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Enthiran
Theatrical release poster of the film Enthiran.
Theatrical release poster
Directed byS. Shankar
Written by
Screenplay byS. Shankar
Produced byKalanithi Maran
Starring
CinematographyR. Rathnavelu
Edited byAnthony
Music byA. R. Rahman
Production
company
Distributed by
Release date
  • 1 October 2010 (2010-10-01)
Running time
166–177 minutes[Note 1]
CountryIndia
LanguageTamil

Enthiran ([Robot] Error: {{Lang-xx}}: text has italic markup (help)) is a 2010 Indian Tamil science fiction film co-written and directed by S. Shankar. The film features Rajinikanth in dual roles, as a scientist and an android, and Aishwarya Rai Bachchan as the scientist's girlfriend. Danny Denzongpa, Santhanam and Karunas play supporting roles. The film's story revolves around the scientist's struggle to control his creation, the android robot whose software is upgraded to give it the ability to comprehend and generate human emotions. The plan backfires when the robot falls in love with the scientist's girlfriend and is further manipulated by a rival scientist to bring destruction to all who stand in the robot's way.

After being held up in production for nearly a decade, the film was eventually shot over two years, beginning in 2008. It was the first production made by the Legacy Effects studio, responsible for the film's animatronics, for Indian cinema. The film's soundtrack album and background score were composed by A. R. Rahman. Enthiran was released worldwide on 1 October 2010, along with its dubbed versions: Robot in Hindi and Robo in Telugu. Produced by Kalanithi Maran, it was India's most expensive film at the time of its release.

The film received generally positive reviews upon release, with critics praising Rajinikanth's performance as Chitti, R. Rathnavelu's cinematography, art direction by Sabu Cyril and visual effects by V. Srinivas Mohan. It became the highest grossing Tamil film of all time and the highest grossing Indian film of 2010. The film won several awards, including two National Film Awards, three Filmfare Awards, and seven Vijay Awards.

Plot

Dr. Vaseegaran, a scientist, creates a sophisticated android humanoid robot with the help of his assistants, Siva and Ravi, after a decade of research, to commission it into the Indian Army. He introduces the robot, named Chitti, at a robotics conference in Chennai. Chitti helps Vaseegaran's girlfriend Sana, a medical student, pass by cheating in her exams, and also saves her from being assaulted by a group of thugs. Vaseegaran's mentor, Professor Bohra, is secretly engaged in a project to create similar humanoid robots for a terrorist organisation, but has so far been unsuccessful.

Vaseegaran prepares the robot for an evaluation by the Artificial Intelligence Research and Development (AIRD) Institute, which is headed by Bohra. During evaluation, Chitti tries to stab Vaseegaran at Bohra's command. Bohra convinces the evaluation committee that the robot cannot be used for war as he can easily be used to turn against his own men. Vaseegaran's first effort to prove Bohra wrong fails when he deploys Chitti to save people from a burning building. The robot saves most of them, including a girl named Selvi from a bathtub, which is covered live by the media. Ashamed at being shown nude on television, Selvi runs away, but is hit by a truck and dies. After Bohra allows a month's time for Chitti to understand human behaviour and emotions, Vaseegaran modifies his neural schema. Chitti gets angry at Vaseegaran at one point, demonstrating to him that the robot can manifest emotions.

Chitti also uses Sana's textbooks to successfully handle the birth of Sana's sister, Latha's child. Bohra congratulates Vaseegaran on the achievement, and also lets the robot pass the AIRD evaluation. When Sana congratulates Chitti by kissing him, the robot develops romantic feelings for her. When Vaseegaran and Sana realise this, Sana explains to Chitti that he is only her friend. Chitti deliberately fails in an evaluation conducted by the Indian Army. Enraged, Vaseegaran chops Chitti into pieces, which are dumped into a landfill site.

Bohra visits the site to retrieve Chitti, who has now reassembled himself, but is still damaged; Bohra embeds a red chip inside the robot while reconstructing him, converting him into a ruthless terminator. Chitti gatecrashes Vaseegaran and Sana's wedding, then kidnaps and imprisons Sana. Chitti then begins to create replicas of himself and kills Bohra. He occupies the AIRD Institute and uses his robot army to cause mayhem in the city. He informs Sana that he has even acquired the human ability to procreate and seeks to marry her, so that for the first time, a machine and a human being can give birth to a preprogrammed child and create a new world but Sana refuses. Chitti eventually finds Vaseegaran, but before he can kill him, the police appear. Chitti's war with Vaseegaran and thousands of army and police personnel leads to many casualities and destruction of property. Vaseegaran eventually captures Chitti using a magnetic wall, and accesses the robot's internal control panel, through which he instructs all the other robots to self-destruct. He calms Chitti down by removing the red chip.

