Promotional artwork used on a number of DVD releases of FLCL featuring the three primary characters from the anime, from top, Canti (the blue robot), Haruko, and Naota.
|Genre||Action, comedy, science fiction|
|Original video animation|
|Directed by||Kazuya Tsurumaki|
|Produced by||Hiroki Sato, Nishizawa Masatomo|
|Written by||Yōji Enokido, Kazuya Tsurumaki|
|Music by||The Pillows|
|Studio||Gainax, Production I.G|
|Released||April 26, 2000 – March 16, 2001|
|Written by||Yoji Enokido|
|Published by||Kadokawa Shoten|
|Imprint||Kadokawa Sneaker Bunko|
|Original run||June 2000 – March 2001|
|Written by||Hajime Ueda|
|Original run||2000 – 2001|
|Anime television series|
|Directed by||Katsuyuki Motohiro|
|Written by||Hideto Iwai|
|Music by||The Pillows|
|Original run||2017/18 – scheduled|
FLCL (Japanese: フリクリ Hepburn: Furi Kuri, pronounced in English as Fooly Cooly) is an original video animation (OVA) anime series written by Yōji Enokido, directed by Kazuya Tsurumaki and produced by the FLCL Production Committee, which consisted of Gainax, Production I.G, and King Records. FLCL follows Naota Nandaba, a twelve-year-old boy living in the fictional Japanese suburb of Mabase, and his interactions with Haruko Haruhara, who arrives in the quiet suburb, drawn by the industrial town houses and the Medical Mechanica building.
The six-episode series was released in Japan from April 2000 to March 2001. A manga and novel were also created at the time. It aired in the United States on Adult Swim in 2003 several times. It aired once again on the network's Toonami block from October 26, 2013 to January 25, 2014. The series is also available via Hulu, iTunes, and on Funimation's website.
Two new seasons totaling 12 episodes were announced on March 24, 2016 as a co-production between Production I.G and Adult Swim.
FLCL is a coming-of-age story and revolves around Naota Nandaba, a 12-year-old, working-class boy living with his widowed father and grandfather. His life in the city of Mabase is interrupted by the arrival of Haruko Haruhara, who runs over Naota with her yellow Vespa 180 SS scooter, gives him CPR, then hits him on the head with a blue vintage Rickenbacker 4001 left-handed electric bass guitar. Naota discovers that the blow to his head created an "N.O." portal, from which giant robots produced by a company known as Medical Mechanica emerge periodically.
Naota later finds Haruko working in his house as a live-in maid. It is later discovered that Haruko is an investigator for the Galactic Space Police Brotherhood. Haruko uses Naota for her search for the Pirate King, Atomsk. She is at odds with Medical Mechanica, a monolithic industrial corporation. Naota is being watched by Commander Amarao, a special agent of the Bureau of Interstellar Immigration, who believes that Medical Mechanica is out to conquer the galaxy. Naota is ultimately drawn into a three-way battle between Haruko, Amarao and Medical Mechanica.
Tsurumaki has said that he tried to "break the rules" of anime when making FLCL, for example, by choosing a contemporary Japanese band to provide the soundtrack, and patterning the style more after "a Japanese TV commercial or promotional video", creating a work that is "short, but dense-packed".
FLCL's localization director and script writer Marc Handler stated that localization of the script was the hardest part of the show. The in-jokes in the show included obscure pop culture references that had to be decoded and transferred to English audiences. One example was a reference to Cheerio, a discontinued soft drink in Japan, for the English release the choice was made to use a discontinued American soft drink at the time, Crystal Pepsi. Director Kazuya Tsuramaki responded to criticism of FLCL, stating "comprehension should not be an important factor in FLCL."
The Medical Mechanica building featured is in the shape of a large iron. The character Amarao describes Medical Mechanica's goal as the destruction of all thought. FLCL uses the iron as a symbolic breakdown of "thought" by smoothing out the wrinkles as equated to the removing of the brain's wrinkles. For English localization, the Japanese team had to explain the concept because a direct translation of script did not convey the ideology.
