Fujiko Fujio

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Fujiko F. Fujio
Native name
藤本 弘 (Fujimoto Hiroshi)
BornHiroshi Fujimoto
(1933-12-01)December 1, 1933
Takaoka, Toyama, Japan[1]
DiedSeptember 23, 1996(1996-09-23) (aged 62)[1][2]
Shinjuku, Tokyo, Japan
Resting placeMidorigaoka, Japan [3]
OccupationManga artist
NationalityJapanese
Notable worksDoraemon
Obake no Q-tarō
See list
Notable awardsShogakukan Manga Award (1963, 1982)
Tezuka Osamu Cultural Prize (1997)
Years active1951–96
Fujiko A. Fujio
Native name
安孫子 素雄 (Abiko Motoo)
BornMotoo Abiko
(1934-03-10) March 10, 1934 (age 85)
Himi, Toyama, Japan
OccupationManga artist
NationalityJapanese
Notable worksNinja Hattori-kun
Obake no Q-tarō
See list
Notable awardsShogakukan Manga Award (1963, 1982)
Years active1951–present

Fujiko Fujio (藤子 不二雄, Fujiko Fujio) was a pen name of a manga writing duo formed by two Japanese manga artists. Their real names are Hiroshi Fujimoto (藤本 弘, Fujimoto Hiroshi, 1933–96) and Motoo Abiko (安孫子 素雄, Abiko Motoo, 1934–). They formed their partnership in 1951, and used the Fujiko Fujio name from 1954 until dissolution of the partnership in 1987.

From the outset they adopted a collaborative style where both worked simultaneously on the story and artwork, but as they diverged creatively they started releasing individual works under different names, Abiko as Fujiko A. Fujio (藤子不二雄Ⓐ, Fujiko Fujio Ē), and Fujimoto as Fujiko F. Fujio (藤子・F・不二雄, Fujiko Efu Fujio). Throughout their career they won many individual and collaborative awards, and are best known for creating the popular and long-running series Doraemon, the main character of which is officially recognized as a cultural icon of modern Japan.[4] Some influences of most of their projects are the works of acclaimed manga artist Osamu Tezuka and many US cartoons and comic books - including the works of Hanna-Barbera.

Biography[edit]

Hiroshi Fujimoto and Motoo Abiko were both from Toyama Prefecture. Fujimoto was born on December 1, 1933 and Abiko on March 10, 1934. Abiko transferred to Fujimoto's elementary school in Takaoka City and happened to see Fujimoto drawing in a notebook. The two became lifelong friends, and during the early years of their friendship kept their illustrations hidden from friends and classmates out of embarrassment.

In junior high school they were greatly influenced by Osamu Tezuka and his manga series Shin Takarajima. Fujimoto built a homemade episcope and together they wrote a piece for it called Tenküma, which was their first collaborate work. They started submitting work to periodicals such as Manga Shōnen and opened a joint savings account through Japan Post to which they both contributed funds and which they used to purchase art supplies. They two divided all income and expenses equally between each other, a practice they continued throughout the life of their partnership.

In high school they made their publishing debut, Tenshi no Tama-chan being adopted for serialization by Mainichi Shogakusei Shimbun in 1951. That same year they paid a visit to Tezuka's residence in Takarazuka, Hyōgo and showed him illustrations for their work titled Ben Hur. Tezuka complimented the two, some years later commenting that he knew then they were going to be major figures in the manga industry. Abiko and Fujimoto treasured the meeting with the respected Tezuka, and kept the Ben Hur illustrations for their entire lives. It was at this time they decided to make their partnership permanent, initially adopting the name Tezuka Fujio out of respect, later changing this to Azhizuka Fujio when they perceived adoption of the Tezuka name as too close to that of their idol.

Because both Fujimoto and Abiko were both eldest sons, they decided to take company jobs after graduating from high school in 1952. Fujimoto found employment with a confectionery company, and Abiko began working for the Toyama Newspaper Company. However, Fujimoto suffered a workplace injury when an arm was caught in machinery, and he quit within a matter of days. Fujimoto then dedicated his time to submitting work to periodicals, with Abiko assisting him on the weekends. Their first serial as Ashizuka Fujio was terminated in a few episodes, followed by success with the post-apocalyptic science fiction series Utopia: The Last World War (UTOPIA—最後の世界大戦, UTOPIA: Saigo no Sekai Taisen).

