Jump to content

Star Trek (2009 film): Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
→‎Release: there's rather a tension between these lines
Kino London
Tag: references removed
Line 15: Line 15:
|studio = [[Paramount Pictures]]<br />[[Spyglass Entertainment]]<br />[[Bad Robot Productions]]
|studio = [[Paramount Pictures]]<br />[[Spyglass Entertainment]]<br />[[Bad Robot Productions]]
|released = May 7, 2009 <br><small>([[Australia]] & advance screenings in [[North America]])</small> <br> May 8, 2009 <br> <small>([[North America]], [[United Kingdom|UK]])</small>
|released = May 7, 2009 <br><small>([[Australia]] & advance screenings in [[North America]])</small> <br> May 8, 2009 <br> <small>([[North America]], [[United Kingdom|UK]])</small>
|runtime = 2h 32 min
|runtime = 126 min.<ref>{{cite news|author=Anthony Pascale|title=First Star Trek Tickets Go On Sale + ST09 Art Display At Arclight Hollywood [UDPATE: Run Time Confirmed]|publisher=TrekMovie|date=2009-03-06|url=http://trekmovie.com/2009/03/06/first-star-trek-movie-tickets-go-on-sale-star-trek-art-display-at-arclight-hollywood/|accessdate=2009-03-06}}</ref>
|country = United States
|language = English
|language = English
|budget = $150 million<ref name=new/>
|budget = $150 million<ref name=new/>

Revision as of 16:41, 1 May 2009

Template:Future film

Star Trek
International poster
Directed byJ. J. Abrams
Written byScreenplay:
Roberto Orci
Alex Kurtzman
Characters:
Gene Roddenberry
Produced byJ. J. Abrams
Damon Lindelof
StarringSee Cast
CinematographyDaniel Mindel
Edited byMary Jo Markey
Maryann Brandon
Music byMichael Giacchino
Production
companies
Release dates
May 7, 2009
(Australia & advance screenings in North America)
May 8, 2009
(North America, UK)
Running time
2h 32 min
LanguageEnglish
Budget$150 million[1]

Star Trek is a 2009 science fiction film directed by J. J. Abrams, written by Roberto Orci and Alex Kurtzman, and produced by Damon Lindelof and Bryan Burk. It is the eleventh film based on the Star Trek franchise and features the main characters of the original Star Trek series, who are portrayed by a new cast. It explores the backstories of James T. Kirk (Chris Pine) and Spock (Zachary Quinto), before they unite aboard the USS Enterprise to combat Nero (Eric Bana), a Romulan from the future who threatens the United Federation of Planets. The film will be released in conventional theaters and some IMAX theaters on May 8, 2009, following advance screenings starting at 7pm the night before.

Development of the film began in 2005 when Paramount Pictures contacted Abrams, Orci and Kurtzman for ideas to revive the franchise. The creative team contrasted Orci and Lindelof, who consider themselves "Trekkies", with casual fans like Abrams, who all aimed to create a film that would interest a general audience. They wanted to be faithful to Star Trek canon, but they also introduced elements of their favorite novels, modified continuity with the time travel storyline, and modernized the production design of the original show. Filming took place from November 2007 to April 2008 under intense secrecy. Midway through the shoot, Paramount chose to delay the release date from December 25, 2008 to May 8, 2009, believing the film could reach a wider audience.

Cast

  • Chris Pine as James T. Kirk. Pine described his first audition as awful, because he could not take himself seriously as a leader.[1] Abrams did not see Pine's first audition, and it was only after Pine's agent met Abrams' wife that the director decided to give him another audition opposite Quinto. Quinto was supportive of Pine's casting because they knew each other as they worked out at the same gym.[2] After getting the part, Pine sent William Shatner a letter and received a reply containing the original Kirk's approval. Pine watched classic episodes and read encyclopedias about the Star Trek universe, but stopped as he felt weighed down by feeling he had to copy Shatner. Pine felt he had to show Kirk's "humor, arrogance and decisiveness", but not Shatner's speech pattern, which would have bordered on imitation.[2] Pine said when watching the original series, he was also struck by how Shatner's performance was characterized by humor.[3] Instead, Pine chose to incorporate elements of Tom Cruise from Top Gun and Harrison Ford's portrayals of Indiana Jones and Han Solo.[4]
  • Zachary Quinto as Spock. Quinto pursued the role as he was interested in the duality of Spock's half-human, half Vulcan heritage,[1] and how "he is constantly exploring that notion of how to evolve in a responsible way and how to evolve in a respectful way. I think those are all things that we as a society, and certainly the world, could implement."[6] For the audition, he wore a blue shirt and flattened his hair down to feel more like Spock.[2] He bound his fingers to practice the Vulcan salute, shaved his eyebrows and grew and dyed his hair for the role.[1] He conveyed many of Spock's attributes, such as his stillness and the way Nimoy would hold his hands behind his back.[2] Quinto commented the physical transformation aided in portraying an alien,[1] joking "I just felt like a nerd. I felt like I was 12 again. You look back at those pictures and you see the bowl cut. There's no question I was born to play the Spock role. I was sporting that look for a good four or five years."[2] Adrien Brody had discussed playing the role with the director before Quinto was cast.[7]
  • Leonard Nimoy reprises his role as the old Spock, who has come from the future to provide help.[8] Nimoy befriended Quinto after being cast in the role.[9] Although Quinto watched some episodes of the show during breaks in filming, Nimoy was his main resource in playing Spock.[3] Abrams and the writers met Nimoy at his house; Orci recalled the actor gave a "'Who are you guys and what are you up to?' vibe" before being told how important he was to them. He was silent, and Nimoy's wife Susan Bay told the creative team he had remained in his chair after their conversation, emotionally overwhelmed by his decision after turning down many opportunities to revisit the role.[10] Had Nimoy disliked the script, production would have been delayed for it to be rewritten.[11] He was "genuinely excited" by the script's scope and its detailing of the characters' backstories,[6] saying, "We have dealt with [Spock being half-human, half-Vulcan], but never with quite the overview that this script has of the entire history of the character, the growth of the character, the beginnings of the character and the arrival of the character into the Enterprise crew."[12] Abrams said "it was surreal to direct him as Spock, because what the hell am I doing there? This guy has been doing it for forty years. It's like 'I think Spock would...'"[13]
  • Karl Urban as Dr. Leonard "Bones" McCoy. Like Pine, Urban said of taking on the role that "it is a case of not doing some sort of facsimile or carbon copy, but really taking the very essence of what DeForest [Kelley] has done and honoring that and bringing something new to the table". Urban has been a fan of the show since he was seven years old and actively pursued the role after rediscovering the series on DVD with his son.[15] Urban was cast at his first audition, which was two months after his initial meeting with Abrams. He said he was happy to play a role with lots of comedy, something he had not done since The Price of Milk, because he was tired of action-oriented roles. When asked why McCoy is so cantankerous, Urban joked the character might be a "little bipolar actually!"[16] Orci and Kurtzman had collaborated with Urban on Xena: Warrior Princess, in which he played Caesar.[17]
  • Zoe Saldana as Uhura. Abrams had liked her work and requested that she play the role. Saldana never saw the original series, but agreed to play the role after Abrams had complimented her. "For an actor, that's all you need, that's all you want. To get the acknowledgment and respect from your peers," she said. She met with Nichelle Nichols, who explained to her how she had created Uhura's background, and also named the character.[18] Saldana's mother was a Star Trek fan and sent her voice mails during filming, giving advice on the part.[19] Sydney Tamiia Poitier also auditioned for the part.[20]
  • Simon Pegg as Montgomery "Scotty" Scott. Pegg was the only actor who did not audition: Abrams just sent him an e-mail asking if he wanted to play the part. To perform Scotty's accent, Pegg was assisted by his wife Maureen, who is from Glasgow, although Pegg said Scotty was from Linlithgow and wanted to bring a more East Coast sound to his accent, so his resulting performance is a mix of both accents that leans towards the West sound.[21] He was also aided by Tommy Gormley, the film's Glaswegian first assistant director.[22] Pegg described Scotty as a positive Scottish stereotype, noting "Scots are the first people to laugh at the fact that they drink and fight a bit", and that Scotty comes from a long line of Scots with technical expertise, such as John Logie Baird and Alexander Graham Bell. Years before, Pegg's character in Spaced joked that every odd-numbered Star Trek film being "shit" was a fact of life. Pegg noted "Fate put me in the movie to show me I was talking out of my ass."[23]
    • Chris Doohan, the son of the original Scotty, James Doohan, makes a cameo appearance in the transporter room. Pegg has e-mailed Doohan about the role, and the actor has promised him his performance "would be a complete tribute to his father".[24] Chris Doohan previously cameoed in Star Trek: The Motion Picture.
    • Paul McGillion auditioned for Scotty, and he impressed producers enough that he was given another role in the film.[25]
  • John Cho as Hikaru Sulu. Abrams was concerned about casting a Korean-American as a Japanese-American character, but George Takei explained to the director that Sulu was meant to represent all of Asia on the Enterprise, so Abrams went ahead with Cho.[26] Cho acknowledged being an Asian-American, "there are certain acting roles that you are never going to get, and one of them is playing a cowboy. [Playing Sulu] is a realization of that dream — going into space." He cited the masculinity of the character as being important to him, and spent two weeks fight training.[27] Cho suffered an injury to his wrist during filming, although a representative assured it was "no big deal".[28] James Kyson Lee was interested in the part, but because Quinto was cast as Spock, the producers of the TV show Heroes did not want to lose another cast member for three months.[29]
  • Anton Yelchin as Pavel Chekov: As with the rest of the cast, Yelchin was allowed to choose what elements there were from their predecessor's performances. Yelchin decided to carry on Walter Koenig's speech patterns of replacing "v"s with "w"s, although he and Abrams felt this was a trait more common of Polish accents than Russian ones.[14] He described Chekov as an odd character, being a Russian who was brought on to the show "in the middle of the Cold War." He recalled a "scene where they're talking to Apollo [who says], 'I am Apollo.' And Chekov is like, 'And I am the czar of all Russias.' [...] They gave him these lines. I mean he really is the weirdest, weirdest character."[30]
  • Eric Bana as Nero, the film's time-travelling Romulan villain. Bana shot his scenes toward the end of filming. He was "a huge Trekkie when [he] was a kid",[31] but had not seen many of the films. Even if he were "crazy about the original series", he would not have accepted the role unless he liked the script, which he deemed "awesome" once he read it.[32] Bana knew Abrams because they coincidentally shared the same agent.[33] Bana improvised the character's speech patterns.[34]
  • Spencer Daniels as George Samuel "Sam" Kirk, Jr., Kirk's older brother, who appears in a scene with Jimmy Bennett.[5]
  • Faran Tahir as Richard Robau, captain of the USS Kelvin.