Six DVD compilations, each containing one episode, have been released in Japan by Gainax. In addition, a DVD collection box, containing all six DVD compilations, was released in Japan on August 13, 2005. Three DVD compilations were released by Synch-Point in North America. A DVD collection box, containing all the DVD compilations of the English episodes, was released on January 23, 2007, but have since gone out of print. In January 2010, Funimation announced that they had acquired the license for the series and would be releasing it on DVD and Blu-ray Disc in February 2011. Shortly after, it has been released in Australia and New Zealand by Madman Entertainment on a 3-disc DVD set and on Blu-ray Disc. It is also licensed in the United Kingdom by MVM Films. The series also aired in the United States on Cartoon Network's Adult Swim programming block from August 4 to August 13, 2003.
The English adaptation of the series was first licensed by Synch-Point which released the DVDs and soundtrack, but these went out of print in 2006. In January 2010, Funimation announced that they would be re-releasing the series on DVD and releasing it for the first time on Blu-ray.
|Ep.||Title||Original release date||English airdate|
|1||"Fooly Cooly / FLCL"
"Furi Kuri" (フリクリ)
|April 26, 2000||August 5, 2003|
|Naota Nandaba and his friend Mamimi Samejima are hanging out underneath a bridge. Mamimi then begins to kiss Naota's neck. He asks why she always does that and she replies that she has to or she will overflow, presumably emotionally. Naota narrates his life in the city of Mabase as being "ordinary" and "nothing ever happens there." Naota and Mamimi buy a drink from a vending machine and Mamimi points out a hickey on Naota's neck, when they are interrupted by the arrival of Haruko Haruhara, who runs over Naota with her Vespa scooter, gives him CPR, then hits him on the forehead with a left-handed Rickenbacker 4001 bass. The blow leaves a large, horn-like bump which Naota covers with a bandage. The next day, his classmates tell rumors about the "Vespa woman" and how getting hit by the Vespa leaves a mark that shows you've been doing perverted things. He's then stalked by Haruko as he goes to the hospital after school. Haruko turns out to be the nurse and Naota runs away. After returning home, Naota finds Haruko working in his house as a live-in maid. Haruko settles in Naota's room. However, Naota and Haruko argue about where she will sleep and Naota says she should stay with his father. He goes downstairs, where his father says that Mamimi came by to get the day old bread from their bakery and inquires if Mamimi's family is poor. When Naota goes to find her, she tells him how much she likes his brother, who lives in America because of his professional baseball career. Naota reveals to her that his brother has an American girlfriend. Mamimi suddenly says she's overflowing. A robot and a detached piece of another from Medical Mechanica come out of the bump on his head and begin fighting, only to have the battle end with Haruko hitting the robot with her bass.|
|2||"Fire Starter / FiSta"
|June 21, 2000||August 6, 2003|
|X-rays taken by the robot reveal that Naota's head is empty. This is because the blow to his head created an N.O. Portal which doesn't show up on the X-rays. Haruko tells him she's a First Class Space Patrol Officer. Mamimi is obsessed with a hand-held video game called Fire Starter, in which the player performs the role of an arsonist in order to please the Lord of Black Flames, Cantido. The robot is kept occupied doing chores at the Nandaba residence, while Haruko, despite being the maid, performs little to no work. Mamimi sees the robot while he is recovering the parts from his head that Haruko had damaged, wearing black wings, a halo and flying off a burned rooftop. She believes him to be a god and calls him Kanti. Haruko tries to break into the Medical Mechanica plant in town, which is in the shape of a giant iron. She fails and questions security why there is no entrance or exit. She is taken home by Naota. A series of fires meanwhile erupts around the city. Naota visits the site of one fire with two of his school friends, where he sees Mamimi down by the river and learns from his friends that she is being bullied at her school. Naota realizes it is Mamimi who is starting the fires. He finds her performing a 'fire ritual' by the water bank. She explains she burnt down her old school house when she was younger because she 'hated the place', and had been saved from the flames by Naota's brother, which was the reason she loved him. She ends the ritual by asking the robot to bless her with a kiss. A robot emerges from Naota's head then, and starts to battle Kanti. Naota merges with Kanti, transforming into a large weapon to destroy the robot. At the end of the episode Naota wonders what he can do for Mamimi, and promises to always be by her side.|
