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Asmodeus

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For other uses, see Asmodeus (disambiguation).
"Sidonai" redirects here. For the Phoenician city and its inhabitants, see Sidon.
Asmodeus as depicted in Collin de Plancy's Dictionnaire Infernal.

Asmodeus (/ˌæzməˈdiːəs/; Ancient Greek: Ἀσμοδαῖος, Asmodaios) or Ashmedai (/ˈæʃmɪˌdaɪ/; Hebrew: אַשְמְדּאָי, romanized: ʾAšmədʾāy; Arabic: آشماداي; see below for other variations) is a king of demons in the legends of Solomon and the constructing of Solomon's Temple.[1]

His story features variously in Talmudic stories where he is the king of the shedim. The Quran refers to a "puppet" in the Story of Solomon in Surah Ṣād verses 30-40, which is according to the mufassirūn (authorized exegetes of the Quran) referring to the demon-king Asmodeus (Sakhr).[2]

In Christian lore, Asmodeus is mostly known from the deuterocanonical Book of Tobit. He is the primary antagonist and disrupts the marriages of Sarah.[1][3] Peter Binsfeld classifies Asmodeus as the "demon of lust".

Etymology

The figure of Asmodeus in Rennes-le-Château.

The name Asmodai is believed to derive from the Avestan *aēšma-daēva (𐬀𐬉𐬴𐬨𐬀𐬛𐬀𐬉𐬎𐬎𐬀*, *aēṣ̌madaēuua), where aēšma means "wrath", and daēva signifies "demon". While the daēva Aēšma is thus Zoroastrianism's demon of wrath and is also well-attested as such, the compound aēšma-daēva is not attested in scripture. It is nonetheless likely that such a form did exist, and that the Book of Tobit's "Asmodaios" (Ἀσμοδαῖος) and the Talmud's "Ashmedai" (אשמדאי) reflect it.[4] In the Zoroastrian and Middle Persian demonology, there did exist the conjuncted form khashm-dev (خشم + دیو), where both terms are cognates.[5]

The spellings Asmoday, Asmodai,[6][7] Asmodee (also Asmodée),[8][9] Osmodeus,[10][11] and Osmodai[12][13] have also been used. The name is alternatively spelled in the bastardized forms (based on the basic consonants אשמדאי, ʾŠMDʾY) Hashmedai (חַשְמְדּאָי, Ḥašmədʾāy; also Hashmodai, Hasmodai, Khashmodai, Khasmodai),[14][15][16][17] Hammadai (חַמַּדּאָי, Hammadʾāy; also Khammadai),[18][19] Shamdon (שַׁמְדּוֹן, Šamdōn),[20] and Shidonai (שִׁדֹנאָי, Šīdōnʾāy).[19] Some traditions have subsequently identified Shamdon as the father of Asmodeus.[20]

The Jewish Encyclopedia of 1906 rejects the otherwise accepted etymological relation between the Persian "Æshma-dæva" and Judaism's "Ashmodai" claiming that the particle "-dæva" could not have become "-dai" and that Æshma-dæva as such—a compound name—never appears in Persian sacred texts.

Still, the encyclopedia proposes that the "Asmodeus" from the Apocrypha and the Testament of Solomon are not only related somewhat to Aeshma but have similar behaviour, appearance and roles,[21] to conclude in another article under the entry "Aeshma", in the paragraph "Influence of Persian Beliefs on Judaism",[22] that Persian Zoroastrian beliefs could have heavily influenced Judaism's theology on the long term, bearing in mind that in some texts there are crucial conceptual differences while in others there seems to be a great deal of similarity, proposing a pattern of influence over folk beliefs that would extend further to the mythology itself.