Rachel Nichols and Diora Baird play Orions.[37][43] Tyler Perry appears as the head of Starfleet Academy.[44] James Cawley appears as a Starfleet officer,[45] while Pavel Lychnikoff and Lucia Rijker play Romulans, Lychnikoff a Commander and Rijker a CO.[46][47] W. Morgan Sheppard, who played a Klingon in Star Trek VI: The Undiscovered Country, appears in this film as the head of the Vulcan Science Council.[48] Star Trek fan and Carnegie Mellon University professor Randy Pausch (who died on July 25, 2008) cameoed as an Enterprise crew member, and has a line of dialogue.[49] Majel Barrett, the widow of Star Trek creator Gene Roddenberry, reprised her role as the voice of the Enterprise's computer, which she completed two weeks before her death on December 18, 2008.[50] The film was dedicated to her as well as Gene, who was always going to have the film commemorated to him as a sign of respect.[51]

William Shatner wanted to appear as the old Kirk, despite the death of the character in Star Trek Generations. He suggested the film canonize the novels where Kirk is resurrected, but Abrams argued, "You and I could come up with dozens of ways [to resurrect Kirk], but every way that we came up with felt like it was transparently fanboys trying to get Shatner in the movie,"[52] and that ultimately, if his character was accompanying Nimoy's, it would have become a film about the resurrection of Kirk, and not about introducing the new versions of the characters.[51] Nimoy disliked the character's death in Generations, but felt resurrecting Kirk would also be detrimental to this film.[11] Shatner added he wanted to share Nimoy's major role, and did not want a cameo.[53] Orci and Kurtzman had written a scene for Shatner before they decided they would rather maintain continuity.[54] Nichelle Nichols suggested playing Uhura's grandmother, but Abrams could not write this in due to the Writers Guild strike.[55] Abrams was also interested in casting Keri Russell, but they deemed the role he had in mind for her too similar to her other roles.[56]

Production

Development

Here's what Gene [Roddenberry] said in an interview just before he died in August 1991; somebody had asked him, 'What's going to become of Star Trek in the future?' And he said that he hoped that some day some bright young thing would come along and do it again, bigger and better than he had ever done it. And he wished them well.
—Richard Arnold, Roddenberry's assistant[57]

At the 1968 World Science Fiction Convention, Star Trek creator Gene Roddenberry declared he would make a film prequel to the television series.[58] The prequel concept resurfaced in the late 1980s with Ralph Winter and Harve Bennett during development of the fourth and sixth films. For the latter, David Loughery wrote a script entitled The Academy Years, but it was shelved in light of objections from the original cast and the fan base. In February 2005, following the financial failure of the tenth film, Star Trek Nemesis (2002), and the cancellation of the television series Star Trek: Enterprise, the franchise's executive producer Rick Berman and screenwriter Erik Jendresen were developing a new film entitled Star Trek: The Beginning. It was to revolve around a new set of characters, led by Kirk's ancestor Tiberius Chase. It would take place after Enterprise but before the original series, during the Earth-Romulan War.[59]

In 2005, Viacom, which owned Paramount Pictures, split from CBS Corporation. Gail Berman, then president of Paramount, convinced CBS' chief executive, Leslie Moonves, to allow them eighteen months to develop a new Star Trek film before CBS would re-earn the rights to develop a new television series (in return, CBS would keep merchandising rights). Berman approached Mission: Impossible III writers Roberto Orci and Alex Kurtzman for ideas on the new film, and after the film had completed shooting she asked their director, J. J. Abrams, to produce it.[60] Abrams, Orci and Kurtzman, plus producers Damon Lindelof and Bryan Burk, felt the franchise had explored enough of what took place after the series,[61] Orci and Lindelof consider themselves trekkies,[62] and feel some of the Star Trek novels have canonical value, although Gene Roddenberry never considered the novels to be canon.[63] Kurtzman is a casual fan, while Burk was not.[1] Abrams' company, Bad Robot Productions produced the film with Paramount, marking the first time another company had financed a Star Trek film.[64] Bill Todman Jr.'s Level 1 Entertainment also co-produced the film, but during 2008 Spyglass Entertainment replaced them as financial partner.[65]