|3||"Marquis de Carabas"
"Maru Raba" (マルラバ)
|August 23, 2000||August 7, 2003|
|The father of Naota's classmate Eri Ninamori, as well as the mayor of Mabase, is caught up in a scandal involving an alleged separation with her mother. Ninamori is more focused on the class' upcoming play, Puss in Boots. She plays the lead opposite Naota, who was voted to play the cat. Naota is unenthusiastic about his role and skips rehearsal. Upon meeting Mamimi, she discovers that he now has cat ears growing from his head. Ninamori retreats to a train station to get away from the media circus that has developed outside her home, where Naota finds her. Haruko comes racing down the street, and loses her Vespa when she tries to avoid hitting a cat. The Vespa slams into Naota, knocking him into Ninamori, exposing his N.O. manifestation- the cat ears. Curious, she touches them, and passes out due to exposure to N.O. Kamon invites her to spend the night at the Nandaba residence due to the current turmoil at her home. She reveals that she rigged the class votes to have him cast as the cat. The next day, the two get into an argument over the play. After Ninamori angrily reveals Naota's cat ears, he retaliates by revealing her vote rigging. This triggers the emergence of a massive creature from her head, which Haruko and Kanti manage to defeat with the help of curry. The class goes through with the play.|
"Furi Kiri" (フリキリ)
|October 25, 2000||August 8, 2003|
|Haruko proves to be a star baseball player with phenomenal hitting and pitching skills, nearly single-handedly defeating the Mabase Martians, who are coached by Naota's grandfather Shigekuni. Naota, however, refuses to swing when he is at bat (it is implied that he does not want to be compared to his brother, who is a professional baseball player) and gets hit by one of Haruko's pitches. At home, Kamon and Haruko indulge in odd behavior that inflames Naota's jealousy. He meets Commander Amarao for the first time, who warns him about Haruko. Commander Amarao works for the department of Interstellar Immigration alongside his subordinate Lieutenant Kitsurubami. He discovers that a satellite damaged by one of Haruko's hit baseballs is rapidly falling towards Earth. It homes in on a sudden burst of light from the N.O. channel in Naota's head that is triggered by his anger towards his father, and targets Mabase. Naota confronts Kamon and hits him in the head with a baseball bat, only to discover that he has hit a robot impersonating his father. He finds the corpse of his real father and revives him with hot water. After receiving a message that Commander Amarao had asked Naota to pass on to her, Haruko takes Naota to the top of the Medical Mechanica plant, where she extracts a Gibson Flying V guitar from Naota's head, which she calls his "bat". She then leaves as the falling satellite heads straight for Naota. It unfolds into the shape of a baseball glove and launches a bomb that looks exactly like a baseball. Naota swings his "bat" and manages to halt the bomb, which begins to detonate. Haruko returns to rescue him by swinging her guitar and knocking it back into space.|
|December 21, 2000||August 9, 2003|
|Haruko begins to switch her attentions from Kamon to Naota, arousing the former's jealousy. They resolve to "duel" for Haruko, which amounts to little more than an intense airsoft firefight with Kanti, who is allied with Kamon. During the fight, Lieutenant Kitsurubami tries unsuccessfully to blow Kanti away. Mamimi, observing Naota's intimate relationship with Haruko, questions how much he really likes her, leading him to confront her about their relationship. Finally, his forehead erupts with one of the largest objects yet, a leviathan robot, while a gunfight rages between Commander Amarao, his gunmen, and Haruko. Trapped on top of the robot, Naota resolves to save Mamimi and bravely fuses with Kanti. However, despite his and Haruko's best efforts, they are unable to stop the giant robot, which rampages towards the Medical Mechanica plant. Kanti then manifests the power of Atomsk by producing his EB-0 1961 Gibson bass, to the amazement of Commander Amarao and Haruko. Kanti defeats the giant robot, which is actually a gargantuan hand, rocketing over the Medical Mechanica plant and straight into the ground, where it becomes a petrified monument, presiding over the plant. Kanti then separates from Naota, yet retains the power of Atomsk, and then runs away with Haruko.|
"Furi Kura[a]" (フリクラ)
|March 16, 2001||August 13, 2003|