In a court hearing, Vaseegaran is sentenced to death for the damages caused by the robot army. Chitti explains that it was Bohra who caused his deviant behaviour, and shows the court the video footage of Bohra installing the red chip inside him. The court releases Vaseegaran, while ordering that Chitti be dismantled. Left with no choice, Vaseegaran asks Chitti to dismantle himself. The robot, saying goodbye, apologises to Vaseegaran and Sana before dismantling himself.

In 2030, Chitti is kept as a museum exhibit. A curious school student on excursion asks her guide why he was dismantled, to which Chitti responds, “Naan sinthikka arambichitten” (I started thinking).[4]

Cast

"I thought that playing Chitti the robot would be very difficult. He is a machine. His movements should not be like a human being's. We had to draw a line. If I deviated even slightly, Shankar would point out and say I was being too human. After four to five days shooting, we found a rhythm".

— Rajinikanth, on his experience of playing the character of Chitti.[5]

Production

Origin

After the completion of his début Hindi film, Nayak (2001), S. Shankar announced that his next project was to feature Kamal Haasan and Preity Zinta.[8][9] The film was titled Robot,[9] and was to be produced by the now-defunct company, Media Dreams, a division of the graphics, multimedia solution and animation company Pentamedia Graphics.[10] The film was reported to be a futuristic techno-thriller set in Chennai in around 2200 or 3000 AD.[11][12] Despite performing a photoshoot with Haasan and Zinta,[13] the project was shelved due to scheduling conflicts for Haasan.[14] Shankar then started the pre-production work on Boys (2003).[9]

Shankar's next directorial venture after Boys entitled Anniyan (2005) was at first reported by Rediff to be Robot revived with a new title.[15] One month after the release of Shankar's Sivaji in June 2007,[16] Shah Rukh Khan was signed on to play the lead actor in Robot, as well as produce it under his own banner Red Chillies Entertainment.[17] However, in October 2007, Khan and Shankar officially called the project off, citing creative differences.[18]

After including Rajinikanth, Shankar rewrote the original script, which he had written bearing Haasan in mind, to suit Rajinikanth's acting style.[5] Eros International and the London-based Ayngaran International agreed to be the film's producers.[10] The state government of Tamil Nadu granted tax exemptions for films being titled in Tamil.[19] As a result, the film was first renamed Enthiram,[20] but was subsequently altered to Enthiran.[14]

Sujatha Rangarajan was originally announced as the film's dialogue writer, but his death in February 2008 during the film's pre-production stages led to Madhan Karky being named his successor.[13] In December 2008, Eros International withdrew their support due to the financial pressure created by the box office failures of Drona (2008) and Yuvvraaj (2008),[21] followed by Ayngaran International claiming that it was affected by the global financial crisis of 2008,[22] and was not ready to fund the film.[23] The film was sold to Sun Pictures in December 2008.[24] In an interview with The Hindu, Shankar said that the script was his own idea, and that he "worked hard on every shot so that it doesn't bear even an iota of resemblance to anything you've ever watched before."[13]

Casting

Rajinikanth is smiling at the camera
Aishwarya Rai is smiling at the camera
For their roles, Rajinikanth (left) and Aishwarya Rai Bachchan (right) were paid 450 million and 60 million respectively.

In January 2008, Rajinikanth was formally engaged to work on the project.[18] He was paid a salary of 450 million for acting in the film.[25] Aishwarya Rai Bachchan was Shankar's original choice for the female lead when he was working with Haasan, but refused the role due to date issues. She was replaced with Zinta.[26] When Shankar revived the project with Rajinikanth,[18] contenders for the role of the female lead character Sana included Deepika Padukone,[27] Priyanka Chopra,[28] Shriya Saran,[29] and Rai, who was ultimately hired, was paid 60 million.[30] To prepare for her role, Rai translated her dialogues from Tamil to English and rehearsed them the night before the day of filming.[26] Her voice was dubbed by Savitha Reddy.[31]

For the role of Professor Bohra, Amitabh Bachchan, J. D. Chakravarthy, Narain, Arjun Sarja,[32] Sathyaraj,[33] and British actor Ben Kingsley were considered,[34] but Danny Denzongpa was signed up, making his acting début in Tamil films.[35] Denzongpa's voice was dubbed by dubbing artist Kadhir.[36] Comedians Santhanam and Karunas were signed up to portray Vaseegaran's assistants,[37] which was their first collaboration with Shankar,[32] and second with Rajinikanth.[Note 2] Television personality Raaghav played the role of Sana's neighbourhood bully.[40] "Ranguski", the name of a mosquito encountered by Chitti, was also the childhood pet name of Sujatha Rangarajan.[41] All the cast and crew members, except Rai, signed an agreement that they would not work in any other film for the next two years while Enthiran was under production.[37]