Abrams had not seen Star Trek Nemesis because the franchise had "disconnected" for him,[66] explaining that for him, Star Trek was about Kirk and Spock, and the other series were like "separate space adventure[s] with the name Star Trek". Abrams also preferred Star Wars as a child.[67] He noted his general knowledge of Star Trek made him suitable to making a film to introduce the franchise to newcomers though,[68] and being an optimistic person, he felt the optimistic nature of Star Trek would be a refreshing contrast to the likes of The Dark Knight.[1] He continued that he loved the focus on exploration in Star Trek and the idea of the Prime Directive, which forbids Starfleet to interfere in the development of primitive worlds. However, Abrams disliked that the budgetary limitations of the original show meant they "never had the resources to actually show the adventure".[69] He noted he only became involved with the project as producer initially because he wanted to help Orci, Kurtzman and Lindelof.[60]

On February 23, 2007, Abrams accepted Paramount's offer to direct the film, having been only attached as producer.[70] He had decided "I would be so agonizingly envious of whoever stepped in and directed the movie",[71] because he found the script "emotional", "fun", and "big" in scope.[35] Orci and Kurtzman felt their aim had been to impress a casual fan like Abrams with their story.[72] Even when filming, Abrams was nervous "with all these tattooed faces and pointy ears, bizarre weaponry and Romulan linguists, with dialogue about 'Neutral Zones' and 'Starfleet' [but] I knew this would work, because the script Alex and Bob wrote was so emotional and so relatable. I didn't love Kirk and Spock when I began this journey – but I love them now."[1]

Writing

"We're from different worlds, Alex [Kurtzman] was born here, and I was born in Mexico City and lived there until I was nine. Kirk and Spock are opposites from two worlds. That's us in a nutshell. We're drawn to each by what each of us lacks. The story of this film is about two guys who are such opposites that they might end up strangling each other but instead they bond and thrive together. That's us. We can go warp speed together."

Roberto Orci on the film's emotional context[10]

Orci said creating a clean reboot would have been disrespectful,[73] and getting Leonard Nimoy in the film was very important. "Having him sitting around a camp fire sharing his memories was never gonna cut it" though, and time travel was going to be included in the film from the beginning.[74] Kurtzman added the time travel creates jeopardy, unlike other prequels where viewers "know how they all died".[75] Abrams selected the Romulans as the villains because they had been featured less than the Klingons in the show, and thought it was "fun" to have them meet Kirk before he does in the show.[76] The episode of the original continuity in which Kirk becomes the first human to ever see a Romulan, "Balance of Terror", served as one of the influences for the film.[62] Orci said it was difficult giving a good explanation for the time travel without being gimmicky, like having Nero specifically seeking to assassinate Kirk.[77]

Orci noted while the time travel story allowed them to alter some backstory elements such as Kirk's first encounter with the Romulans, they could not use it as a crutch to change everything and they tried to approach the film as a prequel as much as possible. Kirk's service on the Farragut, a major backstory point to the original episode "Obsession", was left out because it was deemed irrelevant to the story of Kirk meeting Spock, although Orci felt nothing in his script precluded it from the new film's backstory.[74] Kirk's love interest Carol Marcus, who becomes the mother of his son in Star Trek II: The Wrath of Khan, was dropped from the final draft because the story needed more time to introduce the core characters.[54] The filmmakers sought inspiration from novels such as Prime Directive, Spock's World, and Best Destiny to fill in gaps unexplained by canon; Best Destiny particularly explores Kirk's childhood and names his parents.[74][62][78] One idea that was justified through information from the novels was having the Enterprise built on Earth, which was inspired by a piece of fan art of the Enterprise being built in a ship yard. Orci had sent the fan art to Abrams to show how realistic the film could be.[79] Orci explained parts of the ship would have to be constructed on Earth because of the artificial gravity employed on the ship and its requirement for sustaining warp speed, and therefore the calibration of the ship's machinery would be best done in the exact gravity well which is to be simulated.[80] They felt free to have the ship built in Iowa because canon is ambigious as to whether it was built in San Francisco, but this is a result of the time travel rather than something intended to overlap with the original timeline.[75] Abrams noted the continuity of the original show itself was inconsistent at times.[3]

Orci and Kurtzman said they wanted the general audience to like the film as much as the fans, by stripping away "Treknobabble", making it action-packed and giving it the simple title of Star Trek (to indicate to newcomers they would not need to watch any of the other films).[81] Abrams saw humor and sex appeal as two integral and popular elements of the show that needed to be maintained.[68] Orci stated being realistic and being dark were not the same thing.[79] Abrams, Burk, Lindelof, Orci and Kurtzman were fans of The Wrath of Khan, and also cited The Next Generation episode "Yesterday's Enterprise" as an influence.[62] Abrams's wife Katie was regularly consulted on the script, as were Orci, Kurtzman and Lindelof's wives, to make the female characters as strong as possible.[73] Katie Abrams's approval of the strong female characters was partly why J.J. signed on to direct.[82]

Orci and Kurtzman read graduate school dissertations on the series for inspiration;[61] they noted comparisons of Kirk, Spock and McCoy to Shakespearian archetypes, and Kirk and Spock's friendship echoing that of John Lennon and Paul McCartney.[62] They also noted that, in the creation of this film, they were influenced by Star Wars, particularly in terms of pacing. "I want to feel the space, I want to feel speed and I want to feel all the things that can become a little bit lost when Star Trek becomes very stately–which I love about it, but," said Orci.[72] Star Wars permeated in the way they wrote the action sequences,[75] while Burk noted Kirk and Spock's initially cold relationship mirrors how "Han Solo wasn't friends with anyone when they started on their journey."[83] Orci wanted to introduce strong Starfleet captains, concurring with an interviewer that most captains in other films were "patsies" included to make Kirk look greater by comparison.[73]

The USS Kelvin, the ship Kirk's father serves on, is named after J. J. Abrams' grandfather, as well as the temperature scale Kelvin, itself named after physicist and engineer Lord Kelvin (William Thomson). The Kelvin's captain, Richard Robau (Faran Tahir), is named after Orci's Cuban uncle: Orci theorized the fictional character was born in Cuba and grew up in the Middle East.[79] Another reference to Abrams' previous works is Slusho, which Uhura orders at the bar she meets Kirk at. Abrams created the fictitious drink for Alias and it reappeared in viral marketing for Cloverfield. Its owners, Tagruato, is also from Cloverfield and appears on a building in San Francisco.[25] Old Spock's Jellyfish ship contains a red ball, an Abrams motif dating back to the pilot of Alias.[84]

Design

The film was primarily designed by Ryan Church and Star Trek veteran John Eaves.[85] Carolyn Porco of NASA was consulted on the planetary science and imagery,[86] while the Cloverfield monster's creator Neville Page reunited with Abrams to design creatures for this film.[14] Industrial Light & Magic and Digital Domain created the visual effects. Visual effects supervisors Roger Guyett and Sherri Hanson worked with Abrams on Mission: Impossible III. Abrams avoided using bluescreen and greenscreen as much as possible, with the exception of one scene, because it "makes me insane". Instead, he used special effects to extend the scale of sets and locations.[61] For example, when filming at California State University, bluescreens were placed to hide palm trees, and the Aptera Typ-1 prototype was placed in a corner of the location.[87]

Abrams stated the difficulty of depicting the future was that much of modern technology was inspired by the original show, and made it seem outdated. Thus the production design had to be consistent with the television series but also feel more advanced than the real world technology developed after it.[61] "We all have the iPhone that does more than the communicator," said Abrams. "I feel like there's a certain thing that you can't really hold onto, which is kind of the kitschy quality. That must go if it's going to be something that you believe is real."[88] Prop master Russell Bobbitt collaborated with Nokia on recreating the original communicator, creating a $50,000 prototype. Another prop recreated for the film was the tricorder. Bobbitt brought the original prop to the set, but the actors found it too large to carry when filming action scenes, so technical advisor Doug Brody redesigned it to be smaller.[89] The phaser props were designed as spring-triggered barrels that revolve and glow as the setting switches from "stun" to "kill",[1] and the transporter beam effects swirl rather than speckle.[14]