However, the Jewish Encyclopedia asserts that although 'Æshma does not occur in the Avesta in conjunction with dæva, it is probable that a fuller form, such as Æshmo-dæus, has existed, since it is paralleled by the later Pahlavi-form "Khashm-dev"'.[23] Furthermore, it is stated that Asmodeus or Ashmedai "embodies an expression of the influence that the Persian religion or Persian popular beliefs have exercised" on Judaism.[24]

In the texts

In the Book of Tobit

The Asmodeus of the Book of Tobit is hostile to Sarah, Raguel's daughter,[25] and slays seven successive husbands on their wedding nights, impeding the sexual consummation of the marriages. In the New Jerusalem Bible translation, he is described as "the worst of demons".[26] When the young Tobit is about to marry her, Asmodeus proposes the same fate for him, but Tobit is enabled, through the counsels of his attendant angel Raphael, to render him innocuous. By placing a fish's heart and liver on red-hot cinders, Tobit produces a smoky vapour that causes the demon to flee to Egypt, where Raphael binds him.[27] According to some translations, Asmodeus is strangled.

Perhaps Asmodeus punishes the suitors for their carnal desire, since Tobit prays to be free from such desire and is kept safe. Asmodeus is also described as an evil spirit in general: "Ασμοδαίος τὸ πονηρὸν δαιμόνιον or τὸ δαιμόνιον πονηρόν, and πνεῦμα ἀκάθαρτον".[28][29][25][30]

In the Talmud

The figure of Ashmedai in the Talmud is less malign in character than the Asmodeus of Tobit. In the former, he appears repeatedly in the light of a good-natured and humorous fellow. But besides that, there is one feature in which he parallels Asmodeus, in as much as his desires turn upon Bathsheba and later Solomon's wives.

Another Talmudic legend has King Solomon tricking Asmodeus into collaborating in the construction of Solomon's Temple[31] (see: The Story of King Solomon and Ashmedai).

Another legend depicts Asmodeus throwing King Solomon over 400 leagues away from the capital by putting one wing on the ground and the other stretched skyward. He then changed places for some years with King Solomon. When King Solomon returned, Asmodeus fled from his wrath.[32] Similar legends can be found in Islamic lore. Asmodeus is referred to as Sakhr (Arabic: صخر the Rock or the Stony One), because Solomon banished him into a rock, after he takes his kingdom back from him. He is considered to be a king of the (divs or ifrits).[33]

Another passage describes him as marrying Lilith, who became his queen.[34]

In the Testament of Solomon

In the Testament of Solomon, a 1st–3rd century text, the king invokes Asmodeus to aid in the construction of the Temple. The demon appears and predicts Solomon's kingdom will one day be divided (Testament of Solomon, verse 21–25).[35] When Solomon interrogates Asmodeus further, the king learns that Asmodeus is thwarted by the angel Raphael, as well as by sheatfish found in the rivers of Assyria. He also admits to hating water. Asmodeus claims that he was born of a human mother and an angel father.

In the Malleus Maleficarum

In the Malleus Maleficarum (1486), Asmodeus was considered the demon of lust.[36] Sebastien Michaelis said that his adversary is St. John. Some demonologists of the 16th century assigned a month to a demon and considered November to be the month in which Asmodeus's power was strongest. Other demonologists asserted that his zodiacal sign was Aquarius but only between January 30 and February 8.

He has 72 legions of demons under his command. He is one of the Kings of Hell under Lucifer the emperor. He incites gambling, and is the overseer of all the gambling houses in the court of Hell. Some Catholic theologians compared him with Abaddon. Yet other authors considered Asmodeus a prince of revenge.

In the Dictionnaire Infernal

The Dictionnaire Infernal (1818) by Collin de Plancy portrays Asmodeus with the breast of a man, a cock leg, serpent tail, three heads (one of a man spitting fire, one of a sheep, and one of a bull), riding a lion with dragon wings and neck - all of these creatures being associated with either lascivity, lust or revenge in some cultures.[citation needed] The Archbishop of Paris approved the portrait.[37]

In the Lesser Key of Solomon

Asmodeus appears as the king 'Asmoday' in the Ars Goetia, where he is said to have a seal in gold and is listed as number thirty-two according to respective rank.[38]

He "is strong, powerful and appears with three heads; the first is like a bull, the second like a man, and the third like a ram or a goat; the tail of a serpent, and from his mouth issue flames of fire."[39] Also, he sits upon an infernal dragon, holds a lance with a banner and, amongst the Legions of Amaymon, Asmoday governs seventy-two legions of inferior spirits.[38]

In The Magus

Asmodeus is referred to in Book Two, Chapter Eight of The Magus (1801) by Francis Barrett.[40]

