Scott Frank: Difference between revisions
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== Early life and education == |
== Early life and education == |
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Frank was born to a [[American Jews|Jewish]] family<ref name=Jewish>{{Cite web|last= Bloom |first= Nate |title=Anton Yelchin's final role lands in 'Thoroughbreds'; Appatow's 'Love' returns |publisher=[[The Jewish News of Northern California]]|date=March 6, 2018 |url=https://www.jweekly.com/2018/03/06/anton-yelchins-final-role-lands-thoroughbreds-appatows-love-returns/ }}</ref> in [[Fort Walton Beach, Florida]], on March 10, 1960.<ref>{{cite news |title=Scott Frank biography |url=https://www.nytimes.com/movies/person/90346/Scott-Frank/biography |archive-url=https://web.archive.org/web/20141006095108/http://www.nytimes.com/movies/person/90346/Scott-Frank/biography |url-status=dead |archive-date=October 6, 2014 |location=[[New York City]], [[New York (state)|New York]] |department=Movies & TV Dept. |work=[[The New York Times]] |date=2014 |access-date=March 13, 2015}}</ref> His family moved to [[Los Gatos, California]] where he |
Frank was born to a [[American Jews|Jewish]] family<ref name=Jewish>{{Cite web|last= Bloom |first= Nate |title=Anton Yelchin's final role lands in 'Thoroughbreds'; Appatow's 'Love' returns |publisher=[[The Jewish News of Northern California]]|date=March 6, 2018 |url=https://www.jweekly.com/2018/03/06/anton-yelchins-final-role-lands-thoroughbreds-appatows-love-returns/ }}</ref> in [[Fort Walton Beach, Florida]], on March 10, 1960.<ref>{{cite news |title=Scott Frank biography |url=https://www.nytimes.com/movies/person/90346/Scott-Frank/biography |archive-url=https://web.archive.org/web/20141006095108/http://www.nytimes.com/movies/person/90346/Scott-Frank/biography |url-status=dead |archive-date=October 6, 2014 |location=[[New York City]], [[New York (state)|New York]] |department=Movies & TV Dept. |work=[[The New York Times]] |date=2014 |access-date=March 13, 2015}}</ref> His family moved to [[Los Gatos, California]] where he attended high school. He attended the [[University of California, Santa Barbara]], graduating in 1982 with a Bachelor of Arts in film studies.<ref name="carsey">{{cite web |url=http://www.carseywolf.ucsb.edu/scott-frank |title=Scott Frank bio |work=[[Penguin Random House]] |publisher=[[University of California, Santa Barbara]] |access-date=March 13, 2015}}</ref><ref>{{Cite news |last=Bazer |first=Mark |date=March 25, 2007 |title=Screenwriter Frank takes action After years spent creating scripts, he's directing |url=http://www.highbeam.com/doc/1P2-8699929.html |archive-url=https://web.archive.org/web/20150402091918/http://www.highbeam.com/doc/1P2-8699929.html |url-status=dead |archive-date=April 2, 2015 |newspaper=[[The Boston Globe]] |location=Boston, Massachusetts |access-date=March 16, 2015 |url-access=}}</ref> <ref>{{Cite web|url=https://www.millerandsonfilm.com/afi|title=Miller & Son — AFI|website=Miller & Son|access-date=12 January 2020}}</ref> |
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== Career == |
== Career == |
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While a student at the University of California, Frank first had the idea for what would become the script for ''[[Little Man Tate]]'' in 1981, thinking that, in the aftermath of the [[Iran hostage crisis]] that there was "a slight petulance to world events at the time" and envisioning "an eight year old who was making more sense of the world than [[Ted Koppel]]."<ref name=Screenplay>{{Cite web|url=https://www.screenplay.com/chatscottfrank|title=Screenwriting Chat: Scott Frank|date=2002|website=Screenplay.com|language=en-US|access-date=2021 |