File:NewEnterprisebridge.jpg
The redesigned bridge

The Enterprise was intended by Abrams to be a merging of its design in the show and the refitted version from the original film. Abrams had fond memories of the reveal of the Enterprise's refit in Star Trek: The Motion Picture, because it was the first time the ship felt tangible and real to him.[90] The iridescent pattern on the ship from The Motion Picture was maintained to give the ship depth, while model maker Roger Goodson also applied the "Aztec" pattern from The Next Generation. Goodson recalled Abrams also wanted to bring a "hot rod" aesthetic to the ship. Guyett wanted the ship to have more moving parts, which stemmed from his childhood dissatisfaction with the ship's design: The new Enterprise's dish can expand and move, while the fins on its engines split slightly when they begin warping.[91] To emphasize the size of the ship, Abrams chose different styles for various decks: the sickbay is more modern whereas the transporter and engine rooms are very industrial.[92] The Enterprise went through three major designs before being approved. Production designer Scott Chambliss maintained the layout of the original bridge, but aesthetically altered it with brighter colors to reflect the optimism of Star Trek.[93] Abrams joked the redesigned bridge made the Apple Store look "uncool". At the director's behest, more railings were added to the bridge to make it look safer.[1]

Abrams selected Michael Kaplan to design the costumes because he had not seen any of the films, meaning he would approach the costumes with a new angle. For the Starfleet uniforms, Kaplan followed the show's original color coding, with dark gray (almost black) undershirts and pants and colored overshirts showing each crew member's position (command officers wear gold shirts, science and medical officers wear blue, and finally, operations (technicians/engineers) and security personnel wear red). Kaplan wanted the shirts to be more sophisticated than the originals and selected to have the Starfleet symbol patterned on them.[94] Kirk wears only the undershirt because he is a cadet.[1] Kirk and Sulu also wear extra-vehicular activity suits, which are blue and green respectively.[95] For Abrams, "The costumes were a microcosm of the entire project, which was how to take something that's kind of silly and make it feel real. But how do you make legitimate those near-primary color costumes?"[96]

Lindelof compared the film's Romulan faction to pirates with their unique tattoos and disorganized costuming. Their ship, the Narada, is purely practical with visible mechanics, as they are on a mission, unlike the Enterprise crew who give a respectable presentation on behalf of the Federation.[97] The Romulan actors spent two to four hours applying make-up:[98] the actors had three prosthetics applied to their ears and foreheads, while Bana had a fourth prosthetic for the bitemark on his ear that extends to the back of his character's head.[99] The actors shaved their heads for the roles to differentiate them from Vulcans. Previous series in the franchise attempted this by designing the Romulans with ridged foreheads.[100] Barney Burman supervised the makeup for the other aliens: his team had to rush the creation of many of the aliens, because originally the majority of them were to feature in one scene towards the end of filming. Abrams deemed the scene too similar to the cantina sequence in Star Wars, and decided to dot the designs around the film.[99] A tribble was placed in the background of Scotty's introduction.[25] Both digital and physical makeup was used for aliens.[101]

Filming

Filming began on November 7, 2007.[102] The shoot was to last eighty-five days, taking place on eleven sets built at the Paramount backlot, as well as two weeks of location shooting in Iceland.[9] Filming was also done at the City Hall of Long Beach, California;[103] Vasquez Rocks (a location used in the classic episode "Arena");[35] the San Rafael Swell in Utah;[104] and the California State University, Northridge (which was used for establishing shots of students at Starfleet Academy).[105] A parking lot outside Dodger Stadium was used for the ice planet and the Romulan drilling rig sequences,[51] and a Budweiser plant was used for the Enterprise's engine room (although the rest of the ship's rooms were built as sets).[106] Principal photography finished on March 27, 2008,[107] although second unit filming took place during early April in Bakersfield, California, standing in for Kirk's childhood home in Iowa.[108]

The Oviatt Library at California State University, Northridge was used for shots of Starfleet Academy

Following the commencement of the 2007–2008 Writers Guild of America strike on November 5, 2007, Abrams, himself a WGA member, told Variety that while he would not render writing services for the film and intended to walk the picket line, he did not expect the strike to impact his directing of the production.[109] In the final few weeks before the strike and start of production, Abrams and Damon Lindelof polished the script a final time.[110] Abrams was frustrated that he was unable to alter lines during the strike, whereas normally they would have been able to improvise new ideas during rehearsal. Lines may still be altered with dubbing.[111] Orci and Kurtzman were able to stay on set without strikebreaking because they were also executive producers on the film; they could "make funny eyes and faces at the actors whenever they had a problem with the line and sort of nod when they had something better".[112] Abrams was able to alter a scene where Spock combats six Romulans from a fistfight to a gunfight.[113]

The production team maintained heavily enforced security around the film. Karl Urban revealed, "[There is a] level of security and secrecy that we have all been forced to adopt. I mean, it's really kind of paranoid crazy, but sort of justified. We're not allowed to walk around in public in our costumes and we have to be herded around everywhere in these golf carts that are completely concealed and covered in black canvas. The security of it is immense. You feel your freedom is a big challenge."[114] Actors like Jennifer Morrison were only given the scripts of their scenes.[37] The film's shooting script was fiercely protected even with the main cast. Simon Pegg said, "I read [the script] with a security guard near me – it's that secretive."[115] The film's fake working title was Corporate Headquarters.[116] Some of the few outside of the production allowed to visit the set included Rod Roddenberry,[117] Ronald D. Moore,[118] Jonathan Frakes,[119] Walter Koenig, Nichelle Nichols, Ben Stiller, Tom Cruise and Steven Spielberg (who had partially convinced Abrams to direct because he liked the script, and he even advised the action scenes during his visit).[82]

Abrams chose to shoot the movie in 35mm 2.35:1 anamorphic stock after discussions about whether the film should be shot in high-definition digital video. Cinematographer Dan Mindel and Abrams agreed the choice gave the film a big-screen feel and the realistic, organic look they wanted for the film setting.[120] Abrams and Mindel utilized lens flares throughout filming to create an optimistic atmosphere and a feeling activity was taking place off-camera, making the Star Trek universe feel more real. "There's something about those flares, especially in a movie that potentially could be incredibly sterile and CG and overly controlled. There’s just something incredibly unpredictable and gorgeous about them." Mindel would create more flares by shining a flashlight or pointing a mirror at the camera lens, or using two cameras simultaneously and therefore two lighting set-ups.[51]

When the shoot ended, Abrams gave the cast small boxes containing little telescopes, which allowed them to read the name of each constellation it was pointed at. "I think he just wanted each of us to look at the stars a little differently," said John Cho.[69] After the shoot, Abrams cut out some scenes of Kirk and Spock as children, including seeing the latter as a baby, as well as a subplot involving Nero being imprisoned by the Klingons and his escape: this explanation for his absense during Kirk's life actually confused everyone Abrams screened the film to.[51]

Music

Michael Giacchino, Abrams' most frequent collaborator, composed the music for Star Trek. He kept the original theme by Alexander Courage for the end credits, which Abrams said symbolized the momentum of the crew coming together.[51] Giacchino admitted personal pressure in scoring the film, as "I grew up listening to all of that great [Trek] music, and that's part of what inspired me to do what I'm doing [...] You just go in scared. You just hope you do your best. It's one of those things where the film will tell me what to do."[121] Scoring took place at the Sony Scoring Stage with a 107-piece orchestra and 40-person choir. An erhu was used for the Vulcan themes, which was distorted to create that of the Romulans.[122] Varese Sarabande, the record label responsible for releasing albums of Giacchino's previous scores for Alias, Lost, Mission: Impossible III, and Speed Racer, will release the soundtrack for the film on May 5.[123]