They elected to move to Tokyo in 1954 as professional manga artists at Fujimoto's urging, Abiko only reluctantly as he had steady employment at the Toyama Newspaper Company. Their first place of residence was a two-tatami mat room at the home of one of Abiko's relatives in Koto, Tokyo. Together with Hiroo Terada and several other manga artists of the period, they formed a collaborative group called New Manga Party (新漫画党, Shin Manga-To). Moving into the Tokiwa-sō apartment complex where the group was based, they enjoyed a period of productivity that had Fujimoto and Abiko carry up to six serials a month for publication.

The workload proved excessive, and in 1955 on return to Toyama for Japanese New Year the pair missed all the deadlines for their serials. The loss of credibility with publishers hurt Fujimoto and Abiko for over a year, during which time they concentrated on solo projects, purchasing a television set in Akihabara and making independent films with an 8mm camera. By 1959 they left Tokiwa-sō and eventually moved to Kawasaki in Kanagawa Prefecture. Fujimoto found time to get married in 1962, at the age of 28.

In 1963 Fujimoto and Abiko established Studio Zero with Shin'ichi Suzuki, Shotaro Ishinomori, Jiro Tsunoda, and Kiyoichi Tsunoda. Later Fujio Akatsuka joined, and at its peak the studio employed about 80 people. The studio produced several animated films such as Astro Boy. For Fujimoto and Abiko these were some of their most productive years, resulting in series such as Obake no Q-Taro which eventually were made into anime series on television. It was at this time that Abiko started making manga for a more mature audience, with titles such as Teresa Tang and Kuroi Salesman. Abiko got married in 1966 at the age of 32. Fujimoto concentrated on titles for children, with a particular interest in science fiction.

Doraemon was created in 1969 and immediately surged in popularity with children in Japan. CoroCoro Comic released its first issue in 1977 to showcase the works of Fujiko Fujio. With syndication of Doraemon on TV Asahi in 1979, a surge of popularity saw up to a dozen collaborative and solo works by Fujimoto and Abiko picked up for publication and syndication throughout the 1980s. Doraemon is the only work by the duo to ever get an official release in English-speaking countries, most notably the United States. But English dubs of work such as Perman and Ninja Hattori-kun aired in Asia.

In 1987, citing creative differences[citation needed] Fujimoto and Abiko ended their long partnership to concentrate on solo projects. Remaining close friends, they both worked under a company called Fujiko Productions and based their studios in adjoining buildings. Abiko concentrated on work incorporating more black humor while Fujimoto focused on works for tweens. According to Abiko,[citation needed] the cause for the dissolution of the partnership was due to Fujimoto discovering he had liver cancer and heart disease in 1986, and the desire of both Fujimoto and Abiko to settle issues of copyright and finances before Fujimoto's death in 1996.

A documentary was aired on TV Asahi on February 19, 2006 chronicling the life and times of Fujiko Fujio.

A Fujiko F. Fujio museum opened in Kawasaki on September 3, 2011, which features a reproduction of Fujio's studio and a display of their artwork.[5]

Awards[edit]

Works[edit]

Fujiko Fujio's works[edit]

Japanese Title English Title Year
UTOPIA Saigo no Sekai Taisen (UTOPIA 最後の世界大戦) UTOPIA the Final World War 1953
Obake no Q-Tarō (オバケのQ太郎) Little Ghost Q-Taro 1964–66, 1971–74

Fujiko F. Fujio's works[edit]