Later depictions

In Christian thought

Asmodeus was named in the Order of Thrones by Gregory the Great.[41]

Asmodeus was cited by the nuns of Loudun in the Loudun possessions of 1634.[42]

Asmodeus' reputation as the personification of lust continued into later writings, as he was known as the "Prince of Lechery" in the 16th-century romance Friar Rush.[43] The French Benedictine Augustin Calmet equated his name with a fine dress.[43] The 1409 Lollard manuscript titled Lanterne of Light associated Asmodeus with the deadly sin of lust. The 16th-century Dutch demonologist Johann Weyer described him as the banker at the baccarat table in hell, and overseer of earthly gambling houses.[44]

In 1641, the Spanish playwright and novelist Luis Velez de Guevara published the satirical novel El diablo cojuelo, where Asmodeus is represented as a mischievous demon endowed with a playful and satirical genius. The plot presents a rascal student that hides in an astrologer's mansard. He frees a devil from a bottle. As an acknowledgement the devil shows him the apartments of Madrid and the tricks, miseries and mischiefs of their inhabitants.[45][46] The French novelist Alain-René Lesage adapted the Spanish source in his 1707 novel le Diable boiteux,[43] where he likened him to Cupid. In the book, he is rescued from an enchanted glass bottle by a Spanish student Don Cleophas Leandro Zambullo. Grateful, he joins with the young man on a series of adventures before being recaptured. Asmodeus is portrayed in a sympathetic light as good-natured, and a canny satirist and critic of human society.[43] In another episode Asmodeus takes Don Cleophas for a night flight, and removes the roofs from the houses of a village to show him the secrets of what passes in private lives. Following Lesage's work, he was depicted in a number of novels and periodicals, mainly in France but also London and New York.[47]

Asmodeus was widely depicted as having a handsome visage, good manners and an engaging nature; however, he was portrayed as walking with a limp and one leg was either clawed or that of a rooster. He walks aided by two walking sticks in Lesage's work, and this gave rise to the English title The Devil on Two Sticks[37] (also later translated The Limping Devil and The Lame Devil). Lesage attributes his lameness to falling from the sky after fighting with another devil.[48]

On 18 February 1865, author Evert A. Duyckinck sent President Abraham Lincoln a letter, apparently mailed from Quincy. Duyckinck signed the letter "Asmodeus", with his initials below his pseudonym. His letter enclosed a newspaper clipping about an inappropriate joke allegedly told by Lincoln at the Hampton Roads Peace Conference. The purpose of Duyckinck's letter was to advise Lincoln of "an important omission" about the history of the conference. He advised that the newspaper clipping be added to the "Archives of the Nation".[49]

In the Kabbalah

According to the Kabbalah and the school of Shlomo ibn Aderet, Asmodeus is born as the result of a union between Agrat bat Mahlat and King David.[50]

In the Treatise on the Left Emanation, which describes sitra achra (Aramaic: סטרא אחרא), meaning the "other side" or the "side of evil", Asmodeus is described as a figure living in the third ether of Heaven. He is Samael's subordinate, and married to a younger form of Lilith (Samael is married to the older Lilith). Asmodeus is still able to inflict pain and destruction, but only on Mondays.[51]

Islam

Solomon and the Queen of Sheba informed by an angel about their child, possibly an allusion to Nizami's Tale of the Princess of the Yellow-Gold Pavillion. A red demon enslaved in the garden, pressumably Asmodeus, is forced to work.

In Islamic culture, Asmodeus is known as a demon (Arabic: شَيَاطِين, romanized: šayṭān Persian: دیو, romanized: dīv) called Sakhr (rock), probably a reference to his fate being imprisoned inside a box of rock, chained with iron and thrown into the sea.[52] or his association with the desires of the lower world. He features prominently as the antagonist of the prophet Solomon. He is sometimes identified with the ifrit who offered to carry the Throne of Solomon.[53] In the story of Buluqiya, Asmodeus teaches a young Jewish prince about the seven layers of hell.