Release

In February 2008, Paramount announced they would move Star Trek from its December 25, 2008 release date to May 8, 2009. The move was not due to the end of the WGA strike, but because the studio felt more audiences would see the film during summer rather than winter. The film was practically finished by the end of 2008.[124] Paramount's decision came about after visiting the set and watching dailies, as they realized the film could appeal to a much broader audience. Even though the filmmakers liked the Christmas release date, Damon Lindelof acknowledged it would allow more time to perfect the visual effects.[111] The months-long gap between the completion of the production and release meant Alan Dean Foster was allowed to watch the whole film before writing the novelization, although the novel will contain scenes absent from the final edit.[125] Quinto narrated the audiobook.[126]

A surprise public screening was held on April 6, 2009, at the Alamo Drafthouse theater in Austin, Texas, hosted by writers Robert Orci, Alex Kurtzman, and producer Damon Lindelof. The showing was publicized as a screening of Star Trek II: The Wrath of Khan, followed by a ten-minute preview of the new Star Trek film. A few minutes into Khan, the film appeared to melt and Leonard Nimoy appeared on stage with Orci, Kurtzman and Lindelof, asking the audience, "wouldn’t you rather see the new movie?"[127] Following the surprise screening in Texas, the first of many premieres across the world was held at the Sydney Opera House on April 7, 2009.[128] For almost two years, the town of Vulcan, Alberta had campaigned to have the film premiere there, but because it had no theater, Paramount arranged instead a lottery where 300 winning residents would be taken to a prerelease screening in Calgary.[129] On April 11, the film was screened by 920 soldiers, sailors, airmen and Marines at Camp Arifjan, Kuwait.The cast and crew were present for this showing and were also able to meet US service members at Ali Al Salem Air base in Kuwait during their visit.[130]

The film's first normal US screenings will be at 7pm on May 7, 2009.[131]

Marketing

Zoe Saldana, Chris Pine, Zachary Quinto, Roberto Orci, Bryan Burk, and J. J. Abrams discuss the film at a panel at WonderCon 2009.

The first teaser trailer debuted in theaters with Cloverfield on January 18, 2008, which showed the Enterprise under construction. Abrams himself directed the first part of the trailer, where a welder removes his goggles. Professional welders were hired for the teaser.[132] The voices of the 1960s played over the trailer were intended to link the film to the present day; John F. Kennedy in particular was chosen because of similarities with the character of James T. Kirk and because he is seen to have "kicked off" the space race. Orci explained that: "If we do indeed have a Federation, I think Kennedy’s words will be inscribed in there someplace."[80]

Paramount faced two obstacles in promoting the film: the "MySpace generation"'s unfamiliarity with the franchise and, the relatively weak international performance of the films. Six months before the film's release, Abrams toured Rome; Cologne; Madrid; Paris; London; New York City and Los Angeles with 25 minutes of footage. Abrams noted the large-scale campaign started unusually early, but this was because the release delay allowed him to show more completed scenes than normal. The director preferred promoting his projects quietly, but concurred Paramount needed to remove Star Trek's stigma.[133] Abrams would exaggerate his preference for other shows to Star Trek as a child to the press, with statements like "I'm not a Star Trek fan" and "this movie is not made for Star Trek fans". Orci compared Abrams' approach to The Next Generation episode "A Matter of Honor", where William Riker is stationed aboard a Klingon vessel. "On that ship when someone talks back to you, you would have to beat them down or you lose the respect of your crew, which is protocol, whereas on a Federation ship that would be a crime. So we have to give JJ a little bit of leeway, when he is traveling the 'galaxy' over there where they don’t know Trek, to say the things that need to be said in order to get people onto our side."[79]

Promotional partners on the film include Nokia, Verizon Wireless, Esurance, Kellogg's, Burger King and Intel Corporation, as well as various companies specializing in home decorating, apparel, jewelry, gift items and "Tiberius," "Pon Farr" and "Red Shirt" fragrances.[134][135] Playmates Toys, who owned the Star Trek toy license until 2000, earned the merchandise rights for the new film.[136] The first waves will be released in March and April 2009, and another in September. Playmates hope to continue their toy line into 2010.[137] The first wave consists of 3.75", 6" and 12" action figures, an Enterprise replica, prop toys and play sets. In order to recreate the whole bridge, one would have to buy more 3.75" figures, which come with chairs and consoles to add to the main set consisting of Kirk's chair, the floor, the main console and the viewscreen.[138] Master Replicas,[139] Mattel, Hasbro and Fundex Games will promote the film via playing cards, Monopoly, UNO, Scrabble, Magic 8-Ball, Hot Wheels, Tyco R/C, 20Q, Scene It? and Barbie lines. Some of these are based on previous Star Trek iterations rather than the film.[135][140] CBS also created a merchandising line based around Star Trek caricatures named "Quogs".[141]

Reception

Aubrey Day of Total Film gave it 4/5 stars, saying, "Buoyant, buffed and with the promise of even better to come, this is the freshest Trek in decades."[142] SFX magazine praised the Abrams vision for the franchise, claiming, "This summer, after Abrams’s explosive epic has nerve-pinched all the opposition, back gardens and parks will ring with the sound of young boys zapping imaginary phasers as they play Kirk and Spock."[143] Time Out Sydney's 5/6 stars review by Gregory Moore concluded "It isn't just a great Star Trek movie: it's a great movie full stop."[144] Empire magazine awarded 4/5 stars, saying, "for the first time in the franchise, the Enterprise is a genuine thrill-ride"; however, it also notes that "Very much like its dynamic young cast, this Trek is physical and emotional, sexy and vital even, but it is not cerebral."[145] Garth Franklin of Dark Horizons opines about the task faced by the producers, saying "it simply can not be stated enough how effectively Abrams and his crew have revived and repositioned not just the franchise but the 'space opera' genre itself."[146] The Hollywood Reporter said that "J.J. Abrams gives the Starship Enterprise all it's got, and it's more than enough... Paced at warp speed with spectacular action sequences rendered brilliantly and with a cast so expert that all the familiar characters are instantly identifiable, the film gives Paramount Pictures a new lease of life on its franchise."[147] Chris Tookey, writing for the Daily Mail, gave the film 5/5 stars, and said "The result is not only by far the best of the 11 Star Trek movies, it must rank as the outstanding prequel of all time."[148]

IGN UK gave 3.5/5 noting that "As an action movie, it doesn't work, or indeed make sense." The reviewer added that it "never felt as though Kirk or Spock were in genuine peril."[149] The film currently holds 100% on Rotten Tomatoes.