While a student at the University of California, Frank first had the idea for what would become the script for ''[[Little Man Tate]]'' in 1981, thinking that, in the aftermath of the [[Iran hostage crisis]] that there was "a slight petulance to world events at the time" and envisioning "an eight year old who was making more sense of the world than [[Ted Koppel]]."<ref name=Screenplay>{{Cite web|url=https://www.screenplay.com/chatscottfrank|title=Screenwriting Chat: Scott Frank|date=2002|website=Screenplay.com|language=en-US|access-date=9 April 2021}}</ref> After graduation he worked as a bartender while attempting to sell the script, which eventually led to his hiring an agent, and subsequently being hired by [[Paramount Pictures]] in 1984. It would take several years before the script was made, with Frank's first produced screenwriting work in the meantime being the 1987 film ''[[Plain Clothes (1988 film)|Plain Clothes]]'', which he would later describe as "terrible." ''Little Man Tate'' was ultimately made in 1991 as the directorial debut of actress [[Jodie Foster]].<ref name=Vox2017>{{Cite web|url=https://www.vox.com/2017/3/3/14796168/full-transcript-screenwriter-novelist-and-director-scott-frank-on-recode-media|title=Full transcript: Screenwriter, novelist and director Scott Frank on Recode Media|date=3 March 2017|website=[[Vox (website)|Vox]]|access-date=10 April 2021}}</ref> |
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In the years to follow, Frank's filmography included scripts for ''[[Dead Again]]'', ''[[Malice (1993 film)|Malice]]'', ''[[Heaven's Prisoners]]'', and ''[[Get Shorty (film)|Get Shorty]]''. The latter earned him his first award nominations with both the [[Writers Guild of America Awards|Writers Guild]] and the [[Golden Globe]]s.<ref>{{Cite web|title=Scott Frank|url=https://www.goldenglobes.com/person/scott-frank|access-date= |
In the years to follow, Frank's filmography included scripts for ''[[Dead Again]]'', ''[[Malice (1993 film)|Malice]]'', ''[[Heaven's Prisoners]]'', and ''[[Get Shorty (film)|Get Shorty]]''. The latter earned him his first award nominations with both the [[Writers Guild of America Awards|Writers Guild]] and the [[Golden Globe]]s.<ref>{{Cite web|title=Scott Frank|url=https://www.goldenglobes.com/person/scott-frank|access-date=30 November 2020|website=www.goldenglobes.com}}</ref> He credited the success of ''Get Shorty'' with reviving his interest in the job after a bad experience on ''Malice'', and was particularly pleased as a longtime fan of [[Elmore Leonard]]'s novels that he felt had not received satisfactory film adaptations previously. This success led to his being asked to work on another Elmore Leonard adaptation, [[Steven Soderbergh]]'s 1998 film ''[[Out of Sight]]'' starring [[George Clooney]] and [[Jennifer Lopez]]. The film was not a commercial success, but earned warm critical plaudits.<ref name=Vox2017/> Frank won both the [[Writers Guild of America Award for Best Adapted Screenplay]] and the [[List of Edgar Allan Poe Award for Best Motion Picture Screenplay winners|Edgar Award]] from the [[Mystery Writers of America]], and was nominated for the [[Academy Award for Best Adapted Screenplay]]. |
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Frank was recruited by [[Steven Spielberg]] to work on the script for ''[[Minority Report (film)|Minority Report]]'', a [[Philip K. Dick]] adaptation, which he would later say was "a very difficult screenplay to write because it was loaded with so much technical detail."<ref name=BAFTA>{{Cite web|url=http://guru.bafta.org/scott-frank-screenwriters-lecture-0|title=Scott Frank: Screenwriters' Lecture|date=2017 |
Frank was recruited by [[Steven Spielberg]] to work on the script for ''[[Minority Report (film)|Minority Report]]'', a [[Philip K. Dick]] adaptation, which he would later say was "a very difficult screenplay to write because it was loaded with so much technical detail."<ref name=BAFTA>{{Cite web|url=http://guru.bafta.org/scott-frank-screenwriters-lecture-0|title=Scott Frank: Screenwriters' Lecture|date=3 March 2017|website=guru.bafta.org|access-date=1 October 2012}}</ref> He performed [[second unit]] directing duties for one segment of the film, an area of filmmaking he had contemplated moving into for some time.<ref name=Screenplay/> ''Minority Report'' earned him the [[Saturn Award for Best Writing]] and several other nominations, including for [[Hugo Award for Best Dramatic Presentation|Hugo]] and [[Nebula Award for Best Script|Nebula]] awards. Other credits from this period included ''[[The Interpreter (2005 film)|The Interpreter]]'' and [[Marley & Me (film)|''Marley & Me'']], the latter described as a film he would not have imagined himself working on but which he developed "a big soft spot for."<ref name=BAFTA/> By 2012, Frank had worked on at least 40 films, including uncredited rewrites on films such as ''[[Saving Private Ryan]]'', ''[[Entrapment (film)|Entrapment]]'' and ''[[Dawn of the Dead (2004 film)|Dawn of the Dead]]''.<ref name=BAFTA/> |