Quran and exegesis

Angels fighting to hold a demonic dragon in chains. On the left side of the picture, the head of Asmodeus lurks from a crag of the demonic manifestation. The image conveys the battle between the demonic passions and the rational intellect in the form of the angels, supposedly happening inside a human's heart. Siyah Qalam (1478)

Islamic allegorical comments about Asmodeus are abundant in Medieval Islam and Asmodeus became a central figure figure in exegesis (tafsīr) of the Quranic verse Surah 38:34: "We allowed Solomon to be seduced by temptation, and we cast a body upon his seat. Then he repented."[54] Tabari (224–310 AH; 839–923 AD) identifies the body mentioned in the verse as a shaytan in both his Annals of al-Tabari[55] as well as his tafsir.[56] Abd al-Razzaq Kāshānī comments on Surah 38:34, "The satan who sat thereupon [sovereignity's throne] and took its ring away, represents the elemental earthly nature, ruler over the lower sea of matter, called Sakhr, the 'rock,' on account of its inclination toward the lowest things and clinging thereto, even as a stone on account of heaviness."[57] Aziz ad-Din Nasafi depicts Solomon as caliph, a symbol of the ruling intellect, whose task it is to reduce the physical passions to proper obedience, else the forces will capture the mind's seat and turn into an usurping demon.[58] Solomon's ring signifies the imperial command over the forces of nature. which Solomon's lapse into lust and idolatry caused him to lose.[58] Attar of Nishapur elucidates a similar allegory: one must behave like a triumphant 'Solomon' and chain the demons of the nafs or lower self, locking the demon-prince into a 'rock', before the rūḥ (soul) can make the first steps to the Divine.[59][60]

Narrative exegesis (Qiṣaṣ)

The Stories of the Prophets Qiṣaṣ al-Anbiyāʾ give various reasons for Solomon's punishment and Asmodeus' consequently temporary victory; sometimes because of acting injustly before a family dispute or hands the ring to a demon in exchange for knowledge, while most sources (such as Tabari, ʿUmāra ibn Wathīma, Thalabi, ibn Asakir, ibn al-Athir) invoke the idea that one of his wives committed idolatry.[61] When Asmodeus put the ring on his finger, he turned into the shape of Solomon and sat on his throne, ruling in wickedness, while the real Solomon emerged from his bath and not recognized by anyone in the palace, thus cast into the streets to wander as a beggar. Finally Solomon found work at a harbor, gutting fish.

After 40 days the false Solomon's evil ways aroused suspicion and the royal minister Asaph recites some holy verses in the presence of the demon king, who screamed in rage, unable to bear the recitation, and tore of the ring. The ring then fell into a river and was swallowed by a fish. The fish eventually arrived at the table of the real Solomon who slipped the ring back on and was immediately surrounded by loyal jinn who carried him to his throne, where he and his army of men, jinn, birds, and beasts battle Asmodeus and locked him in a stone after his defeat.[62]

Folk-Literature

The idea of "Genie in a bottle" probably roots in the Islamic legend about the demon Asmodeus.[63] In a story of Thousand and One Nights, the "Tale of the City of Brass" refers to Asmodeus' fate after his failure against the Prophet. According to this story, travelers discover the demon locked in a stone in the middle of the desert. The story goes as follows according to Sir Richard Burton:

Then they came upon a pillar of black stone like a furnace chimney wherein was one sunken up to his armpits. He had two great wings and four arms, two of them like the arms of the sons of Adam and other two as they were lions' paws, with claws of iron, and he was black and tall and frightful of aspect, with hair like horses' tails and eyes like blazing coals, slit upright in his face."

In the essay on the Arabic "Tale of the City of Brass", Andras Hamori relied only on incomplete versions of the story without mentioning the name of the demon.[64]

In the story of Sakhr and Buluqiya, a young Jewish prince searching for the final Prophet (Muhammad), Sakhr is said to have reached immortality by drinking from the Well of Immortality. When Buluqiya arrives in his search for Muhammad an island, he is greeted by two snakes, as big as camels and palm trees, glorrifying the name of God and Muhammad. They explain that they are tasked with punishing the residents of hell. Later on a different island, he meets Asmodeus the king of demons, who explains the seven layers (ṭabaqāt) and the punisher angels (zabāniyya) who sire hell's snakes and scorpions by self-copulation.[65]

On 23 May 1960, the Tel Aviv newspaper Haboker ran a banner headline announcing the capture of Nazi war criminal Adolf Eichmann by Israeli security forces that read: Ashmadai b'Khevlei Yisrael (אשמדאי בכבלי ישראל), which translates as "Asmodeus in Israeli chains".