|Haruko and Kanti have disappeared and become wanted criminals, while smoke continues to pour out of the Medical Mechanica plant, shrouding Mabase in mist. Mamimi finds a small dog-like robot by the river. It runs away with her cell phone, which she lets it eat, and it grows as a result. Haruko returns to the Nandaba residence at dinner (in a style similar to episode 1's dinner scene), causing Naota to later ask her in tears why she left. Commander Amarao and Lieutenant Kitsurubami attempt to find the "terminal core" of a robot they haul out of the river, which is revealed to be the device Mamimi has been feeding. It absorbs part of Kanti before Haruko feeds Naota to it, then drills into the giant hand. From this, Haruko hopes to extract Atomsk, the celestial being whose power she desires. Before the giant hand can fully grasp the Medical Mechanica plant, Kanti stops it as Naota emerges from his head, glowing with the infinite energy of Atomsk. Stunned, Haruko flies into a rage, bent on acquiring the power of Atomsk by killing Naota. Before he can finish Haruko off, Naota stops short and declaring his love for her, kisses her, allowing Atomsk to fully emerge from his N.O. channel. Atomsk consumes the terminal core and blasts into space. Afterwards, Haruko offers to bring Naota into space, but decides against it because he is "still a kid". Naota finds her bass lying amongst the rubble, which Mamimi takes a picture of, inspiring her to leave school and pursue a photography career. In the epilogue, life returns to normal in Mabase, although a string on Haruko's bass is seen being plucked on its own.|
A three-volume novel series was written by screenwriter Yoji Enokido and published by Kadokawa Shoten. The novels were released in Japan in June 2000, October 2000, and March 2001 respectively. The English-language versions were published by Tokyopop and were released in North America on March 11, 2008; September 9, 2008; and March 10, 2009 respectively.
|No.||Japanese release date||Japanese ISBN||English release date||English ISBN|
|1||June 2000||ISBN 4044236011||March 11, 2008||ISBN 9781427804983|
|2||October 2000||ISBN 404423602X||September 9, 2008||ISBN 9781427804990|
|3||March 2001||ISBN 4044236038||March 10, 2009||ISBN 9781427805003|
A two-volume manga was created by artist Hajime Ueda. The manga interprets the series with all of the key elements intact, and tells the events of the anime using a reductive art style and unsteady pacing. Jack Kotin defended the unique artstyle of the manga, saying "It can be crudely drawn at times, but this style fits in well with the overall story and atmosphere...".
The manga was published by Kodansha and serialized in monthly Magazine Z. The two volumes were released on October 23, 2000 and August 23, 2001 respectively. The manga was re-released in bunkoban format with the two volumes labeled "Jō" (上 First) and "Ge" (下 Final) in two individual box sets titled "Kodansha Box". Jō volume was on May 7, 2007 and the Ge volume was released on June 4, 2007. An edited tankōbon version of the manga that was released in box sets, were released on January 10, 2012 and February 9, 2012 respectively.
The English-language editions of the manga was released by Tokyopop on September 16, 2003 and on November 4, 2003 respectively. In March 2011, Dark Horse Comics announced to re-release the manga in omnibus edition. The omnibus edition was released on May 16, 2012 and includes remastered story pages, a remastered script, and bonus color pages.
Six pieces of theme music are used for the episodes; five opening themes and one closing theme, all by the Japanese rock band, The Pillows. The battle themes are "Advice", "Little Busters" and "I Think I Can"; the opening themes are: "One Life", used in episode one, "Instant Music" in episodes two and three, "Happy Bivouac" in episode four, "Runners High", in episode five, and "Carnival" in episode six. The closing theme of each episode is "Ride on Shooting Star".
Geneon Entertainment has released three original soundtracks encompassing the songs, with the soundtracks titled, and FLCL No. 3 The remaining music was written by Shinkichi Mitsumune. Most of the music is by Japanese rock group The Pillows. The rest is by composer Shinkichi Mitsumune. The first soundtrack titled, FLCL No.1: Addict (フリクリNo.1 アディクト), contains tracks featured in the first three episodes of FLCL. The soundtrack was released on October 4, 2000 in Japan and January 20, 2004 in the US. The second soundtrack, titled FLCL No.2: King of Pirates (フリクリNo.2 海賊王 Furi Kuri No.2 Kaizoku-ō), contains tracks featured in the last three episodes of FLCL. The soundtrack was released on July 25, 2001 Japan and September 7, 2004 in the US. This volume features several audio dramas, with the cast of FLCL playing the various parts. Due to the dramas included, this album acts as a sequel of sorts to the anime. The third soundtrack, titled FLCL No.3 (フリクリNo.3), is a compilation of the first two soundtracks featuring only music by the Japanese rock group The Pillows. The released on June 8, 2005 and June 7, 2005 in the US. Unlike the previous two soundtracks, the songs are the original vocal versions from the band's LPs.