References

  1. ^ a b c d e f g h i j k l Jeff Jensen (2008-10-24). "'Star Trek': New Movie, New Vision". Entertainment Weekly. Retrieved 2008-10-16.
  2. ^ a b c d e John Jurgensen (2009-01-02). "Boldly Revisiting Roles". The Wall Street Journal. Retrieved 2009-01-16.
  3. ^ a b c "Wondercon 09: Star Trek Panel Detailed Report & Pictures". TrekMovie. 2009-02-28. Retrieved 2009-03-01.
  4. ^ Sally Browne (2009-04-19). "Chris Pine fills big shoes in Star Trek's latest enterprise". The Courier-Mail. Retrieved 2009-04-18.
  5. ^ a b Trotter, Charles (2008-01-29). "Meet The Young Kirk Boys". TrekMovie. Retrieved 2008-01-28.
  6. ^ a b Anthony Pascale (2008-04-14). "Grand Slam XVI: Two Spocks Rock The House". Trek Movie. Retrieved 2008-04-15.
  7. ^ Josh Horowitz (2007-09-26). "Adrien Brody Confirms He Was Almost Mr. Spock". MTV. Retrieved 2007-10-06.
  8. ^ Mike Snider (2008-08-12). "'Star Trek Online' is a hit with Spock". USA Today. Retrieved 2008-08-12.
  9. ^ a b William Keck (2007-08-20). "Celeb Watch: For Quinto, the next step is the final frontier". USA Today. Retrieved 2007-10-01.
  10. ^ a b Geoff Boucher (2009-03-29). "'Star Trek' writing pair cling on to their partnership". Los Angeles Times. Retrieved 2009-03-29.
  11. ^ a b Vic Holtreman (2008-04-13). "Hungry For More Star Trek Details? Here You Go!". Screen Rant. Retrieved 2008-04-14.
  12. ^ "Exclusive: A Conversation with Trek's Two Spocks". TV Guide. 2008-04-15. Retrieved 2008-04-15.
  13. ^ "Abrams and Orci On Fan Reaction + Bob Meets Brannon". TrekMovie. 2009-01-16. Retrieved 2009-01-16.
  14. ^ a b c d e "JJ Abrams on the new Star Trek trailer". Empire Online. Retrieved 2008-11-17.
  15. ^ Eric Goldman (2008-01-09). "Karl Urban: From Comanche Moon to Star Trek". IGN. Retrieved 2008-01-23.
  16. ^ "Karl Urban on Star Trek and beyond". The New Zealand Herald. 2009-04-09. Retrieved 2009-04-11.
  17. ^ Anthony Pascale (2007-09-28). "Karl Urban Up For 'Star Trek' Role (But Not Villain) + Casting & Plot Updates". TrekMovie. Retrieved 2008-12-28.
  18. ^ Wilson Morales (2008-01-29). "Zoe Saldana sheds a little light on playing 'Uhura'". Blackfilm. Retrieved 2008-01-30.
  19. ^ Larry Carroll (2009-04-21). "New 'Star Trek' Cast Took Cues From The Classic Series". MTV. Retrieved 2009-04-23.
  20. ^ Jen Yamato (2007-08-01). "Sydney Tamiia Poitier on Critics, Grindhouse, and the Final Frontier". Rotten Tomatoes. Retrieved 2008-12-28.
  21. ^ Siobhan Synnot (2009-04-26). "Simon Pegg interview". Scotland on Sunday. Retrieved 2009-04-26.
  22. ^ Craig McLean (2009-04-26). "Simon Pegg can still boldly go ... to East Kilbride". The Sunday Times. Retrieved 2009-04-26.
  23. ^ Erin Biba (2008-07-21). "Simon Pegg's Geek Roots Show in Spaced". Wired. Retrieved 2008-10-02.
  24. ^ William Keck (2008-03-02). "Boldly go where they went before". USA Today. Retrieved 2008-03-10.
  25. ^ Steve Fritz (2009-01-21). "From 'Trek' to 'Wars', Part 2: George Takei on Star Trek". Newsarama. Retrieved 2009-01-22.
  26. ^ "John John Cho: Sulu Is A Badass". TrekMovie. 2007-12-16. Retrieved 2008-02-16.
  27. ^ Anthony Pascale (2008-03-17). "Cho Injured On Trek Set". TrekMovie. Retrieved 2008-03-19.
  28. ^ Ileane Rudolph (2007-10-29). "Heroes Preview: Ando's Secret Superpower Desire". TV Guide. Retrieved 2007-10-31.
  29. ^ Cindy White (2008-01-28). "Young Chekov Talks Trek". IGN. Retrieved 2008-01-28.
  30. ^ Shawn Adler (2008-02-11). "Eric Bana Boldly Goes On About New 'Star Trek'". MTV. Retrieved 2008-02-12.
  31. ^ "Bana calls 'Star Trek' role irresistible". United Press International. 2008-02-29. Retrieved 2008-10-13.
  32. ^ Anthony Pascale (2008-02-26). "Bana Spoofs Star Trek Plot Details". TrekMovie. Retrieved 2008-10-13.
  33. ^ Peter Mitchell (2009-03-06). "Bana dons face tattoos for new role". ninemsn. Retrieved 2009-03-09.
  34. ^ a b c d e Daniel Etherington. "Star Trek Preview". Channel 4. Retrieved 2008-11-06.
  35. ^ Kathy Lyford (2007-11-13). "Hemsworth, Collins join 'Star Trek'". Variety. Retrieved 2007-11-14. {{cite news}}: Check date values in: |date= (help)
  36. ^ a b c "Morrison and Nichols Talk a little Trek". TrekMovie. 2008-04-23. Retrieved 2008-04-25.
  37. ^ Anthony Pascale (2007-05-09). "Greg Ellis Joins Star Trek Cast". TrekMovie. Retrieved 2009-02-19. {{cite news}}: Check date values in: |date= (help)
  38. ^ "Brad William Henke talks about his role in STAR TREK". Collider. 2008-09-13. Retrieved 2008-09-14.
  39. ^ Anthony Pascale (2008-08-10). "Kirk Family Spoilers For New Star Trek". TrekMovie. Retrieved 2008-12-28.
  40. ^ "Interview With Greg Grunberg on TalkAboutIt.org, Heroes & Star Trek". TrekMovie. 2009-04-27. Retrieved 2009-04-27.
  41. ^ Jordan Hoffman (2009-04-28). "Roberto Orci - Star Trek Interview". UGO Networks. Retrieved 2009-04-28.
  42. ^ "Diora Baird Talks About Her Role as An Orion in Star Trek". TrekMovie. 2008-09-20. Retrieved 2008-09-21.
  43. ^ "Tyler Perry To Appear In Star Trek + Plot Spoilers" (html). trekmovie.com. 2007-12-31. Retrieved 2007-12-31.
  44. ^ "James Cawley To Appear In New Star Trek Movie + Talks About Visit To Set" (html). trekmovie.com. 2008-01-23. Retrieved 2008-01-23.
  45. ^ "New Trek Actors Confirmed" (html). trekmovie.com. 2008-02-09. Retrieved 2008-02-11.
  46. ^ "Pasha Lychnikoff". Coolwaters Productions LLC. 2008-12-05. Retrieved 2008-12-06.
  47. ^ "Max Out: William Morgan Sheppard interview". Den of Geek. 2008-03-19. Retrieved 2008-03-19.
  48. ^ Anthony Pascale (2008-01-19). "Inspirational Professor Given Part In Star Trek". TrekMovie. Retrieved 2008-04-22.
  49. ^ Jablon, Robert (2008-12-18). "Majel Roddenberry, widow of 'Trek' creator, dies". San Jose Mercury-News. Associated Press. Retrieved 2008-12-18.
  50. ^ a b c d e f Christina Radish (2009-04-26). "Interview: J.J. Abrams on Star Trek". IESB. Retrieved 2009-04-27.
  51. ^ William Keck (2008-01-21). "Celeb Watch: Shatner's gone there before, but new 'Trek' isn't on frontier". USA Today. Retrieved 2008-03-26.