Technical crew

A. R. Rahman composed the film's soundtrack album and background score,[19] while Vairamuthu, P. Vijay and Madhan Karky wrote the lyrics for the songs.[42][43] Manoj Bharathiraja, son of filmmaker Bharathiraja, was signed on to be an assistant director after he approached Shankar.[34] Atlee, Shree and Karthik G. Krish, all of whom would later direct Raja Rani (2013), Damaal Dumeel (2014) and Kappal (2014) respectively, also worked as assistant directors.[44][45][46] Sabu Cyril was signed up as the art director.[47] He also made a cameo appearance as Shah, the interpreter between Bohra and the international terrorist organisation.[48]

R. Rathnavelu was selected as the cinematographer,[49] after Nirav Shah, Thiru and Ravi K. Chandran were considered.[50][51] Both Resul Pookutty and Kunal Rajan were selected to be in charge of sound designing.[52][53] Anthony and V. Srinivas Mohan were the film's editor and visual effects supervisor respectively.[54][55] Manish Malhotra was signed on as one of the two costume designers for the film,[56] the other being Mary E. Vogt.[Note 3] Yuen Woo Ping, who was known for his work in The Matrix trilogy and the Kill Bill films, was selected to be the stunt co-ordinator,[57] while Legacy Effects, a visual effects studio based in the United States, formed after Stan Winston's death in 2008,[58] were in charge of the prosthetic make-up and animatronics in the film.[57]

Costume design

Make-up artist Ojas Rajani told Nithya Ramani of Rediff that fifty-seven costumes were used for Rai's looks in the film, and that a "Mexican tribal" look was used for her in "Kilimanjaro".[59] For Rajinikanth's looks, make-up artist Banu told The Times of India that prosthetic make-up was not used for him as the make-up artists did not want him to concentrate on the make-up for too long.[60] On Rajinikanth's look in the film, Shankar said, “Sivaji was just a sample of how young the star can look. In Endhiran [sic] he will look even younger." He elaborated that Rajinikanth waited patiently for two three hours to put on the make-up.[61] Additional make-up was done by Vance Hartwell, an employee of Legacy Effects.[62]

Chitti's looks were based on the G.I. Joe action figures. For Chitti's "negative robot" look, his hair was spiked and brown coloured lens were used for the eyes, whereas for Chitti's "good robot" look, green coloured lens were used.[60] The wig used for the rogue Chitti had a silver streak in the middle, and was made out of Yak hair.[63] The leather jacket of the rogue Chitti was designed by Vogt.[63] To make Vaseegaran look mature, the team made Rajinikanth sport an Oakley beard.[Note 4] Suits made of copper were used for Chitti's costumes.[65] To differentiate the voices of Vaseegaran and Chitti, Rajinikanth modulated his voice accordingly.[37]

Principal photography

For Sabu Cyril's sets, Shankar required around twice as much of studio floor space than his last film. After rejecting Ramoji Film City for technical reasons, Maran set up within six months three gleaming air-conditioned studio floors on land in Perungudi owned by Sun Network.[66] Filming began on 15 February 2008 at the AVM Studios in Chennai, when portfolio photographer Venket Ram did a photo shoot with Rajinikanth.[50] Following this initial shoot, Shankar and Rathnavelu went on a three week world tour for choosing exotic locations to film important sequences. The notable places the team visited were Vienna, Austria; Rio de Janeiro, Brazil; and Hanoi, Vietnam.[67] By July 2008, three photo shoots were completed—two in Chennai and one in Mumbai.[68] The second photo shoot in Chennai was held in Nungambakkam.[69]

In December 2008,[70] the scene where Vaseegaran introduces Chitti at the international robotics conference, was shot at the Sri Sivasubramaniya Nadar College of Engineering and also at the Vellore Institute of Technology, where over 400 students were used as extras.[71] The scene also featured Rai, Santhanam and Karunas.[71][72] Filming also took place for five days at the Ennore Port on the Mitsui O.S.K. Lines car carrier, Neptune Ace.[73][74] The action sequence where Chitti saves Sana from the thugs was filmed in Lonavla, under the supervision of Peter Hein.[75] Scenes featuring Rajinikanth as Chitti, the Robot, were shot for five days at the Perungudi Dump Yard in Chennai.[76]

Sabu Cyril told Uma Kannan of The New Indian Express that the sets for the climax sequence, which was filmed at Mayajaal, consisted of a tar road and glass buildings which went up to 65 feet (20 m),[77] and Aluminium Composite Panels were also used to design the sets, which was reported to have cost 50 million.[78] Filming wrapped on 8 July 2010.[79]

Rathnavelu used the 435 Xtreme camera,[80] and also wrote a 1600-page manual, in which he listed all possible angles from where the characters played by Rajinikanth can be filmed.[81] The robot Chitti, which featured in the film, was a mannequin created in Los Angeles by Legacy Effects. A total of 100 technicians worked on its manufacture. After its usage in the film's production stages, the mannequin was returned to Stan Winston Studio in February 2011.[82] For the crane shots,[Note 5] a crane manufactured by the Munich-based film technical company, Panther, was used.[83]

Song sequences

The residential section of the Incan city of Machu Picchu.
View of the residential section of Machu Picchu, which features in the song "Kilimanjaro".