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Frank made his directorial debut in 2007 on ''[[The Lookout (2007 film)|The Lookout]]'', whose script he had begun in 1998 and which was originally meant to be directed by [[Sam Mendes]], who eventually departed the project to make ''[[Road to Perdition]]'' while encouraging Frank to take on the task himself.<ref name=Screenplay/> He had also attempted to recruit [[Sydney Pollack]], the director of ''The Interpreter'' whom he considered a mentor, to direct the project.<ref name=BAFTA/> He won the [[Independent Spirit Award for Best First Feature]] for his work on the film. His second film as a director, 2014's ''[[A Walk Among the Tombstones (film)|A Walk Among the Tombstones]]'', had a more mixed reception. In January 2016, Frank published his first novel, ''Shaker,'' a [[crime]] [[mystery fiction|mystery]] published by [[Penguin Random House]].<ref>{{Cite web |url=http://www.penguinrandomhouse.com/books/226090/shaker-by-scott-frank/9780385350037/ |title=Shaker |work=[[Penguin Random House]] |access-date=February 18, 2016}}</ref><ref>{{Cite web|url=https://www.publishersweekly.com/978-0-385-35003-7|website=www.publishersweekly.com|access-date=12 January 2020|title=Shaker}}</ref><ref>{{Cite web|url=https://www.slashfilm.com/scott-frank-interview-shaker/|title=Interview: Scott Frank on Finishing His Debut Novel 'Shaker' Fifteen Years After He Began|date=14 March 2017|website=/Film|access-date=12 January 2020}}</ref> He also worked in the burgeoning [[superhero]] genre, making two films with director [[James Mangold]], ''[[The Wolverine (film)|The Wolverine]]'' (2013) and ''[[Logan (film)|Logan]]'' (2017). For the latter, he received his second Academy Award nomination.<ref name=Vox2017/> |
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Having had |
Having had previous experience working for network television, Frank had begun to develop ''[[Godless (TV series)|Godless]]'', previously intended as a film, into a miniseries for [[HBO]]. However, [[Netflix]] outbid HBO for the project, which Frank both wrote and directed.<ref name=Vox2017/> The miniseries earned Frank numerous award nominations, including from the [[Directors Guild of America Award for Outstanding Directing – Miniseries or TV Film|Directors Guild]] and three [[Primetime Emmy Award]]s. The success of ''Godless'' led Frank to pitch further projects to Netflix, several of which were rejected, until they expressed interest in ''[[The Queen's Gambit (miniseries)|The Queen's Gambit]]'', an adaptation of a [[Walter Tevis]] [[The Queen's Gambit (novel)|novel]] that Frank had previously attempted to make as a film.<ref>{{Cite web|title=For Queen's Gambit Creator, the Vineyard Is a Creative Force|url=https://vineyardgazette.com/news/2020/10/23/queens-gambit-creator-vineyard-creative-force|access-date=21 December 2020|website=The Vineyard Gazette - Martha's Vineyard News}}</ref><ref>{{Cite web|title=An interview with Scott Frank: THE QUEEN'S GAMBIT|url=https://www.wgaeast.org/event/an-interview-with-scott-frank-the-queens-gambit/|access-date=21 December 2020|website=Writers Guild of America, East}}</ref> Frank said that he viewed the novel as exploring "the cost of genius", a theme that he had first intended to explore in ''Little Man Tate'' but "didn't quite get there with it."<ref>{{Cite magazine|url=https://ew.com/tv/the-queens-gambit-netflix-scott-frank-interview/|title=The Queen's Gambit creator on 'bringing sexy back to chess' and the series' long journey to TV|date=25 October 2020|magazine=[[Entertainment Weekly]]|access-date=9 April 2021}}</ref> |