  52. ^ Clayton Neuman (2008-09-08). "Masters of SciFi - J.J. Abrams on Reviving Frankenstein in Fringe and Adhering to Canon With Star Trek". AMC. Retrieved 2008-09-09.
  53. ^ a b Patrick Lee (2009-03-24). "Orci & Kurtzman: What familiar Star Trek bits will you see in the new movie?". Sci Fi Wire. Retrieved 2009-03-24.
  54. ^ Greg Parker (2008-06-29). "Nichelle Nichols Almost Had 'Star Trek' Cameo?". TrekMovie. Retrieved 2008-06-30.
  55. ^ Robert Sanchez (2007-11-10). "Keri Russell Talks Star Trek". IESB. Retrieved 2008-12-28.
  56. ^ Jay A. Fernandez (2009-02-19). "'Star Trek': Enterprise marketing". The Hollywood Reporter. Retrieved 2009-03-23.
  57. ^ Judith and Garfield Reeves-Stevens (1995). The Art of Star Trek. Pocket Books. p. 155. ISBN 0-671-89804-3.
  58. ^ David Hughes (2008). The Greatest Science Fiction Movies Never Made. Titan Books. pp. 35, 37, 44–46. ISBN 9781845767556.
  59. ^ a b Dave Itzkoff (2009-04-23). "New team retrofits old ship". The New York Times. Retrieved 2009-04-26.
  60. ^ a b c d Anthony Pascale (2008-01-25). "Star Trek Cast & Crew Fan Chat Transcript + Pictures From The Set". Retrieved 2008-01-27.
  61. ^ a b c d e Anthony Pascale (2007-10-04). "Interview - Roberto Orci On Why He Is A Trekkie & Making Trek Big Again". TrekMovie. Retrieved 2008-09-20.
  62. ^ Steve Krutzler (2006-06-07). "Abrams Cohorts Emphasize Respect for Mythology in Trek XI, Say Script Will Contain Old and New". TrekWeb. Retrieved 2006-08-20.
  63. ^ "Paramount Updates Star Trek Credits & Official Synopsis + Adds Production Partner". 2007-12-05. Retrieved 2007-12-09.
  64. ^ "Super High Resolution Images For 'Star Trek' 2009". 2008-12-30. Retrieved 2008-12-31.
  65. ^ "Can J.J. Abrams save Star Trek?". Empire. July 2006. p. 56.
  66. ^ Matthew Leyland (April 2009). "Bold New Enterprise". Total Film. p. 72.
  67. ^ a b Geoff Boucher (2009-01-29). "J.J. Abrams on tribbles and the 'Galaxy Quest' problem". Los Angeles Times. Retrieved 2009-01-29.
  68. ^ a b James Dyer (May 2009). "The Prime Director". Empire. pp. 76–79.
  69. ^ Tatiana Siegel (2007-02-24). "Abrams takes helm of Star Trek". The Hollywood Reporter. Retrieved 2008-04-14.
  70. ^ "Abrams Talks Trek, Cloverfield 2". IGN. 2008-05-16. Retrieved 2008-05-16.
  71. ^ a b Hugh Hart (2008-10-02). "Star Trek Writers Brace for Impact". Wired. Retrieved 2008-10-03.
  72. ^ a b c Anthony Pascale (2007-10-08). "Interview - Orci Talks Casting, Characters, Canon and Kirks". Retrieved 2008-09-25.
  73. ^ a b c Anthony Pascale (2008-12-11). "Bob Orci Explains How The New Star Trek Movie Fits With Trek Canon (and Real Science)" (Some information is taken from subsequent comments by Orci under the username "boborci"). Retrieved 2008-12-23.
  74. ^ a b c Patrick Lee (2009-03-26). "Orci & Kurtzman: Why they don't call Star Trek a reboot". Sci Fi Wire. Retrieved 2009-03-26.
  75. ^ Helen O'Hara (2008-11-14). "Klingon Subplot Revealed". Empire. Retrieved 2008-11-14.
  76. ^ "Star Trek: Behind the scenes" (Video). The Hollywood Reporter. Retrieved 2009-04-03.
  77. ^ Jeff Jensen (2008-10-17). "Inspirations for a whole new Enterprise". Entertainment Weekly. Retrieved 2008-12-15.
  78. ^ a b c d Anthony Pascale (2008-12-10). "Exclusive Interview: Roberto Orci On All The Latest With Star Trek (and more)". Retrieved 2008-12-09.
  79. ^ a b Anthony Pascale (2008-01-19). "Interview - Orci Answers Questions About New Star Trek Trailer". TrekMovie. Retrieved 2008-01-21.
  80. ^ Josh Horowitz (2007-03-08). "'Star Trek' Writers Talk Direction, Technobabble — But Not Matt Damon". MTV. Retrieved 2007-08-07.
  81. ^ a b Anthony Pascale (2008-04-13). "Grand Slam XVI: Highlights From Orci Q&A". TrekMovie. Retrieved 2008-04-13.
  82. ^ Bryan Cairns (2009-03-23). "To Boldy Go ... 'Star Trek' Executive Producer Bryan Burk". Newsarama. Retrieved 2009-03-23.
  83. ^ "Star Trek Magazine #17 Preview + Scott Chambliss Interview Extract". 2009-03-20. Retrieved 2009-03-20.
  84. ^ "TrekMovie.com Update On Latest Shatner and Enterprise Rumors". 2007-10-17. Retrieved 2007-10-18.
  85. ^ Clara Moskowitz (2008-02-11). "Abrams' Star Trek gets NASA help on images". Newsarama. Retrieved 2008-02-11.
  86. ^ Eric Vespe (2008-03-18). "Why do these shots from the filming of "Corporate Headquarters" look suspiciously like the Starfleet Academy?". Ain't It Cool News. Retrieved 2008-09-25.
  87. ^ Fred Topel (2008-09-05). "J.J. Abrams on TV's Fringe". Suicide Girls. Retrieved 2009-01-08.
  88. ^ Vic Holtreman (2009-03-24). "Exclusive Interview With The Man Behind Star Trek's Props". Screen Rant. Retrieved 2009-03-24.
  89. ^ Jeff Jensen (2008-11-11). "'Star Trek': An exclusive first look at the Enterprise". Entertainment Weekly. Retrieved 2009-03-08.
  90. ^ "How ILM came up with the new Enterprise for J.J. Abrams' Trek". Sci Fi Wire. 2009-04-17. Retrieved 2009-04-17.
  91. ^ "Anthony [Pascale]'s Thoughts On The L.A. Star Trek Movie Presentation". 2008-11-20. Retrieved 2008-11-23.
  92. ^ Edward Gross (2009-03-10). "Production Designer Scott Chambliss On Designing New Star Trek". Retrieved 2009-03-10.
  93. ^ Edward Gross (2009-02-26). "ST09 Costume Designer Talks Star Trek - Then And Now". Retrieved 2009-02-26.
  94. ^ James Dyer (2008-10-28). "New Star Trek Images". Empire Online. Retrieved 2008-10-28.
  95. ^ Helen O'Hara (2008-10-28). "Empire Star Trek Cover". Empire Online. Retrieved 2008-10-28.
  96. ^ "EXCL: Star Trek pic!". JoBlo.com. 2008-10-15. Retrieved 2008-10-15.
  97. ^ Marilyn Beck and Stacy Jenel Smith (2008-08-20). "Ears to You". The National Ledger. Retrieved 2008-08-21.
  98. ^ a b Joe Nazzaro (2009-04-06). "FX artists create new aesthetic for 'Star Trek' franchise". Makeup magazine. Retrieved 2009-04-06.
  99. ^ Anthony Pascale (2008-05-16). "Star Trek Villain Spoilers". Retrieved 2008-09-28.
  100. ^ Patrick Lee (2009-03-20). "Star Trek "doctor" reveals details of Kirk's birth in Abrams' film". Sci Fi Wire. Retrieved 2009-03-20.