In a 1975 episode of Kolchak: The Night Stalker titled "Demon in Lace", Asmodeus is the antagonist.

One of the main characters in Jack L. Chalker’s 1979 novel And the Devil Will Drag You Under is named Asmodeus Mogart.

In the Children’s Fantasy book series Redwall, a side antagonist of the first book of the series (1986) is called Asmodeus Poisonteeth, a venomous snake who threatens the creatures of the forests surrounding Redwall Abbey.

In a 73. episode of Polish sitcom The Lousy World titled "Nie bój żaby" (2000) Asmodeus is summoned by Mariola in the form of Postman Edzio. Asmodeus is played by Bohdan Smoleń.[66]

In Alan Moore's novel Jerusalem, published in 2016, Asmodeus takes a young protagonist on a cosmological flight/tour.

In the manga Welcome to Demon School! Iruma-kun, running since 2017, Asmodeus is a prominent clan of devils, and one of their members, Alice Asmodeus, is depicted as the best friend of the main character.

Asmodeus is a Prince of Hell and one of the main antagonists in season 13 of Supernatural.

In the 2018 horror film Astral, Asmodeus possesses the body of a university student who seeks the ghost of his dead mother.

In the 2021 movie Paranormal Activity: Next of Kin, Asmodeus appears as an antagonist.[67]

On October 3, 2021, an episode of the web series Puppet History mentioned Asmodeus's naming in the Loudun Possessions, and a three-headed puppet rendition of Asmodeus both performed the episode's customary ending song and featured in the episode's plot-heavy finale.[68]

The 2023 film The Pope's Exorcist features a demonic possession attributed to Asmodeus.

Asmodeus is depicted as an evil deity and the King of the Nine Hells in most published material for Dungeons & Dragons.

Asmodeus appears in the adult animated web series Helluva Boss, voiced by James Monroe Iglehart. Nicknamed "Ozzie", he is the ruler of Hell's Ring of Lust and the owner of a popular nightclub.

Asmodeus is a character in the 2019 visual novel otome game, "Obey Me!", and its prequel game, “Obey Me! Nightbringer”. He is the avatar of lust, and the fifth born out of the seven demon brothers present in the game.

Asmodeus is Magnus Bane's father in the book series The Mortal Instruments by Cassandra Clare.