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Frank won the 2021 [[Primetime Emmy Awards|Emmy]] for [[Primetime Emmy Award for Outstanding Directing for a Limited or Anthology Series or Movie|Outstanding Directing for a Limited or Anthology Series or Movie]]. |
Frank won the 2021 [[Primetime Emmy Awards|Emmy]] for [[Primetime Emmy Award for Outstanding Directing for a Limited or Anthology Series or Movie|Outstanding Directing for a Limited or Anthology Series or Movie]]. |
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== External links == |
== External links == |
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* {{IMDb name|0291082}} |
* {{IMDb name|0291082}} |
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*{{cite web|url=https://www.newyorker.com/magazine/2024/01/01/how-a-script-doctor-found-his-own-voice?utm_source=nl&utm_brand=tny&utm_mailing=TNY_Humor_122823&utm_campaign=aud-dev&utm_medium=email&bxid=5bea056324c17c6adf10fefb&cndid=26489965&esrc=subscribe-page&utm_term=TNY_Humor|title=How A Script Doctor Found His Own Voice|author=Patrick Radden Keefe|date=25 December 2023|website=The New Yorker {subscription reqd}|access-date=28 December 2023}} |
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{{Writers Guild of America Award for Television: Long Form – Adapted}} |
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Revision as of 19:38, 28 December 2023
Scott Frank | |
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Born | A. Scott Frank March 10, 1960 Fort Walton Beach, Florida, U.S. |
Education | University of California, Santa Barbara (BA) |
Occupation(s) | Film director, producer, screenwriter, author |
A. Scott Frank (born March 10, 1960) is an American film director, producer, screenwriter, and author. Frank has received two Academy Award nominations for Best Adapted Screenplay for Out of Sight (1998) and Logan (2017). His film work, credited and uncredited, extends to dozens of films.[1] In recent years, he has worked for Netflix on television miniseries, most prominently writing and directing The Queen's Gambit.
Early life and education
Frank was born to a Jewish family[2] in Fort Walton Beach, Florida, on March 10, 1960.[3] His family moved to Los Gatos, California where he attended high school. He attended the University of California, Santa Barbara, graduating in 1982 with a Bachelor of Arts in film studies.[4][5] [6]
Career
While a student at the University of California, Frank first had the idea for what would become the script for Little Man Tate in 1981, thinking that, in the aftermath of the Iran hostage crisis that there was "a slight petulance to world events at the time" and envisioning "an eight year old who was making more sense of the world than Ted Koppel."[7] After graduation he worked as a bartender while attempting to sell the script, which eventually led to his hiring an agent, and subsequently being hired by Paramount Pictures in 1984. It would take several years before the script was made, with Frank's first produced screenwriting work in the meantime being the 1987 film Plain Clothes, which he would later describe as "terrible." Little Man Tate was ultimately made in 1991 as the directorial debut of actress Jodie Foster.[8]
In the years to follow, Frank's filmography included scripts for Dead Again, Malice, Heaven's Prisoners, and Get Shorty. The latter earned him his first award nominations with both the Writers Guild and the Golden Globes.[9] He credited the success of Get Shorty with reviving his interest in the job after a bad experience on Malice, and was particularly pleased as a longtime fan of Elmore Leonard's novels that he felt had not received satisfactory film adaptations previously. This success led to his being asked to work on another Elmore Leonard adaptation, Steven Soderbergh's 1998 film Out of Sight starring George Clooney and Jennifer Lopez. The film was not a commercial success, but earned warm critical plaudits.[8] Frank won both the Writers Guild of America Award for Best Adapted Screenplay and the Edgar Award from the Mystery Writers of America, and was nominated for the Academy Award for Best Adapted Screenplay.
