Jennifer Jason Leigh
|Jennifer Jason Leigh|
|Born||Jennifer Leigh Morrow
February 5, 1962
Hollywood, California, U.S.
|Spouse(s)||Noah Baumbach (m. 2005; div. 2013)|
Jennifer Jason Leigh (born February 5, 1962) is an American actress. She has appeared in Fast Times at Ridgemont High, The Hitcher, The Hudsucker Proxy, Single White Female, Last Exit to Brooklyn, Georgia and Short Cuts. She is also the co-writer and co-director of the film The Anniversary Party, made with fellow actor Alan Cumming.
Leigh was born in Hollywood, California. Her father, Vic Morrow (born Victor Morozoff), was an actor, and her mother, Barbara Turner, is a screenwriter. Her parents divorced when she was two. Leigh's birth name was Jennifer Leigh Morrow. She changed her surname early in her acting career, taking the middle name "Jason" in honor of actor Jason Robards, a family friend. Leigh's parents were Jewish (their families were from Russia and Austria, respectively).
Leigh has an older sister, Carrie Ann Morrow, who was credited as a "technical advisor" on her 1995 film Georgia. Leigh also has a half-sister, actress Mina Badie, from her mother's marriage, who acted alongside Leigh in The Anniversary Party. The director Reza Badiyi was her mother's second husband and was at the time her stepfather.
Leigh worked in her first film at the age of nine, in a nonspeaking role for the film Death of a Stranger (The Execution) (1973). At 14, she attended Stagedoor Manor Performing Arts Training Center in Loch Sheldrake, New York summer acting workshops given by Lee Strasberg and landed a role in the movie The Young Runaways (1978). She also appeared in an episode of Baretta. An episode of The Waltons and several TV movies followed, including a portrayal of an anorexic teenager in The Best Little Girl in the World, for which Leigh dropped to 86 pounds (39 kg) under medical supervision. She made her big screen debut playing a blind, deaf, and mute rape victim in the 1981 slasher film Eyes of a Stranger, which she quit school to star in. In 1982, she played a teenager who gets pregnant in the Cameron Crowe-scripted high school comedy Fast Times at Ridgemont High, which served as a launching pad for several of its young stars. While decrying the writing as sexist and exploitative, Roger Ebert was enthusiastic about the acting, singling out Leigh and writing, "Don't they know they have a star on their hands?" With the exception of Ridgemont High and a small role in the Rodney Dangerfield comedy Easy Money, Leigh's early film work consisted of playing fragile, damaged, or neurotic characters in low-budget horror or thriller genre films. She played a virginal princess kidnapped and raped by mercenaries in Flesh + Blood (1985), an innocent waitress pursued by the psychopathic title character in The Hitcher (1986) (both films pitting her opposite Rutger Hauer), and a young woman on the verge of a nervous breakdown in Heart of Midnight (1989).
In 1990, Leigh made a significant career breakthrough when she was awarded New York Film Critics Circle Award for Best Supporting Actress and the Boston Society of Film Critics Award for Best Supporting Actress for her portrayals of two very different prostitutes: the tough streetwalker Tralala who submits to a brutal gang rape in Last Exit to Brooklyn, and Susie, a teenage prostitute who falls in love with ex-con Alec Baldwin in Miami Blues. Roger Ebert included Last Exit in his list of Best Movies of 1990, calling Leigh's performance brave, though his review of Miami Blues was much less sympathetic, simultaneously criticizing Leigh's ability to play dumb roles and praising her ability to play smart roles. Entertainment Weekly, in a backhanded compliment, called her "the Meryl Streep of bimbos". Leigh was then cast in her first mainstream Hollywood studio film, the firefighter drama Backdraft, in which she played a more conventional role, the girlfriend of lead actor William Baldwin. Leigh found more success in the gritty crime drama Rush (1991), portraying an undercover cop who becomes a junkie and falls in love with her partner, played by Jason Patric. Her next film, Single White Female (1992), was a surprise box-office success, bringing Leigh to her largest mainstream audience yet, portraying a mentally ill woman who terrorizes roommate Bridget Fonda. Leigh was awarded the MTV Movie Award for Best Villain and nominated for Chicago Film Critics Association Award for Best Actress. Leigh costarred with Kathy Bates as a tormented, pill-popping woman hiding a history of childhood sexual abuse in the adaptation of Stephen King's novel Dolores Claiborne (1995). Leigh achieved her greatest acclaim in the role of Sadie Flood, an angry, drug-addicted rock singer living in the shadow of her successful older sister (Mare Winningham), in Georgia (1995). For the role, Leigh dropped to 90 pounds (41 kg) and sang all her songs live, including a rambling 8½-minute version of Van Morrison's "Take Me Back". Georgia was met with critical praise. James Berardinelli wrote, "There are times when it's uncomfortable to watch this performance because it's so powerful", and Janet Maslin of the New York Times described Leigh's "fierce, risk-taking performance and flashes of overwhelming honesty". Leigh won New York Film Critics Circle Award for Best Actress and Best Actress from the Montreal World Film Festival, as well as an Independent Spirit Award nomination. Some expressed surprise that she was not nominated for an Academy Award, while Winningham was nominated for an Academy Award for Best Supporting Actress.