In June 2008, Shankar and Rathnavelu, along with Ramji, who was the location designer for the song "Konjam Neram" from Chandramukhi (2005),[84] went to Austria, Germany, Peru, Brazil and Argentina to shoot "Kilimanjaro" and "Kadhal Anukkal".[85] Eventually, Peru and Brazil were chosen by Shankar.[86][87] When in Brazil, Shankar selected 100 girls for filming "Kilimanjaro".[85] The song was filmed at the ruins of the Incan city of Machu Picchu in Peru.[86] It was choreographed by Raju Sundaram and supervised by Fernando Astete, director of the Machu Picchu archaeological park.[86][88] This led to Enthiran becoming the first Indian film to be filmed in Machu Picchu.[89] Rai completed shooting for the song sequence of "Kilimanjaro" without rehearsals.[90] "Kadhal Anukkal" was filmed in Lençóis Maranhenses National Park in northeastern Brazil.[87] "Boom Boom Robo Da" was filmed at Himachal Pradesh and Chennai.[37][91]

The shooting set for "Arima Arima", which was choreographed by Prabhu Deva,[92] was designed and constructed by Sabu Cyril at Ramoji Film City in Hyderabad.[77] Filming of the song took place in April 2009 for 22 days.[92] Rathnavelu used clones of Rajinikanth, besides employing junior artists wearing masks of Rajinikanth.[93] For the song, "Irumbile Oru Idhaiyam", which was choreographed by Remo D'Souza and featured Rai and Rajinikanth as Chitti,[94] three different sets were used—one of copper, one with gold and one in silver.[77] The song sequence, which was filmed in AVM Studios for eight days, was the last portion of the film's principal photography.[94] D'Souza incorporated the popping style of street dances.[94] According to him, the problem he faced was applying the dance movements with rigid costumes and also making robotic movements in tandem with the dance movements.[94]

Visual effects

In December 2007, Srinivas Mohan became the film's visual effects supervisor after being impressed with the film's script,[95] and also requested Shankar to adjust the filming schedules to allow for six additional months for pre-production.[96] Both Mohan and Shankar had visited visual effects companies like the New Zealand-based Weta Digital, and the US-based Industrial Light & Magic, Cafe FX and Tippett Studio, before partnering with Legacy Effects.[95][97] When Eros-Ayngaran were the producers, the planned budget for the visual effects was 700 million. When Sun Pictures took over, the budget was restricted to 200 million. As a result of this, the visual effects team had to omit and alter some sequences, including making Chitti wear sunglasses for most of the film due to the difficulty in animating his eyes, which would have been more time consuming and would cost more.[98]

Realising that it would be a difficult task, Mohan requested Shankar to use the technique of previsualisation. To learn whether the technique would be beneficial to the film, Mohan conducted a series of tests where previsualisation can be potentially used. The first test Mohan conducted on previsualisation was on the scene where Chitti jumps on the train to save Sana from the thugs. Out of the 60 scenes which featured in the film, the technique was used for 40 of them,[95] while the number of takes were 2000.[55] Additional supervision of the previsualisation technique was done by P. C. Sanath of Firefly Creative Studios, a visual effects company based in Hyderabad.[96] 3D Storyboards were constructed using 3D animation programs for every scene in the film and were shot in different angles.[96] In an interview with Malathi Rangarajan of The Hindu, Mohan said that the entire pre-production work, from the 3D storyboards to the photo shoots, took one and a half years to complete.[55]

The CGI was done at Legacy Effects and also at the Hong Kong-based visual effects companies, Kinomotive Studios and Menfond Electronics.[55] In the film's climax, apart from the shooting sets that appear in the background, the sphere and snake formations and the helicopters were created using CGI.[95] To create the robots which looked like Rajinikanth, a complete scan of his face was done using the Doom Light Stage,[Note 6] where his face was scanned in 3D digital format in all possible lighting conditions so that his face could be replicated on the mannequins.[96] The technique, according to Shankar, was previously used in The Curious Case of Benjamin Button (2008).[100] For every robotic mannequin used, six puppeteers were employed to control the mannequin's movements.[55]