|FLCL No.1 Addict|
|1.||"Last Dinosaur"||The Pillows & Zin Yoshida, Jun Suzuki||0:23|
|2.||"Ride on Shooting Star"||The Pillows & Yoshida, Suzuki||2:21|
|3.||"Sad Sad Kiddie (Off Vocal Version)"||The Pillows & Tatsuya Kashima||2:04|
|4.||"Carnival (Off Vocal Version)"||The Pillows & Yoshida, Suzuki||1:37|
|5.||"Runners High ~FLCL Ver.~"||The Pillows & Kashima||1:38|
|6.||"Instant Music"||The Pillows & Kashima||3:16|
|7.||"Stalker (Off Vocal Version)"||The Pillows & Kashima||2:35|
|8.||"Rever’s Edge (B-6)"||2:49|
|9.||"Stalker Goes to Babylon"||4:03|
|10.||"One Life"||The Pillows & Kashima||4:08|
|12.||"Comedians' Galop from The Comedians by Kabalevsky" (listed as Kabalevsky from "Clown" ~ Gallop in the tracklist)" (Composed by Dmitri Borisovich Kabalevsky)||1:38|
|13.||"Hybrid Rainbow"||The Pillows & Kashima||3:58|
|16.||"Beautiful Morning with You (Off Vocal Version)"||The Pillows & Yoshida, Suzuki||1:35|
|17.||"Sleepy Head (Off Vocal Version)"||The Pillows & Yoshida, Suzuki||1:04|
|18.||"Bran-New Lovesong (Off Vocal Version)"||The Pillows & Kashima||1:58|
|19.||"Come Down (Off Vocal Version)"||The Pillows & Yoshida, Suzuki||2:06|
|20.||"Advice ~FLCL Arrange Ver.~"||The Pillows & Yoshida, Suzuki||2:13|
|21.||"Little Busters"||The Pillows & Kashima||3:43|
|FLCL No.2 King of Pirates|
|1.||"Crazy Sunshine"||The Pillows & Zin Yoshida, Jun Suzuki||4:06|
|2.||"White Ash"||The Pillows||1:19|
|4.||"Nightmare (Karaoke)"||The Pillows, Zin Yoshida, and Tatsuya Kashima||1:02|
|5.||"Patricia (Karaoke)"||The Pillows, Zin Yoshida, and Tatsuya Kashima||1:38|
|6.||"Memory of Summer"||Shinkichi Mitsumune||2:21|
|7.||"Blues Drive Monster"||The Pillows||3:25|
|8.||"Funny Bunny"||The Pillows, Zin Yoshida, Jun Suzuki, and Tatsuya Kashima.||3:37|
|12.||"High Risk"||Shinkichi Mitsumune||1:46|
|14.||"Being Bitten (Drama)"||7:17|
|15.||"Another Morning"||The Pillows||4:36|
|16.||"Last Dinosaur"||The Pillows||3:44|
|17.||"I Think I Can"||The Pillows, Zin Yoshida, Jun Suzuki, and Tatsuya Kashima.||2:59|
|18.||"One Life" (hidden track)||The Pillows||4:10|
|1.||"Sad Sad Kiddie"||The Pillows||3:12|
|2.||"Sleepy Head"||The Pillows||3:02|
|3.||"I Think I Can"||The Pillows||3:00|
|4.||"Blues Drive Monster"||The Pillows||3:26|
|6.||"Come Down"||The Pillows||2:09|
|7.||"Crazy Sunshine"||The Pillows||4:08|
|10.||"Funny Bunny"||The Pillows||3:37|
|11.||"Beautiful Morning With You"||The Pillows||5:43|
|13.||"Runners High"||The Pillows||2:46|
|14.||"Hybrid Rainbow"||The Pillows||4:00|
|15.||"Little Busters"||The Pillows||3:46|
|16.||"Last Dinosaur"||The Pillows||3:46|
|17.||"Ride On Shooting Star"||The Pillows||2:22|
FLCL has received highly positive reviews from critics. Christopher McDonald of Anime News Network called it "downright hilarious" and "visually superb" with great music, citing the packaging of 2 episodes per DVD as the only weakness of Synch-Point's original release. Robert Nelson of T.H.E.M. Anime Reviews gave the anime 4 out of 5 stars stating, "FLCL may not have a straightforward or deep plot. It may not have complex characterizations. Hell, it may not have any meaning. But FLCL does succeed in its true objective. It is fun to watch!" Chris Beveridge of Mania gave it an A- stating, "FLCL is something that allowed those involved to try a wide variety of styles and techniques and does come off as quite experimental. But nearly everything worked in their favor and you end up with three hours of nearly break neck speed action, comedy and commentary on modern life." Brian Ruh praised the series stating, "It was very frenetic and kept pushing the envelope on what was possible in Japanese animation."