Frank was recruited by Steven Spielberg to work on the script for Minority Report, a Philip K. Dick adaptation, which he would later say was "a very difficult screenplay to write because it was loaded with so much technical detail."[1] He performed second unit directing duties for one segment of the film, an area of filmmaking he had contemplated moving into for some time.[7] Minority Report earned him the Saturn Award for Best Writing and several other nominations, including for Hugo and Nebula awards. Other credits from this period included The Interpreter and Marley & Me, the latter described as a film he would not have imagined himself working on but which he developed "a big soft spot for."[1] By 2012, Frank had worked on at least 40 films, including uncredited rewrites on films such as Saving Private Ryan, Entrapment and Dawn of the Dead.[1]
Frank made his directorial debut in 2007 on The Lookout, whose script he had begun in 1998 and which was originally meant to be directed by Sam Mendes, who eventually departed the project to make Road to Perdition while encouraging Frank to take on the task himself.[7] He had also attempted to recruit Sydney Pollack, the director of The Interpreter whom he considered a mentor, to direct the project.[1] He won the Independent Spirit Award for Best First Feature for his work on the film. His second film as a director, 2014's A Walk Among the Tombstones, had a more mixed reception. In January 2016, Frank published his first novel, Shaker, a crime mystery published by Penguin Random House.[10][11][12] He also worked in the burgeoning superhero genre, making two films with director James Mangold, The Wolverine (2013) and Logan (2017). For the latter, he received his second Academy Award nomination.[8]
Having had previous experience working for network television, Frank had begun to develop Godless, previously intended as a film, into a miniseries for HBO. However, Netflix outbid HBO for the project, which Frank both wrote and directed.[8] The miniseries earned Frank numerous award nominations, including from the Directors Guild and three Primetime Emmy Awards. The success of Godless led Frank to pitch further projects to Netflix, several of which were rejected, until they expressed interest in The Queen's Gambit, an adaptation of a Walter Tevis novel that Frank had previously attempted to make as a film.[13][14] Frank said that he viewed the novel as exploring "the cost of genius", a theme that he had first intended to explore in Little Man Tate but "didn't quite get there with it."[15]
Frank won the 2021 Emmy for Outstanding Directing for a Limited or Anthology Series or Movie.
Filmography
Film
Screenwriter
Year | Title | Director | Notes |
---|---|---|---|
1988 | Plain Clothes | Martha Coolidge | |
1991 | Dead Again | Kenneth Branagh | |
Little Man Tate | Jodie Foster | ||
The Walter Ego | John Putch | Short film | |
1993 | Malice | Harold Becker | |
1995 | Get Shorty | Barry Sonnenfeld | |
1996 | Heaven's Prisoners | Phil Joanou | |
1998 | Out of Sight | Steven Soderbergh | |
2002 | Minority Report | Steven Spielberg | |
2004 | Flight of the Phoenix | John Moore | |
2005 | The Interpreter | Sydney Pollack | |
2008 | Marley & Me | David Frankel | |
2013 | The Wolverine | James Mangold | |
2017 | Logan |
Director
Year | Title | Director | Writer | Notes | Ref |
---|---|---|---|---|---|
2007 | The Lookout | Yes | Yes | ||
2014 | A Walk Among the Tombstones | Yes | Yes |
Producer
Year | Title | Director | Notes |
---|---|---|---|
2001 | The Caveman's Valentine | Kasi Lemmons | |
2022 | No Exit | Damien Power |
Television
Year | Title | Director | Writer | Executive producer |
Creator | Notes |
---|---|---|---|---|---|---|
1988 | The Wonder Years | No | Yes | No | No | Episode "The Phone Call" |
1993 | Fallen Angels | No | Yes | No | No | Episode "Dead End for Delia" |
1994 | Birdland | No | Yes | Yes | Yes | Episodes "Pilot" and "Plan B" |
2004 | Karen Sisco | No | Yes | No | No | Episode "He Was a Friend of Mine" |
2011 | Shameless | Yes | No | No | No | Episode "It's Time to Kill the Turtle" |
2017 | Godless | Yes | Yes | Yes | Yes | Miniseries |
2020 | The Queen's Gambit | Yes | Yes | Yes | Yes | |
2024 | Monsieur Spade | Yes | Yes | Yes | Yes | Upcoming |
Awards and nominations
References
- ^ a b c d e "Scott Frank: Screenwriters' Lecture". guru.bafta.org. 3 March 2017. Retrieved 1 October 2012.