Throughout the 1990s, Leigh worked with many independent film directors. She worked with Robert Altman in Short Cuts (1993), playing a phone-sex operator, and Kansas City (1996), as a streetwise kidnapper. Leigh has expressed admiration for Altman and called him her mentor. In a change of pace from her "bad girl" roles, Leigh played the fast-talking reporter Amy Archer in the Coen Brothers' comic homage to 1950s comedy, The Hudsucker Proxy (1994). Leigh took her first lead role as the writer and critic Dorothy Parker in Alan Rudolph's film Mrs. Parker and the Vicious Circle (1994). She received a Golden Globe nomination and a National Society of Film Critics Award for Best Actress, as well as Chicago Film Critics Association Award for Best Actress and Fort Lauderdale Film Critics Best Actress Award. In another change of pace, she starred in Agnieszka Holland's version of the Henry James novel Washington Square (1997), as a mousy 19th-century heiress courted by a gold digger. In 1998, she appeared alongside Campbell Scott in the Hallmark Hall of Fame TV film The Love Letter. In David Cronenberg's eXistenZ (1999), she played a virtual-reality-game designer who becomes lost in her own creation.
Leigh had a brief role as a doomed gangster's wife in Sam Mendes's Road to Perdition (2002) and costarred as Meg Ryan's brutally murdered sister in Jane Campion's erotic thriller In the Cut (2003). After a long period of avoiding prostitute roles, she played alongside Christian Bale as his prostitute girlfriend in the thriller The Machinist (2004). Mick LaSalle of the San Francisco Chronicle commented that "As the downtrodden, sexy, trusting and quietly funny prostitute, Leigh is, of course, in her element". Her performance as a manipulative stage mother in Don McKellar's film Childstar won her a Genie Award for Best Performance by an Actress in a Supporting Role in 2005. After many years of wanting to be in a Todd Solondz movie, she appeared in Palindromes (2004). She also appeared in the psychological thriller The Jacket (2005), alongside Adrien Brody. In recent years, Leigh appeared in the 2008 ensemble film Synecdoche, New York and has acted in two films written and directed by her then partner Noah Baumbach: Margot at the Wedding, costarring Nicole Kidman, and Greenberg. Leigh has said that the roles were not specifically written for her, as Baumbach does not write roles with actors in mind. In 2009, Leigh was cast in the Showtime TV series Weeds, becoming a regular guest in the eighth season. She also joined Revenge on ABC, in 2012. Leigh has received three separate career tributes: at the Telluride Film Festival in 1993, a special award for her contribution to independent cinema from the Film Society of Lincoln Center in 2002, and a week-long retrospective of her film work held by the American Cinematheque at Los Angeles's Egyptian Theatre in 2001.
In 1998, Leigh took on the lead role of Sally Bowles in Sam Mendes's Broadway revival of the musical Cabaret, succeeding Natasha Richardson who originated the role in Mendes's production. She succeeded Mary-Louise Parker in the lead role in Proof on Broadway in 2001. Her other theatrical appearances include The Glass Menagerie, Man of Destiny, The Shadow Box, Picnic, Sunshine, and Abigail's Party. In 2011, she played Bunny in the Broadway revival of House of Blue Leaves in New York City alongside Ben Stiller and Edie Falco.
Writing and directing
In 2001, Leigh co-wrote and co-directed The Anniversary Party, an independently produced feature film about a recently reconciled married couple who assemble their friends at their Hollywood Hills house, ostensibly to celebrate their sixth wedding anniversary. As the evening progresses, the party disintegrates into emotional confrontations and bitter arguments as the facade of their happy marriage crumbles. Leigh was inspired by her recent experience filming the low-budget Dogme 95 film The King Is Alive. Leigh and co-writer Alan Cumming drew freely from their personal experiences in the writing of the film. Leigh plays an aging actress who makes jokes about her lack of Academy Award nominations and is fearful of losing her bisexual husband (Cumming). The film was shot in 19 days on digital video, and costarred the pair's real-life Hollywood friends, including Kevin Kline, Phoebe Cates, Gwyneth Paltrow, Jennifer Beals, John C. Reilly, Parker Posey and Leigh's sister Mina Badie. Leigh and Cumming jointly received a citation for Excellence in Filmmaking from the National Board of Review, and were nominated for the Independent Spirit Award for Best First Feature and Independent Spirit Award for Best First Screenplay. The movie received generally positive reviews.