Themes and influences

Enthiran focuses on the story of the battle between man and machine.[101] According to A. Srivathsan of The Hindu, the scene where Chitti rescues Selvi from the fire shows Vaseegaran not rushing to Selvi's rescue by immediately covering her with his shirt, which was something Rajinikanth does in other films, both to the damsels in distress and to the heroine.[101] Another critic from The Hindu, S. Shiva Kumar, said that Rajinikanth's style and mannerisms are similar to his performances in the films Moondru Mudichu (1976), Avargal (1977) and Moondru Mugam (1982).[102] Behindwoods compared Enthiran to Bicentennial Man (1999) as in the song, "Puthiya Manidha", Chitti is addressed as "Puthiya Manidha", meaning "New Man"; according to Behindwoods, "Never before, except in the movie Bicentennial Man, has a robot been referred to as human".[103]

Despite an early claim by Shankar that Enthiran was a purely original idea,[13] the film has often been compared to Mary Shelley's 1818 novel Frankenstein, due to Chitti and Frankenstein's monster's similarities to go rogue and turn against their respective creators.[104][105] K. Moti Gokulsing and Wimal Dissanayake, in their book Routledge Handbook of Indian Cinemas, commented that Chitti was "manipulated by Bohra to become a Frankenstein - like figure on speed".[106] Genevieve Koski, writing for The A.V. Club, called the film "essentially Frankenstein via [Isaac] Asimov's Three Laws Of Robotics".[107] Aniruddha Guha of Daily News and Analysis said that Chitti's pranks were similar to those featured in The Mask (1994).[108] Director and film critic Sudhish Kamath said that Shankar had taken a "sci-fi plot, moulded it within the trappings of his already complex mixed masala genre. The end product is a fascinating blend". He compared Enthiran to the Hindu epic, Ramayana by mentioning, "the villain even compares the abducted heroine Sana to Sita". Kamath noted that Enthiran's similarities to The Terminator (1984) were "more than obvious. Not just visually — where we see the Superstar with one human eye and one scarred metallic eye but also intentionally spelt out when the bad robot announces that he has created Terminators."[4]

Although Shankar made an early claim that Enthiran would be made for all audiences, including those who may lack computer literacy,[109] the film is influenced by and makes references to many scientific principles relating to the fields of engineering, computer science, and robotics. These include terabytes, zigabytes and Asimov's laws of robotics.[110] The title of the song "Kadhal Anukkal" literally means "love atoms". The line "Neutron Electron – un neelakannil mottham etthanai" refers to the neutron and electron.[111] Asimov and the scientists Isaac Newton and Albert Einstein are mentioned in the song "Boom Boom Robo Da" in the line "Issac Asimovim velaiyo robo, Issac [sic] Newtonin leelaiyo robo, Albert Einstein moolaiyo robo", essentially comparing the robot to them.[112] The song "Irumbile Oru Irudhaiyam" also makes references to many technical terms; the line "Google-Kal Kanadha Thedalgal Ennodu" references the search engine Google, while the line "En Neela Pallale Unnodu Siripen" translates to "I will smile at you with my blue tooth", alluding to the wireless technology bluetooth.[113] Visual references are made to the Stephen Hawking-Leonard Mlodinow book A Briefer History of Time (2005), and the Steven Levitt-Stephen J. Dubner book Freakonomics (2005).[25]

Music

The film's soundtrack album, composed by A. R. Rahman, was released on 31 July 2010 at the Putrajaya International Convention Centre in Kuala Lumpur, Malaysia.[114] The release rights to the album were purchased by Think Music for 70 million.[115] The album of the film's Telugu version, Robo, was released on 6 August 2010, while its Hindi version, Robot, was released on 14 August 2010.[116][117] The Tamil and Telugu versions were released by Think Music, while the Hindi version was released by Venus Music.[118] After the second day of release, the album reached number one on the Top 10 World Albums chart on iTunes in the United States, the United Kingdom and Australia, making it the first Tamil album to do so.[82][119]

Release

Enthiran was initially scheduled for release on 24 September 2010, but was postponed due to the court verdict regarding the Babri Masjid demolition case.[120] The film was released on 1 October 2010 in 3000 theatres and in three languages—in Tamil as Enthiran, in Hindi as Robot and in Telugu as Robo.[2][121] The original version was in Tamil, while the Hindi and Telugu versions were dubbed.[2] The film was released in 500 screens in Tamil Nadu,[122] 350 screens in Andhra Pradesh,[122] 128 screens in Kerala,[123] 23 screens in Karnataka,[124] 1000 screens in North India,[82] and in 500 theatres overseas.[82] With an estimated budget of 1.32 billion,[125] Enthiran was India's most expensive film at the time of its release,[2][126][127] surpassing the then record of the Hindi film Blue (2009), for which the budget was 750 million.[71][128]