Japanese Title English Title Year
Tebukuro Tetchan (てぶくろてっちゃん) 1960–63
Susume Roboketto (すすめロボケット) Susume Roboket 1962–65
Pāman (パーマン) Perman 1967–68, 1983–86
21 Emon (21エモン) 21 Emon: The 21st Century Kid 1968
Sūpā-san (スーパーさん) Super-san 1968
Doraemon (ドラえもん) Doraemon 1969–96
Mojakō (モジャ公) Mojacko 1969–70
Umeboshi Denka (ウメ星デンカ) 1969
Bonomu: Sokonuke-san (ボノム =底ぬけさん=) 1970
Dojita Dojirō no Kōun (ドジ田ドジ郎の幸運) Dojita Dojiro's Lucks 1970
Jijinuki (じじぬき) 1970
Dobinson Hyōryūki (ドビンソン漂流記) 1971–72
Jibun Kaigi (自分会議) Self Meeting 1972
Janguru Kurobē (ジャングル黒べえ) Jungle Kurobe 1973
Pajamaman (パジャママン) 1973–74
Akage no Anko (赤毛のアン子)[8] 1974
Kiteretsu Daihyakka (キテレツ大百科) Kiteretsu Encyclopedia 1974–77
Mikio to MIKIO (みきおとミキオ) Mikio and MIKIO 1974–75
Nosutarujī (ノスタル爺) Nostalji 1974
Zō-kun to Risu-chan (ぞうくんとりすちゃん) Zo-kun and Risu-chan 1974
3 Man 3 Zen Hēbē (3万3千平米) 33,000 Square Meters 1975
4 Jigen Bō P-Poko (4じげんぼうPポコ) 1975–76
Hitoribotchi no Uchū Sensō (ひとりぼっちの宇宙戦争) Lone War of the Worlds 1975
Pokonyan (ポコニャン) Rocky Rackat! 1975–78
Bakeru-kun (バケルくん) 1976
Baubau Daijin (バウバウ大臣) Minister Bowbow 1976
Kyaputen Bon (きゃぷてんボン) Captain Bon 1976
U-Bō (Uボー) 1976–78
Urutora-Sūpā-Derakkusuman (ウルトラ・スーパー・デラックスマン) Ultra-Super-Deluxeman 1976
Uchūjin Repōto: Sampuru A to B (宇宙人レポート サンプルAとB) Alien Report: Sample A and B 1977
Chūnen Sūpāman Saenai-shi (中年スーパーマン左江内氏) Middle-aged Superman Mr. Saenai 1977–78
Esupā Mami (エスパー魔美) Mami the Psychic 1977–82
Ano Baka wa Kōya wo Mezasu (あのバカは荒野をめざす) 1978
T.P. Bon (T・Pぼん) 1978
Aitsu no Taimu Mashin (あいつのタイムマシン) His Time Machine 1979
Mira-kuru-1 (ミラ・クル・1) Mira-cle-1 1979
Aru Hi... (ある日……) One Day... 1982
Shikaikyō (四海鏡) Worldscope 1982
Chū-Poko (宙ポコ) 1983
Chūken Toppi (宙犬トッピ) Toppi the Space Puppy 1984
Chimpui (チンプイ) 1985, 1987–88
Mirai no Omoide (未来の想い出) Memories of the Future 1991
Ijin Andoro-shi (異人アンドロ氏) Alien Mr. Andro 1995

Fujiko A. Fujio's works[edit]

Japanese Title English Title Year
Fūta-kun (フータくん) 1964–67
Ninja Hattori-kun (忍者ハットリくん) Ninja Hattori 1964–71
Surī Z Men (スリーZメン) Three Z Men 1964–65
Wakatono (わかとの) 1964–68
Kaibutsu-kun (怪物くん) The Monster Kid 1965–69
Warau Sērusuman (笑ゥせぇるすまん) The Laughing Salesman 1968–71
Biriken (ビリ犬) 1969, 1989
Kurobē (黒ベエ) 1969–70
Gekiga Mō Takutō Den (劇画毛沢東伝) 1969
Matarō ga Kuru!! (魔太郎がくる!!) Mataro is Coming!! 1972–75
Ai Nusubito (愛ぬすびと) Love Thief 1973
Sasurai-kun (さすらいくん) 1973–81
Puro Gorufā Saru (プロゴルファー猿) Saru the ProGolfer[9] 1974–80
Misu Dorakyura (ミス・ドラキユラ) Miss Dracula 1975
Manga Michi (まんが道) 1977–82
Shōnen Jidai (少年時代) Childhood Days 1978–79
Yume Tonneru (夢トンネル) Dream Tunnel 1983–84
Urutora B (ウルトラB) Ultra B 1984–89
Parasoru Hembē (パラソルヘンべえ) Parasol Henbe 1989–91
Hoā!! Koike-san (ホアー!! 小池さん) 1998–2001
PARman no Jōnetsuteki na Hibi (PARマンの情熱的な日々) 2007–present

References[edit]

  1. ^ a b まんがseek・日外アソシエーツ共著『漫画家人名事典』日外アソシエーツ、2003年2月25日初版発行、ISBN 4-8169-1760-8、323–24頁
  2. ^ http://www.ign.com/articles/1996/10/02/doraemon-creator-dies
  3. ^ http://thumbnail-of-life.blogspot.com/2010/07/doraemons-grave.html
  4. ^ "Doraemon named 'anime ambassador'". Japan Today. March 17, 2008. Retrieved February 23, 2012.
  5. ^ "Anime star Doraemon to have own museum". The Independent. London. August 29, 2011.
  6. ^ "小学館漫画賞: 歴代受賞者". Shogakukan.[permanent dead link]
  7. ^ "手塚治虫文化賞マンガ大賞".
  8. ^ Re-titled Anko Ōi ni Ikaru (アン子 大いに怒る) in later short story compilations.
  9. ^ https://www.tv-asahi.co.jp/ips/contents/Animation/

External links[edit]