Leigh filmed a role in Stanley Kubrick's final film Eyes Wide Shut (1999) as a grieving patient of Dr. Bill Harford (Tom Cruise) who declares her love for him after her father's death. Kubrick wanted to reshoot the scenes, but Leigh was unavailable due to scheduling conflicts with eXistenZ; instead her scenes were cut. Leigh was originally cast as Vincent Gallo's girlfriend in his self-directed film The Brown Bunny, and was apparently prepared to perform oral sex on Gallo as the script required. Leigh subsequently commented that "it just didn't work out" and the role was eventually played by Chloë Sevigny. In 1997, she was featured in Faith No More's music video for "Last Cup of Sorrow". She was selected as one of "America's 10 Most Beautiful Women" by Harper's Bazaar magazine in 1989 and served as a jury member at the 57th Venice International Film Festival in 2000.
In 1982, Vic Morrow was accidentally killed when a helicopter stunt went wrong while filming Twilight Zone: The Movie. Leigh and her sister filed a wrongful-death lawsuit, against Warner Bros., John Landis and Steven Spielberg. They settled out of court a year later and the terms of the settlement have never been made public.
Leigh has described herself as shy, introverted and averse to Hollywood publicity, and scandal. Speaking about her roles in smaller, independent films, she said, "I'd much rather be in a movie that people have really strong feelings about than one that makes a hundred million dollars but you can't remember because it's just like all the others."
She met independent film writer-director Noah Baumbach in 2001 while starring on Broadway in Proof. The couple married on September 2, 2005. Their son, Rohmer Emmanuel, was born on March 17, 2010. Leigh filed for divorce on November 15, 2010, in Los Angeles, citing irreconcilable differences. She sought spousal support as well as primary custody of the couple's son, with visitation for Baumbach. The divorce was finalized in September 2013.
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- "American Cinematheque Presents... Hearts on Fire: A Tribute to Jennifer Jason Leigh". American Cinematheque. Retrieved March 25, 2013.
- Simonson, Robert. "Cabaret Resumes B'way Performances Aug. 20". Playbill. Retrieved March 25, 2013.
- Jones, Kenneth. "Jennifer Jason Leigh Is New Star of Proof on Broadway, Sept. 11". Playbill. Retrieved March 25, 2013.
- Gans, Andrew. "House of Blue Leaves Ends Broadway Run June 25". Playbill. Retrieved 25 March 2013.
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- "The Anniversary Party". Rotten Tomatoes. Retrieved March 24, 2013.
- Dretzka, Gary (April 27, 1999). "Hyper `Existenz'". Chicago Tribune.
- Jennifer Jason Leigh - Leigh Would Not Have Shied Away From Brown Bunny Controversy Music, Film and Entertainment News, 2007/11/19
- Samborska, Agatha. "Faith No More Frequently Asked Questions". Faith No More Official Website. Retrieved 24 March 2013.
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- "Single White Female Star Jennifer Jason Leigh Files For Divorce". RadarOnline. Retrieved November 23, 2010.
- "Jennifer Jason Leigh Files for Divorce". People. Retrieved November 23, 2010.
- "Jennifer Jason Leigh is single again after three-year divorce battle". MSN Entertainment. October 8, 2013. Retrieved January 3, 2014.
- Steve Barton (4 April 2014). "Exclusive: Thomas Mann and Taylor Spreitler Check Into the Amityville House". Dread Central. Retrieved 4 April 2014.
- Tim McMahon (10 October 2014). "'The Hateful Eight' Has Its Female Lead". The Movie Network. Retrieved 15 October 2014.
- Mike Mahardy (October 10, 2014). "Tarantino Casts Jennifer Jason Leigh as Female Lead in Hateful Eight". IGN. Retrieved October 10, 2014.
- Dunn, Jancee (November 30, 1995). "Jennifer Jason Leigh — She's the Queen of the Ravaged, Boozed Up, and Strung Out". Rolling Stone. p. 57.
- "Anima Animus: Jennifer Jason Leigh’s Bisexual Method in Last Exit to Brooklyn" by Ian Murphy (article in Alphaville journal)
- Jennifer Jason Leigh at the Internet Movie Database
- Jennifer Jason Leigh at the Internet Broadway Database
- Jennifer Jason Leigh at Internet Off-Broadway Database
- In-depth interview at Museum of Moving Image in 1994
- Article in Alphaville journal