Enthiran became the first Tamil film to be released at the Norwegian theatre complex, Colosseum Kino.[129] The film was released in Japan in May 2012, after being edited to a running time of two hours, and was first screened at the 24th Tokyo International Film Festival. However, on public demand, the original unedited three-hour version was also released there.[130]

The film was screened at the 21st Bath Film Festival.[131] At the 24th Tokyo International Film Festival, it won a special award under the section "Winds of Asia-Middle East".[132][133]

Marketing

The first poster for the film was released on 8 September 2008.[134] The film's trailer was released on 11 September 2010 at the Sathyam Cinemas theatre complex in Chennai.[135] Behindwoods, in its trailer review, wrote, "... go watch the trailer as soon as you can ... the countdown has begun and you don't want to miss any of the action. Endhiran – The Robot [sic] will soon take you by storm."[136]

To promote the film, AGS Entertainment organised a film festival where popular films of Rajinikanth were screened at the company's theatre in Villivakkam from 25 September 2010 until the film's release date.[137] The Department of Posts printed 100,000 post cards in Coimbatore featuring an advertisement of the film.[Note 7] The Department earned 225,000 from their promotional activities.[138]

A total of 500 million was invested by Sun Pictures on promotional activities.[25] Advance bookings for the film began two weeks before the release date in the United States. In the Jackson Heights neighbourhood in New York, tickets were sold out within ten minutes of going on sale.[139] Advance bookings in Tamil Nadu began on 25 September 2010.[140]

Distribution

Distribution rights for both the Telugu and Hindi versions were sold to Gemini Film Circuit for 200 million and 300 million respectively.[141][Note 8] Rights in Kerala were sold for 50 million,[145] while the rights in Karnataka were sold for 100 million.[146] The distribution rights in Mumbai were sold to Shringar Films, whereas Mukta Arts purchased the rights in Delhi, Uttar Pradesh and Eastern Punjab.[147] The distribution rights in the United States were purchased by FICUS Entertainment.[148] In the United Kingdom, Enthiran was released by Ayngaran International while Robot was released by B4U Network.[1]

Plagiarism allegations

Four separate allegations of plagiarism were made against the film. In August 2010, Indian author Vijayarke claimed that Enthiran's story was similar to that of his 2002 science fiction novel, Man Robot, and demanded a credit.[149][150] Tamil novelist, Aarur Thamizhnadan, also made a complaint with the Chennai Metropolitan Police against the filmmakers, stating that the producers plagiarised his 1996 novel Jugiba.[150][151] Thamizhnadan also demanded 10 million from the director and producers for damages.[152] Science fiction writer P. S. Arnica Nasar also filed a case with the Chennai Police stating that Shankar had "stolen" the central plot from Robot Thozhirsalai, a novel Nasar had published in 1995.[150][153] Finally, M. V. Vijay Kumar, a professor of the New Horizon College of Engineering, issued a legal notice stating that the filmmakers used technical aspects based on his thesis and research papers.[154] All the allegations proved to be false.[155]

Home media

The satellite rights were purchased by Sun TV.[125] Ayngaran International released the 2 DVD set of the film in early 2011.[156] DVD marketing in India was handled by Moser Baer.[157]

Reception

Critical response

India

Enthiran received generally positive reviews from critics in India, with praises particularly directed at Rathnavelu's cinematography, Cyril's art direction, Srinivas Mohan's visual effects and Rajinikanth's performance as Chitti.[158][159]

Original version

On 13 October 2010, Ananda Vikatan appreciated the film and mentioned, "Director Shankar and his team must be appreciated for taking Tamil Cinema to the international arena in terms of technological aspects through their hard work", rating the film 45 out of 100.[160] Kumudam gave the film a "Super" rating, while saying that the film "is an answer to the longing of many Indians for an Indian film matching Hollywood standards."[160]

Behindwoods gave the film 4 out of 5 stars, highlighting its direction and visual effects. On Rajinikanth's performance as the rogue Chitti, the website claimed that "no one other than Rajinikanth could have pulled off this character ... exuding brilliance and charisma in every frame." before concluding that the film was "Indian cinema's pinnacle of evolution".[161] Kaveree Bamzai of India Today gave the film 4 out of 5 stars, and praised Rajinikanth's acting in the film, stating that "Rajni tells us why robot sapiens are superior to homo sapiens", before concluding her review by saying, "Happy Diwali, folks."[162] Aniruddha Guha of Daily News and Analysis wrote, "The film has the best special effects ever seen in a Tamil film ... Robot, simply put, is one of the most entertaining Tamil films – across all languages –ever made", and gave the film a rating of 4 out of 5 stars.[108]

