date=November 2007 |work=[[Sound on Sound]] |publisher=Open Publishing |accessdate=26 August 2010}}</ref><ref>{{cite web|last=Stevenson|first=Stewart|title=Kekal - 1000 Thoughts of Violence|url=http://www.hmmagazine.com/reviews/album/k/kekal1203.php|publisher=[[HM Magazine]]|accessdate=25 March 2011}}</ref>
* [[Kekal]]<ref>{{cite web |author=Bowar, Chad |title=Kekal - The Habit of Fire Review - About.com |url=http://heavymetal.about.com/od/cdreviews/fr/kekalhabitoffir.htm |website=[[About.com]]|publisher=[[The New York Times Company]]|accessdate=29 May 2010}}</ref><ref>{{cite web |url=http://www.soundonsound.com/sos/nov07/articles/playback_1107.htm |title= Playback: November 2007 |author=Inglis, Sam |date=November 2007 |work=[[Sound on Sound]] |publisher=Open Publishing |accessdate=26 August 2010}}</ref><ref>{{cite web|last=Stevenson |first=Stewart |title=Kekal - 1000 Thoughts of Violence |url=http://www.hmmagazine.com/reviews/album/k/kekal1203.php |publisher=[[HM Magazine]] |accessdate=25 March 2011 |deadurl=yes |archiveurl=https://web.archive.org/web/20110610093958/https://www.hmmagazine.com/reviews/album/k/kekal1203.php |archivedate=10 June 2011 |df=dmy-all }}</ref>
* [[Khanate (band)|Khanate]]<ref>{{cite web|last=Purcell|first=Sherel|title=Montreal Music - Music in Montreal|url=http://gomontreal.about.com/od/montrealbarsandclubs/a/MontrealMusic.htm|work=[[About.com]]|publisher=[[The New York Times Company]]|accessdate=20 March 2012}}</ref>
* [[Khanate (band)|Khanate]]<ref>{{cite web|last=Purcell|first=Sherel|title=Montreal Music - Music in Montreal|url=http://gomontreal.about.com/od/montrealbarsandclubs/a/MontrealMusic.htm|work=[[About.com]]|publisher=[[The New York Times Company]]|accessdate=20 March 2012}}</ref>
* [[Khlyst]]<ref>{{cite web |author=Bowar, Chad |title=Khlyst - Chaos Is My Name Review |url=http://heavymetal.about.com/od/cdreviews/fr/khlyst.htm|website=[[About.com]]|publisher=[[The New York Times Company]]|accessdate=19 June 2013}}</ref>
* [[Khlyst]]<ref>{{cite web |author=Bowar, Chad |title=Khlyst - Chaos Is My Name Review |url=http://heavymetal.about.com/od/cdreviews/fr/khlyst.htm|website=[[About.com]]|publisher=[[The New York Times Company]]|accessdate=19 June 2013}}</ref>

Revision as of 16:51, 24 March 2017

This is a list of avant-garde metal artists, regional scenes, and record labels. Avant-garde metal or avant-metal, also known as experimental metal, is a subgenre of heavy metal music loosely defined by use of experimentation and characterized by the use of innovative, avant-garde elements, large-scale experimentation, and the use of non-standard and unconventional sounds, instruments, song structures, playing styles, and vocal techniques. It evolved out of progressive rock and various forms of metal, including extreme metal, particularly the extreme subgenre death metal. Some early examples are the King Crimson releases Larks' Tongues in Aspic and Red in 1973 and 1974 respectively,[1] and the 1976 Led Zeppelin album Presence.[2] The genre emerged in the early 1980s through the efforts of bands such as Celtic Frost and Voivod, who pioneered the genre.[3] Other pioneers of avant-garde metal include Boris,[4] Earth,[5] Helmet,[6] maudlin of the Well,[7] Neurosis,[8] Sunn O))),[9] and Mr. Bungle.[10] In the late 1990s, Misanthropy Records emerged as a promoter of Norwegian avant-garde metal until it folded in 2000,[11] and, according to Jeff Wagner, in the late 1990s and early 2000s, a so-called "new wave of avant-garde metal" was spearheaded by The End Records.[11] Some other record labels which promote avant-garde metal are Aurora Borealis,[12] The Flenser,[13] Holy Records,[14] Hydra Head Records,[15] Ipecac Recordings,[16] Napalm Records,[17] the Relapse Entertainment imprint of Relapse Records,[18] Seventh Rule Recordings,[19] and Southern Lord Records.[20] In the United States, local avant-garde metal scenes have emerged in the San Francisco Bay Area, with bands such as Giant Squid, Grayceon, and Ludicra,[21] Boston, with bands such as Isis, Kayo Dot, and maudlin of the Well and Seattle.[22] According to the New York Times, some regional scenes that developed in the mid-1990s included the cities of Tokyo, Los Angeles, and Oslo.[4]

This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources.

Record labels

Regional scenes

Artists

0–9

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

V

W

Y

Z

See also

Notes

  1. ^ a b Fricke, David (29 March 2010). "Alternate Take: King Crimson's Royal Remix Treatment". Rolling Stone. Jann Wenner. Retrieved 27 April 2012. ...later turned up on the 1973 avant-metal killer Larks' Tongues in Aspic. Mojo (1 November 2007). "4". The Mojo Collection: (4 ed.). Canongate Books. p. 337. ISBN 184767643X. Retrieved 27 April 2012.
  2. ^ a b c Fricke, David (5 December 1996). "Aenima". Rolling Stone. Jann Wenner. Retrieved 27 April 2012. Still, the best parts of Ænima come when Tool just let the music rip and dip with the broiling, avant-metal ferocity of Led Zeppelin's Presence.
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References

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