See also

References

Citations
  1. ^ a b "Asmodeus" in The New Encyclopædia Britannica. Chicago: Encyclopædia Britannica Inc., 15th edn., 1992, Vol. 1, p. 635.
  2. ^ Nünlist, T. (2015). Dämonenglaube im Islam. Deutschland: De Gruyter. p. 156 (German)
  3. ^ "Asmodeus/Asmoday". Judeo-Christian Demons. Deliriumsrealm.com. 25 March 2003. Retrieved 2009-03-04.
  4. ^ Stave, Erik (2002) [1901–1906]. "Æshma (Asmodeus, Ashmedai)". In Singer, Isidore; Adler, Cyrus; et al. (eds.). Jewish Encyclopedia. New York: Funk & Wagnalls. LCCN 16-014703. Retrieved 7 March 2018. since it is paralleled by the later Pahlavi-form "Khashm-dev" ("Khashm dev" = "Æshma dev"), written with the Aramaic "sheda," but pronounced "dev." [..] Asmodeus (Ashmedai) embodies an expression of the influence that the Persian religion or Persian popular beliefs have exercised on the Jewish—an influence that shows itself very prominently in the domain of demonology.
  5. ^ Bane, Theresa (Jan 9, 2012). McFarland (ed.). Encyclopedia of Demons in World Religions and Cultures. McFarland. p. 191. ISBN 978-0-786-46360-2.
  6. ^ Milton, John (1671). Paradise Regained.
  7. ^ Pomfret, John (1724). "Cruelty and Lust". Poems Upon Several Occasions. D. Brown. p. 73.
  8. ^ Mauriac, François (1939). Asmodee; or, The Intruder. Secker & Warburg.
  9. ^ Kleu, Michael; Eayrs, Madelene (2010). Who Are You?. USA: Xulon Press. p. 214. ISBN 978-1-61579-841-4.
  10. ^ Connell, Evan S. (1992). The Alchymist's Journal. Penguin Books. p. 110. ISBN 0-14-016932-6.
  11. ^ Guppy, Henry (1960). "Tobit". Bulletin of the John Rylands Library. Vol. 42. Manchester University Press. p. 375.
  12. ^ Garibay Mora, Ernesto (2005). Dictionary of Demons and Related Concepts. Miami, Florida: L. D. Books. p. 103. ISBN 970-732-108-3.
  13. ^ Nares, Robert (1888). A Glossary of Words, Phrases, Names, and Allusions. London: Reeves & Turner. p. 21.
  14. ^ Association of Modern Austrian Philologists (1999). Moderne Sprachen. Vol. 43. p. 63.
  15. ^ Ritchie, Leitch (1836). The Magician. Vol. I. Philadelphia: Carey, Lea & Blanchard. p. 84.
  16. ^ de Laurence, L. W. (1914). The Great Book of Magical Art, Hindu Magic and East Indian Occultism. Chicago: The de Laurence Co. p. 183.
  17. ^ MacGregor Mathers, S. L. (1458). The Book of the Sacred Magic. Kessinger. p. 110. ISBN 9781425454142.
  18. ^ Voltaire (1824). A Philosophical Dictionary. Vol. 1. London: J. & H. L. Hunt. p. 286.
  19. ^ a b Leland, Charles Godfrey (1902). Flaxius: Leaves from the Life of an Immortal. London: Philip Wellby. p. 72.
  20. ^ a b "Asmodeus, or Ashmedai". Jewish Encyclopedia. Funk and Wagnalls. 1906. Retrieved May 1, 2013.
  21. ^ Jewish encyclopedia 1906 full text unedited version , entry "Asmodeus" paragraph "Asmodeus, Ashmedai, and Æshma."
  22. ^ Stave, E., Æshma (Asmodeus, Ashmedai), Jewish Encyclopedia, unedited full text 1906 version
  23. ^ Strave, Erik. "Æshma (Asmodeus) etymology in Jewish Encyclopedia". Though "Æshma" does not occur in the Avesta in conjunction with "dæva", it is probable that a fuller form, such as "Æshmo-dæus", has existed, since it is paralleled by the later Pahlavi-form "Khashm-dev" ("Khashm dev" = "Æshma dev"), written with the Aramaic "sheda," but pronounced "dev."
  24. ^ Ibid. Jewish Encyclopedia. In fine, Asmodeus (Ashmedai) embodies an expression of the influence that the Persian religion or Persian popular beliefs have exercised on the Jewish—an influence that shows itself very prominently in the domain of demonology. Thus 'Ασμο' ... corresponds to "Æshma", and the ending δαῖος ... to "dæva".
  25. ^ a b "Tobit 6:13". bible.oremus.org. Retrieved 2024-05-22.
  26. ^ "Tobit 3". Catholic Online. Retrieved 2024-05-22.
  27. ^ "Tobit 8:2–3". bible.oremus.org. Retrieved 2024-05-22.
  28. ^ "Tobit 3:8". bible.oremus.org. Retrieved 2024-05-22.