Bhama Devi Ravi of The Times of India gave 4 out of 5 stars, noting "Who would have thought you would root for anyone other than Rajni in his film?"[163] Pavithra Srinivasan of Rediff gave 3.5 out of 5 stars and said "All said and done, this is a Shankar film where he strikes the balance between science fiction and masala quotient. Whichever way you look at it, Endhiran [sic] is one of those rare films that give you just enough material to pull you in."[164] In contrast, Gautaman Bhaskaran of The Hindustan Times rated it 2 out of 5, saying that "Shankar's work slips into a loud, overdramatic and exaggerated mess."[165]

Malini Mannath of The New Indian Express said, "An engaging script, brilliant special effects, and a debonair hero who still carries his charisma effortlessly. And for the viewer, a larger than life experience".[104] Karthik Subramanian from The Hindu said "Actors tend to get lost in special effects movies. But not so in Enthiran. Rajinikanth and Aishwarya Rai Bachchan carry the movie on their shoulders, and considering the fact that much of the acting must have been in front of green screens, one has to say that nothing looks artificial right through."[166] Sify said the film "will make you completely surrender to power of visual extravaganza and the technical finesse ... Go for it for Rajinikanth, he is in rocking form."[167]

Other versions

Reviewing Robot, Taran Adarsh of Bollywood Hungama rated it 4 out of 5, calling it a "crowd-pleasing and hugely mass appealing tale of android revolution with a thrilling plot, rich and imaginative screenplay, super action, astounding effects and most importantly, Rajinikanth, who is the soul of the film. It's the Big Daddy of all entertainers. Miss it at your own risk!"[168] Nikhat Kazmi of The Times of India rated it 4 out of 5, calling it the perfect getaway film.[169] Zee TV rated Robot 4 stars out of 5 and called it "a roller-costar [sic] ride, where you will see not one Rajni, but hundreds of them eating up helicopters, smashing cars, battering planet earth and creating havoc, like never before."[170]

Anupama Chopra, writing for NDTV, stated that Rajinikanth makes Chitti "endearing", while rating it 3.5 out of 5.[171] Rajeev Masand of CNN-IBN said "In the end, it's the fantastic special effects and an inspired performance from Rajnikant that keeps the film fresh", rating it 3 out of 5.[172] Mayank Shekhar from The Hindustan Times rated it 3 out of 5 and said "Leave aside jokes running on the Internet. This film, just a few feet too long, is fine entertainment by itself."[173] Sonia Chopra of Sify praised the film's visual effects, calling it "the cream of the film", while rating the film 3 out of 5 as well.[174] Reviewing the Telugu version, Sify said that it was "Worth a watch".[175]

Overseas

Enthiran received generally positive response from critics abroad. It has a rating of 67% on the review aggregator website, Rotten Tomatoes, based on six reviews.[176]

Lisa Tsering from The Hollywood Reporter began her review by saying that "Rajinikanth is such a badass that Chuck Norris is afraid of him.", and praised the locations where the film was shot, especially the "Kilimanjaro" song sequence, but criticised the length of the film's climax portions.[177] Genevieve Koski from the AV Club called Enthiran "pretty good", and concluded "If you prefer elaborate costumes and dance music mixed in with your killer-robot action, expect to enjoy up to an hour of Enthiran."[107] Marc Savlov of The Austin Chronicle said, "Good, bad, and weird in equal amounts, it's the best apocalyptic sci-fi-romcom-melodrama-dance-off date movie of the year."[178] Roger Moore, writing for the Orlando Sentinel, gave a mixed review, stating that the film was "A melodramatic kitschy Indian musical about a robot built for national defense but who discovers his human side."[176]

After the screening of the film took place at the Mumbai International Film Festival, American film director Oliver Stone praised Enthiran for being very "original".[179] Conversely, Joe Leydon of Variety said that Shankar "riffs on everything" from Frankenstein to The Terminator, but called the film "An overwhelming mash-up of American-style, f/x-driven sci-fi spectacle and a Bollywood musical."[180] Akifumi Sugihara, director of the Film Business division of Nikkatsu said, "The picture itself is rather unique, interesting, funny and marketable".[181] Miwako Fujioka, a member of the Japan—based Happinet Corporation, called Enthiran, "a Bollywood Transformers type of film with a lot of Indian flavours in it."[181]

Box office

Box Office India estimated the final earnings of the film (including the film's dubbed versions) at about 1.865 billion "domestic nett" while overseas earnings were around US$12 million, thereby making it the second highest grossing Indian film at that point of time after 3 Idiots (2009).[182] According to a February 2015 report by The Hindustan Times, the film has grossed 2.56 billion worldwide in its lifetime.[183] Enthiran emerged as the top grossing Indian film of 2010 ahead of My Name Is Khan and Dabangg,[182] and remains the highest grossing Tamil film of all time.[184]