- ^ Bloom, Nate (March 6, 2018). "Anton Yelchin's final role lands in 'Thoroughbreds'; Appatow's 'Love' returns". The Jewish News of Northern California.
- ^ "Scott Frank biography". Movies & TV Dept. The New York Times. New York City, New York. 2014. Archived from the original on October 6, 2014. Retrieved March 13, 2015.
- ^ "Scott Frank bio". Penguin Random House. University of California, Santa Barbara. Retrieved March 13, 2015.
- ^ Bazer, Mark (March 25, 2007). "Screenwriter Frank takes action After years spent creating scripts, he's directing". The Boston Globe. Boston, Massachusetts. Archived from the original on April 2, 2015. Retrieved March 16, 2015.
- ^ "Miller & Son — AFI". Miller & Son. Retrieved 12 January 2020.
- ^ a b c "Screenwriting Chat: Scott Frank". Screenplay.com. 2002. Retrieved 9 April 2021.
- ^ a b c d "Full transcript: Screenwriter, novelist and director Scott Frank on Recode Media". Vox. 3 March 2017. Retrieved 10 April 2021.
- ^ "Scott Frank". www.goldenglobes.com. Retrieved 30 November 2020.
- ^ "Shaker". Penguin Random House. Retrieved February 18, 2016.
- ^ "Shaker". www.publishersweekly.com. Retrieved 12 January 2020.
- ^ "Interview: Scott Frank on Finishing His Debut Novel 'Shaker' Fifteen Years After He Began". /Film. 14 March 2017. Retrieved 12 January 2020.
- ^ "For Queen's Gambit Creator, the Vineyard Is a Creative Force". The Vineyard Gazette - Martha's Vineyard News. Retrieved 21 December 2020.
- ^ "An interview with Scott Frank: THE QUEEN'S GAMBIT". Writers Guild of America, East. Retrieved 21 December 2020.
- ^ "The Queen's Gambit creator on 'bringing sexy back to chess' and the series' long journey to TV". Entertainment Weekly. 25 October 2020. Retrieved 9 April 2021.
- ^ "Scott Frank". IMDb. Retrieved 12 March 2021.
- ^ "Winners & Nominees 2018". Primetime Emmy Awards. September 17, 2018. Retrieved April 11, 2021.
- ^ "Here Are the 44th Annual Saturn Awards Nominations". Bleeding Cool. 15 March 2018.
- ^ "Winners & Nominees 2021". Golden Globe Awards. February 28, 2021. Retrieved April 11, 2021.
- ^ "'The Great,' 'Queen's Gambit,' 'Mrs. America' Take Early Wins at Writers Guild Awards 2021 (Updating Live)". Variety. 21 March 2021.
- ^ "Producers Guild Awards Winners (Updating Live)". Variety. 24 March 2021.
- ^ "DGA Awards: Chloe Zhao and 'Nomadland' Take Top Honor". The Hollywood Reporter. April 10, 2021. Retrieved April 10, 2021.
- ^ Feinberg, Scott (14 March 2021). "USC Scripter Awards: 'Nomadland' and 'Queen's Gambit' Named Best Adaptations". The Hollywood Reporter.
- ^ Hipes, Patrick (July 13, 2021). "Emmy Nominations: 'The Crown', 'The Mandalorian' Top List; HBO/HBO Max Edges Netflix For Top Spot – Full List Of Nominees". Deadline. Retrieved July 13, 2021.
External links
- Scott Frank at IMDb
- Patrick Radden Keefe (25 December 2023). "How A Script Doctor Found His Own Voice". The New Yorker {subscription reqd}. Retrieved 28 December 2023.
- 1960 births
- 20th-century American Jews
- 20th-century American male writers
- 20th-century American screenwriters
- 21st-century American Jews
- 21st-century American male writers
- 21st-century American screenwriters
- AFI Conservatory alumni
- American male screenwriters
- American television directors
- American television writers
- American male television writers
- Directors Guild of America Award winners
- Edgar Award winners
- Film directors from Florida
- Living people
- People from Fort Walton Beach, Florida
- Primetime Emmy Award winners
- Screenwriters from Florida
- University of California, Santa Barbara alumni
- Writers Guild of America Award winners