  101. ^ "ACTION! Cameras Roll on "Star Trek" Movie Rebirth". Official Star Trek site. 2007-11-20. Retrieved 2008-02-29.
  102. ^ Paul Eakins (2007-12-19). "Council Returns after 'Trek'". Long Beach Press-Telegram. Retrieved 2007-12-20.
  103. ^ "Motion Picture Incentive Fund". Economic Development Corporation of Utah. 2009-02-04. Retrieved 2009-02-04.
  104. ^ Anthony Pascale (2008-03-18). "CSUN Transformed Into Academy". TrekMovie. Retrieved 2008-03-19.
  105. ^ Christina Radish (2009-04-26). "STAR TREK Press Conference: Pine, Cho, Yelchin, Bana and Collins". IESB. Retrieved 2009-04-27.
  106. ^ Anthony Pascale (2008-03-27). "Star Trek Wraps". TrekMovie. Retrieved 2008-03-28.
  107. ^ Anthony Pascale (2008-04-09). "Producer Talks 'Iowa' Shoot + VIDEO Of Scene Being Shot". TrekMovie. Retrieved 2008-04-10.
  108. ^ Cynthia Littleton, Michael Schneider (2007-11-05). "WGA strike hit the streets". Variety. Retrieved 2007-11-06.
  109. ^ Benjamin Svetkey (2007-11-08). "Writers' strike: Imagining the worst-case scenario". Entertainment Weekly. Retrieved 2007-11-12.
  110. ^ a b Anthony Pascale (2008-03-01). "Exclusive Interview: Damon Lindelof On New Release Date and Trek Appealing To Wider Audience". TrekMovie. Retrieved 2008-03-03.
  111. ^ Alex Billington (2009-01-14). "Kicking Off 2009 with Writers Alex Kurtzman and Roberto Orci - Part Two: Transformers 2". FirstShowing.net. Retrieved 2009-01-14.
  112. ^ "Does Spock fight in J.J. Abrams' Star Trek? Zachary Quinto speaks". Sci Fi Wire. 2009-03-06. Retrieved 2009-03-06.
  113. ^ "Karl Urban Talks New McCoy, Says Movie Will Be Very Faithful to The Original Series". TrekWeb. 2007-12-20. Retrieved 2007-12-20.
  114. ^ "Simon Pegg Talks a Little About New Star Trek Movie". TrekWeb. 2007-12-06. Retrieved 2007-12-06.
  115. ^ Anthony Pascale (2007-11-06). "'Star Trek' Extras Open Casting Call - Looking for Unique Faces". Retrieved 2008-01-20.
  116. ^ Dan Madsen (2009-03-24). "Mania Exclusive Interview: Eugene Roddenberry, Jr". Mania. Retrieved 2009-03-24.
  117. ^ Anthony Pascale (2008-06-24). "Ron Moore Talks Movies (Past and Future)". Retrieved 2008-11-23.
  118. ^ Carl Cortez (2008-05-12). "Jonathan Frakes returns for chapter 3 of The Librarian". iF Magazine. Retrieved 2008-12-05.
  119. ^ Goldman, Michael (2009-04-20). "Back on Trek;How J.J. Abrams led the Star Trek revival". Millimetre. p. 2. Retrieved 2009-04-28.
  120. ^ Cindy White (2007-11-01). "Trek Score Will Keep Theme". Sci Fi Wire. Retrieved 2007-11-03.
  121. ^ Dan Goldwasser (2009-04-21). "Michael Giacchino hits warp speed with his score to Star Trek". ScoringSessions.com. Retrieved 2009-04-21. {{cite news}}: Check date values in: |date= (help)
  122. ^ Anthony Pascale (2008-03-23). "Giacchino's Star Trek Soundtrack Announced - Available For Pre-order". TrekMovie.com. {{cite news}}: Check date values in: |date= (help); Unknown parameter |accsessdate= ignored (help)
  123. ^ Associated Press (2008-02-15). "'Trek' Boldly Goes to Summer 2009". Starpulse.com. Retrieved 2008-09-29.
  124. ^ Anthony Pascale (2009-02-12). "Alan Dean Foster Writing Star Trek Movie Adaptation". Retrieved 2009-02-12.
  125. ^ Anthony Pascale (2009-03-19). "ST09 Tidbits (Spocks Edition): Nimoy Supports Vulcans [UPDATED] + Quinto Reads Audiobook & Appears in GQ". Retrieved 2009-04-04.
  126. ^ "Austin, TX Fans Given Surprise Showing of ENTIRE Star Trek Movie". 2009-04-06. Retrieved 2009-04-07.
  127. ^ "Star Trek to get Sydney premiere". BBC News Online. 2009-03-20. Retrieved 2009-03-19.
  128. ^ Anthony Pascale (2009-03-20). "ST09 Tidbits (T-48 days): Vulcan Gets A 'Yes' + New Esurance Contest + New Kellogg's Promos + more". Retrieved 2009-03-20.
  129. ^ Karen Jowers (2009-04-10). "Troops get peek at 'Star Trek'". Air Force Times. Retrieved 2009-04-10.
  130. ^ Peter Sciretta (2009-04-13). "Star Trek on May 7th". /Film. Retrieved 2009-04-13.
  131. ^ Charles Trotter (2008-01-21). "Trek Welder Talks Teaser Shoot". Retrieved 2008-10-02.
  132. ^ Jay A. Fernandez and Borys Kit (2008-11-21). ""Star Trek" promo blasting off six months early". Reuters. Retrieved 2008-11-22.
  133. ^ T. L. Stanley (2009-04-16). "Paramount forges 'Star Trek' tie-ins". The Hollywood Reporter. Retrieved 2009-04-17.
  134. ^ a b "CBS Announces New Star Trek Licenses - Including Monopoly, Uno, Apparel, Fragrences + more [UPDATED]". 2009-01-28. Retrieved 2009-01-28.
  135. ^ John Tenuto (2008-01-27). "Star Trek Headed Back To Playmates". TrekMovie. Retrieved 2008-01-28.
  136. ^ John Tenuto (2008-11-19). "Details On First Two Waves Of Playmates Star Trek Movie Toys + Nero's Ship Name Revealed [UPDATED]". Retrieved 2008-11-24.
  137. ^ John Tenuto (2009-01-23). "Exclusive Details On Playmates Full Line Of Star Trek Movie Toys + Hi Res Images". Retrieved 2009-01-24.
  138. ^ John Tenuto (2008-01-26). "Corgi Announces Star Trek Movie License". TrekMovie. Retrieved 2008-01-28.
  139. ^ John Tenuto (2009-01-19). "Star Trek Hot Wheels Coming in May". Retrieved 2009-01-19.
  140. ^ John Tenuto (2009-02-12). "CBS Introduces Star Trek QUOGS - New Cartoon-style TOS Character Designs For Multiple Products". Retrieved 2009-02-12.
  141. ^ "Star Trek Review, Total Film". totalfilm.com.
  142. ^ "Star Trek Review, SFX". sfx.co.uk.
  143. ^ "Star Trek Review, Time Out Sydney".
  144. ^ Empire Magazine Star Trek (2009) Review | http://www.empireonline.com/reviews/reviewcomplete.asp?FID=134061
  145. ^ Franklin, Garth (April 13, 2009). "Star Trek - April 13th 2009". Dark Horizons. Retrieved 2009-04-16.
  146. ^ The Hollywood Reporter - Star Trek film review
  147. ^ "Out of this world! The Mail's film critic gives his verdict on the new Star Trek movie". Retrieved April 22 2009. {{cite web}}: Check date values in: |accessdate= (help); Unknown parameter |dateformat= ignored (help)
  148. ^ "Star Trek Review, IGN UK".

Template:Star Trek time travel stories