According to Sun TV Network's report, Enthiran's revenue accounted for approximately 30 per cent of the total revenue for the company's fourth-quarter in 2010,[185] while also stating that Enthiran yielded a revenue of 1.79 billion.[185] In 2012, W. Hansraj Saxena, Chief Operating Officer of Sun TV Network, told The Hindu that the film collected a worldwide gross of 2.10 billion.[186]

Awards and nominations

The film won a number of awards in many ceremonies, including two National Film Awards — one for Best Special Effects and the other for Best Production Design.[187] It also won three Filmfare Awards,[188][189] and seven Vijay Awards.[190] Rajinikanth won the Vijay Award for Best Villain and the Vijay Award for Favourite Hero,[190] and was nominated for the Best Actor category at the Filmfare Awards.[188]

Legacy

In a personal appreciation letter to Shankar following the film's release, director K. Balachander described Shankar as India's James Cameron, Enthiran as India's Avatar (2009), and Sun Pictures as India's Metro-Goldwyn-Mayer.[191] On 13 December 2010, the Internet Movie Database (IMDb) announced its list of top-205 films during the year 2010 amongst which Enthiran was in the top 50, holding the 39th spot with a score of 7.4/10. It is also the only Tamil film to be featured in this list.[179] The film has been included as a case study in a postgraduate elective course of the Indian Institute of Management Ahmedabad, "Contemporary Film Industry: A Business Perspective".[192]

Scenes from Enthiran, particularly one known as the "Black Sheep" scene,[Note 9] have been parodied in other films, including Mankatha (2011),[194] Osthe (2011),[195] Singam II (2013),[196] Ya Ya (2013),[197] as well as in the Telugu films Dookudu (2011) and Nuvva Nena (2011).[198][199] Chitti often introduces himself by stating the clock rate of his central processing unit and his random-access memory limit, which are respectively 1 terahertz (1012 hertz) and 1 zetabyte (1021 bytes). This introduction dialogue, which is spoken by Chitti as "Hi, I'm Chitti, speed 1 terahertz, memory 1 zettabyte." also became popular.[96][200] Rajinikanth had a cameo as Chitti in the science-fiction film Ra.One (2011),[201] The music video for the 2011 song "Run the World (Girls)" by Beyoncé shows her taming two drooling hyenas in reins in the style of a dominatrix, similar to how Chitti controls two robotic lions on leash in "Arima Arima". Hansraj Saxena commented on this, "We should feel proud that we are rocking, and that internationally, it (the scene) has been stolen".[202]

See also

Notes

  1. ^ The British Board of Film Classification gives the runtime as 166 minutes,[1] while the 2011 book The Best of Tamil Cinema by G. Dhananjayan, and Amazon.com give it as 172 minutes and 177 minutes respectively.[2][3]
  2. ^ Santhanam and Karunas had previously worked with Rajinikanth in Kuselan (2008) and Baba (2002) respectively.[38][39]
  3. ^ Vogt was also the costume designer for the Men in Black film series.[57]
  4. ^ According to Banu, an Oakley beard is "neither a French beard not a full beard". It developed as a result of shaping Rajinikanth's already grown beard.[64]
  5. ^ In filmmaking and video production, a crane shot is a shot taken by a camera on a crane or jib.
  6. ^ The Doom Light Stage is based on an original research conducted by Paul Debevec at the ICT division of the University of California, Berkeley. The Light Stage systems efficiently capture how an actor's face appears when lit from every possible lighting direction. From this captured imagery, realistic virtual renditions of the actor are created in the illumination of any location or set, faithfully reproducing the colour, texture, shine, shading, and translucency of the actor's skin.[99]
  7. ^ The term Paisa is a monetary unit used in several countries. In India, Nepal and Pakistan, the paisa currently equals 1100 of a rupee. In Bangladesh, the poisha equals 1100 of a Bangladeshi taka. In Oman, the baisa equals 11000 of an Omani rial.
  8. ^ Before the rights were sold to Gemini Film Circuit, in August 2010, Telugu producer Chadalavada Srinivasa Rao claimed to have purchased the rights for the Telugu dubbed version Robo for 270 million, but the claim was denied by Sun Pictures, who clarified that the company had not yet sold any distribution rights to anyone.[142] After an initial unsuccessful attempt to take legal action on Sun Pictures, Rao lodged a complaint with the Andhra Pradesh Film Chamber of Commerce against Sun Pictures, claiming that they had been "defaming and cheating" him.[143] After finally acknowledging Rao's purchase, Sun Pictures filed a police complaint initiating a formal investigation, which led to the arrest of two individuals for illegally trying to sell the film distribution rights.[144]
  9. ^ The "Black Sheep" scene refers to the scene where Chitti finds Dr. Vaseegaran disguised as him amidst the robot army.[55][193]

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