IGN columnist Davis Smith reviewed the anime shortly after its English premier, in the article Smith praised the series' unusual story telling, extremely high quality animation and the soundtrack provided by The Pillows; rewarding the series a score of 9 out of 10 concluding, "Logic dictates that FLCL should be an undisciplined and unaffecting mess, given all the insanity that its creators are attempting to weld into a functioning whole. Yet while it's hard to explain exactly why, it works. It entertains me. At times, it makes me laugh; at times, it makes me a little misty-eyed; at times, it makes me want to scream and howl and light things on fire and break windows with baseball bats and yes, maybe even buy a Vespa. That's the kind of success that you just can't argue with."
From January 3, 2012 to February 7 Hayden Childs, of the online magazine The A.V. Club, composed a six-part weekly analysis and review of each FLCL episode in celebration of The Legend of Korra's then upcoming third season, a series that was heavily influenced by FLCL animation style. In the article Childs gives an extremely positive review of the series understanding it as a surrealist inspired coming of age story stating, "For all of its wild and initially bewildering aspects, the major purpose of FLCL is the impressionistic and often naturalistic documentation of Naota’s passage into maturity."
On August 12, 2003, Time Warner press release noted the success of Cartoon Network, FLCL "ranked No. 42 among all shows on ad-supported cable among adults 18–34". Also in 2003, FLCL won third place for Best Animation Film at the Fantasia Festival. On February 24, 2007, FLCL was nominated for "Best Cast", and won "Best Comedy Series" and "Best Short Series" at the first American Anime Awards show. Anime Insider ranked FLCL 4th in their list of the best English-licensed anime of all time in November 2007. Avatar: The Last Airbender director Giancarlo Volpe says the staff "were all ordered to buy FLCL and watch every single episode of it."
American anime newspaper Anime News Network reported on August 31, 2015 that the production studio Production I.G. may be planning a remake of the popular series after announcing their purchase of the rights to FLCL from production company Gainax. This led many to speculate on the potential of a remake or possible continuation of the series. The IGN web series Anime Club discussed the potential of a remake with most of the participants expressing reservations towards the idea comparing it to Rebuild of Evangelion and Ghost in the Shell 2.0.
The sequel anime series was announced on March 24, 2016 via the Toonami crew's Tumblr and Facebook page that 12 new episodes of FLCL would be produced in cooperation with Production I.G. The upcoming episodes will be split into two individual seasons which will serve as sequels to the popular series which was broadcast on Adult Swim's anime block in 2003. The crew includes Neon Genesis Evangelion character designer Yoshiyuki Sadamoto and original series director Kazuya Tsurumaki. The series will premiere on Toonami either late 2017 or early 2018.
The official synopsis of the series was published by Adult Swim:
In the new season of FLCL, many years have passed since Naota and Haruhara Haruko shared their adventure together. Meanwhile, the war between the two entities known as Medical Mechanica and Fraternity rages across the galaxy. Enter Hidomi, a young teenaged girl who believes there is nothing amazing to expect from her average life, until one day when a new teacher named Haruko arrives at her school. Soon enough, Medical Mechanica is attacking her town and Hidomi discovers a secret within her that could save everyone, a secret that only Haruko can unlock.
But why did Haruko return to Earth? What happened to her Rickenbacker 4001 she left with Naota? And where did the human-type robot 'Canti' go?
Production I.G. vice president Maki Terashima-Furuta announced at the annual 2016 Anime Expo that original series character designer Yoshiyuki Sadamoto would be reprising his position for the upcoming sequel and that Psycho-Pass director Katsuyuki Motohiro would be supervising the production. Additionally, it was announced that Japanese alternative rock band The Pillows would be returning to provide the musical score for the anime.
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