  29. ^ "Tobit 3:17". bible.oremus.org. Retrieved 2024-05-22.
  30. ^ "Tobit 8:3". bible.oremus.org. Retrieved 2024-05-22.
  31. ^ Raphael Patai Encyclopedia of Jewish Folklore and Traditions Routledge 2015 ISBN 978-1-317-47170-7 page 39
  32. ^ Talmud. Gittin. pp. 68b.
  33. ^ Robert Lebling Legends of the Fire Spirits: Jinn and Genies from Arabia to Zanzibar I.B.Tauris 2010 ISBN 978-0-857-73063-3
  34. ^ Schwartz, Howard (1988). Lilith's cave: Jewish tales of the supernatural. San Francisco, CA: Harper & Row. p. 8. ISBN 978-0-06-250779-2. LCCN 87045196. OCLC 62241318.
  35. ^ Conybeare, Frederick Cornwallis (trans.) (October 1898). "The Testament of Solomon". The Jewish Quarterly Review. 11 (1): 1–45. doi:10.2307/1450398. ISSN 0021-6682. JSTOR 1450398. Retrieved 2012-02-09.
  36. ^ Kramer, Heinrich; Summers, Montague (trans.). "Question IV: By which Devils are the Operations of Incubus and Succubus Practised?". Malleus Maleficarum Part 1 Question IV. Vol. 1. London, England: J. Rodker. LCCN 29017069. OCLC 504248484. But the very devil of Fornication, and the chief of that abomination, is called Asmodeus, which means the Creature of Judgement: for because of this kind of sin a terrible judgement was executed upon Sodom and the four other cities.
  37. ^ a b Rudwin 1970, p. 93.
  38. ^ a b Mathers & Crowley 1995, pp. 68–70.
  39. ^ Mathers & Crowley 1995, p. 32.
  40. ^ Barrett, Francis (2008) [1801]. "VIII: The Annoyance of Evil Spirits, and the Preservation we have from Good Spirits". The Magus, a Complete System of Occult Philosophy. Vol. Book II. New York: Cosimo Classics. pp. 49–52. ISBN 978-1-60520-301-0. LCCN 11015009. OCLC 428109956. Archived from the original on 2011-07-28. Retrieved 2010-09-28.
  41. ^ Rudwin 1970, p. 20.
  42. ^ Dumas, Alexandre (1634). "Urbain Grandier: Chapter V". Urbain Grandier. Celebrated Crimes.
  43. ^ a b c d Rudwin 1970, p. 87.
  44. ^ Rudwin 1970, p. 92.
  45. ^ Luis Vélez de Guevara
  46. ^ "Luis Vélez de Guevara | Spanish author".
  47. ^ Rudwin 1970, p. 88.
  48. ^ Rudwin 1970, p. 50.
  49. ^ Duyckinck, Evert A. Evert A. Duyckinck to Abraham Lincoln, Saturday, February 18, 1865 (Sends clipping with story Lincoln allegedly told at Hampton Roads conference) – The Abraham Lincoln Papers at the Library of Congress. Archived from the original on February 22, 2013. Retrieved February 3, 2013.
  50. ^ Scholem, G. (1948). "New Chapters in the Story of Ashmedai and Lilith / פרקים חדשים מענייני אשמדאי ולילית". Tarbiẕ. 19 (3–4). Mandel Institute for Jewish Studies: 160–175. JSTOR 23585831.
  51. ^ "ASMODEUS | Encyclopedia of Jewish Folklore and Traditions - Credo Reference".
  52. ^ Sami Helewa Models of Leadership in the Adab Narratives of Joseph, David, and Solomon: Lament for the Sacred Lexington Books 2017 ISBN 978-1-498-55267-7 page 167
  53. ^ Eichler, Paul Arno. "Die Dschinn, Teufel und Engel im Koran." (1928). p. 19
  54. ^ Lewisohn, L., Shackle, C. (2006). Attar and the Persian Sufi Tradition: The Art of Spiritual Flight. Vereinigtes Königreich: Bloomsbury Publishing. p. 153
  55. ^ Nünlist, T. (2015). Dämonenglaube im Islam. Deutschland: De Gruyter. p. 156 (German)
  56. ^ "موقع التفير الكبير".
  57. ^ Brend, Barbara. "Figurative Art in Medieval Islam and the Riddle of Bihzād of Herāt (1465–1535). By Michael Barry. pp. 408. Paris, Flammarion, 2004." Journal of the Royal Asiatic Society 17.1 (2007): 357
  58. ^ a b Brend, Barbara. "Figurative Art in Medieval Islam and the Riddle of Bihzād of Herāt (1465–1535). By Michael Barry. p. 357. Paris, Flammarion, 2004." Journal of the Royal Asiatic Society 17.1 (2007): 357
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Sources
  • Media related to Asmodeus at Wikimedia Commons
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